- 2 days ago
Igra sudbine 1823 epizoda (26/6/2026)
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TVTranscript
00:13I don't know.
00:14I'm sorry.
00:15You always find me right now.
00:19You will save me from the rest.
00:20You will save me every time.
00:22You will save me every time.
00:23I know.
00:25I want you to take your hand,
00:27but I think I'm not sure today.
00:29You will save me every time.
00:29You will save me every time.
00:31You will save me every time.
00:34I love you.
00:36I love you.
00:38Where are you, captain?
00:40I'm back.
00:42Where are you?
00:44Where are you?
00:45Where you are in the job.
00:50Who says that?
00:52Did you see how long you are now?
00:54I'm coming back to you.
00:57You're coming back to you.
00:59Who cares?
01:00I'm a leader.
01:01I should be a good winner of the game.
01:04What?
01:06Give me a good winner of the game.
01:09We will save you and I know.
01:11First of all, first of all.
01:12I don't know.
01:15I hope to ask you something.
01:19What are you saying?
01:20What are you talking about?
01:22Yesterday, the whole day,
01:23I didn't look at me anymore.
01:24I didn't look at me anymore.
01:25I don't know.
01:25I'm a dead man.
01:27I'm a dead guy.
01:29I'm not my own.
01:31I'm a dead man.
01:37I don't know.
01:38But what I'm looking for is that I don't want you to give me information about a person with a
01:43photograph that I wanted.
01:45We can't even go to the top of the question of Ivan's face.
01:49Okay, something new is going to happen.
01:51It's going to happen every day. I don't know if you've noticed it.
01:53Okay, yes, I've noticed it. Before everything else that's going to happen, Ivan.
01:57Okay, don't worry about it.
01:58It's a big problem.
02:00What do you want to say?
02:02Tell Ivan, what do you need now?
02:04Gabriela, we immediately have to leave Leu and Sunu from the company.
02:10They have to fly immediately.
02:12You're welcome.
02:14Okay.
02:16Do you remember how they looked at the dawn?
02:19I don't know. I don't know who they are.
02:23Do you remember any details?
02:25No, no, no.
02:27There's something I'm not sure about.
02:31I was dreaming of it.
02:32I don't know what I'm thinking of.
02:35I was so angry, but...
02:36...to make sure to tell me what the officers are talking about at the moment,
02:40...and they had a moment to talk about Alex.
02:42Nothing came into her, neither came out nor came out!
02:47She's like her!
02:49She is born again!
02:50She is born. She is evil from a woman.
02:55And what she says that she is in her,
02:58is not there.
03:01Okay, Panchi, I don't say that.
03:02There's nothing to say that.
03:06If we want to leave them,
03:07we need to be very different.
03:09If we don't have them, we have to take them.
03:11I can't go to Alexei and say,
03:13you have to leave them immediately,
03:16because they are in trouble.
03:17I know, but they are complaining about me
03:21at the company.
03:23Today you are on the table,
03:25tomorrow you will be someone else.
03:26We have to leave them.
03:29I'm going to leave them in the room
03:31because they are so terrible.
03:33Why?
03:34Because the woman was engaged in doing a job,
03:37and the woman was going to do an ordinary thing.
03:41So?
03:42They don't know anything about it.
03:44They know.
03:45They know what happened.
03:46They know.
03:47They know what happened.
03:49Did they tell you the girl about it?
03:51He was just a part of it.
03:53But this little girl,
03:53she even told me.
03:55They certainly don't know the goal.
03:59They can only hurt them,
04:00but when they hurt something,
04:01they are without us.
04:03I think that they should leave them for us.
04:05But it must be accurate.
04:07It must be discreet.
04:09I can't just fly into the company
04:11and say,
04:11I'm not sure what happened.
04:12I'm going to throw up.
04:15I don't know.
04:16I'm going to see you.
04:19Okay.
04:19I think I'm going to see you.
04:20I don't know what I'm doing here.
04:24I'm going to see you.
