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00:00:09I've thought it over. My answer is no.
00:00:12Please, Genevieve, I'll lower your voice.
00:00:14I don't want to wait until you've completed the robbery.
00:00:17We could lose this passion.
00:00:18I'm just asking you for some more time to do things correctly.
00:00:21But you have no idea what will happen when you stop working for my husband.
00:00:24And maybe I'll lose interest in you.
00:00:28Or maybe you'll lose interest in me.
00:00:31Or who knows, maybe someone will murder you.
00:00:37I know you're seeing all the obstacles right now.
00:00:42But we just might be happy.
00:00:53Am I interrupting?
00:00:59If only you had been here a second earlier.
00:01:04This man, he attempted to kiss me.
00:01:15Darling, would you kindly leave us for a moment?
00:01:26Then he won't shoot me.
00:01:27I'll give you a moment.
00:01:31I'll never shoot you.
00:01:31Then he falees you soon.
00:01:38He ain't finna that arm.
00:01:38Or who Woche hanger?
00:01:45I don't know what mine's off.
00:01:46I don't get you.
00:01:46I don't have one in the city.
00:01:52Look me in the eye.
00:01:54Did you just try to kiss my wife?
00:01:56No, I didn't do anything.
00:01:59I'll give you my words, sir.
00:02:06I can see you're not lying.
00:02:11Things are not going well between us.
00:02:14She thinks that I don't see it, but I see it all.
00:02:18Absolutely everything.
00:02:20Everything.
00:02:22And now with you staying here at our house, you've gained our trust and become a friend.
00:02:27So I'm afraid, Damien, that just makes you the perfect bait to feed into our fantasies.
00:02:33In any case, my friend, I always know when someone's lying.
00:02:38I need you to understand that if you imagine or even dream about laying your filthy little hands on my
00:02:44wife,
00:02:45if you touch her or if you even breathe the same air as her.
00:02:51With God, as my witness, I swear that you will never leave this place because I will bury you six
00:02:57feet under deep in the crypt.
00:02:59Alive.
00:03:01But I will leave a very small gap.
00:03:04A tiny one.
00:03:06Just enough to get some air to give you enough time to repent, to think about the consequences.
00:03:10Do you understand?
00:03:16Okay, great.
00:03:30Our first cocktail?
00:03:32Sex on the beach.
00:03:36So tell me, who is she?
00:03:39Her name's Candela.
00:03:40A joyous ode to life.
00:03:42What does she do?
00:03:43She's a pickpocket.
00:03:44A thief.
00:03:45And together we've designed a beautiful plan.
00:03:47It's okay, no need to worry, because the plan is a fake one.
00:03:50What do you mean it's fake?
00:03:51There's this aristocrat.
00:03:52The man's insufferable.
00:03:53But he hired me to steal a painting for him.
00:03:55And I said yes, but I'm not going to do it.
00:03:58You made a deal and you're not going to do it?
00:04:00It's not like I'm short on ideas.
00:04:01On the contrary, Sergio, it just so happens that robbing a painting is rather simple.
00:04:04Hundreds, hundreds.
00:04:06Oh, good afternoon.
00:04:07Hello there.
00:04:08Have a nice day.
00:04:10But robbing the bank of Spain?
00:04:12No, that's complicated.
00:04:14It's got nothing to do with whether this is easy or difficult.
00:04:16You made a deal.
00:04:16You promised.
00:04:17It's your word of honor, brother.
00:04:19Sergio, come here.
00:04:23This gentleman will most definitely want to murder me once he realizes that robbing the
00:04:27painting was just a subterfuge to stealing all of his money.
00:04:32Andres, maybe he is an aristocrat, but from what you have told me, he's obviously a criminal.
00:04:36Do you really want to spend the rest of your life looking over your shoulder for some would-be
00:04:40assassin?
00:04:41The only way you can guarantee your safety is to make sure that whatever happens, he has
00:04:45something to gain and something to lose.
00:04:47In other words, if he decided to take revenge, he would lose much, much more.
00:04:51Than he can gain, hmm?
00:04:53So we both win or we both lose?
00:04:54Exactly.
00:04:55But for that, you need to do the job.
00:04:57You're right about that.
00:04:59And in any case, preparing a heist and not going through with it.
00:05:02It's not very exciting.
00:05:03This is much better.
00:05:05Go ahead.
00:05:05Still a painting?
00:05:07Here's to the lady with an urban.
00:05:09The da Vinci?
00:05:12Wait, how are you going to...
00:05:14How are you going to do it?
00:05:37How are you going to do it?
00:05:44I don't know.
00:06:16Why change your mind?
00:06:17Because nothing's holding me back anymore.
00:06:21Because if your husband's going to kill me, I might as well kiss you.
00:06:27Now that I've kissed you, there's no stopping me.
00:06:35Your Grace, the Duke has sent me for his keys.
00:06:37They're in your bathroom.
00:06:39I haven't seen them.
00:06:42But if I do, I'll be sure to bring them down.
00:06:46He wants them now.
00:06:47You know how anxious he can be.
00:06:49I'm in the middle of getting dressed.
00:06:51I told you, I'll bring them down when I'm ready.
00:06:58Would you like me to ask the maid to make the bed?
00:07:03That won't be necessary.
00:07:05I'll take care of it myself.
00:07:13They're not healthy.
00:07:22They're not kids.
00:07:29I'll give them to pee.
00:07:35They're not going to be in a way of getting ready.
00:07:35They're not going to get you.
00:07:36There's a break.
00:07:44Caleb, I'm kind of busy
00:07:46Hey, hey, hey, one minute, one minute, it's important
00:07:50Did something happen?
00:07:51No, not yet, but something might
00:07:53I was an hour early for my date
00:07:55Your date? With Bruce?
