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Igra sudbine Epizoda 1820,Igra sudbine 1820,Igra sudbine 1821,Igra sudbine Epizoda 1820, Igra sudbine Epizoda 1821,Epizoda 1820 Igra sudbine ,Epizoda 1821 Igra sudbine
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00:12You have to be free of food, you understand? You have to be free of love as such.
00:19Why do you praise him? You can see that he is not his own.
00:22Mariana, my pleasure, my love, my destiny,
00:25you are my love.
00:27Don't go away, stop me. Come on, come on.
00:33I hear you very well.
00:38You are so mad.
00:42Oh, without images.
00:46Are you even your birthplace in your life?
00:51Who would you kill me? What would you ask?
00:53I mean, how do you treat me like this?
00:57Yes, it's counter-impact.
00:59The attack is the best defense.
01:01I want you to tell me about what you are doing.
01:05Who is against you?
01:07You have to ask me a question that is violent and aggressive.
01:11Okay, I will calm down.
01:13I will be able to ask you to be civilized.
01:15I am not sure what you are going to ask.
01:16I am not expecting you to be civilized.
01:34I am not expecting you to be civilized.
01:35I am sorry, Lukas.
01:37Hello?
01:38Don't worry, listen.
01:40You must be able to get into the carccivary.
01:44What is it?
01:45What do you do?
01:46I have no idea.
01:47I am not going to call you.
01:49Okay, come on.
01:52I have to go because of my work.
01:55I did not take any of that.
01:56I do not want to call you.
01:58Then tell me the truth.
02:00You are the truth.
02:03You are the truth.
02:08I didn't have any trouble, and I didn't have any trouble.
02:12Stop! Stop! Stop! I want to explain to you! Stop!
02:17Mariana, what did I do?
02:20My happiness, I'll continue.
02:26There was a moment where I'll tell you the truth about me.
02:32I'm a songwriter.
02:34As a rapper, or...?
02:36No, I'm not as a rapper. I'm a songwriter with a rhythm and a soul.
02:42This, what you've done now, is so unfair that I don't have a word.
02:47You've lost everything. You've lost everything.
02:52And so...
02:54I work really hard.
02:56I don't have a career now that two young colleagues make these kinds of intrigues.
03:03Do you understand that these people are the usual things that they can buy every time?
03:08Do you understand that I put my whole life into this job?
03:14I'm going to take my whole life into this job.
03:17I've lost everything.
03:19I've lost everything.
03:20I've lost everything.
03:21I've lost everything.
03:25Give me the question, I'll be right back.
03:28Now, get to my house so you don't hear me.
03:33Hey.
03:40Hello!
03:41Oh...
03:43Poštani, Relja! Poštani, Relja!
03:47Aha.
03:48Tell me, now I'll be able to speak.
03:50I'll start.
03:55Here are my connections
03:56from the other side of the law.
03:59How are you?
04:00Good.
04:01What are you?
04:03Well, I'm not sure what I'm doing.
04:06I don't know...
04:06What are you doing?
04:08How are you doing?
04:12Yeah, I'm starting to follow.
04:13I'm going to see you next time.
04:15Good.
04:16Good.
04:29Hot dog, so it's still a good guy.
06:25I don't know.
06:26I don't know.
06:30Milana, I don't think so much.
06:32Every day, every day, every day, every day, every day, every day, every day, every day.
06:35I just think about what to do with the vrtić.
06:37I have a great problem.
06:38I think about how to develop from the competition.
06:41Something has to happen.
06:42I don't know.
06:43I don't know.
06:44I don't know.
06:53I don't know.
06:53I don't know.
06:54I don't know.
07:02I don't know.
07:29I don't know.
07:37I don't know.
07:41I don't know.
07:45I don't know.
07:51I don't know.
08:11I don't know.
08:11I don't know.
08:13I don't know.
08:16I don't know.
08:17I don't know.
08:17I don't know.
08:47I don't know.
08:48I don't know.
08:48I don't know.
