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00:00It's a hoax.
00:02Elaborately planned hoax.
00:04It is not a hoax.
00:06Look, that is Michael's handwriting.
00:09Tonight, on Simon & Simon.
00:13Michael's dead.
00:14He's alive.
00:16It's like saying,
00:16I don't know my own husband when I see him.
00:21My fish!
00:22Hey!
00:22If I don't get that money,
00:24I'm a dead man.
00:25You'll never see me again.
00:26She's gonna give it to him, 500,000 piglets.
00:32He's alive.
00:34I'm...
00:35I'm sorry.
00:40I'm not a man.
00:42I have hatred.
00:46I have hatred.
00:49I have hatred.
00:50I have hatred.
00:51I'm sorry.
00:51I love hatred.
00:54I love hatred.
00:57I love hatred.
04:17Michael, he's come back.
04:22Who'd you say it was?
04:24Michael, it's a miracle.
04:26Margaret, Michael's dead.
04:28Oh, no.
04:29Oh, no, no, it's not.
04:29You just saw him.
04:31I saw somebody.
04:32You saw Michael.
04:34Oh, Cici talked to me.
04:36He touched me.
04:37He's alive.
04:58Aren't you afraid of losing a finger?
05:00That's what your finger bowl's for.
05:03Come here.
05:06I'll show you how you do it.
05:07Okay.
05:08Now, just keep the knife coming down in the same place on the board and push the food into the
05:19knife.
05:20That's right.
05:24That's it.
05:26Now we're getting somewhere.
05:29Isn't your sauce boiling over?
05:31It certainly is.
05:39You're right.
05:39It is boiling.
05:43Not to worry.
05:44I'll just put some milk in it.
05:46I'll take care of that problem.
05:49Bump, bump, bump, bump, bump.
05:50Milk.
05:51No, actually, half and half will do me better.
05:52Where is that?
05:54Here we go.
05:54Well...
05:56Okay.
06:00Ta-dump.
06:02Hey, babe.
06:03Would you...
06:05Cindy?
06:17Cindy?
06:19Cindy?
06:23Cindy?
06:24Cindy?
06:24Now, I can tell that you're new at this and probably inexperienced, so I'm gonna show
06:31you how it's done.
06:32First of all, you insert the index finger under the tab and then gently but firmly pull it
06:40toward your body.
06:44Oh, is she with you?
06:49Saved by the bell.
06:53Toulouse-Lautrec Bar and Grill.
06:55Short orders of specialty.
06:56No long waits.
06:56Little people welcome.
06:59Uh, hi, Mom.
07:01No, ma'am.
07:02Just...
07:02I was just...
07:03fooling around.
07:07You know, I've got a date.
07:08Mom always calls him.
07:10She likes him better.
07:11Is she okay?
07:15Well, what happened?
07:18Oh, yes.
07:19Yes, I agree entirely.
07:22Oh, no.
07:24I'm sure he wouldn't mind.
07:26In fact, I think he'll be glad to go over to Margaret's house.
07:29He was just saying he had nothing to do this evening.
07:33Telephone...
07:33for you.
07:36Oh, no.
08:21PHONE RINGS
08:38PHONE RINGS
09:32PHONE RINGS
09:36PHONE RINGS
09:37Was that him?
09:38Yes.
09:40He's in some kind of trouble.
09:43He needs my help.
09:48Margaret, Michael's dead.
09:50He's been dead for four years.
09:52They never found his body.
09:55He was 13 miles offshore.
09:58I remember that storm is one of the worst I've ever seen.
10:00Well, he survived.
10:02Somehow.
10:03And simply disappeared for four years?
10:07Yes.
10:08I don't know where he was or what he was doing, but he seemed very frightened at the restaurant.
10:14He wouldn't tell me what was going on.
10:16I think he's trying to protect me from some kind of trouble he's in.
10:19Did, um, he mention anything about money?
10:25What if he did?
10:27Margaret, it's a setup.
10:29It's a fraud.
10:30Someone is impersonating Michael, trying to bilk you out of your savings.
10:34He was not an imposter.
10:35He was my husband.
10:37Look, Michael told me it was important that nobody knows he's alive.
