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00:14The Pins have stopped. Nothing will happen yet.
00:25Everything is fine.
00:27You mean it was a false alarm?
00:29Not exactly. These early labour pains show that the womb is preparing itself for birth.
00:34Dr Clarkson, I'm afraid Lord Grantham doesn't enjoy medical detail.
00:37The point is, can we all go back to bed?
00:39You can. And so can I.
00:42I'll see you out.
00:43Sir Philip Tapsell will be here tomorrow.
00:45Of course. If you think it advisable.
00:50There really is nothing wrong.
00:52Nothing at all.
00:54She's a healthy young woman going through a very normal and natural process.
00:59I think I'd rather be in the city if I were having a baby, where they've got other modern inventions.
01:03Far away from everyone you know and trust.
01:05I don't think I would.
01:06What are you talking about having babies for Ivy?
01:09I think we can leave that for a little further down the menu. Thank you.
01:11It's always an idea to be prepared.
01:13I expect you're always prepared.
01:16Try to be Mr Bow.
01:17I don't like the direction this conversation is taking.
01:21Could we all begin the day's tasks, please?
01:24And remember, Lady Sybil is in a delicate condition, so no noise on the gallery.
01:30It's exciting though, isn't it?
01:32To have her baby in the house.
01:33It won't make much difference to you.
01:35Now get back in the kitchen and do as you're told.
01:39Well, I think that message got through.
01:43We can't risk her welfare to soothe Clarkson's feelings.
01:47I know.
01:48I like the old boy, but he did misdiagnose Matthew, and he did miss the warning signs with Lavinia.
01:53Thank you, O'Brien.
01:55Is that fair?
01:57He didn't want to get Matthew's hopes up when it wouldn't make any difference.
02:00And with Lavinia, the disease could move like lightning.
02:02I know, I know.
02:04But even so...
02:06Sir Philip Tapsall may have delivered many lords and royal highnesses, but he doesn't know us.
02:11I'll ask him to include Clarkson in his deliberations.
02:14Will that satisfy you?
02:16I suppose so.
02:20You look a bit puzzled.
02:22I am.
02:22Mr Carson's asked me to whine the clocks.
02:24You must be doing well.
02:25In this house, that marks you out as first footman more than anything could.
02:29That's just it.
02:30I said thank you right away, but I know nothing about clocks.
02:34You'd better ask Mr Barrow.
02:35He's the clock expert.
02:37He used to whine them, but of course it's quite wrong for a valet to do it.
02:40Mr Barrow won't mind?
02:42Oh no.
02:43I can see he likes you.
02:45And that's good, since he's got the year of his lordship.
02:47Yes.
02:48I suppose you would have.
02:49I'd keep him with him if I were you.
02:52I will.
02:53Think nothing of it.
03:00I'm the size of a house.
03:02Oh.
03:03My back hurts.
03:05My ankles are swelling.
03:07And my head aches.
03:09Honestly, I cannot recommend this to anyone.
03:11I am listening, but of course I'm dying to start one of my own.
03:16So you're not waiting?
03:18Waiting for what?
03:20I don't know.
03:21But I did wonder.
03:25Mary, you know what I said about the baby being Catholic?
03:28I've just realised that the christening will have to be here.
03:31At Downton.
03:32Blimey.
03:33I wanted the whole thing done in Dublin.
03:36Out of sight, out of mind.
03:38But we can't wait forever.
03:41We can't not christen it, the poor thing.
03:43You don't have to do this.
03:45It's your baby too.
03:46I don't mind.
03:49I mean, I do believe in God.
03:52But all the rest of it, vicar's feast days and deadly sins.
03:56I don't care about all of that.
03:59I don't know if a vicar knows any more about God than I do.
04:04And I love Tom so very, very much.
04:11I'll let you rest.
04:15Don't worry.
04:16I'll fight your corner with Travis if it comes to it.
04:26There.
04:27Do you feel a slight increase in the resistance?
04:29I think so.
04:30No.
04:31That's what you're watching for.
04:32Never go past the point where the clock is comfortable.
04:35You make it sound like a living thing.
04:37Clocks are living things.
04:38My dad was a clockmaker.
04:40Grew up with clocks.
04:41Understand them.
04:42Never wind them in the early morning before a room is warmed up.
04:44Nor too late when the night air cools them down.
04:47Find a town when the family's out of the room.
04:55But I don't understand.