04:25I'm going to see you.
04:26Wait.
04:27Oh, Asija was in the store, so we can see what she bought here.
04:36Beautiful!
05:10They say that life is written in novels, they say that life is not fair.
05:19Sometimes it's a lot, but often it's not fair, everything is not fair.
05:33Like love in the war, there is no law, you have one life, only one chance.
05:46To become no one, because the star is all in love.
05:56I play with me, like a joy, someone who wants, someone who doesn't want.
06:05Like on the fly, the world will change, and we are all in love.
06:11I play with me, so you should be there.
06:17We are all in love.
06:20We are all in love.
06:30We are all in love.
06:47What did I ask you to do with you?
06:50Well, nothing.
06:51What, nothing? How nothing?
06:53You look like a tiger.
07:01Well, nothing is a bad thing.
07:05You hurt yourself.
07:07You hurt yourself.
07:07No, nothing is a bad thing.
07:10You hurt yourself.
07:13You hurt yourself.
07:14No.
07:16The friend asked me to feed her.
07:21While she went to visit the girl in the bathroom.
07:26She went to give the girl a drink and left you to eat her.
07:31Yes, exactly.
07:32Yes, yes, yes.
07:36How do you think you understand
07:39an inspector who
07:43has been working for a whole life in the police
07:45and listening to all sorts of lies,
07:50and so on.
07:51You have to work a little more.
07:53Don't worry.
07:58Vulička.
08:02Vulička?
08:05Yes.
08:06I slept with Vulička.
08:07I drank it.
08:09I was wrong.
08:10J Sanskrityan.
08:14Vulička.
08:15Yes, yes. Kevičko
08:16police. From God's
08:38creo
08:40What's the problem?
08:41My friends were at home. They were closed by the police.
08:46They had no idea.
08:48What kind of idea?
08:50They took them the pistol.
08:52To take them?
08:53Yes, yes. To prevent the incident.
08:57Wait, let's go again and see if I understood correctly.
09:01A woman and her mother managed to take your friends' weapons.
09:07Ma, the boys don't want to hurt them.
09:10They have a tough relationship between women.
09:12That's it.
09:12To me sounds like bullying.
09:14Or like bullying.
09:16Or like amateurism.
09:17Ma, the situation was specific.
09:20For me, in this situation,
09:23it's only that your friends left without weapons.
09:26I'll see...
09:28I'll see how to return to you.
09:30Thank you. That's all.
09:32No.
09:34That's not all.
09:36Do you think this is a little extreme?
10:02I don't know if it's a little extreme.
10:04I don't know if it's a little extreme.
10:04I don't know if it's a little extreme.
10:04It's absolutely necessary.
10:16I've been recognized the crime.
10:20I think I have the right to...
10:24...prost.
10:28I'm with you.
10:30I'm with you.
10:30If it hurts, I can't.
10:34I'm sorry.
10:35I can't even think about it at all.
10:37You've become...
10:38...good and ugly.
10:43You're a real singer.
10:48What are we going to do now?
10:50I'm going to suspend you first,
10:52and after that I'm going to search
10:54for your relationship
10:56there.
10:57We'll see you.
10:59You don't know that this isn't fair.
11:04I've told you what happened.
11:11There's an error, you know?
11:13You're wrong. You're wrong.
11:15When you're wrong, you're wrong.
11:15When you're wrong, you're wrong.
11:18Okay, can we talk?
11:20We don't have to.
11:21We don't have to.
11:22We don't have to.
11:26Good.
11:47What are you doing, Gabriela?
11:49What do you think?
11:50What are you doing, Gabriela?
11:53What do you think?
11:53What do you say to your boys?
11:55The house is at a good location.
11:56We just need to get together.
12:00No.
12:01No.
12:02You just have to do your job.
12:06You have to find Natasha and Dr. Jošević.
12:10I just want to remind you that you haven't found them yet.
12:13It's just a matter of time.
12:15I don't have a lot of time.
12:17I'm working on that.
