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00:00:28Thanks for watching the video.
00:00:57Thanks for watching the video.
00:01:00Thank you.
00:01:36Thank you.
00:01:37Thank you.
00:01:39Thank you.
00:01:42Thank you.
00:01:44Thank you.
00:01:58Thank you.
00:02:00And be careful, a chicken might escape.
00:02:16Thank you.
00:02:19What are they saying?
00:02:20What's up, huh?
00:02:47Thank you, Carmen.
00:03:01That?
00:03:17Yes, but it's good.
00:03:19Hey, damn it, look, it was the race.
00:03:23Come on, Carmen, take advantage of the heat, come on, I'll lend you some stockings later.
00:03:27That?
00:03:27Very good.
00:03:35You are a good friend.
00:03:37I don't know...
00:03:37What I would have done without you.
00:03:45Carmen, tell me one thing, are you a virgin?
00:03:49Why are you asking me that?
00:03:51No, it's nothing.
00:03:55I was raped by a soldier when I was 15.
00:03:57He leaves me bleeding in a haystack with a loaf of bread in my hand
00:04:02But did he know him?
00:04:04He was from the town
00:04:05Oh, then there would be many more haymaking sessions
00:04:09Yes, and more funny ones.
00:04:13At first I did it because I was hungry, then, well, look, I started to like it
00:04:18Did you fall in love with him?
00:04:19Well, not quite that much.
00:04:22I liked it
00:04:24But one day, the little soldier came to Barcelona and became a policeman
00:04:28And you haven't heard from him since?
00:04:30No, I know he's here, in Barcelona, at the Police Headquarters
00:04:33But, look, I haven't found the time to go see him
00:04:39Girls, time to eat!
00:04:48Hey Nati, can't I ask you something?
00:04:51Of course, woman, don't be silly!
00:04:53How do you manage to always have some money?
00:04:56Well, girl, I'll get my act together.
00:05:04And do you think I could wake up too?
00:05:08I think so
00:05:09Look, we'll go out together tonight.
00:05:12That?
00:05:14Do you like it or what?
00:05:17You're not empty! You're going to break the lantern!
00:05:19Great dog! Idiot!
00:05:22Come, darling, come
00:05:23Come, treasure
00:05:25Hey, come here
00:05:27Come, come
00:05:35Come here, handsome, come
00:05:37Come on, don't be shy, come on, man, come on
00:05:40Look at her closely
00:05:41Look at her closely
00:05:42What do you like?
00:05:44Hey?
00:05:45Of course
00:05:46Well, this one's for you.
00:05:49Get stressed
00:05:50Wings, come on, cheer up, like that
00:05:56That?
00:05:57Is this the first time?
00:06:00Phew!
00:06:02Double premiere
00:06:05But, man
00:06:07Touch, touch
00:06:08If you've paid for it
00:06:20Mount Vesuvius
00:06:23The police! The police!
00:06:28Stop! Halt! Stop! Don't run! Stop! Stop! Stop! Stop! Stop! Stop! Stop! Stop! Stop! Stop! Stop! Stop!
00:06:33Stop! Stop! Stop!
00:06:36Thank you so much, Agustín.
00:06:38I knew you wouldn't let me down.
00:06:40I arrived this morning and found out you said my name!
00:06:42No, I haven't compromised you.
00:06:44No, woman. Well, you've saved yourself a month and a penny. Oh, and I tore up your file.
00:06:49Thank you, thank you.
00:06:50Come on, I'll treat you to breakfast. Let's go.
00:06:55Do you remember when I used to dream of coming here in my village?
00:07:00I thought this was something else.
00:07:04Barcelona for me was...
00:07:06Jauga.
00:07:07Yes, don't laugh. Jauga.
00:07:11Barcelona was a magic word.
00:07:14Everything I didn't have in my village, I would have here.
00:07:19In the Barcelona of my dreams there was no...
00:07:22...no hunger, no misery, no hardship.
00:07:28I'm telling you, Jauga.
00:07:31But the dream was short-lived.
00:07:34Within a week of arriving, I realized that...
00:07:36Jauga nothing.
00:07:40Barcelona is a hellhole for so many people.
00:07:43So why don't you go back then?
00:07:45Where to?
00:07:46To the people?
00:07:47Well, if things are going so badly for you here.
00:07:49Things are going badly for me.
00:07:50But I'm not giving up.
00:07:52I know what I'm looking for.
00:07:54You've always had your head in the clouds.
00:07:58And they're not beautiful.
00:08:01That's what I like most about Barcelona.
00:08:04The birds of the flower promenade.
00:08:06Listen to this, Carmen.
00:08:07Now I'm serious.
00:08:09Barcelona is full of girls like you.
00:08:10They have no other option but to make a life for themselves.
00:08:13If you want to do it, at least do it properly.
00:08:16With class.
00:08:18It's easy to say.
00:08:20You're doing great.
00:08:21I can find you a place, a good house.
00:08:23Where?
00:08:25In Jauga?
00:08:26I'm serious.
00:08:28One of the best houses.
00:08:29Carola.
00:08:30But please, leave the street.
00:08:32You.
00:08:33Out on the street.
00:08:34And you too.
