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00:01How can you possibly lose a bag filled with four million euros at a party, Damien?
00:05Kayla, call me.
00:06The Duke's cash had just started to move,
00:08and the Duchess kept whispering in my ear and seducing me with the Virgin Mary.
00:11I got sidetracked.
00:12It's not my problem that you get all befuddled by these careless whispers.
00:15I need you to find the money so I can make good on the plans that I made.
00:18And which plan is that?
00:19The one with Alibaba or the one with Willy Wonka's chocolate?
00:22Tell me which one is it.
00:23Call it whatever you want, just find it.
00:25How do you expect me to find it?
00:27That party was throbbing.
00:28There must have been four or five hundred people here.
00:30Best news I've heard so far.
00:31At least you know that one of those five hundred has the bag.
00:34It's not like the police who have to choose between seven billion people to find us.
00:37You, on the other hand, have few suspects.
00:39Now get to work.
00:48Do you have what I think you have in that bag?
00:53Follow me.
00:54Sit down, please.
01:10Close the door.
01:19I see you enjoy history.
01:22And all that art.
01:23Don't move.
01:25So you like art?
01:26Paintings?
01:29Let's just say I'm very fond of art.
01:34Seems so.
01:39Relax.
01:40Don't worry.
01:41Just shut up and listen to me carefully.
01:43If I find out you're lying to me, I will sew your lips together with wire.
01:46Understood?
01:48You've become friends with the Duke and with Genevieve to infiltrate the palace.
01:53Yes or no?
01:55Yeah.
01:56Yes.
01:56So you can rip them off?
01:59Careful with your answer.
02:05Ah, Jesus, Mary and Joseph.
02:06Thank God for that.
02:08First of all, you hang out with the Duchess in the ladies' room.
02:11Then you want to move into the palace?
02:12I thought you were some kind of gigolo.
02:14And I thought that they had brought you in to spice up their sex life.
02:17I was going crazy.
02:18I'm so relieved now.
02:20Oh, my beautiful, wonderful thief.
02:23That's a compliment, not a bad thing.
02:25Hold on a minute.
02:26You've just violated my private space.
02:29Hey.
02:30Relax, man.
02:31Easy.
02:31There's no need to get all high and mighty, all right?
02:33We're in the same business.
02:34Discretion is my middle name.
02:35And the fact of the matter is, this is perfect timing.
02:39I'm looking to join a gang.
02:44Well, you see, the problem is that I never mix my personal and my professional life.
02:48While I appreciate the idea, I'm afraid you're in no position to negotiate my terms of hire.
02:54Let me get this straight.
02:55You just messed up my things.
02:57And now you want to become part of my gang.
03:00Is that what you said?
03:01And you insist that the conditions of hire are non-negotiable.
03:04You know what?
03:05I'm really not very comfortable with this whole matriarchal and illusion dynamic.
03:08So I'm just going to leave.
03:11And when I come back in, then we can start all over again.
03:27Right now, it would seem that you have the upper hand.
03:31You know all about me, and I know very little about you.
03:34You know, you could report me to the police or to the Duchess, considering that you're acquainted.
03:44Basically, I'm at your mercy.
03:46How can I have the slightest faith in you?
03:54The thing is, I can't make you.
04:00But I can make you feel it.
04:31Damien, look.
04:32We found more info.
04:33What info?
04:34This is the chapel in the Duke's Palace.
04:36It's where we lost track of the money.
04:38It was built in 1825.
04:41It's also the family pantheon, the final resting place for five generations.
04:45And fun fact, it also contains the tomb of the Cardinal of Seville.
04:49Octavio Hermosa de Medina, in line to become Pope in the 1800s.
04:52Roy, do I look as if I'm interested in cardinals from the 19th century?
04:55No, obviously.
04:57You guys take a break.
04:58I've got other concerns.
05:01Time for my siesta.
05:02Can I use your cabin?
05:05Yeah.
05:14I need your help, Roy.
05:15Right now.
05:15You've got to say yes.
05:16It's a matter of life or death.
05:33Who do you think you are coming to Seville and chasing after me?
05:36Are you a stalker?
05:37Psychopath?
05:38There I was, looking out the window, and you're staring back at me.
