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00:02Oh, heavens. This is nice. It's from Gwen. She's married.
00:07Who's Gwen?
00:08She used to work as a housemaid here. She left to be a secretary.
00:12That's her ladyship for you, Miss Braithwaite.
00:15She says they kept it very quiet because his mother's ill,
00:18but she hopes she can introduce us to him in due course.
00:21Well, I think it's lovely. We should send her a card.
00:23I'll get one and we can all sign it.
00:27Sorry. No, I forgot this.
00:28No harm done.
00:29How are you finding it?
00:31Have that lot got used to your promotion yet?
00:33Some of them.
00:34But not all, eh?
00:36I'll be fine. I don't need to have everyone love me.
00:39Nor me, which is just as well.
00:45Miss Braithwaite?
00:47I hope you don't mind, but can I give you some advice?
00:50Go on.
00:51Mr Barrow never bothered with you when you were a housemaid,
00:54but he will now.
00:55I should be friendly, but keep him at arm's length if I were you.
00:59I'd better get on.
01:07What do you think's in it?
01:09I cannot say, James.
01:11It's addressed to Lady Mary, so perhaps you could question her later.
01:16Mr Carson?
01:20You see the box has been delivered from the late Mr Crawley's office?
01:24Yes?
01:25Well, ought me to give it straight to Lady Mary.
01:27Shouldn't someone else see it first?
01:29In case there's something in it to make her cry.
01:31You may be right.
01:33I'll take it to his lordship and he can decide.
01:48I say, Phyllis Dare's coming to the Theatre Royal in York.
01:52Miss Dare will appear in The Lady of the Rose,
01:54which was the hit musical of the London season.
01:56Who's Phyllis Dare?
01:58Only one of the Dare sisters.
02:00Seen her and Phyllis Dare up here in York.
02:03What happened to the other one?
02:04She married the son of Lordy, she then retired.
02:06Oh, all right for some.
02:08Have you truly never heard of it?
02:09Why would I?
02:10I don't go to the theatre.
02:11You must do it sometimes.
02:13No, never been.
02:14She's got better things to spend her money on.
02:21I don't understand you.
02:23Of course you must give it to her.
02:25But what if it has no legal status?
02:27I don't want to build her hopes up only to have them dashed.
02:31Robert, Matthew intended Mary to be his sole heiress.
02:35That will mean a great deal to her whether or not it's legal.
02:39Can't you see that?
02:40But is it right to exclude George?
02:42Well, right or not, it is what he wanted.
02:45Besides, it's not up to you.
02:52I'll send it to Murray.
02:54Well, Mary must read it before you send it anywhere.
02:57Or are you trying to hide from the truth?
03:01What truth?
03:02That you would prefer to be in sole charge of the estate
03:05and not share the crown with Mary.
03:08Don't be silly.
03:09This won't make any difference to all that.
03:11She won't want to get involved.
03:13When you talk like that, I'm tempted to ring for Nanny
03:16and have you put to bed with no supper.
03:23Goodbye, Mr. Gregg.
03:24Thank you, Doctor.
03:27All he needs to put him right is the paid work.
03:30It's hard for a healthy young man to find a job these days,
03:34never mind poor old Mr. Gregg.
03:36I know. Thank you.
03:38But Mrs. Crowley has things in hand.
03:41My guess is you knew what you were doing bringing him here.
03:44Mrs. Hughes?
03:45Won't you come up?
03:50Oh, don't get up for me.
03:52What news of Charlie?
03:55Mr. Carson's still very busy.
03:57But he sends his best wishes.
04:00Does he?
04:02How did he phrase that, exactly?
04:05Well, he said to tell you.
04:08He didn't say nothing, did he?
04:11You have to understand.
04:14He doesn't remember the days you spent together with any great nostalgia.
04:19He thinks it were all my fault.
04:22But it weren't.
04:24Meaning what?
04:25Never mind.
04:27But it weren't my fault.
04:31They're all coming tonight, so we have to stretch a dinner by two places.
04:35Why suddenly?
04:36I don't know, do I?
04:37Go on about Jimmy.
04:38I just want to have you to know he's not interested in her.
04:41He pretends he is because he knows it annoys me.
04:43How can you be so sure?
04:44He hasn't been bothered about her before now, has he?
04:47Sometimes people come round.
04:49You hope?
04:50I thought the fish seller might be in the village, but he's not coming.
04:53I'll have to go to Tuttle's in York.
04:55I can do it.
04:57What?
04:57Go to York?
04:58You can tell Mr Carson I'm there on your business.