08:48I don't know.
08:48I just say that I have a problem with the vrtić.
08:51I don't know what I do.
08:53I don't know.
08:55I don't know.
08:56I'm giving myself to start everything, but it's a difficult decision.
08:58It's a difficult decision.
09:00Well, I don't know.
09:02You know what?
09:04We don't have a seed growing up on the pineapples.
09:05I know.
09:06I know.
09:06I can see how we all set it up.
09:08I know.
09:10I always think.
09:10I know what I am.
09:11because of all that. You don't have to lose money. I'm with so much pressure that when I look at
09:19it, I can see that something changed on my face from the pressure.
09:22Here, believe me. Here, I should have fallen. Here, I have to take a look here.
09:26I see everything.
09:27It's all because of pressure and stress. I don't know what to do. It's okay.
09:32But now, I have a bigger problem with Milet. I believe it's a bigger problem.
09:38He's doing gaff by gaff, gaff by gaff, and it doesn't stop. You understand?
09:44When you've already mentioned that, when we're already at that point,
09:48you know what Milet did when I saw him last time?
10:03Let me tell you what you have. I don't have much time.
10:06Well, it's about your friend with a footer on the head.
10:11Ah, Relja Topić.
10:14Really?
10:15Okay. I'll tell you what to do with him.
10:18What is he singing at the stage, and now you're going to cry about some of his grunt?
10:25No, he's a lot higher. We have to leave him.
10:32Ah, ah, ah.
10:35No, no, palo. Do you think of that?
10:38A, the request of the officers is that, Amali, there's a lot larger footer than we thought.
10:42That's right.
10:43And then, let's take it.
10:45Let's take it.
10:46Let's take it.
10:46Let's take it.
10:46Now, it's not the end of the night.
10:49It's a very important gun in your car.
10:53If you don't have it, it would be a lot of difficult.
10:58Just let it go. We work on a lot of other things.
11:01We won't be able to take care of it.
11:06I know that you're a person, that you're a beast.
11:09I pray you.
11:10Put your beast on your own.
11:15Did you finish it?
11:16Yes.
11:18Okay.
11:20Now I want to tell you something.
11:23First, thank you for your attention.
11:25Second,
11:27I have to hear my image.
11:32If I don't hear the image, then I don't hear the life.
11:37So,
11:39I'm not sure that I can tell you anything.
11:44That's it.
11:46Let's drink something on my own.
11:52I don't know how to do that.
11:55Yeah.
12:06I don't know how to do that.
12:09I can't believe it.
12:12I can't believe it.
12:14to pay the amount of money.
12:17What? How is it?
12:20Really?
12:21Wait, wait, wait, wait.
12:22What is the amount of money?
12:24What is the amount of money?
12:26What is the amount of money?
12:26The amount of money is to pay the last money
12:29from his teacher to pay him.
12:31You throw yourself with money like the Queen of Cleopatra.
12:34No, please. It's not easy for me.
12:37Okay.
12:38It's easier for you than me.
12:39Why is it easier for me?
12:40It's easier for me.
12:43I don't care for you.
12:44I have to think about myself.
12:46I don't understand.
12:46What do you want?
12:48Maybe you ask him how he is.
12:50I asked him.
12:52I asked him and he doesn't answer.
12:53I asked him again.
12:54I asked him again.
12:56I asked him again and he doesn't answer anything.
12:57I don't understand.
12:59Maybe you expect him to ask him a little more questions.
13:02You understand?
13:03You're a little more worried.
13:05I'm sorry.
13:06Maybe you're something for me.
13:08Maybe someone has to.
13:10Yes, yes, yes.
13:10See what you're doing.
13:11I don't understand.
13:11I would like you to ask him for the whole situation.
13:15Only Kaja.
13:15And nobody else.
13:16That's all my fault.
13:17Is that right?
13:18No, Kaja isn't that right.
13:19Listen to me.
13:20I mean...
13:21What?
13:21What do I want to listen to you?
13:22What do I want to listen to you?