00:07:57With Bruce, and another guy, Claudio, my lover
00:07:59Now it looks like we're gonna be a throuple, but I don't know, I'm not sure
00:08:03I made a list of the pros and cons for each of them
00:08:06But I can only find good things for both
00:08:08So you see, my system's not so good
00:08:10Can I have another margarita with extra tequila, please?
00:08:13Kayla, are you alright?
00:08:15A bit tipsy
00:08:16So tell me, Cameron
00:08:19When you had that thing with Jimmy
00:08:21Did you have any doubts?
00:08:23Did you know whether you loved Jimmy or Roy?
00:08:27I knew perfectly well
00:08:29It was Roy
00:08:32In fact, I was madly in love with him
00:08:34Then Jimmy turned up and everything went to hell
00:08:36I went to talk to him with a knot in my stomach
00:08:38And I thought that feeling was
00:08:41Because I was going to meet the love of my life again
00:08:43But I fucked up
00:08:45I completely lost it
00:08:47We went from bar to bar
00:08:48He invited me to a concert
00:08:50I just lost the plot
00:08:52It was only later after we'd had sex on the beach
00:08:55That I realized that this knot in my stomach
00:08:58Had nothing to do with seeing Jimmy
00:09:01It was because I realized that the most important person in my life was Roy
00:09:06And you know what?
00:09:07When I got back home that day
00:09:09Even though I loved him
00:09:13I was incapable of telling him
00:09:17So all I did was blame him
00:09:19Blame him for everything
00:09:21Well then tell him
00:09:22I mean if you think that Roy is the love of your life
00:09:24You gotta say it
00:09:28Maybe I'll talk to him when I get back
00:09:30Good
00:09:31But get back here soon, okay?
00:09:33Yeah
00:09:36I have to go now
00:10:01Bruce wants us to have a three-way relationship
00:10:06Are you serious?
00:10:08Mm-hmm
00:10:08I am personally overwhelmed
00:10:11Being in a couple is hard enough
00:10:12Imagine being in a thruple
00:10:13Before I only had virtual relationships
00:10:15Because I'm not very good up close
00:10:16You might think
00:10:17I'm pretty damn good
00:10:18But no, no, no
00:10:19I'm not good
00:10:20We don't know each other that well yet
00:10:23But this is the strangest situation I've ever been in
00:10:26It is, yeah, totally
00:10:28You're my lover
00:10:29But you might leave as my fiancé
00:10:32In a thruple made in Las Vegas
00:10:34Hey
00:10:38Before we end up in Vegas
00:10:40I've got something to say
00:10:41You see, the thing is
00:10:43I believe that I put you up to this whole crazy thing
00:10:46And, well, it's not fair for you
00:10:50Kayla, I've pretended all along that this was all for love
00:10:54Because I'm generous
00:10:56And because, you know, polyamory and open relationships are cool
00:11:01But all that's not for me
00:11:02Roy helped me understand that
00:11:03What I'm really feeling is total fear
00:11:06I'm afraid because this is the first time I've ever loved someone so intensely
00:11:11And this ridiculous idea of a three-way relationship
00:11:15That's just me clutching at straws
00:11:18We all know what this is
00:11:20This is the story about a guy who arrives in your life like a hurricane
00:11:24And I get blown away
00:11:28So now I've made my decision
00:11:34I'm leaving
00:11:42Your margaritas
00:11:43But for tonight
00:11:46We're going to celebrate because we deserve it
00:11:48The three of us
00:11:50And no sad faces or depressing conversation
00:11:52Tonight we're going to party
00:11:55Guys, let's drink to the shortest threesome in history
00:12:09So what do you think?
00:12:11This is brilliant, Andres
00:12:16Come here
00:12:28And now, our work is over
00:12:30It's time to get this bachelor party started
00:12:31What is that?
00:12:32That's not music
00:12:33What is it?
00:12:35I think they call it flamenco chill
00:12:37Do you remember those house parties with our aunts and our mom?
00:12:40Singing karaoke?
00:12:42No
00:12:42Yes, yes, yes
00:12:43No, no, no, please don't
00:12:44Come with me
00:12:45Let's go and show these lame kids how people party in California
00:12:48Please don't make me do this for God's sake
00:12:50Relax, Sergio
00:12:51I'm begging you
00:12:52Don't do this
00:12:54Buh, buh, buh, buh, Bo-ren
00:12:57Buh, buh, buh, buh, buh, Bo-ren
00:13:02Take my hand
00:13:06Buh, bo-ren
00:13:07You got me rockin' on the road
00:13:09Rockin' on the road
00:13:11Buh, buh, buh, buh, Bo-ren
00:13:13Went to a dance
00:13:15Newsy for romance
00:13:16So, I thought I'd take a chance
00:13:19Buh, bo-ren
00:13:21Take my hand
00:13:24You've barely runnin' on the wall
00:13:26And workin' on the really rappin'
00:13:28Ba-ba-ba-ba-parrin'
00:13:30Ba-ba-ba-ba-ba-barrin'
00:13:33Ba-ba-ba-ba-ba-ba-barrin'
00:13:37Take my hand
00:13:41Rockin' around
00:13:43You've got me walkin' on the wall
00:13:45And workin' on the really rappin'
00:13:47Ba-ba-ba-barrin'
00:13:50Barbaran, Barbaran, Barbaran, Barbaran
00:14:22Barbaran
00:14:22Barbaran
00:14:26Barbaran
00:14:27Unreal
00:14:28Alright then
00:14:31It's time for me to leave
00:14:32It's been an epic night
00:14:35Claudio?
00:14:37My pleasure
00:14:40Caleb?
00:14:48Caleb
00:14:48See you around
00:15:10Do you remember Captain Hook?
