- 23 hours ago
Igra sudbine 1818 epizoda (21/6/2026)
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TVTranscript
00:00The End
00:00The End
00:01The End
00:01The End
00:01The End
00:03The End
00:04The End
00:11The End
00:12The End
00:13The End
00:16I'm here.
00:17I'm here.
00:18Good.
00:19You're so quick to fly, it doesn't mean you're not working on a planet.
00:24I'm not going to sound.
00:25The girl started to say,
00:26I'm here.
00:27You're here.
00:28I'm here.
00:29I'm here.
00:33I'm here.
00:35I'm here.
00:35I'm here.
00:36I'm here.
00:36There's another important thing that I have to tell you.
00:40What?
00:43You definitely need to do that.
00:45But let's go slowly.
00:47Let's go and solve the situation.
00:50Then...
00:50I'm here.
00:54I'm here.
00:55I'm here.
00:56I'm here.
00:56I don't want to join.
00:57Friends, friends.
01:01The big doubt is that these are...
01:06...the eyes of the body, you know?
01:09Yes, it is clear to me when I ask this question for a long time.
01:14You know, they break up the biological age.
01:17And now...
01:20...and now they have all the body that can be made like a mother.
01:33I hope you are back...
01:39...and now they are.
01:41How long have we been in the situation during a few days?
01:44How long have we been in the situation during a few days?
01:45How long have we been in the situation?
01:45A day, or a day?
01:47It's not a day.
01:54Not good.
02:00I don't want to sleep anymore.
02:04I don't want to sleep anymore.
02:09I don't want to sleep anymore.
02:12I don't want to sleep anymore.
02:15I don't want to sleep anymore.
02:16You will only have a friend,
02:17and when I'm back, there will be the rest.
02:21I don't want to sleep anymore.
02:27I don't want to sleep anymore.
02:29I don't want to sleep anymore.
02:30What do you mean?
02:34Nothing.
02:36You're fair.
02:37I'm not going to sleep anymore.
02:38No, nothing.
02:39You just said that you should be on the stage.
02:43This will be a while you are going to sleep.
02:45You're right?
02:45I'll be right back.
02:47Bye.
02:50Let's go.
03:02That's what I do.
03:03My name is Alexander Sesho.
03:04My name is Alexander Sesho.
03:06Sesho?
03:07No, he's not sleeping anymore.
03:09He's often a lot of people.
03:10And I want to sleep that's right.
03:11My name is Suzina.
03:13I will call Sillovus.
03:16So, there is no museum or civil on which he didn't have.
03:23A walk like a bird, a tih like a cloud.
03:28And it's been taken to us as a Frenchman.
03:33Frenchman, what do I do with him?
03:37What do I do with him?
03:39I don't even know.
03:41What do I do with him?
03:43I don't want to do anything.
03:44For now, I'll start.
03:51Okay, I'm very happy.
03:53I told you that it will be good.
03:55I think that already tomorrow I can go back to training.
03:58That doesn't come up to me.
04:00I didn't have any thoughts.
04:01I'm just sharing information.
04:05Asian, you and I have to talk about something.
04:10Why?
04:13Let's listen to me.
04:14I'll do it.
04:16I'll do it.
04:18I'll do it as much as I can.
04:19And as much as it means,
04:23when I can't move forward,
04:26I'll do it a little bit.
04:28Okay, I'll do it.
04:30I believe I'll do it.
04:32Let's go now.
04:33Let's sleep a little.
04:35Can I?
04:36I'll do it.
04:38I'll do it.
04:38I'll do it.
04:39I'll do it.
04:40I'll do it.
04:41I'm afraid of you.
04:42I'm afraid of you.
04:43I'm shocked.
04:44I'm shocked.
04:45Why are you shocked?
04:46I'm afraid of you.
04:47I'm afraid of you.
04:49I'm afraid of you.
04:49You wouldn't have such a reaction.
04:50I'm afraid of you.
04:50Gabriel, I don't want to do anything.
04:52Let me know.
04:52Let me know.
04:54Let me know.
04:56Let me know.
04:56Let me know.
05:02Let me know.
05:04That my dad, Relja,
05:06could only see what you see.
05:08That I feel.
05:09That flame.
05:10That water that kills me.
05:12That X-fax.
05:14Then it's Relja.
05:17Thank you very much.
05:54Thank you very much.
06:18Thank you very much.
06:53Thank you very much.
07:17Thank you very much.
07:51Thank you very much.
07:55Thank you very much.
08:07Thank you very much.
08:34Thank you very much.
08:53Thank you very much.
09:27Thank you very much.
