- 6 minutes ago
Igra sudbine 1954 epizoda (3. 11. 2026)
Category
📺
TVTranscript
00:12What do you mean?
00:14Let's go a little bit.
00:16I understand.
00:17I mean, let's go a little bit.
00:19Let's go a little bit.
00:20This is a crisis of middle-aged years.
00:24It is a crisis, but middle-aged years are just a long time.
00:27I just don't want you to be nervous about his stupidity.
00:30What do I do when he is angry?
00:32I don't know, I'm going to get to ten.
00:34One to ten?
00:36Yes.
00:37I just let him go.
00:38This is his phase.
00:42Phase?
00:44He and Marijana are the first to start this djevo
00:47around the spirit of the house.
00:49Then he started to investigate his past life.
00:52I don't know what is next.
00:53I don't know.
00:55I don't know.
00:56I don't know.
00:57Just try to ignore him a little bit.
00:59Because he can't be able to do everything.
01:02He changed the house and the location.
01:05I'm really sorry.
01:06I don't know.
01:07I don't know.
01:08If you ignore him more,
01:11it will be better.
01:12If you give him a sign,
01:13he will be able to do it.
01:15He will be able to hold him a week or two days.
01:17He will go and make it happen.
01:20And he will make it happen.
01:20He will not have happened.
01:21He will not have any spirit,
01:22any family,
01:23anything.
01:23I know.
01:24Everything is right.
01:25But I can't ignore things
01:27that are against the healthy mind.
01:30Okay.
01:30What do you say?
01:32You and Lule are going to go to the coffee.
01:36To forget all this.
01:38I can't ignore it.
01:50Call me.
01:54Hello?
01:55Good morning.
01:56Your name is Fabian?
01:58Yes, I'm here.
02:00Good morning,
02:02and then on the phone.
02:03We met yesterday.
02:05I don't know if I remember.
02:06I remember, I remember, if I don't remember.
02:11How beautiful to forget!
02:16Mr. Fabian, listen, if you called me,
02:20just to have a conversation with me,
02:21we can immediately finish the meeting.
02:24Right, right.
02:26I pray, Ivonne, sorry.
02:30I think we've already done this.
02:32I just wanted to thank your uniqueness.
02:35I don't want to say anything.
02:38I don't want to say anything,
02:43I don't want to say anything.
02:45I don't want to say anything.
02:46Okay, sorry, sorry.
02:48Can we continue to talk about communication?
02:51Of course, of course.
02:55But how are you?
02:57How are you at home?
02:59How are you going?
03:01Do you know what I wanted to ask?
03:03Are you thinking about the meeting we talked about?
03:09That's why I called you.
03:11I thought about your meeting,
03:13and I would like to work with you.
03:17Before we start the meeting,
03:19I would like to put some limits.
03:22Of course.
03:25That's normal.
03:26That's understandable.
03:28That's understandable.
03:29So,
03:29do you want to meet us tomorrow,
03:32for example,
03:33to talk about it in-vivo?
03:37In-vivo?
03:38In-vivo?
03:40Tomorrow, in-vivo.
03:42In-vivo.
03:42Oh, in-vivo?
03:43In-vivo.
03:45In-vivo.
03:46In-vivo.
03:53Yes, it's clear.
03:54You can tell me,
03:56when you could?
03:56What time do you do?
03:58Just to check my window.
04:02It's in-vivo.
04:04In-vivo.
04:05In-vivo.
04:07I'll be at home.
04:07In-vivo.
04:09In-vivo.
04:10In-vivo.
04:12In-vivo.
04:13In-vivo.
04:15In-vivo.
04:16In-vivo.
04:19In-vivo.
04:21when we could do it. Is that all right?
04:24Of course, we'll see you tomorrow, my dear Ivona.
04:30Cmokic, au revoir.
04:33Goodbye, goodbye.
04:35I'm happy.
04:36I'm happy because of us, Ivona.
04:39You can see that it wasn't so difficult.
04:41It was necessary to put him the limits,
04:44and he knows where he is, so he can't help you.
04:47Yes.
04:48I'm very happy. What did I say? I didn't hear anything.
04:50I didn't hear anything.
04:50Well, let's go for five hours.
04:52Wow, fine.
