- 7 months ago
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00:00:00Mommy?
00:00:30Mummy, wake up! Wake up! Mummy!
00:01:00Wake up!
00:01:24Help me, please. I'm on a plane, everyone's asleep. Help me!
00:01:28Hello. My name's Jim Moriosi.
00:01:32Welcome to The Final Problem.
00:01:58You know I could arrest you.
00:02:10What for? Wearing a dress like that.
00:02:12Would you like me to take it off?
00:02:14Then I'd really have to press charges.
00:02:16Press away?
00:02:18You know how the ego's started?
00:02:19Who?
00:02:20Adam and Eve.
00:02:21Oh, them.
00:02:22That turned out okay.
00:02:23You think so?
00:02:24I thought it was supposed to be the beginning of all human misery.
00:02:27Now, what was all that about arresting me?
00:02:29Well, maybe not arresting you.
00:02:31No?
00:02:32I could just keep you on a close watch.
00:02:34Very close.
00:02:35Uh-huh.
00:02:39Shame. I'm looking forward to putting myself into the hands of the Osiris.
00:02:42You are?
00:02:43Fingerprinting.
00:02:45Being searched.
00:02:47Thoroughly.
00:02:48Theron.
00:02:49I'm getting searched.
00:02:50I'm getting searched early.
00:02:51I'm getting searched early.
00:03:18I'm close.
00:03:48Why did you come out and show yourself?
00:04:17I don't have time for this
00:04:19We have time, brother dear
00:04:21All the time in the world
00:04:32Michael
00:04:37Who are you?
00:04:39You know who
00:04:41Impossible
00:04:43Nothing's impossible
00:04:45You of all people know
00:04:53Coming to get you
00:04:59He's twin coming
00:05:01Michael coming to get you
00:05:03You can't have got out
00:05:05You can't
00:05:07You can't
00:05:09You can't have got out
00:05:11I'm not
00:05:13I don't have got out
00:05:15You can't have a
00:05:17I don't have got out
00:05:19I don't have anything
00:05:21No use, Mon.
00:05:33There's no defense and nowhere to hide.
00:05:51Sherlock, help me.
00:06:04Experiment complete.
00:06:05Conclusion, I have a sister.
00:06:08This was you?
00:06:09All of this was you?
00:06:11Conclusion two, my sister, Euros apparently,
00:06:14has been incarcerated from an early age
00:06:16in a secure institution controlled by my brother.
00:06:18Hey, bro, why would you do this?
00:06:21Pantomime, why?
00:06:23Conclusion three, you are terrified of her.
00:06:26You have no idea what you're dealing with.
00:06:28None at all.
00:06:29New information, she's out.
00:06:31That's not possible.
00:06:33It's more than possible.
00:06:33She was John's therapist.
00:06:34Shot me during a session.
00:06:36Only with a tranquilizer.
00:06:37You still have ten minutes to go.
00:06:39Well, we'll see about a refund.
00:06:40Right, you two.
00:06:41Wiggins has got your money by the gate.
00:06:43Don't spend it all in one crack, Dan.
00:06:45Oh, I hope we didn't spoil your enjoyment of the movie.
00:06:48You're just leaving?
00:06:49Well, we're not staying here.
00:06:50Euros is coming, and someone's disabled all your security.
00:06:54Sleep well.
00:06:56Dr. Watson, why would he do that to me?
00:06:59That was insane.
00:07:00Yes, well, someone convinced him
00:07:02that you wouldn't tell the truth
00:07:03unless you were actually wetting yourself.
00:07:05Someone.
00:07:07Probably me.
00:07:08So that's it, is it?
00:07:09You're just going.
00:07:10Well, don't worry.
00:07:12There's a place for people like you,
00:07:13the desperate, the terrified,
00:07:15the ones with nowhere else to run.
00:07:18What place?
00:07:20221B Baker Street.
00:07:23See you in the morning.
00:07:24If there's a queue, join it.
00:07:26For God's sake,
00:07:27this is not one of your idiot cases.
00:07:30You might want to close that window.
00:07:32There is an east wind coming.
00:07:34You have to sit in the chair.
00:07:53They won't talk to you
00:07:54unless you sit in the chair.
00:07:55It's the rules.
00:07:56I'm not a client.
00:07:57Then get out.
00:08:08She's not going to stay there, is she?
00:08:13Would you like a cup of tea?
00:08:15The kettle's over there.
00:08:19So what happens now?
00:08:20Are you going to make deductions?
00:08:22You're going to tell the truth, Mycroft.
00:08:24Pure and simple.
00:08:25Who was it, said?
00:08:26Truth is rarely pure
00:08:28and never simple.
00:08:30I don't know and I don't care.
00:08:32So there were three of us.
00:08:33I know that now.
00:08:35You, me,
00:08:37and Eurus.
00:08:40A sister I can't remember.
00:08:44Interesting name, Eurus.
00:08:46It's Greek, isn't it?
00:08:48Yeah, literally,
00:08:49the god of the east wind.
00:08:52Yes.
00:08:53The east wind is coming, Sherlock.
00:08:56You used that to scare me.
00:08:58No.
00:08:58You turned my sister
00:08:59into a ghost story.
00:09:01Of course I didn't.
00:09:03I monitored you.
00:09:04You what?
00:09:07Memories can resurface.
00:09:09Wounds can reopen.
00:09:11The roads we walk
00:09:12have demons beneath.
00:09:15And yours
00:09:16have been waiting
00:09:17for a very long time.
00:09:19I never bullied you.
00:09:21I used, at discreet intervals,
00:09:23potential trigger words
00:09:24to update myself
00:09:25as to your mental condition.
00:09:27I was looking after you.
00:09:28Why can't I remember her?
00:09:31This is a private matter.
00:09:33John stays.
00:09:34This is family.
00:09:35That's why he stays.
00:09:44So there were
00:09:45three Holmes kids.
00:09:48What was the age gap?
00:09:49Seven years between myself and Sherlock,
00:09:51one year between Sherlock and Eurus.
00:09:53Middle child explains a lot.
00:09:54So did she have it too?
00:09:58Have what?
00:09:59The deduction thing.
00:10:01The deduction thing?
00:10:04Yes.
00:10:05More than you can know.
00:10:08Enlighten me.
00:10:10You realise I'm the smart one.
00:10:11As you never cease to announce.
00:10:12But Eurus,
00:10:14she was incandescent,
00:10:16even then.
00:10:17Our abilities were
00:10:17professionally assessed
00:10:18more than once.
00:10:19I was remarkable.
00:10:22But Eurus was described
00:10:24as an era-defining genius
00:10:26beyond Newton.
00:10:29And why don't I remember her?
00:10:31You do remember her,
00:10:32in a way.
00:10:33Every choice you've ever made,
00:10:34every path you've ever taken,
00:10:36the man you are today
00:10:38is your memory of Eurus.
00:10:45She was different
00:10:46from the beginning.
00:10:47She knew things
00:10:50she should never have known.
00:10:53As if she were somehow
00:10:55aware of truths
00:10:56beyond the normal scope.
00:11:00You look funny, grown-up.
00:11:04What's wrong?
00:11:05Sorry.
00:11:08The memories are disturbing.
00:11:10What do you mean?
00:11:11Examples?
00:11:12They found her
00:11:13with a knife once.
00:11:14She seemed to be
00:11:15cutting herself.
00:11:16Mother and father
00:11:17were terrified.
00:11:17They thought it was
00:11:18a suicide attempt.
00:11:20But when I asked Eurus
00:11:21what she was doing,
00:11:23she said...
00:11:23I wanted to see
00:11:25how my muscles worked.
00:11:27Jesus.
00:11:28So I asked her
00:11:29if she felt pain.
00:11:31And she said...
00:11:31Which one's pain?
00:11:34What happened?
00:11:38Mars' grave.
00:11:39The ancestral home.
00:11:44Where there was always
00:11:46honey for tea
00:11:47and Sherlock played
00:11:48among the funny
00:11:49gravestones.
00:11:50Funny how?
00:11:52Come on, New York.
00:11:53They weren't real.
00:11:55The dates were all wrong.
00:11:56An architectural joke
00:11:57which fascinated Sherlock.
00:11:59And under we go.
00:12:17You're starting to remember.
00:12:18Right, Missy.
00:12:21Let's eat!
00:12:23Let's eat!
00:12:24Let's eat!
00:12:24Redbeard?
00:12:28He was my daughter.
00:12:29Eurus took Redbeard
00:12:30and locked him up
00:12:31somewhere no one
00:12:32could find him.
00:12:33And she refused
00:12:34to say where he was.
00:12:39She'd only repeat
00:12:40that song.
00:12:42Her little ritual.
00:12:44We begged and begged her
00:12:46to tell us where he was.
00:12:48She said...
00:12:49The song is the past.
00:12:52But the song
00:12:53made no sense.
00:12:54Brother and under we go.
00:12:58What happened to Redbeard?
00:12:59We never found him.
00:13:02But she started calling him
00:13:03drowned, Redbeard.
00:13:05So we made our assumptions.
00:13:09Sherlock was traumatized.
00:13:11Natural, I suppose.
00:13:12He was, in the early days,
00:13:14an emotional child.
00:13:16But after that,
00:13:16he was different.
00:13:17So it changed.
00:13:18Never spoke of it again.
00:13:20In time,
00:13:21he seemed to forget
00:13:22that Eurus
00:13:23had ever even existed.
00:13:25How could he forget
00:13:26she was living
00:13:26in the same house?
00:13:27No.
00:13:29They took her away.
00:13:31Why?
00:13:34You don't lock up a child
00:13:35because a dog goes missing?
