- 1 day ago
First broadcast 17th April 1976.
An opera singer finds out her late husband isn't actually dead when he shows up at her apartment.
Susan Flannery - Anna Cartell
Keith Baxter - Tony Risanti
Sydney Tafler - Sam Meadows
Ronald Leigh-Hunt - Giles Turner
Stuart Damon - Hal Bridie
Gita Denise - Marie
Stephen Greif - Tramp - Enrico
Peter Hill - Purvell
Anthony Dawes - Doctor
Edwin Brown - Theatre Manager
Michael Dickinson - First Reporter
Mike Kinsey - Second Reporter
Charles Cork - Stage Hand
Teresa Cahill - Anna Cartell (singing voice)
Richard Lewis - Tony Risanti (singing voice)
An opera singer finds out her late husband isn't actually dead when he shows up at her apartment.
Susan Flannery - Anna Cartell
Keith Baxter - Tony Risanti
Sydney Tafler - Sam Meadows
Ronald Leigh-Hunt - Giles Turner
Stuart Damon - Hal Bridie
Gita Denise - Marie
Stephen Greif - Tramp - Enrico
Peter Hill - Purvell
Anthony Dawes - Doctor
Edwin Brown - Theatre Manager
Michael Dickinson - First Reporter
Mike Kinsey - Second Reporter
Charles Cork - Stage Hand
Teresa Cahill - Anna Cartell (singing voice)
Richard Lewis - Tony Risanti (singing voice)
Category
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TVTranscript
00:00:28The Lone Ranger
00:01:31Signore, signore, mi permette, eh?
00:01:37Here, help yourself.
00:01:39Prende quella che vuole.
00:01:41Grazie, signore.
00:01:45Here.
00:01:46Here, Tony Rizzanti once had a bright future.
00:02:02Now, but if you want to hear a real voice...
00:02:15Signore, mi permette?
00:02:17Sì, prendo una, ma rimanga zitto.
00:02:20Oh, grazie.
00:02:20Grazie.
00:02:37Grazie.
00:02:38Bellissima.
00:02:40Bellissima.
00:02:44She's more than beautiful.
00:02:47She's an angel.
00:02:50Angel.
00:02:51An angel.
00:02:53If she could fly, she'd be a chick.
00:02:59A nightingale.
00:03:02I like it.
00:03:06A nightingale.
00:03:10Yeah, I like that.
00:03:14She's gonna be a big star, wouldn't it?
00:03:18Only I won't be around to see her.
00:03:22La chicala e sua moglie, eh?
00:03:25Put it down! La mette giù! La mette giù, eh?
00:03:28Mi scusi, mi scusi, mi perdone, non volevo offenderla.
00:03:33Yeah, forget it.
00:03:35Have another drink.
00:03:37Prendi un'altra bibita.
00:03:39Grazie, signor.
00:03:41Mi perdone.
00:03:48Now that's the last one.
00:03:52I think you've drunk enough.
00:04:00You think I got it made, don't you?
00:04:05Big house.
00:04:06Fancy clothes.
00:04:09Beautiful.
00:04:12Talented wife.
00:04:14Yeah, I bet you envy me.
00:04:18Fact is, I'm no better off than you are.
00:04:23I'm broke.
00:04:25I'm flat broke.
00:04:27I got creditors breathing heavily down my neck.
00:04:30Matter of fact,
00:04:32hey, matter of fact, you're better off than me.
00:04:35You're nobody.
00:04:36And nobody's chasing you.
00:04:40That's why
00:04:41I'm gonna kill you.
00:04:46Yeah.
00:04:50I'm gonna kill you.
00:04:53Grazie, signor.
00:04:59Grazie.
00:04:59Yeah, and I'm gonna, Lord.
00:05:01I'm gonna dress you in my clothes, see?
00:05:03I'm gonna toss you out of this cliff.
00:05:09With any luck, you won't be found for a week, maybe more.
00:05:13And where that current runs,
00:05:16there won't be much left to find,
00:05:20to identify.
00:05:30Capisce?
00:05:32Lei è molto gentile.
00:05:34Mili gratis.
00:05:36Yeah, I think you're drunk enough.
00:05:39Come on.
00:05:44Viene qua.
00:05:48Vieni.
00:05:51Quasiasi, cosa dì?
00:05:52Vieni.
00:06:32Vieni.
00:06:33Okay, Marie, you win.
00:06:35She bet me we've got a five curtain calls at least.
00:06:38No more than that. Listen to them.
00:06:40I'm listening. You know, I don't know which I prefer.
00:06:43Anna's voice or the applause?
00:06:44Well, of course, I always said that she'd take London by storm.
00:06:47You always said? Who said she was ready for London?
00:06:50I had to persuade you.
00:06:52Come on, you must be joking. It was my idea.
00:06:54Your idea.
00:06:55For heaven's sake, why don't you two call at the roost
00:06:57and count the box office receipts, eh?
00:07:00Oh, that's a little bunker, isn't it?
00:07:02But very precise.
00:07:04Anyway, what does it matter? It's a sellout.
00:07:05From here to the end of the season, it's a sellout, and we did it.
