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00:00:13Thank you!
00:00:30Do you know what it means for a nobleman to marry a whore?
00:00:34The king could take away all your privileges.
00:00:37I no longer have anything to make my own decisions.
00:00:41Do you want to end up on the gallows?
00:00:43Don't you see it?
00:00:43Killing him is not the solution!
00:00:44So what's the solution? Should I just stand there like you?
00:00:47Should you ask your brother?
00:00:49What's wrong, didn't it fit in his crotch or what?
00:00:51My brother is my brother, really.
00:00:53He is dead.
00:00:54That stick was meant for me.
00:00:56Too many mysteries for a superchacelot.
00:00:59Watch out, man, watch out!
00:01:01Come on!
00:01:06If you renounce that marriage, I will personally make sure you lack nothing.
00:01:11Money won't be a problem.
00:01:12Young Master Nuño is about to leave.
00:01:16She should go out and say goodbye to her son. Don't let him leave like this.
00:01:19I'm going to bring my son back.
00:01:39What a mess you've made, what a mess you've made. What a mess you've made.
00:01:46If all this is because of my wedding, you've lost your mind.
00:01:48Believe me.
00:01:50You'll end up signing.
00:01:52Commissar!
00:01:56Sator is a Mayan solar calendar.
00:01:59Let's go to the leper colony of Nazareth.
00:02:03What did you say? The place is full of death.
00:02:05Leprosy is not curable.
00:02:06Go ahead and dress up!
00:02:08If leprosy enters the palace, those responsible will leave.
00:02:11Mother!
00:02:12Let go of my son.
00:02:14But what?
00:02:18Gather your best men and wipe out those savages.
00:02:22Show no mercy.
00:02:23That stone holds the key to finding gold.
00:02:26Go ahead, Guzmán.
00:02:27Kill your brother!
00:02:34Why do you care so much about me if you're not my father?
00:02:37Have you forgotten me?
00:02:38Forgotten.
00:02:39What did you want me to do?
00:02:40Speculate that a child poisoned me with a dart, that when I kissed her it wasn't even me.
00:02:48The gold will stay where it is.
00:02:51I have seen it born.
00:02:53You're all I have.
00:02:57It is said, among other things, that a Moorish king lived in Granada who had a daughter named Zayda.
00:03:14The king consulted his astrologers and the princess would be very beautiful.
00:03:27But danger lurked in their destiny.
00:03:30Matters of fault, for sure.
00:03:33Cipriano, am I telling the story? Will you let me continue, or do you want to continue?
00:03:38Clear.
00:03:40Okay, where was I?
00:03:41Ah, yes.
00:03:43The princess would die if she failed to avoid love until adulthood.
00:03:49So the king locked her in a tower so that there would be no men around.
00:03:54But one night, the princess ran away and met a handsome knight.
00:04:03The gentleman looked at her.
00:04:05I had never seen anything so beautiful.
00:04:08And then, he kissed her.
00:04:14The next day, he went to see her.
00:04:19And he said to her, "I wanted to ask you to forget the kiss."
00:04:25But Saldur, that doesn't make sense.
00:04:28If he kisses her, why does he ask her to forget him?
00:04:30Yeah.
00:04:31Because?
00:04:33Because it's clearly stated here.
00:04:35Because the knight discovered the curse that weighed upon the princess.
00:04:38He said it to protect her.
00:04:41Already.
00:04:42Well, I'm going to bed.
00:04:44It's gotten late.
00:04:46Good night.
00:04:48Good night.
00:04:49I'm leaving too.
00:04:51I'm a little tired.
00:04:53Good night, son.
00:04:59And how does the story end?
00:05:02That's bad.
00:05:03Well, Cipriano is very bad.
00:05:05The princess fell ill and died.
00:05:07And the father too.
00:05:09And the mother.
00:05:09And the knight.
00:05:11Dead, all dead.
00:05:13I don't know who writes these children's stories.
00:05:17Good night.
00:05:29Thank you, Catalina.
00:05:44Lady
00:05:46Ma'am, for God's sake, what's wrong with you?
00:05:49Lady
00:05:49Help!
00:05:52Help!
00:05:54Aid!
00:05:56Relief!
00:05:58Lady, for God's sake
00:05:59Help!
00:06:01Help!
00:06:05Oh my God, ma'am!
00:06:08Help!
00:06:37Happy birthday, Your Majesty!
00:06:53Have you thought about what you'd like to wear today?
00:06:55It's your big day!
00:06:57The whole court will come to see you
00:06:58Yeah
00:06:59Let's celebrate that I'm a year older!
00:07:01Quite an event
00:07:04Congratulations
00:07:06Mariana
00:07:15It's beautiful.
00:07:20Thank you, Your Majesty
00:07:30My sincerest congratulations
00:07:33Majesty
00:07:34Duke of Uceda
00:07:36What a thoughtful touch!
00:07:38The Duke of Uceda?
00:07:40The general of your armies?
00:07:44Come on!
00:07:54What is this?
00:07:56Your mother's queen is clear, Elayna!
00:07:58Come on!
00:07:59This one!
00:08:12With your permission, Your Majesty.
00:08:15I thought I saw the queen looking somewhat unwell.
00:08:19Something wrong?
00:08:20Let's say the attributes of the Uceda dock
00:08:23They have suffered an unfortunate accident.
00:08:36Did you order her to be castrated?
00:08:39That's right, but he's still alive.
00:08:43That way he can continue serving me and not the queen.
00:08:47I fear, sir, that the queen, your wife,
00:08:52He is not in a condition to celebrate his birthday.
00:08:56As queen, she has responsibilities.
00:09:00And she will fulfill them with her best smile.
00:09:03Of course, sir.
00:09:06I have learned that the chamber musician of Louis XIV
00:09:09will attend the festivities.
00:09:11Jean-Baptiste Lully,
00:09:13the best performer in Europe.
00:09:16The queen deserves the best.
00:09:19Of course, sir.
00:09:20Long live the queen!
00:09:21The people are hereby informed
00:09:23that on the occasion of the birthday
00:09:25of Her Majesty the Queen
00:09:27Masquerades will be held in the Plaza Mayor
00:09:30theatrical performances at the Corral del Príncipe
00:09:34and naval battles in the Buen Retiro Park.