05:41My boyfriend could have been there.
05:42You had no right to come and intrude on me.
05:44We've only met once.
05:45You mean nothing to me.
05:46What do you think this is?
05:47Fatal attraction?
05:48I'm sorry about that.
05:49I'm not here to bother you, I swear.
05:50I'm in Seville for business, that's all.
05:52I was walking by the tower, and I remembered our phone call, and I saw the yawn.
05:56And so, I called you.
05:58When I saw you, I went, holy shit, it's a miracle.
06:01But I didn't have time to explain why I-
06:02You're lying.
06:03I don't believe you.
06:04What business do you have here, huh?
06:05So what brings you here?
06:08I have an exhibition in this gallery.
06:11I sent you the location in case you wanted to come check it out.
06:14I've been preparing all year.
06:18Wanna see?
06:24Fuck.
06:29Let me show you.
06:32This grandfather was taking six grandchildren to see their grandmother.
06:35She was really sick.
06:37They traveled more than 50 kilometers across the Cambodian jungle on that thing.
06:40She held on until they arrived.
06:42And after she hugged the last child, she died.
06:46This was the first long trip I took after graduation.
06:52This one.
06:53These are three elderly trans women that I met in Indiana.
06:56They're all childhood friends.
06:57They lived together all their lives and wanted to grow old together in the same place.
07:01Every afternoon, they performed a lip-sync battle to Gloria Gaynor.
07:04It was amazing to watch them.
07:05The whole nursing home was cheering them on.
07:10And over here.
07:12This one almost killed me.
07:15I was camping on the Svalbard Islands, far north of Norway.
07:19One night, I was asleep in my tent, and I began hearing something.
07:22Strange animal noises.
07:23Something was breathing heavily, scratching at my tent.
07:25My heart was pounding with fear.
07:27I couldn't sleep.
07:28At sunrise, I crawled out.
07:30And there it was.
07:32It had feasted all night on the food I had in my bags.
07:35I packed my stuff.
07:37Steli wouldn't stop following me.
07:38It was after one thing.
07:40What was it?
07:41He wanted my chorizo.
07:43Oh.
07:46I see the world's your oyster, Phileas Fogg.
07:50Kayla, I'm very sorry and truly embarrassed about what I did.
07:53You're right.
07:54You have a boyfriend, and he could have been there with you.
07:56I'm so sorry.
08:12I'm so sorry.
08:13I'm so sorry.
08:13Yes.
08:13This way.
08:13This way.
08:28yes I have something that belongs to you who is this if you want to get your
08:35money back then meet me later today come alone do not contact the police I asked
08:51you a question what would you do if you just stolen a bag containing four million euros
08:56and unmarked non-sequential 100 euro bills and you then call the owner of the bag requesting a
09:01ransom you lost the bag yeah I was at a party please would you answer the question how the
09:05fuck would I know Damien but it seems obvious it's blackmail blackmail but they already have the
09:11money how did they get your number I don't know they want to meet me in a park tonight
09:16you're not going I have to because right now this is the only real lead we have to finding
09:20our four million but you're right I can't go alone this could be really dangerous have you seen Roy
09:34hey Damien where are you Roy I'm at a gallery what are you doing there it's a personal matter
09:40what do you mean by that well with the new job I thought I'd brush up on my art with
09:44all the
09:44shit that's going down you decided to brush up on your art history photography don't you fuck with
09:48me Roy you got that get your ass over here fuck this
10:14hi hey hold on may I help you yeah I'm a friend of Kayla's I'd like to speak with her
10:20do you mind
10:21sure no problem one moment please Kayla there's a friend of yours to see you okay
10:32before you say anything Roy I want you to know that I came here firmly believing our love Bruce
10:35and wanted to leave Claudio but I happened to be wrong and I was unfair to him because the truth
10:40is he's here for an exhibition he's not visiting Seville to stalk me in fact it's almost the opposite
10:45he has an amazing inner life he's sensitive intelligent creative and when I first saw him I felt an
10:50attraction towards him that I couldn't understand and now I understand why I guess it's because he's
10:55intelligent that you fucked his brains out when Cameron hooked up with someone else you forgave her
11:02but you're judging me now you don't have to worry about your friend because right now I think I
11:09should leave Bruce just perfect you came here to break with Claudio and instead you'll leave Bruce
11:15you're a real piece of work you should leave I'll find my own way back fine
11:25you're a real piece of work you're a real piece of work you're a real piece of work you're a
11:43real piece of work you're a real piece of work you're a real piece of work you're a real piece
11:44of work you're a real piece of work you're a real piece of work you're a real piece of work
11:44you're a real piece of work you're a real piece of work you're a real piece of work you're a
11:44real piece of work you're a real piece of work you're a real piece of work you're a real piece
11:45of work you're a real piece of work you're a real piece of work you're a real piece of work
11:45you're a real piece of work you're a real piece of work you're a real piece of work you're a
11:46real piece of work you're a real piece of work you're a real piece of work you're a real piece
11:46of work you're a real piece of work you're a real piece of work you're a real piece of work
11:49you're a real piece of work you're a real
11:55Genoveva?
