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00:00:03Why today?
00:00:09Do you want to hear me say it?
00:00:1018 months since our last appointment.
00:00:13Do you read the papers?
00:00:16Sometimes.
00:00:17And you watch telly?
00:00:20You know why I'm here.
00:00:25I'm here because...
00:00:31What happened, John?
00:00:44Sure.
00:00:49You need to get it out.
00:00:52My best friend.
00:00:54Sure.
00:00:58He's dead.
00:01:00Falls of the Reich.
00:01:02Turner's masterpiece.
00:01:04Thankfully recovered owing to the prodigious talent of Mr. Sherlock Holmes.
00:01:12A small token of our gratitude.
00:01:15Diamond cufflinks.
00:01:16My cuffs have buttons.
00:01:17He means thank you.
00:01:19Do I just say it?
00:01:22And...
00:01:26Back together with my family.
00:01:30After my terrifying ordeal.
00:01:33And we have one person to thank for my deliverance.
00:01:37Sherlock Holmes.
00:01:42Typing.
00:01:43I don't wear ties.
00:01:44Shh.
00:01:47Peter Riccoletti.
00:01:48Number one on Interpol's most wanted list since 1982.
00:01:52Well, we got him.
00:01:53And there's one person we have to thank for giving us the decisive leads.
00:01:56All his customary diplomas intact.
00:01:59Sarcasm.
00:01:59Yes.
00:02:00Yes.
00:02:02Looch, it's in.
00:02:09Oh.
00:02:11Yeah, Sherlock, get on.
00:02:13Just get it over with.
00:02:26Boffin.
00:02:27Boffin, Sherlock Holmes.
00:02:30Everybody gets one.
00:02:31One what?
00:02:32Tabloid nickname.
00:02:33Subo.
00:02:34Nasty Nick.
00:02:35Didn't worry, I'll probably get one soon.
00:02:36Page five, column six, first sentence.
00:02:38Why is it always the hat photograph?
00:02:40Bachelor John Watson.
00:02:41What a hat is it anyway?
00:02:42Bachelor?
00:02:42What the hell are they implying?
00:02:43Did it count?
00:02:44Why's it got two friends?
00:02:45It's a deerstalker.
00:02:46Frequently seen in the company of Bachelor John Watson.
00:02:49What do you mean to do, throw it?
00:02:51Confirmed bachelor John Watson.
00:02:52Some death frisbee.
00:02:53Okay, this is too much.
00:02:54We need to be more careful.
00:02:55It's got flaps.
00:02:56Ear flaps.
00:02:56It's an ear hat.
00:02:57John.
00:02:58What do you mean more careful?
00:02:59I mean, this isn't a deerstalker now.
00:03:02It's a Sherlock Holmes hat.
00:03:03I mean that you're not exactly a private detective anymore.
00:03:05You're this far from famous.
00:03:07I want to pass.
00:03:08It better pass.
00:03:09If the press will turn, Sherlock, they always turn.
00:03:11And they'll turn on you.
00:03:14It really bothers you.
00:03:15What?
00:03:16What people say.
00:03:16About me.
00:03:17I don't understand.
00:03:17Why would it upset you?
00:03:21Just trying to keep it low profile.
00:03:23Find yourself a little case this week.
00:03:26Stay out of the news.
00:03:37Stay out of the news.
00:03:56Stay out of the news.
00:03:59Stay out of the news.
00:04:05Stay out of the news.
00:04:06Is your phone?
00:04:06Mm.
00:04:07She was doing that.
00:04:12So, did you just talk to him for a really long time?
00:04:16Oh, Henry Fishguard never committed suicide.
00:04:19Those big brothers missed everything.
00:04:22Pressing case, is it?
00:04:24We're all pressing to themselves.
00:04:26Quickly, please.
00:04:32Excuse me, sir.
00:04:34Any metal objects, keys, mobile phones?
00:04:38Go through.
00:05:09Fancy a couple, then, mate?
00:05:11Yeah, why not?
00:05:14Diltz at seven.
00:05:16Dutch telecons in free fall.
00:05:19Thank you, Harvey.
00:05:23What do you say?
00:05:25Refuse them all parole and bring back the rope.
00:05:28Let's begin.
00:05:47This is an emergency.
00:05:49Sir, I'm going to have to ask you to leave.
00:06:05Sir, there's been a break-in.
00:06:06Not our division.
00:06:08You won it.
00:06:19The vault.
00:06:26Packed into the tower of bloody land and security.
00:06:28How?
00:06:30Tell them we're all in on our way.
00:06:31There's been another one.
00:06:32Another break-in.
00:06:34Bank of England.
00:06:35Security help.
00:06:55Security's down, sir.
00:06:56It's failing.
00:06:58Where's it now?
00:06:59Penterville prison.
00:07:00Here we go.
00:07:37Here we go.
00:08:07Here we go.
00:08:11Here we go.
00:08:13Here we go.
00:08:15Here we go.
00:08:22Here we go.
00:08:38Here we go.
00:08:45Here we go.
00:09:10Here we go.
00:09:23Here we go.
00:09:26Here we go.
00:09:27Here we go.
00:09:29Here we go.
00:09:44Here we go.
00:10:03Here we go.
00:10:06Here we go.
00:10:34Here we go.
00:10:37Here we go.
00:10:39Here we go.
00:10:40Here we go.
00:10:40Here we go.
00:10:41Here we go.
00:10:42Here we go.
00:10:45Here we go.
00:10:46Here we go.
00:10:49Here we go.
00:10:56Here we go.
00:10:59Here we go.
00:11:22you're him
00:11:25wrong toilet
00:11:26I'm a big fan
00:11:27I'll read your cases
00:11:29follow them all
00:11:31sign my shirt would you
00:11:35there are two types of fans
00:11:37well
00:11:38catch me before I kill again type A
00:11:41what's type B?
00:11:42your bedroom's just a taxi ride away
00:11:45guess which one I am
00:11:49neither
00:11:50really?
00:11:51no you're not a fan at all
00:11:53there's marks on your forearm as you have a desk
00:11:55you've been typing in a hurry probably
00:11:56pressure on facing a deadline
00:11:59at all?
00:12:00there's a smudge of ink on your wrist and the bowels in your left jacket pocket
00:12:03bit of a giveaway
00:12:04smudge is deliberate to see if I'm as good as they say I am
00:12:07hmm
00:12:08oil base used in newspaper print
00:12:10but drawn on with an index finger
00:12:12your finger
00:12:13journalist
00:12:15unlikely you've got your hands dirty at the press
00:12:18a bit like that detests me
00:12:19wow I'm liking you
00:12:21you mean I'd make a great feature
00:12:22Charlotte Combe's the man beneath that
00:12:24Kitty
00:12:26Riley
00:12:27pleased to meet you
00:12:28no
00:12:29I'm just saving you the trouble of asking
00:12:31no I won't give you an interview
00:12:32no I don't want the money
00:12:33you and John Watson
00:12:34just batonic
00:12:34I'll put you down for a no there as well
00:12:38there's all sorts of
00:12:39gossip in the press about you
00:12:42sooner or later you're going to need someone on your side
00:12:46someone to
00:12:47set the record straight
00:12:50you think you're the girl for that job do you?
00:12:52I'm smart
00:12:53and you can trust me
00:12:56totally
00:12:57smart? okay
00:12:58investigative journalist
00:13:00good
00:13:01well look at me and tell me what you see
00:13:05with that skillful you don't need an interview
00:13:07you can just
00:13:09read what you need
00:13:12no?
00:13:13okay my turn
00:13:15I look at you and I see someone who's still waiting for their first big scoop
00:13:17so that their editor will notice that you're wearing an expensive skirt
00:13:20but it's being re-hemmed twice
00:13:22any posh skirt you've got in your nails
00:13:24you can't afford to do them that often
00:13:25I see someone who's hungry
00:13:27I don't see smart
00:13:28and I definitely don't see trustworthy
00:13:30but I'll give you a quote if you like three little words
00:13:33you
00:13:35repel
00:13:36me
00:13:49a consulting criminal
00:13:51yes
00:13:51your words
00:13:53can you expand on that answer?
