- 23 hours ago
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00:10It's not like you to me to train.
00:11I do.
00:12I'm taking the street to the house.
00:14We'll go back and change and return for dinner.
00:17Didn't know what time she left yesterday.
00:19Oh, no, not precisely.
00:20The rest of us were at the point to point.
00:22We heard when we got back.
00:23So what are we going to say now?
00:25I've been awake the whole night.
00:27There's only one thing we can say.
00:28We have to tell Cora.
00:31Well, isn't that rather a betrayal?
00:33If anything happens to Edith and Cora learns later we knew all along,
00:37she would never forgive us.
00:39And I wouldn't blame her.
00:41You see, as a mother, it is her right.
00:43But you don't plan to tell Robert?
00:45He is Edith's father.
00:47He's a man.
00:48Men don't have rights.
00:52They telephoned Lady Rosamund last night.
00:54She's on the way here now.
00:56It seems very hard.
00:57They should have guests staying and more coming for dinner.
00:59But there's something going on.
01:00I suppose they couldn't put them off without telling them why.
01:02It'll make for a funny evening.
01:06We still don't know anything.
01:07Well, we know she's in London.
01:08The stationmaster said she bought a ticket for King's Cross.
01:11But where can she be hiding?
01:12It seems a terrific imposition for us to be here.
01:15Should we just leave?
01:16Why?
01:16We've got Dickie Merton, the Cinderbees, and their son arriving at any minute.
01:20We could put them off.
01:21Please don't.
01:22They're looking forward to it awfully.
01:23You mean you are?
01:24I don't think we should.
01:24We have to give the impression that Edith has simply gone away to stay somewhere.
01:28How terribly worrying this is for you.
01:30I'm so sorry.
01:31Oh, why the song and dance?
01:32Edith's gone away.
01:33So what?
01:34We three should go for a walk and leave them to talk.
01:37Tony can be our guide.
01:38You must know the garden's pretty well by now.
01:39Maybe we should take some air.
01:41I think we might emulate the others and let Cora show us the garden.
01:45I'm not sure what good that'll do.
01:47When I say we need some air, we need some air.
01:49Cora, if it's what you want.
01:51Mary, you can manage the children when they get here.
01:54Of course.
01:55There's a person downstairs, my lady.
01:57A Mrs. Drew from Yew Tree Farm.
01:59She's very anxious to see you.
02:01Oh, well, you better show her into my sitting room.
02:04I'm sorry, Mama.
02:06You go ahead without me.
02:07I can take you for a walk if you like.
02:10Why would I want to walk?
02:18I'm going in to change.
02:20I'll sneak upstairs so I don't disturb them.
02:23See you at dinner.
02:24Not if I see you first.
02:28I don't understand.
02:30You're so well suited.
02:32And you're much more relaxed with her than you are with Mary.
02:34Yes.
02:35You must admit it's odd.
02:37But Mary's trying to break it off and Mabel's dying for love of you.
02:40I know, but you see, I can't break it off with Mary.
02:43Not now.
02:45Why not?
02:46Well, I won't explain it, but suffice to say, it wouldn't be honourable.
02:50You are an old dear if you think I don't know what you're talking about.
02:53But isn't it up to Mary?
02:55It's not what she wants.
02:57Not really.
02:58Does she look like a woman today, trying to rid herself of a suitor?
03:03You're muddling her instinct, which is to hold every man in thrall, and her wish, which is to break up.
03:10I'm not convinced.
03:12I wish she would be, for everyone's sake.
03:18Who was that letter from?
03:20Mr. Brooke.
03:21He's got a new job in Salford, so he doesn't want to renew the lease.
03:24We need to find another tenant, dammit.
03:26Don't be ungrateful.
03:28Bless your mother every day for leaving us that house.
03:30When you have property, you have choices.
03:32So what should we do?
03:34After he's gone, let's ask for time off together.
03:37Go down, see what condition he's left it in.
03:39Then we can plan.
03:41Why are you smiling?
03:43Because whenever I see a problem, you see only possibilities.
03:49Did you both know?
03:51Mrs. Drew told me Rosamund knew you went to see the child with Edith.
03:55Yes.
03:55And you never thought to tell me that I have a third grandchild.
03:58Edith didn't want me to.
03:59I suppose this makes sense of that bewildering trip to Switzerland.
04:01What else was I to do?
04:03She wouldn't get rid of it.
04:05Get rid of it?
04:05It was her idea.
04:07But she wouldn't go through with it in the end.
04:10And what did you know?
04:12Well, not quite as much.
04:14I knew why they were in Switzerland.
04:16I thought she'd left the baby there.
04:18And that was the idea.
04:20Edith didn't stick to it.
04:22And you never thought to involve me, her own mother.
04:25You, Rosamund.
04:27You looked at that little girl and you never thought it was my business too?
04:30No, we wanted to contain it.
04:34To make as little noise abroad as possible.
04:37So what changed?
04:38What tipped her over the edge and into running away?
04:40Well, I suppose we all knew Mr. Gregson was dead.
04:43But the confirmation must have been very upsetting.
04:47And Mrs. Drew was being difficult.
04:49Clearly, the child couldn't stay there indefinitely.
04:53So, we thought.
04:54What did you think?
04:55That it would be better and safer if the girl was sent abroad.
04:59Well, now we have it.
05:00Edith was told her child would be taken away.
