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00:01I've been reading a little bit about Gene Giscan's biography.
00:06You know, Rina, there are a lot of similarities. You were right.
00:10But, God, there are some differences.
00:14What differences?
00:16He killed so many people in the world.
00:20He has a lot of children. I don't have so many children.
00:25What is your question? Your eternal soul?
00:28Okay, okay. I believe. I 100% believe in your vision.
00:33And don't worry about Gene Giscan.
00:36At the end of the day, it's not the only life you've lived.
00:39Life before life.
00:41How much of it is lived and forgotten.
00:43Really?
00:44Yes, yes. Your previous life is only the most famous and the most famous one you've been.
00:49But you're not the only one.
00:52Wait, Rina.
00:53How much have we been to life before this year?
00:57We're going to have to look at this new season.
01:00We're going to go to life between lives.
01:03It would be important to know what is your task in this life.
01:07I'm so tired.
01:10I'm so tired.
01:12I'm so tired.
01:13I'm so tired.
01:14I'm waiting for you to see you when you're free for the next season.
01:18I'm so tired.
01:18They'll be a better place after you're there.
01:19Maybe tomorrow?
01:21Tomorrow. That's great.
01:23I'll name you t's.
01:25I'll tell you exactly what time is now.
01:30Who are you sharing some of your stories?
01:32I met some people.
01:35I met some people.
01:36I met some people.
01:37I've been more than a little.
01:37It happened a lot with Jokovit.
01:39How many people did?
01:40Are you sure?
01:42I'm sure.
01:44Yeah.
01:44Of course.
02:04Sponsors, these are serious people.
02:07These are serious companies.
02:09These are the world sponsors.
02:11What do we know?
02:11Okay, okay.
02:13Guys, guys, guys, guys.
02:14I'm going to ask them to sponsor.
02:17Alexa, you sure?
02:18What, Alexa?
02:19What?
02:20Far East.
02:22Far East?
02:23Far East.
02:24Far East.
02:24Far East.
02:25Look at me.
02:27I told me that mothers are going to find us.
02:30You understand?
02:30When we start the business, we sell our mothers and we will do it.
02:34You understand?
02:35You understand?
02:36It's a big problem.
02:37You can't help me.
02:38You are saying to me, Mosgonjica, how you're great!
02:42I like to call it directly.
02:45You're not even more, you're not a manager.
02:46See, I'm telling you to tell you,
02:49if you sponsor us something about the show,
02:53you will tell us everything about it.
02:56I'll ask you about it on the phone, you understand?
02:58Yes, that's it.
03:00See, you know the old one.
03:01If it goes, it goes.
03:03This is so loud.
03:06People say that for the first movie
03:08We'll send you a thousand dollars.
03:11Kukuu!
03:12A thousand dollars!
03:14A thousand dollars!
03:15Why?
03:18They wrote here, on this paper,
03:22what you say,
03:24means on their own language.
03:26Here, read it.
03:28What do I read?
03:29Here, on the other side,
03:31you just read it.
03:33You just read it.
03:35My own language,
03:36I read it.
03:37My own language.
03:38My own language.
03:43I have a little bit of a Korean language.
03:49I'll tell you how to read it.
03:53You can't speak.
03:55You can't speak.
03:56Do you want to go over the thousand dollars?
03:59You can read it in a single word.
04:00You can learn this.
04:01What do you think?
04:02I don't know what to do.
04:03I'll see.
04:04I've got five jobs without anything.
04:07You're a mess.
04:07I think you're going to school.
04:08You're going to read a song, a song, a song, a song.
04:12Then you can add five words, and then you can add ten words.
04:15You're going to finish it.
04:20You're going to finish it.
04:21Come on.
04:22Come on.
04:22Come on.
04:23Come on.
04:24Come on.
04:24Come on.
04:25Come on.
04:27Come on.
04:28I'm going to hear my name.
04:30Come on.