00:08:36Hello good evening.
00:08:37But Carola, I've already been here before.
00:08:39That's why.
00:08:40Air!
00:08:47Are these with more good?
00:08:49Excellent.
00:08:49They are American.
00:08:51Can I have two?
00:08:51Yeah.
00:08:53Oh boy, I'm sorry.
00:08:55But I don't set the rates.
00:08:58What a collection of vases!
00:09:01Why have you come?
00:09:02To rest or to get down to business?
00:09:06So there you have them, in all sizes and colors.
00:09:09What's happening?
00:09:11Doesn't this tell you anything?
00:09:32Carmen, Diego the stocking guy has arrived.
00:09:35You don't say.
00:09:37Forgive me, my love.
00:09:41Oh, it's very beautiful.
00:09:43But very expensive.
00:09:44Expensive?
00:09:45Don't be this cane, Laura.
00:09:47Your little girl deserves it.
00:09:49I like it a lot.
00:09:51Yes, but it's expensive.
00:09:52Hello, Diego.
00:09:53Hello, Carmencita.
00:09:55So, what have you brought?
00:09:56Everything, everything.
00:09:58Oh!
00:09:59Oh, how lovely.
00:10:01But I'll stay, I'll pay you on Monday.
00:10:04And what else did you bring?
00:10:05I'll bring it to myself.
00:10:06A French bra.
00:10:08Teeth and all.
00:10:09Let's see.
00:10:11Oh!
00:10:12Oh, no.
00:10:13I prefer the corset.
00:10:15But Carmen, where do you go every day?
00:10:18Go for a walk.
00:10:19Okay, everyone.
00:10:21So that they can see me.
00:10:22I can't stand that routine of the bed, sleeping, sleeping in the bed.
00:10:26Life has to be something else.
00:10:28Another thing?
00:10:29Well, I'd be happy with very little.
00:10:32Find a serious man and get married.
00:10:36Well, if he comes looking for you in bed, I don't know where you're going to find him.
00:10:44Do I look good?
00:10:45Yes, very much so.
00:10:48I don't need to.
00:10:50It's all I have.
00:11:04Life has to be something else.
00:11:45I had part of Mr. Muñoz.
00:11:47What should I put the man on?
00:11:52Ramón Muñoz.
00:11:53Tell him I don't have a pen.
00:12:07May I sit down?
00:12:24What a strange feather!
00:12:26It's not a feather.
00:12:27It's a new invention.
00:12:30The atomic pencil.
00:12:32They call it a pen.
00:12:33Pen?
00:12:34Look, it has two colors.
00:12:36Red and blue.
00:12:38Which one would perish?
00:12:39Blue.
00:12:42Forward.
00:12:44Write.
00:13:06Ramón Muñoz.
00:13:10Carmen Broto?
00:13:19Oh, oh, oh, no!
00:13:23And if they told each other they love each other too.
00:13:27On the wedding night, when it closes,
00:13:32windowdoor, windowdoor,
00:13:34Some nice tortillas that the bride and groom see
00:13:38Put them behind, put them behind
00:13:42And just in case anyone is curious about the cracks
00:13:48They are curious, they are curious with a good cloth from Bejar
00:13:52Little marks are made, wainscoting, wainscoting
00:13:58On your wedding night, what's in your bed?
00:14:02Silk bedspread, silk bedspread
00:14:08Oh yes!
00:14:11If only I could keep vigil tonight
00:14:16Oh no!
00:14:18And listen to what he will say in private
00:14:23Oh yes!
00:14:26Perhaps they are streetwise
00:14:32Oh no!
00:14:34And if there is no love
00:14:36I went to look for you in Cangibre, but you weren't there
00:14:39Yes, we had dinner at Chipi.
00:14:43Did you hear that Núñez has died?
00:14:46The plane that crashed in El Prat
00:14:48He brought me the contract with the shipping company from Madrid.
00:14:50I felt it very much.
00:14:53He was one of those few Catalans you could deal with.
00:14:55Okay, what about Goibar?
00:14:58What's going on? Don't you know each other?
00:15:00Don't worry, you can talk about whatever you want.
00:15:02This is Carmen, my girlfriend
00:15:04Blasco
00:15:05Pleased to meet you, ma'am
00:15:06Nice to meet you
00:15:08Well, I'll leave you with your quotas and your businesses.
00:15:11I saw Peña around and I think I'll pay him a visit.
00:15:14Peña's crazy lady
00:15:16You women really like gay men.
00:15:19I will never understand it.
00:15:21Excuse me
00:15:28Hello
00:15:33Are you alone?
00:15:35You're the one who's alone.
00:15:38Sometimes it's better to be alone than in bad company
00:15:41Don't you think so?
00:15:45Perhaps they are silent
00:15:50That love can also be found in silence
00:16:04Sometimes it's better to be alone than in bad company
00:16:05That love can also be found in silence
00:16:05Oh, you're so cute!
00:16:07Hello
00:16:09Hey, is it true that your all-powerful boyfriend
00:16:12Do you like it when people applaud you in public?
00:16:14To Ramón?
