- 8 minutes ago
Igra sudbine Epizoda 1839,Igra sudbine 1840,Igra sudbine 1839,Igra sudbine Epizoda 1840, Igra sudbine Epizoda 1839,Epizoda 1840 Igra sudbine ,Epizoda 1839 Igra sudbine
Category
📺
TVTranscript
00:13How are you?
00:16How are you?
00:17How are you?
00:24How are you?
00:25You're good to have a friend.
00:28You can see that I'm in the face, Ivan Čavrić.
00:31I can see.
00:34Let's talk to Nikolaev.
00:36I'm really interested in it.
00:39I don't care when I'm in the last part.
00:42I'm in the face, I'm in the face.
00:45I didn't expect you to do it.
00:49I didn't understand that, Ivan Čavrić.
00:51We care about our safety.
00:54I don't know.
00:55I have more information.
00:56I have more weapons.
00:58I know that if someone knows how to get out of the situation and the winner will fall,
01:03I think that you are.
01:05Yes.
01:06You know that.
01:08But it must be clear to everyone.
01:11I don't know if I should know.
01:14I don't know.
01:17Everything was great.
01:19It was really nice.
01:21After that, Vina came out of the tomb.
01:24The tomb?
01:25Yes.
01:26And what was the case?
01:27What's the case?
01:28He told me that I was to stop all the good people.
01:30It can be done with the silverware.
01:32What?
01:33You'm a lot more.
01:35You're also a lot more.
01:36I don't know.
01:37You're a lot more.
01:38It's just a good thing.
01:40I'm curious what she expected to do.
01:42That's what I'm curious about.
01:44What she expected?
01:45Nothing. You know, you're right now.
01:47What are you going to do with me?
01:48I don't know.
01:50No, no, no.
01:51There's no more story.
01:53Okay, I agree.
01:58It's really scary.
02:00Oh, Alexa.
02:01There's always some conspiracy, some
02:03something.
02:04What's happening now?
02:05It's good.
02:07He wants to help.
02:08We're talking with him.
02:11It would be all right, but I see there's someone else.
02:15Yes, but we have to believe that you're really sick.
02:18We don't want to do some tests.
02:23He wants to do some tests.
02:24To do some tests?
02:25What's the difference between the eating
02:27and the oftalmology?
02:29It's not great.
02:30It's really easy.
02:33I'm just tired.
02:35I'm just so tired.
02:39I'm tired.
02:40I'm tired.
02:40I'm just tired.
02:43Just slowly.
02:46You'll be tired.
02:49You'll be tired.
02:51You'll be tired.
02:57You'll be tired.
03:06I'm tired.
03:07I'm tired.
03:09I know that you're tired.
03:15You'll be tired.
03:19You'll be tired.
03:22I realized that Uroš is in charge of security.
03:29Is it possible?
03:32Sorry, I'm sorry.
03:35What will he be in charge of security?
03:37Not for him, but for me.
03:39How do you do it?
03:42It's very important to solve this situation
03:44in which we've seen before,
03:46and then we'll be able to do it.
03:48I'll do it.
03:49I'll do it.
03:50I'll do it.
03:52I'll do it.
03:53I'll do it.
03:54I'll do it.
03:54I'll do it.
03:54I will go to the corner.
03:55I'll do it.
03:56Okay, I will.
03:58He'll do it.
03:59He's so angry.
04:00He's so angry.
04:01What do I say?
04:02What else can I say?
04:04I'll do it.
04:08Where is my dearly wife?
04:13The poor man.
04:17Okay, let's go.
04:19Let's see, I would like to take the word. I want to tell you something.
04:28Tell me.
04:32I was not a penalty.
04:53I was not a penalty.
04:54They say that life is writing poems.
04:57They say that life is not fair.
05:02It's a time, but it's always my fault.
05:07And all things are unh volunteered against the fate of mine.
05:17Like love in the war, there is no rules
05:26You have one life, only one chance to become one
05:32Because the star is the end
05:38In the fate of me, like a circle of happiness
05:43Someone wants someone, someone will not
05:48Like in the sea, the world will go
05:51And we are our hearts
05:57Our fate of me
06:00Oh, oh, oh, oh
06:04Oh, oh, oh, oh, oh
06:29What happened, Papane, huh?
06:32He started with that sweet face.
06:34Is he now a sweet smile?
06:40Maybe you'll be a sweet smile.
06:42I've solved branding, brate.
