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00:12I heard that some other people had to blame.
00:15I also heard that you don't go home in general.
00:18I wanted to talk about that.
00:22Don't let go of me, don't let go of me,
00:26and don't let go of me, don't let go of me.
00:30How do you do that?
00:31How do you do that?
00:35Tell me if you are ready to go.
00:38There is no more than when your diet is lost.
00:42Mother, when it is lost,
00:43and all of this pain is hurting.
00:46I would like to say that the pain would go on to me.
00:51Alex, you have to stop again.
00:53Without the pain?
00:54No. Directly?
00:55Yes, directly.
00:57He has to give you the data and the information to the institute
01:00where you are the next person.
01:02I understand well, but I think we will get a solution for what we are asking.
01:07I think this looks like a traditional.
01:12I don't think that you are the same.
01:14I think you have been like that when we have not started to lose power.
01:17My friend always gives me a feeling before we were in the clinic.
01:24Everything sounds okay, especially if she is now alone.
01:27She doesn't have anyone else.
01:28I don't know.
01:32I don't see any problem.
01:34I don't know why it hurts you.
01:36If you want to be honest, I don't know your past.
01:47What happened?
01:50What happened?
01:52What happened?
01:53You don't look good.
01:56What happened?
01:57What happened?
01:58What happened?
01:58What happened?
02:03I don't know when you ask me this.
02:06I have to understand.
02:07I have to be in the middle.
02:08I said that you don't have to be in the middle.
02:11You can only hear and do what you say.
02:14But I don't understand anything.
02:16What do you understand?
02:17This is a statement for the beginning.
02:20Tell me.
02:21What did you need to do a little while?
02:23Did you say anything?
02:24I didn't have another solution.
02:26Okay.
02:28Now your child will be thinking.
02:29I'm the other one.
02:30And then?
02:33You are the other one.
02:35Yes, I mean.
02:36You are the other one.
02:38You are the other one.
02:39You are the other one.
02:40Yes, sir.
02:40My son.
02:42You are the other one.
02:43You are the other one.
02:45The door is always open.
02:48I wanted to talk about something.
02:51I can't even accept it anymore.
02:53What is your task?
02:54What are your machinations?
02:55Everything I need for you is a task.
02:58Don't worry about it.
03:00I would like to know.
03:01But you don't need to know.
03:03You should have to finish the task.
03:05You should have to analyze them.
03:09You should have to answer everything.
03:10I'm asking you something.
03:12I'm sorry.
03:13I'm sorry.
03:15I'm sorry.
03:15I'm sorry.
03:16I'm sorry.
03:17I'm sorry.
03:19I'm sorry.
03:20I'm sorry.
03:21What are you saying?
03:2119?
03:23I don't know if he should have to go.
03:24I don't know when he came to change.
03:26What changes?
03:27Explain.
03:28I'm sorry.
03:29I'm not in water.
03:31Okay.
03:31I'm sorry.
03:32I'm sorry.
03:33And you don't need to go down the nose on something that doesn't matter.
03:37And you don't know about it.
03:39I'm sorry.
03:40I'm sorry.
03:40I'm sorry.
03:42I'm sorry.
03:43The hard work is a loss of child's loss.
03:46The man is just like that.
03:47What is the hard work?
03:49The hard work is not there.
03:51What is with you?
03:52It's just a tear from the broken pieces.
03:55It's a polyureth.
03:57And it's a manipulation.
04:00It's a terrible problem.
04:01It's a terrible theory.
04:03And even if it's true.
04:04What would be the motive for this?
04:06I don't believe that Senka and Goran are such people.
04:10Don't worry, Gorane.
04:11Don't worry about it.
04:12Don't worry about it.
04:13Don't worry about it.
04:13Don't worry about it in five minutes.
04:16Let's go.
04:17Let's go.
04:17Let's go.
04:18Let's go.
04:18Let's go.
04:19Let's go.
04:20Let's go for a minute.
04:28Let's go.
04:31Let's go.
04:55Let's go.
04:58I think that life is not fair, sometimes it will be free, but often it will be mine, and everything
05:07is unrighteous, except for my fate.
