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Igra sudbine Epizoda 1829,Igra sudbine 1830,Igra sudbine 1829,Igra sudbine Epizoda 1830, Igra sudbine Epizoda 1829,Epizoda 1830 Igra sudbine ,Epizoda 1829 Igra sudbine
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00:12I would like to say something about Ivan. What happened?
00:15Well, you know that Ivan isn't the most successful situation.
00:19You see, I don't have money to finance it.
00:23I just wanted to talk about it. Maybe we found a solution.
00:27How?
00:29I broke the pact with Žejko.
00:32He calls him a Frenchman, but he's our marriage.
00:37Interesting. What does he want to do with us?
00:41I don't know. I don't know where he lives, I don't know where he sleeps, I don't know what he
00:46eats.
00:48I don't know, but they say that he's the first class of Lopov.
00:54What happens to me. I would like to be a little more interesting.
00:58Something happens to me, a little smile.
01:01You see, we're all of the interesting things. I talked to my mother.
01:08Okay. And what did he tell you?
01:10You had a pretty unusual request from me.
01:15What a request?
01:21Let's listen to me.
01:22Let's listen to me.
01:23I really love when you come here, but...
01:25Do you have any problems?
01:28I see.
01:30The people in my company, where I work.
01:34They...
01:35They don't know who I am.
01:37They don't know who I am.
01:38They don't know who my family, my father, my brother, nothing.
01:42They don't know who I am.
01:43She would want another one.
01:47It's funny.
01:49Well, tell me to stop you.
01:53What did you say to me?
01:54What did you say to me?
01:55It was my fault.
01:58Maybe because it's true.
02:03I'm not a shame.
02:04You've lost my life, my career, my love.
02:08What did you say to me?
02:10I didn't miss a day.
02:11What did you say to me?
02:13I tell you exactly how it is.
02:15In the best years.
02:16And you can get in the way, you can get out of it.
02:19And you can get out of it.
02:20You can get out of it.
02:22When it doesn't go, it doesn't go.
02:26It's obvious.
02:27It's obvious.
02:30Here you go.
02:32You have to do it.
02:34There's no need to do it.
02:35There's no need to do it.
02:36I give my money.
02:37I give my money where I want to go, when I want to go.
02:41I found him on the floor.
02:43Something was thrown out.
02:44I'm looking for him like this.
02:46I don't know where he is.
02:47I don't know what he is.
02:48I'm going to do it.
02:50I'm going to do it.
02:50I'm going to do it with Gabriel.
02:52I'm going to go.
02:53I'm going to go.
02:54I'm going to go.
02:55I'm going to go.
02:55Everybody is going.
02:58You're going to be stuck.
02:59I'm going to go.
02:59Sit down.
02:59Sit down.
03:00Did I get down?
03:01My head is there.
03:04There.
03:05You don't have any problems.
03:06Let me roll.
03:08No.
03:09No, no.
03:11I don't need to go.
03:12I'm going to train.
03:12I'm going to go.
03:13Where is my tag?
03:15What?
03:16What?
03:18I don't understand.
03:19What are you talking about?
03:20I gave birth.
03:21I didn't want to break.
03:23What a shame, man. Do you hear yourself? What are you talking about?
03:28It's like we understand our world.
03:31What a shame, man. Do you hear what you mean by the stupidity you talk about?
03:37I don't believe that I can't. In all of this case, I need to watch the situation next few days.
03:43And if there are some unusual symptoms, I can show you.
03:47Okay, what are the symptoms?
03:48But the tension with the pain, deathlessness, carta ingress.
03:56Okay, no, no, no, no, no, no, no, no.
03:59No need to stay here! No need to stay here!
04:02After you come here for your family to question yourself,
04:06you must be like a dog, she must come.
04:09You came here, you trained you,
04:12you put it in a cap, you put it in a cap, you put it in the cap.
04:14It's a job.
04:18Ivane!
04:19What are you doing?
04:21I'm alive.
04:22I'm just a little out of the way.
04:24Why are we doing it?
04:26We're so excited.
04:27Let's go.
04:28Good job.
04:30Good job.
04:49Good job.
04:50They say that life is writing novels.
04:53They say that life isn't good for me.
04:58Sometimes it's a problem, but often it's a man.
05:03And everything is no longer in me.
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22:53I pray, I pray, I pray.
22:55What?
22:56I go.
22:58What are you talking about?
22:59I pray, I pray.
23:01I don't have to wait.
23:02The man is making an ultimatum.
23:04I'm going to go.
23:05Let's go.
23:06Let's go.
23:07What are you with me?
23:14What are you with me?
23:16I'm happy now.
23:33I'm talking about happiness.
23:37I'm happy.
23:39I'm not asking you for happiness.
23:42Why are you thinking of happiness?
23:43I'm asking you for happiness.
23:45I'm asking you for happiness.
23:46Olga, tell me what's your point of view.