06:45Listen to me, you normal people who want to work and earn money.
06:55This way, I won't find you anything.
06:56No cent, no euro, no money, no money, nothing.
07:00You've finished with me.
07:01Let's see.
07:02Let's go.
07:03Let's go.
07:04Let's go.
07:05Let's go.
07:06Brate.
07:08Brate, it's not good for me.
07:09How did I get this?
07:10Let me see.
07:10No, no, no.
07:11No, no.
07:12No, no.
07:12No.
07:12How do you feel about this?
07:13I'm also thinking about my life's call,
07:16if I can do this,
07:18I can do this to me, brate.
07:19Here, you see,
07:21I've got a finger on my knees,
07:22I'm just leaving for the invitation.
07:24No, stay calm.
07:25Where do you go?
07:26Where do you go?
07:27There, you go.
07:27Where do you go?
07:28There's no way.
07:33Listen, we've come to you and we've got that
07:35the other house.
07:35Do you understand?
07:36Yes, I understand.
07:37That's great. If you don't want to pay for the second round,
07:40you'll go to sanctions, you know?
07:42Yes, but I don't need to do that for him.
07:44You'll remember him, he doesn't hear anything.
07:46I've heard everything, I've heard everything!
07:48I've heard everything, I've heard everything!
07:50Let's go! Let's go!
07:55Listen, would you have to come back again?
07:58To remember?
07:59Then it will be a lot of pain, you know?
08:02It's going to be a pair.
08:04It's going to be a pair.
08:07It's going to be a pair.
08:08We can't get it.
08:09We can't get it again.
08:12It's not a reason.
08:13He'll be a pair.
08:16He's a very good player.
08:18He's a very good player.
08:19He's a good player.
08:19He's going to be a pair.
08:23Okay.
08:26Do you know what your wife is back to me?
08:30It's okay.
08:31It's a good idea.
08:36You and I love people.
08:38I know you are adorable.
08:41You're all loving she's Soch's.
08:44You love only for her.
08:45We love you.
08:465 years to do tosse.
08:48It's nice of you.
08:495 years before a wedding.
08:51They're going to be a gay list.
08:58It gives them Spanish voice.
09:01On the way, we love joy and women.
09:01onom tvojom predlogu.
09:05I?
09:08And I think that I will have to accept it.
09:14I think that it's good to get rid of the stone.
09:23And what do you think when you say that?
09:27You know what I think when you say that.
09:33Okay, yes.
09:36I have to remember a lot of time.
09:41But you have to remember?
09:43Yes, I remember.
09:45But it wasn't like that we were three days together.
09:48No, no.
09:49No, no.
09:51But now I understand that I was wrong.
09:55Yes.
10:02Oh, I...
10:05I was thinking something, you know.
10:10No, no, no.
10:11And what did you think?
10:13And what did you think of?
10:18Yes.
10:19And what did you understand?
10:23What did you understand?
10:24I learned that I gave you a lot more chance than what you deserve.
10:32You're serious.
10:35Yes.
10:37I'm stupid.
10:40I don't know how it looks when someone paints me.
10:44I paint you?
10:48You don't look at me enough.
10:55Sorry, what do you want me to say, Elia?
10:59I want to say that I'm going to leave now.
11:07She asked me to stay at peace.
11:10She was ready to do everything.
11:15And I said, no, I don't want to do that.
11:18I don't want to do it so tight and calm, just like a sweet relationship.
11:26But, friends, she was ready for everything.
11:34It's a lie.
11:36It's a lie.
11:38It's a lie.
11:49Did you see him?
12:05Tell me. I'm listening.
12:09I see, Lenka.
12:11Sorry, sorry. I have to talk to you now.
12:15Hello, Suna.
12:16Hi, Lenka. Can we see you?
12:20I can, I can.
12:21Do you want to join Juroša?
12:24No, it's not.
12:25It's just about him.
12:27Okay.
12:29What did you think?
12:30I have to go after working time.
12:33I have to go.
12:34I love you.
12:34Bye.
12:35Bye.
12:36Sorry.
12:37I'm sorry.
12:37I don't want to see you.
12:40Yes.
12:41I don't know.
12:41Listen.
12:43I don't know.
12:45No, no.
12:46No, no.
12:47No, no.
12:48Standard is my stupidity.
12:50I know that I love you.
12:52I know that I want you good.
12:54I'm happy that you are in such a strange relationship.