00:09:43Careful!
00:09:44Grab more!
00:09:47The queen, the queen!
00:09:52Here!
00:09:53Ellene, fill up!
00:09:54Ellene, let's get this party started! We have to toast to her majesty!
00:09:56The people are hereby informed
00:09:58Take it, always!
00:09:59Come here a little!
00:10:03There are people dying of hunger
00:10:05And in two days they'll waste not even their wisdom.
00:10:07How sad you are, my son.
00:10:11I have something for you.
00:10:12I've gotten you a job at the Royal Palace.
00:10:16That?
00:10:19They need help for the celebrations these days.
00:10:22It will be a short time, but you'll be paid well.
00:10:25You're going to the queen's birthday party!
00:10:31Job.
00:10:36Stop by the Puerta del Moro when you can.
00:10:38to pick up the uniform.
00:10:42Come on!
00:10:44And you're not going?
00:10:47Hey?
00:10:50No.
00:10:52Gaby!
00:11:02What's happening?
00:11:05Well, I'd like you to explain it to me.
00:11:06Why does Palo Bueno never count on me, love?
00:11:09I can't believe you're angry.
00:11:11because he found Cipri a job.
00:11:13A job, no.
00:11:14A job, no, love.
00:11:16A job at the Royal Palace.
00:11:18Cipriano is unable to bend down
00:11:20without letting out a fart.
00:11:22Cipri is perfectly qualified
00:11:23For that job, you know?
00:11:25And not me?
00:11:27Careful!
00:11:31They don't give you anything useful!
00:11:55Are you OK?
00:11:56Don't worry.
00:12:02Don't worry.
00:12:04Are you OK?
00:12:04Don't worry.
00:12:07The thing is...
00:12:10I feel very sorry for my father.
00:12:24Ah!
00:12:25No!
00:12:28Oh!
00:12:30Oh my God!
00:12:34He has nothing to silence her.
00:12:38They should call a priest.
00:12:40A cure for what?
00:12:41Is it that serious?
00:12:43In my professional opinion
00:12:44He has no physical ailments.
00:12:46So what's wrong with him?
00:12:50It's been demolished.
00:12:52The devil has me.
00:12:53Oh, holy God!
00:12:55Vadalina, for God's sake!
00:12:58Miss.
00:13:01No, not in my son!
00:13:02Miss, move aside.
00:13:03Miss.
00:13:04Step aside, girl.
00:13:08Ah!
00:13:09Ah!
00:13:18Get out of the way!
00:13:19Don't you see?
00:13:20That's what we're trying to do, don't you see?
00:13:21Commissar.
00:13:25It's urgent.
00:13:29Get out of the way!
00:13:49Get out of the way!
00:14:17Come on, I'm relieved!
00:14:21Let's go. I want to get there before nightfall.
00:14:26I'm sure the Black Gate is around here.
00:14:37Come on, why do you have me working for you?
00:14:40Because you don't really...
00:14:44He doesn't need me for anything.
00:14:48It's out of pity, isn't it?
00:14:50So, what do you say?
00:14:52Answer.
00:14:54Do I seem like someone to be pitied?
00:14:56No. I would never think that about you.
00:15:00Or my son thinks so.
00:15:03I make him feel sorry for me.
00:15:05That's what he tells all his friends, that he feels very sorry for me.
00:15:09Is that what Gaby says?
00:15:11It's not normal, love.
00:15:13It's not normal for a child of that age to feel sorry for his father.
00:15:18Our children don't always look at us the way we would like.
00:15:20He won't tell you for your sake.
00:15:22Alonso sees me as a coward.
00:15:24I can say whatever I want to your son, but the eyes don't lie.
00:15:29I have never seen such a bright look as Alonso's when I see you teaching.
00:15:35Have you spoken to Gaby?
00:15:38So that?
00:15:40Yes you're right.
00:15:43I have never done anything in my life to earn their admiration, their love.
00:16:01Saturn, wait.
00:16:03Where are you going now?
00:16:07Let's change things, love.
00:16:10I'm going to change things.
00:16:29No.
00:16:33No.
00:16:35No.
00:16:37No.
00:16:38Subtract the other one.
00:16:39No.
00:16:42No.
00:16:45No, no, no, no.
00:16:49How did you find the bodies?
00:16:51Someone buried them in this pit, but some animal has disturbed the earth.
00:17:00They have gouged out all their eyes.
00:17:02That's right, sir.
00:17:07We need to find the person responsible for this.
00:17:09And be discreet.
00:17:11I don't want us to spoil the queen's birthday.
00:17:14Yes sir.
00:17:27Ma'am, did you see how strong he was?
00:17:29It was me that Catalina tried to kill. Believe me, I saw it.
00:17:32If he couldn't even put the commissioner on him.
00:17:35That wasn't Miss Irene.
00:17:37That was God's doing.
00:17:38Catalina, listen to me carefully.
00:17:40I don't want this matter to leave the palace, is that clear?
00:17:43Yes, ma'am, but...
00:17:44Be quiet!
00:17:46The last thing I need right now is for people to know that there's a demon in my palace.
00:17:50Yes, ma'am, what I mean, if you'll allow me, is that even if nobody says anything, you can still be heard.
00:17:54shouting from the gardens.
00:18:01What's wrong, my son?
00:18:09My God.
00:18:13My God.
00:18:18The eyes.
00:18:19Catalina.
00:18:24Lady.
00:18:25She wants the same thing as Miss Irene.
00:18:28Who is so clean?
00:19:23Who is so clean?
00:19:25Who is so clean?
00:20:24Who is so clean?
00:20:42Who is so clean?
00:20:49Who is so clean?
00:21:25Who is so clean?
00:21:53Who is so clean?
00:22:23Who is so clean?
00:22:26Who is so clean?
00:22:31Who is so clean?
00:22:36Who is clean?
00:22:50Who is clean?
00:23:20Who is clean?
00:23:34Who is clean?
00:23:39Who is clean?
00:23:59Who is clean?
00:24:14Who is clean?
