- 2 days ago
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00:19Well, it means we have an opportunity.
00:21An opportunity for what?
00:24An opportunity to pull off the robbery tonight.
00:28You can't be serious. Have you seen what's inside?
00:31There's barbed wire, jamming systems, bulls.
00:33This is not like the heist in Paris.
00:34The man shot Bruce just for setting foot inside the estate.
00:37He and Kale are lucky to be alive.
00:38You're right about that. Paris is Paris.
00:41This here is Spain, corrupt and malignant.
00:45Precisely why we need to be prepared.
01:07Catch, Damien.
01:27So aside from blasting our way through, is there any other plan?
01:30We're not blasting our way in. We're gonna walk in through the front door.
01:34Look, we've acquired this beautiful set of keys to open the gates for us.
01:41And in the meantime, what do you want us to do?
01:43You and Roy, we'll stay and watch over him.
01:46I mean, he is our guest, right?
01:49First, you need to remove the pellets from his face and clean him up.
01:52And then tomorrow, maybe we can send our guest home spick and span.
01:56I'm not a fucking nurse.
01:57But I can drive and I can get you in and out in no time.
02:00For fuck's sake, I can be more used to you there than here.
02:03And sorry, but I'm better than Bruce.
02:08Cameron, you're mistaken if you think this is professional. I'm doing this for you.
02:14To rekindle the embers of your romance.
02:17You'll see.
02:17I can assure you taking care of this vermin will be fun.
02:21One hand on the trigger, the adrenaline, the fear.
02:25Good enough to invigorate any couple.
02:32Unless, of course, one of you prefers to be the leader of the pack.
02:35Hmm.
02:35I don't know.
03:13Hey. You okay?
03:17I'm not okay. I'm not okay, Bruce.
03:19Because just a few hours ago, I thought you'd been murdered.
03:22Hey, hey. It's okay. I'm fine.
03:26All thanks to you.
03:28There you were, racing across that field like Ayrton Senna.
03:31Huh?
03:45Bruce, before we go back inside again, I need to tell you something.
03:51For a while now, I've been having some doubts.
03:58I had a moment of weakness with a guy.
04:03It was an accident. It only happened once, and it didn't mean anything.
04:08What exactly do you mean, Kayla? A kiss, messing around, or having sex? I mean, what are you talking about?
04:14Yes.
04:15Yes what, Kayla?
04:16There was physical contact, sexual intercourse, but it only happened once.
04:22Today, when that man led you away, when he pulled out that gun and threatened you, I started panicking, completely
04:29paralyzed.
04:30When I understood that I might lose you, my whole being was filled with strength.
04:36I realized I was capable of doing the impossible, like running over that man.
04:40Bruce, if he'd done anything to you, I swear I would have fucking killed him.
04:48Bruce, you are the force that moves me.
04:59I know what I said is painful, but I had to tell you.
05:01What's done is done.
05:05We're approaching the estate entrance.
05:09Get ready, we're moving in.
05:19Get ready, we're moving in.
05:37The thermal sensors show no heat signatures.
05:40It's all clear for at least 30 meters.
05:43Kill the lights, Damien.
06:03Electric fence straight ahead, 6 meters.
06:11No thermal signatures, we're good to go.
06:29The air vent is situated approximately 3 kilometers west, keep going straight ahead.
06:39I'm picking up infrared heat signatures.
06:42What direction?
06:43Behind the bushes, on the left.
06:46Hold down your window.
06:48I can't see because of the branches.
07:00I see them.
07:02Multiple signatures.
07:03Multiple signatures.
07:07They're following us.
07:08Get out of here.
07:10Don't move.
07:17There's just fucking cows, Kayla.
07:23Kill the flashlight.
07:24There it is.
07:25Yep.
