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Las hijas de la criada capitulo 5
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00:26Subscribe to the channel!
00:30She's not the only one!
00:31What is that plague?
00:32And the other one?
00:33It just can't be?
00:34It was him, Mother.
00:35Who sabotaged the factory?
00:36He and his father.
00:37My daughter needs to know.
00:39He knows nothing.
00:41I switched you with Clara at birth so that you could have the life you deserved.
00:46I made a mistake.
01:18Leave.
01:19We work the night shift.
01:20How elegant!
01:21Thank you.
01:23Jaime.
01:24Hi, Clara.
01:25This just arrived.
01:27The proof that the effort is worthwhile is that we have been nominated for the award for best cannery.
01:32Congratulations!
01:33What does it say? How wonderful!
01:34There are five more candidates.
01:36Well, that's great news.
01:37Imagine if they gave it to us!
01:39You'll have to dress up too.
01:41By the way, where's your sister? Are you running late?
01:42Well, I don't know.
01:43Well, it's the party of the summer that will re-impress everyone.
01:47I'll stop by the factory later, okay?
01:48OK.
01:49See you later.
01:55Catalina!
01:56Oh, this girl.
01:58Your sister has me worried.
02:01He says he's fine, but he's stopped drawing.
02:03She spends all day away from home, I don't know what to do with her.
02:05I'll keep an eye on it, Mom.
02:07Don't worry.
02:08What doesn't he have to worry about?
02:10You're welcome, daughter.
02:11You look beautiful.
02:12Don't come back late, okay?
02:13I'm not promising anything.
02:14It's Saint John's Day.
02:16Anything can happen.
02:23Aha!
02:27No representation.
02:29No.
02:35Don't worry.
02:37You're not that good.
02:38No.
02:39No.
02:39Don't worry.
02:40Fair.
02:40It ...
02:41No.
02:43No.
02:45No.
02:47No.
02:47No.
02:53Stop watching me and have some fun.
02:57You don't have to do everything your mother says.
02:59I'm not watching you
03:01Come on, let's find you a nice girl
03:03No, no, no, no, no, no, no, no, no, no
03:05Look at them, all those over there are eager
03:07Take them out dancing
03:08Talina, that's enough.
03:10Oh, how boring.
03:11The whole group singing the dormouse
03:14Vigo Sporting 9, Betis 0
03:19I bet, I bet 8, 0
03:22What, are you serious? Am I boring you, or are you Betis?
03:25Don't take it the wrong way, there's a night shift at the factory and he's eager to stop by.
03:30He's a little obsessed with work
03:33Or with the maid's daughter
03:35Her name is Clara
03:37And he's an excellent worker.
03:39What does it matter whose daughter she is?
03:42Soto Mayor Andrade
03:44Barba Pelae
03:44Present
03:45Vázquez de Seixas
03:47Here, it does matter whose children we are.
03:54Take
03:55Take care of her for me
04:08Okay, colleagues
04:09During the break, you have to drink all the wine.
04:13Come on, yes sir, you're going to get lost, go on, you're going to get mafrar
04:19What, did you underestimate us by so much?
04:21Well, there are days
04:23I came to see if you work as badly as you do at the sawmill
04:26Well, it's even worse now.
04:27No, but hey, they treat you well, right?
04:29Well, it's noticeable.
04:30Better salary and better conditions, right?
04:33I cry like this
04:35Are you going, Uncle Fermín?
04:36Hi how are things?
04:38Come
04:38Are you happy?
04:39Man, will he stop us now?
04:40Yeah
04:41Are you going to stay for a while?
04:43Yeah
04:44That
04:45I wanted to tell you something
04:48Because you're not the only family I have left.
04:51You were always a father to me.
04:54Yeah, baby
04:55That
04:56Well, I wanted to tell you that
04:59That there was no consensus on this day
05:02Yes, I already knew it.
05:03But let's be serious, okay?
05:05And I don't want to do anything behind your back.
05:08He's a good kid
05:10I just want you to give it a chance.
05:13What, Don Fermín?
05:15Are you going to take conca connos?
05:16What? Will you vote?
05:17No, uh
05:19What smells like?
05:22To the smoke
05:23Now I'm really in shock.
05:41So we're going to be a family
05:44It seems to be
05:46Give me a hug, man
05:53Give me a hug
05:54Come on
05:55Come on
05:55Go with Clara and enjoy
06:01That?