12:19Listen to me, good.
12:22If I decide that you're a sport,
12:24I'm going to be very easy to replace you.
12:27And then our whole conversation will disappear.
12:32But...
12:48I guess you don't have a much time,
12:52and I need to see what you're doing now.
12:56And...
12:56I know that you have done a lot.
13:00I think it's a lot of fun.
13:01I would love to talk about it.
13:01Why don't you change?
13:01But my reason is that you don't have to go out there.
13:01But it's all about it.
13:02It's all about it.
13:02And it's all about it.
13:03Yes, now we just need to announce when we come to take a job.
13:09Bravo! Bravo, Mantori! Bravo!
13:12I have to admit that I'm quite satisfied.
13:16What?
13:16Well, how much we've solved this situation.
13:22No, no, no, no.
13:24No, no, no, no.
13:24No, no, no, no.
13:24No, no, no, no, no, no, no, no.
13:27And now...
13:29Now, just to tell us where I've ever received.
13:33That's right.
13:35Just a bit of a gap.
13:37But it's not all.
13:40What do you think it's not all?
13:42There's a...
13:44...that's a...
13:45...that's a gap that needs to be solved.
13:49What?
14:11...that seemed...
14:12It's an gerçekие.
14:13... Whit it up really...
14:17...for this song for me.
14:18It's because I don't like any words of words!
14:20It's your fault!
14:21Well, thank you!
14:21I'm going to tell you everything.
14:22I have to tell you, it was great. They were doing great work and said that I was born and
14:27innovator.
14:28And the professor asked me to stay on the faculty, to be assistant, and that is from my own subject.
14:35I thought that I had a little bit of a thought.
14:39But I've already decided for the police.
14:41I don't have a lot of thinking about it.
14:44Well, I see how the way is going to get the police.
14:47What do you think?
14:48No, I don't want to get the police.
14:50I don't want to get the police.
14:54I see that you're ready for Slav.
14:57What are you doing?
14:58I don't think I'm going to get the police.
15:01I don't want to get the police.
15:04What do you think?
15:06You've heard everything is great.
15:08I'm going to tell you one thing.
15:13Which one?
15:13Which one?
15:24Tell me what is this.
15:28Hmm?
15:43What's your fault?
15:45What's your fault?
15:47What's your fault?
15:49What's your fault?
15:50What's your fault?
15:51What's your fault?
15:51What's your fault?
15:52What's your fault?
15:53What's your fault?
15:53What's your fault?
15:53What's your fault?
15:54What's your fault?
15:55What's your fault?
15:56What's your fault?
15:56What's your fault?
15:56What's your fault?
15:57What's your fault?
15:57What's your fault?
15:57What's your fault?
15:58What's your fault?
15:58What's your fault?
15:59What's your fault?
15:59You're afraid. Do you understand?
16:02But wait, what do you suggest?
16:04No, I suggest that I go here.
16:07You go here?
16:08Yes, I go here and do it.
16:10You?
16:10Because I'm such a cultural and natural from you, you understand?
16:15I have a friend of mine.
16:16Wait, wait.
16:17What do you think? I don't say anything.
16:19Wait, wait. You're a cultural from me.
16:22Of course.
16:23And you're me.
16:24That's all right.
16:25Give me. Don't be kidding me.
16:27I don't like you. I'm going to look at you.
16:30I'm serious. You're a jerk.
16:31Okay, okay. Sorry.
16:34Sorry, sir, Maxime.
16:37I'm sorry.
16:37I'm sorry, sir.
16:39If I can only pay all the rest of the previous time,
16:43I'll include this today.
16:44Again?
16:45What?
16:46No.
16:47What are you paying?
16:48There's nothing from the previous time.
16:52I can only pay all the time.
16:53I'm sorry.
16:54I'm sorry.
16:55Don't be kidding me.
16:56I'm not drinking this drink.
16:58I'm sorry.
16:59Don't be kidding me.
17:00I'm really drunk.
17:02Don't be kidding me.
