E' notte fonda in un tranquillo complesso residenziale alla periferia di Johannesburg. Quattro detonazioni scuotono la quiete notturna. Nel bagno di un bell'appartamento giace il corpo di una ragazza con il volto deturpato. E' Reeva Steenkamp, la bellissima modella sudafricana che è passata sulle copertine dei magazine di mezzo mondo per essere diventata la fidanzata di Oscar Pistorius, l'uomo che ha incantato il mondo intero per la sua forza di volontà. Un ragazzo senza gambe che è riuscito a partecipare addirittura alle Olimpiadi. Nessuno lo avrebbe mai creduto possibile. Ma dietro la storia che tutti conosciamo ce n'è un'altra più oscura e terribile. Perchè quell'uomo che ha vinto una impossibile battaglia col mondo ha perso una sfida forse addirittura più importante: quella con se stesso.
#StelleNere Pistorius #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
#StelleNere Pistorius #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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00:00:05There is a fairy tale that we all know, we have been told it since we were little, it belongs almost
00:00:13to our genetic makeup, it is the tale of a wooden puppet who wanted to become
00:00:18man, a tale that tells of the pitfalls and difficulties that this path, becoming
00:00:25men, it involves. And then there is the story of a man who enchanted the entire world, a
00:00:37a man whose courage and willpower were an inspiration to millions
00:00:43of people. Because what that man was capable of doing was incredible.
00:00:55A boy with no legs who managed to participate in the Olympics. No one would ever have done it.
00:01:05thought possible. But behind the story we all know there is another, darker one.
00:01:14and terrible. Because that man who won an impossible battle with the world lost
00:01:21perhaps an even more important challenge, the one with himself.
00:01:31His is the story of an idol who deep down felt artificial, inadequate, different.
00:01:39from all the others and that like the wooden puppet we all know only wanted to become
00:01:45a man. Yet Oscar Pistorius, when he had the keys to his personal country of
00:01:53toys, in that country made of models, racing cars and an adrenaline-filled life, he got lost,
00:02:01maybe, forever.
00:02:13Suburbs of Joburg. Joburg is the nickname given to the city by hip young people.
00:02:20Johannesburg, South Africa. It's late at night. We're in a quiet residential complex.
00:02:26But this is not just any place. Perimeter walls, a private police force, a
00:02:36closed-circuit television system. It is a small fort where some people live.
00:02:41the most affluent families in the city. You can never be too safe in a country that
00:02:48It claims over 20,000 victims of domestic raids and looting every year. It's 3:16 in the morning.
00:03:00Four detonations shake the night's silence. They come from that house. On the first floor the
00:03:09The bedroom is empty. The windows overlooking the terrace are open. There's a fan.
00:03:17placed on the floor and next to the sliding doors. The double bed is unmade. Under the bed
00:03:25You can see a cardboard box. It's open. Inside are some cylindrical shapes.
00:03:36They are the shell casings of a gun. The bathroom light, A, is on.
00:03:49Moving in that direction we notice something on the ground. They are two legs. Actually, no, they are not
00:03:59two legs. They are two functional prostheses. Functional prostheses that imitate the shape of two legs.
00:04:08human. Inside the bathroom a pool of blood is spreading. It comes from the door of the
00:04:18The toilet is now off its hinges. The key is in the inside lock. It was knocked out.
00:04:26of this cricket bat which is now lying on the ground. On the door knocker you can
00:04:36spot some bullet holes. Sitting on the toilet, with the lid lowered, there is
00:04:45the body of a girl. Three bullets wounded her. In the hand, in the abdomen, in the head. On the ground,
00:04:55Next to her is her cell phone. For a moment the display flickers. Then
00:05:05goes out. And here comes Stenkamp, the beautiful South African model who recently passed away
00:05:13on the covers of Mezzomondo magazines for becoming Oscar Pistorius' girlfriend.
00:05:21And this is their house. It's been a few hours past midnight. It's February 14th.
00:05:292013. Valentine's Day. A few hours earlier, Riva had tweeted:
00:05:36It should be a day of love for all. May it truly be a blessed day.
00:05:45Few would dare to call that day a blessed day.
00:05:56When the police arrive on the scene, Oscar Pistorius is in tears in the company of his officer.
00:06:04Riva's body was carried downstairs. And on the ground, a short distance away, there is a 9
00:06:10mm which
00:06:11Four shots are missing. He's an exhausted, broken man, Oscar. It was me, he'll declare.
00:06:22I thought there was an intruder in the house. I felt in danger. I didn't know what could happen.
00:06:28happen. I fired, yes. It was me. I killed the love of my life.
00:06:39What will emerge will be one of the most closely followed trials in the world.
00:06:48A trial in which not a man is put on trial, but a symbol, whose victories have
00:06:55inspired millions of people. A symbol. What many didn't know is that perhaps, deep down
00:07:04of his heart, that symbol had always been a dark, authentic, black star.
00:07:15I don't know what you're asking yourself.
00:07:22A trial involving a man.
00:07:30This is a man.
00:07:31Agnale, while there were, the aggave could,
00:07:33and if there were, the participation that is man.
00:07:33Thank you all.
00:08:06On November 22, 1986, in a suburb about thirty kilometers from Johannesburg, Henke and Sheila Pistorius anxiously await
00:08:17in their hospital room.
00:08:21Sheila gave birth a few hours ago, but they haven't brought her the baby yet, because she had to have a check-up,
00:08:30they said.
00:08:31So the two parents are a little worried.
00:08:35Their first child, Carl, is fussing in the room.
00:08:39The birth of a little brother doesn't excite him, but having to stay in there for hours really sends him into a tailspin.
00:08:47crazy.
00:08:47At that moment a black nurse enters with little Oscar in her arms and the midwife who is following her with
00:08:55an expression that is not at all reassuring.
00:09:00What's going on? Sheila asks the army.
00:09:04Is the baby okay?
00:09:07She's doing very well, ma'am.
00:09:09Only Oscar was born with a malformation.
00:09:14But what is he saying?
00:09:16Is he sick? Is he disabled?
00:09:18Henke insists.
00:09:19Whose nervousness hides a sort of intimate fear.
00:09:24Your son Oscar, and the doctor hesitates for a moment, was born without fibulae.
00:09:31And then he starts continuing to get out of the embarrassment.
00:09:36The fibula, he says, are leg bones that assist the tibia, and he points to the baby's little legs.
00:09:43The part of the leg below the knee is unable to support the weight of the body.
00:09:51It will be necessary, and here the doctor takes a pause, a painful pause,
00:09:57it will be necessary to amputate them.
00:10:01Henke puts a hand to his mouth.
00:10:04But Sheila doesn't take her eyes off the doctor.
00:10:07Does this mean he won't be able to walk?
00:10:10No ma'am, you will be able to walk, but with special prosthetics.
00:10:16Of course, he won't be able to run, but otherwise I assure you he will have a completely normal life.
00:10:26He won't be able to run, he will have a completely normal life.
00:10:31Little did that midwife know that in both cases she would be absolutely wrong.
00:10:44And so, at just eleven months old, little Oscar had both of his legs amputated.
00:10:55That day, Sheila begins to write him letters.
00:11:00A habit he will continue for all the following years.
00:11:04Letters that Oscar will always continue to read, even as an adult.
00:11:10In that first letter, Sheila, his mother, writes.
00:11:16The loser, the real one, is not the person who crosses the finish line last.
00:11:24The real loser is the one who doesn't even try to compete.
00:11:29A lesson Oscar learns immediately.
00:11:32At thirteen months old, Oscar wore prosthetics for the first time.
00:11:37And at seventeen months he is already able to walk on it and then even run on it.
00:11:43Like any other child.
00:11:45Then, between the ages of eleven and thirteen, he began playing tennis.
00:11:49And in his high school years, when he attended Pretoria Boys High School,
00:11:54he joined the rugby team and the Greco-Roman wrestling team.
00:11:59All before the proud gaze of his mother.
00:12:04Sheila Pistorius was certainly an extraordinary woman.
00:12:08When her marriage to her husband Henke falls apart,
00:12:11It's up to her to keep the family together.