00:13:56James Moriarty is for hire
00:13:57a tradesman?
00:13:59yes
00:14:00but not the sort it'd fix your heating?
00:14:02no the sort it'd plant a bomb or stage an assassination
00:14:04but I'm sure you'd make a pretty decent job of your boiler
00:14:07would you describe him as
00:14:09what?
00:14:09can't do that
00:14:10you're leading the witness
00:14:10he'll object to the judge and uphold
00:14:12Mr. Holmes
00:14:12ask me how
00:14:13how would I describe him?
00:14:15what opinion have I formed of him?
00:14:16will I not teach you this?
00:14:17Mr. Holmes
00:14:18we're fine without your help
00:14:21how would you describe this man?
00:14:23his character
00:14:24best mistake
00:14:26James Moriarty isn't a man at all
00:14:28he's a spider
00:14:30a spider at the center of a web
00:14:33criminal web
00:14:34criminal web with a thousand threads
00:14:34and he knows precisely
00:14:35how each and every single one of them dances
00:14:41and how long?
00:14:42no no
00:14:43don't
00:14:43don't do that
00:14:44that's really
00:14:44not a good question
00:14:45Mr. Holmes
00:14:46how long have I known him?
00:14:47not really your best line of inquiry
00:14:48we met twice
00:14:50five minutes
00:14:50in total
00:14:50I pulled a gun
00:14:51he tried to blow me up
00:14:52I felt we had a special something
00:14:55Miss Sorrell
00:14:55are you seriously claiming
00:14:57this man is an expert?
00:14:59after knowing the accused
00:15:00for just five minutes?
00:15:02two minutes would have made me an expert
00:15:03five was ample
00:15:04Mr. Holmes
00:15:04that's a matter for the jury
00:15:06oh really?
00:15:10one librarian
00:15:11two teachers
00:15:12two high pressure jobs
00:15:13probably the city
00:15:15foreman's a medical secretary
00:15:16trained abroad
00:15:17judging by her shorthand
00:15:18Mr. Holmes
00:15:18seven are married and two
00:15:19having an affair with each other
00:15:20it would seem
00:15:21oh and they've just had tea and biscuits
00:15:22would you like to know
00:15:23who ate the wafer?
00:15:24Mr. Holmes
00:15:26you've been called here
00:15:27to answer Miss Sorrell's questions
00:15:29not to give us a display
00:15:30of your intellectual prowess
00:15:34to the point
00:15:34anything else will be treated as contempt
00:15:37do you think you could survive
00:15:39for just a few minutes
00:15:40without showing off?
00:16:00what did I say?
00:16:01I said don't get clever
00:16:03can't just turn it on and off
00:16:04like it
00:16:05well
00:16:06well what?
00:16:07you were there for the whole thing
00:16:08up at the gallery
00:16:09start to finish
00:16:10like you said it would be
00:16:11sat in his backside
00:16:12never even stirred
00:16:14Moriarty's not mounting any defence
00:16:15Bank of England
00:16:16Tower of London
00:16:17Pentonville
00:16:18three of the most secure places
00:16:20in the country
00:16:20six weeks ago
00:16:22Moriarty breaks in
00:16:23no one knows how
00:16:24or why
00:16:25all we know is
00:16:26he ended up in custody
00:16:29don't do that
00:16:30do what?
00:16:32the look
00:16:32look?
00:16:32you're doing the look again
00:16:33I can't see it can I?
00:16:36it's my face
00:16:37yes and it's doing a thing
00:16:38you're doing a
00:16:38we both know what's really going on here face
00:16:40we do?
00:16:40no I don't
00:16:41which is why I find the face
00:16:42so annoying
00:16:43if Moriarty wanted the jewels
00:16:44he'd have them
00:16:45if he wanted those prisoners free
00:16:46they'd be out on the streets
00:16:46the only reason he's still in a prison cell right now
00:16:48is because he chose to be there
00:16:51somehow this is part of his scheme
00:17:03Mr. Crayhill
00:17:04can we have your first witness?
00:17:08your honor
00:17:08we're not
00:17:09calling any witnesses
00:17:11I don't follow
00:17:12you've entered a plea of not guilty
00:17:14nevertheless
00:17:15my client
00:17:16is offering
00:17:17no evidence
00:17:18the defense
00:17:19rests
00:17:20rest
00:17:20sir
00:17:29ladies and gentlemen of the jury
00:17:32James Moriarty stands accused of several counts of attempted burglary
00:17:37crimes
00:17:38which of you is found guilty
00:17:39will elicit a very long custodial sentence
00:17:42and yet
00:17:44this legal team
00:17:45has chosen to offer
00:17:46no evidence whatsoever
00:17:48to support their plea
00:17:50I find myself in the unusual position
00:17:53of recommending a verdict wholeheartedly
00:17:56you must find him guilty
00:18:01guilty
00:18:01you must find him guilty
00:18:14coming back
00:18:16six minutes
00:18:18surprised it took them that long to be honest
00:18:20there's a queue for the loo
00:18:31have you reached a verdict on which you all agree?
00:18:42not guilty
00:18:43they found him not guilty
00:18:45no defense
00:18:45and Moriarty's walked free
00:18:50Sherlock
00:18:51are you listening?
00:18:52he's out
00:18:53you know he'll be coming after you
00:18:54you sure?
00:19:35he's out
00:19:38most people knock
00:19:41but then you're not most people I suppose
00:19:45the kettle's just boiled
00:19:48Johann Sebastian would be appalled
00:19:54may I?
00:19:55please
00:20:01you know when he was on his deathbed
00:20:03Bach
00:20:04he heard his son at the piano playing one of his
00:20:07pieces
00:20:09the boy stopped before he got to the end
00:20:11the dying man jumped out of his bed
00:20:12ran straight to the piano and finished it
00:20:14couldn't cope with an unfinished melody
00:20:16neither can you, it's why you come
00:20:17but be honest, he was just a tiny bit pleased
00:20:19what, with the verdict?
00:20:20with me, back on the streets
00:20:25every fairy tale needs a good old-fashioned villain
00:20:29you need me
00:20:31or you're nothing
00:20:33because we're just alike, you and I
00:20:35except you're boring
00:20:38you're on the side of the angels
00:20:40got to the jury, of course
00:20:43I got into the Tower of London
00:20:44do you think I can't worm my way into 12 hotel rooms?
00:20:48cable map one
00:20:50every hotel bedroom has a personalised TV screen
00:20:54and every person has their pressure point
00:20:57someone that they want to protect from home
00:21:01easy peasy
00:21:02how are you going to do it?
00:21:06burn me
00:21:07oh, that's the problem
00:21:08the final problem
00:21:11have you worked out what it is yet?
00:21:15what's the final problem?
00:21:17I did tell you
00:21:19but did you listen?
00:21:33how hard do you find it
00:21:34having to say I don't know?
00:21:37I don't know
00:21:37oh, that's clever
00:21:38that's very clever
00:21:40speaking of clever
00:21:42have you told your little friends yet?
00:21:44tell them what?
00:21:44why I broke into all those places
00:21:46and never took anything
00:21:47no
00:21:47but you understand
00:21:48obviously
00:21:49off you go then
00:21:50you want me to tell you what you already know?
00:21:51no, I want you to prove that you know it
00:21:53you didn't take anything because you don't need to
00:21:56good
00:21:56you'll never need to take anything ever again
00:21:58very good, because?