12:57But...
12:59But...
12:59...
13:00...
13:01...
13:02...
13:02...
13:02...
13:03I'm going to be careful when you get hurt.
13:05You're the only one who is paranoid.
13:09I'm going to be careful.
13:10I'm going to be careful.
13:12How much do you do to be careful?
13:14No.
13:15You don't have to be careful.
13:16No.
13:17You're going to be careful.
13:18You don't have to worry about me.
13:20Get out of my way.
13:21Get out of my way.
13:23You're not sure.
13:25You're right.
13:25I'm going to be the best day at home.
13:26You're going to be the best.
13:28You're going to be the best.
13:29Come on.
13:30Come on.
13:31Bye.
13:31Bye.
13:54Yes.
13:57Yes, I was with him.
14:01How can you?
14:04Mila, I'm...
14:08I'm going to go there because...
14:10I tried to...
14:13I just wanted to talk to him.
14:16You understand?
14:17To talk to him.
14:19How did you know where he lives, where my house is?
14:21I knew where he lives.
14:23It's important to me.
14:24Mila, he doesn't live at home.
14:26He lives in a hotel.
14:27In an empty room.
14:29It's not really important.
14:30I just wanted to understand him.
14:31To see how everything can stop.
14:33You understand?
14:35To understand him.
14:35In a hotel room.
14:36To understand him.
14:37You understand him.
14:38Mila, please.
14:39I ask you to understand,
14:40you're going to do everything I've done about it.
14:43To understand what I have done.
14:44I just wanted to do everything I have done.
14:46I wanted to go ahead and ask him to do anything I need to do.
14:46Because I went out.
14:47I asked him what I need to do just to indicate everything I have done.
14:51And he told me that I have to be one of the beautiful things I have seen.
14:56I said I wouldn't. I didn't trust you. I didn't.
15:00I didn't. I didn't.
15:01You know what Sadista said at the end?
15:04He said that everything I said and I want you to do is not enough.
15:08I have to pray for him.
15:10And I'll be back when I'm ready to pray for him.
15:12Yes, yes.
15:15I can't listen to him.
15:16It's fine.
15:18Mila!
15:51One, two, three, four, five. That's a request.
15:55Oh, my dear.
15:57Milo, how is it?
16:01How is it?
16:03It's a hardy muscle. It's not easy for Mila.
16:07I'm here to change my life, Milo.
16:12Really?
16:12You know what?
16:13Why?
16:15Leave me at peace.
16:17Let me die from my dead life.
16:19What?
16:20What?
16:20Wait, Ante.
16:22I'm here for you.
16:23Good.
16:23And my legs.
16:24You're going to kill me.
16:25You're going to kill me.
16:27You're going to kill me.
16:29You're going to kill me.
16:31You're going to kill me.
16:33You're going to kill me.
16:34You're going to pay a lot of money.
16:36Okay.
16:37When you're in trouble.
16:38No problem.
16:40No problem.
16:41No problem.
16:41You's a story predominant.
16:44I'm not yet gonna kill you.
16:45I'm sorry.
16:46Did you kill me?
16:49I'm not yet to kill me.
16:52Don't kill me.
16:53Did you know this one?
16:53There even exist in the life.
16:55I was waiting to be up.
16:56Let me ask.
16:57Qual would you call this intellectual?
16:59Intelligent?ittal
17:04matéri. Intelligent...
17:05Not sure why
17:05you ask me. What's he
17:07asking? Besides, with
17:08this Thankian intelligence.
17:09What kind of diaspora? What kind of diaspora?
17:12Diaspora?
17:13It's written in the religious intelligence.
17:16I don't know where you are.
17:17Where?
17:18Where are they?
17:19Where are they?
17:20Where are they?
17:20Where are they?
17:21Where are they?
17:21Where are they?
17:22Or the discoverer of the intelligence.
17:35Eh.
17:39Tell me, here we are talking about it.
17:41I saw everything in my blood.
17:44You understood me?
17:46No.
17:47What does it mean, you won't give us the money?
17:48No, he wants to give us the money, but he's afraid that we will take care of him.
17:54How can we take care of him?
17:56He doesn't have confidence in us.
17:58What, it's really bad. I mean, we left his son here in the house.
18:02I don't know, he thinks that it's a big virus.
18:04Bože, what is he doing?
18:06I see, I'm wrong that I'm given to this situation and we have to depend on it.
18:11Okay, what does it mean?