00:13:37Quite so.
00:13:39It was what happened
00:13:40immediately afterwards.
00:13:45She knows where he is.
00:13:47We can't make her tell us.
00:13:49We can't make her do anything.
00:13:51After that,
00:14:15our sister had to be taken away.
00:14:17Where?
00:14:18Oh, some suitable place,
00:14:20or so everyone thought.
00:14:22Not suitable enough, however.
00:14:24She died there.
00:14:25How?
00:14:26She started another fire,
00:14:28one that she did not survive.
00:14:29This is a lie.
00:14:32Yes.
00:14:34It is also a kindness.
00:14:35This is the story
00:14:37I told our parents
00:14:38to spare them further pain
00:14:39and to account for the absence
00:14:40of an identifiable body.
00:14:42And no doubt
00:14:42to prevent their further interference.
00:14:44That too, of course.
00:14:46The depth of Eurus' psychosis
00:14:47and the extent of her abilities
00:14:49couldn't hope to be contained
00:14:50in any ordinary institution.
00:14:53Uncle Rudy
00:14:54took care of things.
00:14:55Where is she, my craft?
00:14:56Where is our sister?
00:14:57There's a place
00:14:58called
00:15:00Sherinford.
00:15:02An island.
00:15:04It's a secure
00:15:05and very secret installation
00:15:06whose sole purpose
00:15:07is to contain
00:15:08what we call
00:15:09the uncontainables.
00:15:12The demons beneath the road?
00:15:14This is where we trap them.
00:15:16Sherinford is more than a prison
00:15:17or an asylum.
00:15:19It is a fortress
00:15:19built to keep the rest
00:15:21of the world safe
00:15:22from what is inside it.
00:15:23Heaven may be a fantasy
00:15:26for the credulous
00:15:27and the afraid.
00:15:29But I can give you
00:15:30a map reference for hell.
00:15:35That's where our sister
00:15:36has been since early childhood.
00:15:38She hasn't left,
00:15:38not for a single day.
00:15:40Whoever you both met,
00:15:42it can't have been her.
00:15:49I've had a mess
00:15:50of the moon
00:15:52of my mind.
00:15:53Deep down below
00:15:55the old beach dream
00:15:57Hounds are coming
00:15:59out of the east
00:16:01when the blue are you
00:16:02Sixty by six
00:16:04brother and after me
00:16:05My soul's
00:16:07Keep as still as you can.
00:16:09What is it?
00:16:11It's a drone.
00:16:12Yeah, I can see that.
00:16:14What's it carrying?
00:16:16It's that silver thing
00:16:17on top of it, Minecraft.
00:16:18It's a DX707.
00:16:20I've authorized the purchase
00:16:21for quite a number of these.
00:16:23Colloquially,
00:16:24it is known as
00:16:24the Patience Grenade.
00:16:29Patience.
00:16:31The motion sensor is activated.
00:16:33If any of us move,
00:16:34the grenade will detonate.
00:16:35How powerful.
00:16:36It will certainly destroy this flat
00:16:37and kill anyone in it.
00:16:39Assuming walls of reasonable strength,
00:16:40your neighbors should be safer
00:16:41as it's landed on the floor.
00:16:43I move to wonder
00:16:44if the cafe below is open.
00:16:46Sunday morning,
00:16:47so it's closed.
00:16:47What about Mrs. Hudson?
00:16:48going by her usual routine,
00:16:59I estimate she has
00:17:00another two minutes left.
00:17:01She keeps the vacuum cleaner
00:17:02at the back of the flat,
00:17:03sir.
00:17:03So save her there
00:17:04when she's putting it away.
00:17:06Look, we have to move eventually.
00:17:08We should do it
00:17:08when she's safest.
00:17:09When the vacuum stops,
00:17:10we give her eight seconds
00:17:11to get to the back of the flat.
00:17:12She's fast when she's cleaning.
00:17:13Then we move.
00:17:14What's the trigger response time?
00:17:17Once we're mobile,
00:17:18how long before detonation?
00:17:20We have a maximum of three seconds
00:17:21to vacate the blast radius.
00:17:24John, I will take the windows,
00:17:24you take the stairs.
00:17:25Help get Mrs. Hudson out, too.
00:17:27Me?
00:17:27You're closer.
00:17:28You're faster.
00:17:29Speed differential won't be
00:17:30as critical as the distance.
00:17:32Yes.
00:17:32Agreed.
00:17:34She's further away.
00:17:35She's moving to the back.
00:17:37I estimate we have a minute left.
00:17:39Is a phone call possible?
00:17:40Phone call?
00:17:41John has a daughter.
00:17:42He may wish to say
00:17:43goodbye.
00:17:44I'm sorry, Dr. Watson.
00:17:45Any movement will set off
00:17:46the grenade.
00:17:47I hope you understand.
00:17:49Oscar Wilde.
00:17:51What?
00:17:52He said,
00:17:52the truth is really pure
00:17:54and never simple.
00:17:56From the importance
00:17:57of being earnest,
00:17:58we did it at school.
00:17:59So did we.
00:18:00Now I recall.
00:18:02I was Lady Bracknell.
00:18:04Yeah.
00:18:05You were great.
00:18:06Really think so?
00:18:07Yes, I really did.
00:18:09Well, that's good to know.
00:18:11I've always wondered.
00:18:12Good luck, Boris.
00:18:21Three, two, one.
00:18:24Go.
00:18:25Go.
00:18:26Hey.
00:18:34Go.
00:18:35Go.
00:18:50Go.
00:18:50And now the shipping crew cards issued by the Met Office on behalf of the Maritime Postcard Agency at 05.05.10, Stover, West, or West.
00:19:05Go on, son, get it up. Better out than in.
00:19:09It's always like this. Thank God.
00:19:13Usually it's much worse.
00:19:16Might go on working a bank.
00:19:17It's like an helicopter.
00:19:22Nothing. Not in this weather.
00:19:26You hear that?
00:19:31I've never heard that one before.
00:19:34Sherryford.
00:19:36Forget you ever heard it.
00:19:37What?
00:19:38Sometimes when we're out in these waters we get that message.
00:19:42Just forget about it.
00:19:43Yeah, but we've never just never...
00:19:47South-Western, five attached in east.
00:19:50Otherwise South-Western, very close to the front.
00:19:54We are...
00:19:55We are...
00:19:55We are...
00:19:56We are...
00:19:56We are...
00:19:56We are...
00:19:57We are...
00:19:57We are...
00:19:57We are...
00:19:57Who the hell are you?
00:19:58My name's Sherlock Holmes.
00:20:00The detective.
00:20:02The pirate.
00:20:03The pirate.
00:20:03Golf whiskey x-ray.
00:20:21This is a restricted area.
00:20:23Repeat.
00:20:23Restricted area.
00:20:24You are off course.
00:20:25Are you receiving?
00:20:27Golf whiskey x-ray.
00:20:28You are off course.
00:20:29Are you receiving?
00:20:30Yeah, receiving you.
00:20:31This is a distress call.
00:20:32Repeat distress call.
00:20:33We're in trouble here.
00:20:35Golf whiskey x-ray.
00:20:36What is your situation?
00:20:38Golf whiskey x-ray?
00:20:40Where are you now?
00:20:42We're headed for the rocks.
00:20:43We're going to hit...
00:20:44Governor to the control room.
00:20:49Lockdown is broken.
00:20:50Lockdown is broken.
00:20:52Please receive the designated registration.
00:20:56Please receive the designated registration.
00:21:06Wait, wait, wait, wait!
00:21:07Wait!
00:21:09In the set!
00:21:11In the set!
00:21:12In the set!
00:21:14I need to speak to Mycroft.
00:21:20He's in hospital.
00:21:21There was an explosion.
00:21:22Put me through to the hospital.
00:21:23He's not conscious.
00:21:24He's severely injured.
00:21:26No one is even confident he's going to pull through.
00:21:28Where's his brother?
00:21:29Where's Sherlock Holmes?
00:21:31Missing.
00:21:32No, he's not.
00:21:33He's here.
00:21:34Sir, we found two more from the boat.
00:21:36He stole our boat.
00:21:38It was another fellow with guns.
00:21:40Where'd you find him?
00:21:41Not sighted, yeah, I always saw.
00:21:44Holding cell now.
00:21:48Aye, sir.
00:21:50Lockdown is broken.
00:21:53This is a mistake.
00:21:57I'm the victim here.
00:21:58This man stole my boat.
00:22:00He's a pirate.
00:22:01Yeah, I really am.
00:22:01Please sit down.
00:22:02I don't even know who he is.
00:22:04He's Dr. John Watson, formerly of the 5th Northumberland Fusiliers.
00:22:08What are you doing here?
00:22:09It's a hospital.
00:22:10Any work?
00:22:11It's not a hospital.
00:22:12I want eyes on Eurus Holmes.
00:22:14Go straight to the special unit.
00:22:15Deploy green and yellow shift on my authority.
00:22:18Sir.
00:22:18I'm sparing your blushes because we're supposed to be on the same side.
00:22:27And frankly, this is embarrassing.
00:22:29Oh, did a cavity search.
00:22:31The true art of disguise, according to your famous friend, is not being looked at.
00:22:35But I am looking at you, aren't I, Mr. Holmes?
00:22:38Yes, you are.
00:22:42But that is sort of the point, isn't it?
00:22:46See, you should have been looking at the guy you just gave me a pass to.
00:23:00That's the trouble with uniforms and name badges.
00:23:03People stop looking at faces.
00:23:05You'd be better off with clown outfits.
00:23:06At least they'd be satirically irrelevant.
00:23:09Oh, you'll find the real landers on the North Shore tied up with two others.