00:15:12Remember when he pokes Peter Pan on the gangplank with his sword to push him into the sea field with
00:15:17sharks?
00:15:19Yeah
00:15:20You feel like Peter Pan walking the plank
00:15:24If I've come this far, it's only because I've been blessed to meet someone as wonderful as you
00:15:32I've had an epiphany
00:15:35You've realized you're still in love with him, right?
00:15:42I knew from the start it was gonna end this way
00:15:45I'm the intruder in the story
00:15:48Our story has been a beautiful one
00:15:57Everybody deserves a beautiful affair if it helps them to appreciate the love they already have
00:16:09You should go catch up with your guy
00:16:32You should go catch up with your guy
00:16:38No
00:16:39Don't you?
00:16:40Let's go
00:16:40No
00:16:50No
00:16:51No
00:16:51No
00:16:51Oh
00:16:55Oh!
00:17:05Huh?
00:17:23Uh!
00:17:29Uh!
00:17:31Uh!
00:17:33Uh!
00:17:33What?
00:17:34Uh!
00:17:37What?
00:17:39Oh!
00:17:40Uh!
00:17:51Let's go.
00:18:13Let's go.
00:19:11I'll get us coffee.
00:19:24You were right about the rice.
00:19:26It's a stash for diamonds.
00:19:27I hid one of my phones inside.
00:19:29That way, even if they move the goods, we'll be able to track them.
00:19:32Not doing what you're told can be a good thing.
00:19:35Ciao, Berlin.
00:19:37Thanks.
00:19:41You okay?
00:19:41Just perfect.
00:19:44That fool of a duke I told you about, I've got him right where I want him.
00:19:47I'm not looking for a duke.
00:20:05You okay?
00:20:05You okay?
00:20:07You okay?
00:20:07You okay?
00:20:08You okay?
00:20:16You okay?
00:20:29may i come in what's going on are you all right
00:20:35because you look a bit pale the storm i guess i'm not getting much rest
00:20:41i got a call from your friend christina is she feeling better much better as well as one
00:20:46could expect considering you poisoned her i'd appreciate you telling me why you're here
00:20:56i'm here to steal stuff i sign up on these cruises because the guests travel with jewelry
00:21:03and valuables fascinating and you work alone i don't need anyone else to do what i do
00:21:11let's play a little game i'm gonna go through three different theories about why
00:21:16you're here have a seat
00:21:29so the first theory is that you are a thief who works alone who came on board to steal
00:21:33jewelry and ended up making a hole underneath your cabin bed give me that phone
00:21:42the second possible theory is that you're an undercover cop who came on board to get information
00:21:47from your informant however let's disregard it unlock the phone please
00:21:56why disregard it because no cop would be stupid enough to drill a hole in a boat
00:22:00and my third theory is that you are part of a gang of thieves a gang who for whatever reason
00:22:08has
00:22:08information about what we are carrying on board and they've paid you to do the dirty work a gang
00:22:13who take their code names from the planets
00:22:22captain they need you on the bridge
00:22:24it seems
00:22:25our little chat is being postponed
00:22:29look at me when i come back i want you to give me the real names
00:22:33otherwise it'll be hypothermia for you
00:22:35you can't imagine how many sailors fall overboard it's unreal
00:22:49my dear friends and comrades good morning
00:22:53um did you get some sun
00:22:55yes i've been thinking about things while sitting on the beach and there's going to be a change of plan
00:23:00we're going to steal the lady with an ermine
00:23:04can you tell us why
00:23:05because this is the best way for us to guarantee our safety and peace of mind for the rest of
00:23:08our lives
00:23:09check this
00:23:13what is it
00:23:14this is the shady business that the duke gets up to on his yachts
00:23:17it's how he managed to accumulate that fortune in his vault
00:23:19the man smuggles diamonds
00:23:20cameron has just discovered it
00:23:22diamonds?
00:23:23uncut diamonds that come from the mines on the african coast
00:23:26smuggling and selling precious stones is one of the most profitable criminal activities in the world
00:23:30local laborers extract tons of diamonds from the mines of Botswana and Sierra Leone
00:23:34and then they're sold on the black market
00:23:36an uncut diamond that the duke pays 100 or 200 euros
00:23:38once polished and cut in the netherlands can sell for 70,000 euros
00:23:42no less
00:23:42the fact of the matter is that betraying hardened gangsters is not a good policy
00:23:45so we're going to fulfill our end of the deal
00:23:47well in that case i guess there's no point in stealing all that money from his vault
00:23:51on the contrary
00:23:51but we'll do that shortly after we steal the painting
00:23:55i want to show you something
00:23:57pardon me please, Kayla
00:23:58looking back
00:23:59i think those days spent preparing the heist of the lady with an ermine were the happiest days of my
00:24:02life
00:24:04nourished by the sweet taste of love
00:24:06and the dazzling beauty of seville
00:24:09surrounded by friends
00:24:11carefully analyzing every aspect of the plan
00:24:13preparing every minor detail of the most spectacular and audacious heist the art world had ever seen
00:24:24i don't think we've been refused to think of the Holocaust
00:24:25and ת Forget about five pusses
00:24:29i?
00:24:30and
00:24:31e
00:24:32oh
00:24:34ah
00:24:34Oh, my God.
00:25:05Oh
00:25:37We've been thinking about how we can open the last vault door and Kayla and I believe we've found a
00:25:41solution that might work
00:25:45We analyzed all the information we gathered and found a small notch in the door
00:25:49A tiny opening of about five centimeters in diameter. I've seen it myself
00:25:54At first we thought it might be a biometric scanner, but in that case it would be made from silicone
00:25:59and aluminum. This is iron
00:26:00We've come to the conclusion that he opens the door with a magnet
00:26:03It makes perfect sense
00:26:05All of this fits with the twisted eccentric personality of the dude constantly moving between the complex and the simple
00:26:11exactly and I know where it is
00:26:14It's attached to his keychain and it never leaves him
00:26:17We need to find someone to steal it
00:26:20Someone to pick his pocket very discreetly a brilliant talented work of prestidigitation
00:26:25No out of the question this time. I promised I wouldn't mix business and pleasure
00:26:36I'll have a talk with her
00:26:38I'll have a talk with her
00:26:38Is this what you're looking for?