00:12:14Sheila doesn't have much money, but she has her three sons, Carl, Oscar
00:12:20and little Amy, who recently arrived, tries to make sure nothing is missing.
00:12:26Even if in real life she only works as a support teacher in a provincial high school.
00:12:31And then she is witty and full of life.
00:12:35One day, when Oscar is in the garden
00:12:38to squander with the escapes in the dog's bowl,
00:12:42she takes it from afar.
00:12:43Oscar, get out of the dog bowl right now,
00:12:47you'll get wet feet and catch a cold.
00:12:51And then he realizes the absurdity of what he said,
00:12:54because his son doesn't have feet
00:12:57and so he has nothing to get wet.
00:13:00Without batting an eyelid, he continues.
00:13:02You know what, Oscar?
00:13:04Go ahead, wallow in it as long as you want.
00:13:08Sheila always laughs, even in the face of adversity.
00:13:12And when Oscar runs to her tears,
00:13:15she is always there, ready to welcome him.
00:13:18For Oscar it is an essential point of reference.
00:13:23The woman who never stopped making him feel just like everyone else.
00:13:34It is March 6, 2002.
00:13:37Oscar is just 15 years old and is taking a class.
00:13:42The school principal enters the classroom,
00:13:45he calls him aside and whispers something incomprehensible to him,
00:13:50in a tone Oscar had never heard him use before.
00:13:54A minute later he's in a car on his way to the hospital.
00:14:00His mother had kidney failure.
00:14:03Oscar barely has time to say goodbye to her, right there in front of her bed.
00:14:08Maybe he can't even utter a word,
00:14:11because a few minutes later they take it away
00:14:14and they close the curtains of his room to block his view.
00:14:17And then, finally, he understands what's happening.
00:14:22He understands that Sheila, his mother, behind that curtain, is dying.
00:14:27As long as Sheila is alive, Oscar feels no different from other children.
00:14:33Of course, he lacks legs.
00:14:35But this simple truth never shook him.
00:14:39What others could do, he could do too.
00:14:43Sometimes, better.
00:14:45And life, in the end, flowed peacefully.
00:14:48But when Sheila dies, something changes.
00:14:52Something inside his head cracks.
00:14:56Suddenly, Oscar feels as if all his strength has left him.
00:15:02Those prostheses now seem very heavy to him.
00:15:07And people have also started looking at it differently.
00:15:11Poor boy, he hears family friends whisper.
00:15:15He lost his mother and with his situation.
00:15:17And that word, situation, that soft and hypocritical word, made on purpose to make him a little reglietto,
00:15:26without even giving him the chance to protest,
00:15:29that word shows him his life in a totally new perspective.
00:15:34Suddenly, the normality he had lived in seems to Oscar like a kind of fiction.
00:15:42The ugly scenery of a theatrical performance, designed for the sole purpose of deceiving him.
00:15:48And Oscar, at that exact moment, begins to feel like the puppet he had read the fairy tale about as a child.
00:15:58A wooden puppet, who was promised that one day he would become a man.
00:16:04He feels his prosthetic legs dangling helplessly in the void.
00:16:10In his life there had been only one blue fairy.
00:16:13Now she had vanished, behind the curtains of a hospital room.
00:16:17And no one could help him anymore.
00:16:21He should have done it all himself.
00:16:29In 2003 Oscar enrolled at the University of Pretoria.
00:16:34Business and sports science are the disciplines he chose.
00:16:38In this place he will have a fundamental meeting.
00:16:42And it might have gone like this.
00:16:45It's a beautiful September morning.
00:16:47We are in South Africa and it is late spring here.
00:16:50Oscar is running on the campus athletic track.
00:16:56Sitting on a bench reading the newspaper is a middle-aged man.
00:17:01He wears a plaid shirt and a stopwatch around his neck.
00:17:07He looks at that boy absentmindedly.
00:17:10Could he be another one of the students who train in the morning before class?
00:17:15Thinks.
00:17:18Oscar is following a series of exercises.
00:17:20stretching, sit-ups, push-ups.
00:17:24Then he gets into position and launches into a sprint.
00:17:30Empi, that's the man's name, almost automatically starts the stopwatch.
00:17:38When Oscar stops, almost in front of him, he checks the time.
00:17:45Not bad, he thinks.
00:17:46The boy has talent.
00:17:49But a moment later the unthinkable happens.
00:17:53Oscar sits on the ground and, before Empi's incredulous eyes, takes off one of his legs.
00:18:02Empi approaches the boy and tells him
00:18:07My boy, you are made to walk.
00:18:10Then he reaches out a hand to him.
00:18:13Empi Low, coach of the track team.
00:18:18Oscar squeezes it for her.
00:18:20That meeting will change his life.
00:18:27Oscar then starts running and doesn't stop.
00:18:32In 2004 he was so fast that he began competing in races for athletes missing only one leg.
00:18:38And he wins.
00:18:40He always wins.
00:18:41His name began to circulate first in sports magazines and then in the mass media.
00:18:50And along with his name also his nickname.
00:18:53The Blade Runner.
00:18:55The runner on the blades.
00:18:59Because the prostheses he uses for running are carbon fiber blades created specifically by a company
00:19:05Icelandic cutting edge.
00:19:06They were designed to mimic the functionality of cheetah legs.
00:19:11And in fact that's what they're called.
00:19:14Cheetahs.
00:19:15Cheetahs.
00:19:16The fastest quadrupeds on the planet.
00:19:20But in this story there is a second person we need to talk about.
00:19:27Stenkamp shore.
00:19:29In 2005 Riva enrolled in the Faculty of Law at Nelson Mandela University in Port Elizabeth.
00:19:38A seaside town in the far south of the country.
00:19:43He comes from a certainly not wealthy Riva family.
00:19:46His father, Barry, is a horse breeder.
00:19:49But he never had the strength to start his own business.
00:19:53And Riva learned early on that he would have to help out at home, especially if he wanted to support himself.
00:20:00studies.
00:20:01And so you do some Riva jobs.
00:20:04She likes to help her father in the stables.
00:20:07And it is among horses that he meets his first love.
00:20:11A young and talented jockey.
00:20:13Wayne Agreglia.
00:20:20She met him in 2002, when she was just 19 years old.
00:20:25At that time Riva was still a shy provincial girl.
00:20:29Wayne knows a little bit of everyone in the racing world.
00:20:32And every time they go out together,
00:20:35Riva has the impression of being the legitimate wife
00:20:38as close as a Prince Charming can get in reality.
00:20:42Only Wayne is far from being a Prince Charming.
00:20:47As time goes by, his behavior becomes grumpy and aloof.
00:20:53He put her on a strict diet, Wayne.
00:20:55He can't stand the fact that I'm a few extra pounds.
00:20:58You could be beautiful, if only you wanted to.
00:21:02Why don't you want to do it?
00:21:03You don't love me enough.
00:21:04Tell the truth.
00:21:05So the apostrophe.
00:21:06But then, when Riva puts on a shirt that's too tight,
00:21:11he gets irritated.
00:21:12And he yells at her, because she's acting like a slut.
00:21:16You are nothing without me.
00:21:19Remember this, he began to tell her.
00:21:21An abusive relationship.
00:21:23This is how Riva's friends describe the relationship between the two.
00:21:27Wayne, to date,
00:21:29will always deny that between them
00:21:30there was something other than a very sweet love.
00:21:38Maybe Riva would like to, but he can't bring himself to leave him.
00:21:41And the months pass.
00:21:43Until something happens.
00:21:49It's February 2005.
00:21:52Riva is riding a horse,
00:21:54as he loves to do whenever work and studies allow him.
00:21:59She needs to feel the wind in her hair
00:22:01and leave behind the screams of the last fight with Wayne.
00:22:07Spur the horse,
00:22:08but suddenly the horse bolts.
00:22:12There is something on the ground in front of her.
00:22:16Riva fails to hold the sales
00:22:18and is thrown to the ground.
00:22:22He wakes up in the hospital.
00:22:24The doctors look at her,
00:22:27scared.
00:22:28The spine is fractured.
00:22:31She risks being paralyzed.