05:15As love in the war, there is no rules, you have one life, only one chance to become one of
05:32the stars, you have one life, only one chance to become one of the stars.
05:41In the world of happiness, someone who wants, someone who doesn't even want, as in the world, everything is changed,
05:52and we are like you, our destiny.
06:24To be continued...
06:35Honestly, I don't know who that man is. That's why you are coming.
06:41And how am I coming?
06:43How?
06:44Yes.
06:44How?
06:45I want you to know the profile of that man.
06:51Okay.
06:51Do you have an idea where to ask yourself?
06:54Ask yourself where you want.
06:56What do you think I'm going to ask?
06:58Ask yourself, don't ask yourself.
07:01I'm just interested in my results.
07:02I'm interested in my results.
07:04Okay. It's very important to know.
07:06Did you have this man?
07:08Again, his nose.
07:11He has to.
07:13Actually, is this man dead?
07:18What do you think?
07:20I think it's nice, because if he is dead,
07:23I'm automatically a professional.
07:26I'll have problems.
07:27Tell me honestly.
07:30I'll have to be honest with you.
07:32You will be able to do it.
07:34And you won't be able to do it.
07:37And the best would be to do it.
07:40The best would be to do it.
07:41Nothing is beyond that.
07:42That's my advice.
07:44Okay.
07:47Friends.
07:48Okay.
07:49that's my advice.
08:08Thank you for coming.
08:11Thanks.
08:12If you're standing there,
08:13you're still standing there.
08:18That's my husband.
08:19What do you mean?
08:21I don't want anything.
08:23But I don't want to talk to you.
08:26I don't want to talk to you.
08:27We don't have anything to talk to you.
08:32I know.
08:33But I know it's very important
08:37that our guests,
08:39who live,
08:43feel good.
08:44I don't want to talk to you.
08:46What's your name?
08:50They're very upset
08:51from the Pandurian forest.
08:53I don't want to talk to you.
08:56I don't want to talk to you.
08:58But...
08:59The most important question
09:00is how are you satisfied with food?
09:03What?
09:04I want to hear that.
09:06I want to hear that.
09:07It's very important
09:08that you're satisfied with food
09:11with food.
09:13Because...
09:14We're talking about
09:15our local guests,
09:17and you go to
09:19a good way to become a local.
09:23So...
09:23What?
09:25You're going to be the other way
09:26here.
09:26Which means to become a local.
09:29Yes, yes.
09:32That's why it's very important
09:33to have a good place,
09:34because you're going to be a little longer
09:36than the last time.
09:37you're going to be the other way.
09:40You know what I know.
09:43You're going to be the other way.
09:44You're going to go out here
09:45and say...
09:46...
09:46...
09:48...
09:51I'm not sure
09:53this time.
09:55I saw you
09:57that these
09:57are
09:58...
09:58And...
09:58...
09:59...
10:00...
10:00...
10:05If you want to mention다면
10:07the
10:07di supporters if
10:08you want them to do them, please
10:08put it in time. Just
10:10ask me. Right?
10:12Plansmen?
10:15Is there anything else?
10:17Yes. OK... Do...
10:28And that's the end of the day.
10:45You're not even aware of it.
10:47I'm going to do it.
10:48Is everything done in the post?
10:50Yes, yes. The situation has been normalized.
10:53We achieve everything.
10:57And Gabriela?
10:59Gabriela like Gabriela.
11:00You know how she is.
11:01She has the ambition that doesn't push her.
11:04Neither will go home.
11:06Okay. Ambition is a quality thing.
11:09It's the only thing that is wrong.
11:13And children?
11:16Well, good.
11:16Lule, she's doing a wedding.
11:18She's planning a great wedding wedding career.
11:20You know how the children are.
11:22Yes, okay.
11:24It's normal to get into sport.
11:26Yes, she wants to be a pilot.
11:27Sport and a pilot.
11:29Okay. And Victor?
11:33Victor is great.
11:34He's growing.
11:36He's good.
11:36He's very young.
11:38Yes.
11:38In you, everything is necessary.
11:41Everything is necessary.
11:42I'm not sure.
11:43Let me leave it.
