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Igra sudbine Epizoda 1818,Igra sudbine 1818,Igra sudbine 1819,Igra sudbine Epizoda 1818, Igra sudbine Epizoda 1819,Epizoda 1818 Igra sudbine ,Epizoda 1819 Igra sudbine
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00:00The End
00:00The End
00:01The End
00:01The End
00:02The End
00:03The End
00:04The End
00:13Hello.
00:16I'm here.
00:17Good. Good.
00:19You've been so fast, so you didn't have anything done.
00:24I'm sorry.
00:24I'm sorry.
00:25The girl started to say,
00:27you're in the last minute.
00:33Okay.
00:36There's another important thing
00:38that I have to tell you.
00:40What?
00:43You definitely need to do it.
00:45But let's go slowly.
00:47Let's go and solve the situation.
00:50Then...
00:54Matelja.
00:56I don't want to join you.
01:01The most important thing is that these are...
01:06...the emotional patterns.
01:07You know?
01:09Oh, it's hard for me.
01:11It's hard for me to ask.
01:12It's hard for me.
01:14You know?
01:15And now...
01:17And now...
01:20it's hard for me to set our buttons like my mother.
01:23Mm-hmm.
01:33OK.
01:37How long have we been on a hospital,
01:40my sister?
01:41How long have we been on a day,
01:42like working on a cada seven?
01:44How long have we been on the day,
01:45how long have we been on a day?
01:46How long have we been on a day?
01:54Ida.
02:00Ida, do you want to sleep?
02:02We will not sleep.
02:04Let's go.
02:12We did not sleep this way.
02:15No way.
02:16We could just want to die.
02:17and when I return, there will be the rest.
02:21Do you want to go?
02:26I would like to admit that.
02:29What do you mean?
02:34Nothing.
02:36That's fair, you're right now.
02:38No, nothing, nothing.
02:39You told me that you're going to call it.
02:41That's what you're waiting for when you return.
02:45Do you want to go?
02:45Really.
02:46Bye.
02:47Bye.
03:02A man calls me Alexander Sešo.
03:06Sešo?
03:07Yes, he doesn't sleep.
03:09He's a lot of sleep.
03:09He's a man called Sešo.
03:15So, there is no museum or tv in which he hasn't entered.
03:23He has a walk as a pond, a dark as a sky.
03:28And with us, it's been taken to us as a Frenchman.
03:33Frank, what do I do with you? What do they do with you?
03:40I don't know.
03:41What do I do with you?
03:43I don't want to do anything.
03:45I'll start.
03:51Well, it's good. I really like it.
03:53I said that it will be good. I think that I can go back to training.
03:58That doesn't come up to me.
04:00I didn't have any thoughts. I'm just sharing information.
04:05Asian, you and I have to talk about something.
04:10What is that?
04:13Let's listen to me.
04:14I want to be careful as I can.
04:19And as much as it means.
04:23I don't want to go back.
04:26I have to go back a little bit.
04:29Okay.
04:29You should have to believe me.
04:32Let's go now.
04:33Let's sleep a little more.
04:35Can you?
04:36It can be done. I believe it needs to be done.
04:39Let's go, Gabriela.
04:41I'm afraid of you.
04:42I'm afraid of you.
04:43I'm shocked.
04:44I'm shocked.
04:45Why are you shocked?
04:46Wait, wait, sorry.
04:47Sorry, you didn't do anything.
04:49I wouldn't have this reaction.
04:50Gabriela, I don't do anything from you.
04:52Let me, please.
04:52Let me, please.
04:54Let me, let me.
04:55Just let me in peace.
04:56Okay.
04:56Okay.
05:04Only my child, Relja, can see what you see.
05:08That I feel.
05:09That flame.
05:10That water that kills me.
05:12That x-fuck.
05:14That wh song.
05:16What a raush.
05:17That came out.
05:20Thanks to me.
05:21And, huh?
05:21There's 66 Americans.
05:21passed away light that traineeship,
05:22Oh, gotcha.
05:37There's a small amount of us off-!!!