07:53I'm guessing if you have twoмотри on
08:03you've scarred my face you're gonna pay for that you can count on it shut it
08:08why don't you save your energy for hunting boar
08:18where are you fucking going let go of these other grits
08:23help everyone
08:26pull up the trigger
08:29pull up the trigger
08:40why didn't you shoot i'm not gonna shoot him for pulling your damn hair
08:44he attacked me for fuck's sake we have to keep him alive that's what berlin asked us to do
08:49you know what berlin would have done he would have wasted him you think you're a big shot but
08:54you're just his little bitch what i am is loyal but you have no idea what that word means
08:59so you've got nothing to say that's exactly why you can't work with me
09:04because deep down you're ashamed
09:07you know what you don't even have the courage to look me in the eye
09:13i warned you
09:16and i was completely up front with you telling me i put a gun to your head
09:20might as well after all you did you crawled on the floor and begged me for another chance
09:25or did you forget
09:32you fucked with my head
09:33messed with my brain
09:37you want to know why you didn't care about anything i said
09:40because you're just a fucked up piece of shit
09:56you find this funny
09:59yeah
10:01dumb bastard you know nothing about women it's clear to me she's the alpha dog and you're her bitch a
10:06real pussy just like she said
10:07shut up you can't handle her a woman like her she needs a real man like me
10:12you better shut your mouth
10:14a few months and she despises you
10:16you got a problem hearing
10:18i told you to shut your fucking mouth
10:19so now you've decided to grow a pair of balls
10:21it's kind of late for that don't you think
10:23you're a fucking loser
10:25she's the one who had the last word
10:27huh she left you pissing in the wind go on show me what you've got
10:31go on
10:45we made it
11:09let's get to it
11:37must be more than 40 meters deep
11:40i guess the duke's not gonna roll out the red carpet
11:42ments
11:43me
11:43tree
11:43me
11:51me
11:54me
11:55me
11:55me
12:03me
12:06me
12:08me
12:36Good to go.
12:37You're good to go.
12:39Come on down.
12:40All clear.
12:50Bruce, are you all right?
12:52Are you stuck?
13:01Bruce, why are you stuck?
13:07How far did you go sexually?
13:08Stop, this isn't the right moment.
13:10Yeah?
13:11And so what, you think it was the right moment back there?
13:13You're the one who decides what's right?
13:15Kayla, are we good?
13:16Where'd you do it?
13:17In our bed?
13:18No, for God's sake, no.
13:19Did he sleep over?
13:20No, we didn't sleep at all.
13:22Did he make you come?
13:23Bruce, please stop it.
13:26So he did.
13:28Is he better than me?
13:30Huh?
13:31Bruce, Kayla, get yourselves down here now.
13:53This way.
13:55We're about 600 meters from the cellar.
14:01The laser alarms could be anywhere on the property.
14:03The tunnel or the cellar, both are possible.
14:05And how do we find out where they are?
14:06We need to create a high-density atmosphere.
14:08A great way is creating lots of smoke.
14:13Keep going.
14:14Not far now.
14:16Keep going.
14:45You know what?
14:46You can tell yourself whatever you want.
14:48You can tell yourself that I forced you to be with me.
14:52But it was love, Cameron.
15:02A love that's still real.
15:13Berlin is right.
15:16We're on a boat in the most beautiful city in Spain.
15:19But we waste our time fighting.
15:24If I kissed you right now,
15:26this whole mess would be over like that.
15:41And afterwards, we'd hold hands.
15:46We'd walk right off this boat.
15:53Then we'd paint this town red, together.
15:57And we hit the bars in the best parts of Triona.
16:01Noisy, crazy, crowded.
16:08Because of the music, we'd have to move in close.
16:10You always liked it when I'd whispered in your ear.
16:12You enjoyed the way it tickled.
16:16And because you're fearless, you'd start dancing flamenco.
16:24Everyone would stare at you hypnotized, especially me.
16:31I'd do my best to try to clap along, but you already know, I have absolutely no sense of rhythm.
16:36And then, we'd end up kissing.