00:24:47Who is clean?
00:25:15Who is clean?
00:25:54Who is clean?
00:26:09Who is clean?
00:26:23Who is clean?
00:26:50Who is clean?
00:27:05Who is clean?
00:27:30Who is clean?
00:27:52Who is clean?
00:28:03Who is clean?
00:28:30Who is clean?
00:28:40Who is clean?
00:28:57Who is clean?
00:29:18Who is clean?
00:29:40Thank you!
00:29:54Do you know this boy's parents?
00:29:55Yes, I am his father.
00:29:58Have you studied music?
00:29:59No, no, no.
00:30:02Not that I know of, right? You haven't studied music?
00:30:04No, no, no.
00:30:06I've never seen anything like it.
00:30:09What I don't...
00:30:11What I don't...
00:30:13I've never seen anything like it.
00:30:31Hey! Hey, man! Stop!
00:30:46High!
00:30:48High!
00:30:49High!
00:31:02High!
00:31:03High!
00:31:03High!
00:31:06High!
00:31:07High!
00:31:08High!
00:31:09High!
00:31:11High!
00:31:12High!
00:31:12High!
00:31:13High!
00:31:13Why did you gouge out those men's eyes?
00:31:15No, I...
00:31:17I...
00:31:17I don't...
00:31:17I haven't done anything.
00:31:19You're the gravedigger at Santa Elena cemetery, right?
00:31:22The bodies that appeared in the forest are increasingly being stolen from that cemetery.
00:31:27I don't know anything!
00:31:28I swear!
00:31:29Please!
00:31:30Very good.
00:31:32In that case, we'll take you to the dungeons and help you remember.
00:31:36Have you heard of Judas's cradle?
00:31:38When we sit you down in it and if it opens your body, you will regain your memory.
00:31:43Take it away!
00:31:44!
00:31:47Wait! Wait!
00:31:50Wait!
00:31:51Who was it?
00:31:53Wait!
00:31:54Wait! Who was it?
00:31:56Who was anyone?!
00:32:21No, no, no.
00:32:43Do you need help?
00:33:09Why do you tear out their eyes?
00:33:12No, me.
00:33:12No!
00:33:14I get paid to do this!
00:33:18Who?
00:33:19I won't repeat it.
00:33:21Who pays you?
00:33:22No!
00:33:33No!
00:33:41No!
00:33:47No!
00:33:52No!
00:34:06Come on!
00:34:10Come on!
00:34:11Come on!
00:34:14Come on!
00:34:26Come on!
00:34:51Come on!
00:34:52Come on!
00:35:05Where are you going?
00:35:07He has to give it to someone.
00:35:10The moment you put his foot out of here, that child will be dead.
00:35:13And you with him?
00:35:16So what do I do then?
00:35:18There's nothing you can do, Lucrecia.
00:35:19Nothing to be done.
00:35:21He will die.
00:35:23Hernán needs a priest.
00:35:24Better that one dies than both.
00:35:26We have to get what he has out of it.
00:35:28We need to bathe him in holy water, Hernán.
00:35:30The Marchioness of Santillana carrying a child.
00:35:33The priest's question is, Lucrecia.
00:35:36That's the one thing you can't afford.
00:35:42I'll say it belongs to a maid.
00:35:44Wake up already, Lucrecia.
00:35:46What do you think?
00:35:46Are they not within my sight?
00:35:48They know perfectly well that none of your maids were pregnant.
00:35:52I can't let him die, Hernán.
00:35:54Can't!
00:35:56She's my daughter.
00:35:59It's in God's hands.
00:36:00He will decide.
00:36:03Know.
00:36:05Everything I've been through
00:36:08to give birth to this child.
00:36:11What I have suffered.
00:36:18One day.
00:36:20One day my son will reign over Spain.
00:36:26He cannot die.
00:36:46Come on!
00:36:48Come on!
00:36:50Oh my God!
00:36:51I have so many things to tell you
00:36:52I don't even know where to begin.
00:36:54Have you made things right with Gaby?
00:36:55Arrange?
00:36:56Fix it, no, love.
00:36:58Fixing it is a minor thing compared to what has happened.
00:37:00So, what have you done?
00:37:02No, no, I haven't done anything.
00:37:04It's all Gaby's doing, that deserves the credit.
00:37:06I caught him inside the Royal Palace
00:37:07And when I realized it...
00:37:08Wait, wait, wait.
00:37:09Have you been to the Royal Palace?
00:37:10Yes, let's go, yes.
00:37:11No, but don't dwell on the details.
00:37:13The crazy thing is that my Gaby has started playing the...
00:37:18the clairvoyance of a certain Luji,
00:37:19a French teacher who seems to be...
00:37:21Jean-Baptiste Lully.
00:37:22Ah, but you know him.
00:37:23Is he the chamber musician of Louis XIV?
00:37:25Himself!
00:37:26Do you know what he said when he heard my Gaby play?
00:37:29He has a gift!
00:37:31The boy has a gift for music!
00:37:33Isn't that incredible?
00:37:36Sato, Gaby knows how to play the clairvoyant.
00:37:38Exactly!
00:37:39He plays that clarivicon like Los Angeles.
00:37:42Do you know how exceptional that is?
00:37:44I'm telling you!
00:37:45What part of me can't hear me!
00:37:48But I don't understand one thing, Sato.
00:37:50Gaby has ever played an instrument.
00:37:52From what I can see...
00:37:55In the brothel of the Tuardas there was a...
00:38:00an old harpsichord there.
00:38:05The boy amused himself by touching it while he waited for his mother.
00:38:13How could this have happened, master?
00:38:15That a servant and a whore might come from...
00:38:20a genius will appear.
00:38:24It's clear that this is no coincidence, Sato.
00:38:27He has an only father.
00:38:32Will my son have his future sorted, love?
00:38:36Won't he be able to earn a living?
00:38:38How should I know?
00:38:40Playing the organ at the parish church or...
00:38:45or referent?
00:38:48Saturn Garcia?
00:38:50Saturn Garcia?
00:38:54Saturn Garcia!
00:38:56Hey!
00:38:56Hey!
00:38:59Does Saturno Garcia live here?