17:02Don't be kidding me.
17:03What are you doing with this man?
17:04Let's go.
17:05Oh, man.
17:06Oh, man.
17:20I can't explain all the time.
17:21I can explain all the time.
17:22It's a little complicated story.
17:24I'm free.
17:25I have time for the past.
17:26I'm just living.
17:27I don't have a clue.
17:28So, start.
17:28Okay.
17:29Okay.
17:32You're making me nervous.
17:33So, what do I do?
17:34Do I look at my feet?
17:36Okay.
17:37Okay.
17:38For a moment, my son is here two armed men.
17:43What?
17:44What are you talking about?
17:46When did it happen?
17:47What did it happen?
17:47What did it happen?
17:47I told you, my son, while you were asleep, they came here.
17:50But I was exhausted and wiped out, I think they were quite scared.
17:55Before we never did it.
17:56What did you tell me?
17:57How did you shed the two childrenaaa ?
18:00No.
18:01You're still sad to us.
18:03Then...
18:04You think you're sad to be your son.
18:05Oh, no I'm so happy.
18:08Okay.
18:10You didn't get hurt you?
18:11No, I was sick.
18:14I wasn't even scared.
18:15I didn't make muchALI.
18:15It was a little artistic.
18:17I think it came to me because they were drinking.
18:22Oh, really.
18:23No, I have to tell Biljani this again.
18:26It's true. They said they were in contact with him.
18:29They presented themselves as investors.
18:32What a weird thing.
18:33What investors?
18:35What investors do us in a crazy night?
18:38The other one is the gas station.
18:41Yes.
18:43That's what I thought.
18:44The other one is the same.
18:45Yes.
18:47Yes, I just kept it all.
18:49I left you to get out of it.
18:51Okay, don't blame you.
18:53I told you that I don't blame you.
18:57Yes, it's amazing.
18:59Okay.
19:02I don't know.
19:03I don't know what to do with this weapon.
19:06I don't know if it happened to you suddenly.
19:08That you hold on to me.
19:11I'm not stupid.
19:12I don't know what to do with this weapon.
19:17Yes.
19:19Yes.
19:19That's right.
19:20We will take it to Vukasino.
19:22And now everything will be done.
19:24Yes.
19:25Write it to be done.
19:26Okay.
19:27But you didn't tell me what to do with it.
19:34What to do with it.
19:35You can do it.
19:35I don't know what to do.
19:36It's a lot of costumes.
19:37I've done everything.
19:38You did everything.
19:40Yes, it's a lot.
19:41And you call it.
19:44Let's go to Toman.
19:46Please, take it off it.
19:48Please, it's better.
19:48Her name is.
19:51It's fine.
19:59It's fine.
20:05Well, boys, what do I say? It's Thomas.
20:09You can see it's a nice place, and you...
20:13Look at how crazy you are.
20:17You know, when people go to fame,
20:19they first fly to security,
20:22and when they see you, they can't.
20:25They really can't stop you.
20:27Okay, let's go.
20:28Let's go.
20:30There's a job in the city.
20:32Let's go.
20:34Let's go.
20:35Let's go.
20:36Okay, let's go.
20:40Hey, Chef.
20:42Let's go.
20:44That's what you're doing.
20:46What do you do?
20:48Because of my wife,
20:51I have to take care of me.
20:54I have to go and talk to me,
20:56and talk to me in the world.
20:59Chef, once again,
21:01I'm really angry.
21:03What do I have from that?
21:04I mean, what do I have from that?
21:06What do I have from that?
21:07I don't have anything to do with it.
21:10Okay, let's go.
21:13Let's go.
21:13Let's go.
21:14Okay.
21:19Let's go.
21:20Can we talk?
21:21Yes, of course.
21:22Sit.
21:40Hello, Biljana.
21:41Hello, Maša.
21:43I have to ask you something quickly.
21:46Great, since I wanted to call you.
21:49Because everything has happened here.
21:51Yes, yes, yes.
21:52The girl told me they came to visit you.