04:32Come on.
04:33Come on.
04:34Come on.
04:35Come on, come on.
04:38Come on.
04:40Come on.
04:42Come on.
04:44Come on.
04:45Let's go.
04:47Let's go.
05:08Hey, I'm going to stop you in something?
05:11I'm just going to give you some personal information for this summer camp in America,
05:16and the number of passengers.
05:19Look, I wanted to tell you something about Ivan.
05:22What did he do now?
05:24He did nothing.
05:27He felt very strange in the last time.
05:30Okay, Ivan is always strange.
05:32So, what did he do specifically?
05:35Well, specifically?
05:38Your father thought that he was gone.
05:44What?
05:46He thought that he was in the past life.
05:50That's not funny.
05:52Okay, that's not funny.
05:54How did he do that?
05:56That's Rina.
05:58What's that?
05:59He was convinced him.
06:00He can't read the whole night a book about the Mongolian.
06:05How soon he falls on a little bit?
06:08It's hard to say.
06:11You see, people need to believe something.
06:13So, leave him a little.
06:14Just don't give him a horse so I don't have to pay him.
06:18I see that this is very strange.
06:20But believe me, I don't have to say anything.
06:36You see, Huroš is one of the biggest people who call me.
06:38Why do you call me or do you call me or do you call me or do you call me?
06:50You call me.
06:51You call me or do you call me.
06:52You call me or do you call me.
06:52Earlier he was on the road, now he is inside and looks like he is getting rid of everything.
06:56He is always someone who is missing.
06:58If someone is missing, he is missing the middle, and he doesn't know anything about what he is.
07:02And the middle of you are?
07:03Today I am, tomorrow I am someone else.
07:06That's how he does when he is left.
07:10So, it's not just unconfident to me?
07:12No. Unconfident to everyone.
07:15Don't be able to take you to the heart.
07:17No, nothing to the heart.
07:20How are you?
07:21Good. He went to the village.
07:24Good news.
07:25Yes. He has a nice look at the door.
07:29He is missing the half of Beograd.
07:31Who is it?
07:32Nobody is missing anything.
07:34He is missing the inside.
07:36People are alone. He doesn't need to wait for him.
07:39People are always missing the one who can come back.
07:43Let's welcome him.
07:44Third.
07:46Something else.
07:48What is the concern for our other people?
07:51He is still on the tank.
07:54He is still unconfident.
07:56Unconfident?
07:57What?
07:58What?
07:59He is doing the job.
08:01He was hungry.
08:02He was hungry.
08:04He was hungry.
08:04He needs to see the videos.
08:06He is waiting to see what he got for it.
08:08For now, he has only been missing.
08:11The missing is better than some other things that he can do.
08:15The way he can be missing.
08:16I know him.
08:18I don't know him.
08:18He is really telling me.
08:22Okay.
08:22He is hungry.
08:24If he starts to make a mess, he will be hungry before someone else decides anything.
08:30I said okay.
08:32He is patient with a patient.
08:34He is my man.
08:35I keep him.
08:38Is that all?
08:39No.
08:40We have new tasks for you.
08:43What tasks?
08:48What do you need?
08:49Do you want him to send him into a mess?
08:51Of course.
08:53Okay.
08:54I will not talk to him.
08:55I will try to understand him.
08:56Okay.
08:57What do I do when you don't talk to him?
08:59I will look at how he feels like he is.
09:02I will be more mad at him.
09:04I will talk to him.
09:05I will talk to him.
09:06I will send you to a flight.
09:08No.
09:09You don't want us to send him.
09:11He will send him somewhere.
09:12I will leave him, I will never have any life for him.
09:16Please.
09:17Please.
09:17I will talk with you.
09:18I will not talk to you.
09:21I don't know if you understand that in these years I thought I was going to get into a peaceful
09:26phase of life.
09:27Where I am going to enjoy my uncle.
09:30And what do I do?