09:53Thank you very much.
10:40Thank you very much.
11:10Thank you very much.
11:40Thank you very much.
12:10Thank you very much.
12:40Thank you very much.
12:41Thank you very much.
12:42Thank you very much.
12:43Thank you very much.
12:45I'm very happy.
12:47I'm also happy with the money and the conditions and all of them.
12:49Thank you very much.
12:50Thank you very much.
12:52Thank you very much.
12:55Thank you very much.
12:57Thank you very much.
12:57I'm really happy.
13:00I don't know what to say.
13:05Thank you very much.
13:21Thank you very much.
13:22Thank you very much.
13:28Thank you very much.
13:33Thank you very much.
13:34Thank you very much.
13:34Thank you very much.
13:37Thank you very much.
13:38Thank you very much.
13:38I mean, we have to finish it.
13:41We have to finish it.
13:41It's a complete story of the past.
13:43And I believe that my goals are linked to this topic.
13:46They don't have any of them.
13:47I don't understand.
13:49Do you understand?
13:49Yes.
13:51I don't know.
13:52I don't know.
13:53I don't know what we are doing in life.
13:55I don't know what we are doing.
13:56It's a way that life is really changing.
13:58I don't know how life is always finding a way to get out of the bag.
14:02I don't know what we are doing now.
14:05I don't know what we are doing now.
14:06And I don't know what we are doing now.
14:07That's great.
14:08I think that it is a great place to be able to do this.
14:11But, you see, before I try to ask,
14:17I think that people who are not in the relationship
14:24can have these rules.
14:26But when there is a person or a woman who is in love,
14:30I think that these rules are not in love.
14:33Well, you see what you say.
14:36You don't lie.
14:39You don't lie.
14:40I can tell you that I am not the only one in the matter.
14:45I am not the only one in the matter.
14:46But it is a bit late to be so much in progress
14:52to those things.
14:53That's the essence.
14:55Okay.
14:57Okay, Lenk.
14:59I understand what you are saying and I respect you.
15:02Really?
15:04And you see, I am sure that there will be time for this.
15:10But I think that we need to be able to change things a little bit.
15:16That we are going through step by step by step.
15:17Absolutely.
15:18You can see.
15:21And,
15:21I have another question.
15:24Is this a prayer?
15:25A prayer?
15:26Yes.
15:27Okay.
15:27I will finish with a bad thing for today.
15:30Okay.
15:30I will hear what I am going through today.
15:33I will do that.
15:34Yes.
15:35Yes.
15:36I will never call you partner.
15:40Can you?
15:41Yes.
15:42We can be partners when we open the room,
15:44or whatever,
15:46or whatever,
15:47but now I want you to be the only one.
15:50Okay.
15:52I understood it.
15:53And I think that I will be able to do that.
15:55So, don't blame me.
15:56You are the only one.
15:57Nothing more.
15:59Nothing more.
15:59No, no, no, no.
16:01I want you to be the only one.
16:03And then,
16:05after that,
16:06the one,
16:08the one,
16:08the one,
16:09the one,
16:13the one.
16:16Let me eat.
16:17Is it really good?
16:19It's good.
16:21Let's try it.
16:22Let's try it.
16:23I didn't forget it.
16:23You are the only one.
16:34I don't know what to say.
16:36You don't want to make a mess, you know, I'm not from yesterday.
16:40I need to look at how there's a game where the girl is playing.
16:47Ksenija?
16:48Yes.
16:49Ksenija, yes, yes.
16:50Chef, I have promised everything that I know.
16:53So, everything that I know that Ksenija told me,
16:57I have promised everything that I have promised.
16:59Yes, that's right.
17:00Yes, that's what I want to do.
17:01I don't know anything about that anymore.
17:03I don't know anything about that.
17:03You think I'm a big bitch,
17:07or you just try to get a little bit of a mess?
17:13Chef, if I have made a mess,
17:15I ask you to tell me that I will do it momentarily.
17:18First of all, you told me the most important thing.
17:21And that is?
17:22And that is that Ksenija is in relation to Rely.
17:25And that is something drastic changes.
17:28How do you not understand that we're all in this danger?
17:33rather than a king's mission,
17:35dr.
17:35dr.
17:36dr.
17:36dr.
17:36dr.
17:37dr.
17:38dr.
17:42dr.
17:54dr.
17:54It's a crazy question, with our job.
17:57Ah, with us.
17:58I'm just thinking about it.
18:02I have to examine the angles,
18:04and that are great things
18:06that you talk about.
18:08Yes.
18:10I have to be patient.