21:55Some of her friends.
21:57Yes.
21:57And it was a long time of night.
22:00That's how they were.
22:01Yes, yes, yes.
22:03They were investors,
22:05personal partners of my daughter.
22:06They explained their interest for the house.
22:09So, we decided to give them a look at the speed.
22:13Yes, yes.
22:14That's what the girl told me.
22:19You know, I was sleeping then.
22:21So, I wasn't here.
22:22They wanted to stay without their own things.
22:26You didn't tell me.
22:27Yes.
22:28She told me that she told me.
22:30So, she bought it all.
22:33She hid it here in the house.
22:35Yes, great.
22:36They will meet the two again later.
22:39They will take these things.
22:40I would expect you to do that.
22:44Yes.
22:45Yes, of course.
22:46Yes.
22:47They will come here.
22:48Maksima and Gradimira.
22:50That's what we have done.
22:52Thank you, Maša.
22:53Hello.
22:58What do you say?
23:02The investors will come again.
23:05I am the same.
23:06I can't wait.
23:08The people say that they will come to buy equipment.
23:11You'll see everything.
23:14Let's do it.
23:16Let's go.
23:17Let's go.
23:17Let's go.
23:17Let's go.
23:18You have a couple days.
23:18Mama.
23:19How many investors are up?
23:22They have been burning up.
23:22They have been a lot of criminals.
23:25They were trying to get mad.
23:26Let's go.
23:27Let's go.
23:28Let's go.
23:29Let's go.
23:29I don't ask you anything like that.
23:31I can't believe.
23:35Really.
23:35I don't know why.
23:57Come on, come on.
24:04Come on.
24:05I was suspended.
24:07Once again?
24:10Once again.
24:11I was suspended until the other day.
24:15What are you doing?
24:18Tell me something.
24:20What are you doing all the time?
24:21What are you doing?
24:23I told Lukashin that I was sleeping with Voličko.
24:27What are you doing?
24:29What are you doing?
24:31Is it normal?
24:32No.
24:33Nothing else is fine.
24:36I don't have medicine for that.
24:39I wanted you to be honest.
24:41I told you.
24:42I see.
24:43Tell me if you met me.
24:44Why am I being at Lukashinov?
24:47I would suspend you.
24:48No, no, no.
24:49I would give you an answer.
24:51First, tell me what you see in the street where you are a normal man.
24:55What did you do?
24:56Tell me.
24:57Okay, it happened.
24:58It happened.
24:59What did you do?
25:00What did you do?
25:00Something in the drink?
25:01What?
25:15Yes.
25:17Hey, Alexa.
25:18Hey.
25:19They came to pay for a refund.
25:21Okay.
25:22Sit down.
25:24What did you do?
25:27We haven't had two months already.
25:30I know how to refund.
25:31We wait for new requests.
25:33But...
25:33Okay.
25:34These are our line of old clients.
25:37We will ask them for a little bit.
25:39I'll let them go.
25:40Right.
25:40Are you still there?
25:42I was supposed to give me the account of the institute where Ivan is.
25:47That's the only thing that can help us.
25:49We can try to write like a cashier, to help ourselves on a contract.
25:54I don't understand how we can write about the treatment of my father's father.
25:59We could find a way of a legal evaluation.
26:04But he is neither the owner nor the employee.
26:06He doesn't have any legal connection with the company.
26:09How would the control be?
26:23I didn't put anything in my mouth.
26:26I put my mouth in my mouth.
26:29That's a lot of mouth.
26:30That's how it is. Very nice.
26:33Well, speaking in speaking, that's what happened.
26:38I didn't have any value on that.
26:39I'm not ashamed of it.
26:41You're ashamed of me.
26:42You're ashamed of me.
26:43How do you understand?
26:44Man, you're a bad guy.
26:45That streetcar has to be a good guy.
26:47Maybe someone's a good guy.
26:50You're a good guy.
26:51I don't believe I'd do that.
26:53But in a strange way, I'm alive.