11:57Shall we sit down?
12:01There's a guy. You see him?
12:02Yeah, I see him.
12:08For you?
12:10Proof that I have what you're looking for.
12:13Go ahead. It's yours.
12:16What are you trying to do?
12:18In order to get your money back, you're going to have to earn it.
12:22By following my orders.
12:25Is this a kind of indecent proposal?
12:28Like in the movie with Robert Redford?
12:30Well, with a few obvious differences.
12:33I thought it was part of your seduction strategy.
12:36I mean, who in their right mind would forget 4 million euros at a party?
12:40I thought to myself, he left this bag behind because he wanted to see me again.
12:44A typical tactic.
12:45So I call him and I set up the customary clandestine meeting, suitably mysterious.
12:50And the proposal, does it change at all?
12:52The exact same proposal.
12:56What's wrong? I don't interest you.
12:59Of course. Very much so.
13:01It's not about you attempting to bribe me with your own money.
13:06And it's not that I don't find you pretty.
13:10And to be honest, I don't think this has ever happened to me before.
13:14That I turned down a woman as beautiful as you.
13:18It's just because it's a question of principle.
13:22I will never betray the man that I work for.
13:24I had the feeling that you were a man of ethics.
13:27It's enchanting.
13:29But the fact of the matter is that you still need to get your money back.
13:32And I have some really great proposals for that.
13:35For 500,000.
13:36Want to know the first one?
13:38She's threatening me with a gun. Let's go.
13:40Go ahead.
13:54So the Duke, he gives you all that money.
13:56Then his wife, she steals it back.
13:58Then later she calls you up and you get blackmailed?
14:00I got a really bad feeling about this.
14:01Well, I kind of wanted the action.
14:03We charged in like Pancho Villa.
14:04We thought she was going to kill Damien.
14:06We need to find Berlin.
14:07We get on the boat.
14:08And forget the fucking lady with her.
14:09That's enough, Bruce.
14:12Your personal situation is clouding your judgment.
14:15With Berlin gone, I'm in charge.
14:17I decide what we do or don't do.
14:20Get some sleep.
14:21I'll take care of this.
14:22The plan doesn't change.
14:28Damien's right. I'm not okay.
14:32Kayla hooked up with a guy.
14:34When you think about it, it's no big deal, right?
14:37I mean, fuck, man. This happens all the time. Shit.
14:40I've been a dick. I mean, way worse than Kayla.
14:43Did I ever tell you about the twins?
14:44No.
14:45We were on the way to Canterbury.
14:46I hooked up with the twins when I was dating Sheila.
14:49So you see, Kayla, she's not really done anything wrong.
14:51She told me she had sexual intercourse.
14:53Who cares? It's not a big deal.
14:55And she said they only did it once. Like, chill out.
14:57Well, right now she's actually making out with them.
15:00What?
15:01Earlier today, she asked me to take her to a place downtown.
15:05Turns out she was meeting up with the guy.
15:07I'm sorry, bro.
15:10Come with me. Have an idea.
15:19Take this.
15:21We got a job to do.
15:45We were just talking with the Duke and Duchess about doing some business together.
15:48More business.
15:49Or the same business you guys were talking about in the bathroom.
15:52Where were you?
15:56I'm sorry, I didn't mean to wake you.