00:26:42I gave him a big hug to wish him safe travels
00:26:45And I picked them from his pocket
00:26:46Are you sure he didn't notice that you stole them from him?
00:26:49Well, I didn't steal them. I switched them with another set
00:27:11Get me my hand cream
00:27:21Get me my hand cream
00:27:34May I come in your grace?
00:27:35Sure
00:27:37The thing is
00:27:40I'm a bit worried sir
00:27:42I don't trust the people you invited to the palace
00:27:47Forgive me, but you treat them to your table
00:27:49Your home
00:27:50You sit in your stables together
00:27:52You would do well sir to remember why they are here
00:27:55They are thieves
00:27:56My friends
00:27:57What are you trying to tell me Santos?
00:27:59They have no intention of stealing the lady with a Nerman
00:28:03They intend to rob you sir
00:28:09Samuel
00:28:11What do you think?
00:28:15Every day I go to the library and see what they're doing
00:28:19They're going to steal the lady with a Nerman
00:28:28What's wrong?
00:28:28Where can I find our guests?
00:28:29The library sir
00:28:36I've had enough of this
00:28:37Alvaro, what's going on?
00:28:39We have less than 24 hours before the robbery and you've told me nothing
00:28:42Nothing!
00:28:43What are you worried about your grace?
00:28:45Are you worried my team and I don't have the requisite talent to pull off the job with the panache?
00:28:48It deserves
00:28:54You have an excellent eye for these things
00:28:57Yes, that is exactly what I'm worried about
00:28:59Because it would be unforgivable for it to be inconspicuous
00:29:03You understand?
00:29:03I want all of Seville to be talking about it for decades
00:29:06I want headlines across the world press on the front page of the Washington Post
00:29:10I want the Philippines to wake up to news about the lady with a Nerman
00:29:14I completely agree with you, Your Grace
00:29:17How about you just sit back
00:29:19And enjoy the show
00:29:24This is an example of the armored trucks that will be transporting the painting
00:29:28The walls are made of 35mm of solid steel
00:29:30So, are you ready to play?
00:29:32Question 1, how do you break into the truck?
00:29:42Two of the team will do it with thermal lenses
00:29:45That would take approximately nine or so minutes
00:29:47As we're going to be in the city center around noon, we can only afford a few seconds
00:29:51How exciting!
00:29:53So tell me
00:29:56We'll use their own codes to break into the truck
00:30:00You'll hang around the airport and spy on them with a pair of binoculars, I'm guessing
00:30:03It would be very risky and rather naive to put all our eggs into one basket
00:30:07And using binoculars seems a bit primitive
00:30:09And in any case, the truck is always covered by a large tarp to avoid detection
00:30:13Bruce
00:30:18So how are you going to get them?
00:30:20We found the perfect moment to infiltrate when the doors are opened
00:30:2448 hours earlier, in the piece of the hangar
00:30:27The drivers were checking the truck to make sure everything was ready
00:30:30And that is the moment we captured them using the four cameras we installed, Kayla
00:30:37The security codes
00:30:45This is...
00:30:49It's amazing!
00:30:51Darling, take a look at them
00:30:52People would think they're a bunch of boy scouts posing with their scoutmaster for a group photo
00:30:56When in fact they are criminal masterminds
00:31:02And where exactly are you going to do it?
00:31:04On the bridge of Triana
00:31:05On the bridge of Triana
00:31:08Please tell me
00:31:10Tell me I can be looking from one of those rooftop bars watching as my masterpiece unfolds
00:31:15I'm afraid not
00:31:16You need to be as far away as possible
00:31:18Go to the countryside, stay with some of your friends
00:31:20And most of all, do not browse the internet concerning the lady with an ermine
00:31:24So that way if you ever become a suspect
00:31:27These precautions will guarantee your innocence
00:31:29God is my witness
00:31:30I'll leave, I will
00:31:35Now you tell me how you're going to steal it
00:31:41Damien, the truck just got on the highway
00:31:43It's heading your way
00:31:45I've got a visual, it's right behind us
00:31:52Initiate Operation Bumblebee
00:31:56What's Operation Bumblebee?
00:31:58It's a very simple operation whereby we surround and box in the armored truck with a makeshift convoy of our
00:32:03own
00:32:08It's quite complicated logistically
00:32:10You'll need 19 vehicles
00:32:12Do you have that many people you can rely on?
00:32:14100% reliable
00:32:15My future wife
00:32:19I'm right behind the truck darling
00:32:22And my new in-laws
00:32:29In position
00:32:30Everybody's ready baby
00:32:32Closing the convoy
00:32:35The armored truck will be in the middle of the motorcade
00:32:37Like the Virgin in a Holy Week procession
00:32:40But the drivers will think that they're held up in a traffic jam caused by a truck delivering watermelons
00:32:46Brilliant, you've got to admit there's nothing further from a sophisticated art heist than a farmer's truck making its delivery
00:32:51of watermelons
00:32:53Where will it happen?
00:32:55On the bridge of Triana, in the middle of the day
00:33:03The bridge of Triana
00:33:05The bridge of Triana
00:33:06You've chosen the bridge because then you can control the only two accesses
00:33:09Yes, that's right
00:33:10Public security is essential during operation
00:33:12All pedestrian and bicycle lanes on the bridge will be blocked completely
00:33:15This will allow us
00:33:19To create a secure controlled corridor for our team
00:33:23In that way our convoy will arrive safely and on time to the site of our operation
00:33:26And once everyone is in place
00:33:28Then our marvelous magic show will begin
00:33:30I'm a big fan of magic
00:33:34You ready Roy?