00:16:14Yeah
00:16:15And then one of his bodyguards
00:16:17He gives a tip to the people in the claque
00:16:18Let's not start
00:16:20But everyone knows it
00:16:21You've found yourself a very eccentric lover.
00:16:24Multimillionaire, but eccentric
00:16:26Look, don't start talking badly about Ramón.
00:16:29Because I'm leaving the table
00:16:30You criticize a lot, you criticize a lot
00:16:31But when you need something
00:16:35Hey
00:16:36Who is that with white hair?
00:16:38Miralles
00:16:40It has a factory in Terrassa
00:16:41And he's a director at Barça
00:16:43Oh, really?
00:16:45Well, it seems that more than football
00:16:47What he likes are footballers.
00:17:03Just a moment ago it was you
00:17:05The one who was in bad company
00:17:07I'd like to see you alone
00:17:10But you like women
00:17:14Give me that margin of trust
00:17:16What time are you free?
00:17:19Around midnight
00:17:20Like Cinderella
00:17:21Before the carriage
00:17:23Turn into a pumpkin
00:17:24When the prince
00:17:25On the way to his palace
00:17:27It leaves me in my own territory
00:17:28From the San Juan promenade
00:17:31San Juan Promenade
00:17:33Do you know Alaska?
00:17:34I live across the street.
00:17:35I'll be waiting for you there tonight.
00:17:37Not tonight
00:17:38So when?
00:17:39Another day
00:17:41Now
00:17:42You know where to find me.
00:17:49Mate
00:17:49What a surprise!
00:17:51Come in, come in
00:17:52Oh, Carmen
00:17:53You're so funny!
00:17:58Oh, it's not that I can't see you!
00:18:00You look great!
00:18:01And well, I'm very tired, girl
00:18:03If I was going to your address
00:18:05The one I had before
00:18:06The rental apartment?
00:18:08This one's mine now.
00:18:09In my name
00:18:10Yes, they gave me this address there.
00:18:13Ma'am, where should we put this picture?
00:18:16There, in the fireplace
00:18:19How strange, isn't it?
00:18:21It's a Dalí
00:18:22A whim of Ramón
00:18:24If you knew the price
00:18:27Come, I'll show you the address
00:18:31Oh, Carmen!
00:18:33Oh, how wonderful!
00:18:35Wow, this bed is so round!
00:18:37Yes, he does everything that way.
00:18:39In a big way
00:18:41Can?
00:18:42Clear!
00:18:43Oh, how exciting, Carmen!
00:18:49Oh, Carmen!
00:18:52Oh, how wonderful, girl!
00:18:58That?
00:18:59Hey?
00:19:00Have you premiered it yet?
00:19:01Yes, woman
00:19:02It's my work tool
00:19:08Do you remember the pension?
00:19:11That sometimes we had to sleep together
00:19:13To avoid getting cold
00:19:15Yeah
00:19:17But I assure you here
00:19:18He didn't get cold at all.
00:19:21Look
00:19:23Right?
00:19:25Isn't it a great work tool?
00:19:27Right?
00:19:29Crazy whore!
00:19:30Hush, hush!
00:19:31Those guys are capable of it!
00:19:32To throw them on top of each other!
00:19:33That is!
00:19:35Poor things, no way!
00:19:38Carmen
00:19:40Are you still thinking about Agustín?
00:19:43No
00:19:43I'm not thinking about any man
00:19:51Not even your Prince Charming
00:19:55Ramón?
00:19:59I respect him
00:20:02I continue
00:20:02The rules of the game
00:20:06And don't call him prince
00:20:07Because he is a king
00:20:08All
00:20:09They call it that
00:20:10He rubs shoulders with generals
00:20:13With ministers
00:20:14With bankers
00:20:15Through influence
00:20:16He has managed to control
00:20:17Cotton import quotas
00:20:19All cotton
00:20:20That enters Spain
00:20:21It passes through his hands
00:20:22Gee
00:20:24And what about you?
00:20:27Are you still in the carola?
00:20:29Let's see
00:20:30Where else?
00:20:32Oh, Nati
00:20:33Nati
00:20:35Would you like something to drink?
00:20:36No
00:20:37Don't bother yourself about me.
00:20:39I don't even know what's there
00:20:43And at the boarding house?
00:20:44How is everyone?
00:20:46Okay, Carmen
00:20:48Well, no
00:20:49Honestly, very bad.
00:20:52Luisito
00:20:52Matilde's boy
00:20:54He is in very serious condition.
00:20:55He has pneumonia.
00:20:56And it will not come out of her
00:20:58What are you saying?
00:21:00Luisito?
00:21:01Yeah
00:21:02Only penicillin could save him.
00:21:04But come on, Carmen
00:21:06Where is it located?
00:21:14Already
00:21:17And you've come here for that.
00:21:18I'm sorry to you
00:21:20I consider myself your friend, Carmen
00:21:21And I have come to see you
00:21:25Oh well
00:21:26The truth is, yes.
00:21:27That's why I've come here.
00:21:30Girl like you now you have
00:21:32So many influences
00:21:38The truth is, yes.
00:21:40The truth is, yes.
00:22:08Thank you!
00:22:45Hey, Cinderella!
00:22:49Who are you?
00:22:50Don't you remember, Cinderella?