16:00I went on an evening stroll.
16:03How are things with your collection?
16:05Wonderful.
16:07I'm going to get a glass of water.
16:30I'm going to get a glass of water.
16:36I'm going to have a glass of water.
16:37No one that I should know about.
16:38Was there anyone else inside for example?
16:42The bathroom was empty. I verified.
16:46And how do you explain that the woman Candela appeared to be suggesting that my wife had been alone in
16:55the bathroom with another man?
16:58Candela's a friend of her grace, sir. From church.
17:01This could be a female conspiracy.
17:04And why were you not with her on her walk tonight?
17:07She asked me not to accompany her tonight.
17:09Ha! That's it!
17:11That's what?
17:12She's pretending she has a lover, suggesting that something may have happened in the bathroom,
17:16or coming back home this evening with a flower in her hair, smiling like the Mona Lisa.
17:26Punishment, that's it for sure.
17:28Why would she want to punish you?
17:30To get my attention, of course.
17:32Because I left her alone on her birthday, and she hasn't worn the necklace I gave her.
17:43She wants much more from me.
17:46But she'll never ask me directly, because she is so... she's so wonderfully proud.
17:51And that's why she puts on this little show of hers.
17:57Samuel.
17:59Samuel.
18:22I'm not going to buy any more pieces of art.
18:24This will be the last one.
18:26I know that I've locked myself away in my art and my neurosis.
18:32It's time now for you to show me your world.
18:35We could go back to Italy.
18:37You've often said you wanted to return.
18:40Imagine the scene.
18:42Imagine the scene.
18:43You and me.
18:45The wind blowing in our faces.
18:49La bella vita.
19:11Yes?
19:13Would you mind stepping out for a moment, please?
19:22What's going on?
19:24I know where to find the money.
19:26It's with Genoveva.
19:27We're meeting up later to get it back.
19:30Hey!
19:31What's with all this whispering and cloak and dagger nonsense?
19:35Whatever you have to say to him, you can say it to my face.
19:37Come on.
19:41Come on.
19:44Please.
19:51She went through my stuff.
19:53There's no need to worry.
19:54I'm with you now.
19:56So, aren't you going to tell him?
20:01I'm feeling dizzy.
20:02He's a bit of a drama queen, isn't he?
20:04Just a little.
20:04All right.
20:05Come here.
20:06Sit down.
20:07Relax.
20:10So, maybe now you can tell us why Genoveva has all of our money.
20:13Apparently she wants to blackmail me.
20:16Sexually.
20:17That's surprising from Genoveva.
20:19That's a side of her I didn't know about.
20:21I thought she loved her husband.
20:22Go figure.
20:23Maybe she's falling for someone else.
20:25So, what's the problem?
20:27You don't want to let yourself be seduced, is that it?
20:31Absolutely not.
20:33And it's not because I'm modest.
20:35I've got my principles, okay?
20:36I'm not going to compromise our heist with sex.
20:39And I'm not going to have sex because someone pays me.
20:41Are you crazy?
20:42Inside here in big neon lights?
20:43No, no, no.
20:45Way to go, man.
20:46I agree with you.
20:47You'll give in.
20:47Very well, then.
20:49If we're having moral qualms about how to recuperate our four million euros,
20:53then we'll have to resort to crime.
20:56Who took the red sledgehammer?
20:58Worry about that later.
21:03The crowbar we'll have to do for now, then.
21:32This is what my brother dreams about.