00:07:09Okay, Giles. We did it.
00:07:12Anna did it.
00:07:14You know, something she's right. Anna did it.
00:07:17Right. To Anna.
00:07:21Anna, magnificent!
00:07:23Sam?
00:07:28Oh, baby, baby.
00:07:33You were beautiful.
00:07:35It's a sellout.
00:07:37I promise you, once the reviews are published, it'll be a sellout.
00:07:39Oh, Giles, you are always so commercial.
00:07:42Yes, of course. That's what I'm here for.
00:07:44How was I, really?
00:07:45Tesoro mio, you were very good.
00:07:48Good?
00:07:49Good is the kind of phrase I understand.
00:07:51Come on, Anna. You know, Maria always underplays it.
00:07:54Oh, Maria knows a lot more about me and what's good for me than you think.
00:07:57I hope I'm on a list.
00:07:59Hello, darling.
00:08:00You were wonderful.
00:08:03Here, some champagne for you.
00:08:05For you.
00:08:06Wow, lovely.
00:08:07Evening, gentlemen.
00:08:08Tell me, how does it feel to be representing the world's greatest singer?
00:08:11Oh, now let us not get carried away.
00:08:13Listen, you're no judge.
00:08:14You weren't sitting out front.
00:08:16Honestly, it was an unforgettable experience.
00:08:18Yeah, Maria thought she was pretty good, too.
00:08:20Come on, let's have some more champagne.
00:08:22No, no, Giles, please.
00:08:23I promised Hal, do you mind?
00:08:25Uh, Anna, Sam and I were wondering if you could spare a few minutes.
00:08:28We...
00:08:28Anna, baby, we have to talk to you.
00:08:30And I want to talk to you.
00:08:32Darling, it's important.
00:08:34What I have to say is important, too, but let's do it tomorrow, please.
00:08:38Come on, now. Everybody out. I have to change.
00:08:41All right, all right.
00:08:42Good night.
00:08:42Good night, darling.
00:08:43And don't stay up to you.
00:08:44I promise, Giles.
00:08:46Have fun.
00:08:47Oh, I will.
00:08:49Now she wants to talk to us.
00:08:51What do you think?
00:08:52Well, we'll soon find out, won't we?
00:08:54It couldn't be about the Russian tour, could it, Sam?
00:08:56She's got to honour that.
00:08:58Of course she will.
00:08:59Yes, of course.
00:09:01Ah, Mr. Brydie.
00:09:03This is going to be a very exhausting season for Anna.
00:09:06And I would...
00:09:08We would appreciate it if you could get her home before...
00:09:11She turns into a pumpkin.
00:09:15I'm being serious, Mr. Brydie.
00:09:17Mr. Turner, I promise you I shall be exceedingly responsible.
00:09:22Good night, Mr. Brydie.
00:09:24Good night.
00:09:26Uh, be nice to hell, Brydie.
00:09:30Eh?
00:09:31He might be president of the United States one day.
00:09:33So be nice to him.
00:09:35Brydie?
00:09:36That's the whisper in diplomatic circles.
00:09:38They are saying give him a few more years to mature.
00:09:41And he might make it.
00:09:43That's what they're saying.
00:09:44If he doesn't stumble.
00:09:46If he doesn't stumble along the way.
00:09:50Hmm?
00:09:51Ha, ha, ha.
00:09:52It's Uncle Bruno.
00:09:53He didn't forget.
00:09:54He never does.
00:09:56Did we remember to send him a birthday card?
00:09:58We always do remember.
00:10:01Good.
00:10:02Let's see.
00:10:02Who's this?
00:10:04A real live duke?
00:10:05Oh, Paul Steele.
00:10:08What is this?
00:10:09People are absolutely marvelous.
00:10:10Aren't they even complete strangers?
00:10:12Yes, yes.
00:10:12Best wishes for tonight, thinking of you.
00:10:15Oh.
00:10:16Maria?
00:10:18Do you like London?
00:10:20Yes, si.
00:10:21Hmm?
00:10:21Hmm.
00:10:22You think that you might like to, uh, stay here?
00:10:26To stay?
00:10:27Mm-hmm.
00:10:29Did this come with the others?
00:10:31Well, I suppose so.
00:10:33Uh, yes.
00:10:35What did you mean about staying in London?
00:10:38Well, whoever sent it wanted to remain anonymous, see?
00:10:42I always said you'll make it.
00:10:44Well, it could be anyone of a hundred people.
00:10:48You were always meant to be a star, Cara Anna.
00:10:52Thank you, Maria.
00:10:55You always used to send me a single carnation.
00:10:57Okay, cool.
00:10:59Hmm.
00:11:00Someone long ago and far away.
00:11:03An old lover, hmm?
00:11:04Well, maybe he turned up again.
00:11:06No chance.
00:11:08Oh.
00:11:09Maria, I want you to send all of these flowers to a local hospital.
00:11:12All of these?
00:11:13Mamma mia!
00:11:14Don't you want to keep some of them for your room?
00:11:16No, tonight, please.
00:11:17Oh, che peccato.