00:23:12Two others?
00:23:13Hmm.
00:23:13Well, it was trial and error.
00:23:14We had to find the right waistband.
00:23:16This is insane.
00:23:17This is unnecessary.
00:23:18No, your security is compromised and we don't know who to trust.
00:23:21And that justifies dressing up?
00:23:22Yes, it does.
00:23:25It justifies dressing up or any damn thing I say it does.
00:23:28Now listen to me.
00:23:30For your own physical safety, do not speak.
00:23:32Do not indulge in any non-verbal signal suggestive of internal thought.
00:23:37If the safety of my sister is compromised, if the security of my sister is compromised,
00:23:42if the incarceration of my sister is compromised,
00:23:44in short, if I find any indication my sister has left this island at any time,
00:23:49I swear to you, you will not.
00:23:50Say thank you to Dr. Watson.
00:23:55Why?
00:23:56He talked me out of Lady Bracknell.
00:23:58This could have been very different.
00:24:00Are you in?
00:24:01Just arriving at the secure unit.
00:24:03Explain.
00:24:03Door opening.
00:24:05Prison within a prison.
00:24:07Euross must be allowed the strict minimum of human interaction.
00:24:10Why?
00:24:11Since you're determined to meet her, you're about to find out.
00:24:16Eyes on Euross Holmes.
00:24:18Governor's orders.
00:24:19Answer yes or no.
00:24:21Has there ever been, against my express instructions,
00:24:24any attempt at a psychiatric evaluation of Euross Holmes?
00:24:27Yes.
00:24:28I presume the tapes are in my office.
00:24:30Your office?
00:24:31Cast your mind back.
00:24:32It used to be yours.
00:24:34You haven't been down here before, have you?
00:24:36Silence of the Lambs, basically.
00:24:38You what?
00:24:39Keep your distance.
00:24:40Stay at least three feet away from the glass and all that.
00:24:43Why the head twins?
00:24:44She doesn't stop playing.
00:24:45Sometimes for weeks.
00:24:46Beautiful.
00:24:47Kills you in the end.
00:24:49Aye.
00:24:49Still beautiful, though.
00:24:53Give me clothes, E.
00:24:54I don't know.
00:25:24Why am I here?
00:25:44Why do you think you're here?
00:25:45No one ever tells me.
00:25:54Am I being punished?
00:26:00There's no such thing as bad.
00:26:02Well, that's good.
00:26:03Good and bad are fairy tales.
00:26:05We have evolved to attach an emotional significance to what is nothing more than the survival strategy of the pack animal.
00:26:11We are conditioned to invest divinity in utility.
00:26:14Good isn't really good.
00:26:15Evil isn't really wrong.
00:26:16Bottoms aren't really pretty.
00:26:17You are a prisoner of your own meat.
00:26:19Why aren't you?
00:26:20I'm too clever.
00:26:24Did you bring it?
00:26:31Sorry?
00:26:32My hairband.
00:26:33Did you bring it like I asked?
00:26:35I'm not one of the...
00:26:37I don't work here.
00:26:38My special hairband.
00:26:40I'm not one of your doctors.
00:26:43The one I made you steal from mummy.
00:26:51It was the last thing I said to you, remember?
00:26:53The day they took me away.
00:26:54No.
00:26:55No?
00:26:56No.
00:26:57You've spoken since then.
00:26:58You came round to my flat a few weeks back.
00:27:00You pretended to be a woman called Faith Smith.
00:27:02We had chips.
00:27:03Does this mean you didn't bring my hair back?
00:27:05How did you manage to get out of this place?
00:27:07How did you do that?
00:27:08Easy.
00:27:09Look at me.
00:27:11I am looking at you.
00:27:13You can't see it, can you?
00:27:16You try and try, but you just can't see.
00:27:18You can't look.
00:27:19See what?
00:27:20What do you think?
00:27:21Beautiful.
00:27:22You're not looking at it.
00:27:23I meant your plane.
00:27:25Oh, the music.
00:27:26You never know if it's beautiful or not.
00:27:28Only if it's right.
00:27:29Often they're the same thing.
00:27:31If they're not always the same thing, what's the point in beauty?
00:27:34Look at the violin.
00:27:35I need to know how you escaped.
00:27:36Look at the violin.
00:27:42It's a Stradivarius.
00:27:43It's a gift.
00:27:44Who from?
00:27:45Me.
00:27:55Why?
00:27:56You play, don't you?
00:28:08What did you know?
00:28:12How did I know?
00:28:15I taught you, don't you remember? How can you not remember that?
00:28:18You're asked, I don't remember you at all.
00:28:21Interesting.
00:28:23Mycroft told me you'd rewritten your memories.
00:28:25He didn't tell me you'd written me out completely.
00:28:27What do you mean, rewritten?
00:28:29You still don't know about Redbeard, do you?
00:28:33Oh, this is going to be such a good day.
00:28:36She smiles at you when you come home.
00:28:38Everyone we sent in there, it's hard to describe.
00:28:41It's like she recruited them.
00:28:44Smiling is appetizing.
00:28:46Enslaved them.
00:28:47She's been capable of that since she was five.
00:28:50She's an adult now.
00:28:52I warned you.
00:28:53I ordered you.
00:28:55She's clinically unique.
00:28:57We had to try.
00:28:58What cost?
00:28:59Happiness is a pop song.
00:29:01Sadness is a poem.
00:29:03What cost?
00:29:04Tell me the worst thing that has happened.
00:29:09She kept suggesting to Dr. Taylor that he should kill his family.
00:29:13And?
00:29:14He said it was like an earworm.
00:29:16Couldn't get her out of his head.
00:29:17And?
00:29:18He left.
00:29:19And?
00:29:20Killed himself.
00:29:23And?
00:29:25His family.
00:29:27He's going to cry.
00:29:30It's okay if you cry.
00:29:32I don't need to cry.
00:29:34I can help you cry.
00:29:37Play for me.
00:29:38I need to know how you got out of here.
00:29:40You know already.
00:29:42Look at me.
00:29:43Look and play.
00:29:52No, not Bach.
00:29:53You clearly don't understand it.
00:29:54Play you.
00:29:56Me?
00:29:58You.
00:30:03Oh.
00:30:04Have you had sex?
00:30:06Why do you ask?
00:30:07The music.
00:30:08I've had sex.
00:30:09How?
00:30:10One of the nurses got careless.
00:30:11I liked it.
00:30:12Messy though.
00:30:13People are so breakable.
00:30:14I take it he didn't consent.
00:30:15He?
00:30:16She?
00:30:17Afraid I didn't notice in the heat of the moment.
00:30:19And afterwards, well, you couldn't really tell.
00:30:22Is that vibrato or is your hands shaking?
00:30:25I warned you explicitly, no one was to talk to her alone.
00:30:33You spoke to her.
00:30:34I know what I'm doing.
00:30:35You even brought her a visitor on Christmas day.
00:30:38I took a calculated risk.
00:30:40You gave her a Christmas present.
00:30:42Remember her Christmas present?
00:30:44I am aware of the dangers Euros poses and equipped to deal with them.
00:30:48What dangers?
00:30:49Euros doesn't just talk to people.
00:30:52She reprograms them.
00:30:55Anyone who spends time with her is automatically compromised.
00:31:00I'm only trying to help you.
00:31:01We can help each other.
00:31:03Helping someone is the best way you can help yourself.
00:31:07I trust you.
00:31:08So clearly you remember me.
00:31:10I remember everything, every single thing.
00:31:12You just need a big enough hard drive.
00:31:15Sherlock.
00:31:16Not now.
00:31:17Vatican cameos.
00:31:18In a minute.
00:31:22Let's continue.
00:31:23Did they tell you to keep three feet from the glass?
00:31:25Yes.
00:31:26Be naughty.
00:31:27Step closer.
00:31:28Why?
00:31:29Do it.
00:31:30Step closer.
00:31:35Tell me what you remember.
00:31:36You, me and Mycroft.
00:31:39Mycroft.
00:31:40Mycroft was quite clever.
00:31:41He could understand things if you went a bit slow, but you...
00:31:44You were my favorite.
00:31:46Why was I your favorite?
00:31:49Because I could make you laugh.
00:31:51I loved it when you laughed.
00:31:52Once I made you laugh all night, I thought you were going to burst.
00:31:55I was so happy.
00:31:56Then Mommy and Daddy had to stop me, of course.
00:31:59Why?
00:32:00Well, turns out I got it wrong.
00:32:02Apparently you were screaming.
00:32:04Why was I screaming?
00:32:06Redbeard.
00:32:17I remember Redbeard.
00:32:18Do you now?
00:32:19Tell me what I don't know.
00:32:23Touch the glass.
00:32:24I put my trust in you, my implicit trust, as governor of this institute.
00:32:43It's obvious when it all started, but she was never the same after that Christmas.
00:32:47It's as if you woke her up.
00:32:48That is entirely beside the point.
00:32:50You had your orders and failed to act.
00:32:51This is off the tape.
00:32:52Sorry?
00:32:53Do it now.
00:32:54Listen.
00:32:55My sister's methods of a...
00:32:56Just listen.
00:32:57You have no idea how I could help.
00:33:00Bring me a wife.
00:33:01I want to meet her.
00:33:02I don't need your help.
00:33:03I don't need your help.
00:33:04Redbeard was my dog.
00:33:06I know what happened to Redbeard.
00:33:08Oh, Sherlock.
00:33:09You know nothing.
00:33:11Touch the glass and I'll tell you the truth.
00:33:18I'll touch it too if you're scared.
00:33:21I can fix her for you and then I'll give you her straight back.