26:59I'm not ashamed of it.
27:00I'm not ashamed of it.
27:01I'm a psychopath.
27:02I'm a psychopath.
27:05And what are you doing now?
27:07What are you doing?
27:08A personal advice or...
27:11...to see something for a job?
27:13I've given you a advice.
27:15But in the job...
27:17...to see something.
27:18I'll talk about it.
27:20How do you do that?
27:21Do you think you're going to stop me here?
27:22Like a cornobar?
27:23Let me go.
27:23What kind of cornobar?
27:24Let me go.
27:25You're a bad guy.
27:30You're a bad guy.
27:31Something falls to me.
27:35I'm a bad guy.
27:35What's wrong with you?
27:36What's wrong with you?
27:42What's wrong with you?
27:42You, Mother, as your mother...
27:55How did you do that?
27:58You can't see the name of it.
27:59Maybe you can't see the name of it.
28:02I have to see that.
28:04It's seen on the account.
28:06Okay, but Alexa, there are different models, sponsorships, donations.
28:12I just think that we could be able to set it as a good source.
28:18Good source?
28:20Yes.
28:21Why don't we set it up to 300.000 euros that Gabriel gave in the good source?
28:27I'm going to read it. I'll try it. We'll do it in all directions.
28:32Okay, then we'll read it.
28:34We'll read it.
28:36Okay, we'll read it.
28:37Okay.
28:38Let's see.
28:42Hello.
28:52Don't stop, we're in trouble.
28:54Let's see.
28:57What's the change of the business community?
29:11Hello, Sek, do you hear me?
29:12I hear you.
29:13What happened when you took off of the mal-diva?
29:17It's tough to talk.
29:18What's the difference?
29:19What's the change, Sek?
29:20Oh, what do you do, Sek?
29:27You stayed in Maldives beside me and you fell out of my way.
29:32I'm sorry, but there wasn't any time or place for such a conversation.
29:40I'm trying to understand it, but you wanted a conversation with me.
29:45I wanted, and I'm sorry, I'm sorry.
29:49You don't have to be sorry anymore, just tell me when the conversation will happen.
29:56We'll talk about it when we're going to see you.
30:00Okay, okay. See you soon, love you.
30:03We'll see you soon.
30:20I didn't expect you to expect.
30:24I didn't expect you to expect.
30:42I'm not here.
30:52Listen.
30:53I don't think it would be a good idea.
30:55Uroši, I know everything.
30:59Do you buy something?
31:01No.
31:02Certainly?
31:03Certainly. I haven't come to drink beer here with you.
31:07I don't want to cross my heart.
31:09I haven't crossed my heart.
31:11Okay.
31:13I think it would be a good partnership.
31:16I agree with you.
31:18Because if we can go on a job, it would be good.
31:21Yes, of course, we'll talk about the job.
31:24But are you sure that you don't have a bottle of wine?
31:27The most sure.
31:29Okay.
31:31We can do it, of course.
31:33Let's go.
31:35We'll talk about the job.
31:38I think it's enough for the beginning.
31:40No.
31:41No?
31:43You know my price, Uroši.
32:00No.
32:04No.
32:05No.
32:06No.
32:06No.
32:08No.
32:10No.
32:10No.
32:10No.
32:14I didn't expect you in my life.
32:16No.
32:16No.
32:21No.
32:22I don't think you are being born here.
32:24I told you that it aren't here.
32:26No.
32:27It's a pain when I am being born here.
32:29Yes, yes.
32:31And I am wrong when I am being born here.
32:33No, it's not. It's when the short legs are short.
32:38Okay, is it all?
32:39No, it's not all.
32:42I'm thinking now, which leg is first to cut off.
32:47And then you go ahead.
32:50That's right.
32:51Even if you don't deserve it, you don't deserve it.
32:55Tell me, did you say to Goran everything you said?
33:03I don't.
33:06Take your leg.
33:08Until I'm still in love.
33:09Listen, Penceta, I don't want to tell him before the phone.