13:23When I don't have anything to talk to you with you?
13:25Why are you all the sveci and Kaja is the fault?
13:27What are you with the rest of us?
13:28What do you want from Mile?
13:31What do you want from Mile?
13:31Just listen to me.
13:32Well, you're good to think what you want.
13:33I don't want to repeat it.
13:35What do you want from Mile?
13:38I don't know.
13:39I don't know.
13:55I don't know.
13:56I don't know.
13:58I don't know.
14:03I don't know.
14:03You're well-ressed.
14:05I'm a lieutenant.
14:07I understand.
14:09A little bit of a dangerous dick there.
14:10Or that's what people are saying.
14:13It doesn't matter.
14:14You're a problem.
14:14Right now.
14:15It's not a conservation thing.
14:15You don't walk away, clean air.
14:17It's not an eye.
14:20You're a little nervous.
14:22You're a jerk.
14:23What do you think?
14:25You're a jerk.
14:26You're a jerk.
14:28You're 2000.
14:29You're a jerk.
14:29You're a jerk.
14:29You're careful not to get away.
14:30Do you know what I mean?
14:30No, don't worry about that. Don't worry about that.
14:34Tell me what you call me.
14:37Gabriela sent me a location to the house.
14:42Where is it?
14:44It is considered that it is in a good location.
14:48Really?
14:50Okay.
14:53But we have to live to see it.
14:57Live?
14:57Yes, yes.
14:58Wait, brother. It is not a good location.
15:01Why not? Why not?
15:02It is not a good location.
15:03Why not?
15:08It is not a good location.
15:18And what do you say?
15:20A stupid game with Žik in the day.
15:22It is not a good location.
15:23Oh, my God.
15:24Oh, my God.
15:25Oh, my God.
15:25How much we have to listen to the idiot Žike,
15:30who calls it poetry.
15:33I am not listening to that.
15:35It is better than I am not.
15:36It is better than I am not.
15:37It is better than I am not.
15:37It is better than I am not.
15:38It is better than I am.
15:52I have you and I am.
15:54The important thing is to do with me,
15:55and the important things is to talk.
15:58Where is it?
16:00Did you get the decision?
16:03Do you want to help me with home?
16:08Mom?
16:10It's hard for me to think about it.
16:12It's hard for me to make this decision. It's our home.
16:16You have to stop.
16:19The person won't work for me until he knows why he's doing it.
16:25Don't stop me!
16:26Don't stop me! I can't make this decision to make this decision.
16:30I can't!
16:34Then I have a gift for you that you won't be able to eat.
16:38I can't believe it.
16:48Just wait, you want to tell me why this isn't a good idea?
16:54You know how?
16:56How?
17:00I'm telling you what you need to do. You know it better.
17:03But we have to be a little...
17:07...oprezni.
17:09Pa, oprezni smo, kako nismo...
17:11Pa, nikad nismo bili ovoliko oprezni.
17:13Pa, da, pa, sve to okej.
17:15Kuća i sve to, ali...
17:17Šta ko je zaseda?
17:19Kapa zaseda, majke?
17:21Pa, dobro, šta ti se praviš ludin,
17:22znači zaseda, šta ko je zaseda, danas rok?
17:25Pa, dobro, možda, pa...
17:27Pa, ni znaš da nisamo radio onaj posao do kraja, znaš?
17:30Pa, dobro, nisi.
17:31Pa, pazi, nismo ni mi deca, da imamo oružje.
17:35Znamo da se branimo, ali...
17:38Okej.
17:40Nego šta, nego okej.
17:42Znači...
17:43Špageti, westerni, partizanska eskadrila, am?
17:46Ako mora...
17:48I sam znaš da lep posao ko je radi o to...
17:50Nema penziju.
17:52Radiš, du kraniš.
17:53Na, taka je biznis.
17:55Ili mrak i ponoć,
17:58ili socijalna pomoć.
18:00Hrv...
18:02Nen, nen, nene...
18:04Pravo si.
