- 2 days ago
Igra sudbine 1819 epizoda (22/6/2026)
Category
šŗ
TVTranscript
00:00subscribe to our channel
00:12Ikatko
00:13BaÅ” kute vremenske odrednice
00:16Zauveka
00:18Imam jedno pitanje sa te
00:20Dobra
00:22O ojko je mi mnogo znaÄe ja ti ja, nismo stigli da porazgovaramo
00:26Odone na Ŕureka
00:27So, how do we get to talk about things when it's just happening?
00:31That's it.
00:33I'm curious, what is your opinion and what is your attitude about children and family?
00:42Hello.
00:43Where are you from?
00:44With which?
00:46What is your opinion about our job?
00:49Ah, with you.
00:51I'm still thinking about whether I accept him.
00:54I have to check the angles.
00:57These are great things about which you are talking.
01:00To check the angles.
01:05I'm here.
01:09Thank you, Petra.
01:10We'll be here.
01:19I don't know if I'm trying to sleep here.
01:24I'm trying to sleep, brother.
01:26You know how much I'm trying to sleep?
01:27I'm trying to sleep in a minute.
01:34Who is Relja Topic?
01:39Relja?
01:41You've certainly heard everything about him.
01:44I mean, I love him because he became my life like a prince on the white side.
01:51I'm still thinking about that.
01:54He has the gift to bring these types of people to a kilometer.
01:59What types?
02:01Well, the ones that appear.
02:03I don't care about it.
02:05I don't care about it.
02:06I don't care about it.
02:07I don't care about it.
02:13Now I've heard about it.
02:15He said that Relja will be punished until the end of the day.
02:18Yeah!
02:19He's the best!
02:22He's the best!
02:22He's the king!
02:23Thank you, Petra.
02:24Thank you, Petra.
02:25Thank you, Petra.
02:26Thank you, Petra.
02:42And I'm in love with you.
02:43I'm in love with you.
02:45I love you.
02:47I'm numb to you and I'm using my clothes.
02:50You know who I am you?
02:51I'm like it.
02:51Man ja, it's not as long as you talk about the night.
02:54Do you know my job to collect the lies?
02:57Man, you should beā¦
02:59No, listen to meā¦
03:02You should be upsetā¦
03:04You should be upsetā¦
03:05I'm hereā¦
03:05I am to invite you to offer it.
03:07You should be taught it.
03:07You should be taught itā¦
03:08I see it is much alive.
03:10Yeah.
03:10And remember some of you, NovinarÄiÄ.
03:15I think I could be able to improve the conditions of the war,
03:22and you feel like you're on a Maldivian.
03:25Do you know what I need to go there?
03:28And?
03:30You can see.
03:31You can see.
03:32And then, like in Bali.
03:34You?
03:36I said, I haven't seen anything.
03:39I don't know anyone.
03:41I haven't been anywhere.
03:44But he has a good counselor for me.
03:47I have and I.
03:50Do you have?
03:52So you want me to replace the clinic,
03:54which is from Legia Stranica
03:55and who doesn't know two streets in Belgrade.
03:59Is that right?
03:59I'm sorry.
04:00I'm sorry.
04:00I'm sorry.
04:00I can't believe you're going to break your head around.
04:03I am going to call this place.
04:08That's right.
04:11I wanted to do something unusual.
04:14Romantic.
04:16But is it funny?
04:18No.
04:19No.
04:19It's not funny.
04:20I just thought I was ashamed.
04:23You were surprised?
04:24Yes.
04:25And then, of course,
04:27I remember some NovinarÄiÄ.
04:30I wanted to ask you,
04:33and will you bring me the rogues
04:35while I try to be a child?
05:01They say that life isn't fair to me.
05:06Sometimes it will be,
05:07but sometimes it will be mine.
05:10And everything is useless
05:12besides my sin.
05:19Like love in the war,
05:24there is no rules.