00:33:35Let's do it
00:33:36The first act of the show will begin with a tragic accident that will capture the attention of our public
00:33:40The blowout of the sentry
00:33:44Go for it
00:33:55Once the truck is completely boxed in, a sympathy of screaming brakes shall ring out
00:34:17Each of the vehicles will be equipped with hidden explosives similar to the devices used for special effects in the
00:34:22movies
00:34:22These are the sensors, a small tap and
00:34:26We will wrap the armored truck in a cloud of smoke, dropping a dense cloak around the entire scene
00:34:32Passersby will think that they are witnessing a spectacular and tragic accident
00:34:35While in reality, we will be staging the entire show drawing their attention from one point to another
00:34:41They won't have time to think
00:34:44Get out of here!
00:34:45It's gonna blow!
00:34:46Get out of here!
00:34:50And while their eyes move from explosion to explosion
00:34:54No one will notice that
00:34:56Behind that cloud of smoke, in the middle of the bridge
00:34:59Hidden in broad daylight
00:35:00The greatest art heist in history will be taking place
00:35:06These are replicas of a real life explosive device
00:35:09I'm impressed
00:35:14These gentlemen aren't going to risk opening that door and having the bombs explode
00:35:17And I assure you we're not dealing with an Arnold Schwarzenegger
00:35:19Neither Roberto Cornejo nor Blasman Thea seem to be aspiring heroes willing to risk life and limb to save a
00:35:25masterpiece of Renaissance art
00:35:35Thanks!
00:35:42Thanks, guys!
00:35:42Thanks for joining us!
00:35:46Thanks, Dr.
00:35:52While you are all in charge of the ship, you need to be taken to the shoot, you have to
00:35:53attack, you are lost!
00:35:56We've served to the ship and we are going to see them!
00:35:56The painting, including the security frame, is 59 centimeters high and 45 wide.
00:36:02So we've built our own custom-made transport.
00:36:08You're going to stuff the lady with an ermine inside a pizza box?
00:36:12Exactly. And with a driver.
00:36:14That's a stroke of genius.
00:36:30And now comes the grand finale, our finest accomplishment.
00:36:34While the lady with an ermine continues its delivery route through the streets of Seville,
00:36:37a couple of outlaws will remain behind and brazenly, courageously attempt to open the truck with thermal lances.
00:36:44They will cut the steel at 3,500 degrees Celsius.
00:36:47Halfway through the job, we'll hear the police irens blaring from the nearby streets.
00:36:52It's time to move!
00:36:58Everything will be meticulously controlled to make it appear like a hasty getaway.
00:37:04So when the police arrive amidst this chaos, they'll find it very difficult to understand what's going on.
00:37:15Little by little, as the smoke begins to disperse across the river, they'll start to put the pieces together.
00:37:19Armed robbery in progress.
00:37:24Explosives! Everybody move back! Move back!
00:37:34As the doors are opened and the final curtain is drawn,
00:37:40they'll breathe a sigh of relief.
00:37:44Because before their very eyes, they will discover the lady with an ermine safe and secure.
00:37:48A perfect forgery of the lady with an ermine. Now I see why you went to the Dutchman.
00:37:52Sure you do.
00:37:58We'll make the switch with a forged copy.
00:38:12It's such a magnificent copy.
00:38:14So good you'd think it was painted by Leonardo da Vinci.
00:38:17Hm.
00:38:18Everything has been taken care of.
00:38:20The packing tape, the reinforced glass, and the aluminum frame.
00:38:23We even duplicated the security barcodes.
00:38:26These numbers are generated randomly once the artwork leaves the museum.
00:38:30How did you manage to have the barcode stickers printed when the cargo hasn't even left Poland yet?
00:38:34Their software was pretty vulnerable, so we were able to make a few changes of our own.
00:38:42In perfect order. Let's go.
00:38:45They'll think that the heist has failed.
00:38:46And they'll believe it for a long time, too.
00:38:51The plan is absolutely magnificent, however.
00:38:54Where will you keep the lady with an ermine?
00:38:58She will be exploring Seville wrapped nice and cozy in a shopping bag.
00:39:03The last place anyone would be looking to find the painting from a robbery that never took place.
00:39:23The
00:39:23They use wicker baskets to collect the Welegis edgeless mushrooms.
00:39:27Beautifully crafted, and the mushrooms are...
00:39:29News coming into us from Seville of an attempted robbery on the bridge of Triana in broad daylight.
00:39:33The thieves targeted a security truck transporting Da Vinci's masterpiece, The Lady with an Ermine.
00:39:38Which is set to be on display in the city in the coming days.
00:39:41For the moment, no serious injuries have been reported.
00:39:44Eyewitnesses declare seeing multiple explosions and depictions of destruction.
00:39:55They did it.
00:39:56Understood?
00:39:58It's mine.
00:39:59Congratulations.
00:40:00For a moment you had me doubting because...
00:40:02of your mediocrity.
00:40:05Your defeatist mentality.
00:40:07I was doing my best though as being cautious, sir.
00:40:09Goodbye.
00:40:17It's all yours.
00:40:18I'm leaving.
00:40:22And at the very moment that the Duke hung up on his loyal guard dog, Santos,
00:40:27fate would have it that one loose end sentenced us to an almost certain death.
00:40:31I see you've brought your own.
00:40:33I see you've brought your own.
00:40:53How long have I been here?
00:40:54I see you.
00:40:59Oh my God.
00:41:06Owned.