00:22:52I am your prince.
00:22:58AND...?
00:23:00What do you want?
00:23:02To you.
00:23:04But...
00:23:06Do you like women?
00:23:09You'll find out right now.
00:23:14What are you squeezing me with, Tarzan?
00:23:17I really want to see you.
00:23:20I've been on duty for a week.
00:23:23Yes, you look hungry.
00:23:25But not here.
00:23:27Let's go up.
00:23:29I have a bed.
00:23:45You didn't get much sleep last night, did you, Jesus?
00:23:54I've been fucking all night.
00:23:58Look.
00:24:02Look at that woman.
00:24:04Are you jealous?
00:24:06Would you have liked to be in my place?
00:24:08Or perhaps in the south.
00:24:09Don't mess with me.
00:24:10You know perfectly well that I don't like these jokes.
00:24:13So what do you like, little girl?
00:24:14Leave me alone!
00:24:15Fuck off!
00:24:18Where is my father?
00:24:20Where will it be?
00:24:21In the orchard.
00:24:22He's more interested in cabbages than keys.
00:24:25Ah, Pepita has called you I don't know how many times.
00:24:30And what did he want?
00:24:32Yes, man.
00:24:32He's going to tell me.
00:24:38Oh man.
00:24:39Finally we can see your hair.
00:24:42Didn't we agree that you would dedicate a couple of hours a day to repairing this contraption?
00:24:50And that you would help me with the office accounts.
00:24:52I have had other occupations.
00:24:54More important, I imagine.
00:24:56Pepita has called you twice.
00:24:57I know.
00:24:59But, son, if you're engaged to her, why aren't you behaving normally?
00:25:04Be normal.
00:25:05Have a normal job.
00:25:07And then, do whatever you want.
00:25:09That's my motto, son.
00:25:11I know, but I've been busy.
00:25:13Jesus, speaking.
00:25:27Jesus, speaking.
00:25:49Hello, Matilde.
00:25:50Carmen!
00:25:52What a surprise!
00:25:54I never thought it could be you.
00:25:56But let me see you, daughter.
00:25:58Wow, you look beautiful.
00:25:59And you look like you're from a movie.
00:26:01How is Luisito?
00:26:03Well, sometimes a little better and sometimes a little worse.
00:26:06But it won't heal.
00:26:10Nati...
00:26:11Nati came to see me, you know?
00:26:13Well, I've brought you this.
00:26:16What is it?
00:26:17Penicillin.
00:26:19Carmen.
00:26:21Penicillin.
00:26:23I can never thank you enough.
00:26:26Luisito will get better.
00:26:29This shows what a good heart you have, daughter.
00:26:32Thank you for remembering that.
00:26:35Come on, come on, you're going to make me cry too, woman.
00:26:38Jesus Jimeno.
00:26:40What a character.
00:26:42I saw him enter the bar earlier and something about him caught my attention.
00:26:47Haven't you seen me?
00:26:48No, sir.
00:26:50Well, believe it or not, he's the finest swordsman in Barcelona.
00:26:54It was, commissioner.
00:26:56Was.
00:26:58I have come here precisely to bring you this.
00:27:00It's a gift I want to give to the criminal investigation unit.
00:27:04And I deliver it to him through his mediation.
00:27:06I think it could be very useful to you.
00:27:11Pussy.
00:27:13Red technique.
00:27:17In this book I condense the fruit of my criminal experiences
00:27:20and my knowledge of locks, padlocks, safes, etc.
00:27:27And I hope they don't benefit any scoundrel.
00:27:30but so that the police know how swordsmen operate in order to protect themselves from them.
00:27:35I have become an honest man, commissioner.
00:27:38I swear.
00:27:42I have started up an old locksmith shop at 37 Legality Street.
00:27:48From swordsmith to locksmith.
00:27:50Have you changed that much, Jimeno?
00:27:53Hey, this is a gem.
00:27:54And this one too.
00:27:57Jesus Jimeno Lopez.
00:28:00Anarchist.
00:28:03FAI representative in Guinardón during the 1936.
00:28:07Water under the bridge, commissioner.
00:28:26Hello, Jesus.
00:28:27At her feet, Doña Pepita.
00:28:30Wow, what a car!
00:28:31Do you like it?
00:28:32An industrialist friend of mine lent it to me.
00:28:35It's not the latest model, but...
00:28:37What brand is it?
00:28:38A Cadillac.
00:28:39Have you heard?
00:28:40A Cadillac.
00:28:42Oh, it's gotten so late.
00:28:44I haven't started preparing the food yet.
00:28:46Shut up, baby.
00:28:47Come on, let's go.
00:28:48Bye bye.
00:28:49Bye bye.
00:28:50Bye bye.
00:29:01Okay, so what's up?
00:29:03Why so many calls?
00:29:16You haven't even come near here all week.
00:29:20Why don't you come around like you used to?
00:29:22Don't you love me anymore, Jesus?
00:29:25Woman, I've told you a thousand times.
00:29:26I'm busy.
00:29:28I have friendships to cultivate, influences to leverage.
00:29:32And all of that takes time.
00:29:34In this country, without relationships, you have nothing to do.
00:29:37And as soon as I get a little money, we'll get married.