00:33:24Good as new.
00:33:25I promise.
00:33:26I promise.
00:33:27That's all.
00:33:28What you're proposing is not...
00:33:30It's all.
00:33:31Right.
00:33:32Everyone who went in there got affected.
00:33:34Enslaved, you said?
00:33:35Yes.
00:33:36One after the other?
00:33:37Yes.
00:33:38Dr. Watson, I think it was a...
00:33:39Shut up.
00:33:40Do you trust your wife?
00:33:41One question.
00:33:42That's your voice, isn't it?
00:33:43Really?
00:33:44Do you trust her?
00:33:45You've got to stop saying these things.
00:33:47If Euras has enslaved you, then who exactly is in charge of this prison?
00:33:51It's completely inappropriate.
00:33:54I'm sorry.
00:33:56No.
00:33:57Very, very sorry.
00:33:58No.
00:34:10You think it's a trick?
00:34:12You look so...
00:34:14Unsure.
00:34:15You're not used to being unsure, are you?
00:34:18It's more common than you'd think.
00:34:20Look at you.
00:34:21A man who sees through everything is exactly the man who doesn't notice.
00:34:28When there's nothing to see through.
00:34:33Do you see how it was done?
00:34:38I know you like explanations.
00:34:40The science users went to the sites.
00:34:44And my voice, throat-like, puts me through the speakers.
00:34:49Do you think it's clever?
00:34:51Simple but clever.
00:34:52Transparent.
00:34:53Well, you do keep asking me how I got out of here.
00:35:00Like this.
00:35:08Get in here, all of you!
00:35:10Stop me getting it!
00:35:12No, no.
00:35:13Stop me in a minute.
00:35:19Red alert!
00:35:20Red alert!
00:35:21Big red, bouncy red alert!
00:35:22Dr. Watson!
00:35:23Attacking lower decks.
00:35:24Also, cowboys and black hats!
00:35:25Darth Vader!
00:35:26Don't be alarmed!
00:35:27I'm here now!
00:35:28I'm here now!
00:35:29Can you miss me?
00:35:30Did you miss me?
00:35:31Miss me!
00:35:32Miss me!
00:35:33Miss me!
00:35:34Miss me!
00:35:35Miss me!
00:35:38Miss me!
00:35:41Miss me!
00:35:42Miss me!
00:35:44I want to break free
00:35:59I want to break free
00:36:04I want to break free from your lies
00:36:09You're so satisfied
00:36:11I don't need
00:36:13I've got to break free
00:36:16God knows
00:36:21God knows I want to break free
00:36:26I've fallen in
00:36:29Mr. Boreotti
00:36:43Big G
00:36:44Big G means governor
00:36:47Street speak
00:36:49I'm a bit down with a kid
00:36:51You know
00:36:51I'm relatable that way
00:36:54Do you like my boys?
00:36:57This one's got more stamina
00:36:58But he's less caring in the afterglow
00:37:02This way please
00:37:05Smell all that insane criminality
00:37:24Do you have cannibals here?
00:37:28Yes
00:37:28How many?
00:37:29Three
00:37:29That's good
00:37:30People leave their bodies to science
00:37:33I think cannibals would be so much more grateful
00:37:36Enough
00:37:38Sputation
00:37:39Will you fall?
00:37:41Will you fall?
00:37:42Yes
00:37:42No
00:37:42Anything
00:37:43No
00:37:43No
00:37:44No
00:37:44No
00:37:45No
00:37:46No
00:37:46No
00:37:47No
00:37:55I
00:37:57I
00:38:02Oh, isn't that sweet?
00:38:09Why don't you sit down?
00:38:10I wrote my own version of the nativity when I was a child.
00:38:13The hungry donkey.
00:38:15It was a bit gory.
00:38:16But if you're going to put a baby in a manger, you're asking for trouble.
00:38:22You know what this place is, of course.
00:38:24Of course.
00:38:27So am I under arrest again?
00:38:29You remain a person of interest, but until you commit a verifiable crime, you are.
00:38:33I regret at liberty.
00:38:35Then why am I here?
00:38:36You're a Christmas present.
00:38:38Ah.
00:38:39How do you want me?
00:38:41There is, in this facility, a prisoner whose intellectual abilities are of occasional use to the British government.
00:38:49What, for, like, really difficult sums, long division, that sort of thing?
00:38:52She predicted the exact dates of the last three terrorist attacks on the British mainland after an hour on Twitter.
00:38:58That sort of thing.
00:39:00In return, however, she requires treats.
00:39:04Last year it was a violin.
00:39:06This year?
00:39:08Five minutes unsupervised conversation with you.
00:39:15Me?
00:39:15She has noted your interest in the activities of my little brother.
00:39:25So, what's she got to do with Sherlock Holmes?
00:39:34Whatever you're about to tell me, I already know it's going to be awesome.
00:39:41I'm your Christmas present.
00:40:09So, what's mine?
00:40:28Red Beard.
00:40:29Red Beard.
00:40:29Red Beard.
00:40:31Red Beard.
00:40:33Red Beard.
00:40:37Red Beard.
00:40:38Red Beard.
00:40:39Red Beard.
00:40:40Red Beard.
00:40:41Red Beard.
00:40:42Red Beard.
00:40:43Red Beard.
00:40:44Red Beard.
00:40:45Red Beard.
00:40:46Red Beard.
00:40:47Red Beard.
00:40:48Red Beard.
00:40:49Red Beard.
00:40:50Red Beard.
00:40:51Red Beard.
00:40:52Red Beard.
00:40:53Red Beard.
00:40:54Red Beard.
00:40:55Red Beard.
00:40:56Red Beard.
00:40:57Red Beard.
00:40:58Red Beard.
00:40:59Red Beard.
00:41:00Red Beard.
00:41:01Red Beard.
00:41:02Red Beard.
00:41:03Red Beard.
00:41:04Red Beard.
00:41:05Family's always difficult.
00:41:07Is this an occasion for banter?
00:41:09Case in point.
00:41:11Are you phoning someone?
00:41:13Apparently.
00:41:15What's he doing here?
00:41:17As he is told, Eurus is in control.
00:41:19Help me.
00:41:21Please, I want a place everyone to sleep.
00:41:23Help me.
00:41:25Hello.
00:41:27My name's Jim Moriarty.
00:41:29Welcome to the final problem.
00:41:31It's okay, he's dead.
00:41:33He doesn't sound dead.
00:41:35This is a recorded announcement.
00:41:37Please say hello to some very old friends of mine.
00:41:41Hello. I can hear you talking.
00:41:43Please help me. I want a plane that's going to crash.
00:41:45What is this? We can't do this.
00:41:47Do shut up, dear.
00:41:49Is this supposed to be a game?
00:41:51Be quiet.
00:41:53Oh, hello.
00:41:55Try to stay calm.
00:41:57Just tell me what your name is.
00:41:59I'm not supposed to tell my name to strangers.
00:42:01Of course not. Very good.
00:42:03But, um, I'll tell you mine.
00:42:05My name is...
00:42:07Hello.
00:42:09Oh, dear.
00:42:11We seem to have lost the connection.
00:42:13How have you done this? How is any of this possible?
00:42:15You put me in here, my...
00:42:17You brought me my treats.
00:42:19What treats?
00:42:21Clever, Eurus. You go, girl.
00:42:27How can that be Moriarty?
00:42:31Oh, he recorded lots of little messages for me before he died.
00:42:35Loved it.
00:42:37Did you know his brother was a stationmaster?
00:42:39I think he was always jealous.
00:42:41The girl? Where is she?
00:42:43Can I talk to her again?
00:42:45Alone in the sky in a great big plane with nowhere to land.
00:42:49But where in the world is she?
00:42:51It's a clever little puzzle.
00:42:53If you want to apply yourself to it, I can reconnect you, but first...
00:43:01That's my wife.
00:43:03That's my wife.
00:43:07Oh, God. That's my wife.
00:43:09I'm going to shoot the governor's wife.
00:43:11Please. No.
00:43:13Please. Help her.
00:43:15In about a minute.
00:43:17Bang. Dead.
00:43:19Please don't do that.
00:43:21Well, you can stop me.
00:43:23No. There's a gun in the hatch.
00:43:25Take it.
00:43:29You want to save the governor's wife?
00:43:31Choose either Dr. Watson or Mycroft to kill the governor.
00:43:35Oh, God.
00:43:37You can't do it, Sherlock. If you do it, it won't count. I'll kill her anyway. It has to be your brother or your friend.
00:43:47You have to do this.
00:43:51Urus will kill her.
00:43:55Doesn't appear we have a choice.
00:43:57Right then.
00:43:59Countdown starting.
00:44:01How long?
00:44:03No, no, no. The countdown is for me.
00:44:05Withholding the precise deadline, we'll apply the emotional pressure more evenly.
00:44:09Where possible, please give me an explicit verbal indication of your anxiety levels.
00:44:13I can't always read them from your behavior.
00:44:15I can't do this.
00:44:17I can't. It's murder.
00:44:19This is not murder.
00:44:21This is saving my wife.
00:44:23I'm particularly focused on internal conflicts where strategizing around a largely intuitive moral code appears to create a counterintuitive result.
00:44:32I will not kill. I will not have blood on my hands.
00:44:35Yes, very good. Thank you.
00:44:37Killing my wife is what you're doing.
00:44:39Okay, fine.
00:44:45John.
00:44:51Dr. Watson, are you married?
00:44:53I was.
00:44:55What happened?
00:44:57She died.
00:44:59What would you give to get her back?
00:45:01I mean if you could, if it was possible.
00:45:03What would you do to save her?
00:45:05Urus will kill me.