09:31I will return to your uncle to my house.
09:34I will talk with you.
09:35I will do it.
09:36I will answer you.
09:37I will not think that I will not be a bad idea for him.
09:42You are a bad idea?
09:43I am not a bad idea, of course.
09:45But I ask you to do it.
09:46I will start with you.
09:47I am going to go home like a panchetta.
09:48Ok.
09:53You are a bad idea.
09:55You are a bad idea.
09:58You are a bad idea.
10:09You are a bad idea.
10:11You are a bad idea.
10:11You must go to contact Alexom Možegovićem.
10:15Who is that?
10:16The owner of a company in which Uroš has a property.
10:20Uroš has bought that property a little before they are in the house.
10:25Ok.
10:26And?
10:26You must have to convince him to sell his part of the company to Uroš.
10:30To sell?
10:31To sell his part of the company.
10:32The whole of his part.
10:33Uroš wants a whole company.
10:35What will Uroš go to the company while he is in the house with a look at the house?
10:40Don't ask that.
10:41You don't ask that.
10:42I don't ask that.
10:42The company is bad.
10:44And it will be bad even more.
10:45Uroš doesn't buy anything that doesn't matter.
10:48You know?
10:48I don't like it to be a kick in the whole story.
10:54You shouldn't be watching it like this.
10:56What do you mean?
10:58He gave me the first to pull him out of his head and move through the door.
11:04Now I'm convinced him to sell a company.
11:08Tomorrow he will be looking for him to carry his packages in the house.
11:11You are one of the rare people in which he has more confidence.
11:14That's not a small thing.
11:16Yes, but it's enough to call me personally and tell me that.
11:20That experience doesn't need to turn away from the thoughts that Uroš had in you.
11:24It's the best thing you think. That's why it gives you, not someone else.
11:29Okay. How do you think you do that?
11:33I don't know. But you do it.
11:35I don't know.
11:38That Žegović is a man with money.
11:41They don't sell it because they have a nice gift.
11:45That's why Uroš is sending you to the non-advokate.
11:49Who won't, Milo?
11:50No way. Uroš doesn't want anything about that.
11:53First, it's nice and we'll see.
11:55First, it's nice?
11:57If it's nice, it won't go?
11:58Then you'll call us and we'll talk about what's going on.
12:02Don't do anything on your hand.
12:04Nothing on your hand. I understand.
12:08Where can I find that Žegović?
12:10We'll send you the number.
12:32You're doing the number.
12:36What's going on here?
12:37Let's go.
12:38I'll hang on.
12:39I mean, we're talking to you.
12:41I don't know.
12:41Oh, well...
12:42...Ian, I...
12:43So you think.
12:43...I know you're going somewhere and it's not for the number.
12:44Mm-hmm.
12:46You're going to do it for a while.
12:47What is this?
12:49No, no, no, no.
12:52What is this?
12:54What are these hieroglyphs?
12:56What do you write?
12:57What are some secret numbers?
12:59What secret numbers?
13:01What secret numbers?
13:02This is a Chinese language,
13:06so I'm trying to teach them.
13:08You wrote one word here.
13:11The business for the Daljinnac is so great.
13:17What do you say?
13:18It's nice to say and express yourself
13:21that you don't have a hair on the side.
13:23Let's go.
13:24I thought I thought, but I'm not sure.
13:28I'm looking for a joke.
13:29I'm looking for a joke.
13:32Let's go.
13:33Let's go.
13:34Let's go.
14:01Let's go.
14:03Let's go.
14:03Get up this guy.
14:04We are here.
14:04I know that I'm ready for time, I understand that I'm learning to learn to learn books, Chinese, to see
14:10them.
14:10You understand when they come to the hotel?
14:13Yes?
14:15That's right.
14:16That's right.
14:17How do you do that?
14:18That's right.
14:18That's right.
14:19You can't get them to the room.
14:21That's right.