00:29:41Well, you'd better hurry up.
00:29:43Because?
00:29:44I think I'm pregnant.
00:29:48Are you sure?
00:29:49I have had two fouls.
00:29:52And do your parents know?
00:29:57No, but...
00:29:59How long do you think it will take them to find out?
00:30:06Is this also French?
00:30:08They crossed the French border this morning.
00:30:10Sure?
00:30:11Doris, come here.
00:30:14The thing is...
00:30:15Tonight...
00:30:16We have a very special number for someone very special.
00:30:20And do you want to be lucky?
00:30:21Ah, state secret.
00:30:23Secret of confession.
00:30:25Well, shut up, you idiot!
00:30:26So you want to go to hell.
00:30:27Come on, let's go.
00:30:35Would you like something to drink?
00:30:36No, not now.
00:30:38These are crazier than usual.
00:30:40Do you know why?
00:30:41No, I have no idea.
00:30:43So you've been friends with Carmen for years.
00:30:48From the hard times.
00:30:52Have you seen this?
00:30:55Look.
00:31:04Carmen brought it from Madrid.
00:31:06Diego, put up a sign, will you?
00:31:09Carmen, where are these photos from?
00:31:12From Oriencia de Madrid, which we made with Ramón.
00:31:14Well, here you have the history of contemporary Spain.
00:31:17Carmen, do you like a little bit?
00:31:20Yes, man.
00:31:22Ah, okay.
00:31:25Attention.
00:31:26One, two, three.
00:31:29La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
00:31:39la, la, la, la, la, la, la, la, la.
00:31:40Little piece, little piece, little piece of mine, piece of heaven that God gave me.
00:31:45I look at you and look at you and finally I bless you.
00:31:49I bless the luck of being your love.
00:31:52They ask me why you're my little piece.
00:31:54And I feel very nice when I answer.
00:31:58Because?
00:31:58Doesn't Doris look divine?
00:32:00I believe it.
00:32:01But what aren't you preparing for?
00:32:03Secret.
00:32:04So, Diego, what do you think of the outfit?
00:32:06Nena, bocato di cardinale.
00:32:08I look at you and look at you.
00:32:10Di cardinale or di obispo?
00:32:14Well, if you think children are born with a silver spoon in their mouth,
00:32:18You're more purple than I thought.
00:32:21To get married, and on top of that, it was a penalty kick.
00:32:23You can't start from scratch.
00:32:25with one hand on his balls and the other on his ass.
00:32:28And what do you want me to do?
00:32:30I can abandon myself to Pepita just like that.
00:32:33I don't know what good all those relationships you brag about are to you.
00:32:47It's a lot to hold back with that sprout,
00:32:49But you're still a starving wretch.
00:32:51I don't know why she's talking about Carmen now.
00:32:53Well, you're always saying she has jewelry,
00:32:55enough to stop a train.
00:32:57Yes, so what?
00:32:58What I'm telling you, a lilac.
00:33:02You get me a key to the apartment
00:33:04And you'll see what I do with their jewelry.
00:33:06But what do you want?
00:33:07Bringing ruin upon myself?
00:33:08You bring me the key.
00:33:10We'll talk about weddings and baptisms later.
00:33:14Okay, you just dried yourself off.
00:33:17Let's see, bring it.
00:33:18So, what do you think of the children?
00:33:20Well, you've chosen very well.
00:33:23That's it.
00:33:25Well, and you already know,
00:33:27You have to do everything I've told you,
00:33:29But slowly, without rushing.
00:33:31And rest assured.
00:33:32You'll get mine.
00:33:35Thank you.
00:34:04Music
00:34:33Carmen
00:34:35Angel face
00:34:39It's the one you like
00:34:45My lips pronounce
00:34:50Trembling with love
00:34:56Angel face
00:34:59Fall from the sky
00:35:07But how dare you?
00:35:08Bring that woman to my house
00:35:11I'm going out with her, Mom.
00:35:13What's wrong with that?
00:35:14But how dare you
00:35:15To publicly showcase your plan
00:35:18There you have Berita Villalonga
00:35:20He's come all the way from Madrid to see you
00:35:23But I picked her up this morning at the station
00:35:25Mother
00:35:25And I ate with her
00:35:26Please
00:35:27Try paying more attention to him.
00:35:31Mr. Governor
00:35:32Mother
00:35:33I'd like to introduce you to Mr. Baeza Alegría
00:35:36Excuse me
00:35:38Lady
00:35:39It has been an honor for me
00:35:41Having it in my house
00:35:42I am very satisfied
00:35:44With the way the Catalans are treating me
00:35:46Although there's always a session
00:35:47Clear
00:35:48But I already feel like I'm in Barcelona.
00:35:50As if it were my house
00:36:00I hope I haven't disappointed Barcelona
00:36:02No
00:36:03On the contrary
00:36:04I was with Dad once
00:36:06But now I plan to look at it more closely.
00:36:09His father was a great man.
00:36:10You remind me of that a lot.
00:36:12Because?
00:36:14Always so busy
00:36:18I want her to have a good memory of me
00:36:20May I, starting tomorrow
00:36:22Should I send him a stone every day?
