- 2 days ago
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00:28Closed Captioning by Kris Brandhagen.com
01:02Thank God.
01:04Yes, thank God.
01:07And you.
01:32How do we speak to him?
01:33Normally.
01:34How do you think you speak to him?
01:36What about prison?
01:37Or do we pretend it's never happened?
01:38I don't think that'll be necessary.
01:40Oh, crap!
01:41Welcome back, Mr. Bates.
01:43I have waited a long time to say that.
01:45Thank you, Mr. Carson.
01:46Oh, too long.
01:48Give us a call.
01:49Oh, Mrs. Patmore, can you find something for Mr. Bates to eat?
01:52Oh, certainly I can.
01:53Daisy!
01:54Ivy, stir your stomp!
01:55Who's Ivy?
01:56The new kitchen maid.
01:59Thomas.
02:00Still here, I see.
02:03Mr. Barrow now, Mr. Bates.
02:04Yes, I'm still here.
02:06Busy as a bee.
02:07There have been some changes since you've been away.
02:11You will have heard about Lady Simple.
02:13Yes, I've heard.
02:15And I took a letter from me to her ladyship.
02:18We are?
02:19Thank you, Mrs. Patmore.
02:20Can we all have one of those?
02:22Welcome back, Mr. Bates.
02:23Thank you, Daisy.
02:26Something nice?
02:28The editor's written back, repeating his offer.
02:31He asks if I'm ever in London.
02:33Why not?
02:33You could see Rosamund and buy some new clothes.
02:37He only wants to persuade you to write for his horrible paper.
02:41Still, I think I will go.
02:43Seems rude not to, in a way.
02:45And I haven't been to London for ages.
02:47Excuse me.
02:51Please don't encourage her.
02:53I think it's a good idea.
02:56I gather you've trapped poor old Jarvis into a meeting.
02:59It won't take long, but he is the agent.
03:02And there are things we must get started on, if you agree.
03:04Well, I'm glad you still think my agreement has a part to play.
03:12You sure you wouldn't rather just cotton run like me?
03:19Bates, my dear fellow.
03:21I didn't know you were here already.
03:23They let you out at dawn.
03:25Thank you for sending Anna in the car.
03:27Oh, nonsense.
03:28Where have they put you?
03:29In my old room, Lord.
03:30Well, that won't do.
03:31I'll ask Jarvis how far they've got with finding a cottage.
03:35About Thomas.
03:37I'll sort it out, Bates.
03:38I promise.
03:39But in the meantime,
03:41you just rest.
03:43Stay in bed.
03:44Read books.
04:05But you didn't walk out of my luncheon
04:07when Robert asked you to.
04:08That luncheon was to support Cora in her grief.
04:12It did not seem appropriate
04:14to let the whole thing end in chaos and a quarrel.
04:18So you don't think I should have given Ethel a second chance?
04:20I do not criticise your motives,
04:22but did you really consider
04:25Ethel is notorious in the village?
04:28I don't think so.
04:29I know so.
04:31You've surrounded this house with a miasma of scandal
04:35and touched all of us by association.
04:37I think one must fight for one's beliefs.
04:40And is poor Ethel to be the cudgel
04:42by which you fight your foes?
04:46Ah, Ethel.
04:51I was just telling Lady Grantham
04:53how your cooking has come on.
04:56I'm studying, my lady.
04:58These days a working woman must have a skill.
05:00But you seem to have so many.
05:07I don't see how you can just sack him.
05:09He's done nothing wrong.
05:11You can't have expected to stay my valet
05:13once Fates was released.
05:15There's Carson.
05:16He lives the night he is.
05:20Poor little girl.
05:23Has Branson said anything more about moving out?
05:26How can he move out before he's found a job?
05:28How can you want him to?
05:30He's our responsibility now, Robert.
05:32He and the baby.
05:33We owe that to Sybil.
05:36I must get on.
05:37I've got this meeting with Jarvis and Matthew.
05:43You got any plans, Mr. Bates?
05:46It's rather early to say.
05:48His lordship suggested I have a rest.
05:50I expect you'll be looking for something to do, Mr. Barrow.
05:53Now that Mr. Bates is back.
06:00I've shown a film tonight at the village hall.
06:02Way down east.
06:03It's about a wronged woman who survives in the wilderness
06:05through her own wits and courage.