00:22:00because nothing
00:22:01nothing
00:22:02in the Bank of England
00:22:03the Tower of London
00:22:03or Pentonville Prison
00:22:04could possibly match the value of the key
00:22:06that could get you into all three
00:22:07I can open any door anywhere
00:22:09with a few tiny lines of computer code
00:22:11no such thing as a private bank account now
00:22:14or mine
00:22:15no such thing as secrecy
00:22:16I own
00:22:17secrecy
00:22:19nuclear codes
00:22:20I could blow up NATO
00:22:21in alphabetical order
00:22:22in a world of locked rooms
00:22:24the man with the key is king
00:22:26and honey
00:22:27you should see me in a crown
00:22:30you were advertising
00:22:32all the way through the trial
00:22:33you were showing the world
00:22:34what you can do
00:22:35and you were helping
00:22:36big client list
00:22:37rogue governments
00:22:38intelligence communities
00:22:40terrorist selves
00:22:42they all want me
00:22:44suddenly
00:22:44I'm Mr. Sex
00:22:46you can break any bank
00:22:47but you care about the highest bidder
00:22:50I don't
00:22:50I just like to watch them all competing
00:22:52daddy loves me the best
00:22:53aren't ordinary people adorable
00:22:56well you know
00:22:56you've got John
00:22:58I should get myself a live-in one
00:23:00why are you doing all this?
00:23:02it'd be so funny
00:23:03you don't want money or power
00:23:04not really
00:23:05what is it all for?
00:23:08I want to solve the problem
00:23:12our problem
00:23:13the final problem
00:23:17it's gonna start very soon, Sherlock
00:23:20the fall
00:23:23but don't be scared
00:23:24falling's just like flying
00:23:26except there's a more permanent destination
00:23:35never like riddles
00:23:40learn to
00:23:43because I owe you a fall, Sherlock
00:23:46I
00:23:48owe
00:23:50you
00:23:50I
00:23:50I
00:23:50I
00:23:50I
00:23:50I
00:23:50I
00:24:20I
00:24:26The
00:24:26The
00:24:26The
00:24:26The
00:24:26The
00:24:26The
00:24:26The
00:24:26The
00:24:28The
00:24:28The
00:24:28The
00:24:28The
00:24:28The
00:24:28The
00:24:38The
00:25:14Uh, excuse me, I'm looking for Mycroft Holmes.
00:25:21Would you happen to know if he's around at all?
00:25:23Can you not hear me?
00:25:25Yes, all right.
00:25:27Anyone?
00:25:28Anyone at all know where Mycroft Holmes is?
00:25:32I've been asked to meet him here.
00:25:33No takers.
00:25:34Right.
00:25:34Am I invisible?
00:25:35Can you actually see me?
00:25:37Ah, thanks, gents.
00:25:38I've been asked to meet Mycroft Holmes.
00:25:40What the hell?
00:25:43Tradition, John.
00:25:44Our traditions define us.
00:25:46So total silence is traditional, is it?
00:25:48You can't even say pass the sugar.
00:25:50Three quarters of the diplomatic service and half the government front bench,
00:25:52all sharing one tea trolley.
00:25:54It's for the best, believe me.
00:25:56We don't want a repeat of 1972.
00:26:00But we can talk in here.
00:26:01You read this stuff.
00:26:03Caught my eye?
00:26:04Saturday, they're doing a big expose.
00:26:08I'd love to know where she got her information.
00:26:10Someone called Brooke.
00:26:12Recognize the name?
00:26:13School friend, maybe?
00:26:15Of Sherlock's.
00:26:18But that's not why I asked you here.
00:26:26Who's that?
00:26:27Your name?
00:26:28No.
00:26:28Never seen his face before.
00:26:30Um.
00:26:30He's taken a flat in Baker Street two doors down from you.
00:26:33Hmm.
00:26:33I was thinking of doing a drinks thing for the neighbors.
00:26:35I'm not sure you'll want to.
00:26:38Soleimani.
00:26:39Albanian hit squad.
00:26:41Expertly trained killer.
00:26:42Living less than 20 feet from your front door.
00:26:44That's a great location.
00:26:46Jubilee lines, Andy.
00:26:47John.
00:26:47What's it got to do with me?
00:26:48Dyachenko.
00:26:49Lyudmila.
00:26:50Um.
00:26:53Actually, I think I have seen her.
00:26:55Russian killer.
00:26:56She's taken the flat opposite.
00:26:58Okay.
00:26:59I'm sensing a pattern here.
00:27:01In fact, four top international assassins relocated within spitting distance of 221p.
00:27:08Anything you care to share with me?
00:27:11I'm moving.
00:27:12It's not hard to guess the common denominator, is it?
00:27:14You think this is Moriarty?
00:27:16He promised Sherlock he'd come back.
00:27:18If this was Moriarty, he'd be dead already.
00:27:20If not Moriarty, then who?
00:27:24Why don't you talk to Sherlock if you're so concerned about him?
00:27:27Oh, God.
00:27:28Don't tell me.
00:27:30Too much history between us, John.
00:27:32Old scores.
00:27:34Resentments.
00:27:35Nicked all his smurfs.
00:27:36Broke his action, man.
00:27:42Finished.
00:27:43We both know what's coming, John.
00:27:46Moriarty is obsessed.
00:27:47He's sworn to destroy his only rival.
00:27:49So you want me to watch out for your brother, because he won't accept your help?
00:27:53If it's not too much trouble.
00:28:20I don't know.
00:28:35Here's Mike.
00:28:36Sorry.
00:28:44Sherlock, something weird.
00:28:46What's going on?
00:28:47Kidnapping.
00:28:48Rufus Brühl, the ambassador of the US.
00:28:50He's in Washington, isn't he?
00:28:51Not him, his children.
00:28:52Max and Caudet, age seven and nine.
00:28:54They're at some audits.
00:28:55Porsche boarding place down in Surrey.
00:28:56School broke up.
00:28:57All the other boarders went home.
00:28:58Just a few kids remained, including those two.
00:29:00The kids have vanished.
00:29:01The ambassador's asked for you personally.
00:29:03A Reichenbach hero.
00:29:07Isn't it great to be working with a celebrity?
00:29:18You shouldn't be talking.
00:29:22It's all right.
00:29:23It's Miss Mackenzie, housemistress.
00:29:25Go easy.
00:29:26Miss Mackenzie, you're in charge of pupil welfare.
00:29:28You let this place wide open last night.
00:29:30What are you, an idiot, a drunk or a criminal?
00:29:31Now, quickly, tell me!
00:29:33All the doors and windows are properly bolted.
00:29:36No one, not even me, went into their room last night.
00:29:38You have to believe me.
00:29:40I do.
00:29:40I just wanted you to speak quickly.
00:29:41Miss Mackenzie will need to breathe into a bag now.
00:29:51Six grand a term.
00:29:52You'd expect them to keep the kids safe for you.
00:29:55Said the other kids had all left on their holidays.
00:29:56They were the only two sleeping on this floor.
00:29:58There's absolutely no sign of a break-in.
00:30:00The intruder must have been hidden inside some place.
00:30:15Show me where the brother slept.
00:30:30Boy sleeps there every night.
00:30:33Gazing at the only light source outside in the corridor,
00:30:35he'd recognize every shape, every outline,
00:30:37the silhouette of everyone who came to the door.
00:30:40Okay, so?
00:30:41So if someone approaches the door, he doesn't recognize an intruder.
00:30:44Maybe he can even see the outline of a weapon.
00:30:50What would he do?
00:30:52The precious few seconds before they came into the room.
00:30:54How would he use them if not to cry out?
00:30:57This little boy, this particular little boy.
00:30:59He reads all of those spy books.
00:31:01What would he do?
00:31:03Believe the same.
00:31:15Get Anderson.
00:31:19Then seat aisle.
00:31:21Not much use.
00:31:22Doesn't lead us to the kidnapping.
00:31:24Brilliant Anderson.
00:31:25Really?
00:31:25Yes, brilliant impression of an idiot.
00:31:28Floor.
00:31:31He made a trail for us.
00:31:33The boy was made to walk ahead of them.
00:31:34On what?
00:31:35Tip-top?
00:31:35Indicates anxiety.
00:31:36Gun held to his head.
00:31:39The girl is pulled beside him, dragged sideways.
00:31:42He had his left arm cradled about her neck.
00:31:45That's the end of it.
00:31:46We don't know where they went from here.
00:31:49Tells us nothing after all.
00:31:51You're right Anderson.
00:31:52Nothing.