00:41:08Why?
00:41:12Maybe a little more tequila will help
00:41:19Tell me
00:41:25I'm not part of any fucking gang
00:41:27And even if I was, you'd never find out
00:41:42Any signs of boats?
00:41:44There's no one within 42 nautical miles
00:41:47The radar's clear
00:41:48No luck for you, dear
00:41:50You won't be running into any friendly ships
00:41:52And the more you swim, the more body heat you'll lose
00:41:54I'm afraid that's bad news
00:41:56The nearest shore is Algeria
00:41:58And that's more than 370 miles
00:42:04Get it up
00:42:08Who's trying to betray my boss?
00:42:11Who wants to steal from us?
00:42:14Give me something
00:42:15Give me something so I can warn him
00:42:19Talk or swim, it's your choice
00:42:27My boss's name is Diego
00:42:30Diego?
00:42:31Diego who?
00:42:33Diego, fuck yourself
00:42:37You're a smartass with more balls than brains
00:42:40I'll make it out of the water
00:42:43Who knows, maybe by hanging on to a fucking piece of wood
00:42:47Resisting and fighting
00:42:50And I'll find you, I swear to God
00:43:00When God comes, we'll report you lost at sea
00:43:05Until then, best of luck
00:43:06confusing
00:43:33Oh, it's worth quality
00:43:36Oh, I can say
00:43:46To be continued...
00:44:06To be continued...
00:44:47Initiating system decode.
00:45:14To be continued...
00:45:17The door to the vault should only be opened once more to get the money out.
00:45:21Or else face a second gas explosion.
00:45:23One that you could never survive.
00:45:30Five more digits.
00:45:33I'm sorry, but I'm not brave enough for this.
00:45:38Bruce, don't do it.
00:45:39We have fireproof suits.
00:45:40We have oxygen and helmets.
00:45:42We can walk through the fires of hell.
00:45:45Screaming at the top of our lungs.
00:45:47Ryan...
00:45:47It's only 40 seconds.
00:45:48Come on, Bruce.
00:45:53Come on.
00:45:54No, Roy, no.
00:45:56I know why you want to go in there.
00:45:59Because you need the adrenaline to not be as miserable as you really are.
00:46:02You act like one of those fools, the kind who does the opposite of what he feels.
00:46:06Instead of feeling sad, he drinks champagne to celebrate when his girlfriend leaves.
00:46:10Instead of running from the fire, you run straight in.
00:46:12Because you're trying to forget how much you're hurting.
00:46:16I don't know what to do to help you anymore.
00:46:24No one's going in.
00:46:25At last, I'm calling my fucking sense.
00:46:27Everyone get out.
00:46:28Two digits left.
00:46:34Damien, I'm going in.
00:46:35All clear.
00:46:37Everything's clear.
00:46:38Or we don't have to do this.
00:46:40Last one.
00:47:03Bruce, Bruce, no.
00:47:05Bruce, don't do it.
00:47:06Bruce.
00:47:07Bruce.
00:47:08Bruce, no.
00:47:09Can't someone tell me what the fuck is going on?
00:47:12They're both inside now.
00:47:15What have we done?
00:47:26The fire's going to start soon.
00:47:38Roy, Bruce, can you hear me?
00:47:41So far so good.
00:47:42The suit's holding up.
00:47:4345 seconds.
00:47:45Bruce, are you okay?
00:47:47Bruce, I can't see anything.
00:47:48I can't see Bruce.
00:47:4930 seconds to go.
00:47:50Bruce, talk to me.
00:47:53Something's wrong.
00:47:54Something's wrong.
00:47:55I'm on fire.
00:47:57Fuck.
00:47:58Roy.
00:47:5925 seconds left.
00:48:00The oxygen tank is getting hot.
00:48:02His leg is burning.
00:48:03Oh, my God.
00:48:04My back's on fire.
00:48:05Get us out of here.
00:48:0520 seconds.
00:48:06We have to go in.
00:48:07We're in.
00:48:07We're going in.
00:48:08Now we have to.
00:48:09Don't open the door, Kayla.
00:48:10We can't open it.
00:48:12The influx of oxygen will feed the fire.
00:48:14As soon as it's done, I'll get them out.
00:48:15Get the door.
00:48:1615 seconds left.
00:48:18No.
00:48:19No.
00:48:20No.
00:48:21No.
00:48:22We can't let them die.
00:48:23No.
00:48:24We're hurting alive for fuck's sake.
00:48:27No.
00:48:27Open the fucking door.
00:48:29Open that damn door.
00:48:30No.
00:48:31No.
00:48:31No.
00:48:32No.
00:48:34No.
00:48:36No.
00:48:37No.
00:48:37No.
00:48:38No.
00:48:45Five seconds.
00:48:46They're both dead.
00:48:47Four.
00:48:48They're both dead.
00:48:49Three.
00:48:51Two.
00:48:53One.
00:48:54Time's up.
00:48:55Kayla, open it.
00:49:07You only have a few seconds to get them out of there before the door closes once more.
00:49:18Is that Roy?
00:49:21Is that Bruce?
00:49:21Are they alive?
00:49:23Berlin, hurry up.
00:49:24There's no more time left.
00:49:25No.
00:49:27Come on, Roy.
00:49:31I don't know if I can get back up.
00:49:32You can do it.
00:49:34Berlin, the door's closing.
00:49:36Berlin?
00:49:37Berlin?
00:49:49We're never going to make it out.
00:50:02There's no gas.
00:50:04It's empty.
00:50:05There's no more gas.
00:50:07Roy's alive.
00:50:09Let's go.
00:50:11Berlin, what about Bruce?
00:50:16Berlin?
00:50:18Berlin?
00:50:19Berlin?
00:50:20Berlin?