06:07Blimey, they've stolen my story.
06:09Lillian Gish is in it.
06:10I like her.
06:11Well, there's a late showing tonight.
06:12Half past ten for local servants.
06:14What about it?
06:15Are you going, Jimmy?
06:16That sounds a bit soppy, to be honest.
06:17Well, I'm not going with Alfred on my own.
06:19My mum wouldn't like it.
06:20She would not, and nor would I.
06:22You may go if Madge or Alice will go with you, but not otherwise.
06:27All right, if Mrs. Patmore agrees.
06:31Straight there and back, mind.
06:34This means the overhaul of every part of the estate we hold in hand.
06:38And some large new parcels in addition.
06:40All in an instant.
06:42But don't you see, if we invest in new machinery, new methods and new techniques,
06:48the whole estate must benefit by it.
06:50Unless we're taking new lands in hand, we won't be running it as separate farms.
06:53We'll find another use for some of the farmhouses.
06:55This is ridiculous.
06:57Downton has existed for hundreds of years in perfect harmony.
07:00We have worked with the farmers as partners.
07:02Now you want to blow it all to smithereens.
07:04Of course I don't, but...
07:05If I may, my lord.
07:06Mr. Crawley, you're very new to our way of life.
07:09I beg your pardon.
07:11There's no point biting Jarvis' head off.
07:13You are new to it.
07:15Must I remind you of the state the place was in a few months ago?
07:18That was nothing to do with the way we run it.
07:21The money was lost in a bad investment.
07:23Yes, and you've been bailing the place out with Cora's fortune.
07:25You have been for years.
07:27Downton must be self-supporting if it's to have a chance of survival.
07:35Well, you've given us plenty to think about, hasn't he, Mr. Jarvis?
07:39He has indeed, Lord Grantham.
08:12Why would I persuade your father otherwise when I agree with him?
08:16How can you say that when you keep telling me to find something to do?
08:20I meant run a local charity.
08:22Or paint watercolours or something.
08:25Well, I'm going to London to see the editor tomorrow.
08:27And if I like him, then I'm going to say yes.
08:30I don't want to fall out with Papa.
08:33But I don't want to be invisible either.
08:35I've had enough of it.
08:38Very well, I'm coming up tonight.
08:40I'll see what I can do.
08:42But I want a favour in return.
08:47Ethel?
08:55Ethel?
08:57What's the matter?
08:59I had rather a nasty encounter in the village, that's all.
09:02What sort of encounter?
09:04Mrs. Bakewell refused to serve me.
09:07In the end, her husband did, but it wasn't very nice.
09:10We shall take our business elsewhere.
09:12There's no need for that, ma'am.
09:13I'm used to it.
09:14You shouldn't have to be.
09:23You're all set for this evening.
09:24Look, if you mean, have I allowed Ivy to go out when it's not her half day?
09:28I have.
09:29But why?
09:30I could not tell you.
09:31Bring them all home safe.
09:33That's bechamel.
09:33Well, why don't you use parsley or mace?
09:35I do.
09:36But I boiled it in the milk beforehand.
09:38I made it last night.
09:39Oh, leave her alone, you big ninny.
09:41There's nothing wrong with a man who can cook.
09:43Some say the best cooks in the world are men.
09:46Do we think this sad beanpole will be the best cook in the world?
09:48Why do you always feel the need to be so unpleasant to James?
09:52What's Alfred ever done to you?
09:54You can take in the fish and meat tonight.
09:57James can follow with the sauce.
10:01Does that actually be the first footman?
10:03Of course you should.
10:04Listen to her.
10:05You're taller than him.
10:07You've been here longer than him.
10:08Why are you taking her to the pictures when she talks like that?
10:13Well, I've got the tickets now, so...
10:22You don't get up.
10:34How's the christening going?
10:36It's all arranged with the Catholic Church in Ripon.
10:39Weren't you going to tell us?
10:41You and Matthew?
10:43I didn't think the others would want to know.
10:47Please give them a chance to behave properly.
11:04I wondered if you'd be a godmother.
11:10Am I allowed to be?
11:11As long as at least one of them is Catholic.
11:14My brother's coming over.
11:16He'll stay in the village.
11:18No, he won't.
11:19He'll stay here.
11:21He's a bit of a rough diamond.