05:00We don't know he can spare you.
05:02You will if you ask him.
05:15Hello, Mr Molesley.
05:19How are things?
05:21As you can see, not very good.
05:23I don't agree.
05:24It's skilled work.
05:25No, it is not what I'm doing.
05:27I'm sure if you'd just wait, something better will turn up.
05:30I have waited and nothing's turned up.
05:33I haven't earned a penny since Mr Crawley died.
05:35Now are your money all over the village?
05:37Yes, but surely with your fear...
05:39Do you understand that, Mum?
05:40I wouldn't say...
05:42I apologise.
05:44I apologise.
05:44I should not have said that.
05:44It was vulgar and self-important.
05:47Please, forgive me.
05:52How much do you owe?
05:56What difference does it make?
05:57Fifteen, twenty pounds?
05:59More than I have any likelihood of.
06:01Mr Molesley, would it be useful if Mr Bates and I lent you some money?
06:09Well, will I pay it back?
06:11Give it then.
06:13We'll give you some if you like.
06:14Not...
06:15much, but some.
06:17I couldn't accept that.
06:19But I thank you, I do.
06:22More sincerely.
06:23Get back to work!
06:32Anna said you wanted to see me before I go down.
06:34Yes.
06:35That is...
06:36Thank you, Bates.
06:37That will be all.
06:44You know I've invited Granny and Isabelle to dinner.
06:47I didn't.
06:48Well, the thing is...
06:51There is a letter for you, from Matthew.
06:55What?
06:57Where was it?
06:58Hidden in a book in the office, and so it was overlooked.
07:01They finally got round to packing up these things and...
07:04brought them here this morning.
07:12Who opened it?
07:14It wasn't sealed.
07:16But you've read it before me?
07:18Yes.
07:18In fact, I would have sent it to Murray to have it looked into,
07:21but your grandmother insisted you should see it first.
07:23Granny's read it too?
07:25And what do you mean, to have it looked into?
07:27Read it.
07:28Then you'll understand.
07:39I felt so sorry for him.
07:41To be in debt like that is the worst thing.
07:44Malsey's not having much luck.
07:46But if he won't accept help, then...
07:49I don't know.
07:52I'm really upset by it.
07:54Well, we can't have that.
07:58I don't understand.
08:00Did Matthew leave instructions after all?
08:02He left a letter.
08:03He wrote it before we went to Scotland.
08:06Well, where has it been?
08:07Concealed in a book.
08:08They only dropped it off today.
08:15Oh, you read it.
08:21My darling Mary, we are off to Donegal in the morning, and I have suddenly realised that I've never made
08:25a will, or anything like one, which seems pretty feeble for a lawyer.
08:29And you being pregnant makes it even more irresponsible.
08:32I'm afraid I have to agree with that.
08:34I'll do it properly when I get back and tear this up before you ever see it.
08:39But I'll feel easier that I've recorded on paper that I wish you to be my sole heiress.
08:45What?
08:45I cannot know if our baby is a boy or a girl, but I do know it will be a
08:50baby if anything happens to me before I've drawn up a will.
08:54And so you must take charge.
08:57And now I shall sign this and get off home for dinner with you.
09:03What a lovely, lovely thought.
09:06Matthew.
09:09Now you see why I didn't want to read it.
09:12But surely it must be legal, or do they have to be witnesses?
09:15But it was witnessed by two of his clients, which is why no one in the office knew it existed.
09:20Then it's settled.
09:21Nothing is settled.
09:24This is why I wanted Murray to check it first.
09:29Whatever Matthew's intentions, it is not a will.
09:35I've explained to Mr Carson about the fish, and he says you can go.
09:39Thanks.
09:42Bound to a penny, he's got some trick up his sleeve.
09:45You're so suspicious.
09:46There are two reasons why he's been so nice to Ivy.
09:48The first is to make me angry.
09:50And I dread to think about the second.
09:52And I have my reason for getting that to the dining room before midnight.
09:58I don't exactly know why, but I feel very happy that Matthew's been allowed a last word.
10:03I agree. More than I can say.
10:06I knew he'd have a sensible plan.
10:09I'm not sure how sensible it is.
10:11If the letter is valid, the estate will have to pay death duties twice before it reaches little George.
10:16In the meantime, it will have all the benefit of Mary's interest.
10:21I hope you intend to get the stock in.
10:23I want the right to an opinion. I shall be content with that.
10:26You already have a right to an opinion.
10:28Do I? Good.
10:30Certainly you do.
10:31In fact, there's a question of using empty farmyards as new sources of revenue.