05:41They say that life isn't good for me
05:46Sometimes it's a loss, but often it's mine
05:50And everything is unrighteous
05:52Except for my fate
06:00Like in love and in the war
06:04There's no rule of law
06:09You have one life, only one chance
06:13To become one who is the one
06:16Because it's the one who is the one
06:21I'm playing with me like a joy
06:26Someone who wants, someone who doesn't
06:31Like in love and in the world, everything is free
06:40To become one who is the one
06:42I'm the one who is the one
06:43I'm the one who is the one
07:19I'm the one who is the one
07:23Pekarsko-zanacka radionica L
07:26A, ne, ne, ne, ne, malo ste pogrešili
07:28Ovo je jedna eksperimentalna radionica
07:32Da, to ste počeli da uzgajate nove kulture pšenice
07:36Ako se ne varam
07:37Morat ću da vas razočaram
07:39Ali u pitanju je obično belobrašno
07:41I običan sir, da, ali eksperimentalni moment
07:45Leži u tome što sam ja zapravo
07:47Pokušala da napravim pitu
07:49Ja se kladim da je ta pita savršena
07:51E, znala sam da će što da počneš da radiš
07:53Znači stani s tim
07:55Nema komplimenta dok ne probaš
07:57I nemoj slučajno da me nešto hvališ
07:59Ako stvarno to ne misliš
08:00O Bože, zar ja prevrkljivac?
08:02E, nisam to rekla, ne mislimo, hoću da tražem
08:05Da sve ide po zasloga
08:08Dobro
08:08Da, mislim, u ostalom onda ću ti uvek, ono
08:12Praviti i neku tako lošu, prosrečnu hranu
08:14Tako zauvek
08:15I kad smo baš kod te vremenske odremice zauvek
08:21Imam jedno pitanje sa tebe
08:23Dobro
08:25Ovaj, koje mi mnogo znači ja ti ja nismo stigli da porazgovaram
08:29Samo da mi ješ uvek
08:30No, pa kako i da stignemo da pričamo o stvarima kad se stavno nešto dešava
08:34Tako je
08:36Zanima me kako je tvoje mišljenje i kakav je tvoj stav po pitanju
08:40Dece i porodice
08:58Pa kako koji?
08:59Relja Topić
09:07Pa Relja
09:12Mislim, vi ste sigurno čuli svašta o njemu
09:15Mislim, ja sam se u njega zaljubila jer on se pojavio u moj život kao neki princ na belom konju
09:23I ja sam stvarno bila zaljubljena u njega
09:26Međutim, onda prosto nije verovao u moju karijeru
09:29Baš moj briga da li on verovao u tvoju karijeru
09:32Ti si
09:34Ti si devojka Relje Topića
09:39Ne
09:41Mislim
09:42Nisam
09:43Nisam više, zato što on više nije taj princ
09:45Baš mi pripada da on je on princ, si sajdi
09:48Brž na polje
09:53Molim
09:53Čušća ti kažem, moj da ponavljam, izlazi na polje
09:59Šta vam je?
09:59Izlazi na polje, nemoj ja da ti izbacu, mrž na polje
10:06Ne morate tako da se ponošat
10:17Ivona
10:18Ajde molim te dođi malo do fejma, moramo nešto da porazgovaramo
10:24Ne
10:39Pa, Lenke
10:40Pa, sad
10:44Mmm
10:46Šta, nešto nisi oduševljena decom, šta?
10:48Ne, ne, ne, ne, ne, vidi ja deco božavam
10:51Stvarno, baš ih mnogo volim, nego
10:55Ne znam, možda nije malo prerano da pričamo o takvim stvarima sad
10:59O ovom našem odnosu, ako ne razumeš
11:01Ne razumeš, mislim da smo se upustili u to, bilo bi prerano, ali
11:06Razgovor o odnosu, uvek je upravo u vreme
11:10Da, da, slažem se, upravo si, da, treba da, da možemo da pričamo o svemu, slažem se
11:17Vidiš, ja sam mislio da devojke vole muškarce sa kojima mogu da pričaju otvoreno o odnosu o svemu
11:23I vole, i upravo si, i meni je mnogo drago što, što mogu da pričam s sobom, bukvalno o svemu
11:30Samo što, iskreno stvari o tome što sam ja imala baš velike planove na tu temu sa svojim bivšim partnerom
11:39I onda mi je sad malo čudno da pričamo svemu o tome
11:42Ja, misliš na čuvena u Galaksu, ali?