18:12I wanted to engage someone who is patient.
18:14I wanted to engage someone who is patient.
18:17But I didn't want to.
18:19I wanted to engage someone who can finish this job.
18:22I think you understand the importance
18:25of what you need.
18:26Besides that, we are not really good
18:29to speak properly.
18:31For example, what?
18:42Chef,
18:43I don't have a chance to play any games.
18:47I really don't have.
18:48I came here to work my job
18:50and I think I'm doing it very well.
18:53Okay.
18:53If you want to work your job very well,
18:57then you have to know
18:58how many people come to the office.
19:03I'm a friend of Xenia.
19:04I just wanted Xenia to come here.
19:08Nothing more.
19:09No, no.
19:09No, no, no.
19:10Just, no.
19:13Seriously, I can't.
19:14No, no, no.
19:16No, no.
19:17No, no, no.
19:18No, no, no.
19:19No, no, he's a great friend.
19:19Yes.
19:23And I've heard that,
19:26and I've got that.
19:27And I can still breathe at all who you are.
19:33Is it clear?
19:34No, I'll tell you.
19:39Okay.
19:39And try to do your job.
19:44Let's go.
20:12Let's go.
20:12You said you have to offer a house.
20:14The house. The house is important.
20:16The house can be built in a whole building.
20:18And it's a beautiful place.
20:20Right?
20:21How is the house?
20:22One by one.
20:24There's no hospital.
20:26It's clean.
20:27Everything is clean.
20:29If you want to visit your address, you can check everything.
20:31You can check everything.
20:32Okay, go ahead.
20:33Because, you know, the house is not all clean.
20:37And then, there's a girl from Australia and says that she is ideal.
20:43Everything is clean.
20:44Everything is agreed.
20:45Now, you just have to agree with yourself.
20:47And finish the job we've already done.
21:01if you want to go back, the house is perfect.
21:07It's fine.
21:10You are clean.
21:10You are clean.
21:15You'll still have to go back.
21:21You are clean.
21:28Not that way.
21:30To get out of your room with your name.
21:32Well, I'm going to get to that point.
21:36She has the gift to collect these types of people.
21:41What types?
21:43Well, it's because they appear in a curious photo,
21:48in a curious place and so on.
21:51That means nothing ever again?
21:54Nothing.
21:57Lenka didn't change for her.
21:59Nothing?
22:01No.
22:03He didn't ask her.
22:05If I ask her, she will know that I know,
22:10and I don't want her to know.
22:13No more people.
22:15Listen and watch.
22:17As it is said in this film,
22:21don't care about the woman who lives.
22:37Now I've heard her with her.
22:39She said that Relja will be left until the end of the day.
22:42Yeah!
22:43Yeah!
22:44Leo!
22:46Kraljice!
22:46Carice!
22:47Thank you, Tate.
22:48Please, I love you.
22:49I love you.
22:50Nothing.
22:50I love you.
23:02I love you.
23:05my father, that they found him an illegal weapon in the hotel
23:08and that the police had to prove it.
23:13That's OK.
23:14Listen, don't we talk about that here,
23:16because Vanja can be a dad who knows us.
23:20You're right, but you always find a leg for her.
23:23Yes, and did you see how she changes the plot
23:26when she hears it with the novinar teacher?
23:28She changes it immediately.
23:31Yes.
23:31You know what, the leg comes back to Vanja Veštica,
23:34and you say, the novinar teacher, and she will leave.
23:38I can't imagine her and her.
23:41Imagine that whole Sadomazo story.
23:44She and the novinar teacher.
23:47Imagine who knows what they did together.
23:50I don't want to imagine.
24:07It's from the film, right?
24:09And what does that mean?
24:12You know what, Uroš?
24:14There are many types of names of our job.
24:16A woman has come to the head.
24:18Okay, friend, stop the drama, please.
24:20What's the time?
24:22You're going to go to one another one,
24:23and there's another another one,
24:26and the third, and the fifth one.
24:27Okay, let's start with the citations from the film.
24:31What does Vito Corleone say?
24:33A woman cannot be a woman
24:35if he doesn't spend enough time with his family.
24:39Okay, Vito Corleone is the only one.
24:43And Velibor?
24:44Hm?
24:47Hm?
24:47Pa, do vremeni,
24:48ja misliš mi da je to tamo bilo tako jednostavno i lako?
24:52Znaš, nije uvek.
24:55Al' on ima dobro konsilijera mene.
24:58Imam, i ja.
25:00Imaš li?
25:02Tako što ćeš da me zameniš sa klinicom,
25:04koji došao iz Legije Stranaca
25:06i koji ne zna dve ulice u Beogradu, jel' tako?