05:03You going to say anything to Robert?
05:06No.
05:07I agree with one thing the secret is not ours to tell.
05:10Somehow we must find Edith.
05:13And we must hear from her what she wants.
05:24Milady?
05:25I'm sorry to bother you.
05:27What is it, Mrs. Hughes?
05:29It may have slipped your mind, Milady,
05:31but do you remember I gave you a train ticket
05:33when we came to London for Lady Rose's ball?
05:35It was a return ticket that I found in the pocket of Mr. Bates' overcoat.
05:40Of course I remember.
05:41I don't suppose you put it any way for safekeeping.
05:45Why?
05:46Because we were wrong.
05:48Far from proving that Mr. Bates went to London
05:50on the day Mr. Green died, it proved he didn't.
05:53He bought the ticket in York, but changed his mind.
05:57And that's why it was never given in.
05:59So it was proof of his innocence, not his guilt.
06:01That's about the size of it.
06:04I'm afraid I burned it, Mrs. Hughes.
06:06Yes.
06:11Atticus!
06:16Hello.
06:18Oh, Lord and Lady Cinderby, hello.
06:20Good evening, Rose.
06:21Oh, you know my cousin?
06:22Of course.
06:23We were in awe of your courage yesterday.
06:25Well, courage or foolhardiness.
06:27Come and see Mama and Papa.
06:32To be honest, we're in the middle of rather a drama, which I'll tell you about, but you mustn't let
06:36on.
06:37Our first secret.
06:40This is cold, so it can go up now, but cover it till it's served.
06:43Shall we work on Valentine's Day when you're finished tonight?
06:46As an hour.
06:47Well, we'll ask you later.
06:48Lord Merton's arrived, so everyone's here.
06:51I'll announce it when you're ready.
06:52I will be by the time you say it.
06:55You're very glum.
06:56Am I?
06:57Oh, don't tell me your enthusiasm for learning is drying up.
07:01Maybe.
07:01Have you read the papers lately?
07:03I wish I had the time.
07:05Mr MacDonald seems to limp from crisis to crisis.
07:08They were going to do so much when they came in.
07:11The first Labour government.
07:12And now, I doubt if they last a year.
07:14Don't take it personally.
07:15But I do.
07:16When I think about it, it seems to me that we're trapped.
07:19Held fast in a system that gives us no value and no freedom.
07:23Oh, you speak for yourself.
07:24I am.
07:24I do.
07:25And now I'm wondering, is it worth it, me trying to better myself?
07:28What's the point?
07:29That's it.
07:30They're coming in.
07:45Miss Baxter?
07:47I'm afraid you think I've got you both into trouble.
07:50I don't know what you mean.
07:51Yes, you do.
07:52I said I had no proof.
07:54I gave them nothing that would stand up.
07:56Why did you have to say anything?
07:57I was in a difficult position.
07:59So now you've put us in one.
08:00I'm very sorry.
08:02I am.
08:03Truly.
08:05I have to clean some shoes.
08:18Are you enjoying Yorkshire?
08:20Well, first, we and Yorkshire have to get used to each other.
08:24But you haven't come up against too many impassable barriers.
08:26Lord Grantham, we both know what we're up against.
08:29Happily, we're used to it.
08:30Only won't have any trouble with us.
08:32Lady Grantham's father was Jewish.
08:33That isn't always a guarantee of tolerance, so it's a relief to hear you say it.
08:38Atticus seems to be very taken with your niece.
08:41And I must say, I find her quite charming.
08:46Does Lord Cinderbeer approve?
08:49Well, you know, he needs time to settle into things.
08:52Your mother never considered converting?
08:55I don't believe so.
08:57I don't believe so.
08:57Was it difficult?
08:59Having a different religion from your father's?
09:03I thought I recall.
09:06But you're not ashamed of it?
09:08Lord Cinderbeer, I would point out that we never changed our name.
09:11Hmm.
09:12It was my grandfather's decision.
09:16I thought of changing it back, but the family felt they were English now, and they wanted to stay.
09:20English.
09:21Have you decided at last whether you're leaving?
09:24At last is the right phrase.
09:25But I want to make sure I do the right thing.
09:27I don't want to disrupt Sibby's life.
09:29They regret it.
09:30You know they all want you to stay.
09:34That only makes it more difficult.
09:36Lord Grantham was saying that Gregson left Lady Edith's publishing company.
09:40Yes, that's right.
09:41Then shouldn't someone telephone the office?
09:43Won't she go there?
09:45They must know where to find her.
09:47Of course.
09:49How clever you are.
09:51Seems rather obvious to me.
09:53Your mother and Robert are hitting it off.
09:56She's not the problem.
09:58Oh?
09:58My father's the tough nut.
10:01Well, my people are the other way around.
10:03My father's a darling and my mother's the nut.
10:05Then we shall crack them against each other.
10:09It's strange how some people get married and married and we can't manage it once.
10:16Dogs barking in wrong trees spring to mind.
10:20Tony, I'm sorry if you feel I'm tracking you around the country, but I can't give up just yet.
10:25You'd be so very happy if you'd let us.
10:27And I won't be if I don't.
10:30I remember my mother telling me that in the end, happiness is a matter of choice.
10:35Some people choose to be happy and others select a course that leads only to frustration and disappointment.
10:40And I'm one of the latter.
10:42Terribly hope not.
10:43For my sake.