00:22:35At that moment, however, something changes in his head.
00:22:40Riva swears to herself
00:22:41who will never miss another opportunity.
00:22:44That life is too short
00:22:46and that it will never again be subordinate to anyone.
00:22:50The shore that comes out of the hospital
00:22:52she is no longer the naive girl who came in.
00:23:00Meanwhile, Oscar also found
00:23:02the one he believes to be his soulmate.
00:23:05Her name is Vicky Miles
00:23:07and met her at school.
00:23:12Vicky is blonde,
00:23:14all pepper,
00:23:15full of life and energy.
00:23:16The relationship with Vicky is turbulent,
00:23:20made of fierce arguments
00:23:21and passionate reconciliations.
00:23:23Plus, she lives in Durban,
00:23:25on the coast.
00:23:26He in Johannesburg.
00:23:28Almost 600 kilometers separate them,
00:23:30which doesn't make things any easier.
00:23:32But Oscar tries.
00:23:34He really tries
00:23:35to make that relationship work.
00:23:38On the eve of Valentine's Day 2006
00:23:41has a surprise in store.
00:23:44In the morning,
00:23:45the girl opens the windows
00:23:47which overlook the garden of his house.
00:23:51Colored balloons
00:23:52they adorn the trees,
00:23:55the flowerbeds,
00:23:56the fence,
00:23:57even the mailbox.
00:23:59On the entrance path,
00:24:01in red paint,
00:24:02the writing is painted
00:24:05I love you,
00:24:06I'm cave.
00:24:08A beautiful love story.
00:24:15Only that,
00:24:16a few weeks later,
00:24:17the situation has completely changed.
00:24:22Vicky called Oscar on the phone
00:24:24and yells at him.
00:24:26He heard it going around
00:24:28certain rumors about him
00:24:29and as much as you try to be civil
00:24:31Oscar's explanations
00:24:33the lover of a beast.
00:24:36He's not entirely wrong, Vicky,
00:24:38why Oscar likes to hang out
00:24:40more than a beautiful girl
00:24:41and gossip spreads quickly,
00:24:44especially in the internet age.
00:24:46I swear nothing happened,
00:24:49he assures her,
00:24:50but to both
00:24:51It is clear that this is a lie.
00:24:54When he hangs up,
00:24:56Oscar is red with guilt.
00:24:59She thinks she's right,
00:25:01that he was a fool
00:25:03and that he doesn't want to lose her.
00:25:07That same night
00:25:09get into the car
00:25:10and at maximum speed
00:25:11drive to Vicky's house,
00:25:13in Durban,
00:25:14600 kilometers away.
00:25:18The speedometer
00:25:19reaches speeds of almost 200 kilometers per hour,
00:25:21a sharp curve
00:25:22and the car crashes
00:25:24on a gadre.
00:25:28Never again
00:25:29he will promise himself.
00:25:32I will spend my life
00:25:33with Vicky
00:25:34and I will never do it again
00:25:36something like that.
00:25:40But both of those statements
00:25:42they will reveal themselves
00:25:43of lies.
00:25:47Riva too
00:25:48he is recovering from an accident.
00:25:50it took him six months
00:25:52to start walking again
00:25:54and as soon as
00:25:55she has fully recovered
00:25:56he started
00:25:58a real one
00:25:59physical transformation.
00:26:00She dyed her hair blonde,
00:26:03she went on a diet,
00:26:04even giving up
00:26:05to banana bread,
00:26:07his favorite dessert.
00:26:08And he goes to the gym
00:26:10everyday.
00:26:13he understood
00:26:14to have eyes on you
00:26:16and that her beauty
00:26:17It can be a tool
00:26:19to get her
00:26:20whatever he wants.
00:26:23And so,
00:26:23despite having graduated
00:26:25in law,
00:26:26redoubles its efforts
00:26:27for his career
00:26:28as a model.
00:26:29But it's far away
00:26:30from fame
00:26:31that will reach her
00:26:32a few years later,
00:26:33when his way
00:26:35will cross
00:26:35will cross
00:26:36that of Oscar Pistorius.
00:26:43For a while
00:26:44the discipline
00:26:45it seems to work
00:26:46even for Oscar.
00:26:48He lives a retired life,
00:26:50he trains,
00:26:51he comes out little,
00:26:53he's dating Vicky.
00:26:54It almost feels like
00:26:55to have built itself
00:26:57a normal life.
00:26:58But once again
00:26:59something proves to him
00:27:01that he didn't have
00:27:02not at all right.
00:27:03One evening,
00:27:04after a competition,
00:27:07Oscar is in a hotel
00:27:08in New York.
00:27:10It's night.
00:27:12It was a day
00:27:14tiring.
00:27:15He looks distractedly
00:27:16television.
00:27:18When suddenly,
00:27:20zapping,
00:27:23it happens on a service
00:27:24that talks about him.
00:27:26The Man Without Legs
00:27:27fastest in the world.
00:27:29They call him.
00:27:30With a gesture of annoyance
00:27:32throw away the remote control
00:27:33on one side.
00:27:35The Man Without Legs
00:27:36fastest in the world.
00:27:38Always the man without legs.
00:27:40It doesn't matter what he does.
00:27:41Everyone considers it
00:27:43always a different one,
00:27:44a less mad one.
00:27:48That same evening,
00:27:50Oscar leaves the hotel
00:27:52and enters the studio
00:27:53of a Puerto Rican tattoo artist.
00:27:56On the left shoulder
00:27:57he has a verse written for him
00:27:59of the first letter
00:28:00of St. Paul
00:28:01to the Corinthians.
00:28:02I don't run
00:28:03like a man
00:28:04running aimlessly.
00:28:05I don't fight boxing
00:28:07like someone beating the air.
00:28:09No.
00:28:10I treat
00:28:11my body hard
00:28:13and I fold it
00:28:14to my wishes.
00:28:15Why this doesn't happen
00:28:16that after having preached
00:28:17to others
00:28:18I myself am disqualified.
00:28:22How to say,
00:28:24if I want to be treated
00:28:25like the others
00:28:26I have to be the first
00:28:27to ask myself,
00:28:29to my body,
00:28:30to do that
00:28:30that everyone else does.
00:28:32He is not satisfied
00:28:33of what he considers
00:28:34a second choice, Oscar.
00:28:36From a position of favor.
00:28:38He is no longer satisfied
00:28:39of the standing speeches.
00:28:43Now,
00:28:44his goal
00:28:44is to compete
00:28:45with able-bodied people.
00:28:47His goal
00:28:48I am
00:28:49the Olympics.
00:28:54Oscar
00:28:55he's training
00:28:56to exhaustion.
00:28:57The Olympics
00:28:58from Beijing
00:28:59they are close
00:28:59and to qualify
00:29:01about 400 meters
00:29:02it takes a while
00:29:03of 45 seconds.
00:29:05The goal
00:29:06it's not far away.
00:29:13But in June
00:29:14of 2007
00:29:15the Association
00:29:16International
00:29:17of the Federations
00:29:18Athletics
00:29:19the organ
00:29:21which defines
00:29:21the canons
00:29:22of sportsmanship
00:29:23of the disciplines
00:29:23related to running
00:29:25emana
00:29:26a new norm
00:29:27where it is prohibited
00:29:28in the race
00:29:29the use
00:29:29of any apparatus
00:29:31assimilable
00:29:32to the springs.
00:29:36The blades
00:29:37in fiber
00:29:38of carbon
00:29:38by Oscar
00:29:39they come like this
00:29:40banned.
00:29:44For Oscar
00:29:45it's a hard blow.
00:29:46The workouts
00:29:48to which it was
00:29:48so hard
00:29:49subjected
00:29:50for months
00:29:50years
00:29:51thrown away
00:29:52to the nettles.
00:29:55And when
00:29:56his lawyers
00:29:57they appeal
00:29:57at the sports court
00:29:58of Geneva
00:29:59to cancel
00:30:00that resolution
00:30:01and they win
00:30:02it's now
00:30:02too late.