10:35I'd like to know what you feel about that.
10:37Well, I'd have to think about it.
10:39Crop rotation, livestock versus cereals, or indeed the whole matter of the tax.
10:43There are lots of things I would like your opinion on.
10:46I assume you're trying to make some sort of point.
10:49He's trying to show that a woman's place is in the home.
10:51But she knows a lot about Matthew's plans.
10:54That has value for me.
10:56Mrs Crawley, what do you think?
10:58I'm afraid I'm on Mary's side, Robert.
11:00If sides there must be.
11:01There are no sides, not at all.
11:03I'm pleased if you're pleased.
11:04I'm just saying, you have some work to do.
11:07That is, if the letter turns out to be valid.
11:10Which we very much hope it is not.
11:17What's the matter with you?
11:18I'm a stupid fool, that's what.
11:21Oh lordy. How did you manage that?
11:25Daydreaming.
11:26I don't know what I was about.
11:28She'll be livid.
11:30Not if you do as I tell you. Come on.
11:34By the way, did you get that card for Gwen?
11:36Yes, why?
11:37I thought it would be nice for people in the village to sign it.
11:41The Bakewells, Mr Moseley, that sort of thing.
11:45I'll collect them.
11:46You surprise me.
11:48Why?
11:49I never think of you as social.
11:51Why should I be social when I have you?
11:56You wrote to the Opera House in Belfast?
12:00That was enterprising.
12:01I wrote to a great many theatres.
12:03But the manager at the Opera House wrote back.
12:06It seems they're in need of a stage doorkeeper.
12:09They'd chosen one, but he dropped out.
12:11He asks Mr Grigg to consider it.
12:16I heard about Mr Matthews' letter.
12:19I hope it wasn't too upsetting.
12:23As a matter of fact, it was a relief.
12:27I felt so happy that he'd finally been heard.
12:31But judging by tonight's dinner, it may prove a heavy mantle for Lady Mary.
12:43I shall keep it on my dressing table to remind me that Matthew is on my side.
12:49They're all on your side.
12:52A pa gave me such a whacking at dinner.
12:55Your father loves you very much.
13:00He's also very glad to have Downton back under his control.
13:05He always speaks highly of Mr Matthew and the changes he made.
13:08I'm sure he's very genuine.
13:11But he thinks he can manage alone now.
13:14And the question is, can he?
13:25You wanted to borrow a belt, my lady.
13:27Lady Mary wondered if any of these might suit.
13:31Actually, I'm glad that you're here.
13:33Or is there something I want to ask?
13:38Look what I've found in the village today.
13:42Don't you think it would be the most terrific fun?
13:44Have you asked her ladyship?
13:46She'd never let me go.
13:47At least, not without a chaperone.
13:49But Lady Edith will be in London and Lady Mary's not in the mood.
13:53But is this quite suitable?
13:54It looks more like something for servants and farm workers to me.
13:57So?
13:59They'll dance the one step, won't they?
14:01I have practiced and practiced and I'm dying to try it.
14:05Won't you accompany me?
14:07Then, if I found out, I can say that you came with me so nothing was amiss.
14:11Of course I can't, my lady.
14:13Not without asking Lady Mary.
14:15But that would spoil everything.
14:17She'd be bound to tell Lady Grantham,
14:19please.
14:21I know you love dancing and
14:23Mr Bates may have many qualities but he's not a dancer.
14:27No, my lady. He isn't a dancer.
14:30But...
14:30I'm afraid it's quite impossible.
14:35But how did it happen?
14:37I don't like to say, my lady.
14:39I'm truly vexed.
14:40It was a favourite.
14:42I know, my lady, and I'm very sorry.
14:44But you won't tell me how you did it.
14:46I can't.
14:48Very well, Braithwaite.
14:49I suppose you better look me out another.
15:07What are you doing?
15:09Just sorting some old papers.
15:10I've looked at these in years.
15:12Why are you looking now?
15:14For no particular reason.
15:17I knew I hadn't thrown it away.
15:20Who was she?
15:21Just a friend at one time.
15:24What was she called?
15:27Alice.
15:28Alice Neil.
15:30And you were fond of her?
15:32I was.
15:33But people drift in and out of your life, don't they?
15:38Truth to tell, I felt she'd treated me badly.
15:41What does it matter anyway?
15:43We shout and scream and wail and cry, but in the end we must all die.
15:49Oh, that's cheered me up.
15:53Now I'll get on with my work.
15:58Your Ladyship, Mr Bates.
16:02Bates?
16:04I'm very sorry to interrupt you when you're busy, my lady.