16:46Alone, surrounded by the crowd.
16:50Later, we'd go downtown and do all the touristy things.
16:52And we'd pretend to be the first to do all that stuff.
16:54We'd hit those high-end stores on Main Street.
16:57The ones where aristocrats get suited up.
16:59For a while, we'd pretend to be like them.
17:01And we'd look fucking amazing.
17:06Then we'd take a ride through Seville on a horse-drawn carriage,
17:08so everyone could see us.
17:12At the end of the day, we'd check into a luxury hotel.
17:17We'd spend the night, but we wouldn't see one minute.
17:22We'd be like, oh, my God.
17:24We'd be like, oh, my God.
17:41We'd be like, oh, my God.
17:42Cameron.
17:43Yeah?
17:45Was what happened that night really so bad?
17:49So bad that the rest means nothing to you.
17:51It was you.
17:55It was your fault, Roy.
17:57It was you who pushed me off the cliff.
18:00That's why everything blew up.
18:02All you wanted to do was change me.
18:05And save me.
18:09And now I'm even more fucked up.
18:14Don't pretend like none of this ever happened.
18:17Why not?
18:18This was just a big mistake.
18:20I should never have come to Seville.
18:30Tell Berlin I'm done.
18:32I gotta get out of here.
18:32Cameron, for fuck's sake!
18:33Fuck, fuck!
18:47No, fuck you!
18:48I won't come down!
18:49Fuck!
18:51Oh, my God.
19:22The last stop.
19:54Don't move.
19:58Stay where you are.
20:22A fortress of lasers.
20:24And his art collection is inside.
20:36There doesn't seem to be any security cameras.
20:38Why would you need cameras when you already have all this?
20:42These lasers work like any other ordinary photoelectric cell.
20:46If anything gets in the way of the light at all, it sets off an alarm or, who knows, something
20:49worse.
20:49What's worse than an alarm?
20:51Well, considering the eccentric personality of the Duke, I imagine something tastefully sadistic like a trapdoor and a pit full
20:56of stakes.
20:59Bloodshed.
21:01You're alive.
21:02Bloodshed.
21:03Yeah, yeah.
21:03Dead or alive, we'd get it.
21:05My question is, how can we get in now that we know he has the best security system in the
21:09world?
21:09Because his sophisticated system is no longer optimal.
21:12Not for a few years now.
21:14Kayla, all yours.
21:15From the information that we gathered, the mechanism was installed in 2000, but it has become obsolete.
21:21A few years ago, they discovered a bug in the programming.
21:23To explain it, I made a short video.
21:25The laser alarm allows for a two-degree variation in oscillation.
21:28We will use the allowance to trick the system.
21:30Yeah, but how do we do that?
21:31We're going to replace one of the lasers with our own.
21:34One with the same power, frequency, and caliber.
21:36Once we can maneuver our laser into the two-degree gap, then we can cancel the emitter and open away
21:40in.
21:41And how are we going to know what power, frequency, and caliber that we need for our own lasers?
21:47We can measure the diameter by using the smoke.
21:49It's easy.
21:49All we have to do then is measure the frequency using a spectrometer.
21:58Two millimeters.
22:05And once we've determined the exact caliber of the laser,
22:08then we can superimpose our replacement laser over theirs,
22:11if we respect the two-degree variable, but no human can possibly do that.
22:14This is outside of the realm of what we can handle.
22:17That's why we're going to use a neurosurgical robotic arm.
22:20This will enable us to place our laser at the exact point of the spectrum with absolute precision.
22:45Berlin, scan the room.
23:06We need to move the robotic arm 432 millimeters to match the lasers.
23:11And at an angle of exactly 91.36 degrees, set up the new laser.
23:23We're ready.
24:01We need to speed things up.
24:02See, 3PO could move faster than these two.
24:04I need to make sure that all the measurements are exact.
24:06It's a very precise maneuver.
24:08It takes time.