00:31:54Except his shoe size, his height, his gait, his walking pace.
00:32:06Having fun?
00:32:08Starting to.
00:32:09Maybe.
00:32:10Maybe they'll do the smiling.
00:32:11Kidnap children.
00:32:20How did he get past the CCTV?
00:32:22If all the doors were locked.
00:32:24He walked in where they weren't locked.
00:32:25A stranger can't just walk into a school like that.
00:32:27Anyone can walk in anywhere if they pick the right moment.
00:32:30Yesterday, end of term, parents milling around, chauffeurs, staff.
00:32:34There's one more stranger among that one.
00:32:38He was waiting for them.
00:32:41All he had to do was find a place to hide.
00:32:52Molly.
00:32:52Oh, hello. I'm just going out.
00:32:54Hello, you lot.
00:32:54I've got a lunch date.
00:32:55Cancel it. You're having lunch with me.
00:32:56What?
00:32:57Need your help.
00:32:58It's one of your boyfriends. We're trying to track him down.
00:32:59He's a bit a bit naughty.
00:33:01It's Moriarty.
00:33:01Of course it's Moriarty.
00:33:02Jim actually wasn't even my boyfriend.
00:33:04We went out three times.
00:33:05I ended it.
00:33:06Yes, and then he stole the crown jewels,
00:33:07broke into the Bank of England,
00:33:08and organized a prison break at Pentonville.
00:33:09For the sake of law and order,
00:33:10I suggest you avoid all future attempts at a relationship, Molly.
00:33:17Oil, John.
00:33:19The oil in the kidnapper's footprint.
00:33:20It'll lead us to Moriarty.
00:33:24All the chemical traces on his shoe have been preserved.
00:33:26Solo, the shoe is like a passport.
00:33:28If we're lucky, we can see everything that he's been up to.
00:33:34We need an analysis.
00:33:39Alkaline.
00:33:39Thank you, John.
00:33:40Molly.
00:33:41Yes.
00:34:02I am you.
00:34:07Glycero molecule.
00:34:11What are you?
00:34:17What did you mean, I owe you?
00:34:19You said, I owe you.
00:34:22You were muttering it while you were working?
00:34:23Nothing.
00:34:24Mental note.
00:34:27You're a bit like my dad.
00:34:29He's dead.
00:34:30No, sorry.
00:34:30Molly, please don't feel the need to make conversation.
00:34:32It's really not your area.
00:34:34When he was dying, he was always cheerful.
00:34:36He was lovely.
00:34:37Except when he thought no one could see.
00:34:40I saw him once.
00:34:42He looked sad.
00:34:43Molly.
00:34:45You look sad.
00:34:46When you think he can't see you.
00:34:52Are you okay?
00:34:53Don't just say you are, because I know what that means,
00:34:56looking sad when you think no one can see you.
00:35:00You can see me.
00:35:01I don't count.
00:35:03What I'm trying to say is that if there's anything I can do,
00:35:06anything you need, anything at all, you can have me.
00:35:09No, I just mean...
00:35:11I mean, if there's anything you need, it's fine.
00:35:17What can I need from you?
00:35:20Nothing.
00:35:21I don't know.
00:35:22I could probably say thank you, actually.
00:35:29I'm just going to go and get some crisps.
00:35:31Do you want anything?
00:35:32It's okay.
00:35:33I know you don't.
00:35:34Well, actually, maybe I...
00:35:35I know you don't.
00:35:46Sherlock.
00:35:48This envelope that was in her trunk, is another one.
00:35:52What?
00:35:53The doorstep.
00:35:55Found it today.
00:35:57Yes.
00:35:57Look at that.
00:35:59Look at that. Exactly the same seal.
00:36:08Breadcrumbs?
00:36:08Uh-huh. Is there when I got back?
00:36:10Little trace of breadcrumbs.
00:36:12I'll back up your fairy tales.
00:36:15Two children led into the forest by a wicked father,
00:36:17follow a little trail of breadcrumbs.
00:36:19That's Hansel and Gretel.
00:36:21What sort of kid never leaves clues?
00:36:23The solar likes to boast the sort that thinks it's all a game.
00:36:25He sat in our flat and he said these exact words to me.
00:36:28All fairy tales need a good old fashioned feeling.
00:36:32Fifth substance. It's part of the tale of the witch's house.
00:36:38The glyceral molecule.
00:36:44PGPR. What's that?
00:36:45It's used in making chocolate.
00:36:53Some facts arrived an hour ago.
00:36:58What have you got for us?
00:37:00We'll find a place in the city where all five of these things intersect.
00:37:03Chalk, asphalt, brick dust, vegetation.
00:37:05What the hell is this, chocolate?
00:37:06I think we're looking for a disused sweet factory.
00:37:08We need to narrow that down.
00:37:09A sweet factory with asphalt?
00:37:10No, no, no, no.
00:37:11To adrenaline.
00:37:12We need something more specific.
00:37:13Chalk, chalky clay.
00:37:14That's a far thinner band of geology.
00:37:19Brick dust.
00:37:21Building site. Bricks from the 1950s.
00:37:23There's thousands of building sites in London.
00:37:26I've got people out looking.
00:37:27So have I.
00:37:28I must network faster than the police.
00:37:30Far more relaxed about taking bribes.
00:37:45John.
00:37:47Ritodendron, Pondicom.
00:37:48Matches.
00:37:54Adelson.
00:37:55What?
00:37:56The Zomala disused factories between the river and the park.
00:37:58It matches everything.
00:37:58Come on.
00:37:59Come on.
00:38:00Come on!
00:38:01I'm not.
00:38:01I'm not.
00:38:01I'm not.
00:38:01I'm not.
00:38:04I'm not.
00:38:06I'm not.
00:38:07I'm not.
00:38:08I'm not.
00:38:08I'm not.
00:38:09I'm not.
00:38:09You.
00:38:12Look over there.
00:38:13Look.
00:38:14Everywhere.
00:38:14Spread out, please.
00:38:16Spread out.
00:38:18And now.
00:38:19Finally.
00:38:20Quietly.
00:38:25This was a light moments ago.
00:38:27They're still here!
00:38:29Sweet wrappers.
00:38:30What's he been feeding you?
00:38:33I'd sell a Gretel.
00:38:42Mercury.
00:38:43What?
00:38:43The papers they're painted with Mercury.
00:38:44Lethal.
00:38:45More of the stuff they ate?
00:38:46It was killing them.
00:38:47It's not enough to kill them on its own.
00:38:50Taking a large enough conscience,
00:38:52eventually it would kill them.
00:38:53He didn't need to be there for the execution.
00:38:56Murder by remote control,
00:38:57he could be a thousand miles away.
00:39:02The hungry they got,
00:39:03the more they ate,
00:39:04the faster they died.
00:39:06Neat.
00:39:06Sherlock.
00:39:07Over here!
00:39:11I've got to remember it.
00:39:20Right then,
00:39:21the professionals are finished.
00:39:22If the amateurs want to go in
00:39:24and have their turn.
00:39:25Now, remember,
00:39:25she's in shock
00:39:26and she's seven years old,
00:39:27so anything you can do to...
00:39:29Not be myself.
00:39:30Yeah.
00:39:31Might be helpful.
00:39:40Claudette, I...
00:39:41No, no, I know it's been hard for you.
00:39:44Claudette, listen to me.
00:39:45Get out!
00:39:50Makes no sense.
00:39:51Kids, trauma-sized.
00:39:52Something about Sherlock and a margillot kidnap.
00:39:55What was she said?
00:39:56Hasn't uttered another syllable.
00:39:58The boy?
00:39:58No, he's unconscious.
00:39:59Still in intensive care.
00:40:15Bob, don't they get to you?
00:40:16I always feel like screaming
00:40:17when you walk into a room.
00:40:18Actually, they're most people.
00:40:20Come on.
00:40:26Brilliant work you did,
00:40:27finding those kids
00:40:28from Just a Footprint.
00:40:29It's really amazing.
00:40:31Unbelievable.