00:30:05For weeks
00:30:06he stopped
00:30:07to train
00:30:08and when
00:30:09try to hit the target
00:30:10the minimum time
00:30:11of qualification
00:30:1245 seconds
00:30:13he can't do it.
00:30:14The great comeback
00:30:16by Oscar Pistorius
00:30:17the time of the minimum
00:30:1845-95
00:30:19it will be for another time.
00:30:21And out
00:30:21from the Olympics
00:30:22from Beijing.
00:30:27It would have been
00:30:28the big moment
00:30:28by Oscar
00:30:29his chance
00:30:30to compete
00:30:31with people
00:30:31with both
00:30:32the legs
00:30:32to be one
00:30:34like the others.
00:30:35Now
00:30:36you have to wait
00:30:37others
00:30:38four
00:30:38long years.
00:30:43How it goes
00:30:44that Oscar period?
00:30:46In a frenzy.
00:30:48He can't do it anymore
00:30:49to stand still.
00:30:52Start thinking.
00:30:55and if he starts to think
00:30:57the doubts
00:30:57they begin to resurface.
00:31:01They are voices
00:31:02insinuating
00:31:03those that buzz
00:31:04in Oscar's head.
00:31:06Voices
00:31:06that whisper to him
00:31:08that he won't make it
00:31:08never.
00:31:09That for how many
00:31:10efforts
00:31:10face
00:31:11him
00:31:11will always remain
00:31:13a half man.
00:31:14And to keep them at bay
00:31:15Oscar
00:31:16It has only one road.
00:31:17the excess
00:31:18adrenaline.
00:31:20Buy a villa
00:31:20six horses
00:31:22pure blood
00:31:23and two white tigers
00:31:25that feeds
00:31:26in a reserve.
00:31:28At home
00:31:29he keeps two dogs
00:31:30Enzo and Silo.
00:31:32And he's thinking
00:31:33that also
00:31:34a nice car
00:31:35racing
00:31:35he wouldn't mind.
00:31:37The excess
00:31:38excess
00:31:39and adrenaline
00:31:41like in a country
00:31:42some toys.
00:31:46In the night
00:31:47Valentine's Day
00:31:48of 2013
00:31:48Oscar Pistorius
00:31:50the great athlete
00:31:51South African
00:31:52without legs
00:31:52he kills his partner
00:31:54the model
00:31:54Stenka Riva.
00:31:56From death
00:31:57of the mother
00:31:57the young Oscar
00:31:58it has always been felt
00:32:00in duty
00:32:00to demonstrate
00:32:01to be
00:32:02like everyone else
00:32:03On the contrary
00:32:03better than the others.
00:32:05Riva too
00:32:06his companion
00:32:07he had a trauma.
00:32:08An accident
00:32:09on horseback
00:32:10he changed it
00:32:11forever
00:32:11pushing her
00:32:12to resume
00:32:13the control
00:32:13of his life
00:32:14after a relationship
00:32:15sentimental
00:32:16violent.
00:32:17But the two
00:32:17they haven't been there yet
00:32:19met
00:32:19and this story
00:32:20it's not certain
00:32:21it ends here.
00:32:24In February
00:32:25of 2009
00:32:26he's on a trip
00:32:27with a group
00:32:27of friends
00:32:28on the Val river
00:32:2970 km south
00:32:31of Johannesburg.
00:32:33At that point
00:32:34the river
00:32:35it is sufficiently
00:32:36wide
00:32:36to allow
00:32:38activity
00:32:38nautical
00:32:39extreme
00:32:40they are called
00:32:41Speed Boat
00:32:44they are motorboats
00:32:46super fast
00:32:47with a relationship
00:32:48power weight
00:32:49which allows him
00:32:50to overcome
00:32:51the 100 knots
00:32:51of speed
00:32:52they almost do
00:32:54200 km per hour
00:32:55on the water.
00:32:59Oscar
00:33:00needless to say
00:33:01chooses
00:33:02the hull
00:33:03more powerful
00:33:03and it is carried
00:33:04behind
00:33:04a house
00:33:05of beer
00:33:05which rests
00:33:06on the seat
00:33:07Now
00:33:08it's splashing
00:33:09along the river
00:33:10drinks
00:33:10another beer
00:33:11and think
00:33:12this one yes
00:33:13which is life
00:33:14and think
00:33:15Genna
00:33:15the girl
00:33:16who is attending
00:33:17after that with Vicky
00:33:18it's over
00:33:19and also think
00:33:20that Genna
00:33:21it's much better
00:33:22by Vicky
00:33:22and anyway
00:33:23gives him
00:33:24many fewer problems
00:33:25look towards Riva
00:33:26where they sit
00:33:27some friends
00:33:27they beckon to him
00:33:29to return
00:33:29one last tack
00:33:31think Oscar
00:33:31it will pass now
00:33:33right next door
00:33:33at the pier
00:33:34with the idea
00:33:35to lift
00:33:35a wall of water
00:33:36and fill them all
00:33:37he chuckles
00:33:38he's still giggling
00:33:39while he throws himself
00:33:40in a madhouse
00:33:41race
00:33:42towards them
00:33:42the ignano of the fact
00:33:44that at the surface of the water
00:33:45there is a wooden pole
00:33:46that emerges
00:33:47when the river
00:33:48it's dry
00:33:49it's almost impossible
00:33:50see it
00:33:51Ghini
00:33:51Now
00:33:52it's very close
00:33:53he realizes
00:33:54from the expression
00:33:55on the face
00:33:55some friends
00:33:56that their
00:33:57it's not a concern
00:33:58for the joke
00:33:59it's terror
00:34:01for him
00:34:02suddenly
00:34:03the crash
00:34:05the thin hull
00:34:07of the boat
00:34:07hits violently
00:34:09as it curls up
00:34:10on the submerged pole
00:34:12arrives at the hospital
00:34:13in a coma
00:34:14he lost
00:34:15three liters of blood
00:34:16the jaw is broken
00:34:17five ribs
00:34:19they are fractured
00:34:19and has almost
00:34:21lost
00:34:21an eye
00:34:27after three days
00:34:28miraculously
00:34:29he wakes up
00:34:31I thought
00:34:33that it was over
00:34:33when I went out
00:34:35from the coma
00:34:36I couldn't move
00:34:37a single muscle
00:34:38of the face
00:34:38I was totally
00:34:40mangled
00:34:41I spoke
00:34:42with the doctors
00:34:43and they explained to me
00:34:44gravity
00:34:45of the matter
00:34:46I was
00:34:47Really
00:34:48lucky
00:34:52it's the second time
00:34:54what an Oscar
00:34:54cross paths with death again
00:34:55for many people
00:34:57two bells
00:34:58alarm
00:34:58they would be more
00:34:59that are sufficient
00:35:00to change your life
00:35:01but for Oscar
00:35:02No
00:35:03also because
00:35:04this time
00:35:05the eyes
00:35:06they are all pointed
00:35:08about him
00:35:12his face
00:35:13it's already finished
00:35:14on the covers
00:35:15of the magazines
00:35:15from all over the world
00:35:19and surprisingly
00:35:21a fact
00:35:22that at the beginning
00:35:22had disoriented
00:35:24him too
00:35:24has become
00:35:25a sex symbol
00:35:30suddenly
00:35:31they open up to him
00:35:32the doors
00:35:32of a country
00:35:33some toys
00:35:34made of models
00:35:35luxury
00:35:36and every kind
00:35:37of excess
00:35:38fashion photographers
00:35:40they immortalize it
00:35:41together with cheetahs
00:35:45while the paparazzi
00:35:47they can't do it
00:35:47to stay behind
00:35:48the long line
00:35:50of beautiful women
00:35:50who frequents
00:35:55Indeed
00:35:56a few months
00:35:57after breaking up
00:35:58with Vicky
00:35:59Oscar begins
00:36:00to go out
00:36:01with a girl
00:36:02by name
00:36:02Jenna Edkins
00:36:03and after her
00:36:05he comes
00:36:06Samantha Taylor
00:36:07a student
00:36:09of marketing
00:36:09in Cape Town
00:36:10with aspirations
00:36:12as an actress
00:36:15but
00:36:16at the same time
00:36:17is seen
00:36:18around
00:36:18with the models
00:36:19Anastasia Kozisova