06:02Health
06:04Anyone else want some?
06:05Hey?
06:06No, it's you
06:06No, it's you
06:07No, it's you
06:08No, it's you
06:08No, it's you
06:08No, it's you
06:09How are they?
06:09Come on
06:09What about Toñito?
06:11I'll come back
06:12Like 20
06:13Hahaha!
06:14No, no, no!
06:16No, no, no
06:18No, no, no
06:19No, no, no
06:19No, no, no
06:20No, no, no
06:20No no
06:20No no
06:21No, no, no
06:24The child was fulfilled
06:25It's delicious
06:29It's good.
06:31It's good.
07:00For it to be fulfilled
07:01You have to close your eyes
07:02And wait for it to burn
07:03And who said that?
07:05Uh, like that
07:05That's not how it is, or you'll see.
07:07Man, of course
07:07Man, of course
07:11Always
07:11Man, of course
07:12Man, first of all, calm down
07:13Yes, but
07:14What do you remember?
07:15What do you remember?
07:16Yes, look
07:16But the urine still burns a little.
07:18Are they okay?
07:19Good, huh?
07:19Okay, okay
07:20Well, nothing.
07:22Elyllico
07:22Should I avoid it?
07:22But urine burns a little
07:29Pe
07:44Other Legends?
07:46Father?
07:56Oh, my son.
08:17So this is the dazzling one.
08:22A new life for the old warehouse, huh?
08:28Pattern!
08:29Fermín!
08:30What a surprise!
08:32What joy!
08:33You look the same!
08:34Well, more or less.
08:36Clara! Clara, come here!
08:38How's everything?
08:40This is Clara, my niece.
08:42Renata's daughter.
08:43Say hello to Mr. Gustavo.
08:45A pleasure.
08:50When the man went to Cuba, you were still a baby.
08:55Well, it's been a very long journey.
08:57Yes, excuse me.
09:00Son, will you come home with me?
09:02Good night.
09:31Tell me.
09:32I'll take care of it.
09:33Thank you.
09:43There are new guards.
09:45A young married couple with a daughter.
09:52Do you really have nothing to say?
09:54What do you want me to say, son?
10:03But I can't just come back after what I did and pretend nothing happened.
10:08I knew how important the factory was to my mother.
10:12And now José was very petty in trying to sink her.
10:16He should be ashamed.
10:20And I am, son.
10:22I am.
10:27Most Holy Virgin of El Cobre.
10:29Where have you come from, sir?
10:30Limits.
10:37Here we are.
10:47Son, you're back so soon!
10:51Is something wrong?
10:54He is a father.
10:56As?
11:02Hello, Inés.
11:08He was right.
11:10I should have come back with you.
11:13I made a mistake.
11:17Tell Limita to prepare something to eat.
11:20And serve it in the dining room.
11:21I need to change.
11:23Clear.
11:29Come on, dance the last one with me.
11:31Catalina, there is no music.
11:32What does it matter?
11:34Well, the party's over.
11:35I promised your brother that I have to take you.
11:38My brother is not my owner.
11:40Yeah.
11:41Let's go somewhere else.
11:43San Juan, summer has just begun.
11:45Listen, nothing is open.
11:47Where are you going?
11:48Shall we join you?
11:49I don't think anything is open.
11:50Yes, there is, the dazzling one.
11:52My brother is there.
11:53And besides, it's a night for stockings.
11:57It's late, you've drunk too much.
11:59And we're not going anywhere, okay?
12:02Do you have a car?
12:04Oh.
12:05I'm going.
12:06Whenever you want.
12:08Come on.
12:12Wait.
12:13Water from Seven Springs.
12:14Okay, baby, here you go.
12:15St. John's wort.
12:16There is a bird of prey.
12:17Missing?
12:18Yes, a chocolate.
12:19No, there isn't one.
12:20Ah.
12:20Center.
12:21Let's see, a little bit of...
12:23Mauve, right?
12:25Mauve, yes.
12:26Add a little bit of center.
12:32Come on, give it a try, it works.
12:34Do we have to work?
12:35Oh yes, but it's burning.
12:36Wait, wait.
12:38Mouchos and coruxas, toads and witches, may the light cleanse us, may those who are not here accompany us.
12:55Okay, okay, okay.
12:57But we have the sailor here.
13:01What did I tell you?
13:02Night of meiras.