10:41I shouldn't even be telling you.
10:43Well, you're forgetting something.
10:45We loved him, too.
10:47When Dad died, it was Michael who filled that hole inside me.
10:51Remember he used to go to all the ballgames that either one of us ever played in?
10:54Taught me how to tune an engine.
10:56Taught me how to sail.
10:57Dale, we'd like him to be alive just as much as you would.
11:01He is, A.J. He is.
11:04Margaret, I want you to do me a favor.
11:06I want you to let A.J. and Rick stay here with you in the house for a few days
11:10until we find out for sure what's going on.
11:13You think I'm crazy?
11:15No, we think that, uh, that there's a chance that somebody is trying to swindle you out of a lot
11:19of money.
11:20Well, that's the same thing as saying I'm crazy.
11:23It's like saying I don't know my own husband when I see him.
11:28There is another possibility.
11:30Maybe Michael is alive.
11:33And maybe he is in danger.
11:35And if that's the case, you're in just as much danger as he is, no matter how hard he tries
11:39to protect you.
11:44Okay.
12:02Isn't that nice?
12:04Hmm.
12:06Oh, I have never seen such beautiful roses.
12:10They're so pretty.
12:12How much are I...
12:31Balloons, balloons, get your balloons.
12:33Hey, what do you think you're doing?
12:40Watch out.
12:41Hey, hey, let's go.
12:42I'm going.
12:45Step on that roof.
12:47Step on that roof.
12:53Hey.
12:55Hey.
12:57Hey.
12:58Hey.
13:00Hey.
13:00Hey.
13:00Hey.
13:00Hey.
13:24Now, Margaret, if this were really Michael, Michael knows AJ.
13:29He wouldn't run away from it.
13:30Wasn't really him, was it?
13:33I don't know.
13:35I love it when you're so specific.
13:37Rick is right.
13:38No matter what kind of trouble Michael was in, he wouldn't have run away like that.
13:41No, wait.
13:42What did you say?
13:44I said if it were really Michael, he would...
13:46No, no.
13:46Skip back to the first part of that.
13:48I said you were right.
13:49Thanks, Mom.
13:50That's the first time you ever admitted I was right about anything.
13:52Ever.
13:53Don't let it go to your head.
13:55Could we get back to the matter at hand?
13:58Yes.
13:58Margaret, do you still believe it's Michael?
14:02Yes, I do.
14:04AJ?
14:05Well, it...
14:06It looked a little like him.
14:09Well, then this whole thing really doesn't make any sense.
14:11If it's really Michael, why doesn't he just come forward and claim the money?
14:14Legally, it's his.
14:16Half of it, anyway.
14:17How much we're talking about?
14:20Has he told you how much he needs?
14:22Five hundred thousand dollars.
14:25Oh.
14:26Well.
14:27Drop in the bucket.
14:42Five hundred thousand dollars.
14:46You know what?
14:46She's going to pay those jokers.
14:48Yeah, unless we stop her.
14:50Go on out and use the phone in the hall, okay?
14:53Let's see if this thing works.
15:04Let's see if this thing works.
15:08Hello.
15:09Hello, Cindy.
15:10Rick Simon.
15:11Well, hello.
15:12Listen, you remember the other night when I exposed you to the fine art of opening a can of beer?
15:17How could I forget?
15:18Hell, I just thought you might want a little refresher course.
15:21Well, what about AJ?
15:23AJ already knows how to open a can of beer.
15:26Speak of the devil, here he comes.
15:27Hand the phone.
15:28I think maybe he wants to talk to you.
15:29Hang on just a second.
15:30I'll bet.
15:31You're just jealous.
15:33I can't blame the guy for trying.
15:35Hi, Cindy.
15:36You'll have to excuse my brother.
15:38The whole family does.
15:41Yeah.
15:42How are you?
15:43I, uh, thought the mail already came here.
15:46Oh, it did.
15:48Um, this is, um, special delivery.
15:52From Randy.
15:53Oh.
15:53Yeah, he, um, apparently needs some money.
15:58Who doesn't?
15:59I thought Randy was doing really well, though.
16:01Oh, he was.