11:45I heard you, it's not necessary.
11:50It's okay.
11:51It's okay.
11:52I'm not sure.
11:53It's okay.
11:54I'm sorry.
11:55I'm not sure.
11:57I'm sorry.
12:08It's okay.
12:10Ned.
12:11Yes.
12:11I've finished you. I can finish you. I'll add a lot of other things.
12:16What do you want me to do?
12:18I won't do anything. I'll leave you alone. I'll talk a little bit.
12:26Why do I talk a little bit?
12:30I'll talk a little bit.
12:34Why?
12:39I'll talk a little bit.
12:44I'm not a coach.
12:46I know I'm not a coach.
12:49I've never been, I'll leave you alone.
12:52Okay, that's okay, but now I'm in a different situation.
12:57I don't have a chance to dance.
13:00I don't have a chance.
13:02I don't have a chance to dance.
13:03I just want to ask myself one other logical question.
13:08And that's...
13:09Why would you protect someone who doesn't want you to protect?
13:16That's it.
13:18Because I'm a coach.
13:21I'm not a coach. You're a coward.
13:24I'm a coach.
13:24I don't want to.
13:26You won't hurt me, I'll tell you anything.
13:28I know what I mean.
13:29And I know who was my son,
13:31Mr. Durcino and a group of people.
13:35Yes.
13:36Because I know who was your son.
13:42There's something important and beautiful to you.
13:46Can I?
13:59What are you interested in?
14:00Well, it's the thing that makes you angry.
14:02What's happened?
14:05Nothing.
14:05You know what?
14:07I was struggling with Goren.
14:09I mean, it wasn't really planned,
14:11but it was something to expect.
14:16And...
14:16We were in Fame.
14:18When Budela put a bomb,
14:21I was stressed,
14:25and I lost my life.
14:28What?
14:29I didn't understand.
14:30I don't understand.
14:32I'm really proud of me.
14:34I'm happy to meet someone who gives me a message.
14:37I'm totally honest with you.
14:41I'm feeling honest with you.
14:42I'd never really need to lose my years.
14:46I don't understand.
14:48I understand all of this.
14:52I've heard that I'd say before one version of those stories.
14:56What kind of version?
14:58You see, it's not clear that everything happened in general isn't easy.
15:04But in that other version, you were not at all.
15:09And what did you hear?
15:11Pancetta.
15:12Pancetta?
15:15But I have to tell you how much woman is going to be afraid.
15:18And what I'm able to do to get rid of me and Gorane.
15:22She feels like Gorane was in the eighth school.
15:25Which is understandable, because she was actually interrupted that period with her.
15:28Okay, I'm aware that this situation is quite specific between you.
15:33Yes, it is very specific.
15:36Good day. Alexa, where are you?
15:39And you?
15:48Why do you remember my body, Pandurčinu and an amateur?
15:54First of all, you were the first one.
15:56Then I was.
15:58And then I was.
15:59And then the other one, I really want something to happen.
16:04I'm sure that you only think about how to help me.
16:09And as I said, I knew that the woman's body,
16:13and I was feeling with me, and that's why I'm doing this.
16:17What do you do?
16:20I'm trying to explain you to think about a practical, pragmatic way,
16:27if you understand what I'm going to say.
16:30What do you do?
16:32What do you do?
16:32You see, the things are like this.
16:34You don't have any problems.
16:36You don't have any problems.
16:38You don't have any problems.
16:39What does that mean?
16:40I'm not going to get out of here first?
16:41I'm not going to get out of here first.
16:43Well, you won't really get out of here first.
16:46But you won't get out of here first.
16:49You'll be very fast.
16:50You're an emotional person.
16:53You'll be an impulse.
16:53And then you'll be able to get out of here.
16:55And then you'll get out of here first.
16:58You'll be able to get out of here.
17:00You know?
17:03That's okay.
17:05I know.
17:07I know something else.
17:09What?
17:11I'm not going to do any problems with you.
17:14No.
17:16What do you think about us?
17:18Let's go.
17:18I've told you.
17:20What?
17:22Well, can I ask you now?
17:24I'll be able to get out of here first.