18:13That Ivan has to do his tests.
18:18See, Alex, I have to tell you something.
18:34See, if I am convinced with him.
18:38Who am I?
18:39With AI, he wants to be AI.
18:41Huh? What is AI?
18:43AI, I don't want to go to AI. It's an artificial intelligence.
18:46Well, that's how I can do it. I'm not a genius.
18:51No, I don't understand. I just wanted to encourage you to use your emotions, your courage, your voice, your voice.
18:59I just asked that.
19:00Listen to me, you emotional.
19:04Yes!
19:05I'm not afraid of it.
19:06I won't be able to do this in your way.
19:07I will not work with you and take my money without emotions.
19:10You understand it?
19:11Stop, hold on.
19:12I think you can copy it for a second.
19:16That's no problem.
19:17It is not a problem.
19:17What what it says, what it is, it's human intelligence.
19:20I will copy it.
19:21I can only copy it.
19:22What do you think, that there is no image and that it is to keep me in mind.
19:25Okay, okay, okay. I'll go to the bank tomorrow, take the money, return the money, and see if we don't
19:31have about five thousand dollars.
19:33Okay, if we don't, if I can go from the bank, I'm going to give you the money.
19:37And then you pay the bank from there, and you'll pay me for the money.
19:41Now, Mido?
19:41Can't you?
19:42Can't you?
19:42Can't you?
19:43Can't you?
19:43Let's go to the bank.
19:47I want you, Mido.
19:50I want you, Mido.
19:50I want you, Mido.
19:56Oh, my God, my God, my God.
19:59I'm talking to him with the bank, Ajo.
20:02Oh, my God, you help me until this world is up.
20:07Oh, it's good to see this.
20:10It's amazing.
20:10Oh, my God.
20:24Oh, my God.
20:28Oh, my God.
20:32Oh, my God.
20:36I know, I know everything we need to do because of how you put things together.
20:40I know, I know, I know.
20:43Okay, how much will it take?
20:45How long will it take?
20:46I don't know how much.
20:47I know I need a little maneuver space.
20:50I know how much you can do it, but I'll solve it quickly.
20:54Okay, what do you need?
20:56I'm going to convince Ivana to take care of these tests.
21:00I need money.
21:01Okay, I'll convince you.
21:04You don't want to thank me, but solve the problem.
21:06Okay, I want to.
21:08I want to.
21:08Okay, but you know, you won't be able to do that easily.
21:12What do you want to say?
21:15I have one idea.
21:16What you want to do is, of course, it's a big deal.
21:36What do you want to say?
21:38What do you want to say to Ivana?
21:39What do you want to say to Ivana?
21:39What do you want to say to Ivana?
21:40I think that this is a little bit of a fear.
21:45What a joke.
21:48I asked you something. Is she his wife?
21:52She really came up with him?
21:54Really?
21:58I mean, she's my wife.
22:00Not that she would have done well.
22:05Your wife...
22:07I ask you something, brother.
22:09Where is your wife?
22:15I don't know.
22:17I don't know.
22:19You don't know.
22:22Somewhere in the world, I don't know.
22:26Wait, you don't want to?
22:31I said I'll leave you in peace.
22:35Why?
22:37What?
22:39I want to go first to my wife.
22:43Then I'll find her.
22:55What do you want?
22:57I want you to tell me.
23:00I want you to tell me.
23:01I want you to tell me.
23:24I want you to tell me.
23:29I want you to tell me.
23:31I want you to tell me.
23:33And I want you to tell me.
23:35I don't know.
23:35And I'm lazy.
23:36But I don't know who saved me.
23:41I can't say it.
23:43But I don't want you to tell me.
23:45So, if you want to say it, I'll say it.
24:02What is the right goal?
24:05One and the only one.
24:07To become someone in this city.
24:10What is the right goal?
24:11The goal of Smederevo is just a little.
24:17What are the ambitions?
24:19No, I want to show you here.
24:21In this city, there is no more space for action.
24:25You understand?
24:27Well, it's nice to me that you decided.
24:29I think you are talented for this job and you need to do this.
24:35It's nice.
24:37And I think we are the two of us.
24:38Good tandem.
24:40And I like how my conversation is.
24:43He's like, I would have brought you to me and you would have done it.
24:47Brate, everything I've said, everything is clear.
24:50Yes.
24:52I've talked a lot about Brate, but they haven't done a lot.
24:55We'll do it.