11:23I'm very fond of diamonds.
11:46I still can't believe I'm here.
11:49I keep pinching myself.
11:52He'll leave.
11:56Which one will be ours?
11:58Well, they won't move Mr. Chirk or the Trix, but Mrs. Bowe wants to live in the village, so we
12:04might get hers.
12:06None of which solves the problem of what I'm going to do.
12:09Your job, of course.
12:11I'll have to give Thomas his notice.
12:12Mr. Barrow.
12:14Mr. Stick It Up Your Jumper.
12:15He'll have to go.
12:19Well, revenge is sweet.
12:30Look at him.
12:31He can't even balance it.
12:32Leave him alone.
12:33Here you go.
12:35It's a flipping insult just because he's ten foot tall.
12:38You're right.
12:39I've got a good mind to that.
12:41Don't do anything you'll regret.
12:43These things can be managed, but not by losing your temper.
12:53You make a cosy couple, I must say.
12:58I don't think so.
12:59It's not what I've heard.
13:01Alfred says he's always going on about you.
13:03Silly, sloppy stuff.
13:05Alfred's sick and tired of it, and no wonder.
13:07Well, he's making it up.
13:09Have it your own way.
13:20Yes, we can do things to do.
13:21Of course, it's a lot to take in, but I'm sure it's right.
13:23Right.
13:24Don't put them like that.
13:26Leap of imagination.
13:27You've got to be able to get hold of them.
13:29Come along.
13:30I've asked Murray to come up, so that we can talk it through together.
13:32You've asked Murray to come here without consulting me.
13:35I felt I wasn't explaining things well, and I know he can.
13:38Oh, we love it.
13:39What a treat.
13:41Oh, my.
13:43You're ready to ship.
13:43No fuss, no fuss.
13:45Just scrape me down and get me a spare nap.
13:48I'll say that.
13:50I saw your book in the village today, Isabel.
13:53She seemed upset.
13:55Yes.
13:56Mrs Bakewell was rather unkind.
13:58It seems a pity that even in this pretty little village, people can be so unforgiving.
14:03Some people are unforgiving.
14:04Others are insensitive.
14:09What time do you leave in the morning?
14:11I thought I'd get the ten o'clock.
14:13I'm meeting him for tea.
14:15You're not encouraging this.
14:16She hasn't agreed anything yet.
14:18Mama, talk to her.
14:20Talk to all of them.
14:21Say something sensible.
14:22Yes.
14:23Let's hear how a woman's place is in the home.
14:25I don't think a woman's place is eventually in the home.
14:29But I see no harm in her having some fun before she gets there.
14:33Oh, Granny.
14:35Have you changed your pills?
14:37And another thing.
14:39I mean, Edith isn't getting any younger.
14:41Perhaps she isn't cut out for domestic life.
14:48How are your plans proceeding, Tom?
14:50I was telling Lady Grantham.
14:52My brother has a garage in Liverpool.
14:54He's asked me to go in with him.
14:55The brother who's coming to stay?
14:58Yes.
14:58Ciaran.
14:59Why is he coming here?
15:01For the christening.
15:06How did he rearrange the spoons?
15:09He put them right on the edge of my plate, but I'm not saying it was deliberate.
15:11I hope you're not, because I was trying to help.
15:13Well, I think Alfred can manage without your help if you'd said, James.
15:17And next time, will you wait to be asked before you take charge?
15:20Are you still here?
15:23Perhaps Alfred no longer wants to go to the pictures.
15:25He may want to ponder his mistakes instead.
15:28Of course they're going.
15:29Are we?
15:32Yes, you can go.
15:33I will not withdraw my permission.
15:35But as you walk, you might contemplate what it is to waste a chance when it is given.
15:44I suppose you never wasted a chance.
15:47Well, if I did, I learnt from it, and that's all I'm asking from him.
15:51That, and some ritual humiliation.
16:02You shouldn't have rung Maria without telling Papa.
16:06You berate me for not wanting to take responsibility, and now you tell me off for doing just that.
16:12You can't have it both ways.
16:14I can if I want to.
16:23What's the matter?
16:24Do you think I should see someone?
16:27What?
16:28If there's anything wrong, then it's obviously my fault.
16:30You know what they told us when I was wounded?
16:33But they were wrong.
16:34They said so.
16:37I wonder.