14:22You can't get them to the room.
14:22You can't get them to the room.
14:27That's right.
14:27That's right.
14:28That's right.
14:29You know what, Igor?
14:30What's wrong?
14:30Chinese do not know themselves how much they understand.
14:37Everything is with us.
14:38It's only the beginning, man.
14:40What do you think?
14:42I don't know more about these words.
14:44I don't know more about Chinese.
14:47I'll have more books.
14:50That's right.
14:52What are you talking about here?
14:56What are you talking about?
14:57What are you talking about?
14:57I'm talking about them, right?
15:00You know, you've got a sign of it, right?
15:02You've got a sign of it.
15:03I've got to learn in a sense like this.
15:04I'm starting to learn, right?
15:06You've got to learn!
15:07Yeah, who's got to learn?
15:09You've got to learn?
15:09I'll say I'm going to go.
15:10You've got to learn?
15:11You've got to learn?
15:15You've got to learn for money.
15:16You can learn something so you've got to learn.
15:18You can learn and sing.
15:18If you do it, sing.
15:20No, my pancetos.
15:20No?
15:21You've got to sing in Chinese.
15:22Not at all.
15:23Wait a minute, the text.
15:29Okay, you don't have to sing, but let's go.
15:31Mm-hmm.
15:45Vidiš, Rule, taj Džinghis Khan, on je bio veliki, veliki mongolski vladar.
15:53On je to vreme svojo pola poznatog svete i bit će upamćen kao jedan od najmoćnih ljudi tog vremena.
16:02Vidi, Deko, mi nismo nešto posebno učili o njemu u školi, više smo radili Nemanjiće i Zanjka.
16:09Da, dobro, dobro, mislim, to je lepo, znaš što to, Nemanjić.
16:13Ja se ceo da te pitam, pogledaj, pa li ti ja onako malo ličim na njega, te podsjećam na njega?
16:22Pa, ne baš.
16:24Ma dobro, ne baš, mislim, on je azijat, mongol, razumiješ, ja sam evropljanin.
16:30Ali ovako, mislim, kad pogledaš sliku, ovako u stavu, u izgledu, a?
16:37Pa, obojica ste debeli, imate velike glave.
16:41Marš brej, ajde, ajde, beži se oko, ajde.
16:43Češ ću ima.
16:44Češ ti ima.
16:45Ma ništa, ovaj priča, nešto sa Lule, to mogu ti reći.
16:49Baš si izobrazio poslednje leve.
16:51Vidi, Ivane, ja sam mislio da tebe pošaljem na jedno putovanje.
16:55Kako putovanje?
16:56Pa sećiš kad si mi spominjao Zanzibar.
16:59Kad sam ja tebi spominjao Zanzibar?
17:01Onda kad ste se krili kod Biljane od Gabriela, sećiš se.
17:05Ma dobro, to si ja samo šalio, znaš?
17:07E, pa vidiš, ja si ti kupio kartu.
17:10Kako si mi kupio kartu?
17:11Lepo kucu podatke, tamo platio i kupio ti kartu.
17:14Samo meni?
17:15Samo tebi.
17:16Aha.
17:17Znači, fly Ivane, fly.
17:21Vidi Aleksa, je li se to meni čini ili bi ti mene nešto kao da otkačiš, a?
17:55Značišč
17:57GOOOOOO
17:58TO
18:00Stop!
18:01That's why that is not using it
18:03And now it's nice to write it
18:07This is nice to signal that i have been listening to you
18:10I've said it
18:11She like that
18:12She said it
18:14You say it
18:15I am...
18:16G, g, g, da, i, o.
18:22Like da i o.
18:23Know pancie, but that da i i da i svoj nisto kakak.
18:31And this, i o, i lo, to mi slično.
18:36I do.
18:37I krava i brava je slično pa nije.
18:40I don't know what this one says.
18:43It means that it's important to teach you this beautiful thing.