00:40:42Ah.
00:40:45You okay?
00:40:48This is my cab.
00:40:49You get the next one.
00:40:51Why?
00:40:51You might talk.
00:41:04And is this chocolate?
00:41:05They've been looking for a disuse of sweet facts.
00:41:07Get out!
00:41:11Problem?
00:41:23Information is a stunning evening wear
00:41:25set from us here at London Taxi Street.
00:41:27Can you turn this off, please?
00:41:28As you can see,
00:41:29the set comprises of a beautiful...
00:41:30Can you turn this off?
00:41:32Accompanied by force,
00:41:33and you've done with the boys.
00:41:37Hello.
00:41:38Are you ready for the story?
00:41:40This is the story of Sir Boastelot.
00:41:44Footprint.
00:41:46That's all he has.
00:41:48Footprint.
00:41:49Yeah, well,
00:41:50you know what he's like.
00:41:51CSI Baker Street.
00:41:52Well, our boys couldn't have done it.
00:41:54Well, that's why we need him.
00:41:55He's better.
00:41:57That's one explanation.
00:41:58And what's the other?
00:41:59Sir Boastelot was the bravest
00:42:01and cleverest knight at the round table.
00:42:04But soon,
00:42:04the other knights began to grow tired
00:42:06of his stories about how brave he was
00:42:08and how many dragons he'd slain.
00:42:11And so they began to wonder,
00:42:13are Sir Boastelot's stories even true?
00:42:17Only he could have found that evidence.
00:42:19Oh, no.
00:42:20And then the girl screams her head off
00:42:22when she sees him,
00:42:23a man she has never seen before.
00:42:24Unless she had seen him before.
00:42:26What's your point?
00:42:26You know what my point is.
00:42:27You just don't want to think about it.
00:42:28So, one of the knights went to King Arthur
00:42:31and said,
00:42:32I don't believe
00:42:34Sir Boastelot's stories.
00:42:37He's just a big old liar
00:42:39who makes things up
00:42:40to make himself look good.
00:42:45You're not seriously suggesting
00:42:46he's involved, are you?
00:42:47I think we have to
00:42:48entertain the possibility.
00:42:50And then,
00:42:51even the king
00:42:52began to wonder.
00:42:57But that wasn't the end
00:42:59of Sir Boastelot's problem.
00:43:02No.
00:43:05That wasn't the final problem.
00:43:09The end.
00:43:13Stop the cat!
00:43:15Stop the cat!
00:43:15What was that?
00:43:18What was that?
00:43:20No charge.
00:43:27Watch out!
00:43:47Shut up!
00:43:55But it's him.
00:43:56It's him.
00:43:57Suleimani or something.
00:43:58Mycroft showed me his fire
00:43:59as a big Albanian gangster
00:44:01lives two doors down from us.
00:44:02He died because I shook his hand.
00:44:03What do you mean to save my life?
00:44:04He couldn't touch me.
00:44:05Why?
00:44:08Four assassins living right
00:44:09on the door set.
00:44:10They haven't come here to kill me.
00:44:11They have to keep me alive.
00:44:14I've got something
00:44:14that all of them want.
00:44:16I bet one of them
00:44:17approaches me.
00:44:18The others kill them
00:44:19before they can get it.
00:44:22All of the attention
00:44:23is focused on me.
00:44:27This is surveillance web
00:44:28closing in on us right now.
00:44:30So what have you got
00:44:30that's so important?
00:44:33I need to ask
00:44:34about the dusting.
00:44:35Precise details.
00:44:36In the last week,
00:44:37what's been cleaned?
00:44:38Well, Tuesday,
00:44:39I did you lie, no?
00:44:40No, in here.
00:44:40This room.
00:44:40This is where we'll find it.
00:44:41Any break in the dust line,
00:44:42you could put back
00:44:43anything but dust.
00:44:44Dust is eloquent.
00:44:45What's he on about?
00:44:48Cameras.
00:44:49We're being watched.
00:44:50What?
00:44:51Cameras?
00:44:52Here.
00:44:53I'm in my nightie.
00:45:10No, Inspector.
00:45:11Why?
00:45:13The answer's no.
00:45:14You haven't heard the question.
00:45:15You want to take me to the station
00:45:16just saving you the trouble
00:45:17of asking?
00:45:19Sure, Doc.
00:45:19Scream?
00:45:21Yeah.
00:45:21Who was it?
00:45:22Donovan?
00:45:22I bet it was Donovan.
00:45:23Am I somehow responsible
00:45:24for the kidnapping?
00:45:25Oh, Moriarty is smart.
00:45:27He planted that doubt
00:45:28in her head.
00:45:29That little nagging sensation
00:45:31you're going to have
00:45:31to be strong to resist.
00:45:33You can't kill an idea,
00:45:34you can't kill an idea, can you?
00:45:35Not once it's made a home.
00:45:37There.
00:45:40Will you come?
00:45:41One photograph.
00:45:42That's his next move.
00:45:44Moriarty's game.
00:45:44First the scream,
00:45:45then a photograph of me
00:45:46being taken in for questioning.
00:45:47He wants to destroy me
00:45:48inch by inch.
00:45:51It is a game, Lestrade,
00:45:52and not one I'm willing to play.
00:45:55Give my regards
00:45:56to Sergeant Donovan.
00:46:26I'll be deciding.
00:46:28Deciding?
00:46:29Whether to come back
00:46:30with a warrant and arrest me.
00:46:31You think?
00:46:32Standard procedure.
00:46:33Should have gone with him.
00:46:35People will think...
00:46:35I don't care what people think.
00:46:37You'd care
00:46:38if they thought you were stupid
00:46:40or wrong.
00:46:41No, that would just make
00:46:41them stupid or wrong.
00:46:42Sherlock, I don't want
00:46:43the world believing you're...
00:46:48And I am what?
00:46:51A fraud.
00:46:55You're worried they're right.
00:46:56What?
00:46:56You're worried they're right
00:46:57about me.
00:46:58No.
00:46:58That's why you're so upset
00:46:59you can't even entertain
00:46:59the possibility that
00:47:00they might be right.
00:47:01You're afraid that
00:47:01you've been taken in as well.
00:47:02No, I'm not.
00:47:03Moriarty is playing
00:47:04with your mind too.
00:47:05Cut your screen!
00:47:05What's going on?
00:47:10No, I know you for real.
00:47:11100%.
00:47:12Nobody could fake being
00:47:13such an annoying dick
00:47:14all the time.
00:47:21Sherlock Holmes?
00:47:23Yes, sir.
00:47:24That bloke that's been
00:47:24in the press.
00:47:27I thought he was some
00:47:28sort of private eye.
00:47:30He is.
00:47:30We've been consulting
00:47:31with him, that's what
00:47:32you're telling me.
00:47:33Not used him on any
00:47:34proper cases, though,
00:47:35have we?
00:47:35Well, one or two.
00:47:3720 or 30.
00:47:38What?
00:47:39Look, I'm not the only
00:47:40senior officer who did this.
00:47:41Shut up!
00:47:42And I'm a detective
00:47:44given access to all sorts
00:47:46of classified information
00:47:47and now he's a suspect
00:47:49in a case.
00:47:50Within the jury.
00:47:50You're a bloody idiot,
00:47:51Lestrade!
00:47:52Now go and fetch him
00:47:53in right now!
00:47:55Do it!
00:48:01Proud of yourselves.
00:48:02Well, what if it's not
00:48:03just this case?
00:48:04What if he's done this
00:48:05to us every single time?
00:48:17So, I've still got some
00:48:18friends on the force.
00:48:20It's Lestrade.
00:48:21Says they're all coming
00:48:21over here right now.
00:48:23Queuing up to slap
00:48:23on the handcuffs.
00:48:24Every single officer
00:48:25you've ever made
00:48:26feel like a tit,
00:48:26which is a lot of people.
00:48:28Whoa!
00:48:30Oh, sorry, am I interrupting?
00:48:32Some chap delivered
00:48:33a parcel I forgot.