04:56Why was I kept away from you until now?
04:59It doesn't matter.
04:59Whatever the reason it's over, the point is, someone has to question Mrs Bartlett.
05:04You wrote and said she saw Vera on the evening of the day of her death.
05:08That's right.
05:09She went for a walk.
05:10The door was open and she went in.
05:12And she saw Vera scrubbing pastry from under her nails.
05:14I wrote that because it was such a strange detail for her to remember.
05:18She was making the pie that she ate that night when I was on the train back to Downton.
05:26So Vera planned this.
05:28She meant for you to be imprisoned.
05:31She meant for you to be hanged for her suicide.
05:33It was her revenge.
05:34What a revenge.
05:36For both of us.
05:40But they'll say you poisoned the milk or the flour or something to catch her after you'd gone.
05:44They tested everything in the kitchen.
05:46They said it was in the pastry where I couldn't have put it.
05:52Oh, I hope she's burning in hell.
05:55Don't go down that road.
05:57Once you do, there's no way of it.
06:05I've been thinking about you since we last met.
06:07And wanted to know how you were living.
06:10I've not gone back to doing what I was doing, if that's worrying you.
06:15I have no Charlie to feed, so now if I starve, I starve alone.
06:19And I'd rather starve than do that.
06:21You see, I thought you might work here for a while, helping Mrs Bird.
06:27It would mean that when you moved on, you will have had a respectable job with a respectable reference.
06:33Are you sure you've thought about this, ma'am?
06:36What will Mrs Hughes' reaction be or Lady Grantham's?
06:39An old Lady Grantham?
06:41Can't wait to hear what she has to say about it.
06:44Don't you want to come?
06:46It's not that, ma'am.
06:48You're offering a return to a wholesome world and I am very, very grateful.
06:52Well then?
06:54But I think it's going to be a lot more complicated than you allow.
06:57Then we shall have to face those complications together, shan't we?
07:05I'll take you for a minute.
07:07Sir?
07:08Bates seems very cheerful.
07:09Is he?
07:11He had a visit from his wife earlier.
07:13She must have bought him some good news.
07:14It hardly seems fair, does it?
07:15You've got an extra year and I've got a formal reprimand.
07:19And Mr Bates, who's done it all, who's made all the trouble for us, gets good news.
07:24What do you think it is?
07:25Well, she can't be pregnant. He was arrested a year ago.
07:27She might be, but he wouldn't be very happy about it.
07:31So what do you want to do?
07:32Well, that'll need some thought.
07:35But first, what does this good news consist of?
07:39When you shared with him, where did he keep his letters?
07:45Quite a few of the cottages have been renovated.
07:48Thanks to you.
07:49Maybe a little thanks to me.
07:51But many of the farms have been left entirely to their own devices.
07:55Coulter hasn't farmed this properly for 20 years.
07:59He struggles to pay the rent, which is too low anyway.
08:02There's been no investment.
08:05Papa would say you can't abandon people just because they grow old.
08:09I agree, but it would be cheaper to give him a free cottage and work this land as it should
08:12be worked.
08:13I see. And you don't think Papa understands that?
08:17Maybe he harks back to a time when money was abundant and there wasn't much need to keep on top
08:21of it.
08:21I think he equates being businesslike with being mean.
08:25Or worse, middle class like me.
08:29The middle classes have their virtues and husbandry is one.
08:34We ought to get back.
08:35Sir Philip's thingy's due on the seven o'clock train.
08:38And you ought to be there to hold Tom's hand.
08:41Poor fellow.
08:42He's so terrified.
08:43So thrilled at the same time as I would be.
08:47As I will be.
08:55The dear Duchess of Truro is full of your praises, Sir Philip.
08:59Then, of course, you know that.
09:01She had quite a time when she was first married.
09:03But I said to her, never fear, Duchess.
09:05I'll get a baby out of you one way or another.
09:09And so you did.
09:11Three boys. And as a result, a secure dynasty, I'm glad to say.
09:16But you see no complications here?
09:18None at all.
09:20Lady Sybil is a perfect model of health and beauty.
09:24We told our local doctor we'd send a message to him when it looks as if the baby's coming.
09:29Dr Clarkson has known us all since we were girls.
09:33Yes, what's needed here, Lady Mary, is a knowledge of childbirth. Nothing more.
09:39But, um, if it soothes you, then of course.