16:07It concerns Mr Molesley, the younger.
16:10You make him sound like a Greek philosopher.
16:12He has fallen on hard times, and I know that you have helped him in the past.
16:19Are you asking me to give him some money?
16:21I am asking for money, yes.
16:23Although he's too proud to accept it as a gift.
16:26Oh, how refreshing.
16:28Although I think we can find a way.
16:32Morning, Barrow.
16:34Good morning, m'lady.
16:36Is his lordship in the library?
16:38He is, but, um...
16:41What is it?
16:43Miss Braveway is very unhappy.
16:45With good reason.
16:47Yes.
16:48But you see, um...
16:51She couldn't explain how it happened because, well, she didn't want to point the finger.
16:55Point the finger at whom?
16:57Well, that's just it, m'lady.
16:59I dare not either.
17:00I'm in enough trouble with Mr Bates as it is.
17:03You don't think Bates is to blame?
17:05Not Mr Bates himself, no.
17:07Anna, then? But why would she do such a thing?
17:09As to that, m'lady, who knows?
17:12Perhaps it was an accident.
17:13Though they do say there's no one so jealous as a lady's maid.
17:16Cora, is that you?
17:19Could I ask you something?
17:24Where's my scent?
17:25Here you are, m'lady.
17:30Oh!
17:31How stupid of me.
17:32That was my clumsiness.
17:33No, it was me.
17:34Damn.
17:35Now the room's going to smell like a tarte's boudoir.
17:39I'll clean it up.
17:41Is it all gone?
17:43I'm afraid so.
17:44It means a trip to Mr Roberts.
17:46There's no one nearer who sells it here.
17:48It's only York.
17:49I could go if you like.
17:52In fact...
17:52What?
17:54Lady Rose asked me if I'd chaperone her to a tarte dansant in York today.
17:59She didn't want to ask her ladyship, but she thought she'd get away with it if I went with her.
18:03And what did you say?
18:05That I couldn't go without your permission.
18:07Well, it is rather slow here for a girl her age.
18:12Go.
18:13But make sure you keep her out of trouble.
18:19Go on.
18:20I know Gwen would appreciate it.
18:22I don't see why.
18:24I didn't know her that well.
18:25But you can sign it, surely.
18:32And why don't you come over tonight?
18:33We haven't seen you in a while.
18:36You're being very friendly.
18:38Aren't I usually friendly?
18:39No.
18:41You're not discourteous, Mr Bates, I'll give you that, but...
18:44You're not friendly.
18:46Except rather, of course.
18:49And I shall try to do better in the future.
18:53See you tonight.
18:58Mr Brunson, your ladyship.
19:00Sorry if I'm late.
19:01I had to call an old Fairclough at Roundhills.
19:03You're not at all late.
19:04Now, I asked Brunson to come here, because I have an idea.
19:09Granny, you must call him Tom.
19:11I thought I could call him Brunson again, now that he's the agent.
19:14Well, you can't.
19:15I don't mind.
19:16No.
19:17I see I'm beaten, but oh, how I sympathise with King Canute.
19:21Now, what is this idea?
19:23Well, Mary, either you or your baby son own half of Downton.
19:29I want you to have a say in the running of it.
19:33It's just what you need.
19:35But didn't last night's dinner disabuse you of that scheme?
19:38Yeah, well, that's the point.
19:40I want...
19:41Tom.
19:42Tom?
19:43To be your instructor.
19:45What?
19:46Well, take Mary, you know, on your rounds.
19:49Let her learn the farmer's difficulties.
19:55Explain the crops and the livestock.
20:01Let her see the problems facing the estate.
20:04And are we to do all this without telling Papa?
20:07Isn't that rather underhand?
20:09There can be too much truth in any relationship.
20:16Mrs Crawley.
20:22We weren't expecting you.
20:24Her ladyship is lunching with Lady Ingram.
20:26His lordship is walking.
20:28Lady Mary's at the Dower House.
20:29And Lady Edith is in London.
20:31As a matter of fact, it's you I came to see.
20:34To talk about Charles Grigg.
20:36You know he's got a job at the Opera House in Belfast.
20:41He's so anxious to talk to you before he goes.
20:44Then he is in for a disappointment.
20:46He says he's resolved to put his dishonesty behind him.
20:50Is he now?
20:52I know it's more than that.
20:55He told me he'd caused you great unhappiness, but he said it was not his fault.
20:59He was always a liar.
21:03I see.
21:08It seems a pity not to take the chance to end a quarrel.
21:11Isn't it better than to let things fester?
