- 11 hours ago
مسلسل Luke Cage مترجم - Episode 1
Category
📺
TVTranscript
00:28Transcribed by ESO, translated by —
00:58Transcribed by —
01:29Transcribed by —
01:30They lose 65 games only to end up with the fourth pick in the draft.
01:35Did they tank that shit on purpose?
01:37Need the words, Pop.
01:38Right there on the wall.
01:40Mother's got a point, Henry.
01:41Much as I hate to admit that.
01:42That's right.
01:43Hey, y'all.
01:44You're right.
01:45You're right.
01:45I shouldn't have cursed.
01:48My bad, Lonnie.
01:49It's okay, Pop.
01:51What's their record this year anyway, like?
01:5317 to 65.
01:55You know that Russian kid they drafted?
01:57He better be good.
01:59He's Latvian.
02:00What they need to do is fire Phil Jackson.
02:02Wait a minute.
02:02Phil Jackson ain't out there playing no more.
02:04Phil Jackson overrated, B.
02:06Anybody can win with Jordan and Kobe.
02:09Phil ain't no Pat Riley.
02:11Oh, Riley again.
02:14Here we go.
02:15I mean Pacino.
02:16Now I get why that white boy makes your free haircut in this.
02:19The Godfather and Scarface guaranteed that man an eternal ghetto past.
02:24Carlito's way too?
02:25Mm-hmm.
02:26But Pat Riley?
02:27Yeah.
02:27Why does Pat Riley get so much love in the shop?
02:29Right.
02:30Even punk-ass Derek Fisher got more rings than Pat Riley.
02:33Uh-uh.
02:34Yeah, yeah, yeah.
02:36Because the Knicks played like men when Pat Riley was head coach.
02:39Oakley and Ewing went hard in the paint.
02:41Plus Anthony Mason and John Starks.
02:43Drive the lane?
02:45You might go home in a body bag.
02:46All right, now I heard that.
02:48Later with all that Instagram and let's all max contract out in the same team together,
02:52bullcrap passing his competition nowadays.
02:55Yeah.
02:56Didn't Pat Riley sign those Instagram dudes down in Miami when he became the GM?
03:02Maybe.
03:03But King James is the truth.
03:06The Bronc and Ball.
03:07Uh, yeah.
03:08A pay-up, Luke.
03:09You said bullcrap.
03:11Bullcrap ain't a curse, man.
03:12I don't curse.
03:13I don't curse.
03:15You don't cut hair either, Negro.
03:17Bro, like, Billy, what do you do up in here, bruh?
03:20I sweep hair, Shamit.
03:23I also mop.
03:24I wash the towels.
03:25And I make sure that plate glass window stays spotless.
03:28It's called work.
03:30Something you would never understand.
03:35Slam Magazine.
03:38Coaches used to live up in this piece, son.
03:41Kevin Ali got his shape up right there from Pops.
03:44Patino, too.
03:47Stylin' and profilin'.
03:49That's my work.
03:50You know what I'm sayin'?
03:51Yeah.
03:52Yeah.
03:53For real?
03:55Doc Rivers, uh, call you at your meet?
03:57Whoa, all right.
03:58Play nice.
03:59Can't even afford a haircut.
04:01You know what?
04:02I was sick and tired of...
04:03What?
04:06Hmm?
04:07You sick and tired of what?
04:12I was sick and tired of the Knicks losing all the time, man!
04:20You got some head, too, right there.
04:22Not finished.
04:23Catch you all.
04:27Hey, counselor.
04:28Oh, don't jinx me, Pop.
04:30I haven't even passed the bar yet.
04:33Oh, you will.
04:35Lonnie, you got a cool line tonight.
04:37Let's go.
04:38Come on, boy.
04:38You heard your mama.
04:40Let's get moving.
04:41Don't make me repeat myself.
04:49Hey, Lou.
04:51What time do you get off?
04:55I got another job I go to right after I leave this one.
04:59Black man working.
05:00Ain't nothing wrong with that.
05:03But we should at least try to get some coffee sometime.
05:18Maybe you'll need a lawyer one day.
05:22Hopefully, you'll have some cards by then.
05:28Hey.
05:29You sure didn't tell Bessie I said hey?