00:45:07Please save my wife.
00:45:09There will, I'm afraid, be regular prompts to create an atmosphere of urgency.
00:45:15Tick-tick-tick-tick-tick-tick-tick-tick-tick-tick-tick-tick-tick-tick-tick-tick-tick-tick-tick-tick.
00:45:21What's your name?
00:45:23David.
00:45:24Are you sure about this David?
00:45:25Of course I'm bloody sure.
00:45:27There, there.
00:45:29Right, do you want to pray or anything?
00:45:31With Yaros homes in the world, what the hell would I pray to?
00:45:36David.
00:45:37Are you sure about this, David?
00:45:38Of course I'm bloody sure.
00:45:39There you go.
00:45:42Right, do you want to pray or anything?
00:45:44With Yaros homes in the world, what the hell would I pray to?
00:45:48You are a good man, and you are doing a good thing.
00:45:51So are you.
00:45:52I'll spend the rest of my life telling myself that.
00:45:54Please.
00:46:05Please.
00:46:06I know that you're scared, but you should also be very proud.
00:46:29Just do it.
00:46:31Be quick.
00:46:36This is very good, Dr. Watson.
00:46:40I should have fitted you with a cardiograph.
00:46:42Goodbye, David.
00:46:51Please.
00:46:53I can't.
00:46:54Sorry.
00:46:55I can't, David.
00:46:56I know.
00:46:57It's alright.
00:46:58Stop!
00:46:59No!
00:47:00No!
00:47:01Stop!
00:47:02I'm sorry.
00:47:03It's alright.
00:47:04I'm so sorry.
00:47:05Remember me.
00:47:06You alright?
00:47:07Interesting.
00:47:08Alright, there you go.
00:47:09You got what you wanted.
00:47:10And he's dead.
00:47:11Dead or alive.
00:47:12It really wasn't very interesting, but you three, you three were wonderful.
00:47:19You see what you did, Dr. Watson, specifically because of your moral code.
00:47:20Because you don't want blood on your hands.
00:47:21Two people are dead instead of one.
00:47:22Two people.
00:47:23Yes.
00:47:24Sorry.
00:47:25Hang on.
00:47:26Hang on.
00:47:27Hang on.
00:47:28Hang on.
00:47:29Hang on.
00:47:30Hang on.
00:47:31Hang on.
00:47:32Hang on.
00:47:33Hang on.
00:47:34Hang on.
00:47:35What advantage did your moral code grant you?
00:47:36What advantage did your moral code grant you?
00:47:37Is it not?
00:47:38Hang on.
00:47:39Hang on.
00:47:40To keep one's hands clean at the expense of another's life?
00:47:41You didn't have to kill her.
00:47:42Never mind.
00:47:43Do you want to kill her?
00:47:44Yes.
00:47:45Do you want to kill her?
00:47:46No.
00:47:47Uh-huh.
00:47:48Have you seen her live?
00:47:49Excellent.
00:47:50Do you want to kill?
00:47:51No, no, no.
00:47:52No.
00:47:53Should I kill her?
00:47:54Good.
00:47:55Mercy.
00:47:56So do you see her?
00:47:57Let me see her.
00:47:58How do you see her?
00:47:59Well, I don't believe you are.
00:48:00What advantage did your moral code grant you?
00:48:03Is it not in the end selfish to keep one's hands clean at the expense of another's life?
00:48:08You didn't have to kill her!
00:48:10The condition of her survival was that you or my croft had to kill her husband.
00:48:17This is an experiment.
00:48:20There will be rigor.
00:48:22Sherlock, pick up the gun.
00:48:24It's your turn next.
00:48:25When I tell you to use it, and I will...
00:48:28Remember what happened this time.
00:48:29What if I don't want a gun?
00:48:31Oh, the gun is intended as a mercy.
00:48:34For whom?
00:48:35You.
00:48:36How so?
00:48:37Someone else had to die.
00:48:38Would you really want to do it with your bare hands?
00:48:39We'd waste valuable time.
00:48:48Probably just take it.
00:48:56There's only one bullet left.
00:48:58You will only need one.
00:49:00But you will need it.
00:49:05Please, go through.
00:49:07There's a few tasks for you and a girl on a plane who's getting very, very scared.
00:49:18Treats.
00:49:19Yes.
00:49:20You know.
00:49:21A violin.
00:49:22In exchange for.
00:49:24She's very clever.
00:49:26I'm beginning to think you're not.
00:49:28Come on, now.
00:49:30All aboard.
00:49:32Choo-choo.
00:49:34Choo-choo.
00:49:36Choo-choo.
00:49:38Choo-choo.
00:49:40Choo-choo.
00:49:42Choo-choo.
00:49:47Someone's been redecorating.
00:49:50Is that allowed?
00:49:50She's literally taken over the asylum.
00:49:52We have more to worry about than a choice of color scheme.
00:49:55Barely dry.
00:49:56Recent.
00:49:57It's about our benefit.
00:49:59I'm motivated to your continued cooperation.
00:50:02I'm now reconnecting you.
00:50:05Fasten your seatbelts.
00:50:06It's gonna be a bumpy night.
00:50:09Are you still there?
00:50:11Yes, hello.
00:50:11Hello?
00:50:13Hello?
00:50:13We're still here.
00:50:14Can you hear us?
00:50:15Yes.
00:50:16Everything's gonna be all right.
00:50:17I just need you to tell me where you are.
00:50:20Outside.
00:50:20Is it day or night?
00:50:22Night.
00:50:23That certainly narrows it down to half the planet.
00:50:25What kind of a plane are you on?
00:50:26I don't know.
00:50:27Is it big or small?
00:50:29Big.
00:50:29Lots of people on it?
00:50:31Lots and lots.
00:50:32But they're all asleep.
00:50:32I can't wake them up.
00:50:33Where did you take off from?
00:50:35The driver's asleep.
00:50:37I understand, but...
00:50:38Where did you come from?
00:50:39Where did the plane take off?
00:50:40My nans.
00:50:41And where are you going?
00:50:43Home.
00:50:43No, I mean, what airport are you...
00:50:45Can I have for now?
00:50:46Time to play a new game.
00:50:48Look on the table in front of you.
00:50:50Open the envelope.
00:50:52If you want to speak to the girl again,
00:50:54earn yourself some phone time.
00:50:56This is inhuman.
00:50:57This is insane.
00:50:58Mycroft, we know.
00:51:00Six months ago, a man called Evans was murdered.
00:51:03Unsolved.
00:51:04Except by me.
00:51:06He was shot from a distance of 300 metres with this rifle.
00:51:10If the police had any brains, they'd realise there are three suspects.
00:51:15All brothers, Nathan Garrydeb, Alex Garrydeb and Howard Garrydeb.
00:51:20All these photos are up to date, but which one?
00:51:24Hold the trigger, Sherlock.
00:51:27Which one?
00:51:28What's this?
00:51:28We're supposed to solve this based on what?
00:51:32This, this is all we get.
00:51:33Please, make use of your friend, Sherlock.
00:51:36I want to see you interact with people that you're close to.
00:51:39Also, you may have to choose which one to keep.
00:51:43What do you make of it?
00:51:45Mind me, I'll just prove my usefulness.
00:51:47Yes, as you think you are.
00:51:48I will not be manipulated like this.
00:51:50Bye.
00:51:50John.
00:51:52John.
00:51:52Yeah, I think I've seen one of these.
00:51:55It's a Buffalo gun.
00:51:57That's a 1940s old-fashioned sight.
00:52:00No crosshairs.
00:52:02Glasses, glasses.
00:52:03Nathan wears glasses.
00:52:06Evans was shot from 300 metres.
00:52:07Kick back from a gun with this calibre.
00:52:13It'd be massive.
00:52:15No cuts, no scarring.
00:52:17Not Nathan, then.
00:52:18Who's next?
00:52:19Well done, Dr. Watson.
00:52:20How useful you are.
00:52:21Do you have a suspicion we're being made to compete?
00:52:23No, we're not competing.
00:52:24There's a plane in the air that's going to crash.
00:52:26So what we're doing is actually trying to save a little girl.
00:52:28Today we have to be soldiers, Mycroft.
00:52:30Soldiers.
00:52:31And that means to hell with what happens to us.
00:52:35Not priorities to your credit.
00:52:36Not my priorities.
00:52:37You just got a woman killed.
00:52:39Now, as I understand it, Sherlock,
00:52:40you tried to repress your emotions to refine your reasoning.
00:52:44I'd like to see how that works.
00:52:46So if you don't mind,
00:52:47I'm going to apply some context to your deductions.
00:52:51Oh, dear God.
00:52:55Two of the Gary Debs work here is orderly,
00:52:57so getting a third along really wasn't too difficult.
00:53:00Once you bring in your verdict,
00:53:02let me know and justice will be done.
00:53:05Justice?
00:53:06What will you do with her?
00:53:07Early release.
00:53:09You'll drop them into the sea.
00:53:10Sink or swim.
00:53:12They're tied up.
00:53:13Exactly.
00:53:14Now there is context.
00:53:15Please continue with your deductions.
00:53:18I'm now focusing on the difference to your mental capacity
00:53:21a specified consequence can make.
00:53:23Why should we bother?
00:53:24What if we're disinclined to play your games, little sister?
00:53:27I have, if you remember,
00:53:31provided you with some motivation.
00:53:33We're getting through the clouds like cotton wool.
00:53:35Oh, that's nice.
00:53:37Try to tell me more about the plane.
00:53:39Why was my mummy wake up?
00:53:44This has got to be one of the other two.
00:53:46Now, Howard.