21:13I don't mean to speak out of turn, Mrs Crawley, but you will, I think, accept
21:16that any difference between Mr Grigg and me is my concern.
21:20Of course it is.
21:23I'm sorry.
21:30Thank you, Carson.
21:33Good day.
21:43Shall I make us some coffee?
21:45You're so domesticated.
21:47No, not really.
21:49Monk just lays it all out.
21:50I only have to pour in the water.
21:52I mean it.
21:53Compared to Papa, you're a famous chef.
21:55Really, he can't boil a kettle.
21:57If the servants left, he'd be found in a passage, dead, arms stretched out, looking for the kitchen.
22:03Well, I hope you can boil a kettle.
22:05Life with me won't be quite what you're used to.
22:09How are things going?
22:13Well, at least my lawyer thinks so.
22:15Are you sure about this?
22:16The royal family convulses the nation by ceasing to be German.
22:20You want to take it up.
22:23Does it matter that people will hate you for it?
22:26Will you hate me?
22:28I will love you more than ever.
22:29That's all right, then.
22:31I'm pretty tough.
22:33May not be used to the splendors of Downton, but I do know how to look after myself.
22:36Would you like to see Downton?
22:39Where did that come from?
22:41I was thinking, if you are nearly German and nearly divorced, perhaps the family should know you a bit.
22:49It won't be settled tomorrow, my darling. I can't pretend it will.
22:52Don't put me off.
22:54Aren't you curious about my childhood home?
22:57I'm curious about everything to do with you.
23:01But my situation would frighten them.
23:03We don't want that.
23:06I know.
23:07Mama's giving a house party next month. Why don't you come?
23:11Then you can blend in and look around without anyone asking too many questions.
23:16And Mama won't mind. She likes you.
23:18Your father doesn't.
23:19He doesn't know you.
23:22He'll like you when he does.
23:26Now, I must gulp my coffee down and run if I'm to catch the three o'clock.
23:31Can't persuade you to stay.
23:40But I will say this.
23:43It's getting harder and harder to say no.
23:50Too late.
23:57Too late.
23:59Too late.
24:06Too late.
24:11Too late.
24:13Too late.
24:13Too late.
24:15I was to Die.
24:31Oh, look, we'll take that table.
24:33I'm not sure we should be here, m'lady.
24:35It seems unsuitable to me.
24:37Don't call me m'lady.
24:38Call me Rose.
24:40I can't, Rose.
24:41Well, then don't call me anything.
24:48Well, it is a thé dansant.
24:51Let's have a cup of tea.
24:53All right, tea.
24:55Oh, but perhaps with something special in mind?
24:58Right, you are, miss.
25:00Listen.
25:01It's the one step.
25:05Why are they being so slow?
25:09Really, m'lady.
25:10You mustn't be so obvious.
25:12Why not?
25:13It's working.
25:17Don't suppose you care to dance?
25:19Then you'd be wrong.
25:21Because I'd absolutely love to.
25:24Shouldn't we be introduced?
25:25Your name's Anne Foley.
25:27How do you?
25:28I'm Rose Smith.
25:31Hello.
25:32I hope you know how to do this.
25:34You're in luck.
25:35They call me Twinkle Toes.
25:42Hello, Anne.
25:43Jimmy.
25:44What are you doing here?
25:46She's picking up some things for Mrs. Patmore.
25:49Shall we dance?
25:51We'd better.
25:52If only to check Lady Rose isn't getting in too deep.
26:00I'm under-gardener for Lord Ellis.
26:02Near Easingwald.
26:03What about you?
26:04I'm at...
26:06I'm at Downton Abbey.
26:07Oh, yeah?
26:08What do you do?
26:08Are you a ladies' maid?
26:10Sound posh enough.
26:11Do I?
26:12I'm so pleased.
26:13I've...
26:14I've worked and worked on the accent.
26:16Oh, you've done well.
26:18As for a real lady,
26:19never mind a ladies' maid.
26:20I'm not a ladies' maid yet.
26:22Anna is the girl I'm with,
26:24but I wonder if I'm clever enough.
26:26Ah, well.
26:27You won't be outsmare forever.
26:29I suspect you've got a few young fathers hanging about.
26:32I couldn't say.
26:33You won't say, you mean.
26:35James?
26:37How did you find us?
26:39I saw you across the square, my wedding.
26:40I was just saying,
26:41what funny it is to be out like this.
26:42I thought I'd pop in and see what the crack was.
26:45It's a good crack, isn't it, Sam?
26:47Well, it is.
26:48Were you in the arms?