18:48Let's go.
18:49Come on.
18:50Come on.
18:51Come on.
18:51Come on.
18:52Come on.
18:53Come on.
18:53Come on.
18:54Come on.
18:54Come on.
18:54Come on.
18:55Come on.
18:56Come on.
18:56Come on.
18:57Come on.
18:58Come on.
19:02I know what is your problem.
19:07What?
19:07You want to stop it.
19:10You don't want to stop this understanding.
19:14It's like this.
19:16Let's explain in your head that it's called Happy New Year.
19:24And then...
19:26Let's go.
19:28That's the problem.
19:30In our hands it's called Happy New Year.
19:33It's called Happy New Year.
19:36But it's called Happy New Year.
19:37I'm advice what it's called.
19:40No.
19:41It's not true.
19:41Explain it that it's called to be the language.
19:45They let it out.
19:46But why do you know the way it's called to pour?
19:50Let's try it.
19:51Let's do it.
19:52Please let's go.
19:53Let's go.
19:53No.
19:53Get ready.
19:56We소 마무� phi.
19:58Let's go for her first.
19:59Let's go for her to read what this means.
20:01Let us copy that, and then we'll go to school.
20:05We're going to sing.
20:06It's just like a rose.
20:07What is it?
20:08Wait, wait, don't try to do that.
20:11What do you think?
20:13Let the children go to the hospital.
20:15What did you say?
20:18Why?
20:19In the next year, the new year is only in February.
20:22I have time to learn what I want.
20:26I'm afraid to have to go to the hospital.
20:29A little bit my little bit go.
20:31I need to stop repeating this thing.
20:34You aren't able to even effle,
20:36all of that.
20:39I don't have the capacity!
20:41It's not that much!
20:42You are all right!
20:43One more!
20:45One more!
20:45You can't effle!
20:50One more!
20:52The right answer!
20:52Not that actually, you.
20:55One more!
20:56No!
20:58Nothing simple.
21:00It's a good thing, like a clicker.
21:10Niko won't be able to leave you.
21:12I just think that you need a break
21:14and that you're all here to buy.
21:17What did you buy?
21:18For example, this book.
21:20Home, souls, past lives.
21:23You can change the middle.
21:24And why Zanzibar?
21:27Why not?
21:28And when the flight is?
21:29Tomorrow.
21:30Tomorrow?
21:31Well, you see, I can't go tomorrow.
21:34And I won't go.
21:35Why?
21:36Because I won't go alone, like a clown.
21:39And stop being treated like a clown.
21:42No, no one doesn't treat you like a clown.
21:45Alex, I know that you didn't even think about this.
21:49I know which song is called Fly Robin Fly.
21:54In this case, Fly, Ivane Fly.
21:56I know which fingers are placed here.
21:58That song is called your mother.
22:01Okay.
22:01You were a little drunk on your head.
22:04That's right.
22:05That's the limit of her patience.
22:08Okay, Ivane.
22:09Okay.
22:10Alex, let me ask you something.
22:11I'm sorry.
22:14I'm afraid of what I believe.
22:15I'm afraid of anything.
22:17I'm sorry.
22:18I'm afraid of anything.
22:19No.
22:20No.
22:21Then stop being afraid of me, a clown.
22:25Send me to Zanzibar.
22:27No one will go there to go out of that clown.
22:31And I'll keep myself at peace,
22:32I have to spend a quality time with my son.
22:36Come on, come on!
22:55Hey, come on, tell me, do you have anything?
22:58I don't have anything yet.
23:00But the number of people you get, I sent you to an analysis of people who are doing it.
23:05For a few days, the name is and address.
23:09What people?
23:11Really. Don't ask them.
23:14It wouldn't be nice to know.
23:16Okay. And then?
23:18Then I'm going to talk about what she writes
23:23and your partner has never received any advice.
23:25Okay, never.
23:27How is she?
23:28Oh, Ksenija like Ksenija.