13:04Any minute now we'll see ourselves flying off on broomsticks.
13:09Well, the party's over, isn't it?
13:11Yes of course.
13:13We have queimadas, if you'd like.
13:14Or we can show you the factory.
13:16It won't be necessary.
13:17All of this is mine.
13:20Is the queimada safe, or will I turn into a witch like you?
13:25We are workers.
13:27Well, if you tell yourself that.
13:29Ah!
13:29You have to jump over the bonfire to have a good year.
13:33Come on, who's cheering you on?
13:36Boring.
13:37What are you doing?
13:38What are you doing?
13:38Stop, stop, Catalina, man, you're going to hug yourself.
13:40Hey, let me go, okay?
13:41Who do you think you are?
13:42It's over.
13:43Come on.
13:44There we are.
13:45The break is over.
13:46Let me go.
13:47Listen carefully, I'm not going to let go of you until I'm sure you won't hurt yourself.
13:57You don't love yourself either.
14:01That?
14:04And you?
14:07How do you want it?
14:14Stop, what are you doing?
14:15What are you doing?
14:23Goes!
14:24Catalina!
14:46Well, Adelina Barba Peláez.
14:49The flu took her too.
14:50Oh.
14:56And Clara, the daughter of the caretakers, the one we met with Fermín.
15:01Yeah.
15:02Well, he lives here in El Pazo now, in one of the servants' rooms.
15:06Why's that?
15:08Because I decided it.
15:11Yes, Clara, she's one of us, right?
15:13And very helpful.
15:15Work with us in the dazzling.
15:18We're doing very well.
15:19Despite your efforts to sink the company.
15:25Official suppliers to the Royal Household...
15:26Jaime, please leave us alone.
15:38Why have you come, Gustavo?
15:41This is my house.
15:43You are my family.
15:47Look, I'm not going to stop you from seeing your children.
15:51They're old enough to know what kind of relationship they want with you.
15:55But as far as I'm concerned, you no longer have a family here.
16:01Inés, wait.
16:10I'm sorry.
16:12You can't imagine how much.
16:15I regret each and every thing I have done wrong.
16:18I was wrong to oppose your return and to let you do it without me.
16:22But above all, I made a mistake by sending José.
16:24Do you know the damage you've done to your daughter?
16:26Do you know that Catalina hasn't been the same since?
16:28Yes, and I will never forgive myself for it.
16:31But now I'm here.
16:35Love.
16:39My intention was to return earlier.
16:42I explained everything to you in my last letter.
16:44And I understand your silence, I understand why you didn't answer.
16:46But I'm not leaving now.
16:49And I will compensate you.
16:50Everything will be different.
16:51Late.
16:53Too late, Gustavo.
16:56It seemed impossible, but we have learned to live without you.
16:58And we don't need you anymore.
17:01I don't need you.
17:05Mother.
17:06Not now.
17:15It needs time.
17:16Like everyone else.
17:18Good night.
17:33Miss.
17:33I'm not in the mood for one of your sermons.
17:35Bills are not a matter of time for a young lady.
17:42Daughter.
17:44I'm here now.
17:46Give me a hug, please.
17:56I received your letter.
17:58I'm sorry I haven't answered you, but I wanted to do it in person.
18:01I wanted to hug you and make sure you were okay.
18:07Daughter, if I didn't come before it was because I needed all this time to properly close the business deals.
18:11Your mother told me how badly you've been feeling about José.
18:15I don't care about José.
18:19Well, but I'm sorry for making you suffer.
18:26You are the most important thing to me.
18:31You always have been.
18:33You know that very well.
18:35You are my little one.
18:36The one who understands me best.
18:39TRUE?
18:42Daughter, I've come back to fix everything.
18:45And I'm not going anywhere.
18:47Everything will go back to the way it was before.
18:49We are a family and that's not going to change.
18:51I assure you.
18:56By the way.
18:58Ah, in your letter you mentioned Renata.
19:04You said he spoke to you before he died.
19:07And that you didn't quite know what to do with their words.
19:10What did he tell you?
19:17Well, look, he told me that...
19:27He promised her the land he worked and did not keep his word.
19:33I didn't know whether to believe her or not.
19:39Oh, and...
19:42AND?
19:44No, that's all.
19:48Well, I don't know.
19:50I don't know, maybe we talked about it once, but...
19:55It's been so long that I don't know.