00:36:20and Melissa Rom
00:36:23noticed by chance
00:36:25a certain resemblance
00:36:28they are all beautiful
00:36:29blondes
00:36:30and physically
00:36:31perfect
00:36:34why Oscar
00:36:35it was built
00:36:36around
00:36:37a character
00:36:37based on myth
00:36:39of hypermasculinity
00:36:40he wants the cars
00:36:42more powerful
00:36:45search for emotions
00:36:46more adrenaline-filled
00:36:50and women too
00:36:51who chooses
00:36:52must be
00:36:53beautiful
00:36:58thinks
00:36:59that to demonstrate
00:37:00to the world
00:37:01with absolute clarity
00:37:03that he
00:37:03he is a real man
00:37:04the only way
00:37:05be that one
00:37:06to show oneself
00:37:07like a real one
00:37:08male
00:37:08a stallion
00:37:17but to support
00:37:18a myth of the kind
00:37:19it has its cost
00:37:21because in his heart
00:37:23Oscar
00:37:23think that things
00:37:24they are not
00:37:25not at all like that
00:37:26in his heart
00:37:28every time
00:37:29that comes back
00:37:29in his big house
00:37:30alone
00:37:31and it slips away
00:37:32those prostheses
00:37:32and you look
00:37:33in the mirror
00:37:34he knows that things
00:37:36they are not
00:37:37not at all like that
00:37:51Here you are
00:37:52like Oscar
00:37:53he lets off steam
00:37:53when frustration
00:37:55it's a thousand
00:37:56he takes the gun
00:37:57even at night
00:37:58and he goes away
00:37:59at the shooting range
00:38:00of Chiro
00:38:00and shoot
00:38:02projecting
00:38:03on those silhouettes
00:38:03paper
00:38:04all his anger
00:38:09and when he shoots
00:38:11he feels alive
00:38:12you feel it
00:38:13I move strong
00:38:15shoot
00:38:15it's like a drug
00:38:16for him
00:38:17his way
00:38:18to keep at bay
00:38:19the fears
00:38:22who knows what
00:38:23Who
00:38:24imagine
00:38:25on those silhouettes
00:38:26Oscar
00:38:27maybe the times
00:38:29imagine
00:38:30himself
00:38:30his weaknesses
00:38:32his frailties
00:38:33but shoot
00:38:35to the ghosts
00:38:36to the shadows
00:38:37has never
00:38:38helped no one
00:38:45but it doesn't stop
00:38:47to train
00:38:48in those four years
00:38:49keep fighting
00:38:51and in the end
00:38:52that time
00:38:52that time
00:38:53that he had missed
00:38:54to go to Beijing
00:38:55he can do it
00:38:56Oscar Pistorius
00:38:58on the Triulana track
00:38:59it's great weather
00:39:00about 400 meters
00:39:01the minimum
00:39:01for the Olympic Games
00:39:02of London 2012
00:39:03Olympic this time
00:39:04no longer alone
00:39:05Paralympics
00:39:09immediately before
00:39:10of the Olympics
00:39:11of London
00:39:11Oscar
00:39:12it's still
00:39:13with Samantha
00:39:17for the whole month
00:39:19of July
00:39:19he trained
00:39:20like a madman
00:39:21the pressure
00:39:23about him
00:39:23it's very high
00:39:27to the Oscar habit
00:39:29to take refuge
00:39:30At home
00:39:30by Samantha
00:39:31who still lives
00:39:32from the mother
00:39:32Patricia
00:39:33a big woman
00:39:35with great expectations
00:39:36towards
00:39:36of his treasure
00:39:37every time
00:39:39that Oscar sees
00:39:40Patricia
00:39:41he's throwing a party for him
00:39:42has always had
00:39:42a good word
00:39:43and treats it
00:39:44like one of the family
00:39:45for whatever
00:39:47remember Oscar
00:39:48that this door
00:39:49it's always open
00:39:50he tells him
00:39:51every single day
00:39:53Certain
00:39:53Patricia
00:39:54he had to swallow
00:39:55a couple of betrayals
00:39:57and his daughter too
00:39:58Samantha
00:39:58she didn't miss out
00:40:00his escapades
00:40:01but what the hell
00:40:02no relationship
00:40:03it's perfect
00:40:04but sometimes Oscar
00:40:05he has the impression
00:40:06that Patricia
00:40:07see it
00:40:08like a big bill of exchange
00:40:09a large bill of exchange
00:40:11about the future
00:40:12of his daughter
00:40:12or maybe not
00:40:13those too
00:40:15I'm alone
00:40:16paranoia
00:40:21on the eve
00:40:22of the departure
00:40:23for the Olympics
00:40:23It's July 27th
00:40:252012
00:40:26Oscar
00:40:27he can't sleep
00:40:30he trained
00:40:31all month
00:40:32in Gemona
00:40:32in Italy
00:40:33and at home
00:40:34he hasn't come back yet
00:40:37he's in the hotel
00:40:38and he's nervous
00:40:40scared
00:40:42the Olympic Games
00:40:43that goal
00:40:44who had so much
00:40:45desired to achieve
00:40:46now they horrify him
00:40:50and in that room
00:40:52anonymous
00:40:52you feel it
00:40:53terribly alone
00:40:55look at the clock
00:40:56the weather
00:40:58pass
00:40:59inexorable
00:41:00in a few minutes
00:41:02will have to get up
00:41:03and go to the airport
00:41:04he doesn't know
00:41:06who to call
00:41:08not his relatives
00:41:10not his manager
00:41:12not even his old coach
00:41:14and then
00:41:15as absurd as it may be
00:41:16call Patricia
00:41:17Sam's mother
00:41:21and on the phone
00:41:22with that woman
00:41:23that's for sure
00:41:24she's not his mother
00:41:24bursts into tears
00:41:27Oscar is scared
00:41:28now that all eyes
00:41:29of the world
00:41:30are planted on him
00:41:31he is terrified
00:41:33and if it disappoints
00:41:35all expectations
00:41:35if it fails
00:41:37with what courage
00:41:38go back
00:41:39Patricia
00:41:41try to calm him down
00:41:42to make him see reason
00:41:44his voice
00:41:45accompanies him
00:41:47as he gets into the taxi
00:41:48that brings it
00:41:49at the airport
00:41:51when hours later
00:41:53CNN
00:41:54show the pictures
00:41:55by Oscar
00:41:55landed in London
00:41:56Patricia
00:41:57take a breath
00:41:58of relief
00:41:59he made it
00:42:01the bill of exchange
00:42:02and save
00:42:03months later
00:42:05when it's all over
00:42:06in disrepair
00:42:06and Oscar
00:42:07will go up on the bench
00:42:08of the defendants
00:42:09Patricia
00:42:10will publish
00:42:11a book
00:42:11full of gossip
00:42:12about him
00:42:15Oscar
00:42:16an accident
00:42:17that was supposed to happen
00:42:18his way
00:42:20to be reimbursed
00:42:21in the efforts
00:42:22thrown into the veil
00:42:23in London
00:42:25things
00:42:26they don't go
00:42:26as expected
00:42:27Oscar
00:42:28does not exceed
00:42:29the semi-finals
00:42:32it's a burning one
00:42:33defeat
00:42:34the efforts
00:42:35of a lifetime
00:42:36in an instant
00:42:37up in smoke
00:42:38he has nothing left
00:42:39than to hug
00:42:40James Chirani
00:42:41the winner
00:42:42of that race
00:42:42which will then become
00:42:44the world champion
00:42:48and at the Paralympics
00:42:50which take place
00:42:50immediately after
00:42:52it is even beaten
00:42:53in his favorite specialty
00:42:55in 200 meters
00:43:06it is no longer
00:43:07the man
00:43:07without legs
00:43:08fastest in the world
00:43:09Now
00:43:10there is someone
00:43:11faster than him
00:43:12a Brazilian
00:43:14by name
00:43:14Alan Oliveira
00:43:21and then
00:43:22Oscar
00:43:23protest
00:43:23protest
00:43:25that the victory
00:43:25of the opponent
00:43:26it was unfair
00:43:27that his prostheses
00:43:28they were irregular
00:43:29and that they would have