11:44Da, da, na njega mi se
11:47Dobra
11:50Ima još jedno pitanje za tebe
12:08Šefe
12:09Zobar dan, ne znam šta je bilo, me nismo, a nja počinje tek za dva sata
12:14Dotrčala sam da ote
12:16Sedi malo i ona, sedi
12:25Dobro
12:25I ona među nama do sad nije bila nikakvih tajni, il tako?
12:30Ne, ne ne, ali nema nikakvih tajni
12:34Ja sam tebe ovde primio da radiš kao rođenu dete, il tako?
12:39Tako je, tako je i mnogo vam hvala na tome
12:42Uslovi su okej, plata okej
12:45Jeste, prezadovoljna sam i platom i uslovima i svime
12:49Da li sam ja ikada prema tebi bio nešto tako, recimo, nepristojan?
12:53No ne, šefe, taman posla
12:57Ja sam stvarno srećna ovde, cao moment
13:00Ja ne znam o čemu reč
13:01A sašto mi ona namještaš smrtnu presudu?
13:18Dobro
13:20Medi, mi smo odrasli ljudi i
13:24Mislim da možemo svemu otvoreno da razgovaram
13:27Tako da moje pitanje glasi
13:29Da li si ti raščistila sa svojim osjećanjima prema Aleksima?
13:34Vidi, Uroša, što se toga tiče, apsolutno nemaš što dobro imaš
13:38Mislim, Aleksa i ja smo završili, to je ono gotova priča, apsolutno o prošlosti
13:43I veruj mi, moji stavovi vezani za ovu temu nemaju nikakve veze s njim
13:48To da se razume
13:51Samo, ne znam, mislim, jedno je čemu se mi u životu tako nadamo
13:55A drugo je kako se život stvarno odvija prosto
13:58Nekako život uvek nađe način da te izbaci iz koloseka
14:01Mislim, realno, niko od nas ne zna šta nosi dan, šta nosi noć
14:06Sve je to super što si rekla, ali ja smatram da je to jedno veliko opšte mesto
14:11Nego, vidi, prije nego što probam pitu
14:17Ja smatram da, da ljudi koji su u vezi, dojeste koji nisu u vezi, mogu da imaju te stavove
14:26Ali kada ispred nekog stoji čovek ili žena u kojoj je zaljubiljen, mislim da se ti stavovi smekšaju, a?
14:33Pa, vidi, šta kažeš?
14:36Mislim
14:37Ne lažeš?
14:39Dobro, da ne lažeš onda mogu da ti kažem da nisam baš ja, nisam uopšte isključila po tom pitanju
14:47Samo, meni je nekako rano da toliko unapred razmišljam u tim stvarima, eto, to je suština
14:55Dobro
14:57Dobro, Lank
14:59Razumem što govoriš i poštojem
15:02Stvarno
15:03Hvala ti na to, ne? I vidi, ja sam, ja sam sigurna da će doći vreme za to
15:11Samo, mislim da treba da malo se stvari odvijaju polako, da idemo korak po korak
15:18Apsolutno, može
15:19I
15:22Još jedno pitanje
15:24To jeste molba
15:25Molbu imaš, jel?
15:26Da, i završavamo sa ozbiljnim temama za danas obećeno
15:30Dobro, da čujem, ajde koja je molba, pošto danas ispunjam vam želju
15:33Jel, ovako
15:35Ne želim da me nikada nazoveš partner
15:40Može?
15:41Partneri možemo biti kada otvorimo na primer neku pekarsku radionicu ili ti ne znam nija šta, ali sada želim da
15:49ti budem samo momak
15:52Dobro, razumela sam i mislim da ću moći da ti to ispunjam, tako da ne brini, sad si mi momak,
15:57ništa više ne govore
15:58Ništa više, a ne ne ne ne
16:00Sad želim da ti budem momak
16:03A onda, posle toga, verenik
16:07A posle toga, i sunok
16:16Ajde, da idem
16:17Ajde
16:17Je stvarno dobro?