00:11:19Ciao, and thank you.
00:11:20Ciao.
00:11:20Buonanotte.
00:11:22Ah.
00:11:35Where are we going?
00:11:36Well, we're going to make a token appearance at the embassy.
00:11:39Mm-hmm.
00:11:39We're going to shake a few hundred hands.
00:11:41Oh, and then?
00:11:42And then, how about an elegant dinner for two?
00:11:46Which, by sheer coincidence, is now being prepared at my place.
00:11:50Oh.
00:11:52Unless you'd rather stay here.
00:11:55Oh, could we skip the token appearance?
00:11:58We could.
00:12:00I guess we will.
00:12:01Good, I'm starving.
00:12:03Oh, but you love me.
00:12:05Oh, I adore you.
00:12:05I just hope that you...
00:12:07Come here, Sharon.
00:12:08Yes, sir.
00:12:09Yes, sir.
00:12:27The caviar was wonderful, and the shanty was lovely, I think.
00:12:31Where's my dessert?
00:12:38Do you know how good you kiss him?
00:12:41Come on, I'll give you a nightcap.
00:12:45Sam.
00:12:46Hello, Sam.
00:12:49I, uh, feel like a peeping Tom.
00:12:53Well, what are you doing here?
00:12:55Don't tell me this is Giles' idea of checking up on me.
00:12:57No.
00:12:59It was entirely my idea.
00:13:01And a very stupid one.
00:13:04I'm sorry.
00:13:07I'll go back to my room.
00:13:08See you tomorrow, it was arranged.
00:13:10No, come on now.
00:13:11If you thought it was important enough to sit up and wait, let's talk about it.
00:13:14I thought it was.
00:13:15I'll fix us a drink, Sam.
00:13:16Thank you, darling.
00:13:18It was, um, what you said today about seeing us tomorrow.
00:13:23You said it was important.
00:13:24And I got a sort of funny feeling in my stomach.
00:13:29Important.
00:13:29So I thought, uh, if it's that important, maybe I should hear about it before Giles.
00:13:35Giles fixes the doors, but me, Anna?
00:13:40I've managed you for most of your professional life.
00:13:44It is that important, Sam.
00:13:48Your drink, darling.
00:13:51A drink?
00:13:53The brace me?
00:13:55Anna, you're beginning to scare me.
00:13:57Oh, it isn't that bad.
00:13:59At least not for me.
00:14:02Hal's going to be assigned to the embassy here.
00:14:05It's a very important assignment.
00:14:07Well, that's great.
00:14:10Congratulations, Hal.
00:14:11It hasn't been confirmed yet, Sam.
00:14:12Oh, what's a mere formality, it will be by the end of the month.
00:14:15It's the first step.
00:14:17It means a three or four years stay in England.
00:14:19I guess you could say he's on his way.
00:14:21She's a wonderful optimist, Sam.
00:14:24Well, the point being, of course, is that he's going to stay, and so am I.
00:14:28We're going to be married.
00:14:39We're going to be married.
00:14:40Married?
00:14:41Yes.
00:14:42Now, that's an announcement, Sam.
00:14:43That really merits congratulations.
00:14:48Well, sure.
00:14:51It's just that I expected...
00:14:56I don't know what I expected, but married.
00:15:00I wanted to tell you more gently, Sam.
00:15:03Some other way, but...
00:15:08Oh, thanks.
00:15:10Oh, come on, Sam.
00:15:12It isn't that unusual.
00:15:15Be happy for me.
00:15:20Anna, I am happy for you, of course.
00:15:25It's just that it changes so many things, that's all.
00:15:30Soon?
00:15:31Very soon.
00:15:39Well, you said it was important, but I didn't think that there's a lot to do.
00:15:46I know.
00:15:47No, I mean arrangements.
00:15:48Giles won't like it.
00:15:49He won't like it a bit.
00:15:50Of course, you'll want to get the maximum publicity out of it.
00:15:56But that could be good.
00:15:59Yeah.
00:16:00The right story released when I say so.
00:16:03The public loves a love story.
00:16:06It could snowball.
00:16:08It could grow and build, and we could ride straight into Russia on the back of me.
00:16:11Sam, there isn't going to be a Russian tour.
00:16:15London is my swan song.
00:16:18I don't want to sing anymore.
00:16:19I just want to get married.
00:16:22That's ridiculous.
00:16:23That's the stupidest thing I ever heard.
00:16:25Sam, when I finish here, I finish.
00:16:29I'm going to retire and become Mrs. Albrighty.
00:16:34Retire?
00:16:35But, Anna, you are just hitting the heights.
00:16:38You just got to the top.
00:16:40Sam, isn't that the best time to stop?
00:16:42The Russian tour.
00:16:44The Russian tour.
00:16:45Four months, it's all arranged.
00:16:46Then, last night, New York.
00:16:47Sam, Sam.
00:16:48When the season is over here, it's over for the both of us.
00:16:56She is an artist.
00:16:58A great artist.
00:17:00The world is at her feet.
00:17:02So am I, Sam.
00:17:16Well, if it's what you really want...
00:17:19It is.