21:34photocopying bills something like that well at least now we have our four million in photocopies
21:41but we still don't know where she's hidden the money to make the switch she's decided to use
21:44the money to extract sexual favors from you so it must be hidden close by it's not buried anywhere
21:49on the property nor in the house there must be at least 12 servants just to maintain the bedrooms
21:53perfectly clean so it's neither inside nor outside the palace it begs the question where is it
22:01in a garage she has a black maserati that no one's allowed to touch absolutely no one can
22:08isn't she good yeah very good you'd better pray the money's in the trunk
22:11and if it's not there you'll be going through her drawers
22:40what are we doing here
22:47demolishing our past lives let's go
22:52what's going on
22:53oh just had an epiphany tonight when we smashed the glass in the greenhouse
22:59for the moment i saw myself in slow motion i was floating and all that adrenaline and dopamine
23:04just woke me up from a nightmare your turn
23:16what was the nightmare it's called falling in love
23:20it's a hell of a nightmare but it feels so fucking good that you don't even notice that
23:24shit
23:27and you know why because we all fucking believe that falling in love is winning the
23:31god damn lottery
23:34that's just a lie
23:38because it's not the real you
23:41the real me was the guy who went skydiving with my friends who waited until the last moments
23:45before pulling the core
23:47stole fast cars i'd ride them in illegal races at airports doing 200 kilometers an hour
23:52and you know what when i fell in love with cameron i got scared
23:56scared of what scared something might happen to me or to her you know or even worse
24:02let she leave
24:05so you end up spending your time at the beauty salon as she does her nails like a fucking moron
24:12because you think that's what happiness is but you're wrong it's not happiness it's just narcolepsy
24:21that's for the wasted nights spent watching television instead of living my own damn life
24:26and this one's for my friends that i never see
24:30and this one's for that ridiculous face i made watching try on boots before eating at some
24:35fucking age
24:39you've got to be crazy to be in a relationship but it wasn't a relationship
24:42it was just a stupid joke
24:52what are you gonna do after the heist i'm going to cantabria
24:57i'm gonna go bareback riding
24:59i swear to god i love it totally free riding across the plains why the
25:05fuck would you be naked
25:20oysters i'm in i've infiltrated one of the duke's yachts it's called rose of the oceans
25:25and how did you manage to get inside i waited on the pier at the marina
25:31i picked out one of the girls from the crew christina hey sorry i became her friend i'm
25:37looking for a boat that might be hiring can you help me sorry i'm afraid the one i'm honest
25:40asked her for some advice and we hung out she was tired and wanted to get some rest but i
25:46changed
25:46her mind with a few margaritas two more please
25:55how did you get rid of her two small bottles of laxatives
26:01i also took the opportunity to sabotage her phone there wasn't much time the yacht was leaving the
26:07next morning hello hi i'm a friend of christina's she's really sick we're sailing to sardinia into
26:13the greek islands we'll be making a first port of call on the border of morocco and algeria for fuel
26:18all our passengers are multi-millionaires cameron you really have to keep a low profile your mission
26:23is to find out if they're transporting anything illegal so we can use it against the duke if
26:26something major goes wrong here in spill okay how many phones did you bring three as a precaution
26:33it would be a good idea not to have our names on your phone the duke already knows our code
26:37names
26:37so what you want me to put a code name on the code names is that it exactly and um
26:42one last thing be
26:44careful up there
26:46so
26:47so
26:53so
26:57so
27:16I'm glad to see you.
27:17Everything okay?
27:18Absolutely.
27:19Well, then follow me.
27:35This entire room is for you.
27:37For you to create.
27:38For you to work your magic.
27:40This place happens to be my favorite part of the palace.
27:42Yes, it's my home, my sanctuary.
27:45This is where I allow myself to nourish my inner child.
27:50For example, please let me show you.
27:53Where can it be?
27:54Where did I leave it?
27:55Ah, yes.
27:57A very rare first edition of Hosea de Esproncena.
28:00The moon's rays illuminate the ocean waves
28:03as the wind it bellows and unfolds
28:06and the waves smash momentously.
28:08Yet all that remains is Azure.
28:14And it's signed by the author.
28:16Please, young lady, read.
28:17Read and pass it along, okay?
28:20Do all of you like to dance?
28:43Let's be honest.
28:45We always remember the first person,
28:46the first artist that made us dance, right?
28:49And in my case, it was...
28:53Elvis.
28:55Look at this.
28:58This is the original suit that he wore at the concert,
29:01the legendary concert in Hawaii
29:03at the Honolulu International Center Arena in 1973.
29:07And that, up there,
29:09the solar system.
29:16There are only eight planets.
29:18You have ten, right?
29:19Ah, yes, my dear friend.
29:20These two planets I invented.
29:22Tulum and Santalos.
29:24Young man, it's because of the number ten.
29:26It's a sacred number.
29:27Isn't this fantastic?
29:29Oh, my God, I nearly forgot this.
29:31You are going to love it.