00:48:34Mark to perishable
00:48:35had to sign for.
00:48:36it.
00:48:37Funny name.
00:48:38German.
00:48:39Like the fairy tales.
00:48:49Bound to a crystal.
00:48:52Where's it been?
00:48:55I'll come.
00:48:56I need to talk to you.
00:48:59Just barge it like that.
00:49:02Have you got a warrant?
00:49:04Have you?
00:49:04Leave it, John.
00:49:09I'm arresting you
00:49:10on suspicion of
00:49:11abduction
00:49:11and kidnapping.
00:49:13He's not resisting.
00:49:14No, it's not all right.
00:49:14This is ridiculous.
00:49:15Get him downstairs now.
00:49:18Don't try to interfere
00:49:19or I shall arrest you too.
00:49:24You done?
00:49:25Well, I said it.
00:49:26Well, I said it.
00:49:27First time we met.
00:49:28Don't bother.
00:49:28Solving crimes won't be enough.
00:49:31One day he'll cross the line.
00:49:33Now, ask yourself,
00:49:34what sort of man
00:49:35would kidnap those kids
00:49:36just so he can impress us all
00:49:37by finding them?
00:49:38Donovan?
00:49:39That's our man.
00:49:41Er, yes, sir.
00:49:42Looked a bit of a weirdo,
00:49:44if you ask me.
00:49:45Often are.
00:49:46These vigilante types.
00:49:49What are you looking at?
00:49:53Are you all right, sir?
00:49:56Joining me?
00:49:57Yeah.
00:49:58Apparently it's against
00:49:59the Lord of Chim,
00:50:00the Chief Superintendent.
00:50:03You don't quit this.
00:50:04No one to bail us.
00:50:06I was thinking more about
00:50:07our imminent and daring escape.
00:50:09All units to two, seven.
00:50:11All units to two, seven.
00:50:17Ladies and gentlemen,
00:50:18will you all please
00:50:18get on your knees?
00:50:21No!
00:50:22Do as he says!
00:50:25Just so you're aware,
00:50:26the gun is his idea.
00:50:27I'm just, you know.
00:50:29My hostage.
00:50:30Hostage, yes, that works.
00:50:32That works.
00:50:33So what now?
00:50:34Doing all my art at once.
00:50:36Becoming a fugitive.
00:50:41Get up and in the start!
00:50:45Take my hand.
00:50:48Now people will definitely talk.
00:50:50The gun!
00:50:51Leave it.
00:50:58Sherlock, wait!
00:51:01We're going to need
00:51:02to coordinate.
00:51:04Go to your right, huh?
00:51:05Go to your right!
00:51:10Everybody wants to believe it.
00:51:11That's what makes it so clever.
00:51:13A lie that's preferable to the truth.
00:51:15My brilliant deductions
00:51:16were just a sham.
00:51:16No one feels inadequate.
00:51:17Sherlock Holmes is just
00:51:18an ordinary man.
00:51:19What about Mycroft?
00:51:19You can help us.
00:51:21Big family reconciliation?
00:51:23No, it's not really the moment.
00:51:25Oh, shit.
00:51:26Sherlock.
00:51:27We're being followed
00:51:28and you're going to
00:51:29outrun the police.
00:51:30That's not the police.
00:51:30It's one of my new neighbors
00:51:31from Baker Street.
00:51:33Let's see if you can
00:51:33give us some answers.
00:51:40Where are we going?
00:51:42We're going to jump
00:51:43in front of that bus.
00:51:54Tell me what you want
00:51:55from me.
00:51:57Tell me.
00:51:58He left it at your flat.
00:52:00Who?
00:52:01Moriarty.
00:52:02What?
00:52:03The computer key code.
00:52:05Of course.
00:52:06He's selling it.
00:52:07Program he used
00:52:08to break into the tower.
00:52:10He planted it
00:52:11when he came around.
00:52:27It's a game changer.
00:52:30It's a key.
00:52:31It could break
00:52:31into any system
00:52:32and it's sitting
00:52:33in our flat right now.
00:52:34That's why he left
00:52:34that message.
00:52:35Telling everyone
00:52:35where to come.
00:52:36Get Sherlock.
00:52:37We need to get back
00:52:38head to the flat
00:52:38and search.
00:52:40CID will be camped out.
00:52:41I'll plant it on you.
00:52:43It's another subtle
00:52:44way of smearing my name
00:52:45and I have best powers
00:52:45with all those criminals.
00:52:48Yeah, well,
00:52:49have you seen this?
00:52:51A kiss and tell.
00:52:52Some blood called
00:52:53Rich Brook.
00:52:56Who is he?
00:53:21Too late to go on the record?
00:53:24Congratulations
00:53:25to the truth
00:53:25about Sherlock Holmes.
00:53:27Scoop that everybody wanted
00:53:28and you've got it.
00:53:29Bravo!
00:53:30I gave you your opportunity.
00:53:31I wanted to be on your side,
00:53:33remember?
00:53:34You turned me down.
00:53:35And then the old
00:53:36someone turns up
00:53:36and spills all the beans.
00:53:37How utterly convenient
00:53:38who is Brook?
00:53:40Oh, come on, Kitty.
00:53:42No one trusts the voice
00:53:43at the end of a telephone.
00:53:44There were all those
00:53:44furtive little meetings
00:53:45in cafes,
00:53:46those sessions in the hotel
00:53:47where we gabbled
00:53:47into your dictaphone.
00:53:49I don't know
00:53:50that you can trust him.
00:53:51A man turns up
00:53:52with a holy grail
00:53:52in his pockets.
00:53:53What were his credentials?
00:53:57Darn,
00:53:58they didn't have any
00:53:58ground coffee
00:53:59so I just got no one.
00:54:09You said that they
00:54:09wouldn't find me here.
00:54:10You said that I'd be safe here.
00:54:11You are safe, Richard.
00:54:13I'm a witness.
00:54:13They wouldn't harm me
00:54:14in front of witnesses.
00:54:15So that's your source.
00:54:17Moriarty is Richard Brook.
00:54:18Of course he's Richard Brook.
00:54:19There is no Moriarty.
00:54:21There never has been.
00:54:22What are you talking about?
00:54:23Look him up.
00:54:24Rich Brook,
00:54:26an actor, Sherlock Holmes,
00:54:27hired to be Moriarty.
00:54:34Dr. Watson,
00:54:35I know you're a good man.
00:54:36Don't,
00:54:37don't hurt,
00:54:38don't hurt me.
00:54:39No, you were Moriarty!
00:54:40He's Moriarty!
00:54:41We've met, remember?
00:54:42You were gonna blow me up!
00:54:44I'm sorry.
00:54:45I'm sorry.
00:54:47He paid me.
00:54:48I needed the work.
00:54:49I'm an actor.
00:54:50I was out of work.
00:54:50Sherlock, you better explain
00:54:52because I am not getting this.
00:54:53I'll be doing the explaining
00:54:55in print.
00:54:56It's all here.
00:54:58Conclusive proof.
00:55:00You invented James Moriarty,
00:55:02your nemesis.
00:55:03Invented him?
00:55:04Mm-hmm.
00:55:04Invented all the crimes, actually.
00:55:06It's a capital you made
00:55:07of a master villain.
00:55:08Oh, don't be ridiculous.
00:55:09Ask him.
00:55:10He's right here.
00:55:11Just ask him.
00:55:12Tell him, Richard.
00:55:12I forgot.
00:55:13This man was on trial.
00:55:14Yes, and you paid him.
00:55:15Paid him to take the rap.
00:55:17Promised you to rig the jury.
00:55:19Not exactly a West End role,
00:55:20but I'll bet the money was good.
00:55:22But that's so good
00:55:23he didn't want to sell his story.
00:55:24I am sorry.
00:55:25I am.
00:55:26I am sorry.
00:55:27So this is the story
00:55:28that you're gonna publish?
00:55:29The big conclusion of it all,
00:55:31Moriarty's an actor?
00:55:32He knows I am.
00:55:33I have proof.
00:55:34I have proof.
00:55:34Show him.