00:17:21And you can't change my mind, Sam.
00:17:23It's made up.
00:17:34Anna, baby.
00:17:38Thank you, Sam.
00:17:46They don't come luckier than you, Bridie.
00:17:49I know.
00:17:54No chance?
00:17:55No chance.
00:17:57Matter of fact, tomorrow I'm going to look at a house that we might buy.
00:18:00Don't go.
00:18:29Bye-bye.
00:18:42Who's that?
00:18:45Is there someone there?
00:18:52Who is that?
00:19:02And my nightingale, my little nightingale.
00:19:14I brought us some good old Italian brandy, good for the throat, like the old days, remember?
00:19:22What you did?
00:19:26Back from the dead.
00:19:29You sure you want it?
00:19:31It's a fine house, Anna.
00:19:33Not as good as Capri, maybe, but it's a fine house.
00:19:38I was there last night, Anna.
00:19:41I was proud of you.
00:19:43The notes, liquid, just like I taught you.
00:19:48I had to admit it, better than I taught you.
00:19:53Tony.
00:19:55That's better.
00:19:57I can't tell me.
00:19:59I was beginning to think you'd forgotten me.
00:20:05Yeah, it's a great house, Anna.
00:20:07Of course, you've got to do lots to it before you move in.
00:20:11You sure you won't.
00:20:15I'm not a ghost, Anna.
00:20:18I'm alive.
00:20:21I am very much alive.
00:20:24And I'm ready to go.
00:20:27Yeah, I know.
00:20:28It's a shock.
00:20:30Eleven years, baby.
00:20:34Hey, at least I kept my hair.
00:20:37Things are going good for you, baby.
00:20:39You're a star.
00:20:40A great, big, shining star.
00:20:43But where have you been?
00:20:45Why didn't you let me know that you were alive?
00:20:48I had this dizzy spell, Anna.
00:20:52What?
00:20:53Amnesia, yeah.
00:20:54That's it.
00:20:55Amnesia.
00:20:59But, but I don't understand.
00:21:01I mean, there was a body that pulled you out of the sea.
00:21:06Well, probably some drifter who brought into my house and stole my clothes.
00:21:12Yeah.
00:21:13Authority.
00:21:14How can they make a mistake about a thing like that?
00:21:17Yeah, probably some down-and-out who stole my wallet and maybe that ring you gave me.
00:21:24You remember that ring, Anna?
00:21:27A little bright red stone.
00:21:33Oh, my God, Tony.
00:21:37What have you done?
00:21:39Did you kill somebody?
00:21:46That'd be very difficult to prove, Anna.
00:21:49I was cremated, remember?
00:21:53It's hard to prove anything when a body doesn't exist anymore.
00:22:02You did.
00:22:04You murdered someone, didn't you?
00:22:08I protected you, baby.
00:22:11Time was running out for me.
00:22:12I had debts up to here, most of them gambling.
00:22:14And you know those guys play rough.
00:22:16They don't care who gets in the way.
00:22:18And you most surely would have gotten in the way.
00:22:19I protected you, babe.
00:22:23I protected you.
00:22:28Okay.
00:22:31Now.
00:22:34Now it's mine.
00:22:38What are you talking about?
00:22:41Anna.
00:22:44I tried to break it too gently.
00:22:49Did you send me that carnation?
00:22:53Yeah.
00:22:56I always had to think about carnation.
00:23:00I've been so happy for you, Anna.
00:23:03Me.
00:23:04I had a voice.
00:23:07Not bad.
00:23:09Not good enough.
00:23:10But you.
00:23:12What do you want, Tony?
00:23:14My rights, Anna.
00:23:17You're still my wife.
00:23:20You.
00:23:22Illegally.
00:23:24Morally.
00:23:27You're still my wife, Anna.
00:23:30I'm no fool.
00:23:32You have in years.
00:23:33It's too long.
00:23:37Too far apart.
00:23:40There's too much ground to make up.
00:23:42We've changed, Anna.
00:23:43We both.
00:23:44I've watched you change.
00:23:46You're a star, Anna.
00:23:49You're at the very top of your profession.
00:23:53And you're just a step away from marrying.
00:23:56Ten million dollars.
00:24:00Yeah.
00:24:01Al Bridey.
00:24:04You know what they're saying about him, baby?
00:24:08Give you a couple of breaks.
00:24:10And in a few years' time,
00:24:13you just may wind up in the White House.
00:24:18That's why I'm here, baby.
00:24:21That's why I came back.
00:24:24That's the kind of action I understand, Anna.
00:24:28That's the kind of action I want a piece of.
00:24:36One whisper for me now.
00:24:39And Bridey's finished.
00:24:48And a guy like me.
00:24:51I'm not a whisper.
00:24:55I'm a yell.
00:24:58I'm a whole lousy Yankee Stadium shouting in a home run.
00:25:07You wouldn't.
00:25:14Bridey's money looks like a life raft.
00:25:14I not only would.
00:25:19I have to.
00:25:23I haven't changed.
00:25:27I'm still up to here.
00:25:30I'm drowning, Anna.
00:25:35Bridey's money looks like a life raft.