26:55I love the view from up here.
26:58If you know the view, all the better.
27:01Follow that hedge.
27:03To the left of it is Oakwood Farm.
27:05To the right is Oakwood Farm.
27:08Do we want to take over Oakwood Farm?
27:10No.
27:11The O's are good tenants and hard workers.
27:18There is one subject we ought to discuss.
27:21I know your position isn't settled, but we should.
27:24Go on.
27:25The death duties.
27:27If you are the heir, it won't change them.
27:30There's no special treatment for widows.
27:32You do not surprise me.
27:35It seems odd, really, that you have to pay just as much tax as if you'd left it all to
27:39Mrs. Tiggywinkle down the road.
27:42That's how it works.
27:45So what are we to do?
27:48Your father believes we should sell land and pay it off from one lump.
27:52But you don't.
27:54I want to know what you think.
28:12So I've got tickets for me and Ivy.
28:14Does he fully stare?
28:16I don't believe you.
28:18Well, I have.
28:19Because of the packet, no mistake.
28:22Does Ivy know?
28:23Not yet.
28:25Let's have a dance here.
28:26Sorry, I'm dancing with her.
28:27I said let her dance with me.
28:29No.
28:30I don't want to dance with you.
28:32I don't know if you've not even tried it.
28:34Don't tell me you're falling for her at last.
28:36She will be pleased.
28:37I said leave her alone.
28:38Oh, that's the idea.
28:39Come on then.
28:43Sammy, are you okay?
28:45Get off me.
28:46Get off your hat.
28:49Get off him.
28:50Sammy, get off.
28:52Get off.
28:53Sam.
28:53Get him out of here.
28:54Get off him.
28:56James.
28:57I can't leave now.
28:58Not when he's fighting.
28:59I don't even care.
29:00Do you want to be arrested?
29:01I need to get out of here.
29:03Right, that sells it.
29:04Come on.
29:04Come on.
29:05Go, go, go.
29:08Do you want more than you expect?
29:10I call you Mr. Hugh.
29:11Mr. Moseley, is that you?
29:14Come in and have a cup of tea.
29:15Mr. Bates thought I might be welcome.
29:17And so you are.
29:19Sit down.
29:20Mr. Moseley.
29:22I'm glad you're here.
29:26I was going through my desk this afternoon.
29:28I came upon that note of mine.
29:31And if you're willing, I'd like to pay it off now.
29:35What note?
29:36Well, you lent me some money when I first came here.
29:37And I'm sorry I haven't paid it back before now.
29:39But the truth is, I'm afraid I forgot.
29:42I don't remember anything about it.
29:4430 pounds?
29:46Aren't you the lucky one?
29:48Surely there must be some mistake.
29:50You'll not deny that's your signature.
29:51Plain as day.
29:52How was your trip to York?
29:53Never mind that.
29:55What's going on?
29:56Mr. Bates has remembered your 30 pounds to Mr. Moseley.
29:59What?
30:00But, but, but, no.
30:01There you are.
30:01And thank you for coming to my aid when I needed it.
30:06Now, I must go.
30:07I have some things to do before his lordship comes up.
30:11Thank you, Mr. Moseley.
30:16Mr. Carson, get another word.
30:18Certainly, James.
30:25Why did you do that?
30:28You have put up with so much that I couldn't change.
30:32So if there is ever the slightest thing I can make better for you, then I will.
30:36But how did you manage it?
30:38Don't I keep telling you?
30:40Prison was an education.
30:49Take her to the theatre.
30:50It isn't half day.
30:52But not hers.
30:53Then how do we know she'd want to go?
30:55She'll want to go.
30:56She could change her half day.
30:58Oh, I don't know.
30:59It's turning to Liberty Hall round here.
31:02Are we entertaining that night?
31:04I'm not cooking.
31:05They'll all be dining with Lady Lawson at Brough Hall.
31:08Very well.
31:09But no lingering.
31:10You can go and give her the good news.
31:12Thank you, Mr. Carson.
31:19I hope he doesn't break her heart.
31:22We must all have our hearts broken once or twice before we're done.
31:26True enough, Mrs. Hughes.
31:31Strange to think that theatre was part of my life at one time.
31:37Yours and Mr. Crick's.
31:41You know he's going to work in Belfast.
31:43I had heard.
31:45He's leaving the village in the morning.
31:47The eleven o'clock train.
31:49What's that to me?
31:51I'll tell you what it is.
31:53It's an open wound.
31:56I don't know why.
31:58But I do know this.
32:00You'd do better to stitch it up and let it heal.