17:27I'll be able to get out of here first.
17:30Petrovic, I'm ready!
17:34You started to get out of here.
17:35Come on.
17:36Get out of here.
17:37Get out of here first.
17:38Get out of here first.
17:40I'll be able to get out of here first.
17:41All the time is Petrovic.
17:46How are you?
17:56I saw the scene. I heard what happened. I'm so happy.
18:00Yes, I saw it myself.
18:03It was my nice situation.
18:05We didn't talk about it.
18:08I'm sorry, I didn't ask you to drink something.
18:10Do you want me to talk a little bit?
18:12No, I don't need anything. I have to go.
18:15I'm so happy for a few hours.
18:18Yes, yes.
18:19I'm still a little bit in trouble.
18:21I stopped talking.
18:25I thought I knew what I was doing.
18:27Sorry, I'm a bad guest.
18:30Okay, okay.
18:32We'll be here.
18:33No, we've talked about it.
18:35How are you?
18:36It's like a time.
18:37Let's go.
18:39Let's go now.
18:41Hold on.
18:43If you need something, come on.
18:53Senk, how are you?
18:56Good.
18:57Good.
18:58Good.
18:58What are you doing?
19:00I'm tired.
19:01Do you want me to talk a little bit?
19:04No.
19:06I'd like you to come to me.
19:08Okay, I'll wait.
19:10I'll come to you.
19:11Right?
19:11Right.
19:40What is it? What is it with Rosy?
19:41What are you drinking?
19:43What are you drinking?
19:45Whiskey.
19:46Give us a bottle of whiskey.
19:51What was that? What hurt you?
19:54This is empty.
20:00This is empty.
20:02What is that?
20:04I have a problem with the tambour.
20:06What is the problem now?
20:07Come on, come on.
20:12I have been in place for a while.
20:14Why?
20:16What why?
20:17Why?
20:18That's why I would have been prevented from the blood pressure
20:20where the first people were killed, like you and me.
20:25Listen, you did well.
20:28Yes.
20:29I know that yes.
20:30But that's not the problem.
20:32What if the tambour knew that I was another one?
20:35I don't know.
20:37I hope I won't.
20:40Listen.
20:42I have something to tell you.
20:45What?
20:48Is it good?
21:03What?
21:04What?
21:06What's wrong with the lady?
21:07What's wrong with the blood pressure?
21:09What's wrong with it?
21:11I know.
21:11What's wrong with the woman?
21:13What's wrong with the lady?
21:15I can tell you.
21:15I don't know.
21:16I don't know how to explain this.
21:16The golden voice of the former Mido, the future of the Mido.
21:23Oh, Mido. What do you have?
21:25Jesse Goodoni, let's go.
21:27What do you have?
21:30Nothing.
21:31What could I do?
21:32I could see something between myself.
21:33I could see something.
21:36In this situation, when this race would be able to drink a person,
21:41I would drink everything.
21:42Please, please, please.
21:44Please, please, please, please.
21:46Please, please, please.
21:46Don't worry, Mido.
21:49Yes, I'm going to talk to you.
21:51Did you think about my advice?
21:54What do you think?
21:56What do you think?
21:56What do you think?
21:58I don't have time to think about it.
22:00Why?
22:02I don't have time to think about it.
22:03I have a Spanish series.
22:06Spanish series?
22:06What Spanish series?
22:07No, I don't know.
22:09I don't have time to think about it.
22:11What?
22:12I have a Spanish.
22:14Okay.
22:14I don't have a Spanish.
22:16Amazing.
22:16He has a child and doesn't have a child.
22:18What do you know?
22:19It's crazy.
22:20When you look at the TV every night,
22:22everything happens.
22:24And the woman?
22:27I don't have time to think about it.
22:28But I don't have time to think about it.
22:29He will kill me.
22:31Like in the movie, there's a movie.
22:33He will kill me for the night.
22:35I have a solution for you.
22:38No one has a solution for me.
22:39No one has a solution for me.
22:41No one has a solution for me.
22:43No one has a solution for me.
22:43Why?
22:44Why?
22:44Only on Lutrii get a couple of words,
22:47everything is good to measure,
22:48and then the brain is a brainwashed.