00:39:02Yes, it's me.
00:39:03What's happening?
00:39:04The maestro Jean-Baptiste Lully sends you this letter.
00:39:08Master Jean-Baptiste Lully sends his regards!
00:39:24The maestro Jean-Baptiste Lully sends you this letter.
00:39:40What's happening?
00:39:44Master Luchi
00:39:45what does my Gaby want?
00:39:48go to Paris
00:39:50to study music.
00:39:53To Paris?
00:39:57That's good news.
00:40:02I call, but France
00:40:03It's very far away.
00:40:04Sator, the great opportunities
00:40:05They only happen once in a lifetime
00:40:06And this is one of them.
00:40:11What teacher Luchi
00:40:12Do you want to see me as soon as possible?
00:40:14Can you accompany me?
00:40:17Of course, Sator.
00:40:43These are the furnishings
00:40:44that needs fixing,
00:40:45Madam Marchioness.
00:40:53The furniture is in perfect condition.
00:40:57I have summoned him
00:40:58on another matter.
00:41:10Are you known?
00:41:11for something more
00:41:12because of his talents
00:41:13A carpenter?
00:41:18I don't know what you're talking about.
00:41:19Of course.
00:41:21I understand
00:41:22that possesses
00:41:23extensive knowledge
00:41:24about black magic.
00:41:25That's what some
00:41:26They call him a sorcerer.
00:41:28I'm sorry,
00:41:29But he has been misinformed.
00:41:31I don't do that anymore.
00:41:33I'm sure
00:41:34that we will be able to reach
00:41:35to an agreement.
00:41:48of my face.
00:41:51That's the price
00:41:52that made me pay
00:41:52the Inquisition.
00:41:55I assure you
00:41:56that I learned
00:41:56The lesson was very good.
00:41:58Wait!
00:42:01That's a lot of money.
00:42:03Enough
00:42:04for a start
00:42:04a new life
00:42:05far from here,
00:42:06where nobody
00:42:07I know him.
00:42:15What needs to be done?
00:42:18To save a person.
00:42:21She's possessed.
00:42:23Need
00:42:23that takes me
00:42:24next to her.
00:42:25I want to see her.
00:42:25No.
00:42:27Just tell me
00:42:28what I have to do.
00:42:34He's looking for a young virgin
00:42:35that he bathed
00:42:37to the possessed
00:42:38in his blood.
00:42:40He's going to kill her.
00:42:42Any problem?
00:42:44No.
00:42:47None.
00:42:48I'll get it.
00:42:51Make sure
00:42:52So be it.
00:42:53Only blood
00:42:54of a virgin
00:42:55will be able to save him.
00:43:22It's so hot, isn't it?
00:43:25So,
00:43:26you, master,
00:43:26He has no doubt.
00:43:27that I should send
00:43:28to my son
00:43:29to study
00:43:29with this musician.
00:43:30No doubt,
00:43:31Satur.
00:43:32It's one of the best
00:43:33composers
00:43:34from all over Europe.
00:43:37As much as it hurts me
00:43:38to keep him far away, I love,
00:43:40But if he stays here
00:43:41It's just that my little boy
00:43:42It's not going to arrive
00:43:44nowhere.
00:43:46Satur,
00:43:47You have already been very lucky.
00:43:49The offer they made him
00:43:49It is reserved
00:43:50to very few people.
00:43:52Can you imagine?
00:43:53that ends up coming out
00:43:54in books?
00:43:55Well, Satur,
00:43:56The first thing is that I receive
00:43:56training.
00:43:57Yeah.
00:43:57Then...
00:43:58No, if the first
00:43:59It is about training.
00:43:59That doesn't make sense to me.
00:44:00no doubt,
00:44:02but...
00:44:03But what if it happens
00:44:04The story, love?
00:44:05That's what it would be,
00:44:06That would already be the...
00:44:08Milk.
00:44:17I'm glad you came.
00:44:20It's an honor to meet you.
00:44:26Look, sir,
00:44:27that I have received
00:44:29the letter,
00:44:29your letter.
00:44:31That's why we're here.
00:44:33And...
00:44:34Since you already
00:44:35He saw my Gaby play
00:44:37he...
00:44:39the claricorn this,
00:44:40Well, the truth is
00:44:41I would like to,
00:44:42Well,
00:44:42us...
00:44:44We would like...
00:44:47As you were saying, the...
00:44:48In his letter he said
00:44:50that he wanted Gaby
00:44:50I will accompany him to Paris.
00:44:51Yes, that's it, that's it.
00:44:53Yes I'd like to
00:44:54who was studying music
00:44:55under my guardianship.
00:44:58Well, no, that...
00:44:59Given who you are,
00:45:02we are convinced
00:45:03that it is the best for him.
00:45:04Clear.
00:45:04It's a privilege
00:45:05within reach of very few.
00:45:07I've never been in charge.
00:45:08of education
00:45:09of a commoner.
00:45:11We understand
00:45:11which is about
00:45:11of a unique opportunity
00:45:13and we are
00:45:15very grateful.
00:45:15Thank you very much.
00:45:17We are.
00:45:33This is all he's going to earn
00:45:35my Gaby.
00:45:36No, Sato.
00:45:37Sato.
00:45:39These are the expenses
00:45:40to live and study
00:45:41in Paris.
00:45:44What do you mean, expenses?
00:45:46Isn't there another way?
00:45:47to solve the maintenance issue?
00:45:49Despite my reputation,
00:45:51my fees
00:45:52They are not that high
00:45:53and I would find it difficult
00:45:55take charge.
00:45:59Can't you turn to someone?
00:46:04By the end of this week,
00:46:06I'm leaving for Paris.
00:46:08I await your response.
00:46:26What's wrong, Marta?
00:46:28Shouldn't you be upstairs?
00:46:29with Miss Irene?
00:46:30No.
00:46:32No, the devil is
00:46:33in that alcove, Margarita.
00:46:35I'm leaving.
00:46:36I leave the palace.
00:46:38What are you saying?
00:46:39Your mother?
00:46:40How are you going to make a living?
00:46:41No, I can't.
00:46:42What do you mean you can't?