00:25:38Bridey's money looks like a life raft.
00:25:43I'm not wrapping it up.
00:25:47It's blackmail, Anna.
00:25:50It's black...
00:25:56$40,000, Anna.
00:25:58No, I'm gone.
00:26:00I'm dead.
00:26:01I'm as dead as I've been these past 11 years.
00:26:05$40,000, Anna, and I never existed.
00:26:08No, Tony.
00:26:09No, I know you.
00:26:11I know you, Tony.
00:26:12No.
00:26:1240...
00:26:13No.
00:26:13No.
00:26:14Forbidding's sake, Anna!
00:26:16He probably spends that much in fee for his racehorses.
00:26:2040 grand, Anna.
00:26:2140 grand and I'm gone.
00:26:23No, Tony, because you keep coming back again and again.
00:26:26I make a deal.
00:26:27I stick to it.
00:26:27Tony, you never stuck to a deal in your life.
00:26:30But this time, Anna.
00:26:31This time, I promise.
00:26:33And what's the alternative, Harry?
00:26:35I brought the story to the papers.
00:26:38And suddenly, you're not a widow anymore.
00:26:41You're Mrs. Tony Vesanti.
00:26:43And Al Brydie, he's playing around with another guy's wife.
00:26:47And he's dead.
00:26:49No!
00:27:03Oh, Tony.
00:27:05All right.
00:27:07All right.
00:27:08I'll get the money.
00:27:13I'll get you the money.
00:27:16I said I'd get the money.
00:27:18Now, come on.
00:27:19Don't play games.
00:27:20Come on, Tony.
00:27:21Come on.
00:27:30Oh.
00:27:31Tony.
00:27:32Oh, my God.
00:27:34Oh, Tony.
00:27:42Tony.
00:27:43Oh, my God.
00:27:55Oh, my God.
00:28:04Oh, my God.
00:28:06Oh, my God.
00:28:14Mrs. Bridey?
00:28:21Mrs. Bridey, I'm Mr. Povell.
00:28:25I hope I'm not being presumptuous addressing you as Mrs. Bridey.
00:28:28I hope it's not bad luck or something.
00:28:30But Mr. Bridey made it quite clear to me that you and he...
00:28:34Are you feeling well? You're looking quite pale.
00:28:37Oh, I'm fine. Thank you.
00:28:40Excitement, perhaps? Yes.
00:28:42I hope the house is to your liking. The decision to buy is yours, I understand.
00:28:46I'm not sure.
00:28:47Oh. But Mr. Bridey seems so very sure.
00:28:51Well, I just haven't had a chance to think it over.
00:28:54Of course. Another week or two.
00:28:56I want to make a sale, naturally, but another week or two can't do any harm.
00:29:01Nice, this cellar, isn't it?
00:29:07It's so dry, you see, no damper.
00:29:10Mr. Povell.
00:29:12Ah, it just occurred to me that perhaps you might be able to keep other people from coming to the
00:29:16house and seeing it
00:29:17until I've really had a chance to make up my mind about what it is exactly that I want to
00:29:21do.
00:29:21Now, that sounds possessive to me and very encouraging. You have made up your mind, haven't you?
00:29:26Oh, my God.
00:29:28Oh, my God.
00:29:48I can't do it, I can't do it, I can't do it anymore.
00:29:51Oh, my God.
00:30:09¶¶
00:30:22Yes.
00:30:27Just a moment.
00:30:43Hello.
00:30:44Hello.
00:30:46Sorry I missed you.
00:30:47Out of the house today.
00:30:49Apparently I got there just seconds after you'd been and gone.
00:30:51Oh, I'm so sorry.
00:30:53I completely forgot.
00:30:55I would have stayed.
00:30:56I had a rehearsal.
00:30:57No, no.
00:30:57It was my fault.
00:30:58I was late.
00:30:58No, darling.
00:30:59It was a wasted trip for you.
00:31:00Let me fix you a drink.
00:31:01Thanks.
00:31:02No, it wasn't completely wasted.
00:31:03I had another look around our future home.
00:31:06Oh.
00:31:06Yeah, it's a fine house, isn't it?
00:31:08The family house.
00:31:10There are a lot of things I'd like to change in some of the rooms,
00:31:13but basically it's fine.
00:31:18Did you go into the house?
00:31:21Yeah.
00:31:22Prevelli had a spare set of keys.
00:31:24Hey, those bedrooms, they're terrific, aren't they?
00:31:27They're a hell of a size.
00:31:28And that cellar.
00:31:30My gracious, that cellar is something else again.
00:31:32You could turn it into anything.
00:31:34A den, a fun room.
00:31:37It's got lots and lots of storage space.
00:31:46Hey, should you be doing that?
00:31:48Hmm?
00:31:49Drinking hard liquor.
00:31:50I thought singers had to be careful about that kind of thing.
00:31:54Well, I'm not a saint.
00:31:55You know that better than anyone.
00:31:58Are you all right?
00:32:01Anna, are you all right?
00:32:03I'm fine, darling.
00:32:04I just...
00:32:05I'm running late.