00:50:20Berlin?
00:50:20Berlin?
00:50:20Berlin?
00:50:31I don't know if I can get back.
00:50:35Say something!
00:50:37Is it alive?
00:50:42Berlin?
00:50:47There's no need.
00:50:48I don't know if I can get back up.
00:50:50Bruce is alive.
00:50:59My leg.
00:51:01Shit.
00:51:02Looks like I'm really fucked.
00:51:05Don't think about it, okay?
00:51:10You're not the only one.
00:51:12Get up.
00:51:16We've made it this far.
00:51:20For fuck's sake, let's get in there.
00:51:43How much do you think there is?
00:51:45Way more than in Ali Baba's cave.
00:51:56Roy, are you okay?
00:51:58I need another driving glove.
00:52:00Made from diamonds.
00:52:01I need another driving glove.
00:52:14I need another driving glove.
00:52:19No.
00:52:20I need another driving glove.
00:52:27What is it?
00:52:28I don't know.
00:52:38We left the Duke's Palace without knowing that our last loose end hadn't caught up with us and ruined everything.
00:52:44None of us had any idea that when Samuel found the tracer in the money bag,
00:52:48instead of grabbing his gun, he grabbed his pajamas, turned out the lights, and went to bed.
00:52:55Later at dawn, when we were already 500 kilometers from Seville,
00:52:59a furious and very irate Duke woke up a sleepy Samuel because we had emptied his vault.
00:53:03I've been robbed! They've taken everything! It's all gone! They took it all! Do you understand?
00:53:06They took it all because of you! You said nobody was going to rob me!
00:53:11And the next thing he did was to run out of that room like a bat out of hell,
00:53:14to go to his gallery to make sure his collection of paintings was still there.
00:53:36By Rembrandt.
00:53:40By Van Gogh.
00:53:44By Cezanne.
00:53:46By Deglianne.
00:53:52They've taken away my whole life
00:53:54Your Grace
00:53:55Look
00:54:17It's the original
00:54:20They've robbed it for me
00:54:22Just for me
00:54:31Good morning, Your Grace
00:54:32Before you was the lady with an ermine
00:54:34Just as I had promised
00:54:35It's cost you a little more than we had agreed upon
00:54:37As I had underestimated the real value when we met
00:54:39It appears that
00:54:41The painting is worth more than 350 million euros
00:54:44If you put it up for auction
00:54:46So, to compensate for the miscalculation, I increased
00:54:50All of my professional fees to the 75 million euros I found neatly packed in your vault
00:54:54Where are my paintings?
00:54:57I don't give a fuck about the money you stole from the vault
00:55:00I want my collection
00:55:01My collection
00:55:03Would you kindly turn around?
00:55:05Please
00:55:07Do you see that light?
00:55:10That's it
00:55:11It means you're being recorded
00:55:14We have all the necessary evidence to prove that you're the world's greatest art thief
00:55:19We also have recordings of the shipment of traffic diamonds from your yacht
00:55:24You'll find some of the evidence on your bed
00:55:27If for some reason you decide to take revenge or if something happens to us
00:55:30All of this evidence will be made public
00:55:33People will no longer see you as a noble gentleman and you'll spend the rest of your life in prison
00:55:38I'm sure this is not what you want, so I propose a deal
00:55:40Let's say I leave you the lady with an ermine
00:55:43Your boats and your diamonds
00:55:46And you leave me the rest
00:55:47That way we both win
00:55:49But if you want me to lose
00:55:52Both of us will lose
00:56:00Your grace
00:56:02Your grace
00:56:07The Duchess
00:56:09She's gone
00:56:13I never thought I could love someone else with the same intensity and passion with which I loved you
00:56:18I'm sorry to do this to you
00:56:20Because you were the most beautiful half of my life
00:56:22But there comes a day when things come to an end
00:56:25Today is that day
00:56:28Genoveva
00:56:59Your grace
00:57:02Just let me go and find a few good men
00:57:04I'll track those bastards down
00:57:07I'll track them until my last breath
00:57:10And I swear I will find them
00:57:13No
00:57:16Leave them be
00:57:19Get some rest, Santos
00:57:36I'm so exhausted
00:57:38I'm so exhausted
00:58:02I want to have her close by
00:58:06Bring the lady over here
00:58:14Stay with me, Samuel
00:58:18Come lie down
00:58:21And there you have it
00:58:22Here was the reason that the bodyguard didn't give us away
00:58:26Love
00:58:27He saw this as a sort of miracle
00:58:29The possibility to eliminate in one fell swoop
00:58:31Everything that separated him from the Duke
00:58:36His wife
00:58:39His millions
00:58:41His social class
00:58:42His obsession with art
00:58:44It was a chance to stop being a lackey
00:58:46And to become in his eyes the only man on earth
00:58:48Who had stayed loyal
00:58:51Samuel
00:58:52Samuel had always been by his side
00:58:53And had let it all happen
00:58:56Maybe it's time for us to start from scratch again, Samuel
00:59:00But you know what?
00:59:03Starting from scratch is what I prefer
00:59:06Yes, of course
00:59:09Alvaro
00:59:14That afternoon, after those moments of intense danger
00:59:16We finally got to reunite, let loose, and enjoy ourselves
00:59:19We had just pulled off two of the most perfect heists ever imagined
00:59:22The first one was a masterclass of style and panache
00:59:25The other almost killed us
00:59:27Having a close brush with death makes you want to celebrate life even more
00:59:30At that moment, however
00:59:31We had no idea how quickly joy could turn to unbearable pain
00:59:35The news has been hit about a tragic accident at sea
00:59:3648 hours after the captain of the Rose of the Oceans reported her missing
00:59:39The body of the sailor who fell overboard from the luxury yacht has been found
00:59:44Coast Guard rescue teams recovered the body around 55 nautical miles off the coast of the
00:59:49Sardinia
00:59:50Police have identified the body as that of 23-year-old Natalia Reyes-Guzman
00:59:55Sources confirm she had no previous experience in recreational boating
00:59:59And has only just recently enrolled with the crew
01:00:01Initial autopsy reports from the coroner reveal high levels of alcohol in her system
01:00:05When she was recovered
01:00:08After the commission break, we've got her
01:00:10The latest recovery in the south
01:00:12Gone Care in the south
01:00:292.4
01:00:34Dice
01:00:35Dice
01:00:54Hey Roy, it's Cameron.