00:43:30guaranteed
00:43:31an advantage
00:43:32excessive
00:43:35Oscar protest
00:43:36as they had done
00:43:37his other opponents
00:43:39trying to disqualify him
00:43:40from competitions
00:43:41athletics
00:43:42just a few years ago
00:43:43a strange one
00:43:45joke
00:43:45of destiny
00:43:46and when he tells it to him
00:43:47they point out
00:43:48he has nothing left
00:43:49than to apologize
00:43:49with his opponent
00:43:51with the committee
00:43:52Olympic
00:43:53and with the world
00:43:56on his return
00:43:57in his homeland
00:43:57he just wants
00:43:58forget
00:43:59it's his
00:44:00bigger
00:44:01failure
00:44:01and has only one
00:44:03way to leave
00:44:04everything behind us
00:44:06simply
00:44:06bury him
00:44:10At that time
00:44:11the first thing
00:44:11what does he do
00:44:12is to propose
00:44:13to Samantha
00:44:13a nice holiday
00:44:14in the Seychelles
00:44:15she
00:44:16if it's not done
00:44:17repeat twice
00:44:18she is a woman
00:44:19ambitious
00:44:20Samantha
00:44:20would like to do
00:44:21the actress
00:44:22or work
00:44:23on television
00:44:24and he doesn't even have
00:44:25set foot
00:44:26on the plane
00:44:26that journalists already
00:44:28of gossip
00:44:28they have been warned
00:44:30of their journey
00:44:30from the photo shoot
00:44:32which portrays them
00:44:33smiling
00:44:33on tropical beaches
00:44:34everyone would imagine
00:44:36that they are
00:44:36a fantastic couple
00:44:38what an Oscar
00:44:39despite it all
00:44:40be a happy man
00:44:42it's September
00:44:442012
00:44:49a few weeks later
00:44:51it's the party
00:44:52birthday
00:44:52of a friend
00:44:53by Samantha
00:44:54even Oscar
00:44:55he is invited
00:44:56everyone
00:44:57in that big
00:44:58living room
00:44:58of representation
00:44:59they ask him for autographs
00:45:00it's a real one
00:45:02celebrity
00:45:02but Oscar
00:45:04he is restless
00:45:04inside himself
00:45:05he paws the ground
00:45:06Samantha
00:45:07it's there for him
00:45:09but to him
00:45:10that story
00:45:11it's not enough
00:45:11he doesn't show it
00:45:13but the failure
00:45:14of London
00:45:15Still
00:45:16it burns inside him
00:45:17needs more
00:45:18of something else
00:45:19Nothing
00:45:21it looks like bastards
00:45:21shortly after
00:45:23midnight
00:45:23Oscar complains
00:45:24a certain tiredness
00:45:26I'm going home
00:45:27Love
00:45:28says Samantha
00:45:28see you tomorrow
00:45:34but Oscar
00:45:35he's not going home
00:45:36he's leaving
00:45:38in the disco
00:45:38only that Samantha
00:45:40she's a friend
00:45:41they discover it
00:45:42and they introduce themselves
00:45:43in the same club
00:45:46they are staying there
00:45:47in a corner
00:45:48to observe it
00:45:49while he
00:45:50he's acting like an idiot
00:45:50with a blonde
00:45:51eighteen year old
00:45:52just met
00:45:53at a certain point
00:45:55Samantha's friend
00:45:56he can't take it anymore
00:45:57and with great strides
00:45:58he reaches him
00:45:59yelling
00:46:00but who do you think you are?
00:46:02to be?
00:46:02he screams at him
00:46:03pointing at him
00:46:03against the finger
00:46:04there's your girlfriend
00:46:05here
00:46:06how does it come to mind
00:46:07to tell us bullshit
00:46:08that you're going to bed
00:46:09to sleep
00:46:09and then you show up here
00:46:10what do you think you're doing?
00:46:12Oscar
00:46:13taken by surprise
00:46:14he stammers that that girl
00:46:16she was just a fan
00:46:17that he had asked him
00:46:18the autograph
00:46:18and that there is nothing
00:46:20of ambiguous
00:46:21among themselves
00:46:22Samantha is also arriving
00:46:23for a moment
00:46:25silence falls
00:46:26all eyes
00:46:27they are pointed
00:46:28on the couple
00:46:29it's over
00:46:30turn on your heels
00:46:31and he goes away
00:46:33with Oscar
00:46:34who shrugs
00:46:36pretending that nothing
00:46:37it happened
00:46:37two hours later
00:46:39they will be again
00:46:40furiously
00:46:41in bed together
00:46:42two weeks later
00:46:43inexorably
00:46:45and definitely
00:46:46separated
00:46:50arrives in the meantime
00:46:52it's over
00:46:52on the cover
00:46:53by F.E.C.R
00:46:57a men's weekly magazine
00:46:59on whose pages
00:47:00they passed through
00:47:01the most beautiful
00:47:01models of the world
00:47:08that service
00:47:09he projects it
00:47:10in an exclusive club
00:47:11and the interest
00:47:13of men
00:47:13around her
00:47:14it multiplies
00:47:20in 2012
00:47:22Riva is seen
00:47:23for some time
00:47:23together with a player
00:47:25rugby
00:47:25much discussed
00:47:26in the gossip columns
00:47:29François Hougard
00:47:3124 years old
00:47:32and the size
00:47:33of a wardrobe
00:47:33play
00:47:34in the national team
00:47:35rugby
00:47:36South African
00:47:36and it is considered
00:47:37one of the men
00:47:38sexier
00:47:39of the country
00:47:42Riva would like
00:47:43something challenging
00:47:44but François
00:47:45has no
00:47:46intention
00:47:47to commit
00:47:47and he points it out to him
00:47:49the two leave each other
00:47:50but they remain
00:47:50good friends
00:47:51also because
00:47:52they have the same
00:47:53management agency
00:47:54Riva and François
00:47:55and then
00:47:56they know each other
00:47:57for some time now
00:47:58but François
00:47:59he's also a friend
00:48:00a dear friend
00:48:01by Oscar Pistorius
00:48:06and it is perhaps
00:48:07thanks to him
00:48:08what an Oscar
00:48:09in the end
00:48:09meet Riva
00:48:10and both
00:48:12in the mouth
00:48:12of the road
00:48:13which will mark
00:48:14forever
00:48:15their destiny
00:48:22In the night
00:48:23Valentine's Day
00:48:24of 2013
00:48:25the athlete
00:48:26South African
00:48:26Oscar Pistorius
00:48:28kills
00:48:28his companion
00:48:29the model
00:48:30Shore
00:48:30Stenkamp
00:48:31Oscar
00:48:33it's not new
00:48:34to relationships
00:48:35with models
00:48:35blondes
00:48:36and physically
00:48:37perfect
00:48:37but nothing
00:48:39it's enough
00:48:40for Oscar
00:48:40powerful machines
00:48:42beautiful women
00:48:43firearms
00:48:44they are personal drugs
00:48:46that they need
00:48:47to demonstrate
00:48:47to be equal
00:48:49or maybe better
00:48:50of the others
00:48:51Shore
00:48:52after a relationship
00:48:53violent
00:48:54had in his youth
00:48:55for a few months
00:48:56he attended
00:48:57the player
00:48:57rugby
00:48:58François Hougard
00:49:00it's at this moment
00:49:01that the two
00:49:01they meet
00:49:02and this story
00:49:03it doesn't end here
00:49:06the first time
00:49:08that Riva
00:49:08and Oscar
00:49:09they are seen together
00:49:10he is at the ceremony
00:49:11of the prizes
00:49:12for sports
00:49:12of South Africa
00:49:15Shore
00:49:16she is cautious
00:49:17and to journalists
00:49:18that besiege it
00:49:19declares
00:49:19which was the case
00:49:20just one exit
00:49:21from friends
00:49:21It's November 4th
00:49:232012
00:49:24and although things
00:49:26they don't care about the best
00:49:27Oscar