05:28You have one life,
05:31only one chance
05:32to become no one,
05:36because the star will be mine.
05:41The games are like happiness,
05:46someone who wants,
05:49someone who doesn't want,
05:51as if they fly in the sea,
05:54until they change,
05:56I miss what I would do.
06:00So you should be there.
06:03You should be there.
06:05Oh.
06:07Oh.
06:11Oh.
06:14Oh.
06:16Oh.
06:20Oh.
06:21Oh.
06:29Oh.
06:39The next time.
06:39I've never seen a little bit of a video.
06:43I've never seen a video.
06:44I've never seen a video.
06:44I wouldn't say anything.
06:45I told you, I don't talk with Pandurima.
06:53Listen to me well.
06:58You're so...
07:00...bought...
07:02...so...
07:03...withoutly...
07:05...that you're even your parents left.
07:12You're so...
07:13...and this is the job I've been doing for about 50 years...
07:15...and everything I've seen...
07:20...Brƶlja, like you...
07:23...they don't go far away.
07:27You'll stay here to serve someone for the time.
07:32You understand that you have a lot of energy and energy.
07:35You have to be able to do something like that,
07:36...and you'll be able to get out of the way.
07:38You'll be able to go here...
07:41...and you'll stay here...
07:42...and you'll be able to serve them...
07:44...and there, from the field.
07:47I believe.
07:49For this year...
07:51...I've been able to get any scenario.
07:59Sorry.
08:01I can't.
08:03I can't.
08:05Yes, I can't.
08:10Excuse me, I can't.
08:12I can't.
08:18Let's drink coffee.
08:26I can't.
08:27I can't.
08:27I can't understand what you've said.
08:34You're normal.
08:42I can't.
08:44I can't.
08:48I can't.
08:50I can't.
08:51I can't.
08:53I can't.
08:54I can't.
09:05I can't.
09:06Do you want to hear it?
09:09What do you want to hear?
09:11Well, to the thing I'll tell you...
09:13...to do with me.
09:14You see, I love to listen, I love to hear,
09:17and I would like to encourage.
09:19But I want to say something.
09:21And the thing you want to hear is really...
09:25...the middle of the day.
09:26Of course, of course.
09:28How much have you talked about me, of course, I want to meet you.
09:34This is my friend.
09:36He was caught up with a smi-urde-dum,
09:39and a drink of wine.
09:41I don't care.
09:44Mido?
09:45What kind of Mido?
09:46That was the time of work.
09:49Goran.
09:53Who did he caught up with?
09:54With one another.
09:55It's called Senka.
09:59We made a chaos from my life.
10:02He was caught up with the difficulties that didn't exist.
10:08Wait, how did it not exist?
10:09That's right.
10:10That's what I told you.
10:12It never existed.
10:14And this village manipulates him with him,
10:19doing what he wants.
10:21He was caught up with my son.
10:24It's crazy.
10:25It's crazy.
10:27It's crazy.
10:27How many people are prepared for it.
10:28And the children,
10:30they don't have to look away from their nose.
10:33They're in front of them.
10:33And they're trying to get out of their nose.
10:34I know everything.
10:38I'm saying everything I'm doing.
10:40And I'm not afraid.
10:41He's not afraid that a smi-urde-dum is giving him
10:44who is a smi-urde-dum.
10:45So, to tell you,
10:47that since you see what I'm doing now,
10:50and what I'm doing,
10:51I'll finish this with Asi-um.
10:53We'll finish it.
10:54So, to give him the smi-urde-dum.
10:58No, Panchi, nothing. I'll be, I love you a lot. Thank you for everything.
11:04I pray for you to call, if we should be able to practice together.
11:08Let's be like that!
11:10Let me know, when I'm calling you.
11:12Let's go, let's go.
11:14Let's go. Let's go.
11:16We have to come.
11:17Let's go.
11:18Let's go.
11:20Good, Panchi.
11:21Good, my soul!