05:31I will.
05:32Mm-hmm.
05:41It's a woman that fine with a briefcase.
05:44I'm gonna throw it at a brother with a broom.
05:46That's what you don't get, young'un.
05:48Either you have it or you don't.
05:51Oh, I know I got it.
05:53Shit.
05:54See the words?
05:55Oh, see the words?
05:56Right there on the wall.
05:58Hmm?
06:00Pay up.
06:01Come on, Pop.
06:20Huh.
06:20There you go again.
06:23I shook everything else after I got out.
06:26Cigarettes, paranoia.
06:29But the pacing?
06:31I'd do it, too.
06:35Reva again?
06:37Reva always.
06:43It's been long enough.
06:46Give Patty a call.
06:47She's a good woman.
06:50I don't drink coffee much.
06:53I don't think she does, either.
06:55Like she said, ain't nothing wrong with that.
06:59When I'm ready, I'm ready.
07:02You'll want a cup of something hot and dark sooner or later, Mr. Bulletproof.
07:09You go with the nicknames, Pop.
07:11You said your rebound chick took a shotgun at point-blank range, pointed it under your chin, and pulled the
07:19trigger.
07:20Still get the occasional headache.
07:22Not a problem for you, Power Man.
07:34I love it when you do stuff like that.
07:37You should be out there helping people, that's all.
07:40Like them other fellas downtown.
07:42Reva used to say the same thing.
07:44Yeah, well, she was right.
07:46You don't ever think about all the people you could help.
07:48You should be more ambitious.
07:52What if my ambition is to sweep hair, wash dishes, and be left to hell alone?
08:00Well, that would be a waste.
08:02You think I asked for any of this?
08:05I was framed, beaten, and put in some tank like an exotic fish.
08:13Came out with abilities.
08:17Saved your life.
08:19More like ruined it.
08:23Reva's dead.
08:25I'm a fugitive.
08:28So, take my advice, brother.
08:32Past is the past.
08:35The only direction in life that matters is forward, never backwards.
08:41I'm just living my life.
08:44Day to day.
08:54Watch where you're going, man.
09:07What's the gun for, Chico?
09:11Is your name Alfredo Diaz?
09:14Because he walked out on me on Mars and I was not.
09:16I needed daddy then, and I don't need one now.
09:28Just get us money.
09:39Hey, Pop, I gotta go.
09:41I'm running late.
09:41Hey.
09:42Look, if I wasn't paying you in cash, I could be paying you more.
09:46You wouldn't have to be working two jobs.
09:49I gotta do what I gotta do.
09:52Always forward.
09:54Forward.
09:55Always.
09:59Always.
10:17Hey, yo, my man, my man.
10:18All HD.
10:19Got it right here on Blu-ray, too, because I'm nice like that.
10:22Tony Stark.
10:23The big blonde dude with the hammer.
10:25The old dude with the shield.
10:27The green monster.
10:27And I don't mean Fenway.
10:29You can't get better off footage of the incident anywhere else than right here.
10:41Hey, Luke.
10:44Every time.
10:45It's the bleach.
10:46I can smell it from around the corner.
10:49Papa's got you washing towels again, huh?
10:53Yeah, I took a New Yorker off the top for you.
10:57Can't tell you what's on the cover, though.
10:59Hey, I hope you got Connie's rent money.
11:03She's on the warpath.
11:05Thanks, Ollie.
11:22Ten days late, Mr. Cage.
11:24I need my rent money.
11:36Here.
11:37I count 300.
11:39Not enough.
11:41Let me go to work and get the rest.
11:43Tonight.
12:26How could you ever walk away?
12:33After all I've done for you, I feel like there's a knife in my back, yeah.
12:45You might as well pull it all my way through.
12:50Good man.
12:51I'm a good man.
12:52I'm on the table.
12:54Wouldn't you drive me?
12:56Good man.
12:56Good man.
12:57I'm a happy one.
13:00Got no chance in my car alone.
13:03Good man.
13:05I'm a nice one.
13:06Never tear down.
13:08Baby, just a good man.
13:11And I'm waiting for you.
13:13I wanna be a good one.
13:21We need a favor.