19:57In short, may God have her in his glory.
20:00And now, if you like, let's rest, because I think we both need it.
20:27Good morning.
20:29Sorry to interrupt.
20:32We have a problem.
20:35Let's talk outside.
20:43What's happening?
20:45The widows lost the fleet.
20:47That?
20:48To the tunnel.
20:50Moncha the eldest has given it her all.
20:52And now they have nothing with which to deal with the debt.
20:54But without those boats we have no fish.
20:56No.
21:02Limits.
21:04Lady.
21:05Tell Don Castor that I need to talk to him.
21:08Okay, ma'am.
21:10Either we do something quickly or we're lost.
21:12OK.
21:23Hello, daughter.
21:25Congratulations!
21:26I already heard the good news.
21:29I'm so glad Gustavo is back.
21:31And the spouses together, as it should be.
21:35Sit down.
21:37Ladies, I'm glad to see you, although I'm sorry for the reason.
21:40A disgrace.
21:42Play.
21:43Play a chopped coffee.
21:45And ruin your sisters?
21:47Ladies, stay calm.
21:48Now we need to focus on what's important.
21:51Find a solution.
21:53There you have all the details about the debt.
21:55Don Castor has already informed us and my son has prepared an offer for them.
21:59Yes, all the conditions are detailed here.
22:02Thank you so much.
22:03We will renegotiate the debt.
22:04Their fleet will become the property of the dazzling one.
22:07And, of course, we'll include a sum in the deal for you.
22:15It is the most important fleet in Pontevedra.
22:21May I have the pen?
22:23Yes of course.
22:24Thank you so much.
22:31We will not accept an amount below this.
22:41It's a shame because my offer is more than reasonable considering your situation.
23:09Deal done.
23:11Thank you so much.
23:15Mother, can you tell me where we're going to get so much money?
23:19Don't worry.
23:22The risk manager is not going to approve a new loan, Inés.
23:25One hundred thousand pesetas is a lot of pesetas.
23:27But business is going well.
23:29The problem is that if no fish comes in within two weeks, we won't be able to have any production.
23:33I don't know if it were up to me, there wouldn't be a problem.
23:35They red wine a lot.
23:39Gustavo didn't know he had returned.
23:42Nor did I know that you frequented my house.
23:45Please excuse my husband.
23:48So many years away have made him forget his manners.
23:50Thank you for visiting.
23:53Say hello to Teresa for me.
23:54Okay.
23:55Very sorry.
23:56Good morning.
23:57Good morning.
24:03What did you expect?
24:04Should I buy her a drink?
24:14The Vidal Quiroga family are my friends.
24:16When everyone else turned their back on me, they were the only ones who supported me here.
24:21I have always been able to count on them.
24:23Something I can't say about you.
24:25That?
24:36No.
24:37Oh, miss, you gave me such a fright!
24:41And still in bed.
24:44It's almost lunchtime and Don Gustavo is waiting for her.
24:48I'm not hungry.
24:55Parents make mistakes too.
24:58And don't doubt how much your family loves you.
25:03Because they don't know who I am.
25:08I don't even know myself.
25:12Can I tell you something?
25:15You are a beautiful girl who has it all.
25:30Toño, I really like these fillets.
25:34I don't know how it will go for him.
25:35He's a drunk, how's that going to go for him?
25:37Drunk.
25:41Everything is already done in the ovens.
25:44If you want me to lend you a hand.
25:45Well, there's not much to say here either, to be honest.
25:48When the fish runs out, what do we do?
25:50Well, as long as they keep paying us, they'll keep paying.
25:53Sure.
26:03The women are worried.
26:04They need to know what will happen to them if you continue not bringing in any fish.
26:07Clara, we are looking for a solution.
26:08Hey?
26:10OK.
26:11Yeah.
26:15No more depending on what others decide.
26:17And to celebrate, you're going on a cruise?
26:19The Santaolalla train needs a train driver for the winter season.
26:22I applied for the position.
26:23So you're leaving?
26:24Clara, a trip to America without paying for the ticket and saving money.
26:27Celso, are we going to be separated for a long time?
26:29I know, but don't worry about it now.
26:32We'll talk about it when he catches me.
26:42I also played chess before we went to Cuba.
26:45You can try again.
26:47Yes, but after a drink and being honest with you, okay?
26:56He said, "I've done many wrong things to your mother."