11:22Keep me!
11:26Oh my God!
11:51I didn't expect you.
12:04Who would you like to ask me if you are like this?
12:08How do you think you are doing it to me?
12:10Yes, it's a counter-attack.
12:13The counter-attack is the best defense.
12:15I want to tell you what you are doing.
12:18Who is the counter-attack?
12:20You have to ask me a question that is violent and aggressive.
12:24Okay, I'm going to calm down, and I'm going to ask you a nice and civilized way.
12:30Do you have another one?
12:33I want to be honest to you.
12:39Be honest?
12:41Yes.
12:42Are you honest to me?
12:44I?
12:45What am I?
12:47It's related to your lawyer, your lawyer, your lawyer from the studio.
12:52It's related to the business.
12:55It's related to the business.
12:56It's related to the business.
12:57It's related to the business.
12:58It's related to the business.
12:59What are we going to do now?
13:02Sorry, I'm LukĆ”Å”.
13:04Hello?
13:05You don't want to listen.
13:07You have to quickly come to the hospital.
13:11What?
13:12What are you doing?
13:13There's no one.
13:14I'm going to call you.
13:16Okay, go.
13:19I have to go because of the business.
13:22I hope we will finish this conversation in a better position.
13:25I hope.
13:50What do you want to hear from my house?
13:52I'm going to call you.
13:53I'm going to call you.
13:55I'm going to call you.
13:56I'm going to call you.
13:56I'm going to call you.
14:04I'm going to call you.
14:25I'm going to call you.
14:27I want to call you.
14:28And I'm going to call you.
14:30I hope you do.
14:32To the problem is that you want to talk to me.
14:37I'm going to call you.
14:41Well, I'm going to call you.
14:45What do you say?
14:46Mm, like in the city, in the other way, yeah?
14:50Can we try?
14:55Can we?
14:58I'm ready to try,
15:01but if you promise, you will tell me the truth.
15:07That's why I'm here.
15:11Did you have been difficult with Goran?
15:25I'm here.
15:29This is what you've done now,
15:32it's so unfair that I don't have any words.
15:35You've lost, you've done everything.
15:39See this?
15:42I've been working for a long time.
15:44I don't even think about it,
15:46that two young colleagues make these kinds of intrigues.
15:51This is what you do,
15:52that you've lost your life,
15:53it's the end.
15:54So, you want to say that the intrigues are reserved only for older colleagues?
16:00Or there's an old age limit for that?
16:02Or maybe for 10 years of work,
16:04and we'll get a license for intrigues, for intrigues.
16:07Let's go, please,
16:08check out how many books we have in the work books.
16:12I think we haven't yet reached that level.
16:15We don't have that experience.
16:17It's funny.
16:19It wouldn't be funny for you to be funny,
16:21because this will be serious in your head.
16:25What will happen to us?
16:28What are we doing?
16:29We're really interested in life.
16:42What are you doing?
16:44What do you call me?
16:45I don't know, where are you going?
16:47I don't know.
16:47My head is in my head.
16:49I'm breaking my head.
16:51I want them to change.
16:53And nothing.
16:54Okay, let's go.
16:55What happened?
16:56What happened to us?
16:57You understand that the victims are the usual tools
17:00that they can catch every time.
17:02Listen.
17:03Do you realize that my whole life,
17:07I give myself a job,
17:09I throw my head in the dirt,
17:11and what do I get for it?
17:12I only get the damage and the damage.
17:15Let him say it.
17:16Don't worry.
17:17What happened to us?
17:18Is there anything related to Regan Topic?
17:21And?
17:24I had to leave him.
17:27You had to?
17:29Okay, let's talk to me once again
17:32and I'm the man with the victims.
17:34Yes, I had to.
17:35It was nice.
17:36It was just a chance
17:38from the police officer
17:40and my hands were broken.
17:43Okay, you were broken.
17:44It wasn't enough to intervene VuliÄka,
17:47but you should also...