10:49I have a little announcement.
10:51Are you sure?
10:52I am.
10:54You might like to know that Lord Merton and I have decided that we should get married.
11:00Oh!
11:03Well, this calls for a toast.
11:05I give you Mrs. Crawley.
11:08Or should I say, the future Lady Merton.
11:11The future Lady Merton.
11:16Naturally, it was the last thing I ever thought would happen.
11:20Well, I forced her into it.
11:22He wooed me into it.
11:23And I'm terribly pleased he did.
11:30What's the matter, Granny?
11:32She's worried about Edith.
11:33I can't think why.
11:35My dear, a lack of compassion can be as vulgar as an excess of tears.
11:45Ah, Daisy, have you decided?
11:48Shall we discuss the vices of Miss Becky's shop?
11:50I'm tired.
11:51I'm going up.
11:52Good night, Mrs. Patmore.
11:55What's that about?
11:56She had such hopes of the Labour government, she feels let down.
12:00But she doesn't give up.
12:01I don't recall you being this keen when Miss Bunting was teaching her.
12:05I wouldn't interfere with a professional, but now that she's gone, I'd like to help if I can.
12:10So?
12:11Answer me as if you've missed out on your vocation.
12:13Tell Daisy.
12:14Perhaps she can change her mind.
12:16She wouldn't listen to me.
12:17Well spotted.
12:18What about Mr. Mason?
12:20Fair enough.
12:21Mr. Barrow might be right for once.
12:23How do we get him to speak to her?
12:26Let me think on it.
12:32I'm sorry if I seem distracted, but I'm truly so happy for both of you.
12:36I thought I'd give her dinner so she can meet my sons.
12:38Well, she has met Larry before.
12:41Let's hope she's forgotten.
12:42Why don't we do it here?
12:44We could invite Granny and everyone.
12:46You are my godfather and Isabel's the grandmother of my child.
12:50Oh, please, Letts.
12:50It seems only right, Mama.
12:52Of course, if you'd like.
12:53Well, that'd be very kind.
12:54A signing of the bond between our families.
12:56I wish we didn't know the anguish lurking behind this jolly evening.
12:59You love other people's secrets.
13:02Not these days.
13:04I can't tell you why I can't leave Mary, but you'd understand if I did.
13:08Just promise me it's a struggle.
13:10More than you know.
13:12We must go.
13:13But it's been such fun.
13:14I hope you'll come to us next time.
13:16We should love it.
13:17I suppose now we just have to wait and see what happens.
13:20There's no need to hurry them to anything.
13:22They're both very young.
13:24Well, I would be delighted if something were to come of it.
13:28Good night, Lady Grantham.
13:29Lady Rosamond.
13:33They're so easy in each other's company.
13:35Anyone can see it.
13:36But he won't let me go.
13:38Because you refuse to make it clear that you want him to.
13:40Just as he's moving off, you tug his strings.
13:43Send a clear message and he'll go.
13:45I promise.
13:45What is that message?
13:49We'll think of something.
13:52Atticus says the London office of the magazine must know how to get in touch with Edith.
13:56I thought we weren't going to tell anyone.
13:58He's not anyone, is he?
13:59Of course not.
14:01We could ring them tomorrow, but maybe I should just go there.
14:05Mr. Aldridge is leaving.
14:10I'll train up in the morning.
14:11I'm coming with you.
14:12I'm not going.
14:13I'll have a horrible day worrying.
14:16Trust me.
14:17How can you imagine I'll ever trust you again?
14:22She doesn't mean it, Mama.
14:24On the contrary.
14:25It's the most honest thing she's ever said to me.
14:30Here you are.
14:40Is our life overcomplicated?
14:44In what way?
14:46Mrs. Patmore is buying a house up here.
14:48Why don't we sell a London house and do the same?
14:50We could rent it out as long as we want to work at Downton.
14:53And then live in it when we retire.
14:55We had a dream once.
14:57Of a small hotel in the area.
14:59And a London house.
15:00Even a little one would buy something substantial up here.
15:03I hate to say his name.
15:06But do you feel the whole business of Mr. Green might be over?
15:10For us, I mean.
15:11Well, they seem to have accepted the fact that I spent the day in York.
15:14And Miss Baxter has given them nothing new to go on.
15:17So we can dare to plan our future again.
15:19Like normal people.
15:21Does that mean what I hope it means?
15:22Mr. Bates, I thought you decided to believe me when I said that device was Lady Mary's.
15:26I do believe you.
15:27I don't know why she wanted it, but I believe you.
15:29Well, then.
15:31You don't suppose there's anything wrong with us, do you?
15:34No.
15:36Well, I think it takes some people longer than others.
15:39That's all.
15:40What would I do without you?
15:46Did they get away?
15:47Just about.
15:48The train was late, thank heaven.
15:50And it isn't going to be Tony?
15:52I don't think so.
15:54Nor Charles.
15:55He decided that before I did.
15:57Well, well.
15:58I don't suppose your ancient father's opinion on these matters carries much weight?
16:02Afraid not.
16:03And I've just remembered I said I'd go and see Granny.
16:11So, I don't think Tony is going to be my next son-in-law.
16:14I don't believe he is.
16:17Pity.
16:19I'd have been so pleased, but there we are.
16:21You're really not yourself, are you, old girl?
16:24What about you?
16:25We don't want you to be on your own forever, you know?