27:00That's why I understand why she's angry and doesn't trust me.
27:03But I still want to help her.
27:06I know you're having problems at the factory.
27:08And my money is the family's money.
27:12I know her, she won't accept it.
27:14I know, I know her too.
27:17Look, I sold my share of the alabaster business at a good time.
27:21I can take care of the widows' debt without any problem.
27:24It would be my way of fixing the damage he has done.
27:27My mother told him the truth.
27:30We learned to live without you.
27:31And I would love to tell her that I took care of everything, that I was the man of the house, but no.
27:36Mother did it.
27:38She raised us all on her own.
27:49You know, your mother and I met when we were very young.
27:54But as soon as I saw her, I knew she was the love of my life.
27:59And when he looked at me...
28:02When Jaime looked at me, it was as if the world stopped turning.
28:06As if everything had stopped.
28:09It was impossible not to fall in love with her.
28:12And luckily, he chose me.
28:16What I mean is that...
28:18Despite the time that has passed and all the things I've done wrong...
28:22I still feel exactly the same way about her.
28:24And if I lose it...
28:27I will never forgive myself.
28:30Never.
28:36I'll talk to her.
28:39Thank you, son.
28:55And what about women?
28:57Doña Inés sent us home for two weeks.
29:00Without fish, there's no point in being here.
29:02I was waiting for you.
29:04Tell me the truth, we're going to close.
29:06But we are about to sign a contract with the widows.
29:08We have reached an agreement.
29:10As soon as we pay off their debt, the fleet will be ours.
29:15You are here.
29:17I was looking for you.
29:18Is everything alright, Mom?
29:20Doña Inés, cheer up.
29:21The dazzling one is about to have its own fleet.
29:24Clara, please leave us alone.
29:27OK.
29:30Have you asked your father for money?
29:33Well, he came to talk to me and...
29:35Oh, I trusted you.
29:36No, and it can continue to do so.
29:38I don't intend to solve this factory's problems with your money.
29:41If I can't pay for the fleet myself, I don't want it.
29:44Well, that money is part of my inheritance, isn't it?
29:46It's mine.
29:47I can use it as I see fit.
29:48That's what he told you.
29:49Son, for God's sake, don't let him deceive you like he deceived me.
29:52Mother, I can't assure you that he has changed.
29:54But yes, he still loves her.
29:57He can't fake that.
29:59Me neither.
30:01I'm going to Vigo to meet with the president of Banco de Soto.
30:05Her daughter is a good friend.
30:07I'll ask them for the credit.
30:17If I could stop time, I would do it right now.
30:35I was given the position of train driver at Santa Olalla.
30:40But already?
30:41I'm joining the crew after the summer.
30:47I thought you'd be happy for me.
30:50No, well...
30:51No, and I'm glad.
30:53Is this really what you want?
30:56I don't know, you could wait and save up a little.
30:59If the fleet is going to be owned by the dazzling one in a few days
31:02And I can talk to Doña Inés and Jaime
31:05and they can name you boss.
31:06It's a unique opportunity.
31:12A surprise for you?
31:14For me.
31:15Okay.
31:17A surprise.
31:21It's beautiful.
31:23That's not the surprise.
31:26Open it.
31:30But this is...
31:32I'll get paid less, but we'll both travel.
31:38We will never have to separate again.
31:54It's past ten o'clock.
31:59There it is.
32:03Mother.
32:05We were worried.
32:07I haven't been able to get the loan.
32:10You'll be happy.
32:11Okay, let's go to the dining room.
32:14I'll have something light in my room.
32:20Agnes.
32:25I understand that you're angry with me
32:27and that you've kicked me out of your life,
32:31But Jaime didn't...
32:32He doesn't deserve to be treated like you treat me.
32:35Are you finished?
32:39Jaime has not betrayed you,
32:41on the contrary.
32:43He has found a way to save
32:45the dazzling one.
32:47And now, yes.
32:49I'm finished.
32:51Take a rest.
33:07The workers were summoned.
33:09Get them to the factory as soon as possible.
33:11Good morning.
33:13Good morning.
33:24A moment of your attention, please.
33:27As you may know, we've had some fleet issues.
33:30And I'd like to tell you that I've solved it,
33:33But that's not the case.
33:36My son solved it.
33:39So I can tell you with great pride
33:42from now on
33:44the four ships of the widows will be
33:46the fleet of the dazzling.