17:48Let's start looking at it.
17:49It's not.
17:51It's not.
17:53It's not just a police officer,
17:54but a whole system
17:55that we
17:57hear and protect
18:00from the light.
18:05That's right,
18:05that, that,
18:06that, that,
18:06that,
18:06that,
18:07that,
18:08that,
18:09when you
18:10pull off an
18:10other police officer,
18:12there'll be
18:13a new
18:1310.
18:14After those
18:15new
18:15more,
18:16150.
18:17Okay, MukaŔenj,
18:18let's walk away now.
18:20Let's, let's quiet.
18:22What quiet?
18:23What quiet?
18:23When we can't do anything else?
18:25We can.
18:26What?
18:26When everything is set up so,
18:29the game will be
18:30as a
18:31road.
18:32It can.
18:33There's always something.
18:34We'll find something.
18:35What? What are we going to know?
18:37What are we going to know when the only adut we had in our hands will be thrown into the
18:41bed?
18:42That's it, listen to me.
18:44But we have to go step by step.
18:59You hear me?
19:02I'm waiting for the answer.
19:09I'm waiting for the answer.
19:10Gorin at the beginning was very nice.
19:14He became very dear.
19:21And at the end I loved him.
19:24Fantastic.
19:26Like in Spanish series.
19:28I pray for you to finish.
19:33I'm aware of his natural and natural nature.
19:39At the beginning it was a shame, but later it was a shame.
19:46I think it's possible for him to be a problem.
19:57I think it's possible for him to be a problem.
20:11I'm not going to be a problem.
20:12I want to tell you why I'm not going to be a problem.
20:14What do you care about?
20:21I'm not going to be a problem.
20:27I'm not going to be a problem.
20:28I'm not going to be a problem.
20:31I'm not going to be a problem.
20:39But if I'm not going to be a problem you have to go.
20:42I would only hope that he would stay with us.
20:45Is that right?
20:59Let's just hear what will happen.
21:01Nothing. You will go to Alex's dinner.
21:07You will send us to the director to the conversation.
21:12Yes.
21:14I will send you to the director, and he will hear everything you do.
21:17What you do, how you do it, how you do it, how you do it, how you do it,
21:20how you do it, how you do it.
21:21I will tell you everything.
21:23Only that he will not be the first time.
21:27But I don't understand what you do exactly what you do to tell us.
21:32I will tell you everything.
21:35Literally everything.
21:37You see, Alex is a good-minded, but his trust has a limit.
21:42You have managed to go to that limit, to help Alex's trust.
21:48So, you will tell him and about Galina and about it.
21:51And about it all.
21:53About it, about it, about it, about it, about it, about it.
21:55You will say to Alex's friend, you will tell him, I don't know what I am talking about.
22:00I don't know.
22:00He doesn't know what I am talking about.
22:02So, she doesn't know what I am talking about.
22:04Well, I'll let him go to Alex's house and tell him what we are talking about.
22:10about the Gali's apology and how you put all of it in place,
22:15and how you put all of it in place, and how you put all of it in place,
22:19and how you put all of it in place, who knows how much.
22:22And that you are Gabrielina's right hand,
22:25and we all know what's happening with the right hand.
22:28Yes, the hand is tied first.
22:30Someone is doing that.
22:31And then we decided that you are Gabrielina's right hand,
22:35and that's what I see from the plane.
22:36And that's what I see from the plane.
22:38And I don't want to hear any pain.
22:42And I think it would be the best to hear everyone.
22:47She hears, we hear, and that's it.
22:53Okay.
22:54We hear, we hear you.
22:58And that's it.
23:03And we can't get started.
23:07We can't get started.
23:08We can't get started.
23:22Although I wouldn't get started.
23:24This man is the only time I get started.
23:26You...
23:27And...
23:27Actually, I don't want to hear him,
23:28but he thinks I can't go away.
23:28Yes, I'd love it.