16:27Just to pick someone who shares the family's values.
16:29Someone who feels friendly towards us.
16:31This is not the same thing.
16:33No, you're right.
16:34And I don't blame you for the departure of Miss Bunting.
16:38I didn't want to spend my life in a bare-knuckle fight.
16:41But something's changed.
16:42I feel it.
16:43I may as well tell you.
16:46I've written to my cousin in Boston.
16:48He's done well there, and I'd like his advice.
16:50I see.
16:53I apologise if my bad manners have brought this on.
16:56No need to apologise.
16:57I am what I am, and you are what you are.
17:00And never the twain shall meet.
17:01I wouldn't say that.
17:03I do love you all, you know.
17:05It'll be hard to go.
17:07On both sides.
17:10But we have no way of knowing if Lady Edith will come in today.
17:13It's already tea time, and we close the office at six.
17:16Then we'll wait until six.
17:18And we'll come back in the morning.
17:20And every day until she either turns up or contacts you with her whereabouts.
17:24It wouldn't be enough to give her a message that you want to see her.
17:26No.
17:27It would not be enough.
17:34You've told her, haven't you?
17:36You've broken your word.
17:38No.
17:39I, Mrs. Drew, came to the house.
17:41What did she want?
17:42She felt you had used her badly.
17:45I confess it was a feeling we shared.
17:47I'm not coming back, you know.
17:49Let's not talk about it here.
17:50Come to me for dinner.
17:52No.
17:55Very well, then.
17:56We'll discuss it now in front of your new employees
17:57and give them something to chew on.
18:00There is a tea room at the end of the street.
18:09How are you, Sprat?
18:10Well, I hope.
18:12Everyone has their troubles, my lady.
18:14Oh, dear.
18:15Sprat has been helping to train my new maid, Denka.
18:18I'd say she takes after the dashing, my lady.
18:21In what way?
18:23She's quite untrainable.
18:25Sprat.
18:26There'll be anything else, your leadership.
18:34Sounds like trouble to me.
18:35Are you certain Denka's worth it?
18:37Oh, you must put dinner on Friday into your diary.
18:40That's when Dickie Merton's coming with his sons.
18:43Yes, I wonder if it is a good idea.
18:47Isabel's got to meet them sometime.
18:49And Larry won't make trouble for Tom again.
18:51Not with Sybil dead.
18:52Let us hope not.
18:57Granny, I know why you're finding this difficult.
19:00Do you?
19:01Yes, but you mustn't give in to it.
19:03Give in to what?
19:04Isabel's always been your protégé.
19:06She looks up to you, and you have kept her from harm in return.
19:11Have I?
19:12Yes, so of course it's difficult that she is to take her place among the leaders of the county.
19:16Oh, why?
19:17Why is it difficult?
19:19You needn't pretend.
19:20Your positions have changed.
19:22You, the widow in the Dow House.
19:25Isabel, a great lady presiding over a great house.
19:29But you simply have to be bigger than that.
19:34Is that what you think of me?
19:37That I care about her change of rank?
19:40Well, you're not exactly pleased, are you?
19:43No.
19:45But that is not the reason.
19:47Then what is?
19:49Well, if you must know, I've got used to having a companion.
19:57A friend.
19:58You know, someone to talk things over with.
20:00Well, you'll still have us.
20:02You have your own lives.
20:03And so you should.
20:06But Isabel and I had a lot in common, and I shall miss that.
20:15Granny, you're quite dewy-eyed.
20:17I never think of you as sentimental.
20:19Nor am I.
20:22You've made me regret my confidence.
20:23Do have some cake.
20:26And for your information, I don't think Isabel has ever looked up to me.
20:33No.
20:35We've got the sticks in together, will I say.
20:36Ready?
20:38Go.
20:42Where are they?
20:44There it is.
20:45It's me, it's me!
20:47Now make a wish.
20:51Darling.
20:52You know, Aunt Edith has gone to London.
20:55Yes.
20:56Only I was thinking.
20:57And I wonder, what if we were to leave here,
21:00and to go and live in a place far away across the sea?
21:04What would you say?
21:05Why?
21:08Well, because...
21:10It might be better for us to start a new life there.
21:12Why?
21:15Because...
21:18Because...
21:19Because I hope to God I'm doing the right thing.
21:22That's the stable clock.
21:24We better get back.
21:40I've got an idea, and I've told Mrs. Hughes, but I want you to know it.
21:44I could swear the train ticket hadn't been used.
21:47I would swear it.
21:48What?
21:49I saw the ticket in Mrs. Hughes' hand when she found it in the coat.
21:52It hadn't been torn in half, it was a hole.
21:54I saw it.
21:55Did you, indeed?
21:57Things have moved on, Miss Baxter.
21:59They know I missed a Bates within York on that day.
22:01I just wanted to be helpful.
22:04We know how you like to be helpful, Miss Baxter.
22:07By talking to the police about us.
22:09Excuse me.
22:10I couldn't help overhearing...
22:13Miss Baxter won't say it, but she's in a difficult position.
22:18On the contrary, Miss Baxter keeps saying it.
22:21She says nothing else.
22:23Mr. Maltry, can you remove the Bates from the tables, please?
22:31I'm ready to go up.
22:33I'll come with you.
22:39Ignore them.
22:40I can't.
22:41I feel sorry for them.
22:43Then tell them why you had to talk to the police.