09:43He's most welcome.
09:45I'm going to check on Sybil.
09:48Anna?
09:48I'm sorry to trouble you, my lord, but I wondered if I might have a word.
09:52Come into the library.
09:53Matthew, will you take Sir Philip to the drawing room?
09:58Shall we go in?
09:59Well, as a matter of fact, Sir Philip, I was rather hoping to have you to myself for a moment.
10:05Do you know that I was injured during the war?
10:09I think I did hear something about it from, uh, Lady Grantham.
10:13My spine was very severely bruised.
10:16And for a time, it seemed I'd lost the use of my legs and everything else.
10:22But the bruising reduced and you recovered.
10:24Yes, I have heard of this, uh, well, how relieved you must have been.
10:30Yes, but I wonder now whether the, the injury might have affected my, I suppose I mean my fertility, if
10:41it may have limited my chances of fathering a child.
10:44Well, is, uh, is everything working as it should?
10:49Yes.
10:51Then, um, why do you think there may be a problem?
10:55We're anxious to start a family.
10:58We've been married for a few months without any results.
11:02My dear Mr. Crawley, may I point out the word that gives you away?
11:07Anxious.
11:09Anxiety is an enemy to pregnancy.
11:12Don't, whatever you do, feel anxious.
11:17I can run a test if you wish, but I would urge you not to bother.
11:22For some time yet.
11:26There you are.
11:27We were wondering what had happened to you.
11:31This is extraordinary.
11:34Why did the police miss it so completely?
11:37Mrs. Bartlett never spoke to them.
11:38She never spoke to anyone.
11:40Except to you.
11:41She didn't think the truth would make any difference now.
11:44She thought it was only further proof of his guilt.
11:47The difficulty is, she may not want to accept Bates' innocence.
11:51Doesn't she have to?
11:52Not necessarily. She may think he drove his wife to suicide and deserves to rot in prison, in short.
11:58She may not wish to tell the truth, to set him free.
12:02Then we need to get a statement from her before she finds out he could overturn the case.
12:06I'll telephone Murray tonight. He can come up here and talk to you and see Bates.
12:11You were right though. The proof was out there and you've found it.
12:23The editor of the sketch wants me to write for him.
12:26He saw my letter to the Times and wants to give me a regular column.
12:31A regular? What about?
12:35Once a week.
12:36And I can write about whatever I like.
12:39It would be the problems faced by a modern woman rather than the fall of the Ottoman Empire, but even
12:44so...
12:45Will you write under your own name?
12:47I hadn't thought.
12:48You won't have an option. That's what he's buying, that's what he wants.
12:51Your name and your title.
12:54I don't know.
12:56I thought Edith's letter to the Times was very interesting.
12:58Don't bother, Matthew.
13:00I'm always a failure in this family.
13:07I'm sad to hear this, Mrs Bird.
13:09And I'm sad to say it, madam.
13:11But it's kept me awake all night and I know I cannot work alongside a woman of the...
13:19A woman who has chosen that way of life.
13:22But Miss Parks has changed.
13:24Maybe she has and maybe she hasn't.
13:26But if I tolerate her, I will be tarnished by it.
13:30I suppose people come to think that I'd follow the same profession as what she has.
13:36Nobody could look at you and think that, Mrs Bird.
13:38Well, I hope not.
13:40Because I'm a respectable woman.
13:43I may not have much, but I have my good name.
13:46And I must protect it.
13:48You'll have a month's wages in lieu of notice.
13:50Where will you go?
13:53Back to Manchester.
13:54And stay with my sister.
13:56She says there's plenty of work for a playing cook these days.
14:00And they will find one in you.
14:02Goodbye, Mrs Bird.
14:04And good luck.
14:09Is there anything else you need to know about having babies, Ivy?
14:11Honestly, if I told Mrs Patmore the things you two say to me, you'd be up before Mr Carson.
14:16So what are you doing with your afternoon off?
14:18None of your business.
14:19I'd like to make it my business.
14:22Have you greased the cake tins?
14:23Yes.
14:24What about the pastry?
14:25It's in the larder.
14:27Then get started on the vegetables for tonight.
14:32She doesn't want much, does she?
14:33She doesn't like me.
14:35Why not?
14:35I don't know.
14:36She just doesn't.
14:39Well, anyone who doesn't like you needs their head examining.
14:42I hope you agree with him, Jimmy.