04:54That's all.
04:55That's how many women are.
04:59I'm happy.
04:59It's a lot easier.
05:01Let's not be so negative.
05:03He was correct and said
05:05that we can build some limits
05:07and that we can continue to love.
05:10You see, you see,
05:12how much I'm happy because of you, Ivona.
05:14You've made a limit.
05:15You were professional,
05:16not a professional,
05:17not a professional,
05:18not a clear,
05:18and he can't change you.
05:22That's great.
05:24I'm really happy.
05:25We have to drink something.
05:27I'm sorry,
05:28but we're going to drink now.
05:29I told you to go to the leg.
05:31Let me just go to the leg.
05:32Give me something.
05:33Quick, quick.
05:34I'm sorry.
05:36Let's go.
05:36Let's go.
05:37Let's go.
05:38Let's go.
05:51Let's go.
06:03Let's go.
06:08Let's go.
06:09Let's go.
06:10Let's go.
06:11Let's go.
06:11Let's go.
06:11Let's go.
06:12Let's go.
06:13I've heard of Ivona,
06:14and she called me.
06:16What do you say?
06:17I said,
06:18I'm a guest.
06:20Well,
06:21bravo,
06:21bravo,
06:22lense.
06:23Pajo.
06:24Pajo,
06:25majstore.
06:26Bravo, bravo.
06:27Listen.
06:28That means that she's interested in the phone.
06:31That sounds like she's interested in the phone.
06:33It's like she's interested in the phone.
06:35Look at me.
06:37Look at me.
06:39Now you have to make certain steps
06:42that are very weak.
06:44You know,
06:45maybe she's interested in the phone,
06:47maybe she wants,
06:48maybe she doesn't.
06:49We don't know what she can expect.
06:50You understand?
06:51Because she's smart,
06:53she'll give me her.
06:54I don't know,
06:55she'll take me on.
06:56She'll take me on.
06:57Now she'll think of her tactic.
06:59She'll need something to ask.
07:02She'll need something to ask,
07:02something to try.
07:03Yes, sorry.
07:03Just wait.
07:04What do you think to ask she's,
07:06to ask?
07:08Not at all?
07:09Yes, yes.
07:12Now it's not tomorrow,
07:13she'll make it.
07:15She'll want her to try again.
07:17She'll need something new.
07:18I can give her the phone.
07:20She'll remind her.
07:21I'll tell you.
07:23She'll tell you.
07:25We couldn't find someone who makes more questions, who makes more problems.
07:30I mean, another girl.
07:34Wait, what do you think, Pai?
07:36It's just like that.
07:37It's just something that's the most easier in life.
07:39Just like that.
07:40I wake up and find another girl.
07:42I didn't think that was like that during the night.
07:45But why not?
07:47They did a casting or an audition for Baby Wang.
07:50And then you understand that I'm going to help you with the choice.
07:55Thank you for helping, but it won't be able to.
07:58That's nice to say, right?
08:00Poesia.
08:02Yes.
08:04No, no, no, no.
08:05I don't want anyone else.
08:07I just want Yvonne.
08:08Look at this.
08:09Now, when I started walking around in Belgrade, looking for another girl, doing some casting,
08:14it could be a sign of Xenia.
08:16And what would it be?
08:18Xenia would be a laugh, no one would be able to film, no one would be able to film.
08:22And I have a choice from her, right?
08:23She loves to film.
08:25She loves to film.
08:26You understand?
08:26You understand?
08:27You know what she does, the profile of Baby Wang works.
08:30That's right.
08:31There are then clicks, new followers, new comments.
08:36It's something that works only for yourself.
08:39I don't want to allow the factory to take care of it.
08:43Yes.
08:44Yes, Diki.
08:45Yes, that's the most important part of you.
08:47And if someone understands, I understand you.
08:49But Yvonne already complicates things.
08:51Why wouldn't we have found another girl that is so secret?
08:56You understand?
08:57I don't want another girl, I want Yvonne.
09:00I don't want another girl.
09:03I want another girl.
09:04I want Yvonne because of the fact that she is responsible, that she is smart, that she knows what she
09:09does.
09:10This is a serious job.
09:11This is not a shame or a shame.
09:12And I need someone who can go out of the room.