00:32:07I have to get over to the theater.
00:32:08Well, is it yes or no?
00:32:09What?
00:32:10What?
00:32:11The house lady, do I buy it or not?
00:32:13The final decision's up to you.
00:32:15Oh, well, I really haven't had enough time to think about it, darling.
00:32:19Um, I need some more time to think about it.
00:32:22All right?
00:32:44Tell the Romeo, what's wrong?
00:32:46Nothing.
00:32:47Come on, Sonor.
00:32:48I'm Maria.
00:32:49You are talking to something is wrong.
00:32:51Tell me what?
00:32:52Where is that?
00:32:53I don't know.
00:32:54Oh, yes.
00:32:54He was called away to the phone.
00:32:56Why do you want him?
00:32:57Yes.
00:32:58I'm sorry.
00:32:59I'm sorry.
00:32:59All right.
00:33:36You wanted me, baby?
00:33:38Maria, I thought I told you to get rid of these flowers.
00:33:40Carla, I did. These are tonight's flowers.
00:33:42Tonight?
00:33:43Si.
00:33:45Oh.
00:33:46I suppose they could have been ordered yesterday.
00:33:48I suppose so.
00:33:50Anna?
00:33:52Maria said you wanted me.
00:33:55Remember Tony?
00:33:58Tony?
00:33:59Yes, big, beautiful, dumb Tony who fell off a cliff and got himself killed.
00:34:03Yeah.
00:34:04Yeah, sure, I remember.
00:34:06I didn't know him that well, but...
00:34:08What's all this about, Anna?
00:34:11Sam.
00:34:14Maria, would you please...
00:34:15One minute, Miss Cartel.
00:34:22Anna.
00:34:23If there's something bothering you, tell me.
00:34:25Anything I can do, I'll do.
00:34:30I'll do.
00:34:32I'll do.
00:34:56Well, thank heaven for one thing.
00:34:59She wasn't like this last night when the critics were in.
00:35:02Like what?
00:35:04Can't you hear it?
00:35:05She's off.
00:35:06Edgy.
00:35:07Anna's the best.
00:35:08No, she can be.
00:35:09Not tonight.
00:35:11She's ragged, tense, as though...
00:35:15What's wrong with her?
00:35:19What's wrong with her?
00:35:27Oh
00:36:15Oh
00:36:49Oh
00:37:05Darling I promise you I'm in right
00:37:07You still look pale to me
00:37:09You spoke to the doctor he told you
00:37:11It isn't anything but nerves
00:37:13It may be but just the same Anna
00:37:15I am going to stay here until I think
00:37:17Darling please I promise you it isn't anything
00:37:19That a good night's sleep won't cure
00:37:21Really
00:37:22Anna I was four rows back
00:37:26I could see your face very clearly
00:37:27Anna you were terrified
00:37:28Oh darling don't be foolish
00:37:31And whoever it was that terrified you
00:37:33Anna was in that box
00:37:35I couldn't see him a man that's all
00:37:40Now who was he
00:37:41Oh
00:37:42I don't know what you're talking about
00:37:44Really
00:37:44Now come on you are the one that's keeping me
00:37:47From a quick and speedy recovery to complete health
00:37:51Please go home darling
00:37:52I just want to go to bed
00:37:53I'm so tired
00:37:54I just want to sleep
00:37:57Listen
00:37:59Whoever he was
00:38:00Whatever it is
00:38:01You can tell me
00:38:04Anything
00:38:05It's nothing
00:38:07Now come on
00:38:08I'll call you in the morning
00:38:09Or you call me
00:38:10Whatever
00:38:11Early
00:38:12Why don't you call me early
00:38:13Very early Anna
00:38:15Very early Anna
00:38:17Very early Anna
00:38:53I'll call you in the morning
00:38:54I'll call you in the morning
00:38:55I'll call you in the morning
00:38:56I'll call you in the morning
00:38:56I'll call you in the morning
00:38:56I'll call you in the morning
00:38:57I'll call you in the morning
00:38:58I'll call you in the morning
00:38:58I'll call you in the morning
00:38:59I'll call you in the morning
00:38:59I'll call you in the morning
00:38:59I'll call you in the morning
00:39:00I'll call you in the morning
00:39:01I'll call you in the morning
00:39:01I'll call you in the morning
00:39:01I'll call you in the morning
00:39:01I'll call you in the morning
00:39:02I'll call you in the morning
00:39:02I'll call you in the morning
00:39:05I'll call you in the morning
00:39:07I'll call you in the morning
00:39:23Oh, my God.
00:40:06Oh, my God.
00:40:36Oh, my God.
00:40:41Oh, my God.
00:41:11Oh, my God.
00:41:52Oh, my God.
00:41:56Oh, my God.
00:42:03Oh, my God.
00:42:18Oh, my God.
00:42:33Oh, my God.
00:42:36Oh, my God.
00:42:51Oh, my God.
00:43:30Oh, my God.
00:43:49Oh, my God.
00:44:16Now, why don't you go back, take your seat, and listen to some of the greatest singing you ever heard.
00:44:22Please, Hal.
00:44:26All right, Sam.