00:46:45Marta, if you quit your job
00:46:47You're going to starve to death.
00:46:50Can't.
00:46:56I'll be right there.
00:46:57I'll be right there.
00:46:58Okay?
00:46:59Marta, thank you.
00:47:01Thank you.
00:47:03Thank you.
00:47:04Thank you.
00:47:05Go on,
00:47:06in the well for clean water.
00:47:08Yes, thank you very much.
00:47:14Marta, where are you going?
00:47:17Where are you going, Marta?
00:47:18at this hour?
00:47:20Nowhere.
00:47:22I didn't want to go up
00:47:23to the room
00:47:24Miss Irene's.
00:47:26But I'll be there.
00:47:28No, don't go up.
00:47:34Because?
00:47:35What's happening?
00:47:38There is another person
00:47:40possessed in the palace.
00:47:43Elena.
00:47:47Catalina, for God's sake,
00:47:48Explain yourself.
00:47:52It's the baby
00:47:53of the Marchioness.
00:47:59The baby?
00:48:02What are you taking about?
00:48:04That can't be.
00:48:07It has not had
00:48:07all this time
00:48:08hidden
00:48:08in the old cellar.
00:48:11And he's possessed.
00:48:12what we saw
00:48:12with my own eyes.
00:48:14Saint Mary.
00:48:15Catalina.
00:48:16Lady.
00:48:18I need you to get me
00:48:20to a young maid.
00:48:21It is very important.
00:48:24Ma'am, but...
00:48:25That she be a virgin.
00:48:27I won't accept just anyone.
00:48:29He will serve in the palace
00:48:30from an old friend
00:48:31to a very devout widow.
00:48:32Is that clear?
00:48:34Lady,
00:48:35But I'll have to ask.
00:48:37ask for a reference...
00:48:38I need it
00:48:39for this afternoon.
00:48:41Tomorrow,
00:48:41first hour,
00:48:42He needs to be in his position.
00:48:51His possessed son
00:48:53and she's waiting
00:48:53from the other woman's maid.
00:48:57What's happening?
00:48:59Do you know anyone?
00:49:01No.
00:49:22Come on,
00:49:23that my son
00:49:23has the glory
00:49:24within easy reach
00:49:25And in the end it goes, goes, goes.
00:49:27He's going to be mediocre.
00:49:28No, Saturn.
00:49:29It doesn't have to be that way.
00:49:32We're sure to find something.
00:49:33something to sell.
00:49:34The fact that?
00:49:37No, what?
00:49:39This amount of money
00:49:40We're not going to get it
00:49:41in life.
00:49:45Victimhood
00:49:46It's no use to us now.
00:49:48Change things
00:49:49It depends on us.
00:49:50Always with the damn money.
00:49:52The starving one
00:49:53We're always going to be starving.
00:49:55Nothing will ever change.
00:49:56Yes, yes,
00:49:57We fight to change things.
00:49:58Sure, come with your dreams.
00:50:00That nobody knows
00:50:01than those below
00:50:02for centuries
00:50:03have spilled
00:50:04rivers of blood fighting
00:50:05And what for, anyway?
00:50:06No, tell me
00:50:07where they are now.
00:50:08Below,
00:50:08They're still there, down below.
00:50:22I gave this cape to Cristina.
00:50:24When she got pregnant
00:50:25by Alonso.
00:50:27She never cared
00:50:28that it wasn't new.
00:50:32Satur,
00:50:33the neck is standing.
00:50:33Can we sell it?
00:50:34No, no, love, no, no.
00:50:36It doesn't do anything in a trunk.
00:50:38I love,
00:50:39They're not going to give us
00:50:40what we need for her.
00:50:43And also that it is
00:50:43of what little it retains
00:50:44from his wife, right?
00:50:47No, Satur.
00:50:49It's decided.
00:50:49No, love.
00:50:50Bring it here.
00:50:51No.
00:50:51Satur,
00:50:52I don't know.
00:50:52No!
00:50:56Sorry.
00:50:59What is that?
00:51:03It's a brooch.
00:51:07They are precious stones.
00:51:11As?
00:51:16Oh my goodness,
00:51:18Oh my God,
00:51:18Oh my God.
00:51:20My God,
00:51:21Oh my God,
00:51:21Oh my God.
00:51:31Margarita, for God's sake,
00:51:32Stop it already,
00:51:33that has the evil one inside.
00:51:35It's a boy, Catalina.
00:51:38And he dies.
00:51:40He is dying.
00:51:43So what can we do?
00:51:44Is it God's will?
00:51:45No, God cannot believe this.
00:51:47We have to do something.
00:51:48take it somewhere.
00:51:49Where are we going to take him?
00:51:52That creature cannot leave here.
00:51:54who is the king's son.
00:51:56Many people want to see him dead.
00:51:58But leave it here
00:51:59And being helpless is like killing him.
00:52:03I know that the marchioness,
00:52:04with hide.
00:52:14Lady.
00:52:15What are you doing here?
00:52:16She was crying a lot, ma'am.
00:52:18and I came to see how he was.
00:52:20In this room
00:52:21You can only enter
00:52:21when I ordered it.
00:52:23Let this be the last time.
00:52:31Have you found it yet?
00:52:32To the girl I asked you for?
00:52:34Yes, ma'am.
00:52:34Wow, it's perfect.
00:52:36Because she's a girl...
00:52:36I'm not interested.
00:52:42I just want to know
00:52:43if it's just the way I want it.
00:52:45Yes, ma'am, excellent.
00:52:47Excellent and...
00:52:48honest and pure
00:52:49like no other.
00:52:50You'll take it tomorrow at ten.
00:52:52To the Hill of the Broken Cross.
00:52:56You leave it there
00:52:57and you return immediately to the Palace,
00:52:58Is that clear?
00:52:59Yes, ma'am.
00:53:10What was that?
00:53:13I don't know.
00:53:14I don't know.
00:53:27I don't know.
00:53:31I don't know.
00:53:35I don't know.
00:53:54Come on!
00:54:05Come on!
00:54:10Come on!
00:54:12Come on!
00:54:13Come on!
00:54:15Come on!
00:54:17Come on!