00:53:49Howard's a lifelong drunk pallor of his skin,
00:53:50tumble to gin blossoms on his red nose,
00:53:52and terror notwithstanding a bad case of the DTs.
00:53:54There's no way he could have taken that shot
00:54:01from 300 meters away.
00:54:02Someone needs to serve Alex.
00:54:04Inditations on the temple suggest
00:54:05he habitually wears glasses.
00:54:07Frannlein suggests a lifetime appearing.
00:54:09He's short-sighted, or he was.
00:54:10His recent laser surgery's done the trick.
00:54:12Laser surgery?
00:54:13Look at his clothes.
00:54:13He's made an effort.
00:54:15It's very good.
00:54:17Excellent.
00:54:17Suddenly, he sees what's up
00:54:18at quite a different night.
00:54:19Now, these don't respect.
00:54:20Even has a spray tan.
00:54:22But he's clearly not used to
00:54:23his new personal grooming ritual.
00:54:24I could be told by the state of his fingernails
00:54:26and the fact that there's hair growing in his ears.
00:54:28So it was a superficial job then.
00:54:31But he got his eyes fixed.
00:54:32His hands were steady.
00:54:32He pulled the trigger.
00:54:33He killed Everett.
00:54:35Are you ready to condemn the prisoner?
00:54:37Sherlock, we can't do this.
00:54:39Plain, remember.
00:54:40Sherlock, are you ready?
00:54:45Alex.
00:54:47Say it.
00:54:48Condemn him.
00:54:50Condemn him in the knowledge
00:54:51of what will happen to the man you name.
00:54:54I condemn Alex, Karen, don't you?
00:54:59Yeah.
00:55:00Why the girl?
00:55:01Congratulations.
00:55:03You got the right one.
00:55:05Now, go through the door.
00:55:06You dropped the other two.
00:55:07Why?
00:55:08Interesting.
00:55:09Why?
00:55:10Does it really make a difference
00:55:12killing the innocent
00:55:13instead of the guilty?
00:55:15Let's see.
00:55:15The train has left the station.
00:55:19No.
00:55:20That felt pretty much the same.
00:55:23John,
00:55:24don't let it distract you.
00:55:25Distract me?
00:55:26Soldiers today.
00:55:27One more minute on the phone.
00:55:52Frightened?
00:55:53I'm really frightened.
00:55:54It's okay, don't worry.
00:55:55I don't have very long with you,
00:55:56so I just need you to tell me
00:55:57what you can see outside the plane.
00:56:00Just to see.
00:56:01I can see the sea.
00:56:02Are there ships on it?
00:56:03No ships.
00:56:04I can see lights in the distance.
00:56:06Is it a city?
00:56:07I think so.
00:56:08She's about to fly over a city
00:56:09in a pilotless plane.
00:56:11We'll have to talk her through it.
00:56:12Through what?
00:56:13Hello?
00:56:14Are you still there?
00:56:14Still here?
00:56:15Just give us a minute.
00:56:16Getting the plane away
00:56:17from any mainland,
00:56:18any populated areas,
00:56:19it has to crash in the sea.
00:56:21What about the girl?
00:56:22And obviously, Dr. Watson,
00:56:23she's the one who's going to crash in.
00:56:25No, we could help her land it.
00:56:27And if we fail,
00:56:27she crashes into a city.
00:56:29How many will die then?
00:56:30How are we going to get her to do that?
00:56:33I'm afraid we're going to have to give her hope.
00:56:35Is there really no one there
00:56:36that can help you?
00:56:37Have you really, really checked?
00:56:39Everyone's asleep.
00:56:40Will you help me?
00:56:42We're going to do everything that we can.
00:56:43I'm scared.
00:56:44I'm really scared.
00:56:46It's all right.
00:56:46Now, back to the matter in hand.
00:56:49Coffin.
00:56:50Problem.
00:56:51Someone is about to die.
00:56:53It will be, as I understand,
00:56:54it's a tragedy.
00:56:55So many days not lived.
00:56:57So many words unsaid,
00:56:59et cetera, et cetera, et cetera, et cetera.
00:57:02Yes, yes, yes.
00:57:03And this, I presume,
00:57:03will be their coffin.
00:57:04Whose coffin, Sherlock?
00:57:07Please, start your deductions.
00:57:10I will apply some context in a moment.
00:57:12Well, allowing for the entirely pointless courtesy of Headroom,
00:57:16I'd say this coffin is intended for someone of about five foot four.
00:57:18Makes it more likely to be a woman.
00:57:19Not a child.
00:57:20A child's coffin would be more expensive.
00:57:21This is in the lower price range,
00:57:22and we're still best available in that bracket.
00:57:25Is there a lonely night on Google?
00:57:26This is a practical and informed choice.
00:57:28Balance of probability suggests
00:57:29that this is for an unmarried woman
00:57:31distant from her close relatives.
00:57:32That much is suggested by the economy of choice.
00:57:34Acquainted with the process of death,
00:57:35but unsentimental about the necessity of disposal.
00:57:38Also, the lining of the coffin...
00:57:39Yes, very good, Sherlock.
00:57:40I could just look at the name on the lid.
00:57:46Only it isn't a name.
00:57:47So, it's for somebody who loves somebody.
00:57:50It's for somebody who loves Sherlock.
00:57:52And this is all about you.
00:57:53Everything here.
00:57:55So, who loves you?
00:57:57I'm assuming it's not a long list.
00:58:00Irene Adler.
00:58:01Don't be ridiculous.
00:58:01Look at the coffin.
00:58:05Unmarried.
00:58:05Practical about death.
00:58:07Alone.
00:58:09Molly.
00:58:10Molly Hooper.
00:58:12She's perfectly safe.
00:58:13For the moment,
00:58:14her flat is rigged to explode
00:58:16in approximately three minutes.
00:58:18Unless I hear the release code from her lips.
00:58:20I'm calling her on your phone, Sherlock.
00:58:23Make her say it.
00:58:24Say what?
00:58:25Obviously, Shirley.
00:58:26No.
00:58:26Yes.
00:58:27A one important restriction you're not allowed to mention
00:58:33in any way at all that her life is in danger.
00:58:35You may not at any point suggest that there is any form of crisis.
00:58:38If you do, I will end this session and her life.
00:58:41Are we clear?
00:58:42Ding, dong, ding, dong, ding, dong, ding, dong, ding, dong, ding, ding.
00:58:52What are you doing?
00:58:59She's making tea.
00:59:00Why isn't she answering her phone?
00:59:01You never answer your phone.
00:59:02It's me calling.
00:59:09Hi, this is Molly.
00:59:11At the dead center of town.
00:59:14Leave a message.
00:59:15Okay, okay.
00:59:18Just one more time.
00:59:23Come on, Molly.
00:59:24Pick up. Just bloody pick up.
00:59:30Hello, Sherlock.
00:59:38Is this urgent?
00:59:39Because I'm not having a good day.
00:59:41Molly, I just want you to do something very easy for me
00:59:43and not ask why.
00:59:45Oh, God. Is this one of your stupid games?
00:59:47No, it's not a game.
00:59:48I need you to help me.
00:59:51I'm not at the lab.
00:59:52It's not about that.
00:59:54Well, quickly then.
00:59:58Sherlock.
00:59:59What is it? What do you want?
01:00:02Molly, please, without asking why, just say these words.
01:00:06What words?
01:00:08I love you.
01:00:11Leave me alone.
01:00:12Molly, no, please, no, don't hang up.
01:00:13Do not hang up.
01:00:14Calmly, Sherlock, or I will finish her right now.
01:00:17Why are you doing this to me?
01:00:19Why are you making fun of me?
01:00:20Please, I swear, you just have to listen to me.
01:00:22Softer, Sherlock.
01:00:24Molly, this is for a case.
01:00:27It's a sort of experiment.
01:00:29You're not an experiment, Sherlock.
01:00:31No, I know you're not an experiment.
01:00:32You're my friend.
01:00:33We're friends.
01:00:34But please, just say those words for me.
01:00:37Please don't do this.
01:00:39Just, just don't do it.
01:00:42It's very important.
01:00:44I can't say why, but I promise you it is.
01:00:47I can't say that.
01:00:48I can't...
01:00:49I can't say that to you.
01:00:50Of course you can.
01:00:51Why can't you?
01:00:52You know why.
01:00:53No, I don't know why.
01:00:54No, I don't know why.
01:00:56Of course you do.
01:00:59Don't do, don't do, don't do, don't do, don't do, don't do.
01:01:03Please, just say it.
01:01:05I can't.
01:01:07Not to you.
01:01:09Why?
01:01:10Because...
01:01:11Because it's true.
01:01:13Because it's true.
01:01:16Sherlock.
01:01:17It's always been true.
01:01:19If it's true, just say it anyway.
01:01:26You bastard.
01:01:27Say it anyway.
01:01:29You say it.
01:01:30Go on.
01:01:31You say it first.
01:01:33What?
01:01:34Say it.
01:01:35Say it like you mean it.
01:01:39Final 30 seconds.
01:01:47I...
01:01:52I love you.
01:01:57I love you.
01:02:02Molly.
01:02:08Molly, please.
01:02:16I love you.
01:02:18I love you.
01:02:31Sherlock, however hard that was...
01:02:33Yours, I won.
01:02:34I won.
01:02:36Come on, play fair.
01:02:37The girl on the plane.
01:02:38I need to talk to her.
01:02:41I won.
01:02:42I saved Molly Hooper.
01:02:43Saved her.
01:02:46From what?
01:02:47I'll do be sensible.
01:02:48There were no explosives in a little house.
01:02:50Why would I be so clumsy?
01:02:52You didn't win.