18:05Moramo da rezikujemo.
18:07Kako kaoš?
18:08Niko?
18:09Ne rezikira je taj ne...
18:10Ne profitira.
18:11That's right.
18:12First of all, good health.
18:13For the future and the investor.
18:15Cheers.
18:25Thank you very much for today.
18:27I saw you doing all the things from the show.
18:30So, what I mean, we'll see you tomorrow.
18:32Really?
18:32See you soon.
18:33Bye.
18:45Hey, mačko.
18:47Nemoj ti...
18:48Meni, mačko.
18:55Ti i tvoji dečku doće ćete mi glave.
18:57Pa što sad? Dobri smo reljice i ja mislim ne pravimo puno problema.
19:02Kako ne pravite puno problema? Tamburan nije znao da si u vezi sa reljom.
19:07A što je to tako bitno?
19:09Pošizeo je kad je čuo, Ksenija.
19:11Zato što oni očigladno imaju neke jedne završene poslove.
19:17Ja sad ne znam šta da radim.
19:19Bukvalno je otišao pre dva minuta.
19:20Ja ne znam šta će biti s mojim poslom, Ksenija.
19:23E, daj, molim te.
19:24Drami, samo da bite kritikovao za nešto.
19:26Iza Miona?
19:27Muškarci ne podnose uspešne žene.
19:30Pogotovo ako su mlađe i lepše.
19:31Ma nije o tome reč, ženo, pobugu.
19:35Sad misli da ću ja ovde da mu pravim neku zasedu.
19:37Usti ga bre, čovjek podajuća paranoja.
19:40Rokni tu neki dekolte, popričaj s njim u neku rakicu, umekšaj ga.
19:43Skonda će već da niko neće da ga zezna.
19:46Ja smem da pravim nikakve rizične poteze.
19:49Ja sam zbog tebe i tvog dragog na tankom ledu.
19:59Zašto je lepotica na tankom ledu?
20:02I kod koga?
20:04Zovem te za minutu.
20:18Zovem te za minutu.
20:20Fantastično.
20:23Gabriela, ja sam žena u godine.
20:25Mene se samo može da obraduje tvoje i Viktorovo zdravlje.
20:31Ako mi pomogneš s ovom doćom, budeš uradila sve što treba.
20:38Ja ću da ti podarim još jednu ovoče.
20:44Drhodna si.
20:59Ja za tebe nisam nikakva lepotica.
21:02Veš šta ću kad jes, govorim istinu.
21:05Istina je to da si ti u vezi sa mojem drugaricom.
21:09Istina je da sam ja bil u vezi sa tvojim drugaricom.
21:11Istina je da sam ja bil u vezi sa tvojim drugaricom.
21:11Jel?
21:12Ja, sada sam tu za tebe.
21:14Ako ti bilo sada ne treba.
21:15Pa ne treba mi ništa.
21:16Hvala, najlepše, doviđenja, prijatno.
21:18Pa zvučilo kao da ti treba pomoći.
21:20Od tebe mi ništa ne treba.
21:24Sve ste vi iste.
21:26Sve imate tu jednu istu priču.
21:27Ja sam fina, poštena.
21:30Ja ne bih nikad ništa.
21:32To onda kad čovjek malo upritelje,
21:34onda se ispostavi.
21:35Ono, kako ono kažu ono?
21:36Šta?
21:37Šta se morala tiče, morala sam.
21:40Šta si simpatičan.
21:42Slušaj, Momok, ja mislim da ti imaš jedan osnovni problem.
21:44A to je da misliš da bi svaka deojka bila sa tobom.
21:47Ja se ne petljam sa bivšim momcima svojih drugarica.
21:52Ne, ne, ne.
21:53Ja sam siguran da si ti drugačija.
21:55Pa sam kad bi mi pružila priliku.
21:59Pa ja mislim da si ti seljačina.
22:02Drago mi je što sam malo opustila.
22:04I drago mi je da zazvem tu strast kod tebe.