00:49:28he doesn't have it at all
00:49:28still closed
00:49:29with Samantha
00:49:32only that
00:49:33not even a month later
00:49:34the two
00:49:35friends
00:49:35they start to see each other
00:49:37everyday
00:49:37he arrives
00:49:39Certain
00:49:39it shouldn't be pleasant
00:49:40the newspaper article
00:49:41which brings back
00:49:42of that evening
00:49:43in which Oscar
00:49:44had threatened
00:49:45Mac Batchelor
00:49:46a footballer
00:49:47South African
00:49:48to break his legs
00:49:49if he had continued
00:49:51to try
00:49:51with the same girl
00:49:53that he had aimed at
00:49:54but overcome
00:49:55that accident
00:49:56the two
00:49:57they become
00:49:58the perfect couple
00:49:59from the cover
00:50:03London's failure
00:50:05it seems
00:50:06for the first time
00:50:07a distant memory
00:50:08Oscar will run again
00:50:10will win again
00:50:12now that he has met
00:50:14the woman
00:50:14of his dreams
00:50:15Shore
00:50:16and they love each other
00:50:18they really love each other
00:50:19to judge
00:50:20from the messages
00:50:21that exchange
00:50:22continuously
00:50:25but more the passion
00:50:26for Riva
00:50:27become strong
00:50:28more fear
00:50:29to lose her
00:50:30it makes its way
00:50:31in the dark heart
00:50:32by Oscar
00:50:35as time goes by
00:50:37of the weeks
00:50:38the messages
00:50:39her
00:50:39they are done
00:50:40less romantic
00:50:41because the fears
00:50:42by Oscar
00:50:43they are starting
00:50:44to resurface
00:50:45I
00:50:46I consider myself
00:50:48a woman
00:50:48and I don't think so
00:50:49that the way
00:50:50in which you treated me
00:50:51Yesterday
00:50:51it was
00:50:52very respectful
00:50:55and again
00:50:56I'm looking for
00:50:57to do
00:50:57my best
00:50:58to make you happy
00:50:59and sometimes
00:51:00I think you
00:51:00may it never be
00:51:01Despite
00:51:02all efforts
00:51:03that I do
00:51:03I can't be
00:51:05attacked by others
00:51:06why am I going out with you
00:51:07and at the same time
00:51:09to be attacked
00:51:10from you
00:51:10the person
00:51:12who more than anyone else
00:51:12it should protect me
00:51:18the fact is that Oscar
00:51:20he is terribly jealous
00:51:21and most of all
00:51:23he hates
00:51:23that friendship
00:51:24between Riva
00:51:25and his friend
00:51:26keeper
00:51:26François
00:51:27he looks at them
00:51:29and he can't help but think
00:51:30which would be
00:51:31a perfect couple
00:51:32the type of couple
00:51:34that the two of them
00:51:35they will never be
00:51:36fears Oscar
00:51:38that sooner or later
00:51:39they will see each other again
00:51:40and that his relationship
00:51:42it will end up in pieces
00:51:43he fears all this
00:51:45not so much because
00:51:46Shore
00:51:47he gave him a reason
00:51:48he fears it because
00:51:49he is increasingly insecure
00:51:51of himself
00:51:52and its strategies
00:51:54the myth
00:51:55of hypermasculinity
00:51:56which is carefully
00:51:57built on
00:51:58it doesn't hold up
00:52:00within the home walls
00:52:01there
00:52:02he is without masks
00:52:03that myth
00:52:04In short
00:52:05he is being treated
00:52:06turning over
00:52:07against
00:52:09up to that
00:52:10tragic eve
00:52:11Valentine's Day
00:52:12the night
00:52:14of February 13th
00:52:152013
00:52:19some say
00:52:20that Riva
00:52:21have received
00:52:22a text message
00:52:23from François
00:52:26but he
00:52:27denies
00:52:28others
00:52:29they say
00:52:30that after
00:52:30yet another argument
00:52:31she was ready
00:52:32to leave him
00:52:33and to leave
00:52:37according to the public
00:52:39ministry
00:52:39things
00:52:40it went like this
00:52:44late at night
00:52:45a neighbor
00:52:46Michel Berger
00:52:47he hears screams
00:52:49they are the screams
00:52:50of a real argument
00:52:52maybe Pistorius
00:52:54is doing in Riva
00:52:55yet another placed shot
00:52:58let's imagine that Riva
00:52:59I can't take it anymore
00:53:00of those scenes
00:53:01that the intimates
00:53:03he leaves them alone
00:53:03at that point
00:53:05Oscar
00:53:05Perhaps
00:53:06reacts
00:53:07with violence
00:53:07a violence
00:53:09that the girl
00:53:10he had never seen
00:53:12to flash
00:53:12in his eyes
00:53:13Shore
00:53:14At that time
00:53:14grab the cell phone
00:53:15and runs
00:53:16to hide
00:53:17in the bathroom
00:53:19maybe Oscar
00:53:20he feels he is composing
00:53:21a number
00:53:22what do you want to do?
00:53:23raise the alarm
00:53:24talk about him
00:53:26like a madman
00:53:27violent
00:53:29Oscar
00:53:29that thing
00:53:30he can't allow it
00:53:31his image is at stake
00:53:33the public image
00:53:35which he has laboriously
00:53:36built
00:53:36victory
00:53:37after victory
00:53:38the image
00:53:41of an idol
00:53:41of a hero
00:53:45No
00:53:46he can't allow it
00:53:50and if we look again
00:53:52his statement
00:53:53Oscar
00:53:54it says exactly this
00:53:55I felt
00:53:57trapped
00:53:59he doesn't say
00:54:00me and Riva
00:54:01we were scared
00:54:01danger
00:54:02he says
00:54:02I felt
00:54:04trapped
00:54:05how to say
00:54:06I was forced
00:54:08and so
00:54:09shoot
00:54:11shoot
00:54:12on that door
00:54:13behind which
00:54:14Shore
00:54:15she hid herself
00:54:15the cell phone
00:54:17slips from the hand
00:54:18of the girl
00:54:19while life
00:54:20slips
00:54:21away from his body
00:54:22Oscar
00:54:23he is safe
00:54:24but suddenly
00:54:27realizes
00:54:28what he had to do
00:54:29he panics
00:54:31he doesn't call
00:54:32he doesn't call
00:54:32the police
00:54:35call his agent
00:54:36and also calls
00:54:37the administrator
00:54:38of condominium
00:54:41and at least
00:54:42three witnesses
00:54:43they claim
00:54:44to have heard it said
00:54:45in front of the body
00:54:46of Riva
00:54:47Gentleman
00:54:48sir please
00:54:49save her
00:54:50if you save her
00:54:51I promise
00:54:52that I will dedicate
00:54:53my life
00:54:53that of Riva
00:54:55to serve you
00:54:56a strange plea
00:54:58to offer one's life
00:54:59of another
00:55:00to the lord
00:55:03during the process
00:55:05Oscar
00:55:06release
00:55:07a statement
00:55:08about what happened
00:55:13on the evening of February 13th
00:55:15around 10pm
00:55:16we went to bed
00:55:18in the past
00:55:20I received
00:55:20several death threats
00:55:22and I was a victim
00:55:23of other robberies
00:55:24because of this
00:55:25I have a gun
00:55:269 mm
00:55:27parabellum
00:55:28under the bed
00:55:31Shore
00:55:32he did yoga exercises
00:55:33I am falling asleep
00:55:38in the early hours
00:55:39in the morning
00:55:40of the 14th
00:55:40I woke up
00:55:42for the heat
00:55:42and I opened
00:55:44the French window
00:55:45of the terrace
00:55:45to go and get
00:55:47the fan
00:55:49at that moment
00:55:50I heard a noise
00:55:52coming from the bathroom
00:55:54and I realized
00:55:56that there was someone
00:55:59I warned
00:56:00a deep sense
00:56:01of terror
00:56:02since I didn't have
00:56:03the prostheses
00:56:04I felt
00:56:05extremely
00:56:05vulnerable