32:10I'm sorry, my lord, but I didn't hear the gong.
32:11It's all right.
32:12It hasn't gone yet.
32:13I was hoping to catch you.
32:15Of course, I understand how tiresome it must have been for Anna when Edna came back and was suddenly the
32:21senior lady's maid.
32:22My lord.
32:23Ask her to go easy.
32:25I'm sorry, my lord, but I don't understand what you're saying.
32:27A ladyship appears to think there's been some bad feeling between Braithwaite and Anna.
32:32That Anna has been a little unkind.
32:34Not that I know of.
32:35Look, I don't want to make a thing of it.
32:36I'm just asking for a little consideration.
32:38That's all.
32:39And you shall have it, my lord.
32:41Good.
32:42That's all I needed to hear.
32:43Ah, there's the gong now.
32:49I just can't believe you're letting me go.
32:51Do you really mean it?
32:52No, I was having you on.
32:55Oh, don't be so soft.
32:56I said you can go and you can go.
32:58What should I wear?
32:59Clothes.
33:00But I haven't got anything right.
33:01Not for the theatre in York.
33:03It's not Covent Garden.
33:05What?
33:06Oh, never mind.
33:07We'll make you look presentable and I'll get that parsley.
33:12I don't know why she's so excited.
33:14It's only a blooming play.
33:22He's just as keen on her as ever.
33:25We'll see.
33:26Nothing's as changeable as a young man's heart.
33:29Take hope and a warning from that.
34:05Oh, that's it.
34:06Oh.
34:12Yes?
34:13I was wondering if you can have a word with the housemaid, Rose.
34:15The housemaid, Rose.
34:16The maid, Rose, who works here.
34:18Look, chum.
34:19I'll deal with it, Miss Sparrow.
34:21Hello, Mr Foley.
34:24Well, I'll leave you to it.
34:28I've got to know she's all right.
34:30Rose is a bit busy just now, but I'll tell you asked.
34:32I don't mind waiting.
34:35Can I, er...
34:36Can I come in?
34:38If you'll just stay there, I'll...
34:39I'll see what she's up to.
34:45Anna?
34:46What is it?
34:48The man you were dancing with, Sam Thorley.
34:51He's downstairs.
34:53But why?
34:54What does he want?
34:56He says he's come to make sure that you're all right.
34:58What have you done with him?
35:00Left him in the yard before he asked the others any questions.
35:03What can I say?
35:04What can I do?
35:07Come with me.
35:08I've got an idea.
35:11Yeah.
35:30This is so very kind of you.
35:32Well, I had to come.
35:33You know, I had to see that you were, er...
35:36You know, all right after that ruckus.
35:39And I...
35:40And I am.
35:41Thanks to you.
35:42I never saw anything so brave as the way you punched that horrid man.
35:46I'll do more than that for you.
35:50How very flattering.
35:52Where'd you grow up?
35:54You don't sound very Yorkshire.
35:56Don't I?
35:58That's...
35:58That's because my life's been sort of spent all over the place.
36:03North, south, east, west.
36:08Home's the place that I love best.
36:10What?
36:12That's how the song goes.
36:15Yes, I...
36:16I suppose it is.
36:20Would you let me call on you again?
36:23Well...
36:23Look, I know I'm not good enough for you.
36:25I can see that.
36:27But I'm a steady chap.
36:29Ask Lord Ellis' agent.
36:31Give me a good reference.
36:32I'm sure.
36:33But it's...
36:34It's something else.
36:36Do you remember wondering if any of the local farmers were after me?
36:41Yeah.
36:42Well, that's the thing.
36:43I...
36:44There is one farmer.
36:45And I...
36:46I didn't want to spoil this afternoon by mentioning it.
36:48But I've rather given him my word.
36:54Well, that's me backing me box, then.
36:57I hope you understand.
37:00Course I do.
37:01He's a lucky bloke, that's all I'll say.
37:05Well, good luck, then.
37:07It's been nice knowing you.
37:10You too.
37:15Mr. Thorley?
37:17Sam?
37:20When you do find someone...
37:24Someone...
37:24Much nicer and better than I am...
37:28She'll be a very lucky girl.
37:43What the?
37:45Say nothing and I'll be your friend forever.
38:06Ah, here she is.
38:08Oh, darling.
38:09Ah.
38:10Are you only just back?
38:11We sat forever outside Peterborough.
38:13We never found out why.
38:15Shall I change?
38:16No, don't bother.
38:17It's only us.
38:18And who are we to warrant any courtesy?
38:20Don't be difficult, Granny.