00:44:37Anna, baby.
00:44:48Mr. Turner, is she going on, Mr. Turner, is she going on, Mr. Turner, is she going on, what's happening?
00:45:47Voi che sapete che cosa è l'amor, dove vivete il nome d'or.
00:46:17Voi che sapete che cosa è l'amor, dove vivete il nome d'or.
00:46:46Voi che sapete che cosa è l'amor, dove vivete il nome d'or.
00:47:01Voi pensi che era l'amor, dove vivete il nome d'or.
00:47:18Voi pensi che era l'amor, dove vivete il nome d'or.
00:47:25Voi pensi che era l'amor, dove vivete il nome d'or.
00:47:55Voi pensi che era l'amor, dove vivete il nome d'or.
00:48:37Voi pensi che era l'amor.
00:48:53Voi pensi che era l'amor.
00:48:55Voi pensi che era l'amor.
00:49:29Voi pensi che era l'amor, dove vivete il nome d'or.
00:50:00Voi pensi che era l'amor.
00:50:03Voi pensi che era l'amor.
00:50:07Voi pensi che era l'amor.
00:50:11Voi pensi che era l'amor.
00:50:13Voi pensi che era l'amor.
00:50:15Voi pensi che era l'amor.
00:50:17Voi pensi che era l'amor.
00:50:40Venite all'amor.
00:50:41Alla fine!
00:50:41Voi pensi che era il piede.
00:50:42Voi pensi che era l'amorcito.
00:50:46Voi pensi che era l'amor.
00:50:55Voi pensi che era l'amor.
00:50:57Voi pensi che era l'amor.
00:51:02okay just one i could use a drink myself i'm sorry sam i've disappointed you all of you
00:51:16i can take it and giles he'll have to take it no it's not fair you won't work so hard
00:51:25oh it's not the end of the world you were singing better than you've ever sung before
00:51:32you'll be back
00:51:36i'll drink to that
00:51:41are you feeling better now that i'm here yes it's like some sort of a terrible nightmare
00:51:50bad dream i guess it never happened that's my girl
00:51:59sam i know you want to cancel but don't
00:52:05let's try one more night
00:52:11well be great if you could we'll talk about it in the morning huh
00:52:35hey flowers for you
00:52:40no card
00:52:44wow they're beautiful oh god no no
00:52:49no
00:52:50anna
00:52:51anna
00:52:53i'm not playing along anymore no more humoring you are going to tell me what's going on
00:52:59anna you are going to tell me tony tony my husband tony huh but tony's dead anna no no he
00:53:08isn't i mean
00:53:09he wasn't i mean i don't know oh sam i think i killed him
00:53:19obviously it wasn't murder it was an accident
00:53:24at worst it was manslaughter
00:53:27but sam he wasn't there
00:53:30wasn't he
00:53:33he pushed him right he tripped fell down the stairs and then he was dead
00:53:42he put his body in the cupboard
00:53:46and when he went back the cupboard was bare
00:53:49yes
00:53:52are you sure
00:53:55i told you sir
00:53:57you told me what you saw
00:54:00you anna
00:54:03you know what i think
00:54:05i think this thing has got all mixed up in your mind
00:54:10what do you mean
00:54:12i'll tell you what i mean
00:54:15i think that your mind
00:54:17made you see what you wanted to see
00:54:21an empty cupboard
00:54:23no tony
00:54:26you couldn't bear the guilt
00:54:29so
00:54:30your mind just wiped it away
00:54:36but what about all those flowers tonight
00:54:39but what about them lots of people send you flowers
00:54:43dozens and dozens of carnations
00:54:46carnations roses
00:54:51no sam no when i went back he wasn't there
00:54:57maybe
00:55:13but what about them
00:55:14well now we'll find out won't we
00:55:18or uh
00:55:19don't you want to find out
00:55:25come on
00:55:45do
00:55:46do
00:55:48do
00:55:50do
00:55:52do
00:56:01Oh, my God.
00:56:23You can't. You can't run away from this one, Anna. For how long? They'll check back and find out who
00:56:32he is. Then they'll find out that you were here. Now, I am not going to let you go to
00:56:39prison, Anna. You told me what happened, and I believe you.
00:56:53It was an accident. An unhappy accident. Yes, it was, Sam. Now, accidents can happen anytime. Anywhere. So, why don't
00:57:04I fix it that this accident happened someplace else?
00:57:08Yes, it was.
00:57:33Sam?
00:57:37You're off the hook, Anna.
00:57:41I took him to Barham. That's in Kent, miles away.
00:57:47There's an old mine shaft there. Tony's at the bottom of it.
00:57:58With any luck, he won't be found for months. Years, even.
00:58:08And we could both do with a little luck.
00:58:11Oh, Sam. Sam.
00:58:21You owe me, Anna. You owe me the performance of your life.
00:58:31I'll see you later.
00:58:35I'll see you later.
00:58:39Anna.
00:58:41It's okay.
00:59:02Sam. Sam.
00:59:06Sam. Sam.
00:59:06Sam.
00:59:08Oh, I was just trying to find you.