00:54:18Come on!
00:54:20Come on!
00:54:23Come on!
00:54:25Come on!
00:54:27Come on!
00:54:28Come on!
00:54:28Are we in control?
00:54:30Are there enough of us?
00:54:32Satur!
00:54:32No, tell me!
00:54:33How much does your father lande?
00:54:35Satur!
00:54:37Your son...
00:54:39Your son is going to Paris.
00:54:43Mother who gave birth to me, thank you, love.
00:54:45Thank you.
00:54:46Of all the things he has done for me, this is the greatest.
00:54:50With this money you could solve your family's problems, love.
00:54:54Satur, you are family.
00:54:56And to think that his wife's brooch has been hidden there in the cloak for so long.
00:55:01With all the hardships you have gone through.
00:55:06Well, you know what I tell him?
00:55:08When my Gaby composes her...
00:55:11You don't say that, man.
00:55:12His...
00:55:12His first sonata!
00:55:15It will bear your name.
00:55:16But what the hell?
00:55:17I mean, what first sonata?
00:55:18His first opera!
00:55:19Okay, Sato.
00:55:19Go tell the gavienda.
00:55:21Yeah?
00:55:21Come on!
00:55:24I who...
00:55:25To celebrate, I'm going to climb the greased pole and bring down the ham.
00:55:28Sato, Sato, Sato.
00:55:29It's not necessary.
00:55:29But why not?
00:55:30With this excitement I have in my body, I'm going to be up and down there all night.
00:55:34from the stick.
00:55:35Know?
00:55:36Okay, who has the last phone?
00:55:37Who?
00:55:38Come on!
00:55:40Stop condemning people up there!
00:55:45Thank you!
00:56:13Thank you!
00:56:15What? Is something wrong?
00:56:18Are you familiar with the Pietà? Is it in the Vatican?
00:56:21No.
00:56:23It is one of the most beautiful sculptures in the world.
00:56:26You look a lot like her.
00:56:30Now you'll excuse me.
00:56:38Someone knew you were going to be in my quarters the day I was shot.
00:56:44No.
00:56:48Are you sure?
00:56:50Why does it worry him so much?
00:56:53I suspect they want to try again against me and they won't hesitate to use someone from my circle.
00:57:01Margarita, please be very careful. I wouldn't want anything to happen to you.
00:57:07Let's go! Let's go!
00:57:09Come on!
00:57:10Let's go! Let's go!
00:57:17Come on!
00:57:20Let's go! Let's go!
00:57:24Come on!
00:57:41Come on?
00:57:48Where could this man have gone?
00:57:51No, well, nothing.
00:57:54When he appears, we take the money and go hide from Master Luigi.
00:57:58Okay.
00:58:14What's happening?
00:58:16That?
00:58:18Come on, come here.
00:58:24Come.
00:58:25The gentleman is here.
00:58:34Who would have thought that...
00:58:37that she would one day end up in these hands playing music for kings?
00:58:45Son, I want you to know that even though...
00:58:48Even if you're not very proud of me, I couldn't be more proud of you.
00:58:59But...
00:59:02Do you think I'm a genius?
00:59:05Yes of course.
00:59:12Well.
00:59:12Good morning.
00:59:14Where has he been?
00:59:15Where has he been?
00:59:20Well...
00:59:22If they bother us, I'd like you to tell me the money so I can give it to Master Luigi.
00:59:30I don't have it saved there.
00:59:33I don't have it saved there.
01:00:00I don't have it saved there.
01:00:00It's been stolen.
01:00:02It's been stolen, come on.
01:00:04No, Satire, wait.
01:00:05Look, maybe Cipri found it and put it somewhere else.
01:00:16I picked it up.
01:00:21Why did you pick it up?
01:00:24Because for once we have money, you give it to someone else's son.
01:00:30But Alonso, Gaby has a great opportunity.
01:00:34Yours will come too.
01:00:35You always think of others before your own child.
01:00:38That's not fair.
01:00:40Here you have a house with an education.
01:00:41It's not enough!
01:00:43That money is my chance to get out of here and become someone.
01:00:50You have to return it.
01:00:52I gave it to the Navy.
01:00:54When Captain Garrido embarked for Costa Rica, I was able to enlist.
01:00:59Did you donate it?
01:01:02Did you donate it to the Navy?
01:01:04That?
01:01:05That?
01:01:05That?
01:01:05That?
01:01:05To the Spanish Navy.
01:01:08But it's like throwing that money away.
01:01:11That money will be returned.
01:01:32Did everything go well?
01:01:41Did everything go well?
01:01:49At noon, a man will be waiting for you at the palace gates.
01:01:54He will give you something that you must bring to me.
01:01:57Yes, ma'am.
01:01:57What will you give me?
01:01:58A jar.
01:02:00Whatever you see inside, you must come back and give it to me.
01:02:03Oh, ma'am, you're scaring me.
01:02:05What should I give him?
01:02:07Blood.
01:02:09Blood?
01:02:11Blood?
01:02:12But ma'am, you wouldn't happen to have anything to do with the girl, would you?
01:02:14That girl doesn't exist and never has existed.
01:02:17You can't do anything for her.
01:02:18What does that mean?
01:02:22What does that mean?
01:02:22That she is dead.
01:02:25Ma'am, no, it can't be.
01:02:27She's not just any girl, she's a maid in this house.
01:02:29I have to go find her.
01:02:31If you try to leave, I'll kill you.
01:02:38But ma'am, for God's sake.
01:02:41She's just a child.
01:02:43Who was raised here, in his palace.
01:02:45Catalina.
01:02:47You are a mother.
01:02:50You should understand me.
01:02:55Lady.
01:02:57Ma'am, please.
01:03:01Ma'am, please.
01:03:06Let me go and see the lady.
01:03:13You will do as I say.
01:03:17Once you let go, you won't be able to do anything for her anymore.
01:03:26not even the devil
01:03:27He will take my son away from me.
01:03:37Oh, Marta!
01:03:39Martha, Martha!
01:03:42Oh, Marta!
01:03:46Oh, Marta!
01:03:53Oh!
01:04:00Oh!