00:36:24A stone?
00:36:25And I know I'm going to build a villa?
00:36:27No
00:36:28A precious stone
00:36:30How silly!
00:36:33Which ones do you like best?
00:36:36The ones with red tails
00:36:37A ruby
00:36:39A ruby every day
00:36:43The curtain rises
00:36:45And the corpse appears with a dagger in its chest
00:36:47And beside him
00:36:49The little mess
00:36:51The curtain falls
00:36:52The curtain rises
00:36:54And another little mess appears
00:36:56The curtain falls
00:36:58The curtain rises
00:37:00And then four or five more little turds appear
00:37:02The title of the film
00:37:04The killer is still at large
00:37:22And now, ladies and gentlemen
00:37:25Everyone dance!
00:37:27Cashews when you die
00:37:29What will you do?
00:37:31Cashews when you die
00:37:33What will you do?
00:37:34You will be a corpse
00:37:36Nothing else
00:37:37Cashews when you die
00:37:39What will you do?
00:37:40Listen to the story
00:37:42What he told me one day
00:37:43Miss, excuse me
00:37:44Two young ladies ask about this
00:37:47He was an old man whom unholy fortune had deserved.
00:37:51His rich estate
00:37:52He snatched the stop
00:37:54Every night I went to the cemetery
00:37:57What's happening?
00:37:58Carmen, forgive me, but I had to see you
00:38:00What's happening?
00:38:02Laura has been arrested
00:38:03Arrested?
00:38:04Yes, they've taken her away from the carola
00:38:05But what has he done?
00:38:06Nothing, I swear
00:38:07There was a shooting this afternoon on the parallel street
00:38:09He killed a police officer
00:38:10And one of the gang from the facería
00:38:12And there have been raids
00:38:13But what does Laura have to do with all this?
00:38:15I don't know
00:38:17I knew I was involved in something
00:38:20But...
00:38:20And the police officers who took her away
00:38:22They were not ordinary.
00:38:24Oh, God
00:38:27Wait a moment
00:38:38I explained it to him clearly.
00:38:41We need an import license
00:38:43Naturally I told him
00:38:45The first car that crosses the border will be for you.
00:38:48But to keep up appearances
00:38:50We'll send you an invoice.
00:38:52We'll set it at 500 pesetas.
00:38:55What do you think?
00:38:57The bird thought about it
00:38:59500 pesetas bulmulus
00:39:00And finally, taking out a thousand-peso note, he said
00:39:03Does coming back seem great?
00:39:04Put your finger on it!
00:39:08This is a matter for the political-social brigade.
00:39:11I've already told you, Carmen
00:39:13Anarchists
00:39:14I can't do anything
00:39:17But there you have the governor.
00:39:42Carmen
00:39:44Ramón
00:39:46Why didn't you call from downstairs?
00:39:48Would you like to have something to drink before going to school?
00:39:49There is no high school
00:39:50But we have arranged to meet with Silvio Avertini.
00:39:53And his friend from Madrid
00:39:55And I've booked a table at the Ritz grill.
00:39:57For after the opera
00:39:58There's no high school, no grill, no Ritz, no bullshit
00:40:01Oh well
00:40:02Let's see
00:40:03What's happening?
00:40:05What stirs you up inside?
00:40:07Spit it out
00:40:11The thing is, I'm the one who does the business.
00:40:14You should have limited yourself
00:40:16To occupy half the bed
00:40:17What are you saying?
00:40:19You are blatantly using my friendships and influence.
00:40:23What do you have to do with that whore from the gang of infamies?
00:40:26That's why you dared to bother the governor himself in my own house the other day.
00:40:32I had to do this favor
00:40:33It's an old story you wouldn't understand.
00:40:36Old?
00:40:37And what about the shady deal you're up to with Colonel Murillo?
00:40:40Is it also old?
00:40:42Colonel Murillo?
00:40:43I've become somewhat friendly with his wife and she's given me a few small jobs.
00:40:47Like some French perfumes I brought her the other day
00:40:50That's all
00:40:50And while you were at it, you asked her to recommend her husband, the director of the consortium.
00:40:54To Figueras for the awarding of the works
00:40:56And Díaz Ramos should put an end to the Palau affair
00:40:59That pirate
00:41:00And to many more whom you have charged or paid in your own way
00:41:03You've been misinformed, Ramón
00:41:05Evil?
00:41:08Carmen, this is over
00:41:11I was looking for a lover, not a competitor.
00:41:14Everything is trafficked in this house.
00:41:16Tibisas, cocaine, if you don't believe me, ask that faggot Peña
00:41:19Even espionage!
00:41:21But who do you think you love?
00:41:22Kill Harry!
00:41:24You've made me look ridiculous in front of all of Barcelona
00:41:26Soon I'm going to have to ask for a number to come up and see you.
00:41:29Jimeno, that thug
00:41:31Peña, Velasco, Juan Manuel, Diego the one with the stockings
00:41:35Roman, Gonzalez
00:41:36I continue
00:41:37You are very wrong
00:41:39Almost all of them are faggots
00:41:40They're not looking for me.
00:41:42And I just have fun exploiting their vices.
00:41:44And the bishop?