16:02He, um, well, you know the stock market.
16:05Yeah.
16:06Up one day down the next.
16:08Yeah.
16:08He's, um, he's going through down periods.
16:12Mind if I read it?
16:15Yes, I do.
16:18I'll make it up to you this time.
16:25Good.
16:29All right.
16:30I'll see you Friday.
16:31Bye for dessert.
16:32Bye-bye.
16:34Hey, Chef.
16:35Yo.
16:36I think you better come look at this.
16:39What do we got?
16:40No, no, no.
16:41Margaret's end.
16:42My fingerprints are already all over it.
16:43I don't think we ought to confuse the issue anymore.
16:45Dearest Margaret, I know this is hard to understand, but I simply can't talk to you when others
16:53are present, even if it's an old friend like A.J.
16:59You must ask Rick and A.J. to stay out of this.
17:02Their interference could put my life in more danger than it already is.
17:08Send them home now before it's too late.
17:20Margaret, it's a hoax.
17:24It's a cruel, vicious, elaborately planned hoax.
17:29No.
17:29Yes.
17:31Playing with your head, Margaret.
17:32That's the only way this thing figures.
17:34Now, whoever is behind this, they've just researched your entire background and Michael's
17:38and then found somebody who looked like him.
17:40No.
17:41It is not a hoax.
17:43Look.
17:43That is Michael's handwriting.
17:46That is Michael's handwriting.
18:17Myron.
18:18Hi.
18:19Here we go.
18:20Myron, this is Margaret Wells.
18:22Margaret, this is our associate, Myron Fowler.
18:26Glad to meet you.
18:28How do you do?
18:30Um, you guys have fun.
18:35See you later.
18:39Come on.
18:44Nice place.
18:52No, no, no, no, no.
18:54Ah, yes, yes, yes, yes.
18:56Mm-hmm.
18:58Aha.
18:59Aha.
18:59Aha.
19:01Let's see.
19:04Mm.
19:06Ooh.
19:06Mm.
19:09I think maybe all we ought to do is just leave him alone
19:12and let him, ah, lick him and, and, and smell him and stick him up to his ear and see
19:18if
19:18they whisper anything to him.
19:21I heard that, Mr. Simon.
19:22Hmm?
19:23I would like for you to know that I am a handwriting expert.
19:27Not some asinine psychic.
19:32Excuse me, um, but in your professional opinion, Mr. Teitelman.
19:36No, no, no, no.
19:37Nobody calls me Mr. Teitelman.
19:39No.
19:40Just Siggy.
19:41Siggy, Siggy, please.
19:44Siggy?
19:45Siggy.
19:46Uh, what we want to know is, were those two letters written by the same man?
19:50This is the letter that was recently received, and this is the letter written to the woman
19:55by her husband approximately four years ago, correct?
19:58And you would like for me to tell you if both letters were written by the same man, huh?
20:03If that's not too much trouble.
20:06The answer is...
20:10Yes.
20:12Yes.
20:12And no.
20:13Aw.
20:15And no.
20:16That is, the characters seem to have the same flourishes and arcs, and the way he dots his eyes
20:24is definitely quite similar.
20:27Uh-huh.
20:27And yet, and yet, there's something's, something's not quite right.
20:33Would you, uh, care to expound on that?
20:39At your leisure, of course.
20:43Uh, this recent sample has a lot of stops and starts in it.
20:49Uh-huh.
20:50If you'll notice, there's a, a slight ragged mark.
20:55Uh-huh.
20:55And then, uh, there's a solid concentration of ink on the mark.
20:58Uh-huh.
20:58And then you'll find them within the word.
21:01Isn't that something?
21:04It's as if he had a lot of trouble writing this.
21:06You mean like he was sick or under a lot of stress?
21:10No, no, no, not exactly.
21:11The letter from four years ago was written by a complex, precise, intelligent man.
21:21And the more recent letter seems to have been written by someone much less complicated.
21:26So, it's not the same man.
21:27I didn't say that.
21:28Uh-huh.
21:29Uh-huh.
21:30It is the same man.
21:32Ah.
21:34And yet, it, it isn't.
21:37It isn't.