25:10Ema, stari moj, ne ovoj sad da lupaš glavu oko toga.
25:12There is time for that, you start to look at the face that is being called Lenke Usta.
25:18What do you say? Who is that vanji novinar?
25:34Good morning, you are...
25:37Police.
25:40Police? Who is calling the police? What is happening?
25:42No, no one is calling it. I just came here.
25:44I am the police inspector and vanjin dečko.
25:48Vanjin dečko, that is really nice.
25:51Amazing.
25:53Who is that vanjin novinar?
25:56No, that is our joint novinar, from the company.
26:01He helps us in marketing to write a good text.
26:05Thank you so much.
26:07That is what we call it.
26:09It is not as if you talk about it later.
26:13Do you know that my job is going to be known here?
26:16Yes.
26:17Don't worry. Hello.
26:21Where are you?
26:22I am here to visit you.
26:26I see that it is alive here with you.
26:28Yes.
26:29It reminds me of some of your novinar.
26:34Let's go to the office.
26:35You are all together.
26:36I will tell you everything in four eyes.
26:40Let's go to the office.
26:55It's like that.
26:56It's like that.
26:58It's like that.
26:59It's like that.
26:59It's like that.
27:02I don't know.
27:02I don't know what I said.
27:04I don't know.
27:06God, why did I get to the office?
27:07No.
27:08No.
27:09No.
27:09No.
27:10No.
27:10No.
27:10No.
27:10No.
27:10No.
27:10No.
27:10No.
27:10No.
27:12No.
27:14That's not what happened.
27:15No.
27:15I felt so quite missing out of the house.
27:18I want so much!
27:22I don't care of you, my god.
27:26Yes.
27:27I know.
27:28What about the house is hiding somewhere?
27:34Yes.
27:36It's a huge house.
27:38It's a huge house.
27:40But it's like a building in the village of Kanački in Žegović.
27:44Yes, but we were accustomed to soarge.
27:48And so that's soarge, so I completely understand.
27:50Soarge. My life is very soarge and everything is very small.
27:54But it's not, the big space, the house...
27:58It feels like we're getting started.
28:02Who? You, I?
28:03No, I can't.
28:04I don't know how much you are.
28:07You are a couple of people, you are a couple of people,
28:09you are a couple of people,
28:10and you are a couple of people.
28:13but I think that we are a lot of people,
28:17and we are a couple of people.
28:20Yes.
28:21Yes, I don't understand.
28:22Look at this, this is a house.
28:24We would have been here like a Chinese,
28:26and we would have been in five minutes.
28:28I know.
28:29Yes, I know.
28:31I know.
28:33I know.
28:35But I don't know what to say.
28:37Maybe it's all a habit,
28:40but it's hard for me.
28:42It's hard for me?
28:42Yes, it's hard for me.
28:44It's hard for me.
28:44It's hard for me.
28:45It's hard for me.
28:46It's hard for me,
28:47but I'm here because I have a word for you.
28:57I'm waiting for you.
28:58I'm waiting for you.
28:59Why do you have a mouth?
29:02Good.
29:03Good.
29:04Good.
29:20Good.
29:21Let's go.
29:23Thank you, Petra.
29:32I don't know.
29:34You know what I'm trying to do here?
29:39You're here, brother. You know how much you're here.
29:41It's like you didn't buy a while.
29:45You're stupid, fool. You've been thinking this long.
29:49I don't think so.
29:50How are you playing? What are you playing?
29:55Shaka, mice, trle, kobile, zuce.
29:59Great. It's like a surprise.
30:02I'm telling you, I don't think it's been a long time to sleep.
30:06Really? I don't know, brother. I'm not sure.
30:10I'm not sure.
30:11You're a 100% chauffeur?
30:14Do you want to ask me that?
30:17Or do you want to ask me something else?
30:20No.
30:23I think I'd be able to improve the conditions of the war.
30:30You feel like you're on Maldives.
30:32You know what I needed to go there?
30:36And?
30:37And nothing.
30:38There's nothing.
30:39You could see me like you, like a
30:43As I said to him.
30:45I didn't want anything.
30:47I didn't want nothing.
30:55I'm not sure who I was in the middle of my career.
30:56I told you.
30:57Nothing to try nothing.
30:58I'm telling you.
30:59But I'm not sure.
31:02But it's like a joke.
31:04stupid, amateur, pandurcina, and so on.
31:08Well, I wanted to say that you were just a poor pandurcina,
31:12but if you say that you were stupid...