01:04:26I'm so sorry, Satur.
01:04:29What Alonso has done is unforgivable.
01:04:33It's not his fault, Amu.
01:04:35Besides, the kid is right.
01:04:38The father must take care of his son.
01:04:41You are yours and I am mine.
01:05:01What a master I am.
01:05:03I'm not even capable of raising my own child.
01:05:07No, Amu.
01:05:11Alonso is desperate to prove his worth.
01:05:15Yes, but not at any price.
01:05:18What do you want?
01:05:20If he's young and has moved forward.
01:05:24You'll see it too, Satur.
01:05:25And I committed a horror that shattered the lives of everyone around me.
01:05:29I don't want my story to be repeated.
01:05:35It seems that in the end, fate always puts things in their place.
01:05:41I don't know about your son, but mine...
01:05:45Lead my way, Amu.
01:05:47It's not going to be anyone.
01:05:54That you've been so close to touching the sky.
01:06:04Is it me, Gaby?
01:06:17Next time, you'll think twice before stealing a man's bag.
01:06:22Continue.
01:06:40Gaby!
01:06:41Gaby!
01:06:43Gaby!
01:06:44Gaby!
01:06:47Gaby!
01:06:49Gaby!
01:06:51Gaby!
01:06:51Gaby!
01:06:52Gaby!
01:06:52Gaby!
01:06:52Gaby!
01:06:53Gaby!
01:06:53Gaby!
01:06:54Gaby!
01:06:55Gaby!
01:06:55Gaby!
01:06:55Gaby!
01:06:56Gaby!
01:06:59They've killed him, my love!
01:07:03They've killed him!
01:07:06Gaby!
01:07:08Gaby!
01:07:11Gaby!
01:07:13Gaby!
01:07:16Gaby!
01:07:20He's alive, Satura.
01:07:43Gaby!
01:07:45Regna terrae!
01:07:47I see you sing!
01:07:51Get out, dominoes!
01:07:54Tribute virtue to God!
01:07:57We exorcise tea!
01:08:23For now, I can't do anything more.
01:08:25We have to wait.
01:08:27Alright.
01:08:31Commissar?
01:08:33Okay.
01:08:37Commissar!
01:08:39We know who is responsible for massacring the dead.
01:08:52Come on, we need to inform the vineyard.
01:08:56Come on, we need to inform the vineyard.
01:09:20I don't...
01:09:23I didn't want...
01:09:29I'm sorry.
01:09:32I'm sorry.
01:09:40I will never forgive myself for this.
01:09:45I should have been the one to put in the effort to get the money.
01:09:57Saturn, change his bandages in an hour.
01:10:07Where is he going?
01:10:08Where is he going?
01:10:09To the palace of Santillana.
01:10:11I'm going to try to get Lucrecia to buy me the books.
01:10:14No, no, no, no.
01:10:15Come on, no!
01:10:16Come on, leave it alone!
01:10:17Stop it now!
01:10:19Father...
01:10:23Father...
01:10:24That?
01:10:27I...
01:10:28Wanted to...
01:10:30I wanted to go.
01:10:32I wanted to go.
01:10:36I know, Gaby, I know.
01:10:40I...
01:10:41I wanted to be someone.
01:10:51Listen to me.
01:10:52Listen to me, Gaby.
01:10:53Look at me, son.
01:10:58It doesn't matter what he has to do to me, you hear?
01:11:03But I swear you're going to France.
01:11:11You are going to France, my son.
01:11:23You have some from France.
01:11:28You have some from France.
01:11:36You have some from France!
01:11:40You...
01:11:40You...
01:11:45You have some from France.
01:11:47All bars must be present.
01:11:51Gonzalo
01:11:54What are you doing here?
01:11:56What's wrong with him?
01:11:59How long has it been like this?
01:12:01Since yesterday
01:12:03They just performed an exorcism on him
01:12:06But why haven't you told me anything?
01:12:09Because we haven't talked much lately either.
01:12:12Besides, I'm fine and you're just a teacher.
01:12:13There's not much more you can do either.
01:12:15Gonzalo
01:12:22What are you doing?
01:12:26Gonzalo, what are you doing?
01:12:28He has a bite mark on his ankle
01:12:35It's on fire
01:12:36Margarita has a fever.
01:12:37And what do you mean by that?
01:12:39What are you doing?
01:12:40Stay away from her
01:12:41Nuño, Irene is not possessed
01:12:43It just can't be
01:12:45He was having convulsions and foaming at the mouth
01:12:47No
01:12:47Is there a sick dog at the palace?
01:12:51No
01:12:53Horses, any other animals?
01:12:54Yesterday I was in the stables
01:12:56Is everything all right
01:12:57Rats
01:13:01There are rats in the palace.
01:13:02That?
01:13:06It matches the size of the bite
01:13:09It does not affect the size of the bite.
01:13:09Nuño, Irene, has the rage
01:13:12Rats can transmit it
01:13:15Notify a doctor immediately
01:13:19Gonzalo, we all thought she was possessed.
01:13:21Even I believed it.
01:13:22Margarita, we live surrounded by superstitions
01:13:25Black magic, exorcisms
01:13:26There are still people who believe
01:13:28That the blood of a virgin can cure a possessed person
01:13:31I need you to get me
01:13:33To a young maid
01:13:34That she be a virgin
01:13:35Just anyone won't do.
01:13:37You'll take her tomorrow at ten
01:13:38To the hill of the broken cross
01:13:41My God, Martha
01:13:43What's happening?
01:13:46Marten
01:13:49What's happening?
01:13:52Marten
01:13:59What's happening?
01:14:01Marten
01:14:01Marten
01:14:02What's happening?
01:14:04Marten
01:14:06Marten
01:14:07Marten
01:14:08Marten
01:14:08Marten
01:14:23Where are you hiding?
01:14:25Do you want all the servants to go to the main hall?
01:14:27As soon as the comedy ends, the king and his guests will go up.
01:14:30What are you doing? Come on.
01:14:31I'm coming now.
01:14:31I'm coming now, no, you're coming now.
01:14:33You're here doing nothing...
01:14:36What do you have there?
01:14:41Are you stealing?