13:22Short one bartender, Dante Singh.
13:24You got the cash you promised me?
13:26End of the week.
13:27Come on, Nate.
13:28And keep all your tips out there, okay?
13:30When was the last time you made drinks?
13:32I know the drill.
13:33Okay, okay.
13:34Clean up.
13:35The shirt and jacket on was the stokes of standards.
13:37You can't tell about what he pays.
13:39Excuse me?
13:48Come on.
13:48Take care about what he pays.
13:51Through to the last time you're a great party.
13:54From the
13:56faithful incident.
13:59He's as good live as you said he was.
14:02Even better.
14:05So you're not impressed by all this?
14:08I've always been proud of you.
14:10This place was a roach trap by the time Mama Mabel died.
14:14Now look at it.
14:16Harlem's paradise.
14:18May as well be the new cotton club.
14:20And I shouldn't be up in here tonight.
14:25Well, Madam Councilwoman,
14:28Cologne's gym is ready to make a sizable donation to my pocket
14:32and your real estate project.
14:34Sometimes you need a face-to-face.
14:37Cologne's gym.
14:39Is that what that two-bit drug dealer's putting on his tax returns?
14:44Why do you even waste time with them?
14:48Politics is where the power is, Cornell.
14:51Forget about all this other noise.
14:54My noise keeps you flush.
14:56All that keep Harlem black rackabooly act might get you reelected.
15:01Damn, Skippy.
15:02But when the smoke clears,
15:04it's niggas like me that let you hold on to what you got.
15:07You know I despise that word.
15:09I know.
15:11It's easy to underestimate a nigga.
15:14They never see you coming.
15:25What's that?
15:27It's the Cosmo.
15:31Your jacket's a little small.
15:36So is your dress.
15:40Touche.
15:46For now, my man.
15:49Champagne.
15:51Councilwoman.
15:52What are you two celebrating?
15:54Success.
15:55Partnership that should have happened a long time ago had.
15:58My uncle and your brother had it that way.
16:01Uncle Pete was good people.
16:04Salvador really liked Pete.
16:06Anytime.
16:16Looking for something?
16:17No.
16:20Sadiq's still got it.
16:22Stone Rolling was a dope album.
16:24Album?
16:26Now I know you're an old head.
16:28You ain't no spring chicken neither, sucker.
16:32Touche.
16:40All right.
16:40So let me get this straight.
16:42I'll give your cousin a contribution
16:43and it's like a get out of jail free card for me, right?
16:47That's something to celebrate.
16:48No.
16:49I don't do that.
16:53See me,
16:54I celebrate when things are finished.
16:56Not when it's just starting.
16:58Listen to him.
17:00This is nothing to celebrate.
17:03I saw it having to fisk.
17:05You two shouldn't even be seen together.
17:07Let alone having me all up in the Kool-Aid.
17:10But you're here anyway.
17:12Something must be right about it.
17:14Otherwise,
17:15you wouldn't have fronted me if you didn't agree.
17:17I have no illusions about our family's legacy.
17:20But you are now turning legitimate money illegal all over again.
17:27What's illegal about it?
17:29Our product is protected by the Constitution.
17:33But you came to me because you trust me, Domingo.
17:45In your business,
17:46people need my product like a fish needs water.
17:48He can buy his water anyway.
17:50Yeah.
17:52What I sell is pure.
17:54This is the kind of shit
17:55that could blow a hole in a battleship.
17:57But it's light enough to hold it in your hand.
18:00Trust me, Domingo.
18:02You can brighten someone's day permanently with this shit.
18:05Top of the line.
18:07La creme de la creme.
18:09This that grade A,
18:10military, Justin Hammer level shit.
18:13A hundred large per case.
18:15Ten cases of Kool-Mill.
18:17Wholesale.
18:18Brand spanking new.
18:19No serial numbers.
18:21Because my connect is nice like that.
18:24Who's your connect?
18:25He's real.
18:26And his inventory runs deep.
18:28That's it.
18:29That's it.
18:31Easy peasy.
18:32Nothing's ever that easy.
18:34So what happens after they call to confirm?
18:36Everyone walks away happy.
18:40UPS ain't the only brown that delivers.