31:14No, I only learned the text, you know, from the last time.
31:17I thought about that.
31:19So, if I want to ask you something,
31:24I would like to ask you more than you would like to ask yourself.
31:33I would like to ask you something earlier.
31:47If you would like to know God,
31:49you wouldn't like to know God.
31:52Can you?
32:11Let's go, Prit.
32:13Let's go, you know what?
32:16So, I'm convinced that it wasn't just a great place to go to the house.
32:20I know that it was a lot of influence on everything that happened.
32:25Yes, yes.
32:27I would say something like a robot, but it would influence on her.
32:31It's not like that.
32:33Yes, yes, I think.
32:37But, you know how it works, that everything that happened during that and after that,
32:45she started to spend time with Vukashin.
32:49And after that, she became fascinated by her and by her profession.
32:56Yes, I believe. Vukashin is old, Vuk.
33:01And he can understand who has a good heart.
33:04Yes.
33:05I mean, Asija has a good heart.
33:07Yes, yes.
33:07But, she knows that she has a good heart.
33:11But she knows what she wants from her.
33:12Okay, what do you want from her?
33:15It's not her.
33:16She has a good heart.
33:18The only thing I don't understand is that what is the problem?
33:22What is the problem?
33:23The problem is that she put herself in the head that she needs to be an inspector.
33:27No, a police officer in the office.
33:31Who is Asija?
33:32Eh, eh.
33:34That's right.
33:35That's how I reacted.
33:37No, she can't do that.
33:39She's so nice and beautiful.
33:42She's not for that.
33:44I know.
33:45I'm the same thing.
33:46I'm the same.
33:46The same thing.
33:48I know.
33:57I know.
33:59I know.
34:02I know.
34:06I know.
34:20I know.
34:33I know.
34:35I know.
34:36Sit there. Sit there.
34:39Sit there.
34:47What is this?
34:49What is this tajnovity?
34:52I don't know what tajnovity is.
34:54What is this tajnovity?
34:55I don't think about tajnovity,
34:57tajnovity, burying, or throwing up in the office.
35:00I don't know. It's not tajnovity,
35:02I just wanted to take care of the office,
35:05and nothing else.
35:07Where did this job?
35:11Tell me, I wanted to do it.
35:14I didn't have a candle.
35:16But you don't give me a candle,
35:17you don't have a candle.
35:20I wanted to come to me,
35:23sorry to make me a good guest,
35:26and show me how I'm standing.
35:28I wanted to do something
35:30because it's an extraordinary,
35:32romantic.
35:34But if it's stupid,
35:35no, no, no, no, no, no, no, no.
35:37I mean, I'm really upset,
35:39but I'm surprised a little bit.
35:40You're surprised?
35:41Yes.
35:42And then,
35:45some newcomers
35:46came to me.
35:47I wanted to ask you,
35:50will you take me to take care of
35:53while I try to be a gentleman?
35:54No, no.
35:57You have to free those food,
36:00you understand?
36:01You have to bring love like this.
36:03Why do you criticize him?
36:05You see that he's not his own.
36:06Mariana, my happiness,
36:08my love, my destiny,
36:10my life,
36:11continue for me.
36:24I love you.
36:53Who would have built the ropes, go after that?
36:56I mean, how does it take you to me?
36:59Ah, that's counter-and-pair, but the-and-pair is the best defense.
37:03I'd like to say what you're doing here.
37:17I didn´t expect you.
37:33Sorry, Lukas.
37:35Hello?
37:37Don´t hear me. You have to be quick to get into the carcimari.
37:42What is it? What is it?
37:44I don´t have to be able to get into the carcimari.
37:47Okay, come on.
37:50I have to go because of the carcimari.
38:03What is it?
38:04I have to go because I´m asking you.
38:06I´m asking you.
38:06You´re not aware of what you want.
38:07I´m asking you.
38:08I´m asking you.
38:08I´m asking you.
38:09This is much bigger than the...
38:11...Ariana.
38:12What´s going on?
38:14My happiness is my happiness.
38:20It came to the moment where I am going to prove the true truth of me.
38:36This thing you did now is so unfair that I don't have a word.
38:41You turned out and changed every step.
38:46Look at this. I work very long.
38:51I don't have a career that two young colleagues do this like the articular intrigue.
39:07You understand that these people are the usual things that they can pick up every time.
39:13Do you understand that I put my whole life into this job?
39:19With the head of the bed, what I got?
39:22That's why I only got the value of Juvenjo Lice.
39:25Let's go, Lukasina.
39:45I said that it is my good that the
39:48and we're always true to know it.
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