16:19No, odlično je
16:20Ajde, da provam
16:22A nije mi zaboravno
16:24I ide
16:32Kako su mi smrtnu presu i ja stvarno ne znam o čemu reči
16:36Oako, nemoj da se praviš blesavan, znaš, nisam ja od juče, ali treba ja ovde da gledam kako se tu
16:42vrtska igra i peva ona reljina devojka, hm?
16:47Ksenija?
16:47Da
16:49Ksenija, da, da
16:50Šefe, ja sam vama, sve sam vam prenala što znam, dakle, sve što ja znam, da je meni Ksenija rekla
16:57koje su reljine namere, ja sam vama to prenala
16:59Je li tako?
17:00Da, da on god će da preuzme pejmi, ja stvarno ništa od toga više ne znam
17:03E, ti misliš da sam ja neka velika budala ili samo pokušavaš tako da, da malo ispeglaš to tvoje muljanje,
17:12hm?
17:12No, Šefe, ako sam ja napravila na neku gražku, molim vas mi reciti, ja ću joj momentalno ispraviti
17:18Ovako, oprvo ti mene mi se rekla najvažniju stvar
17:21A to je?
17:22A to je da je Ksenija u vezi sa reljom, a to drasti što menja stvar
17:28Kako ne razumneš da smo svi smog toga u opasnosti?
17:49Hvala
17:50Hvala
17:50Dok li si stigao?
17:52Sa čim?
17:54Kako je to glupo pitanje, sa našim poslom?
17:56Aaa, sa tim, pa iskreno još razmišljam da li da ga prihvatim
18:02Moram da ispitam uglove, ipak to su velike stvari o kojima ti pričaš
18:08Da ispitaš uglove?
18:09Da, pa moram da budem pažljiv
18:11I ja da sam htela da angažujem nekoga ko je pažljiv, ja bih angažovala svoju babu
18:15Znaš, ona je bila jako, jako pažljiva
18:18Ali nisam htela to
18:19Htela sam da angažujem nekoga ko može da mi završe ovaj posao, to si ti
18:22Mislim da ne razumeš potpuno ovo zbiljnost toga što mi tražeš
18:26Pored toga, nismo baš sve lepo, načisto dogovorili
18:30Kao na primer šta?
18:42Šefe, ja nemam namera da igram ikakve igrice
18:47Zaista nemam, dakle ja sam došla ovde da radim svoj posao
18:51I smatram da ga jako dobro i radim
18:53Dobro, ako hoćeš da jako dobro radi svoj posao, onda moraš da znaš
18:58Kakvi i koji ljudi te dolaze u kafanu
19:02Meni je Ksenija drugarica
19:04Ja sam, Ksenija samo je želela da nastupa ovde, ništa više
19:09Ma nemoj, ne pa evo srce mi se cepa za reljenu devojku
19:13Molim vas, nemojte tako
19:16To nije trebalo da napravi tako velik problem
19:19To nije problem, Mimona, to je dubioz, ali hajde da poverem da si
19:25Da si eto ispala, glupa, ali slušene, od sad obratit ću pažnju na tebi
19:31Nemoj slučajno da se ovo ponovi, jel ti to jasno?
19:35Neće, obećavamo
19:38Dobro, ajde
19:40I...
19:41I provaj da radi o svoj posao
19:44Ajde
19:46U reću
19:53Ćao
20:11Ti reče imaš da ponudiš neku kuću
20:14Plac, plac je tu bita, na njemu može da se izgradi čitava zgrade i to je u vrlo lepom partu
20:19A pravno, kako stoji kuća, jel jedan kroz jedan vlasništu, nema hipoteke, katastar čist
20:27Sve je čisto
20:29Ako hoćeš posleću ti adresu, možeš sve da isproveravaš
20:32E dobro, pošalji onda
20:33Jer znaš, džaba meni kuća ako nije sve čisto
20:37I onda dođe neka tetka tamo iz Australije i kaže da je njena neka idealna sedmina
20:43Sve je čisto, sve je usaglašeno
20:45Sad samo ostaje da se ti usaglasiš sam sa sobom i da završiš posao koji smo sve dogovorili
20:54Sve je učiš sam sa sobom i da je učiš sam sa sobom i da je učiš pavlši se na
21:09to
21:26So, Grkjane, do we have any information about the Phantom of Lenkin?
21:31I have no idea of seeing such types of people.