16:39Darling, please don't worry.
16:41I'm sure there's nothing wrong.
16:43That's the point.
16:44We're not sure.
16:50It was okay, but I prefer English films with English stars.
16:54They seem more real somehow.
16:56I like the American actors.
16:57They've got more you-know-what.
16:59Oh, and how about Ivy Close in The Worldlings?
17:01She makes Lily English look like a village schoolmarm.
17:05Ivy Close?
17:06It's funny to think of a film star having your own name.
17:09There aren't any with my name.
17:10No.
17:12But there's a king.
17:13The one who burnt the cakes.
17:15Well, I hope I won't be burning any of my cakes in future.
17:21Where is everyone?
17:22I've gone to bed.
17:24Except for the picture-goers.
17:25They're not back.
17:27I'd thrown a bucket of slop in the old lady's lap.
17:29I wouldn't be allowed to go to the flick.
17:31What are you saying?
17:32Mr Carson doesn't like me.
17:34No matter what Alfred does, he still prefers him.
17:36It's not bloody fair.
17:37Well, I love you.
17:39If you do, you're on your own.
17:41Sure I'm not.
17:46What about your family?
17:47Where are you from?
17:48I don't have any family.
17:49Not really.
17:50Cousins, you know.
17:52No one else.
17:53And your mum and dad?
17:54Dead.
17:56My dad was killed in the war and my mother died of the flu.
17:59I haven't any brothers and sisters, so here we are.
18:03All the meals.
18:04Let's get lonely.
18:07And then?
18:08I know what it's like, that's so.
18:12Funny we're quite a pair.
18:14We both like to look very sure of ourselves, but we're not so sure underneath, are we?
18:19Still, you've no need to worry.
18:21Mr Carson may prefer Alfred, but nobody else does.
18:23Don't they?
18:24Hunter.
18:26Sometimes I think it's just Jimmy Contramundi.
18:28Is that Latin?
18:29I should try it on Mr Carson, make up some points.
18:32Never mind Latin, I need a magic spell.
18:35Good night.
18:42He's a funny one, isn't he?
18:46He can't pull the wool over my eyes.
18:48I know what's going on.
18:50You're quite wrong, Miss O'Brien.
18:52He's a proper little ladies' man.
18:54If that's how you want to play it.
18:55What are you going on about?
18:57There's no need to bark.
18:58I only know what Alfred tells me.
19:01Well, if he says Jimmy's interested in me, he's lying.
19:05What are you?
19:08Was it supposed to be a secret?
19:09I know.
19:11I know.
19:23I know.
19:32I know.
20:05Oh, Ivy. I'd love to be out with you like this. I wish we could make it a regular thing.
20:12I can't. I won't want you to get the wrong idea.
20:17Look, I'm sorry, but Jimmy's just not interested. Hate to eat your feelings like that, but he's not.
20:22You don't know that. He floats with me. He does.
20:28If you knew he wasn't interested, would that make a difference?
20:33I'd have to wear it from his lips.
21:00I'd have to wear it from his lips.
21:33I'd have to wear it from his lips.
21:58It's all great, Jimmy, but I've got to... Oh my...
22:01Get off! Thomas, get the bloody hell off me!
22:05Alfred, it's not what you think.
22:07Don't do that. Please.
22:09Alfred doesn't matter. No-one will believe a word he says. He's nothing.
22:12What are you doing? Why are you in here?
22:15Because of what you said. Because of all there is between us.
22:18There's nothing between us except my face if you don't get out.
22:21And if you tell any...
22:22But what about the things you said?
22:24I said nothing except get out. Go, get out, Thomas.
22:30What is going on?
22:32Nothing, Mr. Carson. Jimmy, James had a nightmare. He's fine now.
23:10What is it? What's going on?
23:13James, what's the matter with you?
23:15Nothing.
23:16Alfred?
23:17Ask Mr. Barrow.
23:19It's nothing, really.
23:21Doesn't seem like nothing.
23:27Well, Ivy, never mind the toast. You look very tasty yourself this morning.
23:31What did you say?
23:32Well, can't a red-blooded man compliment a pretty girl?
23:34Not a breakfast, for heaven's sake.
23:39Alfred, what's happened?
23:41Not now.
23:42Well, if there is anything I ought to know, I hope I hear about it before the end of the
23:46day.