33:15Joseca!
33:16I ask you, you can do that better.
33:19Why are you better?
33:20No, I don't want to do it.
33:21I want to do it in four directions.
33:25No, you can't.
33:26You can't.
33:27It's the past time.
33:29It's the past time.
33:30It's the past time.
33:31It's the past time.
33:31It's the past time.
33:31Now I'm putting a job.
33:34What's the job?
33:35The past time is over.
33:52I don't want to do it.
33:55I don't want to do it anymore.
33:59I want to do it alone.
34:05Sunah had enough trauma in my life.
34:08What?
34:09And not deserve to be able to work with someone from our branch.
34:13Is it?
34:15Is it a question?
34:16Question.
34:18Do you have a daughter?
34:20What's the difference?
34:21There is.
34:22Do you say she does not deserve to be able to work with someone from our branch?
34:26I don't know how I'm doing.
34:28Well.
34:30And never do you know?
34:31And the question is two-struck criteria.
34:34Listen.
34:36I'm trying to keep my duties well.
34:40You know what?
34:42And you're in a narrow circle of people who know the right.
34:46Do I need to be a child?
34:48No, no.
34:50You just have to have your mind.
34:51If you fall out of that circle, then...
34:56You fall out of the circle.
34:58Excuse me.
34:59Are you going to stop me?
35:04You have to fall out early.
35:08I'm thinking.
35:11See, mama.
35:13I don't want to remember you.
35:15But you will definitely do that.
35:18Asya.
35:19I really don't have a life to listen to you after all this.
35:35What is the difference?
35:37Let's finish it.
35:39Let's continue.
35:39Let's go.
35:40Let's go on the other side.
35:41Lenka started to think about things.
35:43There was something new related to Zlotnicu and she is now guilty of you.
35:48Why me?
35:49Because I believe that you didn't pay for her.
35:52Well, that's what I do.
36:04How much is it?
36:07I don't miss anything.
36:10What does it mean?
36:11It means that I will tell you about this conversation.
36:16The panchete doesn't really need to do this.
36:18We don't need to do everything in the circus.
36:21Great circus.
36:23Great.
36:35You should be.
36:37And I want you to write.
36:42I'll give you a lot.
36:45I'll give you a lot.
36:46You just have to forget the sun.
36:47A little bit.
36:52I'm good.
36:54I'll give you the sun.
36:57I'll give you the sun.
36:59I'll give you the sun.
37:09Stinko. Stinko. Stinko.
37:29I've been talking to a client about those things that are your personal partners for Boravida.
37:37Yes, thank you.
37:40Gabriela, what kind of type do you work with?
37:45Okay, Mom, these are my things.
37:48Don't say that the people of the people with the djavol of the tink.
37:51They're not even the djavoli. They're not any djavoli anymore.
38:08Don't say that, Kocir.
38:12You don't have to know everything.
38:17Ah, hot heat, hot, hot, hot blood.
38:20I'm a young man.
38:35What happened?
38:36I'm a young man.
38:38God, take me, take me.
38:43What was the story?
38:46I've been watching all day with the djavol.
38:49What?
38:49I...
38:50I'm a young man.
38:52I knew that she would not have to say anything.
38:57I knew it.
38:58I'm a young man.
38:59I'm a young man.
39:01I'm a young man.
39:04I can't be running out of nowhere.
39:06Amuliguta!
39:20Sorry, I didn't want to get rid of you, but I just want to shake it up.
39:23I don't know what to do. You want to shake it up?
39:26Do you want something to expect?
39:28What do I have to do?
39:31I have to stop, Biljana, you know?
39:33I have to stop everything for something and my mother's birth!
39:37I don't know why I'm wrong.
39:39You're nothing.
39:40I don't know what I'm wrong.
39:42I don't know.
39:42I don't know where I'm going.
39:43I don't know where I'm going.
39:44I'm sorry, I'm sorry.
39:45I'm sorry.
39:46You're saying I'm sorry.
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