14:44I'll be telling.
14:50Are we the first down?
14:52How was Sybil?
14:54Sleeping, thank God.
14:55She's been restless all afternoon.
14:57I don't think it'll be long now.
14:58I'm sorry it couldn't have been in Dublin.
15:01We know how much it meant.
15:03Nothing means more than she does.
15:05And you're sure you have everything you need?
15:07Quite sure.
15:08Hello, Granny.
15:09Are you here?
15:10How nice.
15:11Your grandmother will be with us every night until the baby's born.
15:13I hate to get news second hand.
15:16Well, you won't have long to wait.
15:18I thought I'd ring up Dr Clarkson after we've eaten.
15:21Yes, I've been talking to Lord Grantham about the good doctor.
15:25Sir Philip feels the room would be too crowded.
15:27It might be better to leave old Clarkson out of it for the time being.
15:30But I said I'd telephone.
15:33Well, it really isn't necessary.
15:36I've given him my word.
15:39Why don't I run down in the car after dinner and fetch him?
15:44The hollandaise for the fish.
15:45Put it in the saucepots for Alfred.
15:47I'm doing the soufflés.
15:48As soon as I'll...
15:48Why don't you just do it?
15:52Out of my way.
15:53Quick.
15:56What are you doing?
16:03Haven't you done it?
16:05Oh, my God.
16:06What's happened?
16:07It's curdled and it's got to go up in a minute.
16:09Oh, my Lord.
16:10Ivy can manage it.
16:11Don't worry.
16:11Go on with what you're doing.
16:12Can you really?
16:14I can.
16:16Now what?
16:17Give me an egg, quickly.
16:23Dribble it in.
16:24But it's ruined.
16:25Do what I say.
16:29How does that work?
16:31It's magic.
16:32It's one of the tricks of the trade.
16:39Right.
16:43We'll go and take it up.
16:45Well done, Ivy.
16:45You played a good one there.
16:47Thank you, Daisy.
16:49Yes, thank you.
16:52Well, that didn't hurt at all, did it?
16:55I'll tell you what, Daisy.
16:57Alfred won't like you any better for being rough on her.
17:02I should have the fish.
17:03I'll do it.
17:12There's nothing more tiring than waiting for something to happen.
17:17Edith, have you written back to your editor yet?
17:20What's this?
17:22Edith has had an invitation to write a newspaper column.
17:26And when may she expect an offer to appear on the London stage?
17:31See?
17:36Oh, God, it's a beginning.
17:42Dinner's suspended, so to speak.
17:45Yes, but suspended cancelled or suspended keeping it hot?
17:49And what shall I do about dinner down here?
17:51I can tell you.
17:53What?
17:56What do you mean, concerned?
17:59Lady Sybil's ankles are swollen.
18:00She seems muddled.
18:02Well, sort of muddled.
18:04Not quite there.
18:05Not quite in the present moment.
18:07And what do you think it means?
18:08It means she's having a baby.
18:11A word, Dr Clarkson.
18:14Excuse me.
18:20Sir Philip mustn't bully him into silence.
18:22My dear, this is just Clarkson's professional pride.
18:25Like barbers asking who last cut your hair, they always want to be better than any other practitioner.
18:30But we must listen to what he has to say.
18:32I quite agree.
18:33I don't want to hurt Sir Philip's feelings.
18:35If there's one thing that I'm quite indifferent to, it's Sir Philip Tepsel's feelings.
18:41You are upsetting these people for no reason at all.
18:44I am not.
18:45I think she may be toxemic with the danger of eclampsia.
18:48In which case, we must act fast.
18:50There is no danger whatsoever.
18:53Judging by my experience, Lady Sybil is behaving perfectly normally.
18:56Do you not find the baby small?
18:58Not unusually so.
19:00And the ankles?
19:01Maybe she has thick ankles.
19:03Lots of women do.
19:04But she does not.
19:06I warn you, Doctor.
19:08If you wish to remain, you must be silent.
19:11I cannot allow you to interfere.
19:18Oh, Christmas.
19:21Don't be burnt. Don't be burnt.
19:25Don't be burnt.
19:28Don't be burnt.
19:35Are you alright, Ethel? Only I heard a shout.
19:39Fine, Mum. Everything's fine.
19:43It's a kidney souffle, Mum.
19:45A kidney souffle? Isn't that a bit adventurous?