23:47Okay.
24:07This really has been so interesting.
24:11Well, I hope this means that you're persuadable, Lady Edith.
24:14I'll think about it. I promise.
24:17I just felt I had to meet you and see what it would be like.
24:20I assume your father disapproves.
24:22Well, it's the business of parents to worry, isn't it?
24:25No, no, no. All sorts of toffs are writing for magazines nowadays.
24:28Some of them even advertise face screens and cigarettes and the rest of it.
24:32I'm afraid Papa would not find that reassuring.
24:35In fact, if we were here, he'd probably just shout, run.
24:38Will you please make up your own mind without his advice?
24:41I'll have to think about that, too.
24:46You going back to Yorkshire tonight?
24:48No, I'm staying with my aunt.
24:50I've got to look into the offices of the lady while I'm here.
24:54Not to write for them, I trust.
24:55Oh, no.
24:56It's just something I promised to do for my grandmother.
24:58Lady, that's, uh, Cotton Garden.
25:00Here's an idea.
25:00Let's, uh, let's have lunch tomorrow at Rules.
25:03If you accept the job, we'll celebrate.
25:04If it's a no, I'll drown my sorrows.
25:06How's that?
25:10You seem nervous today, Barrow.
25:14We will get things sorted out.
25:16We won't leave you in the lurch.
25:20I'd be grateful if you could let me know when you've made a decision.
25:24I'll talk things through with Carson, and we'll see what we can come up with.
25:31It makes no sense to return this bit as a separate section.
25:34No sense at all.
25:35But, of course, Jarvis won't see that, because he hates change.
25:38Just try to carry Papa with you.
25:40That's all I ask.
25:41He'll be with me in the end, because this is the only way forward.
25:44And at some point, he's going to see that.
25:46At some point in the near future, I hope.
25:48What's the matter with you both?
25:50You were in a dream all through dinner.
25:52Nothing's the matter.
25:54Does Mr. Murray want luncheon tomorrow?
25:57No, he's in York all morning.
25:58He'll come up here afterwards.
26:00Followed by Tom's brother for dinner.
26:02So it promises to be a day of contrast.
26:05God in heaven.
26:06What do you think, Tom?
26:08I agree with Matthew.
26:09The estate can offer proper compensation to the tenants now, while the money's there.
26:13But if you miss this chance, you may not come again.
26:15So says the Marxist.
26:17If you don't mind me saying so, you've a narrow view of socialism.
26:21You seem to have a very broad interpretation of it.
26:23No, no.
26:24Children.
26:25If Branson is watering down his revolutionary fervour, let us give thanks.
26:30Tom.
26:31Do you know anything about farming, Tom?
26:35A little.
26:36My grandfather was a sheep farmer in Ireland.
26:40Why do you keep giving me funny looks?
26:41And not what's going on.
26:44Have you both been up to something I don't know about?
26:46Not both of us.
26:54Are you awake?
26:56I can't seem to get to sleep.
26:59I don't know why.
27:03Could you credit Matthew summoning Murray without my permission?
27:07You keep telling everyone Downton's a dual monarchy now.
27:12I never realized you didn't mean it.
27:16So you're against me over Matthew the Christening and Edith.
27:20Robert.
27:23Even your mother spoke up for Edith.
27:25Think of that.
27:27A facer, I admit.
27:29She'll have had some reason of her own, of course.
27:32Is she really so Machiavellian?
27:36Yes.
27:51I was afraid you'd stood me up.
27:53I'm so sorry.
27:55It took much longer than I thought.
27:57What was it about?
27:58Oh, just family stuff.
28:00An errand for my grandmother.
28:02You, uh, you're very family-minded.
28:05Well, you know, when you live at home with your parents,
28:07you're still in the middle of all of it.
28:09Yes, I saw a picture in the paper of your older sister's wedding.
28:11She looked very glamorous.
28:13People say so.
28:15Am I allowed to say I'm rather pleased you're not married?
28:17Here you are, madam.
28:17I'm a little less pleased.
28:19Oh, dear, it sounds like you're hiding a romantic secret.
28:23Not too romantic.
28:24A little while ago I was jilted at the altar,
28:28which wasn't much fun.
28:29Oh, dear, I am sorry.
28:30Oh, please don't be.