22:50Fiii!
22:52A joke.
22:53You see?
22:54You see?
22:55I have something much better and more safe than Lutrii.
23:09I've received a complaint from Gavriela.
23:13Opa, Miki, Miki, Miki, Miki.
23:17Mere, I'm not a complaint, Mamo Zebra.
23:20I'm not a complaint.
23:23She wants to kill some people.
23:27Ah, that's a complaint.
23:29Who do you need to kill, Miki?
23:31It looks like there are more people in this city.
23:35Why?
23:38Well, I know.
23:40I would probably be on that list for the cattle.
23:42What do they want?
23:44Yes, but I don't know.
23:46What do they want?
23:48What do they want?
23:49What do they want?
23:50What is this,
23:50like a monster-like path?
23:52Yes, yes.
23:53Not much fun.
23:56Oh, shh.
23:58Oh, shh.
24:00I'm not a good one.
24:02Ah, shh.
24:03Oh, what are you here, Mila, man.
24:05Tell me, how does Gabriel pay?
24:07Uh.
24:08Well, we have to admit that they pay a good price.
24:11Uh-huh.
24:13Well, I've gave a request to send them to me.
24:17This is from home.
24:18I mean, it didn't have to stay in the home, but the place.
24:20He says that he is on a good location and that there can be a huge building.
24:26That's amazing. It's an extra problem.
24:28If you need to get rid of it...
24:32That's the problem.
24:43I have something much better and safer than Lutry.
24:47I don't have anything better.
24:50You know what I'm thinking?
24:52I'm going to go to the house and bring me a land to live.
24:58You don't have to do that.
25:01Your brother, friend and partner, is ready for you.
25:06It's free.
25:08Free? Let me tell you, my mother.
25:11It's free. There's no baby.
25:13He says that there's no story about the parents.
25:15I'll tell you, I'm ready when you ask me.
25:19It's fine, I'm nervous.
25:22No, I'm not nervous.
25:23It's fine.
25:24It's fine.
25:24It's fine.
25:24It's fine when it's ready.
25:26When it's ready.
25:28When it's ready.
25:30I didn't see my eyes.
25:31I wrote for you.
25:33For me.
25:34I'm ready.
25:35Let me hear you.
25:37Let me read it.
25:38You wrote it?
25:40I wrote it.
25:40I didn't see my eyes.
25:41Let me read it.
25:44Open your mouth.
25:45Okay.
25:46Let's go.
25:48This is a family.
25:51We've talked about it.
25:52Okay.
25:54It's not a place.
25:56It's not a place.
25:56It's not a place.
25:57It's not a place.
25:58It's not a place.
26:00It's not a place.
26:08Let's go.
26:11Then you hear me.
26:13Let's tell us.
26:14Vora, let's hear...
26:18Vora, let's hear Hipp.
26:24God save me, come on a place.
26:28God save my mind.
26:28God save me me...
26:29You're too tired and alive.
26:33God save my mind.
26:34God save me.
26:35I tell us, Mo.
26:37MOVE DRAGA1 Jacked me,
26:37your own skin from eyes.
26:38God save mother and dear.
26:38I could sit down.
26:39I've been all my Va NFL Meet.
26:39You were...
26:42You were...
26:44You were...
26:47And then my voice goes...
26:48And then I say...
26:51You were...
26:52You were...
26:53You were...
26:54You were...
26:58Oh...
26:59I don't think so.
27:01What?
27:02I would write better.
27:04Listen, it's only the first verse.
27:07The first verse.
27:08No, I don't think so.
27:11No, I don't think so.
27:11No, I don't think so.
27:13Look, you know what?
27:17What do you like today?
27:19It starts like a mess.
27:21That's right.
27:22It's important to just go outside.
27:26To go outside.
27:26And outside, when it's cold.
27:29You know what, friend?
27:31This...
27:34That's right.
27:35That's right.
27:35That's right.
27:36That's right.
27:37That's right.
27:38That's right.
27:40That's right.
27:46God, I'm the one who's got your hands for this life.
27:50I'm the one who's got my career.
27:52That's right.