21:40Yeah, yeah.
21:41Boy, we got this one nailed right down, don't we?
21:44Mm-mm-mm.
21:48Thanks, Siggy.
21:49Yes, yes.
21:53Oh.
21:54Yes, me, Siggy's a little soggy.
21:56No, Siggy's an expert.
21:58He's one of the best.
21:59Oh, yeah, I can tell.
22:00I love the way he takes a stand on things.
22:05My love, you run this through your police lab and see if there are any fingerprints on it, besides Rick's
22:10and Margaret's?
22:11A.J., I'm not a genie in a bottle.
22:13Ah, yeah, but listen, Janet, now, somebody's trying to take this woman for half a million dollars.
22:18You're not going to stand by and let them do that, are you?
22:22Besides, we'll make it up to you.
22:23We will.
22:24Oh.
22:25Just spare me, okay?
22:26We will.
22:27Hey, come on, when have we ever failed to make one of these things up to you?
22:30That's absolutely right.
22:30Let's make it up to you.
22:32Quit, before she changes her mind.
22:47Don't let me interrupt you.
22:48No, no, that's all right.
22:50I was tired of playing anyway.
22:53It was beautiful.
22:57Let me ask you, don't you ever get lonely, sort of?
23:02I mean, living in here all by yourself?
23:09Anyway, somehow...
23:10Yes, and it's ever so much nicer since you brought the air freshener with you.
23:16Huh?
23:17Oh, you mean the cigar.
23:19Yeah.
23:21You want me to put it out?
23:23I don't think putting it out would help.
23:25Maybe if you buried it in the backyard.
23:28No, really.
23:28If you want me to put it out, I...
23:31Excuse me, I think that's my phone.
23:39Hello?
23:40Hello?
23:40Hello, Margaret.
23:41Oh, Michael.
23:42I've been so worried about you.
23:44Are you all right?
23:45Well, for the moment, did you get my letter?
23:48Yes.
23:49Are they gone?
23:52Yes.
23:52Good, because this has got to be between just the two of us.
23:56Have you made the arrangements for the money?
24:00It's in the process now.
24:01I should be able to pick it up tomorrow, but...
24:04No questions.
24:06Please.
24:08You won't believe the mess I've gotten myself into.
24:11You've got to believe.
24:12If I don't get that money, I'm a dead man.
24:16You'll never see me again.
24:18Oh.
24:19You don't have to worry, darling.
24:21I've made up my mind.
24:23I'll do anything you ask.
24:24Good.
24:25I'll call you tomorrow.
24:27I love you, Michael.
24:40You don't have to worry, Michael.
24:40I'll call you tomorrow.
24:44You don't have to worry, Michael.
24:45You don't have to worry, Michael.
24:45You don't have to worry, Michael.
24:45You don't have to worry, Michael.
24:46You don't have to worry, Michael.
24:46You don't have to worry, Michael.
24:48You don't have to worry, Michael.
24:48You don't have to worry, Michael.
24:49You don't have to worry, Michael.
24:49You don't have to worry, Michael.
24:49You don't have to worry, Michael.
24:50You don't have to worry, Michael.
24:50You don't have to worry, Michael.
24:51You don't have to worry, Michael.
24:51You don't have to worry, Michael.
24:56You don't have to worry, Michael.
25:08Well, it's about time you guys got back.
25:11It's morning. What's up?
25:12Where's Margaret?
25:13She's upstairs. Cecilia's with her now.
25:15But I'll tell you, it was cat's on fire time a little while ago.
25:18What did you do to her?
25:19Me? I didn't do anything to her.
25:22I was just being my normal, pleasant self.
25:24And she comes in, yeah, and she comes in and tells me to get the hell out.
25:28Margaret?
25:28Yeah, Margaret.
25:29She told me she's tired of being watched over like a three-year-old.
25:32And I politely told her that I couldn't get out until you guys got back here.
25:36Next thing I know, she's beating up on me.
25:39That's right. I'll tell you, it's a good thing your mom showed up.
25:42I would have had to slug her or something.
25:43Margaret?
25:44Yeah, Margaret. She was out of control.
25:46What on earth set her off?