23:29And I'm sorry.
23:29And she tells me who is my son.
23:33Okay, slow down.
23:35No, slow down.
23:36She tells me who I was born.
23:39I don't know what to do.
23:40And on a simple question, I don't know how to answer.
23:45I'm not a snake. I don't want to do that.
23:48Then tell the truth.
23:50Do you want the truth?
23:53Okay.
23:54Okay.
23:58I didn't have any trouble.
24:00I didn't have any trouble.
24:02Stop! Stop! Stop!
24:04I want to explain to you. Stop!
24:08I was angry.
24:12I didn't have to call me on the phone.
24:14I thought I would leave me.
24:16I didn't know what I was doing.
24:19That's why I came.
24:20Because I want to be honest.
24:23And with you and with him.
24:25Okay.
24:28And I will ask you only one thing.
24:33To allow me to tell me.
24:46Okay.
24:50Come to my house.
24:52Come to my house.
24:53I won't see you anymore.
24:55I don't know who to talk about you.
25:09Come on.
25:10What do you think we will do?
25:11Let's shit.
25:11I'm overburdening.
25:13I'm overburdening.
25:14But I'm overburdening.
25:14I'm overburdening.
25:15I'm overburdening.
25:15I have overwhelmed.
25:16I'm overburdening.
25:16No.
25:16You have to do it.
25:17You don't have to do it.
25:19You don't have to do it.
25:20You don't have to do it.
25:23No.
25:26Look, if we lose Relju TopiÄ,
25:29if we remove him from the wall,
25:32we have to go to the other side.
25:34Who is it? Who is it?
25:36Who is it?
25:37I think Alexander ŠeŔov.
25:41He is the one who needs to give us new information.
25:45What Grkljan wants from him?
25:50And even more important,
25:53who has sent Grkljana to look for him.
25:55That's right.
25:57You're good to understand.
25:59He is the one who is missing us now.
26:03Yes, he is correct.
26:05You don't thank me.
26:06No.
26:08But I know I will remember ŠeŔov.
26:11Yes.
26:12You know everything and you can do everything.
26:14Yes.
26:15I don't remember that.
26:17I am.
26:18But...
26:19It is not so easy,
26:21as some people think.
26:22What is it not?
26:23It is not easy.
26:26If Alexander ŠeŔov and Grkljana
26:28we will be able to get something
26:36that we will have huge problems.
26:40If we will be able to get them
26:42as I think.
26:44And...
26:55I will be able to get them to go.
26:55How did that do you play with Vanja?
26:58Yes.
26:59I've had to get back to the place
27:02and change your place.
27:03What are you doing?
27:05She was a kid from the beginning.
27:07Let's not be fine, cultural, normal.
27:11But now she was really there where she didn't need to.
27:14She said everything.
27:16And at the end, you think she said she was good?
27:19She wasn't shy or she was a little upset?
27:22Yes, she was.
27:23But you kept the level.
27:26She said everything.
27:28And you didn't say anything.
27:30And you regret it.
27:31She was at the end.
27:34That's what I learned from my mom.
27:36She taught me to be worthy.
27:40To be a dame.
27:41To hold myself.
27:42To not give up on myself.
27:43And to always know my level.
27:46To not allow anyone to go down to a level that doesn't fit me.
27:53What did you say?
27:55Did you say something wrong?
27:57No.
27:57I don't know.
28:00I don't know.
28:01I don't know.
28:01I don't know.
28:01The whole situation.
28:02The tension.
28:06It's all okay.
28:06I don't know.
28:07It's okay.
28:09We'll be happy with everyone.
28:11Believe me.
28:12No one can't do anything.
28:16Hello?
28:19Hello?
28:23Hello?
28:24Hello?
28:24Tell me.
28:25I'll tell you.
28:26I'll tell you.
28:27Show me what happened.
28:39Oh yes.
28:40Where is the guy liberating?
28:43Geez!