23:31She's doing everything in order.
23:33That's the best.
23:35I know, I know.
23:37That's what I've noticed at my time.
23:39Kumarac.
23:40Thank you for doing this.
23:42You will thank me when we end up at the cafe.
23:46I already told you that you're not my type.
23:47I've already told you, but I'll try to get out of it.
23:50Okay, let's go.
23:51If you know something else.
23:53I love you.
23:55I'll tell you.
24:10Ivana?
24:11Yes.
24:12You are?
24:13Yes.
24:16I can't believe.
24:18I can't believe.
24:20What?
24:20I can't believe you.
24:22I can see your photo.
24:23Where?
24:25To my friends.
24:26To who friends?
24:28To a friend.
24:30To a friend.
24:30To a friend.
24:30To a friend.
24:31To a friend.
24:31To a friend.
24:32To a friend.
24:34And I can't believe you.
24:34To your job.
24:35To a friend.
24:38Which one restaurant is in question?
24:39Okay, it's not important.
24:40To a friend.
24:41I mean, I don't think so.
24:44What is it's important to know.
24:45To the friend.
24:45Because my photo is made from the other side.
24:47I want to know where it started.
24:49The Bobo Malubo.
24:51That's a Japanese restaurant.
24:53Do you want to try sushi and go from there?
24:57Yes.
24:59I'm going to take my CV there.
25:02Yes, it's done.
25:03How is it done?
25:04In any case, I've seen your photo.
25:07Okay, please, how can I help you?
25:10Ivona, I'm going to make you a guest from you.
25:31How did you finish?
25:34What?
25:35What?
25:37What?
25:39I heard this car, but I didn't want to go in and not be drunk.
25:44When are you so sensitive?
25:46When are you so sensitive?
25:50I'm going to go tomorrow and I'm going to go tomorrow.
25:55What guy?
25:57I'm not a guy, but a business partner.
26:00Ah, business partner?
26:02And it must be that at the end, I love you so that it was business partner.
26:07That's what I'm saying.
26:09I'm going to tell you yesterday.
26:11You're not.
26:13Okay, let's start from tomorrow.
26:17I'm not.
26:18Is this a guy or a guy?
26:20Nothing particular, I mean, a combination.
26:24A two meters of my fingers, nothing is true.
26:29There's nothing to do with you.
26:31That's not fair to me.
26:32I don't think about it.
26:33Nothing.
26:34Look at yourself.
26:35What happened to you.
26:36What was your turn, a good job?
26:38You're élective.
26:40What's the name?
26:41You're standing by that man.
26:42Now, you're standing by the ground.
26:44You're standing by the ground and you're standing by the ground.
26:45Well, you're welcome. But everyone needs to have someone.
26:50No, there's no need.
26:53There's no need. You have to. You have to. But you won't admit it.
26:58It's not so important in our job.
27:01What?
27:03Because in our job, when you're alone, you end up in the door or in the grave.
27:11If you end up in the door, then nothing.
27:15If you have someone, you'll come to visit, you'll wait for a while.
27:23If you're in the grave, you'll come and pay for the Holy Spirit.
27:30It's not good for you.
27:33I wouldn't give it to anyone.
27:37Really?
27:40Listen.
27:44When you have someone, you'll give them a chance to hit you, but they don't ask you.
27:50That's why our job, our employees, they ask you how you're a woman, how you're a child.
27:57And they don't ask you anything else.
28:00What do you have to ask an excuse?
28:01For the sake of Fallas it?
28:04We have been someone.
28:06There's had a daughter now.
28:08You look...
28:14What the...?
28:17Oh...
28:18What we過ide?
28:24We have to ask her,嘗ite?
28:27We have to ask her...
28:28Like today, he looked at the phone. He looked at me.
28:32When I go to the space, you know that she left, and you don't stop.
28:41Is that what you're doing, brother?
28:46Who said that?