24:08Okay, whatever.
24:09Do it.
24:10I have to admit, this bastard knows what he's doing.
24:14Wine barrels made of oak.
24:16The floor covered in sand.
24:18Nobody would go to this much bother if it wasn't for something quite exceptional.
24:35And now for the moment of truth.
24:37It's time for us to block the laser alarm system.
25:00It looks like our trick worked.
25:04Your curls are amazing.
25:09We did it.
25:10Our very own little door.
25:32The floor covered in sand.
25:46I don't know.
26:22I don't know.
26:45I don't know if you'll get this, but the creep got away.
26:50I was up on deck, so he must still be on the boat.
26:55I'm taking the yacht out, so he can't escape.
27:00Damien, if he manages to contact the Duke, you're finished.
27:14Damien, lift your leg very carefully through that space.
27:35Watch out your shoelace!
27:44Take off your boots!
27:47Okay, let's do that.
28:01Now I feel like one of those idiots who's been told to remove his shoes at the airport.
28:05One day I made the mistake of flying with a commercial airline.
28:08They actually forced me to put on these plastic blue bags on my feet to go through security.
28:13Since then, I only travel by boat.
28:17So, Kayla, if you don't mind.
28:28Ready for the big reveal?
28:29It's now or never.
28:30What?
28:35Let's go.
28:38Let's go.
28:48Let's go.
28:51Let's go.
28:56Let's go.
29:32The Storm on the Sea of Galilee by Rembrandt, and it's the original.
29:39It was stolen in Boston from the Isabella Stewart Gardner Art Museum 23 years ago.
29:57Poppy Flowers by Van Gogh.
30:05It was stolen twice from the Kalil Museum in Cairo.
30:10View from Auvel-sur-Royce.
30:18This is a woman with a fan.
30:25Amadeo Medigliani.
30:27This one was stolen from the Museum of Modern Art in Paris.
30:35Oh, the Nativity.
30:40By Caravaggio.
30:43In all of art history, this is the most valuable work that has ever been stolen.
30:52And he keeps them here, in a basement.
30:57Like some old Bordeaux.
31:06What's up with him?
31:07Do you think he's having a breakdown?
31:10It's what's called Stendhal Syndrome.
31:12What?
31:18Stendhal Syndrome.
31:19A state of euphoria with palpitations and hallucinations caused when a person is exposed to beauty.
31:24Okay, alright.
31:25But can you do that later?
31:26Because we kind of got to get out of here.
31:28We cut the canvas and leave the frames, right?
31:31What do you think you're doing, you shithead no-good moron?
31:40Are you expecting us to carry all these paintings out of here?
31:43No, of course not.
31:45Damien.
31:48But all of these frames stay here.
31:56What exactly do you mean by all of these frames stay here?
31:59Damien, we're not talking about a few million euros in unmarked bills or some diamond necklace.
32:05What you see here are the most famous stolen works of art in the history of mankind.
32:11The most mysterious, the most sought-after works of art in the world.
32:15But that piece of shit...
32:18That idolater...
32:19That narcissist has decided...
32:22To sequester them.
32:24The world is filled with millions of paintings.
32:26If they can't see these, they'll see other ones.
32:29Damien, please come here.
32:33Do you realize how often I have visited the Uffizi Gallery in Florence to see the birth of Venus?
32:40Every time that I feel depressed or feel afraid about the future of mankind...
32:45And do you know why I return again and again?
32:51Because...
32:52Simply by contemplating this masterpiece...
32:56I find my inner peace again.
32:58What defines great art, Bruce?
33:06Art is the highest spiritual expression of humanity.
33:14Each one of these masterpieces was created to help reconcile human nature with beauty.
33:19And to ease the world's pain.
33:22But this Duke is so pompous.
33:25Treating these paintings like they're porn.
33:27Flaunting his booty.
33:29Drinking his wine.
33:30Making a call on his landline to avoid the jammers.