28:32It's a relief to be reminded I'm not an object of pity to the entire world.
28:37I've clearly put my foot in it, and now you'll turn the job down.
28:41Please don't.
28:42I won't.
28:44Not if you don't want me to.
28:47Ah.
28:50Surely, Lord Grantham, you don't question Mr Crawley's goal
28:53of making the estate self-sufficient.
28:55No, but I question his plans for the employees and tenants in order to achieve it.
29:00Can't we allow things to evolve more gently as we did in the past?
29:04The past is not much of a model.
29:06The third earl nearly went bankrupt.
29:07The fourth only saved the estate by dying.
29:10And what would you all have done in the 90s without Lady Grantham's money?
29:14I say, Murray, when I asked you to say what you think,
29:16I didn't mean to be taken literally.
29:18Must we talk in this way?
29:19Yes, I'm afraid so.
29:21Thanks to Mr Swire, we have another chance, but we have to change our ways.
29:26All I'm talking about is investment, increasing productivity and reducing waste.
29:32Waste?
29:32Yes, the estate has been run very wastefully for many years.
29:36I won't listen to this.
29:37Now, come on, Jarvis, if I can listen to it, so can you.
29:39No, Lord Grantham, I can't.
29:41Am I to stand here after 40 years of loyal service to be accused of malfeasance and corruption?
29:48Nothing of the sort.
29:48Ah, my dear chap, think for a moment.
29:52We must both see.
29:53Things have to move forward.
29:54My goal is to find a way of least disruption.
29:57Won't you stay and help me with that?
29:58My Lord, will you give me a good reference?
30:03Yes, of course I will.
30:05Mr Jarvis, if I have offended you, then I offer my sincerest apologies.
30:11I'm the old broom, Mr Crawley.
30:14You are the new.
30:16I wish you luck with your sweeping.
30:18My Lord.
30:32Mr Carson, you'd better come.
30:37May I help you?
30:39This is Mr Branson's brother.
30:40Can we fetch Mr Branson, sir?
30:42I've already sent Alfred.
30:44Here they are now.
30:50Ciaran?
30:51What are you doing down here?
30:52Come upstairs.
30:53I don't fancy it.
30:54Can I not stay put?
30:55Have me dinner down here.
30:58But we're all so looking forward to meeting you, Mr Branson.
31:02If you come with us, you can see your room and get changed.
31:05If you want to.
31:07And what would I change into?
31:08A pumpkin.
31:14Oh, come on, Tommy.
31:16Can we not eat down here?
31:17They seem like a nice lot.
31:19What's the matter?
31:20You're too grand for them now.
31:22They know that I'm not.
31:24My mother-in-law has been kind enough to invite you to stay and dine.
31:28And I'll not let you snubber.
31:30Now get a move on.
31:51I know.
31:52You always said he would bring shame on this house.
31:55No, Mrs Hughes.
31:57For once, I will hold my tongue.
31:58I thought Mr Branson's respect for her ladyship's invitation exemplary.
32:04Well, Mr Branson's done something right for a change.
32:09Miracles can happen.
32:13How was it?
32:17Pretty bad.
32:19Jarvis has resigned.
32:21What?
32:22He's gone.
32:23And I'm going to have to make it all work, or I've had it.
32:28Come here.
32:31You'll make me untidy.
32:34Good.
32:38You see, I know it's right, Mary.
32:41I believe I can make Downton safe for our children, if we ever have any.
32:46But I can only do it if you're with me.
32:50But what about Papa?
32:52I do love him.
32:54Love him, by all means.
32:56But believe in me.
33:06There.
33:08Will that convince you?
33:10Convince me again.
33:22And don't say if we ever have any.
33:26Because we will.
33:35But it's been a while now.
33:38What if Mr Branson finds out you knew all along, and you never told him?
33:42How will that look?
33:43Surely it's for Jimmy to tell.
33:45Supposing he's in on it?
33:47No, he started yelling at Thomas as soon as I walked in.
33:49Yes, I'm sure he did.
33:51As soon as you walked in.
33:53What if you hadn't walked in?
33:55I'm sorry, Alfred.
33:57Mr Branson won't tolerate these sort of shenanigans.
34:00And he'll be furious if he finds out you knew and you said nothing.
34:04You need to speak up, for your own good.
34:22And what exactly does this business consist of?