01:02:53You lost.
01:02:54Look what you did to her.
01:02:56Look what you did to yourself.
01:02:57All those complicated little emotions.
01:02:59I lost, Karen.
01:03:00Emotional context, Sherlock.
01:03:02It destroys you every time.
01:03:04Now, please, pull yourselves together.
01:03:07I need you at peak efficiency.
01:03:08The next one isn't going to be so easy.
01:03:10In your own time.
01:03:29Sherlock.
01:03:31No.
01:03:32No.
01:03:33No!
01:03:34No!
01:03:35No!
01:03:36No!
01:03:37No!
01:03:38No!
01:03:39No!
01:04:06Look, I know this is difficult, and I know you're being tortured, but you've got to keep it together.
01:04:13This isn't torture, this is vivisection.
01:04:16We're experiencing science from the perspective of lab rats.
01:04:26Soldiers. Soldiers.
01:04:36Tick-tock tickets, ladies.
01:04:39Hey, sis, don't mean to complain, but this one's empty.
01:04:42What happened? Did you run out of ideas?
01:04:44It's not empty, Sherlock. You've still got the gun, haven't you?
01:04:47I told you you'd need it because only two can play the next game.
01:04:51Just two of you go on from here. Your choice.
01:04:54It's make your mind up time.
01:04:56Whose help do you need the most? John or Mycroft?
01:04:59It's an elimination round. You choose one and kill the other.
01:05:04You have to choose family or friend, Mycroft or John Watson.
01:05:11You're off enough!
01:05:12Not yet, I think. But nearly.
01:05:15Remember, there's a plane in the sky and it's not going to land.
01:05:22Well?
01:05:23Well what?
01:05:24We're not actually going to discuss this, are we?
01:05:27I'm sorry, Dr. Watson. You're a fine man in many respects.
01:05:31Make good goodbyes and shoot him.
01:05:34Shoot him, boy.
01:05:37Shoot Dr. Watson.
01:05:39There's no questioning who has to continue from here.
01:05:41It's us. You and me.
01:05:43Whatever lies ahead requires brain power, Sherlock.
01:05:46Not sentiment.
01:05:47Don't prolong his agony. Shoot him.
01:05:49Do I get a say in this?
01:05:50Today we are soldiers.
01:05:52Soldiers die for their country.
01:05:54I regret, Dr. Watson, that privilege is now yours.
01:05:59Shit. He's right.
01:06:03He is in fact right.
01:06:05Make it swift.
01:06:06Then you to prolong his agony.
01:06:08Get it over with, and we can get to work.
01:06:10I should have expected this. Pathetic.
01:06:11You always were the slow one. The idiot. That's why I've always despised you.
01:06:25You shame us all. You shame the family name.
01:06:28And for once in your life, do the right thing.
01:06:31Put this stupid little man out of all our misery.
01:06:35Shoot him.
01:06:36Stop it.
01:06:37Look at him. What is he?
01:06:38Nothing more than a distraction, a little scrap of ordinariness for you to impress, to dazzle with your cleverness.
01:06:44We'll find another.
01:06:45Please, for God's sake, just stop it.
01:06:48Why?
01:06:49Because, on balance, even your Lady Bracknell was more convincing.
01:06:53Ignore everything he just said. He's being kind. He's trying to make it easy for me to kill him.
01:07:00Which is why this is going to be so much harder.
01:07:05You said you liked my Lady Bracknell.
01:07:07Shallow. Don't.
01:07:09It's not your decision, Dr. Watson.
01:07:11Not in the face, sir. Please.
01:07:13I've promised my brain to the Royal Society.
01:07:16What would you suggest?
01:07:18Well, I suppose there is a heart somewhere inside me.
01:07:22I don't imagine it's much of a target, but...
01:07:25Why don't we try for that?
01:07:27I won't allow this.
01:07:29This is my fault.
01:07:32Moriarty.
01:07:33Moriarty?
01:07:35A Christmas treat.
01:07:37Five minutes' conversation with Jim Moriarty five years ago.
01:07:40What did they discuss?
01:07:41Five minutes' conversation.
01:07:47Unsupervised.
01:07:58Goodbye, brother of mine.
01:08:00Another mine.
01:08:04No flowers.
01:08:08By request.
01:08:12Jim Moriarty thought you'd make this choice.
01:08:15He was so excited.
01:08:16And here we are.
01:08:17The end of the line.
01:08:20Homes killing homes.
01:08:22This is where I get off.
01:08:24Five minutes.
01:08:25It took us just five minutes to do all of this to us.
01:08:39No, not on my watch.
01:08:40What are you doing?
01:08:41A moment ago, Brave Man asked to be remembered.
01:08:45I'm remembering the governor.
01:08:46Ten.
01:08:47No, no, Sherlock.
01:08:48Nine.
01:08:49Eight.
01:08:50You can't.
01:08:51Seven.
01:08:52You don't know about Redbeard yet.
01:08:53Six.
01:08:55Sherlock!
01:08:56Five.
01:08:57Four.
01:08:58Three.
01:09:00Two.
01:09:02Five.
01:09:03Five.
01:09:04Who's Sherlock?
01:09:05Nine.
01:09:06Eight.
01:09:07I can't.
01:09:08Seven.
01:09:09You don't know about Red Dead yet.
01:09:10Six.
01:09:11Sherlock!
01:09:12Five.
01:09:13Sherlock, stop it at once!
01:09:15Four.
01:09:17Three.
01:09:20Two.
01:09:35Oh!
01:09:38Hello?
01:09:43Hello, you still there?
01:09:45Yes, no, no, I'm still here, I'm here.
01:09:48You went away.
01:09:49You said you'd help me and you went away.
01:09:51Yes, I know.
01:09:52Well, I'm sorry about that.
01:09:53We must have got cut off.
01:09:58How long was I away?
01:10:00Hours.
01:10:01Hours and hours.
01:10:02Why don't grown-ups tell the truth?
01:10:04No, I am telling the truth.
01:10:06You can trust me.
01:10:07Where did you go?
01:10:09I'm not completely sure.
01:10:13Now, I tell you what, you've got to be really, really brave for me.
01:10:17Can you go to the front of the plane?
01:10:20Can you do that?
01:10:21The front?
01:10:22Yes, that's right.
01:10:23The front.
01:10:24You mean where the driver is?
01:10:25Yes, that's it.
01:10:26Okay.
01:10:28I'm going.
01:10:32Are you there yet?
01:10:33Yeah, I'm here.
01:10:35John.
01:10:36Yeah?
01:10:37Where are you?
01:10:38I don't know.
01:10:39I've just woken up.
01:10:40Where are you?
01:10:41I'm in another cell.
01:10:42I just spoke to the girl on the plane again.
01:10:43We've been out for hours.
01:10:44Is she still up there?
01:10:45Yes.
01:10:46The plane will keep flying until it runs out of fuel.
01:10:47Is Mycroft with you?
01:10:48I have no idea.
01:10:49I can hardly see anything.
01:10:50Mycroft?
01:10:51Mycroft.
01:10:53Are you okay?
01:10:54Yeah.
01:10:55All right.
01:10:56We'll just keep exploring.
01:10:57Tell me anything you can about where you are.
01:10:58The walls are rough.
01:11:00They're rock, I guess.
01:11:01What are you standing on?
01:11:02Uh...
01:11:03Stone?
01:11:04I think.
01:11:05But listen, there's about two feet of water.
01:11:09Chains.
01:11:11Yeah, my feet are chained up.
01:11:13I can feel something.
01:11:20Bones, Sherlock.
01:11:22There are bones in here.
01:11:23What kind of bones?
01:11:26Uh, I know.
01:11:27It's small...
01:11:34Redbeard.
01:11:35Who's Redbeard?
01:11:37Oh, hello.
01:11:38Are you at the front of the plane now?
01:11:39Yeah.
01:11:40I still can't wake the driver up.
01:11:42That's all right.
01:11:43What can you see now?
01:11:44I can see a river.
01:11:46There's...
01:11:47There's a big wheel.
01:11:48All right.
01:11:49Well, you and I are gonna have to drive this plane together.
01:11:51Just you and me.
01:11:53We are?
01:11:54Yeah, there's nothing to it.
01:11:55We just need to get in touch with some people on the ground.
01:11:58Now...
01:11:59Um...
01:12:00Can you see anything that looks like a radio?
01:12:03No.
01:12:04That's all right.
01:12:05But we...
01:12:06Keep looking.
01:12:07We've got plenty of time.
01:12:09What's wrong?
01:12:10The whole plane's shaking.
01:12:11It's just turbulence.
01:12:12There's nothing to worry about.
01:12:14My ears hurt.
01:12:15Does the river look like it's getting closer?
01:12:18A little bit.
01:12:19All right then.
01:12:20That means you're nearly home.
01:12:21Sherlock.
01:12:24I'm in a well.
01:12:27That's where I am.
01:12:28I'm in the bottom of a well.
01:12:31Why would there be a well in Sherriford?
01:12:34Why is there a draught?
01:12:40All spoke a tractor after you painted them.
01:12:44Not real ones.
01:12:45I'm home.
01:12:50I'm home.
01:12:51I was grateful.
01:12:52Me and Jim Moriarty, we got on like a house on fire.
01:12:55Which reminded me of home.
01:12:57Yeah, it's just an old building.
01:12:58I don't care.
01:12:59The plane.
01:13:00Tell me about the plane.
01:13:01Now!
01:13:02Sweet Jim, he was never very interested in being alive.
01:13:04Especially if it could make more trouble being dead.
01:13:06Yeah, still not interested.
01:13:07The plane!
01:13:08You knew he'd take his revenge.