09:17And that's Yvonne.
09:18Yes.
09:19And the other thing, as I have already told you, Ksenia, if it is known, it will appear to be
09:22a picture.
09:22And then I will try everything.
09:24I don't care about another girl.
09:26I insist that it will be Yvonne.
09:30What does that mean?
09:32Let's do a casting.
09:33We will find a new girl.
09:35She will start working.
09:36I don't know how she is.
09:37I don't know how she works.
09:39I don't know how she works.
09:40I don't know how she works.
09:42I don't know how she works.
09:44I don't know anything about her.
09:45I don't know anything about her.
09:46I don't know anything about her.
09:47I don't know anything about her.
09:47I don't know anything about her.
09:48That's a big risk for me.
09:49I don't know myself.
09:50I know how people are today.
09:54I understand.
09:55Mora, Yvonne.
09:58What do you understand, Ksenia?
10:16What are you saying?
10:17You are beautiful.
10:18You are beautiful.
10:19Wait a minute.
10:20I will see you again.
10:22Wow.
10:22You are beautiful.
10:23We do it all.
10:25Thank you so much.
10:28You are beautiful.
10:28You are beautiful.
10:29How much are you doing this?
10:30You are so beautiful.
10:31You are beautiful.
10:31I tell you, I'm a club reserved for you.
10:34And you know, you're not about it because music is crazy.
10:37I can't tell you all of them all.
10:40I can tell you.
10:42That's right.
10:42I'm a little bit tired.
10:43Oh, that's so bad with Boris, isn't it?
10:46Well, let me cut everything as I need.
10:50But I have to tell you that I didn't have the conversation between you two of them.
10:54Yes, yes.
10:55You should be kidding me, really, I don't want to hear it.
10:58I know, I know, but it was a little...
11:01Without connection.
11:03Good evening, girls.
11:05Hello, Alexa.
11:06Hello.
11:08Where are you going?
11:10We are going to the airport.
11:12You should leave us alone in this haunted house.
11:15I thought you don't believe in it.
11:17I don't believe, but my father believes.
11:19That's another horror story.
11:21So, are you with us?
11:22There's no chance.
11:23Okay.
11:24I'm going to WC, just to do the car, so we can start.
11:27Yes.
11:41Dikili, reci upijam sve kao sloćer.
11:45Eh, tako i treba, vidi ovako.
11:47Šta god malecka Ivona bude tražila od tebe, ti pristani.
11:52Znači, pristajem na sve?
11:54Da.
11:54Na sve pristeš.
11:55Apsolutno, na sve pristeš.
11:57Šta god ona tražila, ti samo pristani.
11:59I molim te, Pajo, previše pričaš.
12:02Nemoj toliko da priš, u osnovu ti više nisi Paja.
12:05Ti si sada Fabian Deperešić.
12:08A kakav je Fabian Deperešić?
12:10A, pa Fabian nije Paja.
12:12Ne, ne, ne, Fabian je čutljiv.
12:15Fabian je misteriozan.
12:17Fabian je začudan.
12:18Fabian, nešta?
12:19Ako te ona pita nešto što ti, na primer, ne znaš, ti samo čuti.
12:22Da, a šta, na primer, ako me bude pitala, na primer, nešto vezano za fotografisanje, na primer, koju blendu koristim?
12:31O, baj.
12:33Pa ti nemaš pojma ni šta je blenda.
12:36Nemam pojma.
12:37A sam čuo da ovi profesionalci pričaju o nekakove blendi.
12:40O, baj.
12:42Pa sada ti kažem, čuti, baj.
12:45Čuti, misteriozno čuti.
12:48Dobro.
12:48Kako da se pravim, da znam šta radim, ako ne znam šta radim, ne razumem kako.
12:53E, to je samopuzdanje.
12:55Sad smo došli do najvažnije tače.
12:58Paja.
12:59Fabian je čovek pun samopuzdanja.
13:01Razliši?
13:02Šta to znači?
13:03To znači da ti deluješ onako hlavno, nezainteresovano, onako pomalo sneno, onako u svom nekom umetničkom svetu, jeli.
13:15Ti si takav jednostavan.
13:17Aha.
13:18Ti si čovek koji ne zna, ali se pravi da zna. Razoveš?