33:49Oh, what I was reading.
33:51I need them all back to work.
33:53There is a lot to do.
33:55Don't worry, boss.
33:56We'll pull through.
34:04Thank you, mother.
34:06No, son, thanks to you.
34:08Since we returned from Cuba
34:09has been my greatest support
34:10And I'm really, really sorry
34:13to have gotten involved
34:14about the problems between your father and me.
34:17I'm sure they'll work it out.
34:19Don't know.
34:20But I do know that we agree on something.
34:23You are a wonderful son.
34:31Check.
34:32No.
34:35I don't know if you remember that I have
34:36Or you're going to lose me, huh?
34:37Okay.
34:41I have a question.
34:43Tell me.
34:45Why did you and your mother drift apart?
34:52I was very young,
34:53But there are things I do remember.
34:56the rush to leave
34:57in what to stir up at the manor.
35:01Father,
35:03I am a man now.
35:05Can you be honest with me?
35:08There was another woman.
35:09No.
35:12No.
35:16In my heart
35:17Your mother was always the only one.
35:21But
35:22Life isn't always
35:24as we expected.
35:25and
35:26and sometimes
35:27It's not easy.
35:27do the right thing.
35:29Look,
35:30I'm sure
35:30that when you fall in love
35:31You'll understand.
35:38You're already in love.
35:40Oh well.
35:43From an incredible woman,
35:45father.
35:46What happens
35:47the thing is
35:47she still
35:48He doesn't see me
35:49as a potential boyfriend
35:50me too
35:52I haven't told him
35:52what I feel.
35:54So I think it's
35:55It's too late now.
35:56You're not wrong,
35:57Jaime,
35:57It's never too late.
35:59If you are sure
36:00What is a woman?
36:00with whom you want to spend
36:01the rest of your life,
36:02fight for it
36:02and do whatever
36:04so as not to lose it,
36:05son.
36:07Whatever.
36:22Did you want to see me?
36:23Yeah.
36:27They gave it to us.
36:29The prize
36:31to the best cannery.
36:32For your contribution
36:33to the local industry,
36:34the demonstrated values
36:36and quality
36:36of their products.
36:38The best company
36:39that cannery.
36:40Congratulations?
36:59I'm sorry.
37:00Sorry for being late.
37:01The thing is
37:03you don't know
37:04what happened to us.
37:05They gave it to us.
37:07The prize
37:07to the best cannery.
37:08In New York
37:08It's much colder.
37:09that here.
37:10You're going to need it
37:11more warm clothing.
37:14Are you coming with me?
37:15to your child
37:15to say goodbye
37:16from my parents?
37:18If you want, yes.
37:20And your uncle
37:21What did he say?
37:23Haven't you told him yet?
37:26No.
37:27We marched inside
37:28Just a few days, huh?
37:29I don't know about Clara.
37:29What are you waiting for?
37:32I'm sorry.
37:33It's the nerves of the trip
37:35And I'm nervous too.
37:36No, Celso.
37:37That...
37:39that I love you.
37:40And there is nothing.
37:40that you desire most in the world
37:42to be with you,
37:42but...
37:43Why can't we stay?
37:44Sure, we already talked about it.
37:45Yes, but if the dazzling
37:46It's working better than ever
37:47And I watched her grow from nothing
37:49And I'm working hard.
37:50The dazzling
37:51It is Doña Inés's dream,
37:52not yours.
37:53Me too.
37:53No, it's not yours.
37:54No, it's a family business.
37:56They love you, they appreciate you,
37:57but they will never leave you
37:58to be one of them.
37:59Do you understand?
38:00If you really want to
38:01to have your own company,
38:02You can get it in America.
38:04In Punta de Ubico, no.
38:11The boat departs from Vila García
38:13within a week.
38:16My dream was always to go with you, Clara.
38:20But if you decide to stay,
38:22I will leave without you.
38:29Bye bye.
38:44The result of years of work,
38:47teamwork,
38:50accompanied by the best.
39:16It's late.
39:17I didn't know you were awake.
39:22What's happening?
39:23Are you OK?
39:24Yeah.
39:24Yeah?
39:26I was reading there.
39:29The book can't be that bad.
39:34You don't need to say anything
39:35if you don't want to.
39:38I'll stay and keep you company.
39:49I was writing some words
39:51for the award ceremony,
39:54But it's proving more complicated.