28:45You're a friend of all I have called back road.
28:48Is it your house?
28:54You wouldn't know i was all about wondering if my father had his memory?
28:58who was emigrated after the war.
29:00He was connected with the Kremi Å lag
29:05of the Yugoslavia criminal.
29:07Listen to that.
29:08Lepi, MarinkoviÄ, Branislav, Sajela, MiÅ”ko, Makedonac.
29:13What is that funny? Do you know what the name is?
29:16What do you think?
29:16What do you think?
29:18What do you think?
29:18What do you think?
29:19What do you think?
29:19What do you think?
29:21What do you think?
29:24What is the case of a diplomat?
29:25It's not the case of criminals,
29:27it's the case of that the family of ŠeŔo
29:31was left in Beograd.
29:33What?
29:34She left a very beautiful village.
29:37What?
29:40She left a village in ŽegoviÄ.
29:43Ah, in the case of the village called KaraÄki?
29:47That's it, village ŠeŔo.
30:00As, let's listen.
30:01Aoplancius is started.
30:02and many of you have always bought it,
30:03was a moment,
30:05to find out something.
30:06Is that filho?!
30:07No, not, that magician
30:08is for a secret.
30:09It's many older than the...
30:11Are you55,....
30:15My pleasure, sit down.
30:21There was a moment to tell you the truth about me.
30:26I am a singer.
30:29Like a rapper, or...?
30:31No, like a rapper. I am a real singer with a rhyme and a soul.
30:35And when?
30:36When I saw my Gertrude, I started to write songs.
30:40And now it's time to tell you those songs.
30:44Maybe we wouldn't have to listen to this poem.
30:47Maybe it's only your Gertrude.
30:48Okay, Biljana, it's time to start.
30:51The One of the Dukes Chirpokos, with his name, was the Dukes Chirpokos.
30:58The Dukes Chirpokos in the U.S.
31:03The Dukes Chirpokos.
31:06Before that, ŽiagoviÄ was KanaÄki, it was Å eÅ”o.
31:10What?
31:12And why did they stop crime?
31:14No, in Yugoslavia, no. In Yugoslavia, they were a good market.
31:20But we know how the communists came to a good market.
31:25It was a good market, a good market became Schwartz.
31:31And then he emigrated to Paris?
31:33Yes, yes. Everything started from the beginning.
31:37He turned into the underground.
31:40Wait a minute, Sajla and this Slovenian?
31:44Makedonac. MiŔko Makedonac.
31:48That's half of him.
31:49What a half of him?
31:52Listen to something. He wasn't even more friendly than him.
31:58He had a finger of his 10 feet.
32:02Excuse me.
32:04MaturiŔ ŠeŔoje, he and his friends, trusted his son.
32:09Then they made a small one and made the top of him.
32:14Yes.
32:15What do you want, Grkljani and his team?
32:31When she was wearing a hat, she would look at the inside.
32:36If the smile is better, you'll see it in the wild.
32:41If the small fingers can help when they grow up,
32:45even if they love my hair, they tell their stories?
32:49The beauty, the beauty of the flowers between the white,
32:52the flesh, the strength of the love, the strength of the love.
32:56Oh, the strength of the heart, which is strong
32:59from the same heat in the furunii!
33:00Oh, God, God! I can't do it anymore!
33:03You really hurt this path, really!
33:06A, Deda, is this poetry?
33:10It is, it is a kind of poetry,
33:13but Žika needs to be done on the style of mother.
33:16Rola, she can't show up my emotions.
33:18No, no, Žiko, these poetry comparisons are bad.
33:22You have to write something simple,
33:24so it doesn't include meat, chicken, chicken,
33:27you understand, it's crazy.
33:28I don't believe that I've forgotten it.
33:32And, Deda, is there a book about songs that can help him?
33:37Yes, yes, yes, yes.
33:38It's not the same.
33:39It's not the same when you read other songs,
33:42but it's something new.