29:37Behold my ice chest.
29:39You see, creativity must be nourished,
29:41but not by passion alone.
29:43Ha!
29:43So why not feast your eyes on
29:45some magnificent wild crab from Alaska
29:47or some handmade Swiss chocolate
29:50and, of course, black beluga caviar.
29:54Mmm.
29:56And to help you concentrate...
30:01Palo Santo incense.
30:05So, I will leave you to it then.
30:08Hmm?
30:12Genoveva, shall we?
30:15Enjoy your stay.
30:16My friends...
30:19Let those creative juices flow seditiously.
30:36Unbelievable.
30:37You all have nothing to say
30:38about what we just witnessed?
30:43This pathetic, ridiculous, narcissistic,
30:45horrid little man
30:46reciting romantic poetry.
30:48Good Lord!
30:49What now?
31:00It's all clear.
31:01No microphones and no cameras.
31:03I'm going to continue.
31:04So he's affectatious,
31:05supercilious, and pompous,
31:06and he wanders around
31:06dressed up as fucking Elvis?
31:09Okay.
31:10Time to set up our equipment.
31:11We need to do a sweep of the palace
31:13and check our security.
31:27These cameras seem to have motion sensors.
31:29They only record when there's movement.
31:32That would indicate that there's no one watching the cameras.
31:34Exactly.
31:35It works as a closed circuit.
31:36Nobody checks them unless there's an incident.
31:39How many cameras are there?
31:4424.
31:45If you can hack all the cameras,
31:46we can have a complete view of the palace.
31:53Can you take control of the sensors?
31:55Yeah, which means we're able to control
31:56when they begin to record.
32:00Careful.
32:01The Duke is headed in your direction.
32:02Don't move, okay?
32:11Is he right?
32:12Is he looking at the cameras?
32:13I don't think so.
32:16Rivera's my favorite.
32:18Even more than Caravaggio, in fact.
32:20Interesting.
32:27So you appreciate Rivera?
32:31He's amazing.
32:35He's terrifying.
32:37You know what Lord Byron said about him?
32:40He said that Rivera
32:43had dipped his paintbrush in the blood of the saints.
32:47He's quite extraordinary.
32:49Are you as passionate about Baroque?
32:51Of course.
32:53I prefer the 16th century, like El Greco.
32:55I prefer the 16th century, like El Greco.
33:02I'm so happy to see that you've all come prepared.
33:05I mean, I'm getting emotional.
33:08I'm moved by your sensitivity, your love of art.
33:13I'm beginning to understand just how good you truly are.
33:16I'm impressed.
33:19Kayla, I have to go to the garage for a minute.
33:21If you see someone heading my way, you let me know, okay?
33:30I guess I'm better off not knowing what he's up to.
33:33Yeah, much better.
33:38Berlin, Samuel is walking towards the gallery.
33:40He'll be right beside you in 10 seconds.
33:52Careful, there's a cleaning lady.
34:00You can go now.
34:01The parking area is to your left.
34:30Next time you go to a party, leave it at home.
34:31What happens when she finds the photocopies?
34:33It's highly unlikely that a millionaire will be examining 100 euro bills under a light bulb,
34:37but if she does, she'll realize that she's been checkmated.
34:41I need some fresh air.
34:54Yesterday, when you held me in your arms, it aroused me.
34:57I can't deny that I was terrified.
35:00But it was also the most exciting moment of the last 20 years of my life.
35:03I know you have a thousand good reasons to reject me,
35:06but I'm prepared to trust your instinct,
35:08because last night, your instinct told you to hold me,
35:11and I want to be with the man who holds me like that.
35:13It's your turn now to take the next step.
35:16If you wish to see me again, put on a white shirt.
35:21It's time to head down to the chapel.
35:22Kayla, search it for cameras.
35:27No cameras in the chapel.
35:29The Duke is a very religious man.
35:31Religious men need privacy to speak with their god.
35:33They also need privacy, because that's where he hides all his dirty money,
35:36and he doesn't want prying eyes.
35:37I'll go with Bruce.
35:39We'll take the micro cameras to scan inside the chapel.
35:42No microphones?
35:43Not necessary.
35:44Try not to attract attention.