00:41:46The Most Eminent Bishop
00:41:48Is he also a degenerate?
00:41:50Who told you about him?
00:41:52It's over
00:41:54Who told you that?
00:41:55Who wants to bring me down?
00:41:58Tell me the truth, Ramón
00:42:00You are the great businessman
00:42:02And I'm already starting to be a bad deal for you, aren't I?
00:42:06It's a much better business.
00:42:07Marrying a banker's daughter like
00:42:10Terita Vilayonga
00:42:14Don't leave like that, Ramón!
00:42:18Tomorrow I will give you a deed for this apartment in your name.
00:42:21And don't you ever go near my friends again.
00:42:25Who has sunk me?
00:42:26Who betrayed me?
00:42:27Who was it?
00:42:29Goodbye, Carmen
00:42:33You will never see me again.
00:42:42Waiter
00:42:44Another cognac, please
00:42:47But, Carmen
00:42:49The world doesn't end with Muñoz
00:42:52Okay, he's gone, so what?
00:42:54He hasn't been the only one to go
00:42:57Many things have gone with him
00:43:00Tomorrow everyone will know we had a fight
00:43:02And the whole world will laugh at flesh in bud
00:43:18But we'll see who laughs last
00:43:21They will try to ostracize me.
00:43:23Sink
00:43:24But I have them all in my hands
00:43:26To both sides
00:43:29In my hands
00:43:30To all
00:43:31All
00:43:31Look at them
00:43:33There you have them
00:43:36A manufacturer
00:43:38A theatrical entrepreneur
00:43:40A shopkeeper
00:43:42A candle of the movement
00:43:46Faggots
00:43:48All
00:43:50Leave them be
00:43:52What are you going to have?
00:43:53Let them go
00:43:54But I came for them
00:43:57Please
00:43:57A cognac for the lady
00:43:59I'll have a mint.
00:44:00Oh, you're going to turn green inside out
00:44:04You
00:44:05Come here
00:44:09Serve them a bottle of champagne
00:44:10Those faggots
00:44:14Yes, faggots
00:44:16Faggots
00:44:16I said faggots
00:44:18Or am I not speaking properly?
00:44:20The language of empire
00:44:22Please, Carmen
00:44:24No scandals
00:44:25And even less so here
00:44:29But you can't hear them.
00:44:31They're laughing at me
00:44:33But that's impossible, Carmen
00:44:34They haven't had time to find out anything.
00:44:37Those
00:44:38They find out everything.
00:44:40And sometimes
00:44:42Before it happens
00:44:43But now they're going to find out.
00:44:46Who does Carmen Broto belong to?
00:44:50I'm serious.
00:44:52If you cause trouble
00:44:54Leave
00:44:56Are you scared?
00:44:58Robert Tyler
00:44:59Well then
00:45:01Get out!
00:45:03Whatever you want
00:45:06The rats abandon ship
00:45:09When the ship sinks
00:45:16Hello, Carmen
00:45:18Flight
00:45:19But Carmen
00:45:35Who are we going to toast to, Carmen?
00:45:38For you, you jerk!
00:45:41Because?
00:45:42That?
00:45:45Sit down, my dear!
00:45:46Sit down, monkeys!
00:45:48Sit down!
00:45:50Let's speak clearly
00:45:53We're among whores, aren't we?
00:45:55Well then
00:45:57Who was the son of a bitch?
00:46:00What has he told Ramón about me?
00:46:02Gentleman?
00:46:05The grade?
00:46:06Ah, yes
00:46:09No, better to remove it from Don Ramón's account.
00:46:13You sons of bitches in jail are going to explain it to you, you sons of bitches!
00:46:18Sons of bitches!
00:46:19I'm going to throw you all in jail!
00:46:21You're going to find out who Carmen Broto is!
00:46:24You'll find out!
00:46:26I'm going to put you in jail!
00:46:29Come on!
00:46:29Instinct, let me go, you rat!
00:46:33You're a faggot too!
00:46:35No, no, no!
00:47:01But who do you think you are?
00:47:03You're nobody!
00:47:04Just like me!
00:47:05Like everyone else!
00:47:06Who would think of going to the police station to file a complaint?
00:47:08I can prove everything I've said
00:47:09And you think they didn't already know everything yesterday?
00:47:11Have you discovered something about them?
00:47:13If I haven't done anything but start
00:47:15I haven't even told you a quarter of it
00:47:17But you're an idiot!
00:47:18May you live in a small town for the rest of your fucking life!
00:47:20But what are you going to tell, and who?
00:47:23And above all
00:47:24There are names you should never have said.
00:47:26But I already told you I have proof of everything.
00:47:28Go ahead with the tests!
00:47:32But what do you mean by that?
00:47:34I mean, I know everything about them
00:47:36Of his businesses and his glass
00:47:39I know everything!
00:47:41And I even have photos.
00:47:46But why me, Don Tomás?
00:47:48Because you have such a thick file
00:47:50And I can have it filed away.
00:47:53Those are things of the past, Don Tomás.
00:47:56If the file reaches the military authorities
00:48:00Goodbye, good day
00:48:01Last week they still shot four of your people
00:48:04In the field of La Bota
00:48:06Don't be silly, Jimeno
00:48:08And take your own advice.