21:41What types?
21:43It's the one that appears on the mysterious photos, on even mysterious places.
21:50So, it's still nothing?
21:54Nothing. Lenka didn't mean anything for her.
21:59Do you know anything?
22:01No.
22:03He didn't ask me.
22:06If I ask him,
22:07he will know that I know,
22:10and I don't want
22:11that she knows.
22:13Don't listen to me.
22:15Listen to me.
22:17As it is said in this film,
22:21don't care about the woman who is.
22:37Now I've heard her with her.
22:39She said that Relja will be left until the end of the day.
22:42Yeah!
22:43Oh, Leo!
22:46The king, the king, thank you,
22:48I pray, I love you very much.
22:49Hello, my name is nothing.
22:51She said that she was funny and that everything will be okay.
22:54I really care about Relja.
22:56You know, she always makes these problems,
22:58and you know what I mean?
22:59I think that, in addition to all of them,
23:02they just wait for something to do.
23:04It said my father,
23:05that they found him an illegal weapon
23:08in the hotel and that the police
23:10was to be sure.
23:13That's what I mean.
23:14Listen, don't we have to talk about it.
23:17Because Vanja can be the dad's voice.
23:19You know what?
23:20You're right, but you always find a light for her.
23:23Yes.
23:24And you saw how she changed the plot
23:28and she said,
23:29that's what she said,
23:30that's what she said.
23:30That's right.
23:31Yes.
23:32You know what?
23:32When she comes to Vanja Veštica,
23:34you say,
23:36that's what she said,
23:36and she will leave.
23:38I can't imagine her and her.
23:41Imagine the whole Sadomazov story.
23:44She and that's what she said.
23:47Imagine.
23:48Who knows what they were doing together?
23:50I don't want to think about it.
23:52I don't want to think about it.
23:54I don't want to think about it.
24:18No.
24:18Okay, friend, stop the drama, please.
24:20What time?
24:21What time?
24:22You can go to one another,
24:23when there's another person,
24:26another person,
24:26another person,
24:27and another person.
24:28Okay, let's start with the citations.
24:31What's Vito Corleone?
24:33A woman can't be a woman
24:35if she doesn't spend enough time
24:38with her family.
24:39Okay.
24:40Vito Corleone is a man.
24:43and you?
24:44And Velibor?
24:45I'm?
24:47You don't have to think
24:49it's just that it's easy to be there,
24:51I know.
24:53It's not true.
24:55But he has a good manager for me.
24:58I have, yeah.
25:00Do you have it?
25:02You will pick it up
25:03so you will ask me
25:04to leave with a clinician
25:04who is from the empire
25:05and never know other parts
25:08in Belgrade.
25:09Right?
25:09No, no, don't worry, don't worry. Do you want to worry about that?
25:12It's time for this, but you start to worry about the pain
25:16that you got from Lenka Eustache.
25:29You are trying to talk about that, who is the man- which kind of guy.
25:34Good day, you ...
25:37Police?
25:39The police who called the police, what does that happen?
25:42No, I didn't call it, I just came.
25:44I'm the police inspector and Vanjin Dečko.
25:47Yeah, Vanjin Dečko, that's really nice.
25:51Amazing.
25:53Who is that Vanjin Novinarčić?
25:56No, that's our joint Novinarčić, from the company.
26:00He helps us in marketing,
26:03to write a good text, thank you,
26:07so that it's a rating.
26:09I didn't sound like you were talking about later.
26:13Do you know that my job is supposed to be here?
26:17Don't worry.
26:19Hello.
26:21Where are you?
26:22I'm here to visit you, to bring you the light.
26:26I see that it's here for you here.
26:28Yeah.
26:29And remember some of your Novinarčić.
26:34Let's go to the councilor,
26:36I'll explain it all in four eyes.
26:40Let's go home.
26:55And so?
26:56What is it like?
26:58Why is it like that?
26:59Like, tell me everything.
27:01What I want to know.
27:02I don't know, everything I've said.
27:04I don't know if I'm not sure what it is.
27:07No, no.
27:08No, no.
27:09No, no.
27:10No, no, no.
27:10I'm going to press you,
27:12to press you, to press you.
27:13You know who I am?
27:15When I press you, I'm not letting you.