00:55:34Can you show them something?
00:55:35Yeah, show me something.
00:55:41I'm on TV.
00:55:42I'm on kids' TV.
00:55:44I'm the storyteller.
00:55:48I'm the storyteller.
00:55:50It's on DVD.
00:55:58Just tell them.
00:55:59It's all coming out now.
00:56:00It's all over.
00:56:01Just tell them.
00:56:02Just tell them.
00:56:03Tell them.
00:56:03It's all over.
00:56:04No, no.
00:56:04Don't you trust me.
00:56:05Don't you lay.
00:56:06A finger on me.
00:56:07Stop it.
00:56:07Stop it now.
00:56:09Look out at me.
00:56:10I didn't get away.
00:56:11Leave him alone.
00:56:16No, no, no.
00:56:17You're not back up.
00:56:18You know what, Sherlock Holmes?
00:56:20I look at you now
00:56:20and I can read you.
00:56:23You repel me.
00:56:29Can he do that?
00:56:31Completely change his identity?
00:56:33Make you the criminal?
00:56:34He's got my whole life story.
00:56:35That's what you do when you sell a big lie.
00:56:37Wrap it up in a truth to make it more palatable.
00:56:39Your word against his.
00:56:41He's been sowing doubt into people's minds for the last 24 hours.
00:56:44There's only one thing he needs to do to complete his game,
00:56:46and that's...
00:56:49Sherlock?
00:56:51Something I need to do.
00:56:53What?
00:56:53Can I help?
00:56:53It's not my own.
00:57:09It's not my own.
00:57:11You're wrong, your mate.
00:57:13You do count.
00:57:16You've always counted and I've always trusted you
00:57:20But you were right
00:57:24I'm not okay
00:57:26Tell me what's wrong
00:57:30Molly, I think I'm going to die
00:57:35What do you need?
00:57:36I wasn't everything that you think I am
00:57:37Everything that I think I am
00:57:41But you still want to help me
00:57:44What do you need?
00:57:53You
00:58:06She has really done her homework, Miss Riley
00:58:11It's things that only someone close to Sherlock could know
00:58:16Ah
00:58:16Have you seen your brother's address book lately?
00:58:19Two names
00:58:21Yours
00:58:22And mine
00:58:22And Moriarty didn't get this stuff from me
00:58:25John
00:58:26So how does it work then?
00:58:27Your relationship?
00:58:28You go out for a coffee
00:58:29Now and then, hey?
00:58:31You and Jim
00:58:32Your own brother
00:58:33And you blabbed
00:58:35About his entire life
00:58:37To this
00:58:38Maniac
00:58:41I never intend
00:58:42I never dreamt
00:58:43This
00:58:44This
00:58:45Is what you were trying to tell me, isn't it?
00:58:47Watch his back
00:58:48Because I've made a mistake
00:58:54How did you meet him?
00:58:57People like him
00:58:58We
00:59:00Know about them
00:59:01We
00:59:01Watch them
00:59:04That's James Moriarty
00:59:07The most dangerous criminal mind the world has ever seen
00:59:12And in his pocket
00:59:13The ultimate weapon
00:59:14A key code
00:59:16A few lines of computer code
00:59:18That can unlock any door
00:59:21And you abducted him
00:59:23To try and find the key code
00:59:27Interrogated him for weeks
00:59:29And?
00:59:30He wouldn't play along
00:59:32He just sat there
00:59:35Staring into the darkness
00:59:40The only thing that made him open up
00:59:46I could get him to talk
00:59:48Just a little
00:59:52But
00:59:54In return
00:59:54You had to offer him Sherlock's life story
00:59:57It says
00:59:58One big lie
01:00:01Sherlock's a fraud
01:00:02But people will swallow it
01:00:04Because the rest of it's true
01:00:07Moriarty wanted Sherlock destroyed
01:00:09Right?
01:00:10And you
01:00:11Have given him
01:00:13The perfect ammunition
01:00:20John
01:00:21John
01:00:25I'm sorry
01:00:26Oh
01:00:28Please
01:00:28Tell him, would you?
01:00:43Got your message
01:00:45Computer code is key to this
01:00:46We find that we can use it
01:00:47Beat Moriarty at his own game
01:00:48What do you mean use it?
01:00:49He used it to create a false identity
01:00:51So we can use it to break it into the records
01:00:52And destroy Richard Brook
01:00:53And bring back Jim Moriarty again
01:00:55Somewhere in 221B
01:00:56Somewhere
01:00:57On the day the verdict
01:00:57He left it hidden
01:01:01What did he touch?
01:01:02An apple, nothing else
01:01:04You write anything down?
01:01:05No
01:01:05No
01:01:54Yeah, speaking
01:01:56What?
01:01:57What happened?
01:01:58Is she okay?
01:02:00Oh my God
01:02:01Right, yes, I'm coming
01:02:02What is it?
01:02:03Paramedics
01:02:04Mrs Hudson's been shot
01:02:05What, how?
01:02:05Probably one of the killers
01:02:06You managed to attract
01:02:07Jesus
01:02:08Jesus
01:02:09She's dying, Sherlock
01:02:09Let's go
01:02:10You go, I'm busy
01:02:12Busy?
01:02:12Thinking, I need to think
01:02:13You need to
01:02:14Doesn't she mean anything to you?
01:02:16You want to half kill the man
01:02:17Because he laid a finger on her
01:02:18She's my landlady
01:02:19She's dying
01:02:21You machine
01:02:22Sod this
01:02:23Sod this
01:02:24You stay here if you want
01:02:25On your own
01:02:25Alone is what I have
01:02:26Alone protects me
01:02:27Nope
01:02:28Friends protect people
01:02:36Mrs Hudson's been shot
01:02:37If you are going to be
01:02:37Oof
01:02:46I'm busy
01:02:48I'm busy
01:02:50I'm busy
01:02:52I'm busy
01:02:53I'm busy
01:02:54I'm busy
01:02:54I'm busy
01:02:54I'm busy
01:02:54I'm busy
01:02:55I'm busy
01:02:56I'm busy
01:02:58I'm busy
01:02:58I'm the younger brother, I'm the younger brother, you stay in love.
01:03:04Well, here we are at last.
01:03:07You and me, Shirley.
01:03:10And our problem, the final problem.
01:03:13Stayin' alive!
01:03:17It's so boring, isn't it?
01:03:21It's just...
01:03:23Staying.
01:03:25All my life I've been searching for distractions
01:03:29and now I don't even have you.
01:03:30Because I've beaten you.
01:03:32And you know what?
01:03:33In the end, it was easy.
01:03:36It was easy.
01:03:38Now I've got to go back to playing with the ordinary people.
01:03:41And it turns out you're ordinary, just like all of them.
01:03:46Oh, well.
01:03:50Did you almost start to wonder if I was real?
01:03:53Did I nearly get ya?
01:03:55Richard Rook.
01:03:57Nobody seems to get the joke.
01:04:00But you do.
01:04:01Of course.
01:04:02Attaboy.
01:04:03Richard Rook in German is Reichenbach.
01:04:05The case that made my name.
01:04:07Just trying to have some fun.
01:04:14Good.
01:04:14You got that too.
01:04:18Beats like digits.
01:04:20Every beat is a one.
01:04:22Every rest is a zero.
01:04:24Binary code.
01:04:25That's why all those assassins tried to save my life.
01:04:28It was hidden on me, hidden inside my head.
01:04:30A few simple lines of computer code that can break into any system.
01:04:34Told all my clients.
01:04:36Last one to Sherlock is a sissy.
01:04:38Yes, but now that it's up here, I can use it to alter all the records.
01:04:43I can kill Ridgebrook and bring back Jim Moriarty.
01:04:48No, no, no, no, no.
01:04:51This is too easy.
01:04:52This is too easy.
01:04:53There is no key.
01:04:54Do fast!
01:04:59Those digits are meaningless.
01:05:00They're utterly meaningless.
01:05:02You don't really think a couple of lines of computer code are going to crash the world around our ears?