18:43The day that you went away, my angel was there.
18:50She came and washed my eyes and things be clear.
18:57My love, my love, I need you.
19:00No one compares.
19:03You make my dreams come true and I must confess.
19:12Angel.
19:25You make my dreams come true and I must confess.
19:35Angel.
19:38Angel.
19:39Angel.
19:39How did you know?
19:42How did you know?
19:42I needed you so.
19:45I needed you so.
19:46I needed you.
19:48I needed you so.
20:13What do you think you're supposed to tell nobody?
20:17How did you know?
20:18I had to make a move, Dante. Shit went left. My bad.
20:21Oh, my God. Oh, my God.
20:24Shut up, Chico, before I gag you with your panties.
20:27Yo, y'all see this money, D?
20:29This shit is like some Hollywood shit for real.
20:32Shameek, what am I gonna do? They're gonna know it was me.
20:34D, it's like a million dollars right here.
20:36I'm not always looking down at me at the bar.
20:38He's gonna know I'm going.
20:39They're gonna know it was an inside job.
20:42You right.
20:45What'd you do?
20:46Yo, shit works.
20:48Yo, this shit works, Chico.
20:50Dante with a snitch.
20:52See how shook he was?
20:55Come on, man.
20:56Ain't no way I'm splitting that shit three ways, no how, man.
20:59Dante will screw me. That's Dante.
21:02Yo, I made a decision. I'm gonna be rich.
21:07Let's go.
21:16Let's go. Come on.
21:19Find that million dollar smile.
21:21I know who you are.
21:24Inside a suit inside that house.
21:28I know who you are.
21:40So you're a bench warmer? Or did you miss the cut?
21:43Excuse me?
21:45I just figured you were one of his.
21:48One of Cottonmouths.
21:51I hear he hates that name.
21:53Mr. Stokes is...
21:54Cottonmouths.
21:57Models.
21:59What makes you assume that?
22:01You're beautiful.
22:04But...
22:04But what?
22:07You're a little older.
22:09Than he usually likes to know.
22:13Yeah, you're definitely not getting a tip tonight.
22:17But I'm not finished.
22:21Dumb men like little girls.
22:23Me?
22:25I ponder a woman.
22:30Why don't you...
22:35A hundred million in the cosmos.
22:42Luke.
22:44Hey, Guinness.
22:46You got promoted?
22:48Dante's out sick.
22:51You okay?
22:53Table Seven wants six bottles of Ace of Spades.
22:56I need you to help me carry them up.
23:03I don't like being up there by myself.
23:07I'm right behind you.
23:08Give me a second.
23:23I don't like being up there by myself.
23:28I'll be back in awhile.
23:502nd of 10.
23:538-30.
23:56never seen you behind the bar was Dante called in sick I guess you want a job I
24:09can find something more suitable for a man your size better pay you too you
24:16ever carried a gun no I'm good thanks
24:46yeah
25:21I'm gonna walk over Adam Clayton Powell if you want to catch the bus
25:30Uber that's what you're gonna press right what are you a cop no you just look cold
25:45if you're looking for Mr. Stokes you just left who black escalade tinted windows
25:59don't you have somewhere you need to be
26:06yeah oh just got off
26:11congratulations
26:19you want to go grab a coffee
26:30I don't like coffee
26:32neither do I
27:01no I'm not good at all I'm not good at all I'm not good at all I'm good at all
27:08I'm good at all I'm good at all I'm good at all I'm good at all I'm good at all
27:17I'm good at all I'm good at all I'm good at all I'm good at all I'm good at all
27:17I'm good at all I'm good at all I'm good at all I'm good at all I'm good at all
27:17I'm good at all I'm good at all I'm good at all I'm good at all I'm good at all
27:19I'm good at all I'm good at all I'm good at all I'm good at all I'm good at all
27:21I'm good at all I'm good at all I'm good at all I'm good at all I'm good at all
27:22I'm good at all I'm good at all I'm good at all I'm good at all I'm good at all
27:22I'm good at all I'm good at all I'm good at all I'm good at all I'm good at
27:31I don't know.
28:07I'm on my way in.
28:16You talk in your sleep.
28:19What was I saying?
28:22Shades? Comanche?