22:08To je dobro.
22:08Ha, što se tamko gleda tiče, to je ostalo mi zbog tebe.
22:13Zbog mene.
22:25Nisam trudna.
22:28To se, ja baš sam mislila da jesi.
22:32Kako ti uopšte tako nešto palo na pamet?
22:34Šta kako mi je palo na pamet?
22:36Jesi sad rekla da će da mi podiriš drugo unuče od normalno da te to pitam.
22:39Dobro.
22:41Dobro i istine, htjela sam s Aleksom bradim na drugom detetu, ali možda sad nije baš pravi trenutak.
22:46A kad će biti trenutak?
22:47Jel misliš da ja ne bih voljela to da znam?
22:50Pa čero, mladost ide.
22:52Dobro mama, ajde, molim ti prekinji, stvarno boli me glaviš od svega.
22:55Dobro, misliš ti na mene?
22:57Kako je to pitanje sad?
22:59Sasvim normalno pitanje.
23:01Dobro, ajde, kaži mi direktno što hoćeš.
23:04Mene bi najviše radovalo da Viktor dobije brata. Dobro.
23:08Ima lulet, ali to je nešto drugo.
23:12Pa poslažem se.
23:13I?
23:14Kad ćeš onda da radiš o tome?
23:17E pa za tako nešto bi u stvari...
23:21Za početak trebalo da prepišeš tu kuću na mene.
23:25Kako je sad to veze ima jedna s drugim? Ajde, molim.
23:37Šta, tad sam ja to uradio?
23:39Dovoljno je to što si Relja Topić.
23:42Čekaj, ti koji ćeš da si sad zbog toga na tankom ledu? Kakve to veze ima?
23:46Tako je, zato što te ja poznajem.
23:48I zato što je sad i Ksenija izgubila šansu da nastupa ovde.
23:52Jer me poznajem.
23:55Zato što ti je bivša devojka, tambura, to kad je čuo, bukvalno izbacio napolje iz fejma.
24:02Izbacio? A šta je ona uradila?
24:03Pa ništa nije uradilo, to mi je problem. Ni ja ne znam šta će biti s mojim poslom zato što
24:08sam Ksenija na drugarica.
24:13Ajde, molim te. Relja, napusti lepo lokal.
24:18A gde je sada ovaj veliki šef?
24:21Kao što možeš da vidiš nije tu i Bogu hvala da nije tu, a sada izađi napolje.
24:30Vratit ću se ja.
24:52Pa ima veze, mama.
24:55Bez kuće nema mira, bez mira nema detata.
24:58Ali ta kuća, Gabriela, to je naša jedina sigurnost.
25:03Znam.
25:06Ali više nam ne treba. Mi imamo kuću, ovu, u kojoj živimo.
25:11A teško mi da je prodamo, to je naša porodična kuća.
25:14Ne treba nam više, potreba nam je novac, mama.
25:20Imamo gde da živimo, ali razumeš ti to?
25:23To, nisam sigurna baš, izvini, molite.
25:26Hajde, dosta.
25:28Meni treba konačna odluka.
25:31A šta ako kažem ne?
25:36Zašto si toliko tvrdala?
25:38Objasnila sam ti već hiljada puta.
25:40Dobro, nisam još donala definitivnu odluku, ali...
25:44Da.
25:46Si radi kako ti hoćeš, okej?
25:48Ja ću da radim kako ja hoću.
25:51U stvari, ja i ne znam zašto ja Viktor ostavljam sa tobom po celu dan da provodi vreme.
25:56Trebalo bi da ga tamo jasnice. To ću da uradim koliko sutra.
26:01Zašto bi to radila?
26:03A zašto da ne?
26:06Gabriela, nema potrebe da ti sad meni pretiš.
26:09Jel nema?
26:15Dobro.
26:17Dobro, ako ti misliš da je ta prodaja kuće dobra odluka...
26:22A...
26:24Pristaj.
26:27Hvala ti, ma.
26:29Veruj mi, nećeš zašariti.