38:22Where's Rose?
38:22Have we lost her?
38:24I'm so sorry I'm late.
38:26Never mind.
38:27Never mind.
38:30Now I've got you all here,
38:32and before Carson comes in,
38:34I have something to say.
38:35I had a letter today from Murray.
38:38Wait just a moment while I finish.
38:41Shall I leave, my lord?
38:42No, you might as well hear this.
38:44Murray has taken Matthew's letter
38:46to various authorities,
38:47and their conclusion is
38:49that it demonstrates testamentary intention.
38:52What's that?
38:52It means that the writer intended the document
38:55to serve as a will.
38:57So the request stands?
38:58Yes.
39:00Mary owns half the estate.
39:03That sounds like a very good result.
39:04And now we should go in to dinner
39:06before Mrs Patmore blows a gasket.
39:13Dearest Papa,
39:14I hope you're not too disappointed.
39:16Don't be silly, not at all.
39:17Perhaps the three of us can sit down tomorrow
39:19and talk properly.
39:20Of course,
39:21but the main problem is a simple one,
39:22tax.
39:23But that's it.
39:24Tom's told me you want to sell land
39:26to pay for it.
39:27It's the only way, I'm afraid.
39:29Yes, but you see,
39:30I don't agree.
39:33Anyway, let's not talk about it now.
39:35We ought to join the others.
39:42If you've put her up to this,
39:44I haven't put her up to anything.
39:46But you won't keep her quiet?
39:48Not now the bits between her teeth.
39:50I don't think that you will.
39:53I don't know what he meant.
39:55You must have said something.
39:57But I haven't said anything.
40:01I warned her of Mr Barrow, that's all,
40:03but I wasn't having a go at her.
40:04All I can tell you is that
40:05she has managed to take offence.
40:07Can't have.
40:15Mr Barrow,
40:16what are you doing down here?
40:18Will you come up this moment
40:19and help me serve the wine?
40:20Sorry, Mr Carson.
40:21I'm on my way.
40:37What's so funny?
40:40Nothing, Mr Bates.
40:43Nothing at all.
41:11Nothing at all.
41:41Good morning, Carson.
41:44I hope I'm not in the way.
41:46Not a bit.
41:48You remember Mr Greg?
41:53Hello, Charlie.
41:56Good of you to come.
42:04I'm delighted,
42:06but I'm not surprised.
42:08Aren't you?
42:09Because I'm astonished.
42:11I'm astonished.
42:12But why did you never speak of Alice
42:14when we last met?
42:15Before the war?
42:16What was the point?
42:18She chose you all those years ago
42:20and that was it.
42:21Why bring it up?
42:22Because it wasn't it.
42:24She chose me,
42:25but it never worked.
42:27She's dead now anyway.
42:29But it was never it.
42:33I didn't know she was dead.
42:35Five years ago.
42:37We'd separated long before.
42:39But I went to see her in St Thomas'.
42:41You know what she said?
42:43She said,
42:44Charlie Carson was the better man.
42:46I could have loved him.
42:48I did love him, really.
42:51But I was a fool
42:52and couldn't see it.
42:54Did she say that?
42:56Honestly?
42:57That she loved you?
42:59Aye, she did.
43:02And she wanted me to tell you
43:03if I saw you again.
43:05There we are.
43:06You could have made a go of it,
43:07you know.
43:08As long as you know
43:09that it were her choice,
43:10I'd never sit out
43:11to take her off you.
43:13All aboard!
43:14I'm sorry to interrupt,
43:16but I think you must get aboard.
43:21I can't tell you
43:22how grateful I am,
43:23Mrs Crawley.
43:24Very good luck.
43:29I doubt we'll meet again.
43:32But can we shake on it?
43:35We've known some ups and downs
43:36together, it's true.
43:38But if this is goodbye,
43:40it's part of us friends, eh?
43:43All right.
43:46I wish you well.
43:48Likewise.
43:50Charlie.
44:01Mrs Crawley,
44:02I should be grateful
44:03that you would let me know
44:04any expense you have been put to
44:06on Mr Griggs' behalf
44:07during his stay with you.
44:08Oh no, that's completely
44:10unnecessary.
44:11I should be grateful.
44:15Very well, Carson.
44:16I should do that.
44:19Good day, too.
44:32Mr Carson,
44:34shall we walk back together?
44:36I should do that.
44:36I should do that.
44:37I should do that.
44:39I should do that.
44:39I should do that.
44:40I should do that.
44:41I should do that.
44:41I should do that.
44:41I should do that.
44:41I should do that.