34:25Automobile refurbishment.
34:26It means car repairs.
34:29I see.
34:30And you would live nearby?
34:32We've rooms over at the garage.
34:34There's a bit of a park not too far away.
34:36Well, that's something.
34:37I remember an evening rather like this.
34:40We were travelling back from Scotland to London
34:43when the train was suddenly engulfed by a blizzard.
34:46And we spent the night in a tradesman's hotel in Middlesbrough.
34:52So, who's coming to the christening?
34:54All of us, I expect.
34:55Granny?
34:56Well, yes, if Branson...
34:58Tom wants me to.
34:59I would be honoured.
35:00Robert, are you coming?
35:01Tom doesn't want me there, and I wouldn't know what to do.
35:04All that crossing and bobbing up and down.
35:06I went to a mass once in Rome.
35:07It was more like a gymnastic display.
35:12I would like you to be there very much.
35:14Why?
35:14What difference would it make?
35:15All I know is Sybil would want you there.
35:20She loved you with all her heart.
35:22And she would want you there.
35:28Will you argue with that?
35:32Not if you think it's so important.
35:35How did you get on in London?
35:38Well, as a matter of fact, I've got an announcement to make.
35:42Now's as good a time as any.
35:44Listen, everyone.
35:46You have a journalist in the family.
35:50Since we have a country solicitor and a car mechanic, it'll tell you a matter of time.
35:57How was the editor in the end?
36:00Oh, nice.
36:02Very nice.
36:05So, you're ready to speak out.
36:08I think you're right.
36:10And I must.
36:11Good.
36:12He has broken all the fundamental laws of God and man.
36:15Report him, as you should, and then stand back and enjoy his fall.
36:20I don't understand.
36:23You've placed an advertisement in a magazine to find a job for my housekeeper.
36:27I knew you'd be against it.
36:29Well, how would you feel if I found out the work for your cook or butler?
36:32Brownie feels that, for Ethel's sake, she should move us where.
36:36Oh, nonsense.
36:37She couldn't give tuppence about Ethel.
36:39Or anyone like her.
36:41You've been reading those communist newspapers again.
36:45I don't suppose there's any beer?
36:47Haven't you had enough?
36:49Of course we have beer.
36:50We must have some somewhere.
36:52Carson?
36:52I believe so, my lady.
36:55I'll fetch it.
36:56What's the betting we'll have a chorus of Molly Malone before we finish?
36:59You're the one pushing Tom into his brother's arms.
37:03This is not what Sybil wanted for him.
37:06She told me.
37:08Oh, Carson, would you ask Mrs. Hughes to meet me in the hall, please?
37:12Very good, my lady.
37:14I'll bring the beer in a moment, sir.
37:16It isn't so bad here after all.
37:21I don't know.
37:22She just asked if you could go up.
37:24I suppose I'll have to.
37:27What's this?
37:27They said we could go.
37:28They'll ring when they need the car.
37:30Mr. Carson might have a word.
37:32Well, I'll have to take this up again.
37:35Oh, very well.
37:36Come with me.
37:38Mrs. Hughes, you've always taken an interest in Ethel.
37:41Do you think I'm wrong?
37:42No.
37:44While Ethel is in this village, she is doomed to be lonely.
37:48But if, as her ladyship suggests, she can get a job far away from here...
37:52She's not a bad cook now.
37:54And with a respectable reference, which of course you can give her...
37:57I can't get over how you've planned all this without a word to me.
38:02Well, I knew you wouldn't agree.
38:04I know how you hate facing facts.
38:06I resent that.
38:08I'm sorry, but I do.
38:10Mrs. Crawley, I hope you don't see me as an intolerant person.
38:16No, because I agree with her ladyship.
38:19In a new place, where she can start again.
38:23Ethel has far more chance of happiness than in reenacting her own version of the Scarlet Letter in Downton.
38:30What is the Scarlet Letter?
38:32A novel by Nathaniel Hawthorne.
38:35It sounds most unsuitable.
38:40I'll talk to Ethel.
38:46I don't understand what you're saying.
38:49Thomas was doing what?
38:51That's what I saw, Mr. Carson.
38:53And what was James doing?
38:55I think he was asleep.
38:57Because he'd just woke and he got very angry.
38:59As he should have been, by God.
39:01My auntie says he might have been faking his anger because I walked in, but...