26:32To ćemo tak da vidimo.
26:50Zora, zora, zora je...
26:54Ustaj, mala zora je...
26:58Ustaj, mala zora sviće...
27:03Narani pi liće...
27:06Ustaj, mala zora sviće...
27:10Narani pi liće...
27:14Kakav si ti, čovjek...
27:17Morat ti kaži...
27:18Sad te posmatram ovako.
27:21Dobro.
27:21Posmatram te i mogu da ti kaži da mi ličiš na nekog investitora.
27:27A kako to izgleda?
27:29Investitor?
27:30Izgledaš mi jako nekog koji investicijon.
27:34Komarac inženjerink, najbolji u gradu.
27:38Tako ti se zove firma, naravno.
27:42Moskito inženjer.
27:45Delo je ozbiljnije.
27:47Delo inostranije, naravno.
27:48Aj, pazi, suženi.
27:50Nisi ni ti ložite.
27:54Maksim Investments.
27:57Maksim Inženjerink.
27:59Uje!
28:00Za najbolju gradnju u gradu zovite Maksima u radnju.
28:08To ti več.
28:10Aj, prešim i vidim.
28:13Za budućnje investitora.
28:14Za budućnje investitora.
28:15Za budućnje investitora.
28:17Slušaj, što moram?
28:19Sipaj, sipaj.
28:20Sipaj.
28:23Moramo...
28:24Nema više.
28:26Moramo da vidimo oko jedne stvari.
28:29Oko kuće.
28:32Oko upadanja, znaš.
28:35Jel, jel, jel mi upadamo ili ne upadamo?
28:39Šta ne gadaš?
28:56Šta ne gadaš.
28:58Liš, šta ne gadaš.
29:00Moje.
29:02Sipaj, smiri.
29:02You know how I'm going to kill me.
29:06I know how you are, because I know you do well,
29:10and that's why I'm telling you to be happy.
29:12But I have a tactic.
29:14Now, you don't have a tactic.
29:17You don't have a tactic.
29:19Just let me go.
29:20I don't ask you, I don't want you.
29:22Let me go.
29:23The tactic is the following.
29:26Let me tell you,
29:27that one huge problem, called Senka,
29:33we'll put on a few more problems.
29:38I like it.
29:41I'm going to add everything that I understand
29:44is to get rid of the things.
29:48Let's go.
29:50Okay.
29:53Let's go like this.
29:56What is the first thing that can help you?
30:02For the beginning, I'm very nervous.
30:05Yes.
30:05Because Goran doesn't show up.
30:08Maybe he's going to show up.
30:11Which way he's going to show up?
30:12Which way he can show up?
30:14Which way he can show up at night?
30:15That he's going to show up at night?
30:18That mother, who can he have to be?
30:20What is it?
30:21What is it?
30:22What is it to be that mother,
30:23that mother doesn't ask one of two hundred pages?
30:26Do, Bropola,
30:28maybe at this point,
30:30even now, they talk.
30:33They talk.
30:33You know,
30:35that's why I'm nervous.
30:37That's why I don't talk about it.
30:40That's why they don't talk about it.
30:40That's why I don't talk about it.
30:41That's why I don't talk about it.
30:43That's why I don't talk about it.
30:45and his cell phone, and he doesn't say anything.
30:50I don't know.
30:52I mean, when we know, he knows that he knows that he knows what he knows.
30:59I don't understand anything when he is in the question.
31:02The whole story doesn't mean normal man.
31:07He's just a fool.
31:08When I say a fool, I don't think a fool.
31:22He's not a fool.
31:24He's not a fool.
31:24He's not a fool.
31:24He's not a fool.
31:24He knows that he knows when he's at the time.
31:27Yes.
31:30Okay, let's go now.
31:32I'm asking her if she doesn't cook her another one.
31:36What?
31:37Yes, yes.
31:39And he's not a fool.
31:41He's not a fool.
31:42He's not a fool.
31:44Okay, okay.