01:05:07I'm disappointed.
01:05:08I'm disappointed in you.
01:05:10Ordinary sir.
01:05:11I love the rhythm.
01:05:12Partition number one.
01:05:13Thank you, Johann Sebastian Bach.
01:05:16Then how did you-
01:05:17Now how did I break into the bank?
01:05:18To the tower?
01:05:19To the prison?
01:05:20Daylight robbery!
01:05:21All it takes is some willing participants.
01:05:29I knew you'd fall through it.
01:05:30That's your weakness.
01:05:32You always want everything to be clever.
01:05:34Now, shall we finish the game?
01:05:35One final act.
01:05:36Glad you chose a tall building.
01:05:38Nice way to do it.
01:05:40Do it?
01:05:40Do what?
01:05:44Yes, of course.
01:05:48My suicide.
01:05:49Genius detective proved to be a fraud.
01:05:51I read it in the paper, so it must be true.
01:05:53True.
01:05:54I love newspapers.
01:05:56Fairy tales.
01:06:00And pretty grim ones too.
01:06:10Oh God, jump.
01:06:12Maybe jump.
01:06:13Is everything okay now with the police?
01:06:15Has, um, Sherlock sorted it all out?
01:06:19Oh my God.
01:06:24Taxi!
01:06:26Taxi!
01:06:27No, no, no, no, no.
01:06:29Sort off.
01:06:30Oh, that's right.
01:06:30Place it off.
01:06:31I can still prove that you created an entirely false identity.
01:06:34Oh, just kill yourself.
01:06:35It's a lot less effort.
01:06:38Go on.
01:06:40For me.
01:06:41Please!
01:06:48You're insane.
01:06:50You're just getting that now.
01:06:53Okay.
01:06:55Let me give you a little extra incentive.
01:06:58Your friends will die if you don't.
01:07:02John.
01:07:03Not just John.
01:07:04Everyone.
01:07:06Says it's everyone.
01:07:09Lestrade.
01:07:10Three bullets.
01:07:11Three gunmen.
01:07:13Three victims.
01:07:14There's no stopping them now.
01:07:18Unless my people see you jump.
01:07:28You can have me arrested.
01:07:29You can torture me.
01:07:31You can do anything you like with me.
01:07:33But nothing's gonna prevent them from pulling the trigger.
01:07:36Your only three friends in the world will die.
01:07:39Unless...
01:07:39I kill myself.
01:07:41Complete your story.
01:07:43You gotta admit that's sexier.
01:07:46And I die in disgrace.
01:07:48Of course. That's the point of this.
01:07:50Oh.
01:07:51We got an audience now.
01:07:54Off you, Pop.
01:07:58Go on.
01:08:00I told you how this ends.
01:08:05Your death is the only thing that's gonna call off the killers.
01:08:09I'm certainly not gonna do it.
01:08:12You give me...
01:08:14One moment, please.
01:08:16One moment of privacy.
01:08:19Please.
01:08:23Of course.
01:08:24Of course.
01:08:46What?
01:08:48What is it?
01:08:51What did I miss?
01:08:53What did I miss?
01:08:57You're not going to do it.
01:08:59So the killers can be called off.
01:09:00Then there's a recall code or a word or a number.
01:09:06I don't have to die.
01:09:08If I've got you.
01:09:10If I've got you.
01:09:10Oh.
01:09:12You think you can make me stop the order?
01:09:15You think you can make me do that?
01:09:16Yes.
01:09:18So do you.
01:09:19Sherlock, your big brother and all the king's horses could make me do a thing I didn't want to.
01:09:23Yes, but I'm not my brother, remember?
01:09:27I am you.
01:09:29Prepare to do anything.
01:09:31Prepare to burn.
01:09:33Prepare to do what ordinary people want to do.
01:09:36If you want me to shake hands with you in hell, I shall not disappoint you.
01:09:42No.
01:09:44You talk big.
01:09:47No.
01:09:49You're ordinary.
01:09:50You're ordinary. You're on the side of the angels.
01:09:53Oh, I may be on the side of the angels.
01:09:56But don't think for one second that I am one of them.
01:10:08No.
01:10:11No.
01:10:13You're not.
01:10:18I see.
01:10:21You're not ordinary.
01:10:24No.
01:10:26You're me.
01:10:30You're me.
01:10:31You're me.
01:10:37Sherlock Holmes.
01:10:49Bless you.
01:10:54As long as I'm alive, you can save your friends.
01:10:57You've got a way out.
01:11:00Well, good luck with that.
01:11:36Yes, sir.
01:11:36OK.
01:11:37Bye.
01:11:44I don't know.
01:12:14I don't know.
01:12:19Hello?
01:12:20John.
01:12:21Hey, Sherlock, you okay?
01:12:22Turn around and walk back to where you came.
01:12:24No, I'm coming in.
01:12:25Just do as I ask.
01:12:27Please.
01:12:28Where?
01:12:31Stop there.
01:12:33Sherlock.
01:12:34Okay, look up. I'm on the rooftop.
01:12:37Oh, God.
01:12:40I can't come down, so we'll just have to do it like this.
01:12:44What's going on?
01:12:45An apology.
01:12:50It's all true.
01:12:51What?
01:12:53Everything they said about me.
01:12:54I invented Moriarty.
01:13:03Why are you saying this?
01:13:07I'm a fake.
01:13:10Sherlock.
01:13:10The newspapers were right all alone.
01:13:13I want you to tell Lestrade.
01:13:16I want you to tell Mrs. Hudson.
01:13:17And Molly.
01:13:19In fact, tell anyone who will listen to you.
01:13:24That I created Moriarty.
01:13:26For my own purposes.
01:13:28Okay, Sherlock, Sherlock. Shut up.
01:13:30The first time we met.
01:13:31The first time we met.
01:13:32You knew all about my sister, right?
01:13:34Nobody could be that clever.
01:13:36You could.
01:13:37Yeah.
01:13:45I researched you.
01:13:47Before we met, I discovered everything that I could to impress you.
01:13:54It's a trick.
01:13:55Just a magic trick.
01:13:56No.
01:13:57Alright, stop it now.
01:13:59No, stay exactly where you are.
01:14:01Don't move.
01:14:02Alright.
01:14:05Keep your eyes fixed on me.
01:14:08Please, would you do this for me?
01:14:09Do what?
01:14:11This phone call.
01:14:14It's my note.
01:14:17More people do, don't they?
01:14:21Leave a note.
01:14:24Leave a note when.
01:14:27Goodbye, John.
01:14:28No.
01:14:29Don't.
01:14:40Sherlock!
01:14:43Sherlock.
01:14:52Sherlock Holmes.
01:14:59Hm......сьонов.
01:15:02Oh.
01:15:28Shabbat Shabbat!
01:15:32I'm a doctor. Let me come through. Let me come through, please.
01:15:36He's my friend. He's my friend, please.
01:15:53Please, let me just...
01:16:02No. God, no.
01:16:06God, no.
01:16:36God, no.
01:16:36God, no.
01:17:06God, no.
01:17:08God, no.
01:17:21God, no.
01:17:30God, no.
01:17:39God, no.
01:17:43God, no.
01:17:43God, no.
01:17:46God, no.
01:17:47God, no.
01:17:48God, no.
01:17:49God, no.
01:17:51God, no.
01:17:56God, no.
01:18:00God, no.
01:18:29God, no.
01:18:33God, no.
01:18:38God, no.
01:18:39God, no.
01:18:40God, no.
01:18:40God, no.
01:18:48God, no.
01:18:49God, no.
01:18:51God, no.
01:19:10God, no.
01:19:10God, no.
01:19:10a hero um there were times i didn't even think you were human but let me tell you this you
01:19:15were
01:19:17the best man and the most human human being that i've ever known and no one will ever
01:19:24convince me that you told me a lie and so there
01:19:36i was so alone and i owe you so much
01:19:46hopefully there's just one more thing one more thing one more miracle sherlock for me don't be
01:19:54dead would you just for me just stop it stop this
01:20:24so
01:20:32so