01:13:10His revenge, apparently, is me.
01:13:13Yoros, let me speak to the little girl on the plane.
01:13:15They might play any game you like.
01:13:16First, find Redbeard.
01:13:19I'm letting the water in now.
01:13:21You don't want me to drown another one of your pets, do you?
01:13:24At long last, Sherlock Holmes, it's time to solve the Musgrave Ritual.
01:13:30Your very first case.
01:13:33And the final problem.
01:13:35Bye-bye.
01:13:36Sherlock!
01:13:37John!
01:13:38John!
01:13:39John!
01:13:40Can you hear me?
01:13:41John!
01:13:42Please!
01:13:43Help me!
01:13:44Help me, please!
01:13:45John!
01:13:46John!
01:13:47Yeah, it's flooding.
01:13:48The world is flooding.
01:13:49Try as well as possible not to drown.
01:13:50What?
01:13:51I'm going to find you!
01:13:52I am finding you!
01:13:53Hurry up, please!
01:13:54Because I don't have luck!
01:13:55He's leaning over the whole plane!
01:13:57You're sc Fabin!
01:13:58Henry.
01:13:59Feel like me!
01:14:00No, I'm looking at Robert.
01:14:01Ben...
01:14:02Mary!
01:14:03You said the answer's in a song, but I went through the song.
01:14:09The love.
01:14:10Joe!
01:14:12When I was being drunk, I said he'd be gone.
01:14:14Time to go.
01:14:15You really made me.
01:14:16You want to run.
01:14:17You?
01:14:18What?
01:14:19Oh no.
01:14:20I mean?
01:14:22John!
01:14:23You don't have luck!
01:14:24John!
01:14:25John,цииan, you're not praying.
01:14:26I went through the sock line by line all those years ago and I found nothing I couldn't find anything
01:14:31There was a beech tree in the grounds and I dug, I dug, I dug, I dug, I dug
01:14:3516 feet by six, 16 yards, 16 meters and I found nothing
01:14:40No one
01:14:42Sherlock
01:14:43It was a clever little puzzle
01:14:46Wasn't it?
01:14:47So why couldn't you work it out, Sherlock?
01:14:51Sherlock, there's something you need to know
01:14:54Emotional context
01:14:56And here it comes
01:14:59Sherlock, the bones I found
01:15:03Yes, the dog's bones, that's Redbeard
01:15:06Mycroft's been lying to you
01:15:08To both of us
01:15:09They're not dog's bones
01:15:11Remember that his allergy, what was he allergic to?
01:15:15Well would he never let you have all those times you begged
01:15:18Well he'd never let you have a dog
01:15:21Come on, let it!
01:15:23Come on, let it!
01:15:25You're a funny little memory, Sherlock
01:15:33You were upset, so you told yourself a better story
01:15:38But we never had a dog
01:15:44Victor
01:15:50Victor
01:15:50Now it's coming
01:15:51Victor Trevor
01:15:54We played Pirates
01:16:00I was Yellowbeard and he was
01:16:16He was Redbeard
01:16:19You were inseparable
01:16:21But I wanted to play too
01:16:23Oh god
01:16:33What?
01:16:37What did you do?
01:16:37I that am lost
01:16:39Oh who will find me deep down below the ocean
01:16:49Please let me out, please someone help me, please!
01:16:53Come on!
01:17:01Come on
01:17:02Come on, baby
01:17:10Come on
01:17:13Victor
01:17:16Deep water, Sherlock
01:17:17All your life
01:17:19In all your dreams
01:17:21Deep waters
01:17:23You killed him
01:17:26You killed my best friend
01:17:33I never had a best friend
01:17:36I had no one
01:17:51No one
01:18:01No one
01:18:05No one
01:18:09Okay
01:18:10Okay, let's play
01:18:21Hello, are you there?
01:18:27I need your help
01:18:27I'm trying to solve a puzzle
01:18:29But what about the plane?
01:18:30The puzzle will save the plane
01:18:32The wrong dates
01:18:34She used the wrong dates on the gravestones
01:18:36As the key to the cipher
01:18:37And the cipher was the song
01:18:38Is this extremely relevant?
01:18:41Yes, it is
01:18:42I'll be with you in a minute
01:18:51The lights are getting closer
01:18:53Us not working
01:18:54Let's number the words of the song
01:18:56Then rearrange the numbered words
01:18:59To match the secrets on the gravestones
01:19:01I am lost
01:19:10Help me, brother
01:19:12Save my life
01:19:15Before my doom
01:19:17I am lost
01:19:18Without your love
01:19:21Save my soul
01:19:22Seek my room
01:19:24Oh, God
01:19:28I'm going to crash
01:19:34I'm going to die
01:19:35I think it's time you told me your real name
01:19:43I'm not allowed to tell my name to strangers
01:19:45I'm not a stranger, am I?
01:19:51I'm your brother
01:19:53I'm here, Eurus
01:19:59You're playing with me, Sherlock
01:20:11We're playing the game
01:20:13The game, yes, I get it now
01:20:15The song was never a set of directions
01:20:17I'm in the plane
01:20:19I'm going to crash
01:20:20And you're going to crash
01:20:21And you're going to save me
01:20:22Look how brilliant you are
01:20:24Your mind has created the perfect metaphor
01:20:27You're high above us all, alone in the sky
01:20:30And you understand everything except how to land
01:20:32Now, I'm just an idiot
01:20:34I'm on the ground
01:20:36I can bring you home
01:20:38No
01:20:39No, no
01:20:40It's too late now
01:20:42No, it's not
01:20:43It's not too late
01:20:44Every time I close my eyes
01:20:47I'm on the plane
01:20:48I'm lost
01:20:50Lost in the sky
01:20:52And
01:20:52No one can hear me
01:20:57Open your eyes
01:21:00I'm here
01:21:03You're not lost anymore
01:21:08Now, you just
01:21:16You just went the wrong way last time, that's all
01:21:19This time, get it right
01:21:21Tell me how to save my friend
01:21:24Eurus
01:21:26Help me save John Watson
01:21:29I just spoke to your brother
01:21:45How is he?
01:21:46He's a bit shaken up, that's all
01:21:48She didn't hurt him
01:21:49She just locked him in her old cell
01:21:51What goes around comes around
01:21:52Yeah, give me a moment, boys
01:21:54Um, um
01:21:55Mycroft, make sure he's left after
01:21:57He's not as strong as he thinks he is
01:22:00Yeah, I'll take care of it
01:22:01Thanks, Greg
01:22:02The helicopter ready?
01:22:08Let's move her then
01:22:09Is that him, sir?
01:22:11Sherlock Holmes
01:22:11Fan, aren't you?
01:22:13Well, he's a great man, sir
01:22:14No, he's better than that
01:22:16He's a good one
01:22:19You okay?
01:22:24I said I'd bring her home
01:22:25I can't, can I?
01:22:29Well, you gave her what she was looking for
01:22:31Context
01:22:32Is that good?
01:22:35It's not good, it's not bad
01:22:36It's
01:22:37It is what it is
01:22:40A lie for all these years?
01:22:46How is that even possible?
01:22:48What Uncle Rudy began
01:22:49I thought it best to continue
01:22:52I'm not asking how you did it, idiot boy
01:22:56I'm asking how could you?
01:22:58I was trying to be kind
01:22:59Kind?
01:23:01Kind?
01:23:03You told us that our daughter was dead
01:23:07Better that
01:23:08Than telling you what she had become
01:23:10I'm sorry
01:23:11Whatever she became
01:23:13Whatever she is now, my Croft
01:23:16She remains our daughter
01:23:18And my sister
01:23:20Then you should have done better
01:23:22He did his best
01:23:23Then he's very limited
01:23:26Where is she?
01:23:29Back in Sherinford
01:23:31Secure this time
01:23:32People have died
01:23:34Without doubt she will kill again
01:23:37If she has the opportunity
01:23:38There's no possibility
01:23:40She'll ever be able to leave
01:23:41When can we see her?
01:23:45There's no point
01:23:46How dare you say that?
01:23:50She won't talk
01:23:51She won't communicate with anyone in any way
01:23:54She has passed beyond our view
01:23:57There are no words that can reach her now
01:24:00Sherlock
01:24:02Well
01:24:06You were always the grown-up
01:24:09What do we do now?
01:24:11What do we do now?
01:24:41Listen to each secret
01:24:41Something about finding her
01:24:46Uh-huh
01:24:47She's also in the hand
01:24:53You have no idea
01:24:54There is no information
01:24:55That it is
01:24:56You have no idea
01:24:57To
01:25:02Belongs
01:25:03So
01:25:04That it is
01:25:04You have no idea
01:25:07She's no idea
01:25:41Uh, yeah, I think you'd better get round here.
01:26:11P.S.
01:26:25I know you two.
01:26:27And if I'm gone, I know what you could become.
01:26:31Because I know who you really are.
01:26:33A junkie who solves crimes to get high.
01:26:37And the doctor who never came home from the war.
01:26:46Will you listen to me who you really are?
01:26:49It doesn't matter.
01:26:50It's all about the legend.
01:26:53The stories.
01:26:55The adventures.
01:26:56There is a last refuge for the desperate, the unloved, the persecuted.
01:27:12There is a final court of appeal for everyone.
01:27:15When life gets too strange, too impossible,
01:27:43too frightening, there is always one last hope.
01:27:49When all else fails, there are two men sitting, arguing in a scruffy flat.
01:27:55Like they've always been there, and they always will.
01:27:59The best and wisest men I have ever known.
01:28:07My Baker Street boys.
01:28:11Sherlock Holmes.
01:28:13And Dr. Watson.
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