27:17I'm admitting everything.
27:18And what happened to you, and what happened to you.
27:21I'm really sorry.
27:22I don't have a lot of time.
27:25I don't have a lot of time.
27:26I know.
27:28I'm sure.
27:30that's the house,
27:31that's the most fun.
27:34Yes.
27:35Yes.
27:36I mean,
27:36that's a great house.
27:38That's a great house.
27:40That's a great house?
27:52I'm sorry.
27:56That's a great house.
27:57That's a great house.
27:58I think it's a big house.
27:59You have to feel like we have a little bit of a difference.
28:02Who are you?
28:03I am not.
28:05I really can't find that.
28:06Not sure.
28:07You guys are not friends,
28:08you are friends,
28:08you are not friends.
28:09You are friends, no, you are friends,
28:14I have a sense on the question.
28:15which is a bigger space, and we are in a distance.
28:20Yes.
28:21I don't understand that.
28:22Look at this, this is home.
28:24We would have to put them here in five minutes.
28:28I know.
28:29Everything is on their own side and side.
28:31Yes, I know.
28:33I know.
28:34But I don't know what to say.
28:37I mean, maybe it's all a habit,
28:40but it's hard for me.
28:41It's hard for me.
28:42Yes, it's hard for me.
28:43What do you think of all that?
28:44What do you think of all that?
28:46What do you think of all that?
28:46Why do you serve your mother?
28:47Why do you think of all that children?
28:50Yes, that's what you think.
28:52Sorry, Pañči, I'm here because I have a prayer for you.
28:57I'm waiting for you.
28:59Why do you want me to ask?
29:02Good.
29:20I'm going to ask you.
29:23Thank you, Petra.
29:35Thank you, Petra.
29:45Thank you, Petra.
29:46Thank you, Petra.
29:47Thank you, Petra.
29:47Did you think of all that long?
29:49I don't think of all that long.
29:53I don't think of all that long.
29:53How do you think of all that long?
29:54What do you play?
29:55What do you play?
29:55Shaka, Mice, Trle, Kobile.
29:57Zuce.
30:00I don't think of all that long.
30:06I'm not sure.
30:07No, my dear.
30:08I can't believe.
30:10I'm not sure.
30:12100% of the staff.
30:14Did you just ask me to ask me,
30:17or do you want me to ask me again?
30:20No.
30:23I don't think of all that.
30:24I think I could
30:26as much as I can
30:28I feel like I'm in Maldives.
30:32Do you understand?
30:33You know what I needed to go there?
30:36And?
30:37And nothing.
30:39And then,
30:40like,
30:41on Balio.
30:44I told you,
30:45I didn't see anything.
30:47I don't know anyone.
30:48I've never been there.
30:50I've never been there.
30:52I don't need anything.
30:53I don't know anyone to try.
30:55I know.
30:56No, nothing.
30:58I don't know anyone to try.
30:58I tell you,
30:59but it's worth it when you're...
31:02...
31:02...
31:03...
31:03...
31:04...
31:04...
31:04...
31:04...
31:06...
31:07...
31:07...
31:09...
31:09I wanted to say that you just fell in love, but if you say that you're stupid...
31:14No, I only learned the text, you know, from the last time.
31:17I thought about that.
31:19So, if I want to ask you something,
31:24before you write your own vocabulary,
31:37I would like to ask you something.
31:47If you know that God, Tanjuška.
31:53If you know that God, Tanjuška.
31:54I would like to ask you something.
32:03If you know that God, Tanjuška.
32:11Let's go, Prit.
32:14Let's go.
32:17I'm convinced that it wasn't just until that big space.
32:20I know that it was a lot of attention to everything that was going on.
32:25Yes.
32:28I'm saying something like a robot, but I'll be on her.
32:31It's not so much like our own.
32:33Yes, yes.
32:35I think...
32:37You know how it works, that everything that happened during that and after that,
32:45she started to start to spend time with Vukashin.
32:50And then, after that, she became fascinated by her and her profession.
32:56I believe.
32:59Vukashin, the old Vuk.
33:01And he knows how he has a good heart.
33:04Yes.
33:05Masija has a good heart.
33:07Yes.
33:07But he knows that he has a good heart.