22:46I'd feel ashamed.
22:52You're in luck.
22:53I'm only just back.
22:54Now, listen carefully.
22:55Today I learned I've been posted on a trade delegation to Poland.
22:58I've been gone for months.
23:00Some people have all the fun.
23:01I want you to come up to London tomorrow.
23:03I have some things I can't get out of in the morning.
23:06That doesn't matter.
23:06I just need you from about seven o'clock on.
23:08What for?
23:10Mabel's giving me an idea for how to settle it once and for all.
23:13Just be here.
23:14What sort of clothes?
23:16Rags.
23:17We're going to the Kinema.
23:18Ring me when you go to London.
23:19Your wish is my command.
23:21Bye.
23:27I'm worried about Isis.
23:28Why?
23:28What's the matter with her?
23:29She's not looking too clever.
23:31Did you manage to get hold of Mr. Stapley?
23:32I spoke to his wife, my lord.
23:34He's away until Friday.
23:36Do you want me to try to find someone else?
23:37No, no.
23:38I'll take her down there myself on Friday afternoon.
23:40Has the gong been rung yet?
23:41Just.
23:42Why do we bother to change?
23:43It's you, me, Mary and Tom.
23:44I don't know if I'm Violet to hear you.
23:46Who have you been?
23:47I went to have tea with Atticus.
23:48We met halfway in Ripon.
23:50It's getting quite serious then.
23:52Fingers crossed.
23:53But darling, you don't want to rush into anything.
23:55Oh, but I do.
23:56I want to rush in like Billy-o.
23:58Rose, it's a big thing you're contemplating.
24:00Bigger still because of the circumstances.
24:03You sound like Lord Synderby.
24:04I can see he wasn't very keen.
24:06He doesn't want Atticus to marry out of the faith.
24:08He minds.
24:09Why shouldn't he mind?
24:09He's a very important figure in that community.
24:12But you're not against it, are you?
24:13Of course not.
24:14Still, I think you ought to write to your parents.
24:16Oh, Daddy won't try and stop me.
24:18No, I don't believe he will.
24:19And Mummy hates everyone, so what's the difference?
24:21Even so, it's best not to pretend that it'll be a plane sailing.
24:31Where's Miragold now?
24:32The hotel arranges a babysitter when you need one.
24:35May I see her?
24:37I don't think so.
24:38Not tonight.
24:39So what are you going to do?
24:40I was toying for a while with the idea of going to America.
24:43Oh, don't be ridiculous.
24:44Why is that ridiculous?
24:45She's half-American, isn't she?
24:46I thought I'd drop my title and invent a dead husband.
24:50Then I'd be Mrs. Thing in Detroit or Chicago.
24:53I wouldn't run into anyone I knew.
24:55So is that your plan?
24:57I don't want the magazine business to fall into ruin.
25:00How could I keep an eye on it overseas?
25:03And I would like Miragold to grow up English.
25:05Then what is the alternative?
25:06An invented dead husband here?
25:08I'd never get away with it in London.
25:10I thought I'd make her my orphan godchild.
25:14Well, I have a different plan.
25:17I'd like you to bring her home.
25:19No.
25:20I won't be the county failure.
25:22Poor, demented Lady Edith who lost her virtue and her reason.
25:25Just listen to my plan.
25:29The Drews would reach a reluctant conclusion that they can't afford to raise their friend's child.
25:36You've grown so fond of the girl, you ask if she might join the others in the Downton Nursery.
25:41Well, the Drew plan was mad enough.
25:43But this is completely ludicrous.
25:45How could it possibly work?
25:47Papa must never know the truth.
25:48I've thought about it.
25:49I don't agree.
25:50While it would take time for him to get used to the idea, I believe he would make it.
25:54No.
25:55He'd never look at me in the same way again.
25:56Very well.
25:57If that's how you feel, he doesn't have to know.
26:00Nor Mary.
26:01I couldn't have Mary queening it over me.
26:03No one has to know who doesn't know already.
26:05Your grandmother, Rosamund, you and me.
26:07Everyone else will be told the story.
26:09And how would we execute this insanity?
26:11A farmer's foster child turns up in the Downton Nursery.
26:15People adopt babies all the time from all kinds of backgrounds.
26:18So you're going to try and do this?
26:19I'll telephone Mr. Drew tonight when we get back to Belgrave Square and I'll ask for his help.
26:23And what about his wife?
26:25Let him manage her.
26:26Edith and I will go home tomorrow.
26:28I'll ask Mr. Drew to meet the train and take Marigold.
26:31Then we'll discuss the Drew's situation with the family.
26:35And at last, Edith will fetch the girl and bring her back to the house in broad daylight.
26:41Time to call it a day, ladies.
26:43I couldn't agree more.
26:50One for you, Mr. Malesley.
26:53I'm going up with Lady Mary this afternoon, but only for the night.
26:56You didn't have much warning.
26:57I know, but something's come up.
26:59I suppose there's no point in you looking in at the house.
27:01Not this time.
27:03Leave it till Mr. Book's left and we can both go.
27:06Well, it's an invitation for Mr. Mason.
27:08What? My Mr. Mason?
27:10You're Mr. Mason.
27:11He wants you and me to come to the farm tomorrow for luncheon, if we can get the time off.
27:16Why don't you go with him?
27:17Sure a ladyship wouldn't mind.
27:19Well, sit to you.