23:48Why do you ask me?
23:50Nothing.
23:50I wouldn't say anything, it looks like something.
23:54Okay, it is and it is not.
23:57It is or it is, please tell me.
24:01I talked to Žikom.
24:04Okay.
24:05My impression is that he really loved you a lot.
24:09What kind of idea do you want to sit on this?
24:12He doesn't love anyone, he just loves himself and cooking.
24:15I don't think so.
24:17I don't think so.
24:18I mean, he is a nice man.
24:22Žika is a nice man.
24:23Okay, I didn't need a good word.
24:25Okay, he has a little bit of a lot.
24:28He has a lot of a lot of a lot.
24:29Okay, but he is a good man, you understand?
24:33What a good man, Žika?
24:34What is it, Olga?
24:36Look, I want to tell you what I want to tell you.
24:37What?
24:38It would have been to anyone else,
24:41what would have been to tell you about Žike.
24:43You know, as long as the elections are coming,
24:47the elections are coming,
24:49and then...
24:51Just...
24:52I want to tell you that it is better to not stop again.
24:56I want to tell you something.
24:57I would say something.
24:58I would have been just a few months ago,
25:00but I would have something again with him.
25:04But...
25:04He really loves you.
25:07What is it?
25:09What are you talking about?
25:10What are you talking about?
25:11How are you changing?
25:12Are you holding his side?
25:13You understand?
25:13No, I'm not holding his side.
25:15No, I'm not holding his side.
25:16It's like you holding his side.
25:18Why are you talking about it?
25:20No, I just wanted to tell you that
25:21maybe you don't need to get away from all of this,
25:25but...
25:25Excuse me.
25:26Excuse me since I started this story.
25:28Your life is your choices.
25:30Excuse me.
25:31It's not a matter of all.
25:35I'm going to go.
25:36I have a job.
25:37Okay.
25:37Excuse me.
25:38I'm going to go.
25:39I'm going to go.
25:40I'm going to go.
25:57I'm going to go.
25:58I can't believe it.
25:58Did you see it?
25:59Did you see it?
26:00How did she get away?
26:01She was just standing up.
26:02She got away.
26:04Nothing.
26:05She got away.
26:05She got away.
26:06She got away.
26:07She got away.
26:10I'm going to go.
26:12I'm going to go.
26:27If you don't need something here...
26:29What are you talking about, man?
26:30They're doing astrology.
26:31People read it every day.
26:33Astrology, horoskop, ovan, lag, jarak...
26:35Don't forget it!
26:37I don't like it.
26:38I don't like it.
26:40Astrology, voodoo, magic, abracadabra.
26:45Everything is the same.
26:46Wait, wait.
26:47It's not the wrong thing you have to go to the door.
26:51It's not the wrong thing.
26:52I don't want Baksuza here.
26:54Do you understand me?
26:57What Baksuza?
26:58What are you talking about?
26:59Please tell me if I'm maltratating.
27:01Tell me.
27:03Let me go to peace and go and do what you want.
27:09Mila, I really care.
27:11You care.
27:12You care.
27:14You care.
27:16You care.
27:19Not for me.
27:25What are you talking about?
27:27What are you talking about?
27:28shepherds?
27:30You know how to drink a good beer?
27:31I know how to drink a good beer.
27:33It's my beer.
27:34Let me go.
27:45Let me move in.
27:47I got someリars for the room.
27:48Let me move Mike drummer.
27:50You okay?
27:53Let me know You got some bowls.
27:57uh like...
28:02If you do this, we...
28:08Why are you feeling so much, eh?
28:13I'm very friendly.
28:15More than usual.
28:18I have something to tell you.
28:20Listen.
28:22I came out with Suno.
28:28You see, it's not to me.
28:33But there's no need for you.
28:35I think there's no need for you.
28:36There's no need for you.
28:37There's no need for you.
28:43There's no need for you.
28:45There's no need for you.
28:49Thank you, since you were married.
28:51You were loved by the other one,
28:55and I believe that it was difficult.
28:58Really?
28:59I know, I know.
29:00But you know that we are people who don't live in the usual lives
29:04and that in those lives we don't need to get into the work of people.
29:09Do you know how it ends?
29:13I know that it's true.
29:15Nothing has been able to do my strength towards Suno.
29:20But I will hurt you.
29:21You want, of course.
29:23Yes.
29:26Yes.
29:35Yes.
29:37Yes.
29:39Yes.
29:47No, no, no, no.
29:53No...
29:53No, no, no, no, no...
29:54No, no...
29:55Amo 11!
29:56fried paprika and soy sauce. Is it possible?
29:59Yes, soy sauce.
30:01That's great, excellent.
30:03We'll see you.
30:04I love you.
30:20We'll see you.
30:24I'm out a few times, I see no one open.
30:27I'm going to leave and leave.
30:31I didn't expect anyone.