39:04It didn't look fake to me.
39:05Well, he can always rely on your aunt to take the ungenerous view.
39:13You will not speak of this to anyone.
39:15Is that clear?
39:16I don't want to hear the subject even mentioned in the servants' hall.
39:20Very good, Mr. Carson.
39:23The world can be a shocking place, Alfred.
39:26But you are a man now, and you must learn to take it on the chin.
39:37My pardon, Mum.
39:38I was miles away.
39:39That's all right.
39:39I just wanted to let you know that I was back.
39:42Would you like some tea?
39:43No, thank you.
39:44I'm going straight to bed.
39:50Ethel?
39:53Are you happy?
39:56Well, I...
39:58suppose I'm happy compared to what I was before.
40:01You see, I...
40:05Never mind.
40:07Good night.
40:10Good night.
40:10Good night.
40:12Good night.
40:13Good night.
40:15How can I still be here when all the young have gone to bed?
40:18The motor's ready when you are.
40:19When is Jarvis leaving?
40:21I'm not sure.
40:23It seems a poor return for 40 years of service.
40:26Maybe.
40:28But he was your father's man.
40:30To him, you were always the young master, never the chief.
40:35Which does not alter the fact that now we must find someone else.
40:38But you've already found him.
40:40What do you mean?
40:40Well, obviously, the answer to a thousand different questions is to give the position to Branson.
40:47Tom.
40:48Well, if he's the agent, we can call him Branson again, thank heaven.
40:53That's a mad plan.
40:54It's not.
40:56Tom and Matthew can work on the new ideas together.
40:58They're the same age.
40:59But what does he know of farming?
41:01His grandfather was a farmer.
41:02In a small way.
41:04Which means he has more practical experience than Jarvis ever had.
41:08Think of the child.
41:10You cannot want your only granddaughter to grow up in a garage with that drunken gorilla.
41:17Don't we owe this to Sybil?
41:21I'll do it on one condition.
41:23No, two.
41:24First, Matthew must agree.
41:25He will.
41:27Second, you will both admit it when you realise you were wrong.
41:30Oh, well, that is an easy caveat to accept because I'm never wrong.
41:37I don't need to tell you that this is a criminal offence.
41:41We hadn't done anything.
41:43But you were hoping to do something if Alfred hadn't come in.
41:46It's not against the law to hope, is it?
41:47Don't you get clever with me when you should be horsewit.
41:56Do you have a defence?
41:59Am I mistaken in any part of this?
42:02Not really, Mr Carson.
42:03Mr Carson, as for a defence, what can I say?
42:07I was very drawn to him and I'd got the impression that he felt the same way.
42:13I was wrong.
42:15It seems an odd mistake to make.
42:18When you're like me, Mr Carson, you have to read the signs as best you can because no one dares
42:24speak out.
42:24I do not wish to take a tour of your revolting world.
42:29No.
42:31So.
42:33Are you saying that James is the innocent party in all this?
42:37Yes, Mr Carson, he is.
42:40I'll take time to consider.
42:42And we must first find out what James intends to do.
42:45He'd be within his rights to report you to the police.
42:50Although I'm quite sure it won't come to that.
42:54Will you give me your word that nothing had happened?
42:59I will, yes.
43:01Right.
43:03Good night.
43:11Mr Barrow looks very grim-faced.
43:14Never mind him.
43:17Human nature is a funny business, isn't it?
43:21Why didn't the poets come to you, Mr Carson?
43:25They'd have saved themselves a lot of time and trouble.
43:33What's this?
43:35I hope you don't mind.
43:36If you could all form a group around the father.
43:39You're right.
43:40You want to...
43:51It seems so strange without Sybil here.
43:55She's watching.
43:57I know.
43:58I envy you.
43:59I wish I did.
44:01Ever so slightly.
44:03Thank you so much.
44:05You want me to take on the running of the whole estate?
44:07It's a big job.
44:08Think of it as a christening present from Sybil.
44:10It's a wonderful idea, Tom.
44:12I'm ashamed it wasn't mine.
44:15Perhaps one with the grandfather holding the baby.
44:18And maybe the great-grandmother with him.
44:26And what about Father Dominic and Christendor?
44:37What's the matter, Robert?
44:38Are you afraid you'll be converted while you're not looking?