39:56of what I thought.
39:58Do you want me to help you?
40:01If you feel like it,
40:03give me a vote in favor.
40:04Let's see.
40:06These are just some ideas, you know?
40:11Celso asked me
40:12that I should go with him to America.
40:14When?
40:15And did you say yes to him?
40:16Are you sure?
40:19Sorry.
40:20Sorry, sorry, sorry.
40:21No no.
40:21Yes, that's the problem
40:23I'm not.
40:24But I want it.
40:26And if I don't go with him,
40:27Well, I'm going to lose it.
40:30Man...
40:31I don't know what to do.
40:32If you really wanted to go,
40:33You would have no doubts.
40:37Clara, you've put in a lot of effort.
40:38to achieve the life you have.
40:41The dazzling
40:42I wouldn't have made it without you.
40:45This prize is also yours.
40:47It's not fair that he makes you resign.
40:49If he really loves you
40:50Let him do it.
40:52He has less to lose.
41:12Wait.
41:20They're for inside.
41:21How are things with you?
41:22Here.
41:25Bye.
41:26Colomino.
41:30Do you miss it?
41:33I don't know what you're talking about.
41:34Yes, you know it.
41:37Even though we live in the same house,
41:40You are the maid's daughter.
41:55Good afternoon.
41:56Is everyone ready?
41:57I have the car there at the door waiting.
42:01I'm ready.
42:02Sorry.
42:04There you are, beautiful mother.
42:06Thank you, son.
42:08Agnes.
42:12In case I don't have the opportunity later,
42:14I want you to know that I am very proud of you.
42:19I've always been the brighter of the two.
42:20And I was sure you would go far.
42:23Congratulations.
42:27The only problem is that my glasses just broke.
42:29And I can't drive like this.
42:31I can drive, if you don't mind.
42:34Ah, of course.
42:35Yeah?
42:36Yes, but you must keep in mind
42:37that you can't pull the lever to release the air
42:39because if the car turns off
42:40It's extremely difficult to start it after that.
42:41OK?
42:42Perfect.
42:42Well, thank you.
42:44Clear.
42:50How beautiful.
42:52Good flowers.
42:53Hello.
42:55Good afternoon, Clara.
42:56Everything is beautiful.
42:57Thank you.
42:58TRUE?
42:59Beautiful.
43:00I'm going to leave this here.
43:02Hello.
43:02Good afternoon.
43:03Good afternoon.
43:06Are you OK?
43:07Yes, yes, yes, yes.
43:09We reviewed the speech.
43:10Yeah.
43:11Come on.
43:15It's about a women's factory
43:18led by a woman,
43:19I can't say this.
43:21OK.
43:22You can mention other things
43:23that make us special,
43:24that we risk,
43:27that we don't need to be sure
43:29to try different things,
43:32That's what makes us brave.
43:36Yeah.
43:38Because nobody is safe
43:39when he makes a big decision.
43:41No?
43:42You just have to follow the intention,
43:44to let go and...
43:45Clara.
43:45And if I take the train that leaves now
43:46For Bella Garcia, I can board.
43:47No, no, no, Clara,
43:48You can't leave like that.
43:50Stay at least until the award ceremony.
43:52And the speech?
43:54Can I give you a ride?
43:56Will you arrive first?
43:58Look.
44:01These are your words.
44:03You have to say them.
44:17Good afternoon.
44:18Oh, good afternoon.
44:21I wanted to express my gratitude for this award.
44:23on behalf of all the workers
44:25and especially to Doña Inés
44:27for being the first patron saint
44:29from a cannery.
44:32The dazzling one is
44:33much more than a company.
44:36It's a family.
44:39It's our way of doing things.
44:42The one about the women of the sea.
44:43Thank you.
44:46Thank you.
45:10How come you're not at the big event?
45:15I find speeches boring.
45:17people with compound surnames
45:18of vico stitch
45:19and all who show him homage.
45:25I have a compound surname.
45:27You bore me too.
45:30Catalina Valdés.
45:33You are a mystery.
45:41Do you want to go somewhere different with me?
46:01I am so grateful for what you are doing for me.
46:05Yes indeed,
46:06I have one last thing to ask you.
46:09Say goodbye to your mother for me.
46:12I don't know if he'll understand.
46:13I hope so.
46:15Of course, he will.
46:18You're a great friend, Jaime.