30:33I don't expect anyone.
30:35I don't expect anyone.
30:35But I like to come and say what I have.
30:40And that's all.
30:43And what is it?
30:44Is everything in order?
30:45No, it's everything in order.
30:48It doesn't need to be in order.
30:50It's everything in order.
30:52I'm such a man.
30:53What's on the mind, what's on the drum?
30:55Well, what do you do?
30:58Well, I do.
31:01Dear Maša,
31:03the last time we saw,
31:04I felt something.
31:06Something happened to me.
31:09Something happened to me.
31:09I have to admit, it was very good.
31:13You know,
31:14I know,
31:15I'm going to be a little direct,
31:16a little old model,
31:19but I'd like to come and say what I feel.
31:22And that's all.
31:24I think when I came to me,
31:24I'll sit down.
31:29Sorry, this is for you.
31:31A little bit.
31:32And the bombonjeri,
31:34and the old model.
31:37But the original model.
31:42No, thanks.
31:43I don't know what to do.
31:50Listen.
31:54I would like it if I had it.
31:58There's no need.
32:00Mateo is in the middle of our circle,
32:03and everything you say can be free to say to me.
32:06There's no need.
32:08I don't want to make a problem between old friends.
32:12If he wasn't for me, I'd like to leave.
32:15I have a lot of work.
32:30I've known...
32:33I've known who was the guy from the photograph of Lenkin.
32:38And who?
32:39Alexander Sechoua.
32:42JV is working in France.
32:44I mean, this radio means killing.
32:45K killing?
32:47Well, it's not what you think,
32:48that I have two brothers and killing Lenčiće,
32:51but there's a little more class.
32:54You know, a group of small groups.
32:57For example, pictures.
33:00Articles.
33:01No.
33:03Ottman Lop.
33:04Like Lupin.
33:07Who?
33:08It's not true.
33:10But...
33:11Did you know what he wants from Lenčiće?
33:14It's not true.
33:21It's not true.
33:29It's not true.
33:36It's not true.
33:44It's not true.
33:49I'm very upset.
33:51I'm very upset.
33:52It needs more time.
33:54It's not the answer I wanted to hear.
33:56I can't lie.
33:57That's right.
33:59And that's right.
33:59And that's right.
33:59You know what?
34:01I don't lose your mind for you.
34:03Don't worry about you.
34:05It's not good for you.
34:06You've seen the case of Lenčiće.
34:09It's like a business woman who has been kicked off.
34:19You hear what I'm asking?
34:23This is a work place and it's impossible to mention.
34:26So far.
34:27It's a business with Lencos.
34:27Yes.
34:28Why?
34:31Because this is a business.
34:34We don't have any kind of extraordinary personality.
34:38We don't have any kind of extraordinary personality.
34:41But family relationship.
34:42What kind of synagogue relationship?
34:44With the family relationship?
34:45Me.
34:45Yes.
34:45My relationship and job.
34:50And I don't need to mix.
34:51I think I don't need to tell you the relationship between Lenka and my family.
34:56You are my wife, so you are my wife, so it would be a bit annoying.
35:00Yes, whatever you want.
35:02In any case, go back to your job.
35:04Don't forget to lose your time.
35:13That means Lenka.
35:18That's what I'm asking.
35:22That little fool.
35:42I don't have any time.
35:43Lenka.
35:49Oh, Vuleus, welcome to the good evening.
35:52Hey, people, why is it so slow that I don't care?
35:55Don't worry.
36:06I think I don't have a need to do anything.
36:08I don't know what to do, but I'll tell you what to do.
36:12What?
36:14You tell me personally,
36:16and ask you what to do with her.
36:32What's going on? Where are you going?
36:34What's going on?
36:36My mother is working on the fact that everything became clear.
36:40What's going on with me?
36:41What's going on with me?
36:43What's going on with me?
36:45But I won't be able to do it like that.
36:47I'm not sure.
36:58I came to the end of the day,
37:00but I see that my life hasn't been born with fruit
37:03and that you're still feeling uncomfortable.
37:06So, dear Maša, it looks like it's time for me.
37:09It looks like it is.
37:11There's no need.
37:14We can even drink a coffee for the end.
37:18We can.
37:19We can.
37:35We can.
37:37We can!
37:39You're a former worker, right? It's a lot of fun.
37:42Well, we haven't been yet, at least for now.
37:47So, you came to me to take care of it.
38:00I just don't want to be afraid of being alive without us.
38:06Let me tell you, Imani, have you ever had a woman in life,
38:11because she was doing everything, but really everything in this world?
38:15Maybe you won't believe, but yes.
38:19And I'm happy.
38:19I'm happy.
38:20I'm happy.
38:39I'm happy.
38:42I think that...
38:44Isona, it's not without paper.
38:46How do you think?
38:49We all have to say that you're two more than you're qualified for this...
38:55... usual job.
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