19:48I've seen Mrs Patmore do it a hundred times.
19:51Yes, but she can't have begun her career as a cook by making a kidney souffle.
19:58Shall I try something else, Mum?
20:00No.
20:01If we're to avoid a midnight feast, it's too late to turn back.
20:12Is everything alright?
20:13I think so. I've just come to fetch some warm milk in case she fancies it.
20:19Mr Carson.
20:21I'm glad I've caught you.
20:24I've had a letter from Mrs Bird, who used to work for Mrs Crawley.
20:28I didn't know she'd gone.
20:30Well, that's the point.
20:39I've been thinking about what we should do.
20:41You know, I have a brother in Liverpool.
20:44There might be an opening there.
20:46It'd mean working with cars again.
20:47No.
20:49We're not going backwards.
20:51You must promise me that.
20:54God, I wish there was something I could do.
20:58Just be here.
21:00We can just lie back and look at the stars.
21:04Is she...
21:05No, it's all just as it should be.
21:08Now what?
21:10I want to test the latest sample of her urine.
21:12Oh, for heaven's sake.
21:14Just give the order to the nurse, please, Sir Villa.
21:21How's the young mother, dear?
21:23My own duty, Dr Clarkson.
21:25What?
21:25Only I swear I'm not on duty, otherwise I wouldn't be lying here.
21:31No.
21:33No, you're not on duty.
21:43Mrs Crawley has hired a prostitute to manage her house.
21:46And that's why Mrs Bird felt she had no choice but to hand in an artist.
21:50Nor did she, poor woman.
21:52But, Mr Carson, this is Ethel we're talking about.
21:55Our Ethel.
21:57And Mrs Crawley was just trying to give her a helping hand.
22:00Is that so wrong?
22:01I do not criticise her for her charity, but she hasn't considered her actions.
22:05No respectable person, certainly no respectable woman, can now be seen entering her house.
22:11And Ethel's given all that up?
22:13Well, I didn't think she was running a brothel in Mrs Crawley's kitchen.
22:17Can't we see nothing, for now?
22:19Mrs Bird's gone, and I don't remember Ethel as any great cook, so it may sort itself out.
22:26Very well.
22:28We shall keep silent.
22:30For the moment.
22:31But I don't want the maids going into that house on any pretext whatsoever.
22:36Is that clear?
22:38Quite clear, Mr Carson.
22:40Or the footman.
22:46It's my belief that Lady Sybil is at risk of eclampsia.
22:49What is that?
22:50A rare condition from which she is not suffering.
22:53Tell him why you think she may be.
22:56Her baby is small.
22:57She's confused, and there's far too much albumin.
23:00That is, protein in her urine.
23:02Dr Clarkson, please.
23:04Have you forgotten my mother is present?
23:06Peace.
23:06A woman of my age can face reality far better than most men.
23:10Look, the fact remains, if I am right, we must act at once.
23:14Then do what?
23:15Get her down to the hospital and deliver the child by caesarean section.
23:19But is that safe?
23:20It is the opposite of safe.
23:21It would expose mother and child to untold danger.
23:24She could pick up any kind of infection in a public hospital.
23:27An immediate delivery is the only chance of avoiding the fits that are brought on by the trauma of natural
23:32birth.
23:33It may not work, but...
23:35Honesty at last.
23:36Even if she were at risk from eclampsia, which she is not.
23:41A caesarean is a gamble which might kill either or both of them.
23:46I think we must support Sir Philip in this.
23:48But it's not our decision.
23:50What does Tom say?
23:51Tom has not hired Sir Philip.
23:53He is not master here.
23:55And I will not put Sybil at risk on a whim, if you are sure, Sir Philip.
23:58I am quite, quite certain.
24:01You are being ridiculous.
24:02Obviously we have to talk to Tom.
24:05Don't look at me.
24:06Cora is right.
24:08The decision lies with the chauffeur.
24:13How are things going?
24:15I am not sure.
24:16The doctors are arguing.
24:18That is never a good sign.
24:19Is everything alright?
24:21Unfortunately, it seems it is not.
24:25Could we get her to the hospital?
24:26To move her now would be tantamount to murder.
24:29Sir Philip, admit it.
24:30You are beginning to detect the symptoms yourself.
24:32You can see her distress.
24:33Can you?
24:34Yes, Lady Sybil is in distress.
24:36She is about to give birth.