25:47I don't know. She got a phone call.
25:49Phone call?
25:51Where are you going?
26:02There's a gap on this tape that Nixon himself would be proud of.
26:06You mean somebody erased it?
26:09Hey, don't look at me.
26:12She must have come in here just before she came in there to tell me to get out.
26:18How is she?
26:19Oh, she's fine.
26:20She wants us all to leave now, and she means it.
26:24I told you. Didn't I tell you? She's going to do it.
26:27She's going to give it to him. 500,000 big ones.
26:30Dollars?
26:31Myron.
26:31Oh, wait a minute. Whoa.
26:33She's going to give half a million bucks away? To who?
26:36Myron.
26:37We won't be needing your services anymore.
26:39Oh, come on, fellas. This is just now getting good.
26:44I ain't leaving until you guys pay up.
26:46Oh, for heaven's sakes.
26:48$20 an hour, right?
26:49$25.
26:50$25?
26:50$25.
26:51All right. You got some money on you. I want better singles.
26:53Um, let's see. I got...
26:58Um...
27:01Let me get my purse.
27:06I don't believe you two guys.
27:08I mean, my mother would tell me to take a phone.
27:11You want to get your money?
27:12Keep your mouth shut.
27:13I don't believe you two guys.
27:17I don't believe you two guys.
27:29I don't believe you two guys.
27:32I don't believe you two guys.
27:32I don't believe you two guys.
27:32I don't believe you two guys.
27:33I don't believe you two guys.
27:33I don't believe you two guys.
27:37I don't believe you two guys.
27:39I don't believe you two guys.
27:5524 hours and $500,000 later.
27:58Yeah.
27:59Watch.
28:00She'll get mugged.
28:22What's happening?
28:23She's heading down to the beach, heading for an old rowboat.
28:35Aha.
28:36Aha, what?
28:37Aha, she made the drop in the boat.
28:39She's leaving and she's heading back.
28:43You just keep your eye on the boat.
28:47Let me know if anything happens.
28:53Nobody on the edge, nobody down at the point.
29:12How about now?
29:14How about what?
29:15I don't believe it.
29:17What?
29:17What is it?
29:18Look, right over the rocks.
29:19Okay, okay.
29:20Okay.
29:22All right, let's go.
29:25Let's go.
29:27Let's go.
29:28Let's go.
29:31Let's go.
29:38Let's go.
29:41Let's go.
29:43Let's go.
29:45Let's go.
29:45Let's go.
29:46Let's go.
29:46Let's go.
29:46Let's go.
29:49Let's go.
29:50Let's go.
32:32Well, I was ambushed by those two friends of hers, the detectives.
32:36I didn't even get to touch it.
33:06I thought we'd done it.
33:08And the one thing we don't want to do is to let him think he is Michael.
33:13Now, Arthur is not going to give us any problems.
33:15But when the time comes, why, we'll take care of him.
33:18Besides which, I've come up with a good idea.
33:27If we can't get the wife, why don't we get the detectives to pay, why don't we get the detectives
33:33to do it instead?
33:54Nothing could wake up good old Arthur.
34:01Nothing could wake up good old Arthur.
34:04Half a half a million dollars, Margaret.
34:05There is no doubt in our minds that if you had turned this money over to them, you would have
34:09never heard from any one of them again.
34:10Well, what about my husband?
34:12What about Michael?
34:14Michael's dead.
34:16Whoever it is looks just like him or has been expertly made up or whatever.
34:20And whoever's behind this obviously knew him pretty well.
34:23Look, this is my money, my money and my husband, my affair, my concern, totally my business.
34:33You had no right.
34:34Now look, Margaret, everything that we have done, we have done because we are worried about you.
34:39Because we don't want to see you get taken in.
34:41Oh, really?
34:43Well, maybe you've done all this because you see a nice little paycheck for yourselves.
34:48Maybe you've already taken some payment.
34:51I'm going to count this and see if it's all there.
34:53Margaret.
34:54Rick, don't.
34:55Don't even say it.
34:56We've done everything we can here.
35:07Hello?
35:10Oh, God.
35:12Come back, Dave.
35:13Jake and cease.