46:21I'm going to miss you a lot.
46:25Me too.
46:28Promise me you'll come visit me.
46:30I'm going to love showing you
46:33New York.
46:37I want it so badly
46:38to see Celso's face.
46:40When he finds out I went up to the bar.
46:53What's happening?
46:54Don't know.
46:55How can you not know?
46:56Now it's starting, right?
46:59Let's see, oh, Jaime,
47:00Try to start it.
47:01Try again,
47:02which is that I have to take it.
47:03It won't start, it won't start.
47:04Yes, it does start.
47:05Jaime, yes, it starts.
47:07We asked for help or something.
47:09Yes, it does start.
47:19A jug of white wine.
47:32Do you like this site?
47:33I like to imagine
47:35who would it be
47:37if it weren't a Valdés.
47:47And what would you be?
47:53Today, a peasant woman
47:57who has arranged to meet her boyfriend.
48:06Jaime, what do we do?
48:10Wait.
48:11Wait.
48:12Someone come.
48:16That?
48:38I'm sorry.
48:40I'm sorry.
48:55Why did you reject me in San Juan?
48:58Don't reject me.
49:05I knew you didn't want that.
49:07You don't know anything.
49:14Come on.
49:22What do you want?
49:25I want this.
49:31Going crazy.
49:32Going crazy.
49:33Hello, t
49:33No.
49:35No.
49:37No.
49:50No.
49:52No.
49:52No.
49:52No.
49:53No.
49:55No.
49:55No.
50:07Can?
50:11Happens.
50:19A storm is coming.
50:25Do you know what day it is today?
50:29Today?
50:36Today marks 25 years since we got married.
50:39It was the happiest day of my life.
50:45Inés, I know it's not enough for you to forgive me, but...
50:50I still love you just as much as that day.
50:55I just wanted to tell you.
50:59Good night.
51:02Gustavo.
51:04Tell me.
51:08Stay.
51:22Does it limit?
51:36Does it limit?
51:39Does it limit?
51:42What happened?
51:44Oh, ma'am.
51:45A shipwreck on Sálvora.
51:47The Santa Olalla.
51:48They say more than 200 people have died.
52:15Anyone want some?
52:27They have published a list of the deceased.
52:30Celson is among them.
52:32Maritime rescue and ships in the area continue the search.
52:40God.
52:42God.
52:43God.
52:43God.
52:45God.
52:46God.
52:47God.
52:50Have you heard the news yet?
52:52Yeah.
53:00A gamela found Celson's lifeless body.
53:05Very sorry.
53:07They need you to go and identify him.
53:13No, no, he is alive
53:22Arrive
53:36The time has come
53:38The time has come
53:40The time has come
53:41Now is when it arrives
53:43TRUE?
53:45Now is when it arrives
53:50It is now that it arrives
53:53It is now
53:58The time has come
54:00The time has come
54:32The time has come
54:34And Jaime? Has he left yet?
54:35I thought I saw him talking to Clara in the garden
54:38I like you, Clara
54:40A lot and...
54:42I don't know, I need you to know
54:43Miss Catalina!
54:45Braulio
54:48When will I see you again?
54:50Where were you?
54:50I don't like that you're seeing Braulio
54:53Well, get used to it.
54:55I have something to announce.
54:57Clara and I are getting married
55:00That?
55:01Son, we didn't know anything.
55:03He's just not happy.
55:04About what?
55:05That you marry the maid's daughter
55:07Clara
55:08Her name is Clara and she is from the family
55:10I had a daughter with him.
55:11He told me before he died
55:12But what's more
55:14There is something he doesn't know
55:15A marriage of convenience
55:17Jaime is getting married for love.
55:20Just like I did
55:21Look at that row
55:22She looks like a marchioness
55:24The Marchioness of Sardilla
55:25Why didn't you tell me about the wedding?
55:27Well, woman
55:27But you knew we were together
55:29But Clara, you're in love
55:31Nice to meet you
55:32Not really
55:33That you will be
55:34You've gone from scrubbing floors
55:36To marry a boy
55:38You came here with Celso, right?
55:40There's nothing like young love
55:42You're not betraying him by moving on, Clara
55:45I can still stand
55:46I know
55:47And I've tried.
55:49Well, he only has one option left.
55:52Tell the truth
55:53There's nothing like young love
55:54There's nothing like young love
55:58Thanks for watching the video.