33:43Do you understand?
33:44It's a real thing.
33:45You see, Žiko, I will help you,
33:47but first you have to get rid of these food.
33:51You understand?
33:52You have to treat love like that.
33:54Why do you hate him?
33:56You can see that he's not his own.
33:57Mariana, my happiness, my love,
34:00my love, my love,
34:02get up for me.
34:03Oh, don't worry, stop me.
34:05Lule, come here, happy.
34:07I'm going to go for a child.
34:08Let's go and eat.
34:09I'm going and I.
34:10Do you have to cook in the fridge?
34:15Ivana, this is a joke.
34:16You see.
34:18Don't be afraid of him.
34:20Don't be afraid of him.
34:22Don't be afraid of him.
34:33Don't be afraid of him.
34:34I don't know what Krkljan wants from him,
34:37but I'm afraid of a scenario.
34:42Who?
34:43I'll be back here,
34:45so he'll be back here,
34:47so he'll be back here,
34:47so he'll be back here,
34:49so he'll be back here.
34:50Oh, he'll be back here.
34:52Yes, yes.
34:53He'll be back here.
34:55so he'll be back here.
34:56We'll be back here every day.
34:57What do you think?
34:59Do we need to tell Alex about this?
35:01No.
35:02We don't need to be afraid of a man,
35:04because I think they're still only
35:06our expectations and expectations.
35:09Oh, here's my connection.
35:12I know,
35:12I'm not even afraid of the other side of the law.
35:14Hello,
35:16I don't know.
35:17What is that?
35:18I'm not sure how I'm here,
35:21I don't know,
35:22what do you do?
35:25What do you do?
35:27Let's go.
35:28Let's go.
35:38When I just think about what I could do,
35:42I thought that it would not be wrong to throw
35:44a light candle.
35:49I put a candle on all sides.
35:53Okay, I'm going to show you a little magic.
35:54I like it.
35:55Only you don't want to talk about magic.
35:57I'm going to ask you,
35:57when you talk about magic,
35:58I'm sorry.
36:09What about the drums?
36:11I'm sorry.
36:12I'm sorry.
36:13I'm sorry.
36:14I'm sorry.
36:17I'm sorry.
36:19I'm sorry.
36:21I'm sorry.
36:23I'm sorry.
36:23I'm sorry.
36:36I'm sorry.
36:37I'll give it a few minutes.
36:38What did it do?
36:42What's your name,
36:44I don't have a name.
36:46What's your name?
36:48What's your name?
36:51What's your name?
36:57Look at the end, I have to hear my image, because if I don't hear the image, then I don't
37:06hear any life.
37:09So, I'm not sure if I can tell you anything.
37:25Do you want to help me at home?
37:32Mom?
37:34It's hard to tell you about me.
37:37It's hard to tell you.
37:40It's our home.
37:41You have to do it.
37:44He won't be able to work for me until he doesn't know why.
37:52It's hard to tell you.
38:05Why are you looking for a light light?
38:08And who?
38:29Don't interrupt.
38:30Just don't worry about me.
38:32Help me.
38:34Hold on, let me go. You know how I am when you hit me.
38:38I know how you are, because I know you well,
38:42and that's why I tell you to be happy.
38:45And I have one more time.
38:47Now, you don't. You don't. You don't.
38:50You don't. You don't.
39:01And where is?
39:04It's supposed to be at a good location.
39:08Really?
39:10Okay.
39:12And?
39:13Only we have to live to see it.
39:16Live?
39:17Yes, yes.
39:18Wait, brother. That's not a good idea.
39:21You don't.
39:22You don't.
39:22You don't.
39:23You don't.
39:23Why?
39:35I'll do it until tomorrow.
39:38Why would you do it?
39:39Why not?
39:42Gabriela, there's no need to be at me.
39:46There's no need to be at me.
39:51Can't let me see you.
39:52Let's pray.
39:53Woah.
Comments