24:38Lord Grantham, Mr. Branson, time is running out.
24:41We should be at the hospital by now.
24:42If we had acted at once, the baby would be born.
24:44But if she has the operation now, do you swear you can save her?
24:48I cannot swear it, no.
24:50But if we do not operate, and if I am right about her condition, then she will die.
24:53If, if, if, if, Lord Grantham, can you please take command?
24:56Tom, Dr. Clarkson is not sure he can save her.
24:59Sir Philip is certain he can bring her through it with a living child.
25:01Isn't a certainty stronger than a doubt?
25:04Robert, I don't mean to insult Sir Philip, but Dr. Clarkson knows Sybil.
25:07He has known her all her life.
25:08So you take her to the hospital?
25:10I would have taken her an hour ago.
25:12God help us.
25:26Any news from the house, ma'am?
25:28Not yet.
25:30Matthew said he would try and telephone if it's not too late.
25:34Lady Sybil was always kind to me.
25:36Yes, she's a very dear girl.
25:40What?
25:42What's in this?
25:44Some honey.
25:45Was that not right?
25:48It's perfectly fine for now, Ethel.
25:51But perhaps not another time.
25:54Would you like anything, Lamar?
25:56Well, no.
25:57Just good news of the baby and a car to take me home.
26:00I don't suppose I shall get either before long.
26:04What about you, Tom?
26:06I just feel so helpless.
26:08We men are always helpless when a baby's in the picture.
26:14You can come up.
26:16It's a girl.
26:17And they're both?
26:18They're fine.
26:21Oh, thank God.
26:24And hallelujah.
26:30She's so beautiful.
26:33Oh, my darling.
26:36I do love you so much.
26:43I just want to sleep, really.
26:46Of course you do.
26:47You've earned it.
26:49She's a wonderful baby.
26:52I think we should let her sleep.
27:01Very well, darling.
27:02Very well, darling.
27:05Very well, darling.
27:10Yes, my darling.
27:13Tom is thinking of getting a job in Liverpool and going back to being a mechanic, but it wouldn't
27:18be right for him.
27:20He needs to move forward.
27:21Good.
27:22We'll talk about it tomorrow.
27:24We don't need to worry about it now.
27:26I think Papa may see it as some kind of answer.
27:31And if he doesn't...
27:32Your father loves you very much.
27:34I know.
27:35I know.
27:36I know.
27:36And I...
27:37I love him terribly.
27:39But will you help me do battle for Tom and the baby if the time comes?
27:44Of course.
27:44Lady Grantham.
27:46No sleep, darling.
28:05I'm sorry we doubted.
28:07No.
28:08But as to that, Lady Grantham, it's always a good idea to forget most of what was said
28:12during the waiting time and simply enjoy the result.
28:16Is there anything more to be done?
28:18Well, not really.
28:19The nurse will stay with her.
28:21And so I suggest we all get some sleep and meet again refreshed in the morning.
28:27Show us a card trick, Jimmy.
28:29That's it.
28:31The baby is born.
28:34It's a girl.
28:35Now you can all go to bed.
28:41Good news.
28:43Do you like Lady Sybil?
28:44I do.
28:45We worked together in the hospital during the war.
28:47So I know her better than all of them, really.
28:50She's a lovely person.
28:52Like you.
28:55Right.
29:01Anything the matter?
29:02No.
29:04No.
29:04But Mr Barrow's so familiar all the time, isn't he?
29:08I'm glad to hear it.
29:09That's a very good sign.
29:10If he's tending to you, he'll definitely put in a good word with his lordship.
29:14Because I'd like to tell him to keep his distance.
29:16Do you want to get your marching orders, then?
29:20Why, what are you implying?
29:21Nothing unseemly, I hope.
29:24No.
29:25No, nothing like that.
29:28Good night.
29:43Mama.
29:44Mama.
29:45Mama, wake up.
29:45It's Sybil.
29:49Oh.
29:52Oh, bye.
29:54Darling.
29:55Can you hear me, darling?
29:55It's Tom.
29:56Oh, my darling.
29:58I'm busy.
29:58Oh, darling.
29:59All you need to do is rest.
30:00My head.
30:01Sybil.
30:02No.
30:03My head.
30:05My heart.
30:05Sybil.
30:06Let me break your forehead.
30:11What's happening?
30:12Oh, God.
30:13Oh, God.
30:15What's happening?
30:16Oh, God.