27:20Oh, you did me a good turn when I'd done you a bad one.
27:24So I think you deserve a treat.
27:25Well, he's right.
27:26It would do you good.
27:27But have not been asked.
27:29Mr. Mason would be glad to see you.
27:31But would Mr. Carson let us go?
27:33Oh, I think he will if you allow me to handle it.
27:36He won't like it when we've got a big dinner on.
27:38Oh, just let me tell him.
27:40After all, I'm the one with the extra work.
27:43And would Miss Baxter be able to come with us, as Mr. Barrow says?
27:46Well, I don't see why not.
27:47Not as long as you're back in time.
27:48You could go early.
27:49I still don't understand why I'd write to Mr. Morsley.
27:52Well, I might have mentioned that he's been helping you with your books.
27:55You know I write to him now and then.
28:09Can you see him?
28:10Not yet.
28:12Oh, my God.
28:14There's Mary.
28:15What?
28:15There's Mr. Drew.
28:16What should we do?
28:17Leave it to me.
28:20Mr. Drew.
28:22Can you help my mother with her suitcases?
28:29My sister Mary is on the platform.
28:31Go to the next station and come back.
28:33I'll cover the cost.
28:40All right, John.
28:44Hello.
28:45All of our seats, now.
28:46That's it.
28:47Come on, darling.
28:48Just a game.
28:55So, you found her.
28:57I did.
28:58I don't know what the fast was about.
28:59I just thought I'd like a day or two in London.
29:01I knew it.
29:02I said that's all it was.
29:03What a nonsense they made.
29:05Why are you here?
29:06I'm catching the fast train to London.
29:07It's due any minute.
29:08When will you be back?
29:09I'm not sure.
29:10Tomorrow, I think.
29:11Don't forget the dinner on Friday.
29:13We have a duty to protect Isabel from Larry Gray.
29:15I don't think he'll try anything, do you?
29:18Well, have a lovely time.
29:19I'm sure I will.
29:25That was close.
29:29Have I met your younger son?
29:32I remember the elder one.
29:34I think you do.
29:35After his outburst the last time.
29:38But Larry was fond of Sybil, and not about to welcome the man who'd won her.
29:42Oh, let us hope the years since have made him more forgiving.
29:45I'm looking forward to it, and I think we should make no reference to the earlier meeting.
29:49How lucky I am in you.
29:50I know it every time you speak.
29:53Flatterer.
29:54I shall be going.
29:55I'll see you on Friday.
29:56I can't wait.
29:57Thank you so much, my lovely tea.
29:59Not a bit.
30:01Sprat will see you out.
30:09Sprat still looks rather down in the mouth.
30:11I'm afraid the battles with Denker are far from resolved.
30:17It's good to have a moment alone to say how much I appreciate your kindness to Dickie.
30:22I know you don't approve, which makes you all the more generous.
30:26Well, it's too late to stop it.
30:28How is Prince Karagin?
30:30I haven't heard from him lately.
30:32Why?
30:33Oh, I was just wondering how you were going to manage when the princess finally arrives.
30:36Will you receive her here?
30:38Well, I'm not sure.
30:40Since Rimpie hasn't found her yet, I've got time to plan.
30:46Oh, what is it now, Sprat?
30:50I'm sorry to bother your ladyship, especially when you have company.
30:53I'm afraid I must hand in my notice.
30:56I have suffered as much as anyone can expect to suffer in the course of their duties.
31:02I can take no more, my lady.
31:05I can take no more.
31:11Typical Sprat.
31:13He's as touchy as a beauty losing her looks.
31:16You don't think he meant it?
31:17Well, if he did, he'd have given his notice quietly for a good reference in return.
31:23No, no, that is simply a demonstration of discontent.
31:28So you'll forgive his outburst?
31:30Anything rather than find a new butler.
31:48Why did we have to rush out?
31:49Come and stand here.
31:51I still don't understand.
31:52You will.
31:52Do exactly as I tell you, and you will.
31:55Kiss me.
31:56What?
31:57Kiss me.
31:58Now.
31:59It's very good.
32:04Mary.
32:05What are you doing here?
32:06So what did you think of the film?
32:08There was no need to stay at a tableau.
32:11If you just told me I was allowed to walk away, then I'd have gone.
32:14That'd be silly games.
32:15But I did tell you.
32:16Often.
32:17And you didn't go.
32:18Well, I'm going now.
32:20I know.
32:21And I wish you both such happiness, Tony.
32:24I really do.
32:25I don't want to hurry anyone, but can we bring this to an end?
32:27I've had quite enough sentiment from John Barrymore, and I'm starving.
32:31Goodbye, Mary.
32:33And good luck to you.
32:36Well, I'm glad to have engineered a resolution, even if I should have thought of it long ago.
32:40He said we didn't need to do it, but I know we did.
32:43It's funny.
32:43I feel quite sad in a way, but not sad enough to change my mind.
32:48She's nice, you know.
32:49She'll suit him very well.
32:51Good.
32:52I'm glad.
32:53So, what now?
32:55Shall we find ourselves some dinner, too?
32:57Let's.
32:57We'll toast the fun we've had, and whatever the future may bring us.
33:01When are you off to Poland?
33:02I catch the boat train on Monday, so I'm scrambling around, trying to get everything done.
33:07When are you back?
33:08Not for months, or even a year.
33:10You'll be married by then.
33:15There.