13:23I sad fazi, nezpeš da budeš provaljen. Nikako, nikako. Razoveš?
13:27A kako ćeš biti provaljen ako budeš pokazao neku vrstu grča, negde, neke nesigurosti?
13:33Ne, sam opušteno.
13:35Aha.
13:37Jasno.
13:39To je normalno da je jasno, vidi da znaš. E, tako, tako, tako, lepo sediš, tako. Kao Fabian Deperišić. Opu,
13:47e, tako, tako, tako. Ušto ti dobro stoje ti brkovi sada. Okreni glavu, tako, tako, tako. E, tako, tako. Malo
13:52ovako brad, gore.
13:55To je ta relaksirana poza. To je ta umetnička jedna pojava, da kažemo. To je Fabian Deperišić. I bravo, bravo,
14:07Lence Pajo.
14:09Zviš kako ovi mladi kažu? Ti treba da budeš kako oni kažu ono što sigma, eh, sigma.
14:13E, to znam, to znam. To je vrsta fotoaparata.
14:17Opet ono fotoaparatima. Ne pričamo fotoaparat, pričamo nešto drugo ali nije važno, nego ono što je najvažnije.
14:22Da.
14:27Ako ova mala bude pominjala neku erotiku, neko skidenje, nešto, znaš?
14:33A ti na to misliš? Pa šta ti, bre, dikili? Pa ko je maher za žene? Ko je, bre, maher
14:39za erotiku? Pa ko?
14:41Ne radiš erotiku, ime čuješ Pajo?
14:43Aha, da, da, da. Ne radim erotiku, to razumemo se.
14:46Nema skidenja, ne, ne, ne, zakopčara do grla, razumeš, ne radiš.
14:49Ti radiš samo umetničke fotografije i samo komercijalu.
14:53Jasno, šefe, ali...
14:55Nema ali, šta ali, šta ti sad nije jasno?
14:58A šta ako ona bude pitala da pogleda fotografije?
15:14Jau, Aleksa, nego, kaži ti meni šta misliš kako meni stoji haljeva?
15:21Super ti stoji haljeva s vama.
15:23Sad, hipotetički, naprimjer, da me sretneš u klubu, da li bi mi prišao? Da me ovako vidiš? Evo.
15:29Pa, možda u nekim mlađim godinama, ali sada sam ipak zauze čovjek.
15:33Da. Znam jo, da ti nisi u tom fazonu, ali zato ćemo stela ja večeras da zapalimo grad.
15:40Da, klubovi nikad nisu bili moja jača strana.
15:43Da, dobro, nama jesu.
15:45Podolo, sasvim izvasno da će tako i biti u gradu večeras.
15:49Jo, sasvim izvasno da će tako biti u gradu.
15:52Kakav si ti matorec, čovječe.
15:54Dobro, čika Aleksa, molim vas, kažite mi šta vi mislite?
16:00Kako meni stoji ova haljina?
16:04Tanja...
16:05Dobro, ajde, znam da si zauzečila ti je.
16:08Samo je to šteta, znaš.
16:11Mislim da bismo ti ja bili baš dobar par.
16:13E, evo me, spremna?
16:16Rođena, spremna.
16:18Šta, devojke, lepo se provedite večeras i pozivite šta radite.
16:21Važi, hvala.
16:22Pa ne može jedno i drugo.
16:25Ćao. Ćao.
16:41To sam ti već hiljadu puta objasnila, Pajo.
16:46Jesi, jasno.
16:49Dakle, kao što sam ti rekla, tamo će da bude pravi fotograf.
16:52Taj pravi, profesionalni fotograf, on će da fotografiš.
16:55Razumiš?
16:56Ti sada treba da škljacaš, škljacaš, škljacaš. Razumiš?
16:59Znam, dikili, ali šta ko, to što ja budem škljacaš, škljacaš, škljacaš, bude nekako mut.
17:05Pa kak je vezimak?
17:06O, pa, kakva ti to pitanja meni postaveš?
17:11Nije bitno kakva je tvoja fotografija, razumeš?
17:16Nije važno kako ti radiš taj posao.
17:19Važno je da ti s njom ostvariš dobar kontakt, da s njom razgovaraš, da sa njom radiš, razumeš?