35:14What?
35:17This is Rick Simon.
35:19Rick.
35:20Mom.
35:21You okay?
35:21Please be careful and don't, don't do anything.
35:28Mom.
35:31Mom?
35:32Good.
35:33You recognize Mommy's voice.
35:36And you do exactly as I tell you.
35:40And maybe, just maybe, she won't get hurt.
36:06Yes.
36:07AJ, Janet.
36:09Janet, I can't talk now.
36:11Oh, what's wrong?
36:12Nothing.
36:12I just, I'm expecting a call.
36:13I've got to keep the line clear.
36:15Don't you want to know about this letter Rick gave me?
36:17What letter?
36:18Letter.
36:18Letter.
36:18Oh, yes, the letter.
36:19What happened?
36:20Did you get it back from the lab?
36:21Yes, I did.
36:22Rick's prints were on it along with the woman's.
36:24I assume to be Mrs. Wells.
36:26Yes.
36:26Was there anybody else?
36:27Yes.
36:28There were a third person's prints all over it.
36:31As a matter of fact, it looked like they were deliberately placed.
36:33Could you match them?
36:34Mm-hmm.
36:35The prints belonged to Michael Wells.
36:40Um, thank you very much, Janet.
36:47It's Michael.
36:49He's alive.
36:50When?
36:51Michael's prints were all over the letter.
36:54Margaret, we owe you an apology.
36:56Oh, no.
36:57No, I just want him back safely.
36:59And now Cease is in it, too.
37:02Why don't we just give them the money?
37:04It's not worth two people's lives.
37:06No, the problem there is if we give them the money, they'll just kill them both.
37:13Wait a minute.
37:17Wait a minute.
37:18If that's Michael.
37:19What?
37:24Ah.
37:25All right, now we're getting somewhere.
37:27Yeah.
37:28Where are we getting?
37:29On the phone, I could hear a motorboat with a bell clanging.
37:32So?
37:33This means he was calling from somewhere near Marina.
37:35That doesn't exactly narrow it down.
37:36All right.
37:36But the other night, when I came over to check the house out, the first day that Margaret
37:40saw Michael, somebody called.
37:42I answered the phone.
37:43I wouldn't say anything, but in the background, I could hear a boat's engine and a horn sounding.
37:48You still own the yacht?
37:49No.
37:50No, I finally sold it.
37:52I never was very much for the ocean, especially after Michael's accident.
37:56Yeah.
37:56Yeah.
37:57Now, who is this guy?
37:58Oh, that was our mechanic who serviced our yacht.
38:01His name is Hickman.
38:03Earl Hickman.
38:05Michael said he was very good, but I found him sort of cold.
38:09Now, you guys kept the yacht in that little private marina north of the big marina, right?
38:14Yes.
38:14Why?
38:15All right.
38:15Let's say that Michael is behind this or somebody's forcing him to do it, right?
38:19Where's a good place to hide out?
38:21Why not on a boat?
38:23I think we ought to talk to this guy.
38:24Rick, you're crabbing at straws.
38:26That's what drowning people do.
38:27I think we ought to stay with the money and wait for the call.
38:29Okay, fine.
38:30You handle that.
39:00What do you want?
39:03I got a boat needs repairing.
39:05I'm back tomorrow.
39:07I can't do that.
39:09I'm going out of town.
39:10I'm going to need the boat when I get back.
39:14What kind of a boat?
39:36I don't recognize that voice for the next 30 years.
39:38Now, where is she?
39:40What are you talking about?
39:42I'm about two seconds away from justifiable homicide.
39:45Now, where's my mother?
39:54Yes?
39:55Shut up and listen, because I'm only going to say this once.
39:58Do you have the money?
40:00Yes.
40:00Is my mother all right?
40:01She's doing fine for now.
40:04Now, I'm going to give you a new drop point.
40:06Now, one of you is going to come alone.
40:09If I see two of you in the car, your mother dies.
40:13If I see any sign of the police around, your mother dies.
40:16Do you understand?
40:17Yes.
40:21Yes, I know where it is.
40:26Yes, I'll leave right now.
40:27If you don't show up within the next 30 minutes, don't bother.