01:14:42Yeah.
01:14:44Do you know the terrible thing you're doing to us?
01:14:47I don't care, let me out.
01:14:48What do you mean you don't care?
01:14:50Who do you think they're going to blame when they realize the watch is missing?
01:14:52You are going to condemn all the servants.
01:14:54Be quiet!
01:14:58My son's future depends on this, Cipriano.
01:15:01That's all that matters to me.
01:15:03And you want their future to be stained with blood?
01:15:06I've tried everything.
01:15:08Well then, resign yourself to it.
01:15:11When things can't be, they can't be.
01:15:15I just can't resign myself to it.
01:15:18He is my son.
01:15:21And because it comes from Gaby, it can't be worth more than life itself.
01:15:25Or are you telling me that you'll be able to live peacefully if I'm sent to the gallows?
01:15:31Are you telling me that?
01:15:44I hope it's something important, commissioner.
01:15:46I don't like to give up my place next to the king, imitated by comedy.
01:15:50Do we know who gouged out the eyes of those corpses, Your Eminence?
01:15:54The Count of Villagrán.
01:15:57The Count of Villagrán.
01:16:00He is a close friend of the king.
01:16:02He is obsessed with restoring his daughter's sight.
01:16:05She went blind after falling off a horse.
01:16:15And why did he want to tear out the eyes of those bodies?
01:16:20I was experimenting with them.
01:16:22But it seems that the eyes of the dead are of no use.
01:16:24As long as he doesn't do it with the living.
01:16:27The arm of justice is long, commissioner, but it does not reach nobility.
01:16:32And now let's go.
01:16:33I don't want to miss the jesters' dance.
01:16:36At this hour, in this sacred place,
01:17:06Forces of darkness, rise up!
01:17:10Come with us, we have called you.
01:17:15Ashes to ashes.
01:17:19Blood to blood.
01:17:25No, please!
01:17:27No, please!
01:17:29No!
01:17:30No!
01:17:31Let me go!
01:17:33No!
01:17:34Oh!
01:17:34No!
01:17:36No!
01:17:47Grab it!
01:18:09Forces of darkness, rise up!
01:18:11No!
01:18:12Come with us and we'll summon you!
01:18:19Daisy!
01:18:55No!
01:18:57No!
01:19:00No!
01:19:14No!
01:19:15No!
01:19:27No!
01:19:29No!
01:19:30No!
01:19:31No!
01:19:31No!
01:19:32No!
01:19:33No!
01:19:33No!
01:19:33No!
01:19:34No!
01:19:55I've been to the place you indicated and you haven't introduced yourself to anyone.
01:19:59Okay, it doesn't matter anymore.
01:20:03An innocent person has died and it hasn't even served any purpose.
01:20:07My son isn't that bad, that's all that matters to me.
01:20:10And pray that he gets better, because if he doesn't, you'll be the one who pays the consequences.
01:20:16But ma'am...
01:20:17You were in charge of taking care of my son and you let a rat infect him with rabies.
01:20:29Commissar.
01:20:32You're staining my living room, Hernán.
01:20:35I thought you frequented more distinguished brothels.
01:20:38I come from a more interesting place, Lucrecia.
01:20:40I think you would have liked the show.
01:20:44We have found remains of a satanic ritual in the forest.
01:20:48Near the broken cross.
01:20:51And is the girl still alive?
01:20:52Shut up, stupid.
01:20:56What do you have to do with this?
01:20:58Nothing.
01:20:59I am passing into the custody of the Holy Inquisition.
01:21:04Madam Marchioness.
01:21:07What should I send you?
01:21:09It is an order against the Marchioness of Santillana.
01:21:13She is linked to black magic practices.
01:21:19Lucrecia de Guedmán, Marchioness of Santillana.
01:21:22In the name of God and the holy office, you are accused of witchcraft.
01:21:46Can I sit down?
01:21:49Can I sit down?
01:22:02Margarita, how did you know Marta was going to be there?
01:22:09I can't tell you, Gonzalo.
01:22:14Does it have anything to do with Monsignor Adrian?
01:22:18No.
01:22:22You've been talking to him a lot lately.
01:22:24He is your confessor.
01:22:28My relationship with Monsignor Adrián has nothing to do with religion, Gonzalo.
01:22:35Good.
01:22:40Good night.
01:22:41Good night.
01:22:47Gonzalo.
01:22:54Thank you for saving my life.
01:23:00I would do it as many times as necessary.
01:23:32Monsignor Adrián has nothing.
01:23:44High!
01:23:47Who lives there?
01:23:49Am...
01:23:50I am Saturno Garcia.
01:23:53Your lord awaits me.
01:24:17Countess of Villagran?
01:24:26Are you Saturno Garcia?
01:24:30Yes sir.
01:24:33Is what you offered in your message true?
01:24:38Yes, Mr. Count.
01:24:42If you give me the amount of money I'm asking for...
01:24:46If you...
01:24:51I give him my eyes.
01:24:57Luis, from the start.
01:24:58Don't say you're competing in the dinghy tournament.
01:25:00The one that is celebrated for the Queen's anniversaries?
01:25:02You should never have been born.
01:25:04Later.
01:25:05That's the Santillana orchestra.
01:25:07Exile would be punishment enough.
01:25:09God has already passed judgment.
01:25:12She will be executed in her own home.
01:25:15I'm going to sign up for the tournament.
01:25:16Why did he do it?
01:25:17If they find out, they'll kill him.
01:25:20I don't want you to see me die, son.
01:25:23Arzana!
01:25:23Are you sure about what you're about to do?
01:25:25He will lose his sight, but he may also lose his life.
01:25:32Why do we stop?
01:25:33Saturn, I know you're doing this for your son, but without you his life won't have any meaning...
01:25:36Wouldn't you give your life for your child?
01:25:37Wouldn't she die for her son?
01:25:38No, if I could help it.
01:25:40I offer you all my fortune.
01:25:42The Marchioness of Santillana has been sentenced to death.
01:25:45I'm not going in there!
01:25:47Let me go!
01:25:48No!
01:25:49No!
01:25:50No!
01:25:50No!
01:25:52No!
01:25:57No!