17:27Škljaca je bilo šta, nije bitno šta, ako bude nešto mutno, ako ih seđeš pola glavi, nije bitno.
17:31Ti si tako teo. To je umetička sloboda. Tako si želeo. To je koncept.
17:37Razumem.
17:39Pa nisam baš sigurna da razumiš.
17:42Ne, ne, ne, vidi.
17:44Ti meni baš ne deluješ kao čovjek koji ume da odigra autoritet.
17:49Prema tome, dok te ne testiram, ja nisam sigurno da ćeš ti to baš dovoljno dobro umeti.
17:54Ne razumem. Kažem, me testiraš ovde sad pred tobom. Tebe, kako? Ne razumem.
18:00Pa sigurno ne možeš meni da glumiš autoritet. Jer ja sam esencija autoriteta, razumeš?
18:06Nadamnom ne možeš da budeš autoriteta.
18:08Ne, ne, ne, ne, ne.
18:09Ajde, molim, ne, ne, ne.
18:10Pa što pričaš da pa? Pa što pitaš je nešto vezano s ovaj lokal, na primjer?
18:14Kažeš da ti se nešto ne sviđa pa ti si to ovaj koji radi u osjeteljstva?
18:17Znam, ali nisam sam spremno. Ne mu, molim.
18:19Ne šta, da, ne, ne, ne, ne.
18:21Ustice, ne mužura. Ne mužura. Dođi, dođi, dušok. Dođi.
18:23Dođi.
18:24Izvolite, da li imate neki problem?
18:30We'll have a problem, dear girl.
18:34How do you wear that jaincer?
18:36It's like you've taken the first time in life.
18:39And what do you look like?
18:41It's all the pieces of the jaincer.
18:43It's all the stuff.
18:43It's all the stuff.
18:45It's all the stuff.
18:46Look at it.
18:47It's all the stuff.
18:48It's all the stuff.
18:50Look at it.
18:51No, no.
18:52It's all the stuff.
18:54I'm sorry.
18:56It wasn't necessary.
18:57Believe me.
18:58It won't be again.
18:59I'll bring you another drink.
19:01Of course not.
19:02Of course not.
19:04Of course not.
19:05Of course not.
19:06Look at the pixels.
19:07You know what I mean?
19:08These pepels are a lot of pressure.
19:09It's all around the Turks.
19:11Okay, no.
19:12We're not pushing here.
19:13But here we go.
19:13Here we go.
19:15Here we go.
19:15Here we go.
19:25Bravo!
19:26Bravo!
19:27Bravo Lence Bajo!
19:29Ustari, Fabiane de Peršić.
19:32Uh, to...
19:33How is it?
19:34Hey!
19:34Oh, Bajo!
19:36You're fantastic.
19:38You're great.
19:39You're great.
19:39You're amazing.
19:40Oh, Bajo.
19:41This was fantastic.
19:43It's all the same.
19:45Oh, it's all.
19:47There we go.
19:48There you go.
19:53There's like this.
19:54I'm looking for the lips of the face.
19:57Let's see, let's see.
20:02I'll go to the next one.
20:15DSI.
20:15Go, brother, what did I do?
20:19Let's go a little bit here.
20:21Let's go a little bit here.
20:22What does it say? It says R in German.
20:29The last word?
20:31R.
20:33We know, we have it here.
20:36The first two?
20:39R.
20:41The first two, as the first two words,
20:46the most beautiful girl on the world?
20:52R.
20:54R.
20:55That's right.
20:57Wait.
20:58R.
21:03R.
21:05Rur.
21:07I was a famous girl when I was a girl?
21:10You were always the most famous girl on the world.
21:13R.
21:14R.
21:15R.
21:15R.
21:15R.
21:16R.
21:17R.
21:17R.
21:17R.
21:17R.
21:17R.
21:18R.
21:19R.
21:20R.
21:20R.
21:21It was great. You changed yourself yourself.
21:27You were so famous that you were staying in the night and you would do it for the kitchen and
21:33you would do it for yourself.
21:36You were already in the store. You were already in the store.
21:40You were already in the store.
21:43You were also famous as I was?
21:47I was never young, and I was so famous like you, no one was the most leadership.