30:16God, God, no, no.
30:16What the hell is happening?
30:17She's Sir Philip.
30:18Sybil.
30:19She can't hear me.
30:21Sybil.
30:22Sybil.
30:23It's Mary.
30:23Can you hear me?
30:24It looks as if...
30:26It looks as if what?
30:27This is a clamsy.
30:29Sybil.
30:29Sybil.
30:30But it cannot be.
30:31Sir Philip.
30:32You were so sure.
30:33She can't hear me.
30:35This is unbelievable.
30:36Dad.
30:36Somebody do something.
30:37The human life is unpredictable.
30:39But you were so sure.
30:40Leave me.
30:40What can we do?
30:41Help her.
30:42Help her.
30:42Please.
30:44Oh, God.
30:45No.
30:45Dr. Clarkson, shall we take her to the hospital?
30:47There's nothing that can be done.
30:48That's not possible.
30:49Not now.
30:50Not these days.
30:50Once the seizures have started, there's nothing to be done.
30:53But you don't agree with him, do you, Sir Philip?
30:54Please don't leave me.
30:55Help her.
30:56Help her.
30:56Please.
30:57What's happening?
30:57She can't breathe.
30:58No.
30:59Please.
31:00Just breathe.
31:01There has to be something worth trying.
31:03No.
31:03No.
31:04Come on.
31:05Come on.
31:05Breathe, love.
31:05Come on.
31:06Listen, it's me, my darling.
31:08All you need to do is breathe right now.
31:10We're always getting some morphine and atropina.
31:12What's happening?
31:13Please.
31:14Please breathe, love.
31:17Please.
31:18She can't breathe.
31:19No.
31:20No.
31:23Please.
31:24No.
31:25No.
31:25No.
31:26No.
31:27No.
31:29No.
31:38No.
31:39No.
31:39No.
31:39No.
31:40Please wake up.
31:41Please don't leave me.
31:43Don't leave me.
31:44Please wake up, love.
31:45Please don't leave me.
31:46Please don't leave me, love.
31:49I can't leave you, darling.
31:52Please, love.
32:02But this can't be.
32:05She's 24 years old.
32:09This cannot be.
32:34Is there anything we should do, Mr Carson?
32:38Carry on, Daisy.
32:41As we all must.
33:10I don't know why I'm crying, really.
33:14She wouldn't have noticed if I died.
33:17You don't mean that.
33:21No.
33:23No, I don't.
33:27In my life, I can tell you not many have been kind to me.
33:31She was one of the few.
33:40Oh, don't mind me.
33:44The sweetest spirit under this roof is gone.
33:48And I'm weeping myself.
34:01Are you all right, Mr Carson?
34:06I knew her all her life, you see.
34:10I've known her since you were born.
34:25We'll look after them.
34:29We'll look after them both.
34:33Don't you worry about that.
34:41It's time to go to bed, Mama.
34:44You'll need some rest to face tomorrow.
34:48Not just yet.
34:49This is my chance to say goodbye to my baby.
34:53You go.
34:56I'll be all right, I promise.
34:59I could stay.
35:01Or would you prefer to be alone?
35:03Alone, I think, but thank you.
35:07And Mary.
35:10Could you ask your father to sleep in the dressing room tonight?
35:20Because you are my baby, you know.
35:25You always will be.
35:26Always.
35:33My beauty, my baby.
35:51I've asked Carson to bring Anna here, Mr Murray.
35:54But I don't think it'll be possible for you to see Lord Grantham.
36:00Not today.
36:02I'm sure you understand.
36:03Of course.
36:06I should have guessed there was something wrong when there was no car at the station.
36:11What a dreadful, dreadful thing.
36:21I'll leave you to it.
36:23Mr Murray, I wonder if I might have a word with you before you go.
36:26It's not the best day for it, but there's no knowing when you might be up here again.
36:31Of course, Mr Crawley.
36:41I'm very sorry to trouble you on a day like this, Mrs Bates.
36:45You weren't to know.
36:47None of us could have known.
36:55The men from Graspies have arrived.
36:59To take her away?
37:01Yes.
37:03And we must let them.
37:16Goodbye, my darling.
37:34She was the only person living who always thought you and I were such nice people.
37:40Oh, Mary.
37:45Do you think we might get along a little better in the future?
37:48I doubt it.
37:52But since this is the last time we three will all be together in this life, let's love each other
37:57now.