40:36I'm on my way.
40:38It'll all be over in a little while, Arthur.
40:41As soon as we get the money.
40:47All right, open it.
40:51Now.
41:07Mom?
41:09Rick!
41:10Rick!
41:15Hey, what do you think?
41:17I was right twice in the same week, huh?
41:19Oh, I'm sorry.
41:30Rick!
41:46Hello?
41:47Margaret, it's Rick.
41:49What about Cease?
41:49What happened?
41:50She's okay.
41:52Did you talk to Hickman?
41:53Yeah, I found out where the drop point is.
41:56Is A.J. there?
41:56No, they called and he already left.
42:16No, they called and he called and he called and he called and he called and he called and he
42:18called and he called and he called and he called and he called and he called and he called and
42:18he called and he called and he called and he called and he called and he called and he called
42:18and he called and he called and he called and he called and he called and he called and he
42:18called and he called and he called and he called and he called and he called and he called and
42:18he called and he called and he called and he called and he called and he called and he called
42:18and he called and he called and he called and he called and he called and he called and he
42:18called and he called and he called and he called and he called and he called and he called and
42:18he called and he called and he called and he called and he called and he called and he called
42:18and he called and he called and he called and he called and he called and he called and he
42:18called and he called and he called and he called and he called and he called and he called and
42:30Keep moving.
42:33Hold it.
42:36Now, I know you're carrying a gun.
42:38I want you to reach inside, take it out, and put it on the ground.
42:49Easy.
43:02Now, walk forward a few feet.
43:05That's enough.
43:17Where's my mother?
43:18We've got her. She's okay.
43:20As soon as we're sure of a clean getaway, we'll let her go.
43:25You open it.
43:29Well, come on. What's the matter?
43:32You want to see your mother alive, don't you?
43:35Show me there's money in that bag.
43:48Here you go.
43:50Here's your money.
43:55You idiot! You just killed your mother!
43:59You just killed your mother!
44:03You just killed your mother!
44:04You just killed your mother!
44:13You just killed your mother!
44:15You just killed your mother!
44:16You just killed your mother!
44:17You just killed your mother!
44:17You just killed your mother!
44:17You just killed your mother!
44:17You killed your mother!
44:18You killed your mother!
44:18You killed your mother!
44:20You killed your mother!
44:22You killed your mother!
44:24You killed your mother!
44:26You killed your mother!
44:51Watch him, Rick. He's got a gun.
45:08Is mom all right? Yeah, I found her. She's okay. Thank God. You all right? I'm okay.
45:23I've never been in this house before in my whole life. I'm not the Wells fella. My name is Bristol.
45:30Arthur Bristol. B-R-I-S-T-O-L. I wouldn't be too insistent about that if I were you.
45:36Yeah, see, because if you're not Michael Wells, these guys behind you here are going to arrest you and put
45:40you in jail for a long, long time.
45:59Oh, Michael.
46:01I'm Arthur Bristol.
46:11It's all right.
46:33I think Siggy was right.
46:36Soggy Siggy? A handwriting expert?
46:39Mm-hmm. Well, he said it was the same man, but it wasn't the same man. Oh, don't worry. It's
46:46him. He just doesn't know it yet.
46:49I don't understand.
46:51Well, to understand, you have to go back four years to the night he disappeared.
46:55Michael couldn't sleep. He, uh, took the launch. The storm came up, capsized, and he managed to hang on to
47:04something and make it back to shore, but when he got there, he, uh, wasn't Michael anymore.
47:15What happened was Hickman was visiting his sister in Albuquerque. He bumped into Michael on the street. Michael was little
47:23more than a vagrant at that point.
47:26Michael didn't recognize him, swore up and down his name was Arthur Bristol.
47:31So that was when Hickman got together with his old army buddy and hatched a plan to swindle you.
47:37I'm sorry.
47:40I just don't remember.
47:43He needs some time and rest.
47:46It'll come back to him.
47:50Ta-ra!
47:51Ta-ra!
47:54Ta-ra!
47:58Ta-ra!
48:19That's her son.
48:23Randy.
48:44That's her son.
49:00That's her son.
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