21:56I was always the most leadership. I was always the most leadership.
21:59I saw some female. I was quite positive, and I saw them.
22:02I saw them grow even from the school, and from some students, just so you know.
22:07That was how I was.
22:08My baby!
22:10My baby!
22:11My baby!
22:12My baby!
22:15My sun!
22:16My memory!
22:19My love!
22:20My baby!
22:21My baby!
22:28My baby!
22:30My baby!
22:33I sleep!
22:36Really?
22:38Do you want to go up there?
22:41Or do you want to go up there?
22:42Or do you want to go up there?
22:44Only?
22:45Like when you were little.
22:47Do you know?
22:47Yes.
22:48I will go up there for you.
22:50I love you and go up there.
22:52Let's go!
22:54Let's go, my soul!
22:57My soul!
22:58My soul!
23:01Don't worry!
23:02Don't worry!
23:08Good morning!
23:11Good morning!
23:22Good morning!
23:26Let me explain.
23:28What?
23:29Hello!
23:30Hello!
23:32Come on!
23:35Listen to me, if you don't talk about these seconds, I'll take you here in front of the stick and
23:40you'll see your head in front of me, and you'll see me in front of the wall, and you'll see
23:44me in front of the wall. What happened?
23:47Okay, let me leave.
23:49Who did you leave?
23:51I?
23:52Where did that happen?
23:54Pitbull, grab your chest, close your chest, don't push me.
23:58Listen to me.
24:01You just let me leave, God bless you.
24:05Aha.
24:08So, there is something.
24:27Ciao.
24:28Evo.
24:31You said 4-5.
24:32I said 4-5, yeah.
24:35And look through the window, what do you see?
24:38Mrak.
24:38Mrak.
24:39I'm here from half-5.
24:41At the bar, I'm already looking at where I'm sitting.
24:44First, one sock, then the second sock, then coffee, then a glass of water, then another glass of water.
24:49Here, I'll drink what I have on my own.
24:50Evo, I'm sorry.
24:51I won't do anything.
24:53Where did you go?
24:55Listen, but it's not like when you go out of the house and go to the faculty.
24:59When I go out, I have to look for someone to see me.
25:02I go three or four times in the end of the circle.
25:06You know what I mean?
25:08I go to the bus, two buses, I go out of the bus, I go out of the bus, I
25:13go out of the bus, I go out of the bus.
25:14And so, three hours.
25:16And then I go out of the bus, I go out of the bus, I go out of the bus.
25:20Ticket?
25:21Ticket.
25:22There was a bus, a bus, a parking lot, a insurance, a insurance, I mean, everything was before I came
25:31out of the bus.
25:32What?
25:33To me?
25:34Do you want to say it's a problem?
25:35No, no, no, no, no, no, no, no, no, no, no, no.
25:37No.
25:39Super, you mean, the ticket was able to pay me, but I'm going to leave the bus later, I'm not.
25:43Listen, listen, I don't leave the bus for the bus, because the bus remains, and the speech is not.
25:49You understand?
25:49Asia.
25:50Sorry, Asia.
25:52Okay.
25:54Okay.
25:55What did you say so much to say about the bus?
26:01The bus is ready to attack on Aleksu Ožejgovića.
26:08What attack?
26:10That's why they took care of Bukashina to take care of his defense.
26:18Do you understand?
26:19There is no Bukashina and Aleks remains on the ground.
26:22Do you understand?
26:23Who would have told you?
26:26The person who wants to tell him.
26:29It's not a matter of name.
26:31We won't forget it.
26:33Just to know it.
26:34To tell him with whom?
26:37To tell him with a request.
26:40To buy another half of a company.
26:43I mean, I'm going to destroy one half of them, and I'm going to buy one half of them.
26:47I'm going to buy one half of them.
26:49I'm going to buy one half of them.
26:50I'm going to buy one half of them.
26:52They'll buy one half of them from Gabriel.
26:55For half of them, find an served more than Blake離 priedash just in one half of them.
26:58How would Alex buy one half of us?
27:03You want them to sold one half of them.
27:08They aren't spending so much money.
27:15These people aren't opposed to someone who don't accept them.
27:21that I have to do something for me,
27:22that we can do something for us.