35:54We're good to go.
35:55The cameras are working.
35:58Why on earth did she not take any of the microphones?
36:00We have personal issues to discuss.
36:02Relationships aren't simple.
36:04The micro cameras are enough for the moment.
36:06Let's keep an eye on them and see what happens.
36:08I've got something to tell you.
36:10Do you mind if I talk first?
36:11Do you mind if I talk first?
36:19I've been thinking about stuff.
36:22About all that time I spent in clubs, hooking up with women.
36:25All those long nights.
36:26Those faces I remember and names I forgot.
36:30And I thought I was doing all that stuff to feel alive, to feel something.
36:34But now I know I did all that so I could end up with you.
36:38Kayla.
36:41You're the best thing in my life.
36:54They're on their way down.
37:02They're about to enter the chapel.
37:14The place is empty.
37:15They're all clear.
37:16Let's do a 360 sweep.
37:22It's much smaller than I expected.
37:25Strange there are no doors.
37:27There has to be some kind of access to a tunnel or a crypt.
37:29Listen, Kayla.
37:31You don't have to renounce anything.
37:33Go meet people.
37:34Sleep with them if you want.
37:35And that guy that you met?
37:36If you want to call him, go see him.
37:38Embrace that new chapter.
37:39I'm in no rush and I definitely don't have any demands.
37:42I don't have any because I know you're the one for me.
37:44And I want you to experience everything.
37:46Until you realize that I'm the one for you.
37:50I didn't realize that you were such a beautiful person.
37:52You're soulful.
37:54I knew that you were a good man, but this is from another planet.
38:03The picture's gone blurry.
38:05What is that?
38:06Vogue?
38:06Those are tears.
38:07Roy, go down.
38:08Why do you want me to go down?
38:10If everyone's in the chapel, then they'll...
38:11Don't contradict me.
38:13Then take the radio frequency detector.
38:15We have to find the entrance to where he hides his cache.
38:18There are so many people who spend their lives in the hope of finding one special person, and I found
38:23two.
38:23You might call it unfair.
38:25I found two supermen, not one.
38:29And I don't know what to do about it because I don't want to leave either of you.
38:40We've been given orders to find the electric switch that opens the cave with the cache.
38:47Excuse me.
39:20I picked up a signal.
39:22I picked up a signal.
39:23I picked up a signal.
39:51The floor to the crib opens with a mechanism, just like in the Spielberg movies, you know, Indiana Jones.
39:55It's a masterpiece.
39:57Can anyone see what's below?
39:59Anything.
40:00We can't see much from here, sir.
40:02Roy, give your earpiece to Kayla and take a quick look below.
40:05Understood.
40:07Go on death.
40:09I'll go with you.
40:12It's a bad idea to let them go down there without someone covering them.
40:15I don't know.
41:12I don't know.
41:24What are you doing here?
41:30I'm praying.
41:32It helps me find peace of mind.
41:55Those flowers are beautiful.
42:01Every day I bring fresh flowers for Don Fernando.
42:05He was the Duke's father.
42:07A good man.
42:09He was like the father for me.
42:12He is buried here.
42:20My mother passed away not long ago.
42:23She died from kidney disease.
42:26When I find a place to pray, it seems like I can talk to her.
42:32When I pray, it also helps me find peace.
42:36I have something that I cherish dearly that might help with your grief.
42:42It's so beautiful.
42:45It's the secret heart of Jesus.
42:52May we pray together?
42:53Of course.
43:04Take it.
43:10You can wear this scapular for protection for the rest of your life, you poor cow.
43:17Because you're going to need God to protect you.
43:20You wander through life with that innocent smile.
43:23But I will never forget the bitch who crippled me, you whore.
43:30And I always get revenge on those who've wronged me.
43:34I'm going to put you in a wheelchair.
43:43In the name of the Father and of the Son and of the Holy Spirit.
43:47We have to go down.
43:49No, no.
43:49Wait a second.
43:51Now I want you to leave this place right away.
44:00I don't want to see you in here ever again.
44:02You or anyone else.
44:04Get up.
44:34I'm going to leave this place right away.
44:37I don't want to see you in here.
44:38I don't want to see you.
44:40I don't want to see you in here yet.