28:31The job is calling me.
28:33Can I call you later?
28:36You need my phone number for that.
28:44I know where you work.
28:47I'll find you.
28:49What is it you do again?
28:59I'm an auditor.
29:03What's that?
29:07Basically, I look at the financial books,
29:10make sure everything's on the up and up.
29:13Then you need a short dress for that.
29:20Sometimes you gotta blend in.
29:23It's impossible.
29:25You stand out in any room you're in.
29:45You have to find me full,
29:46You're in a house,
29:46because, at this point,
29:47Yes, I think you're an author.
29:47You're going to ask you,
29:48I can't wait.
29:48A couple of weeks ago.
29:50I wanted to ask you to go to the next day.
29:52You're really good.
29:55I don't want to go.
29:55I don't want to go.
30:07I don't know.
30:30I don't know.
30:58Who do you think this guy was trying to call?
31:01Ghostbusters.
31:03He can laugh.
31:03You can't.
31:05Hey, Bailey.
31:07How you doing?
31:08It's another beautiful day at the office.
31:10Not to love.
31:11Don't you start singing show tunes on me.
31:16Oh, shit.
31:19Dante Chapman.
31:21No.
31:23I know his mama.
31:29Of course, it wasn't an inside job.
31:32We had people die, too.
31:36Look, I don't have the stuff.
31:40We need to talk about this in person.
31:43My word is still my bond.
31:46Hello?
31:51That's Domingo.
31:55What's up?
31:59It's above your pay grade.
32:01What?
32:03Tell your man what's going on, Cornell.
32:09Nice days.
32:11You've been nicer than Mama Mabel ran it.
32:14Shades.
32:17When did you come home?
32:19Oh, a while ago.
32:22Seagate wasn't shit.
32:28So, what can I do for you?
32:31It's the other way around.
32:34Y'all got hit last night.
32:36That expensive, exclusive, hard-to-get hardware
32:40that Diamondback gave you
32:41is in a police evidence lockup.
32:44And the money
32:46that Domingo and his crew
32:47were supposed to give you
32:49is gone.
32:51I'm with Diamondback now.
32:53You knew that, right?
32:55Well, tell Diamondback
32:56it's about time to end.
32:58Diamondback tells you.
33:03I'm a number one seller.
33:05I ain't here to spank you.
33:08But I do need to look you
33:10in your eyes.
33:14Was it an inside job?
33:17No.
33:18Hell no.
33:20I needed that money, too.
33:24It took forever
33:25to build up that kind of trust.
33:27We need to get you back on your feet
33:28whenever you need.
33:29Who is we,
33:31you fake-ass Ray Charles?
33:39I got your back, B.
33:41Just like back in the day.
33:44Forget about back in the day.
33:47Why is this feeling like a takeover?
33:49It's not.
33:51If it was,
33:53you would never even see Diamondback coming.
33:56He wants you to win.
33:59How can I help?
34:24How can I help?
34:26And Shamik, too.
34:28Just like those kids playing over there.
34:32That's how you get them on your side.
34:35Sweeping a pair.
34:36Running errands.
34:38Letting them hang out,
34:41play video games.
34:43Anything that's better than what's waiting
34:45for them out there on the street.
34:49They want a way out,
34:52but they have too much pride
34:55to ask for help.
34:57So you got a Jedi mind
34:59trick them into something.
35:01Everyone has a gun.
35:03No one has a father.
35:05Ain't that the truth?
35:07You sure they did it?
35:09People started calling me
35:10half an hour after it happened.
35:13Shamik has always been
35:15a spark plug.
35:18Chico,
35:19a follower.
35:21I just can't believe that
35:23either one of them
35:25would just
35:26turn around
35:29and kill
35:32Dante.
35:35You didn't see anything
35:37going on with either one of them,
35:38did you?
35:43No.
35:50You live and die
35:51by your choices.
35:53This is Harlem's garden.
35:55That's what's happening here.
35:56You are the ones
35:57that are going to keep
35:58this community thriving.
36:01where have,
36:02oh, God.
36:03This is Marisol's baby.
36:04Oh, my God.
36:05I've known her
36:06since she was first born.
36:07And here you are up
36:09turning Harlem around.