33:16All finished.
33:18How lovely, Daisy, to have such a beautiful place to come to.
33:22She's always welcome, Miss Daisy.
33:24I've not been here enough lately.
33:26You've been busy, I know, with your books.
33:29That takes up time.
33:30I think I'll stop it now, so I'll be able to visit more.
33:33Do you think she's right to give up her studies, Mr Mason?
33:36I do not.
33:38Do you want to see more of me?
33:39You know I do.
33:40But education is power.
33:42Don't forget that.
33:44There's no limit to what you can achieve if you'll just give a year or two to mastering those books.
33:49I agree, Mr Mason.
33:52There are millions out there who could have done so much if they'd only been given an education.
33:57I'm one of them.
33:59I could have made something worthwhile of my life if I'd had the chance.
34:02Don't talk as if your life were not worthwhile, when I know it is.
34:06But I think the system's slanted against us.
34:09That the men in charge will always be the men in charge.
34:11How can you say that with the Labour government in power?
34:14I doubt they'll last a year.
34:15Well, next time when they're elected it'll be for longer.
34:19And soon a Labour government might seem quite ordinary.
34:23Do you think I should stick at it?
34:24I do.
34:26And now we ought to think about getting you back to the bus.
34:29Let me take these.
34:30No, no.
34:31Daisy and I are your hosts.
34:33Well, thank you.
34:41He's made a daughter out of his widowed daughter-in-law.
34:45I like it when good things come from bad.
34:49Have you thought of explaining to Mr Bates why you had to speak out?
34:53He'd understand if anyone would.
34:55He's troubles enough without burdening him with mine.
34:58We should go.
35:00We must be back in good time for Mrs Crawley's dinner.
35:01Mr Carson says there was trouble the last time Lord Merton's elder son came to Downton.
35:06Why?
35:07What happened?
35:08Alfred told me, if Mr Branson hadn't been too drunk to stand, we'd have artisticuffs on the table.
35:13Hey!
35:14And here's me thinking life in a great house must be doll work.
35:20Walk on.
35:24Do Mr and Mrs Drew really want you to take her?
35:26Or is it just a way of keeping her here until they have her back?
35:29I don't think so.
35:30They simply can't afford another child.
35:32And there aren't any prior claims?
35:34Apparently not.
35:35That's why they took her in the first place.
35:37What did he say?
35:39Is she carrying puppies?
35:40Because I don't see how that could have happened.
35:42No, it's not that.
35:44She's got cancer.
35:45Poor old thing.
35:46Oh no.
35:48Oh, I hate that word.
35:51He said it won't take long now.
35:52He offered to put her down there and then, but I...
35:55I couldn't quite let him.
35:57Oh, Papa, I'm so, so sorry.
36:00Of course we're stupid to mind so much.
36:02She probably doesn't even know who I am beyond the hand that feeds her, but even so.
36:06We'll keep her right here.
36:07This is her spot.
36:09She'll know she's back at home.
36:12I suppose we can't stop this ghastly dinner tonight.
36:15I don't see how.
36:17Dickey's sons have come from London.
36:19And Atticus was on the same train?
36:21No, of course we can't put it off.
36:22I wasn't thinking.
36:23Why don't we say that you're ill?
36:25I could watch her.
36:26I don't have to go to the dinner.
36:27I think you do.
36:28To lay the ghost of the last time Larry Gray was here.
36:34I asked them to bring him down early.
36:37Hello, Daddy.
36:37Come to my mark, darling.
36:38Hello, my darling.
36:39Hello, my darling.
36:43So, how should I answer?
36:45What's this about?
36:47The child at the Drew's house.
36:50It seems idiotic to me.
36:52And me.
36:53What about if you want to start a family of your own?
36:55But I dote on her.
36:57If they send her to some horrid orphanage, I'd never forgive myself.
37:00But can't you just give them some money so they can keep her?
37:04I think Mrs. Drew finds it too much.
37:08It isn't only the money.
37:10It seems a bit feeble.
37:11Does it?
37:12Looking at these two.
37:16So should I take her?
37:19Papa.
37:23I leave it to your mother.
37:24Well?
37:25I believe we should offer little Marigold a home here.
37:29Do you really, darling?
37:33Well, then, I suppose that's settled.
37:44Have all the guests arrived?
37:45I think so.
37:46Oh, I should tell Mrs. Patmore that it won't be long now.
37:50What are these?
37:51Oh, Mr. Carson's got a notion he and I might buy a place as an investment and maybe run it
37:57as a guest house or rent it out.
38:00How strange.
38:01Mr. Bates was talking about doing something similar.
38:03I suppose we're all beginning to think of a different future, whether we want to or not.
38:10The other day, Mr. Drew was on the platform when Lady Mary and I were waiting for the London train.
38:16Oh, yes.
38:18Then her ladyship and Lady Edith arrived and he got into their carriage.
38:23He helped lift their bags out, but then he just stayed there.
38:26In first class?
38:27Oh, that'll have cost him a pretty penny.
38:31When the train moved off, I thought for a moment he had a child on his lap.
38:35I may have been wrong.
38:37Anna, you shouldn't involve yourself in any speculation of that sort.
38:42The child is safe and the child is loved.
38:45And that's all we need to be sure of.
38:52I've been hearing about Edith's plan.
38:54How marvellous of her.
38:56If you ask me, it's absolutely crackers.