24:56We won't do it.
24:58We won't do it.
24:59We won't do it.
25:00I don't know.
25:02Don't worry about it.
25:05Don't worry about it.
25:10Don't worry about it.
25:11Don't worry about it.
25:12Don't worry.
25:14He will soon be gone without the story.
25:33Hey, come on, come on, come on, it's open!
25:36Hey, where are you?
25:38Hi!
25:39Sit, sit, come on, sorry, now I'll just do something.
25:42Yeah, you're always working, man.
25:45Yes, tell me, do you want to write something?
25:47I don't want to, let's go.
25:49What do you say?
25:51When you're your guest, you have the advantages,
25:55and God, I'm Anna, as you can see.
25:58Okay, better than you have some ugly faces like me.
26:03Okay, I've heard how the atmosphere can be ugly.
26:07Okay, here's my atmosphere like in a river.
26:11I see that it's like you are like a witch.
26:13I'm sorry.
26:15Now it's like, God, I'm sure I met Uroša, I had some kind of
26:21and then I'm getting into the room.
26:21And then I'm coming to Uroša, I believe in me.
26:24And then I'm getting into the room, I'm getting into the room,
26:26and then I'm getting into the room, and now I'm getting into the room.
26:28And then I'm getting into the room.
26:31And now it's fine.
26:32So it's good.
26:38I'm getting into Uroša.
26:39Okay.
26:41The thing is delicate.
26:43When he's on the question, then things are delicate.
26:56I've been needing that.
26:58Yes, I have no idea.
27:06That's all.
27:08And the difference is the beauty of my life,
27:09and I'm getting into the room.
27:12It's like five years ago.
27:12And now I'm getting into the room.
27:15I'm getting into the room.
27:15I don't know how to explain my life, I don't know how to explain my life.
27:20No one is wrong here, Panchi, no one is alive.
27:27Good evening.
27:29Good evening.
27:30Good evening, how are you doing?
27:31Here, Mido, the flowers and the spring.
27:35How are you, Mido?
27:39Okay, a little humorous. I've been working with them.
27:43And?
27:45We've talked a little bit about it.
27:47And what does the music producer say?
27:53Well, that music instrument says, come on.
27:57Come on, come on, come on, come on.
28:00No, Panchita said, come on, come on.
28:03Oh, my God, don't get mad.
28:06You're a madman.
28:07You're a madman.
28:08So, if you're a mother and her mother, you'd have sold it.
28:14Panchita, don't you? We've talked about it.
28:16I'm going to say, if I can go to the bank, to take money,
28:20I can go to the bank, to give it to the bank.
28:23And he said, I'll do it.
28:24And he said, I'll do it.
28:25And you'll just be happy.
28:26Stay happy.
28:29I'm going to say, I'll do it.
28:30And he said, I'll do it.
28:32And he said, I'll do it.
28:33Okay, Panchita, and the rest of you, you'll see.
28:35No, it's not so easy.
28:38You know how we're a little bit more.
28:40You're not even more.
28:44You're not even more.
28:45You'll see, he's a little bit more.
28:54You'll see, he's a little bit more.
28:57You'll see.
28:58You'll see...
28:59God, it's like a stormy stormy stormy, when it's dark.
29:05Let's stop laughing.
29:07Let's go, man.
29:09There's a lot of your cowards.
29:11You know what we have the problem?
29:12I don't have any problem.
29:25I'm listening to what you're talking about.
29:29Well, I love you.
29:32That's good news. That's amazing news.
29:35Yes, and I'm really Lenta in clothes.
29:39That's a lot.
29:40Yes, but I have one problem.
29:45Which problem?
29:47Urash.
29:49What's the problem?
29:51He thinks that that person is not a good opportunity for me.
29:55What's wrong with him?
29:56It's like he doesn't see the future.
29:59He doesn't see the future?
30:01I mean, I know how he loves you.
30:05I know that he cares.
30:06I mean, really, when he comes to his own paranoia, he's just going to break it.
30:09Yeah, I really could have to be a little bit.
30:12I think that Momok is amazing.
30:14He's famous, famous, charismatic, duholy.
30:17I think that I've been so long for myself.
30:20And it's hard for me to love someone.
30:24Yes, I understand.
30:25I mean, if you love someone after the time, I'm sure he won't fall.
30:30You know what?
30:32You know what?
30:32I'll talk about it and I'll talk about it.