00:56:06I knew
00:56:07that I had to defend
00:56:09Riva and myself
00:56:10I believed
00:56:11that if the intruder
00:56:12he had come out of the bathroom
00:56:13I would have found myself
00:56:14in great danger
00:56:15I felt
00:56:16trapped
00:56:19I have intimated
00:56:20the intruders
00:56:21to go out
00:56:22I heard
00:56:23the sound
00:56:23of a panel
00:56:24that was banging
00:56:25At that time
00:56:26I shot
00:56:274-5 shots
00:56:29towards the door
00:56:30of the little head
00:56:39when I reached
00:56:40the bed
00:56:40I realized
00:56:42that Riva
00:56:42he wasn't there
00:56:44I wore
00:56:45my prostheses
00:56:46and I headed
00:56:47again
00:56:47towards the door
00:56:48of the bathroom
00:56:50Then
00:56:51with a club
00:56:52from cricket
00:56:52I forced
00:56:54the door
00:56:54of the cabinet
00:56:55in there
00:56:56I found Riva
00:57:04she was still alive
00:57:05even if wounded
00:57:06I brought it
00:57:08downstairs
00:57:09she died
00:57:10shortly after
00:57:11in my arms
00:57:23we don't know
00:57:24if the statements
00:57:25by Oscar
00:57:25are truthful
00:57:26the accusation
00:57:27supported
00:57:28by Jerry Nell
00:57:29but
00:57:29it didn't work out
00:57:31to convince
00:57:31the judges
00:57:32too weak
00:57:33in their opinion
00:57:34the evidentiary system
00:57:35too many voices
00:57:37too many inferences
00:57:38and therefore they have
00:57:40given reason
00:57:40to Pistorius
00:57:41supporting
00:57:42that the Court
00:57:43he doesn't have the power
00:57:44to condemn
00:57:45the defendant
00:57:46if the explanation
00:57:47of the facts
00:57:48provided by him
00:57:49it's unlikely
00:57:50but he can condemn him
00:57:52Alone
00:57:52in case
00:57:53in which
00:57:53his explanation
00:57:55let it be proven
00:57:56false
00:57:56beyond
00:57:57every reasonable
00:57:58doubt
00:58:01homocide
00:58:02negligent
00:58:03they judged
00:58:04in the first degree
00:58:04five years
00:58:05of imprisonment
00:58:10myriads of inconsistencies
00:58:12they were brought
00:58:13to the light
00:58:14in the version
00:58:15told
00:58:15from Pistorius
00:58:16how was it possible
00:58:18that he didn't notice
00:58:19that Riva
00:58:20he wasn't in bed
00:58:21that same bed
00:58:23next to which
00:58:24he took
00:58:25the gun
00:58:26if Pistorius
00:58:28he believed
00:58:28there was an attacker
00:58:29and he really had
00:58:31threatened
00:58:31aloud
00:58:32to call the police
00:58:33why Riva
00:58:34she did not make herself known
00:58:39and finally
00:58:40why the first person
00:58:42what an Oscar
00:58:42he called
00:58:43he was his agent
00:58:44and not an ambulance
00:58:48these
00:58:49and others
00:58:50myriads
00:58:50of inconsistencies
00:58:51will be the basis
00:58:53for the process
00:58:54of appeal
00:58:54asked
00:58:55by the public prosecution
00:58:56what is certain
00:58:58is that also
00:58:59the new trial
00:59:00it will definitely be
00:59:01another
00:59:02great show
00:59:21television
00:59:22these
00:59:24they are the images
00:59:25of Riva
00:59:26Stenkamp
00:59:27a few days later
00:59:29should have
00:59:30participate
00:59:31at a show
00:59:31television
00:59:32they are gone
00:59:33on air anyway
00:59:34realizing
00:59:35listen
00:59:36very high
00:59:36even Oscar
00:59:38he went on TV
00:59:39for all others
00:59:41reasons
00:59:41sitting behind
00:59:43the bench
00:59:43of the defendants
00:59:44with your head down
00:59:45the contrite air
00:59:47while thousands
00:59:48of flash
00:59:49they hit him
00:59:50the face
00:59:52and this one
00:59:53it's the end
00:59:54of his parable
00:59:55now that
00:59:56he swallowed it
00:59:56the great whale
00:59:57of justice
00:59:58South African
00:59:59the myth
01:00:00he fell
01:00:01the boy
01:00:02that was felt
01:00:03a puppet
01:00:04it remained
01:00:05a puppet
01:00:08Alone
01:00:08with his fears
01:00:10quite the opposite
01:00:11of the fairy tale
01:00:12of Pinocchio
01:00:13but what
01:00:14not everyone knows
01:00:15is that in the first edition
01:00:17of the fairy tale
01:00:17by Collodi
01:00:18appeared in
01:00:191881
01:00:20in the newspaper
01:00:21of the children
01:00:22the puppet
01:00:23wooden
01:00:24suffers a fate
01:00:25very different
01:00:26from etophines
01:00:27that we know
01:00:28it's a destiny
01:00:30much more tragic
01:00:32Pinocchio
01:00:33he is hanged
01:00:34on the public pillory
01:00:36and these
01:00:37they are his
01:00:38last words
01:00:40oh my dad
01:00:41if you were here
01:00:43and he was breathless
01:00:45to say more
01:00:46he closed his eyes
01:00:48he opened his mouth
01:00:50and given a great
01:00:51shake
01:00:52remained
01:00:53there
01:00:54as if numb
01:00:59Samantha Taylor
01:01:01the penultimate one
01:01:02Oscar's girlfriend
01:01:03during the process
01:01:04she was interviewed
01:01:06from a well-known
01:01:07television program
01:01:08South African
01:01:08he declared
01:01:10what an Oscar
01:01:11it has always been
01:01:12subject
01:01:12to frequent
01:01:13mood swings
01:01:14and that in place
01:01:15of Riva
01:01:15would have easily
01:01:16could
01:01:17she's there
01:01:18after that
01:01:19he didn't have
01:01:20other appearances
01:01:21television
01:01:21Wayne Agreia
01:01:23the first
01:01:24Riva's boyfriend
01:01:25had
01:01:26a bad one
01:01:26horse accident
01:01:27April 28th
01:01:282014
01:01:30someone
01:01:31he claims
01:01:31that his career
01:01:32it is now
01:01:33compromised
01:01:35the parents
01:01:36of Riva
01:01:36they received
01:01:37by Oscar Pistorius
01:01:39payments
01:01:40for about
01:01:40500 euros
01:01:41monthly
01:01:42payments
01:01:44they started
01:01:45a month before
01:01:45of death
01:01:46of Riva
01:01:46and they continued
01:01:47for many months
01:01:48After
01:01:49during the process
01:01:51they declared
01:01:52that will send them back
01:01:53backwards
01:01:53the two
01:01:54they manage
01:01:55still
01:01:55a pub
01:01:55on the outskirts
01:01:56of Port Elizabeth
01:01:57they are not here
01:01:58photographs
01:01:59of the daughter
01:01:59Shore
01:02:00within
01:02:01with black stars
01:02:03the curse
01:02:04of the Brandos
01:02:04the largest
01:02:05actor
01:02:05of all time
01:02:06Hollywood
01:02:07May 16th
01:02:081990
01:02:09the scene
01:02:10once again
01:02:10that's it
01:02:11of a crime
01:02:12Marlon Brando
01:02:13is getting closer
01:02:13to the corpse
01:02:14by Doug
01:02:14Drollet
01:02:15inseparable
01:02:16company
01:02:16of the daughter
01:02:17on the ground
01:02:18hugged each other
01:02:19there are two
01:02:20of his children
01:02:20Christian
01:02:21to shoot
01:02:23was
01:02:23Christian
01:02:23to defend
01:02:24the sister
01:02:25Marlon Brando
01:02:26at the trial
01:02:27by Rai
01:02:28I failed
01:02:28as a husband
01:02:29but I failed
01:02:30above all
01:02:30as a father
01:02:31black stars
01:02:32Saturday at midnight
01:02:33and 15
01:02:34Rai 3
01:02:35at midnight
01:02:353
01:02:35to
01:02:35to
01:02:35Thank you all.
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