38:59Cora seems pleased.
39:00What idea is this?
39:01Edith has taken in a motherless child and is giving her a home here.
39:05I should have thought an orphan rather than an uncomfortable piece of baggage for an unmarried woman.
39:10You mean a man might not want to take the child on?
39:13Well, I wouldn't.
39:16Rose, have you written to your mother about Mr. Aldridge?
39:19I have now.
39:21And will she approve?
39:23Don't be disappointing, Aunt Violet.
39:24Please.
39:25I promise you we both know a difference in religion is a big thing.
39:29Quite right.
39:30How would you bring up any children, for example?
39:32Children?
39:33When did this happen?
39:35I'm talking hypothetically.
39:36The fact is, most marriages that fail found her for precisely this kind of reason.
39:41An irreconcilable difference.
39:44Or maybe they just don't get on.
39:46I'd agree with Larry.
39:47It's usually more than that.
39:49It might be different beliefs or different nationalities or a huge age gap.
39:54In the end, they cannot see eye to eye.
39:57I don't see what you're getting at.
39:59You mean to marry Mrs. Crawley here?
40:01She seems very nice, and I wish you both every happiness.
40:06But that doesn't prevent me from seeing that the wide disparity in class and background may prove you're undoing.
40:13What did you say?
40:14Only that Mrs. Crawley, a decent middle-class woman with neither birth nor fortune,
40:19is expecting to fill our mother's shoes as one of the leaders of the county.
40:23Is she capable of it?
40:25Or will her inevitable failure prove a source of misery to them both?
40:29You know Mrs. Crawley's late son was my heir.
40:31Or does that prove everyone has distant cousins who are fairly odd?
40:34How dare you?
40:36Will you go, Larry?
40:39I had to make excuses for your rudeness the last time you sat at this table.
40:43It is tiring to think I shall be called upon to do so again.
40:46I know the choice of in-laws is eccentric in this family.
40:49You already boast a chauffeur, and soon you can claim a Jew.
40:51But even so...
40:52Why don't you just get out, you bastard?
40:54And suddenly we've slipped into a foreign tongue.
41:01Well, if that is how you feel.
41:03I do not endorse Tom's language, but that is certainly how we all feel.
41:09Then, Lady Grantham, goodbye.
41:13And thank you for a delightful evening.
41:27What did you imagine?
41:29That we would welcome you with open arms?
41:36He actually called him that?
41:38He did, right to his face.
41:39Mr. Bosley, please.
41:41I think he was right to say it.
41:43He may have been right, but I will not have bad language in front of the maids.
41:46I feel very sorry for Mrs. Crawley.
41:48Why should she be humiliated?
41:50They're leaving early.
41:51No wonder.
41:53Mr. Molesley, why are you down here not gossiping, I hope?
41:56Oh, no, no, Mr. Bosley.
42:01Golly, what an evening.
42:02We won't forget it in a hurry.
42:04Let us remember it for two reasons.
42:06One bad, one good.
42:07Well, it's a good one.
42:08I hope it is good.
42:10I'm listening.
42:11See, the thing is, it occurs to me that we're already having to defend ourselves.
42:15Yes.
42:15So let's have a real reason to.
42:19That is, if you feel equal to it.
42:21I'm not going to give you an answer until you say it properly.
42:24Do I have to kneel down?
42:25Of course.
42:26But you don't have to stay kneeling for very long.
42:29Rose.
42:31Darling Rose.
42:33Are you marrying me?
42:35Well, you can get up now.
42:36No, go on.
42:37We want to be serious.
42:39The truth is that we haven't known each other very long.
42:42And they're right.
42:43There are bound to be problems.
42:44The way I see it, we both know we're going to get married in the end.
42:48We know we're right together.
42:50Yes.
42:51I suppose we do.
42:52That's all I need to hear.
42:54I'll telephone tomorrow and we'll settle who tells what to do and when.
42:57Oh, darling.
43:10I'm going to wait in the car.
43:12Take as long as you like.
43:13We'll laugh about this one day.
43:15Yes, the sooner the better.
43:18Good night.
43:18Good night.
43:21Tell me it won't change your mind.
43:23I can't talk about this tonight, nor for some time to come.
43:27And I think Rose and her young man will take up every scrap of attention we have for weddings.
43:31Please don't say that.
43:33Papa?
43:34Larry's been sitting in the car since he left the dining room.
43:36I'm just coming.
43:39I'll say good night, Mrs. Crawley.
43:41Good night.
43:45Don't blame Larry.
43:47He was close to his mother and hates the thought of a replacement.
43:50They both do.
43:51You don't need to remind me.
43:52The boys take after their mother in every possible way.
44:09I'm going to sleep in the dressing room tonight.
44:11I'm not cross.
44:12I just want to have her with me.
44:15Stay here.
44:16The thing is, I'm pretty sure she won't last till morning, and I don't want her to be frightened.
44:23Then lay her here between us, and she'll know she has someone who loves her very much next to her.
44:32Two people who love her and each other very much lie to the side.
44:37I only hope I can say the same when my time comes.
44:40Until now, O Rio Grande will kill us.
44:43The love of God as much as loud and crear an international człon кровjs has been unable to humiliation, praying
44:43to the group of demons.
44:44You will kill me.
44:45He's close.
44:46Amen.
44:47Amen.
44:47Amen.
44:48Amen.
44:48Amen.