36:10I'm so proud of you.
36:12I saw you running
36:14for the bus this morning.
36:16All right, darling.
36:21I'm happy you made it, darling.
36:22Uh-uh.
36:23Uh-uh.
36:24Caught him off at three.
36:25I know his young brother
36:26here eat five hamburgers.
36:27I've seen you do it.
36:34Now, Harlem is a community
36:36that welcomes everyone,
36:39all people.
36:40But at the same time,
36:42since the days
36:43of Langston Hughes,
36:44Malcolm X,
36:46Zora Neale Hurston,
36:48Duke Ellington,
36:49Harlem has been the jewel
36:51of Black America.
36:52It's a perpetual symbol
36:54of hope and prosperity
36:56and excellence.
36:58For Black lives to matter,
37:00Black history
37:01and Black ownership
37:02must also matter.
37:04Now, my multifaceted plan
37:06for the Christmas Attucks complex
37:08is just yet another way
37:10to bring hope
37:10to a new generation,
37:12to incubate the kind
37:13of innovation
37:14and creativity
37:15and progress
37:16that Harlem's famous for.
37:19Thank you again
37:20for your time,
37:21Madam Councilwoman.
37:22Oh, Megan,
37:23you're always welcome
37:24in Harlem.
37:24All right.
37:25All right, darling.
37:28Y'all need to follow
37:29the hell back.
37:31Zip, give us some space.
37:33I don't like the thugs.
37:35You need them for security.
37:36They scare people.
37:38They pass out flyers,
37:39get contributions,
37:40tributes.
37:41Just like in Jamaica,
37:42you know?
37:43Yeah, well,
37:44we ain't Jamaican, Cornell.
37:47You shouldn't be here.
37:49We don't need
37:49to be photographed together.
37:51Why?
37:53You ashamed of me?
37:57That hurts, Mariah.
37:59Tony,
38:00will you give us a moment?
38:09I need the money
38:10you promised me ASAP.
38:12Now you want the money.
38:14I used federal grant
38:16and tax-indefable donation money
38:18to complete construction
38:19on your club
38:20and to facilitate
38:21that meticulous deal.
38:22It just fell apart.
38:25I don't get the money.
38:26I'm facing an audit.
38:28We all go to jail.
38:30It'll be there.
38:34What happened
38:34at the junkyard last night?
38:37And who's the dude
38:38in the sunglasses behind you?
38:41Does he have the money, too?
38:43How do you want
38:44the details caused
38:45and you don't?
38:51That's what I thought.
38:56What's the word?
38:58Confirmation
38:58of what Dante told us
38:59while he was dying.
39:01His friend's the one
39:02that play on your
39:02summer league team
39:03at the Rucker
39:03who jacked you shit.
39:06Shameik and Chico.
39:08Any bites yet?
39:12No.
39:15Double down.
39:1820 large to find those fools.
39:21Come on.
39:47Tell me, passion is twerking for him right now.
39:50He ain't going nowhere soon
39:51not with all that ass
39:52in his face.
39:55You want me to keep him here?
39:56You need to pay me.
40:05Hey, yo.
40:06My man.
40:08You know what time it is?
40:15Stay black.
40:26Stay black.
40:28Stay black.
41:29Hey, man.
41:30Watch your hands.
41:31You need to pay me.
41:32I'm paying you under the table, which means I'll pay you whenever I goddamn feel like it.
41:41What you worried about?
41:43You're not worried.
41:45I just never met Cottonmouth before.
41:46Mr. Stokes.
41:48Wow.
41:49Mr. Stokes.
41:50That's important.
41:51Never Cottonmouth.
41:54Okay, my bad.
41:55That's what happened with Dante when he was circling the wagons.
41:58They after us, B.
42:01Who?
42:03Nigga, it don't matter who.
42:06Mr. Stokes wanted me to check him personally.
42:19Yo, what you doing?
42:21Come on.
42:33What's up?
42:34No way.
42:36That's it.
42:50Thanks.
42:51Oh, jeez.
43:07You like my Biggie photo?
43:11Me too.
43:15You know what draws your eye when you look at that?
43:19The Crown.
43:22Want to know why?