27:53That's right.
27:56That's right.
27:56That's right.
27:56That's right.
27:58That's right.
27:58Look, from the profile, when you look at the profile, how you look at it.
28:02That's right.
28:04Look, when you look at it a little better, I see a star.
28:11A star?
28:11Yes.
28:12Look, God, I pray for you to not be a star.
28:15You're not going to be a star.
28:16I'm not going to be a star.
28:19I'll tell you, you were a star.
28:21You were a star.
28:22And then, you're going to be a star.
28:25You're going to be a star.
28:26You know what?
28:40What's the problem?
28:43There are two steps.
28:46One is Dr. Vojosevic.
28:49I'm going to find him, and it will be a big deal.
28:53What's the problem?
28:54Who is the other one?
28:55The other one?
28:59It's a person who is a good partner.
29:05The question is Natasha.
29:08And who do we know?
29:10Gerkljana.
29:12I try to spare the war, and you're going to get to this orange from Veljkovic.
29:16I know.
29:18I told you that he has a problem.
29:21That's right.
29:21Why?
29:24I have a suggestion.
29:26That's how you find this chickadoch.
29:29Okay.
29:30You open your eyes.
29:31And you're going to take the third end, but from the bottom.
29:35Oh.
29:35That's right.
29:37That's right.
29:39And you?
29:41You open NATO.
29:44NATO, right?
29:46NATO.
29:47NATO.
29:49NATO.
29:49You're my gold.
29:51Okay.
29:52You're thinking, brother.
29:55I'll be right back.
29:56I'll be right back.
29:58I'll be right back.
29:59But listen.
29:59The city.
30:00We're going to half.
30:01That's right.
30:03That's right.
30:03I'll be right back.
30:05Listen.
30:08I have to be good to think about everything.
30:12It's not just that simple.
30:14You don't have to play with everything.
30:17Yes.
30:18Nothing.
30:19Then you think about Sokrat well, and you know that you can't find me.
30:25NATO.
30:26NATO.
30:27NATO.
30:40Aha, come back.
30:43Go on.
30:44Hello, Mr.
30:49What are you doing in our cajgan from criminals?
30:53Well, my brain came like a cajgan.
30:56Only me. This is the power, this is the power.
30:58I don't know anymore.
31:01What do you say about this?
31:03What do you say about this?
31:05What do you say?
31:06I talked with Tambor.
31:08Of course, he is doing this.
31:09This is a traditional tradition.
31:11He claims that he has not allowed the liquidation.
31:15Okay. What do you say about Relia?
31:17Relia is familiar.
31:20I don't know.
31:21Yes.
31:22And?
31:25No, he didn't have anything to say.
31:27Even if everyone left him on the table.
31:30I'm not a doctor.
31:33That would be the most familiar thing you've ever said.
31:37But...
31:38Maybe.
31:39My most familiar...
31:40We have not seen the head hit the edge.
31:43What do you say?
31:44Nothing.
31:45I will show.
31:45As we see, we are waiting.
31:48We will be waiting.
31:49We are still waiting.
31:49Now we are in a situation as if you put jazz water on the ring.
31:55You pull and wait to see when I will be the real ring.
31:59But, at the end, you hit the head.
32:05How are you?
32:06What's up?
32:24How are you?
32:28I'm a speakerphone.
32:30How am I? How do I have to?
32:33No, I don't want to ask you, but I think...
32:37I'm serious.
32:40Tell me, what is going to hurt you? What is your situation?
32:46I don't see any sense.
32:49I'm afraid of my future.
32:50Everything is so unknown, you know?
32:53What is everything so unknown today?
32:57What is life in the dark?
33:00Only voices, some light, some light.
33:05That's the same for me on this love journey.
33:08Sorry, Jiko, but love and health are not the same.
33:13It wouldn't be.
33:15My Gertrude gives me some micro-biotics, some rice, some cookies.
33:21It's so nice, it's so nice, it's so nice, it's so nice.
33:25It's good, Jiko, it's healthy, you know?
33:27It's not healthy, it's not healthy.
33:30I'm afraid that at night I'm going to die and eat me.