37:58Our sisters should.
38:19You see, what I have discovered is quite simple, Mr Murray.
38:23It's proof of my husband's innocence.
38:26That seems a good place to start.
38:28Yes, but the key to his innocence depends on the word of a woman who hates him and may want
38:35him to stay in prison, whatever the truth.
38:38Why not tell me everything you know?
39:04Of course, this isn't the right time.
39:06But you're here and it's not a subject for the telephone.
39:09No.
39:10But I must confess to you, Mr Crawley, that even at this sad hour, your words are music to my
39:17ears.
39:18Testing times are coming for these estates, indeed.
39:21They've already arrived.
39:23And many great families will go to the wall over the next few years.
39:26It's never been more vitally important to maximise the assets of a place like this and run it with a
39:32solid business head.
39:33What are you talking about?
39:36Mr Crawley and I were discussing the management of the estate.
39:40He was outlining some interesting plans for the future.
39:43And do you intend to involve my father in these fascinating plans?
39:47Of course.
39:49Then I cannot think this a very appropriate moment to be deciding the destiny of Downton, Mr Murray.
39:55When my sister's body has just been removed from the house and my father is quite unable to see or
40:00speak to anyone.
40:05I'm really only here to talk to Mrs Bates about her new evidence, naturally, if I'd known.
40:10No, no. That's quite different.
40:13None of us would wish to keep Bates in prison for an hour longer than necessary.
40:17Shall I fetch her?
40:19I've already seen her.
40:20Now I'm on my way to York to visit Bates and learn what he has to say about it.
40:25And thank you so much for coming all this way.
40:29Lady Mary, please tell your parents how very sorry I am.
40:33Of course.
40:36Mr Murray is just leaving.
40:52Sorry, darling. Forgive me.
40:53I wasn't thinking.
40:55It's just that Murray was in the house.
40:57Papa has lost his youngest daughter.
40:59I think that's enough.
41:00Or does he have to lose control of his estate on the same day?
41:12And the challenge is to get a statement from Mrs Bartlett before she realises its significance.
41:18That's it.
41:21I can't stop thinking about Lady Seven.
41:25A lovely young woman at the height of her happiness.
41:28If I had any beliefs, that would shake them.
41:34I'll keep you informed, Mr Bates.
41:36I'll do my very best for you.
41:38Thank you, Mr Murray.
41:43I suppose that's his lawyer.
41:47Lord Grantham's lawyer, more like.
41:48I don't care if he's lawyer to the Prince of Wales.
41:51I'll get a shot when he contacts Mrs Audrey Bartlett.
42:05Poor Carlson.
42:07Good afternoon, my lady.
42:10We've seen some troubles, you and I.
42:14Nothing worse than this.
42:16Nothing could be worse than this, my lady.
42:31You and I.
42:33You and I are all gone through.
42:49Ah, Mama.
42:50Oh, my dears.
42:55You'll be glad to know they've found a nurse for the baby.
42:59She's already here.
43:00Good, good.
43:04Where's Tom?
43:05He's upstairs.
43:07I've asked if he wants anything.
43:08He says no.
43:10He wants his wife back, but that's what he can't have.
43:16I must write to Dr. Clarkson and have it sent down before dinner.
43:22Darling, there's no need for that.
43:24I should. I want to.
43:25I have to apologize for our behavior.
43:27What?
43:29Why?
43:30Because if we'd listened to him, Sybil might still be alive.
43:33But Sir Philip and your father knew better, and now she's dead.
43:42Why?
43:42Why did you say that?
43:45Because there is some truth in it.
43:49My dear, when tragedies strike, we try to find someone to blame.
43:54And in the absence of a suitable candidate, we usually blame ourselves.
43:59You are not to blame.
44:01No one is to blame.
44:04Our darling Sybil has died during childbirth.
44:11Like too many women before her.
44:13And all we can do now
44:17is cherish her memory
44:19and her child.
44:22Nevertheless, there is truth in it.
44:25The truth in the death of the world.
44:26The truth in the death of the world.
44:27The truth in the death of the world.
44:29The truth in the death of the world.
44:31The truth in the death of the world.
44:32The truth in the death of the world.
44:32The truth in the death of the world.
44:32The truth in the death of the world.
44:33The truth in the death of the world.
44:36The truth in the death of the world.
44:37The truth in the death of the world.
44:38You