33:10And he knows that he has a good heart.
33:11Okay.
33:13What do you want from her?
33:14No, she's not her.
33:16She's got her own position.
33:18The only thing I do not understand is what is the problem?
33:22What is the problem?
33:23The problem is that she put herself in the head that she must become an inspector.
33:27No, a police officer in the service.
33:31Who?
33:32It's a passion.
33:33Yes.
33:34That's right.
33:35I responded to that.
33:37No, she can't do that.
33:39She's so beautiful.
33:42She's not for that.
33:43I know.
33:44I know.
33:45I'm the same thing.
33:46I'm the same.
33:47No.
33:48How?
33:49She doesn't come up.
33:50She's a vegetarian.
33:52Where is she eating a girl of meat?
33:55How will she be with the criminals?
33:58I know.
33:58I know, Pañči.
33:59And that's why I thought that she may call her as well.
34:03And when she starts talking about all of that, I pray.
34:07She's just returned to her.
34:11She's just saying that she's finished.
34:13She's just trying to get rid of my situation with me.
34:17It's all right.
34:21I love you.
34:32I love you.
34:34I love you.
34:34I love you.
34:35I love you.
34:38I love you.
34:39I love you.
34:39There you go.
34:47What's the name of the doctor?
34:49What's the name of the tajnobitost?
34:52I don't know what tajnobitost is.
34:54What do you think about?
34:56What is the name of the tajnobitost?
34:59I don't know. It's not the name of the tajnobitost.
35:02I just wanted to go to the tajnobitost.
35:05I don't know anything else.
35:07Where did I go to the tajnobitost?
35:11Tell me. I wanted to go to the tajnobitost.
35:14I didn't have the tajnobitost.
35:15Okay, but you don't give me the tajnobitost.
35:20I wanted to go to the tajnobitost.
35:22I wanted to go to the tajnobitost.
35:25I wanted to show you how much it is for you.
35:29I wanted to do the tajnobitost.
35:32It's romantic.
35:34But if it's stupid, you know what?
35:35No, no, no. It's not stupid.
35:37I'm really upset, but I'm surprised.
35:41You're surprised?
35:41Yes.
35:42And then one of the tajnobitosts
35:45came to the tajnobitost.
35:47I wanted to ask you,
35:50will you bring me the tajnobitost
35:53while I try to be the tajnobitost?
35:57First of all, you have to be free of those food.
36:00You understand?
36:01You have to be free of love like that.
36:03Why do you hate him?
36:05You can see that he's not his own.
36:06Mariana, my happiness, my love, my destiny,
36:11go for me.
36:25You have to be free of love like that.
36:30The Taja are all the same.
36:32I care about you.
36:39You are so good.
36:40I'm so good.
36:41You are so kind of a
36:41...
36:41...
36:41...
36:41...
36:53Is it a Rachel?
36:54Who would you want to abuse its rights?
36:56How did you push to me towards the end?
36:59Yes, the counter-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and
37:03-and-and-and-and-and-and-and-and-and-and-and-and-and-and.
37:03I would like to tell you what you are doing.
37:17I didn´t expect you to.
37:21I didn´t expect you to.
37:32Sorry, Lukas.
37:35Hello.
37:37Don´t want to listen.
37:38You have to quickly get to the car.
37:42What is it?
37:43What are you doing?
37:44I don´t want to go out there.
37:47Okay, come on.
37:50I have to go because of the job.
38:03In the meantime I´m meeting with you.
38:06It´s home, don´t.
38:07No. I´m meeting you.
38:08This is a lot bigger than you´re room.
38:11Ariana?
38:12What´ that was going on?
38:14My happiness is home.
38:20It came to the moment where I am going to prove the true truth of me.
38:36This thing you did now is so unfair that I don't have a word.
38:41You turned out and changed every step.
38:46Look at this. I work very long.
38:51I don't have a career that two young colleagues do this like the articular intrigue.
39:07You understand that these people are the usual things that they can pick up every time.
39:13Do you understand that I put my whole life into this job?
39:19With the head of the bed, what I got?
39:22That's why I only got the value of Juvenjo Lice.
39:25Let's go, Lukasina.
39:26Get out of here.
39:45And now, come and get out of my bed and get out of here.
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