31:45But now, when we know that he knows that he knows that he knows,
31:49it's only the question of when he's at the time.
31:52He's certainly showing up.
31:55Is he okay?
31:56Yes, you're right.
31:56He's okay.
31:58He's okay.
31:59Now, when we've solved one problem,
32:05let's go to the other one.
32:26Let's go.
32:54Let's go.
33:24Let's go.
33:26Let's go.
33:27Let's go.
33:28Let's go.
33:29Let's go.
33:30Let's go.
33:32Let's go.
33:35Let's go.
33:53Let's go.
33:56Listen to me, listen to me, I'm going to ask you for this house.
34:01We want to go inside and look at her from the edge.
34:05Is that right now, my mother?
34:07What is it? If it's inside, it's a catastrophe.
34:13Okay, so...
34:14What do you think? We have inside something sweet,
34:17something that we can kill.
34:20If it's like that,
34:21you don't forget how to open the house.
34:27Do you know that you don't know?
34:29You know what I'm saying?
34:31When a child teaches you to ride a bike,
34:34you don't forget it.
34:35Okay, so if it's like that, then I'll trust you.
34:40We're going to look for a計.
34:41Here!
34:43Here!
34:43Here!
34:44Give me a計.
34:49Hold on.
34:50Please, the write.
34:52Just wait a minute, I'll pay.
34:54My child.
34:57This is something.
34:58What's this?
34:58What's this, bro?
35:00Well, it's a write.
35:01This is a write.
35:02This, bro.
35:02What's this?
35:03What's this about?
35:05What's this write?
35:06What's this?
35:06What's this one?
35:07You're normal.
35:08Now you hear what's this.
35:11You've got our own own write?
35:12You didn't have anything to do with us.
35:13Why are you kidding me?
35:16Don't be kidding me.
35:17God will be punished if you are going to be good.
35:21If you are good, God will pay you.
35:24God will pay you.
35:25Come on.
35:29Don't be kidding me.
35:30Don't be kidding me.
35:34Zora, Zora, Zora.
35:37What are you doing?
35:42When did I go to my life?
35:44I'm constantly full of energy.
35:47I'm full of energy.
35:48So, nothing is difficult.
35:50Well, it's fine.
35:53What does it mean?
35:54Is it okay?
35:57No.
35:58I didn't think anything wrong.
36:00I don't know. I didn't even know myself.
36:01It's okay.
36:03I said again that you have something to tell me.
36:06Then you decide not to tell me.
36:07Then you'll be kidding me.
36:18You'll be kidding me.
36:19Hold on, hold on, hold on.
36:20Hold on, hold on.
36:20Maybe you can start to get a better parcel.
36:25Yes, I'm sorry.
36:27I don't want to start.
36:28No, I don't want to.
36:30This is a important issue.
36:32I think if you're fighting,
36:35you'll be able to get some help.
36:48Okay, I want you to believe that it will be so nice.
36:51Yes, but no doubt.
36:54What?
36:56He doesn't show it.
36:58But he is the same.
37:02I have a lot of emotions.
37:04He is so much in lies that he doesn't know where he is going.
37:22He is going to get us and it won't be good.
37:27Just don't make any bigger problems.
37:29I don't have a problem anymore.
37:44I wanted to talk about the night.
37:47Why?
37:47Why?
37:50We were told when we started to be honest with you.
37:55God, I am honest with you.
37:57I am honest with you.
37:59I am honest with you.
37:59I am honest with you.
38:02I am honest with you.
38:17I am honest with you.
38:18I would like to understand you and me some things.
38:24And I ask you to tell me seriously what happened to you.
38:42It's really sweet, isn't it?
38:44It is.
38:46I mean, there are all of them.
38:48Don't lie to us, I know it's the best.
38:50But all that on the side, I have to ask you something.
39:07Don't lie to us, I know it's the best when I say it's the best.
39:12And I don't plan to say it soon.
39:16Is that right?
39:17Yes.
39:39I don't plan to say it's the best.