00:48:08But I have nothing to do with those people anymore.
00:48:10And you know it very well.
00:48:12A file this big, Jimeno
00:48:16God willing, I won't fall for someone who wishes me ill.
00:48:20What if I do it?
00:48:23Will I be clean?
00:48:25Like a whistle
00:48:34But that wasn't the plan.
00:48:36Stealing her jewelry is one thing.
00:48:38And another very different one
00:48:39Will you shut the fuck up already?
00:48:41They've got me by the balls
00:48:44And until I do what they want
00:48:45They won't leave me alone
00:48:47It's her or me.
00:48:49How do you want me to explain it to you?
00:48:51Besides, I don't know what all the fuss is about.
00:48:54You will be the bait
00:48:55Only the bait
00:48:57Get a car
00:48:59You take it out there
00:49:00And then you bring her here
00:49:04You simply have to follow the instructions you are given.
00:49:06If you do it like this
00:49:09Everything will be alright.
00:49:11Don't you see that nobody could be interested?
00:49:13Will this be exposed?
00:49:16And what do you say?
00:49:20Do you agree?
00:49:28Do you think they'll come?
00:49:30They went to the movies
00:49:31To the Metropol
00:49:32They were inaugurating the Mansuplicio
00:49:39I think they are the
00:49:42Carmen?
00:49:57Hello Carmen
00:49:58Hello
00:50:01I'm glad you called me
00:50:03After the scene I caused you the other night
00:50:05It's already forgotten
00:50:08I wanted to say goodbye to you
00:50:10You know I'm getting married.
00:50:11Yeah
00:50:13And I'm happy for you
00:50:15Oh
00:50:17I don't know what I have.
00:50:18I'm going to marry you all
00:50:20Don't talk nonsense
00:50:23Come on
00:50:23Let's have a drink
00:50:24To celebrate
00:50:25Ah
00:50:25A friend of mine is coming with us
00:50:26It's trustworthy
00:50:35A friend is coming over
00:50:36What is the lord?
00:50:37What is the lord?
00:50:38I don't know
00:50:39I don't know
00:50:43What is the lord?
00:50:45I don't know
00:50:46The Lord
00:50:52What do I have?
00:50:54What is being given?
00:50:54It is indeed
00:50:54What is given
00:50:55What is being given?
00:50:55What is given?
00:50:55My love
00:50:55I don't know
00:51:23No, no, no
00:51:32Hey, your friend doesn't talk even when he's drunk, huh?
00:51:36I think he was impressed by your beauty
00:51:39Don't tell me
00:52:05Is it taken, yes?
00:52:06Don't tell me
00:52:34Don't tell me
00:52:46Take me home
00:52:49And don't make me drink any more.
00:52:51I don't understand how you can put up with so much
00:52:58Today, do you know that I'm getting horny?
00:53:04Come on, a bed
00:53:07A bed, and I'll give you for free what others have paid a fortune to get.
00:53:16Where are we?
00:53:21Where are you taking me?
00:53:43What are we doing here?
00:53:46What are we doing here?
00:54:06What's going on there?
00:54:15But this woman is bleeding
00:54:17Do you have to take her somewhere?
00:54:19It's not necessary
00:54:21I am a doctor and I will take her to my private clinic.
00:54:25She's drunk and threw herself out of the moving car
00:54:27Ah!
00:54:28Ah!
00:54:30Ah!
00:54:32Ah!
00:54:33Ah!
00:54:47Ah!
00:55:16Thank you!
00:55:39Thank you!
00:56:10Thank you!
00:56:19Thank you!
00:56:20It's moving!
00:56:23Leave it to me.
00:56:31You go. I'll finish this.
00:56:35You know where to wait.
00:56:36And don't leave until I arrive,
00:56:38even if it makes me late.
00:56:47You follow me.
00:56:51Thank you!
00:57:03Here. The jewelry is for you.
00:57:07Do you remember the time and place of the appointment?
00:57:09Yeah.
00:57:09Don't fail. They'll help you pass.
00:57:13I will write to you in Marseille.
00:57:14Above all, son,
00:57:15Listen to me.
00:57:18Daddy.
00:57:29Thank you!
00:57:46Thank you!
00:58:06Thank you!
00:58:07Thank you!
00:58:09Thank you!
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01:04:37A few months after the murder of Carmen Broto, Ramón Muñoz, her protector, got married
01:04:43with the banker's daughter. Jesús Jiménez, the only surviving member of the group responsible for the
01:04:49For the crime, he was sentenced to death, although a pardon from Generalissimo Franco saved him
01:04:54from the garrote. Thanks to another pardon from the then head of state, he was released.
01:05:00ten years of his imprisonment. Jiménez had good lawyers, received financial aid in the
01:05:06He went to jail and got a good job as soon as he was released. Perhaps
01:05:12For these reasons, he has always preferred to remain silent about the circumstances that
01:05:17They surrounded the murder of Carmen Broto.
01:05:58Thanks for watching the video.
01:06:28Thanks for watching the video.
01:06:57Thanks for watching the video.
01:07:13Thanks for watching the video.
01:07:19Thanks for watching the video.
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