33:33Or I'm going to die.
33:35Go ahead, Jiko.
33:36It's not Mariana's story.
33:39Maybe she's going to take me on a test?
33:42It's possible, women are like that.
33:45Oh, you know?
33:46Oh, you're not having a test?
33:47Yeah, you're doing nothing for me.
33:52It's an eye a little.
34:10No.
34:12No.
34:15No.
34:17I'm telling you, neither Relja nor a lawyer.
34:21Let's go, maybe they're together.
34:24Okay, and they're together. There's something called a phone call,
34:28and if you're not in the mood, maybe you'll send a message.
34:30I know you won't be angry at me, but it's a normal relationship for Relja.
34:36Let's go, I think that stupid argument is just classic Relja.
34:39It was funny to me at the beginning, but now it's crazy.
34:43Don't give up yourself.
34:46It's quite classic for him.
34:49It's normal.
34:50It's not normal. It's clean.
34:56Sorry, I'm sorry, I'm sorry.
35:00I'm upset because of all.
35:02I hope I'll just fall into paranoia.
35:04Sorry, but I didn't think anything wrong.
35:07It's normal to care about your family.
35:10You can see the camera slowly.
35:11You will get started.
35:14Who are they?
35:17Hello, hello, checkar.
35:19I'm sure, have a minute of time if you need something to ask.
35:23Of course, of course.
35:27I'll tell you.
35:28You don't even know how the time has come.
35:31You don't have anyone to leave,
35:33and sometimes, sometimes,
35:35the word was the word.
35:38Well, it's not even today with everyone.
35:40Let's go.
35:41Well, today you're all gone.
35:43Why do you think there's still good people?
35:46It's not all that black, right?
35:47Well, they are.
35:59Nebojša?
36:00Reci.
36:02Nebojša, we're going to meet you.
36:04Is there anything related to Reljom?
36:06We're going to enjoy, we're going to meet you.
36:10Okay, where are we?
36:12With you.
36:24Where are we?
36:26Where are we?
36:27Where are we?
36:27Where are we?
36:27Where are we?
36:27We're doing that.
36:28Those are these young people street,
36:30you see them all the way.
36:30I don't.
36:31Yeah, I don't.
36:32I'm not drawing,
36:33my hands hurts if I don't see a sentence on theึk.
36:34But that would be a little.
36:35I don't start to picture the day when I was young.
36:38I did not start to post.
36:41I didn't start to cause a soul.
36:54Do you have to tell me about what you are doing?
36:57Relia is my brother, I have to know.
36:59I know, I know, because I call you.
37:00But not on the phone.
37:03He's already on the phone.
37:04Okay, when do I say to meet you?
37:07When do I say to you?
37:08But it was fine.
37:21It was fine.
37:22Darling, you were here.
37:24You saw it. I don't think I could do anything on the road.
37:26It didn't look like that.
37:31Ivona, this is a job.
37:34I saw the opportunity and took it.
37:37Don't lie.
37:38It's not the thing, Xenia.
37:41I felt a little bit like Višak.
37:56Would you like me to be in my hair?
38:01I don't think about it.
38:03I don't like me to be in my hair.
38:06Okay.
38:07You want me to be in my hair?
38:10From what?
38:11From this...
38:12From this...
38:13From this...
38:14From this place where you are holding me.
38:25From this place where you are holding me.
38:27From this place where you are holding me.
38:29You are so stupid.
38:30From this place where you are going.
38:32Nothing.
38:33Nothing.
38:35Nothing.
38:36I spoke with Ivan and I.
38:38And what are you talking about?
38:41She's in your position.
38:42Yes.
38:53What happened? Where are you?
38:57I'm sorry.
38:59Again?
39:01Again.
39:03What did he do?
39:04What did he do?
39:06He said that he will change.
39:07He will calm down.
39:09He said that I was on my way.
39:14What happened?
39:15Something with a woman and a woman?
39:17No, no.
39:18This is a lot worse.
39:31What happened with a woman?
39:35I found a solution for all of our problems.
39:39Yes.
39:40Great.
39:42Is that a solution?
39:45I have to do one thing with you.
39:48Yes.
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