33:33Ordering room service like some cheap motel.
33:35It's disgusting.
33:36So what should we do?
33:39Give me five minutes.
33:41I need time to think.
33:42What are you talking about?
33:44Does this look like the place to think?
33:45He could be watching us right now.
33:47Well, there aren't any cameras down here, so...
33:50Oh, he might have motion sensors or sonar alarms.
33:52What if he already knows we're here?
33:54Oh, he might have motion sensors or sonar.
34:20Oh, my God.
34:52Oh, my God.
35:20Oh, my God.
35:22Oh, my God.
35:23Oh, my God.
35:35Oh, my God.
35:48Oh, my God.
35:56Oh, my God.
35:58Oh, my God.
36:02Oh, my God.
36:30Oh, my God.
36:51Oh, my God.
37:17Oh, my God.
37:20Put that painting back down, David.
37:23Why should I?
37:23Are you going to shoot me or what?
37:26Fuck you, Andres.
37:27You made us choose between your plan and mine because you thought my plan of Marbella was a stupid idea.
37:32You convinced him and humiliated me.
37:33And now that we've made it, and now that we've made it, and now that we've made it, and now
37:35that we've made it, and now that we've made it behind these lasers, you've decided we're not robbing him.
37:38We're going to rob this bastard.
37:39Rob him of everything on these walls.
37:41This money, it's mine now, and I'll hang it up on the wall behind me at the office.
37:46Stop right there.
37:53You're right.
37:57And I've just had an epiphany.
38:01Everything is clear.
38:04All of this art, these paintings, they will all be part of the biggest, grandest, and most poetic robbery in
38:10history.
38:11And we're going to do it together.
38:13That's the best part.
38:14I just need you to trust me, Damien, one more time.
38:23I just need you to trust me, Damien, one more time.
38:47You asked me to dress up in your matador's jacket.
38:50I've been waiting for over 40 minutes.
38:53My darling, I was busy saying goodbye to our guests.
38:55Yeah.
39:06Come.
39:08Come.
39:17My jacket fits you like you were born to wear it.
39:21Maybe so, but I'm hoping this isn't my only surprise.
39:26Because it's my birthday.
39:29No, no.
39:30This is just a whim of mine.
39:35Your gift is over there.
39:48Piñatas?
39:49Mm-hmm.
39:57There's nothing quite like the childhood fantasies that surround our birthdays.
40:02I love connecting with my inner child.
40:14No.
40:29You may only break two piñatas.
40:32So choose well, my love.
41:01Yes?
41:02Good evening, Duke. It's Berlin.
41:07First, I must apologize for calling you so late.
41:09However, we have some very urgent issues to discuss, you and I.
41:12Right now, can it wait?
41:14I'm afraid not.
41:15It would be better for everyone if we meet tonight.
41:19You see, all my team are beside me and want to see you.
41:22We're not very far away.
41:23In fact, we're on your property, in your gallery, to be precise.
41:26You're in my gallery?
41:27Yes, we'll be waiting.
41:29I'm on my way.
41:36Are you leaving right now?
41:39I am your wife.
41:42Alvaro.
41:45There are times I feel you prefer your painting so far, love.
41:48I'll be back, my love.
41:51Keep the jacket. You look ravishing.
42:18Sorry.
42:20Oh.
42:22I'm sorry.
42:23I'm sorry.
42:36Let me go, asshole.
42:38I'm putting you in with the brunt of the litter.
42:41I'm afraid our time has come.
42:43Let me out, you son of a bitch!
42:45Let me out!
42:47Give me your finger.
42:48Give, come on!
42:51Easy.
42:55Well done.
42:58You've both been nice bitches.
43:00Time to end your suffering.
43:03No!
43:04No, please, no!
43:05Please, let me out!
43:07No!
43:07No!
43:08No!
43:08No!
43:10Please, no!
43:11No!
43:12No!
43:13No!
43:13Help me!
43:14No!