43:32Because everybody wants to be the king.
43:45They slapped you like a little bitch.
43:50I'm not the kind of man to use a close fist on a woman.
43:56Where's my money?
43:59I... I didn't...
44:01Uh-uh.
44:04Only thing worse than a thief is a damn liar.
44:07Where?
44:15Hmm?
44:17You left Dante alive.
44:20He called home.
44:22And with his dying words, gave up you and your homeboy.
44:26We got your money.
44:29Now you gonna tell us where Chico is, so we can get the rest.
44:40Yeah.
44:40Yeah.
44:47Now I can hit you like a man.
44:48I can't look.
44:52I can't look.
44:53Ah!
44:59Ah!
45:00Ah!
45:02Ah!
45:03Ah!
45:07Ah!
45:08Ah!
45:11Ah!
45:13Ah!
45:37Get his ass out of here.
45:41Go fetch my money.
45:59He didn't recognize you.
46:30Loneliness never goes away.
46:31Especially in places like Seagate.
46:34If you don't make attempts to befriend someone, loneliness is guaranteed to eat you alive.
46:49I don't know.
46:56I don't know.
47:14I'm clear.
47:18I'm focused.
47:21I promise, baby.
47:24I'm ready.
47:25I'm ready.
47:55I'm ready.
47:58You know, Benjamin Franklin said the only way that three people can keep a secret is if
48:03two of them are dead.
48:05First Dante, now Shamik.
48:07Chico's the last man standing.
48:09Benjamin Franklin.
48:10Didn't he electrocute himself flying a kite in a rainstorm?
48:13Wouldn't base any theories on that fool.
48:15Benjamin Franklin is on the hundred dollar bill, sir.
48:18So?
48:19He wasn't a president.
48:21That's even more impressive.
48:23Come on, get a man some credit.
48:27So you think Chico did this to Shamik?
48:30Chico is what?
48:32A buck fifty soaking wet?
48:34But we won't know for sure until we find him.
48:37You said Dante wasn't bartending the night you were at the club.
48:41No.
48:42Well, did you talk to the guy to replace him that night?
48:45I barely talked to the guy.
48:47I mean, all I did was order drinks.
48:49Well, maybe there's some pattern.
48:51Some are missing.
48:52We need to go talk to that guy.
48:54That sounds like a complete waste of time.
48:58That's entirely possible, but it's worth a shot.
49:01Alright.
49:39You've been in this country for how long?
49:42And you still can't speak English.
49:46My English is just fine.
49:49Show Mariah Dillis some love.
49:51Contribute and we'll go away.
49:54It's a family thing.
49:55I own this restaurant.
49:58My father owned this building.
49:59Tell Mariah Dillis I am not contributing to her complex.
50:04We voted for her and gave her money before.
50:07And I respect Mr. Stokes.
50:10But no.
50:12No more.
50:13I can't.
50:16Give us the money.
50:20Yo.
50:21I don't like your tone.
50:23Excuse me?
50:25You're being disrespectful.
50:26It's unnecessary.
50:30You need to step off Mayweather?
50:33I mean, what you think you're gonna do, man?
50:37I think, he think, he gonna bring it.
50:40I can.
50:42Not the way I want to.
50:44I'd kill you.
50:45Ooh.
50:48I like this cat.
50:51Yo, Weamus.
50:52What up?
50:54Show the man what you're famous for.
50:59So we can finally kill.
51:08I need this cunt of a fuckinguno of months.
51:10Number one is Cvideo...
51:11No, you're saying to me, as soon as you beard came out.
51:13сама-
51:16No, no, you're saying to me.
51:17Why not?
51:17No!
51:18You're saying to me.
51:19Let me be, as soon as we
51:20Oh, man, for the ticket.
51:32You want some?
51:34I don't even like these niggas, man.
51:47I'm sorry about your window.
51:53Here.
51:55For what?
51:56For you.
51:57Ma'am, I'm the one who owes you money.
52:01You made things worse.
52:03They'll come back again.
52:07We want to hire you.
52:16I'm not for hire.
52:19But you have my word, ma'am.
52:23I've got you.
52:24I'm not for hire.
52:26I have to hire you.
52:28I'm not for hire.
Comments