01:00:58I don't have any cell phone service here, so I guess you'll only get this message once the yacht reaches
01:01:04the coast.
01:01:05I've been caught, but I promise you I'm not afraid.
01:01:10And right now I've just got one thing on my mind and it's driving me crazy.
01:01:14It's kind of silly, I know that.
01:01:17Because it's just a simple word.
01:01:21But it's been so difficult for me to say.
01:01:25I know now that Berlin was right all along.
01:01:28He always said I was spoiled and self-centered, that I was forever screwing up.
01:01:33It's true, I always make things more complicated and more difficult and actually it's quite simple.
01:01:38I should have said those two words to you and I regret it now.
01:01:48I'm sorry.
01:01:51If I had found the courage to tell you that back then, I probably wouldn't be here right now.
01:01:57But most of all, if I had said I was sorry, we'd still be a couple.
01:02:06I'm sorry, Roy.
01:02:11I'm so sorry.
01:02:13I'm so sorry.
01:02:15And someday I hope maybe you'll forgive me.
01:02:19Of course I do.
01:02:22I forgive you, Cameron.
01:02:31And I'll run to you if the walls ignited.
01:02:38I'd still call to you if I lose my sight.
01:02:43And I'll be all for you if I lose my sight.
01:02:50And I'll run to you if the walls ignited.
01:02:56And I'll run to you if the walls ignited.
01:03:02And I'll run to you if the walls ignited.
01:03:08And I'll run to you if the walls ignited.
01:03:14And I'll run to you if I lose my sight.
01:03:36Say what you want to say.
01:03:38What do you want me to say?
01:03:39Say what's on your mind.
01:03:41Thought I should never have let her leave on that yacht.
01:03:45Say I put her in danger by asking her to fight this duel with an eccentric and selfish man.
01:03:50A man who's exactly like me.
01:03:51And because of me, one of my friends is dead and two others are injured.
01:03:55And that has gone way too far for you.
01:03:57And that's why we're different.
01:03:58Because I can cope with my conscience and you cannot.
01:04:01You're not the center of the world.
01:04:05We're here because we chose to be here.
01:04:09Bruce, Roy.
01:04:14And even Cameron.
01:04:17They all made their choice.
01:04:19And me, I could be in Marbella.
01:04:22Robbing safety deposit boxes.
01:04:25Celebrating Christmas alone.
01:04:27But these past few days in Seville
01:04:32have given me more memories than a lifetime at the university.
01:04:36Some of these memories provided me with unbelievable pain.
01:04:45But that's the price we pay for being alive.
01:04:48And there's something else that I've come to realize.
01:04:53I've got no regrets.
01:05:13Listen, if you really want to do the job in Marbella, we can both do it.
01:05:16I'm not a fan of the holidays.
01:05:17I know.
01:05:18And you have a taste for last minute heists.
01:05:20Before we go to Marbella, I'll need you to take a break.
01:05:23Just a couple of weeks.
01:05:24Because you've been invited to a wedding.
01:05:34Time stood still
01:05:36Just like a photograph you made me feel
01:05:39Like this will last forever
01:05:41Looking in your eyes
01:05:45I've seen my whole life
01:05:47Oh
01:05:49Oh
01:05:50Oh
01:05:50Oh
01:05:50Oh
01:05:56Oh
01:05:57Take my heart
01:05:58Don't break it
01:06:00Love me to my bones
01:06:20What if we spend Christmas in Sapporo?
01:06:22A ski holiday in Japan?
01:06:25It's a wonderful idea
01:06:26Yeah, but it's just that I've got this job in Marbella
01:06:29A job in Marbella?
01:06:36I thought it was the groom who waited for the bride at the altar
01:06:39Darling, you look
01:06:40Yes
01:06:41But I'm gonna have to ask you a little question first
01:06:45In fact, I'm a professor of quantum mechanics at a university
01:06:48A university professor, really?
01:06:51Basically, it's a kind of distraction
01:06:53A hobby of mine when I have free time for my work as a criminal
01:06:55Let's go to Sapporo
01:07:01When you were at the hotel with Camille
01:07:03Yes
01:07:03I had the impression that you were hiding something in your jacket
01:07:06Maybe I'm crazy, but it looked like panties
01:07:08The ones in my jacket were old ones
01:07:10She gave them to me as a souvenir
01:07:11From our time in Paris
01:07:18What's wrong?
01:07:19You're being weird
01:07:20I'm not a big fan of weddings
01:07:22And I don't like wedding figurines
01:07:23And definitely not wedding cakes
01:07:24Okay, I promise I won't go near the wedding cake
01:07:35Do you get sad at weddings as well?
01:07:38I get emotional
01:07:43You're his friend from Paris, right?
01:07:46Oui
01:07:47Right
01:07:48Je suis l'anime
01:07:50Enchanté
01:07:59So tell me, where's the lady with an ermine?
01:08:02A magician can't reveal the secrets
01:08:03But I can give you a little clue
01:08:05It's quite possible that the lady with an ermine
01:08:07Shall be sold at an unusually low price at a future auction
01:08:10What would that price be?
01:08:12Nothing less than 400 million euros