30:35I'll talk about it and I'll talk about it and I'll talk about it.
30:39And I'll talk about it and I'll talk about it.
30:40Of course, I'll talk about it.
30:42And that's why we're here.
30:44It's fine.
30:53I can see the picture before.
30:54I'm not going to listen to you, Pacheeta.
30:55That's a lot of problems.
30:56I won't listen to you.
30:58Yes, of course not.
30:59You're only taking your own support.
31:01It's difficult for a lot of musicians.
31:05How may I say?
31:06In the face, in the face, in the face, in the face.
31:09What happened in the house? With Goran?
31:12It's really his breaking.
31:13It's not like that, Panchet. What happened?
31:16It's the young man.
31:18What a young man.
31:21I don't know who is, who is, where is, where is, where is.
31:24What's the young man?
31:25What a young man.
31:27What a proud man.
31:29What a culture, what a domestic man.
31:31What do I have to do with him?
31:34It's because we don't know anything about her.
31:37We don't know if she's going to eat coffee.
31:39What a young man.
31:41I didn't even think about it.
31:43Maybe the kitchen is like driving me with an airplane.
31:47How do we know? We don't know.
31:49Okay, what do we do?
31:50How do I try to test her?
31:54How?
31:56That's right.
31:58What do you want to go to Vukashina and tell him to ask him?
32:01No, my son, Panchet.
32:03I'll go to Vukashina again.
32:05No, no, no.
32:06I'll go to Vukashina again.
32:08I'm really sorry to go to Vukashina.
32:11That's why I'm calling him.
32:12Okay, wait.
32:13I'll go to Vukashina again.
32:15Let me go.
32:16Let me go.
32:17Let me see what he is.
32:19How do I go to go?
32:20I'll explain.
32:21I'll explain.
32:23I'll explain when my little car...
32:24...to the car...
32:26...the car...
32:28...the car...
32:29...the car...
32:30...the car...
32:30...the car...
32:30...no, not the car.
32:32I'll explain.
32:33Okay.
32:34Panci, can I please talk something?
32:39We can, Mila.
32:41What's up?
32:43People...
32:43...get up.
32:44Come on, people.
32:48What do you mean?
32:58Do you want to go to Sanku?
33:02Not on Sanku.
33:03You put some imagination, some interpretations, some masks.
33:09Just a little bit.
33:10So, focus on a little bit.
33:13Like a little bit on the horizon.
33:17Because you can, because you can always do that.
33:19Okay.
33:32Here you go, what do you have?
33:34I'm going to go to Sanku.
33:36I'm going to try to cut a collar.
33:38Okay, how are you going?
33:39I don't know what I'm going to say.
33:41I have a question.
33:42Tell me.
33:43Do you ever see you at the end of the show?
33:57Let me know what happened.
34:00I don't know what to say.
34:04I'm going to cut off my head.
34:07Why are you cut off my head?
34:08Why are you cut off my head?
34:09Why are you cut off my head?
34:09I've heard the terrible things.
34:11Who is it to hear?
34:24Why are you talking.
34:26Good.
34:26But I can't tell you.
34:28Why are you talking about it?
34:31Maybe.
34:31I want it.
34:32I'll tell you that.
34:32What's going to do?
34:33So, he's interested me all.
34:35He's interested me all.
34:36How he is, what he loves, how he knows.
34:38All, all, all.
34:40So, let me give you a drink and talk about it.
34:44Let's go.
34:45Let's go, Vanja.
35:02I think it's time to tell you what I'm doing.
35:07Yeah, I think I'm going to tell you what I'm doing.
35:12It's nice to me.
35:15I see.
35:32It's nice to me.
35:38It's nice to me.
35:39Why am I a star?
35:41What do you mean?
35:43Because I love everything.
35:45I have a glass for cocktail.
35:47I have a detective's mind.
35:49I have a gift for singing.
35:51And if I need it, I'll give it to me.
36:03I'll give it to me.
36:05I'll give it to me.
36:09I'll give it to me.
36:25I'll give it to you.
36:49I'll give it to you.
36:50I'll give it to you.
37:09I'll give it to you.
37:14I'll give it to you.
37:20He was the first mom, Vitomir, for him.
37:25I wanted to tell him to tell the company
37:30how he killed him in relation to his relationship.
37:36Of course, that's not true.
37:38It's far away from that.
37:41And he was also committed to it.
37:44He was committed to it.
37:46I just need to drink something.
Comments