00:59:10Find me? You're on stage in a few minutes.
00:59:12Oh, well, that doesn't matter.
00:59:14All that matters is that I love you.
00:59:16Oh.
00:59:17And I love you, too.
00:59:18More than anything in the world.
00:59:20And I'd never do anything to hurt you.
00:59:22You or your career or anything like that.
00:59:25Hurt me?
00:59:27My career?
00:59:29Anna, what's wrong?
00:59:30Nothing, darling. Nothing.
00:59:31Don't you tell me nothing is wrong.
00:59:32I know you better than that.
00:59:35It has something to do with the house, doesn't it?
00:59:38Doesn't it?
00:59:40Anna, I have to tell you, the other night I followed you.
00:59:43I followed you to the house.
00:59:44I watched it go in and I waited.
00:59:46And then you came out and you drove away as though the devil himself were after you.
00:59:49Oh, Al, I've done something awful.
00:59:51I don't know what to do.
00:59:52Sam's tried to cover it, but he's wrong.
00:59:53I just know he's wrong.
00:59:55Because they'll find him.
00:59:56They'll find him and then it'll lead to me and through me to you.
00:59:58And I can't let that happen.
00:59:59Anna, what are you talking about?
01:00:01Oh, darling, if there's a time for honesty, it's now.
01:00:05What are you talking about, Anna?
01:00:07You're not making any sense at all.
01:00:09My husband Tony, I killed him.
01:00:12You what?
01:00:32My husband Tony, I killed him.
01:00:42I killed him.
01:00:51I killed him.
01:01:00You're saying.
01:01:01Come on!
01:01:44Hello?
01:01:45Anna?
01:01:46Darling, it's so late. I've been waiting for you. Where have you been? I've been terribly worried.
01:01:50Look, I'm sorry. I just managed to get hold of O'Hara now.
01:01:52Just listen. He is down at Barrow now, and what he has to say just doesn't add up.
01:01:58He found Tony's body all right, just where you said, where Sam put it.
01:02:03I think that doesn't make any sense at all.
01:02:06You told me that Tony, he fell down the stairs.
01:02:11Anna, he was stabbed to death.
01:02:13Anna, do you hear me?
01:02:16Anna?
01:02:18Anna, what's wrong?
01:02:21Anna, answer me.
01:02:46You're dead! You're dead!
01:02:49Yes, he's dead.
01:02:54Dead and hidden the way where no one will find him.
01:02:57I saw to that, baby. I look after your interests. I always do.
01:03:01Well, you should be grateful.
01:03:04Tony was a shark, an opportunist.
01:03:07Well, you have to be grateful, Anna.
01:03:10But Sam, who's done all of this to me? Why?
01:03:16You have to destroy before you can build again.
01:03:18It's like good poker play.
01:03:21You establish an ascendancy, you get ahead.
01:03:24Then you have to stay that way.
01:03:27You committed a crime, and I helped you get away with it.
01:03:33You owe me, baby.
01:03:36You belong to me now, body and soul, and voice.
01:03:43Particularly the voice.
01:03:48Retiring, stepping down off the ladder,
01:03:50just when I heaved you to the top on my shoulders.
01:03:53My shoulders, Anna!
01:03:55I spent money and sweat and a big chunk of my life on you, baby.
01:04:00You're my investment.
01:04:03We're partners forever now.
01:04:07Because you need me.
01:04:11And I need you.
01:04:13Sam, no.
01:04:14Sam, yes!
01:04:16You hit me with that marriage news the other day, and my world rocked.
01:04:20It would have crumbled right away if Tony hadn't...
01:04:24If... if Tony hadn't...
01:04:27If Tony hadn't what?
01:04:29Did you see Tony?
01:04:32But you...
01:04:33You couldn't have seen him, and he was dead.
01:04:40I didn't kill him, did I?
01:04:43I didn't kill him, did I, Sam?
01:04:46Tony's dead.
01:04:48He died 11 years ago, remember?
01:04:52What happened, Sam?
01:04:54What really happened?
01:04:56I think you just stunned him.
01:04:59I think you just stunned him, Anna, that's all.
01:05:03Then you decided to exploit the situation, and this first thought was Sam.
01:05:08The man who had most to lose if you retired.
01:05:11You were more than willing, weren't you, Sam?
01:05:13Because you weren't gonna let Anna go at any price.
01:05:18Between them, they cooked up a scheme to send you half crazy.
01:05:23Isn't that how it was, Sam?
01:05:25You used Tony as long as you needed him, and then you stuck a knife in his chest.
01:05:29I'd hate to have to hit you, Sam.
01:05:31I really would.
01:06:06When trying something crazy
01:06:08I canングang his dead and my hind move to one side.
01:06:10I can't depressing them.
01:06:13I liked the venture so he could trump close the cut off.
01:06:13Are you going?
01:06:14I was joking, man.
01:06:21That is all myupp bank.
01:06:25You died!
01:06:53CHOIR SINGS
01:07:22CHOIR SINGS
01:07:53CHOIR SINGS
01:08:09CHOIR SINGS
01:08:09CHOIR SINGS
01:08:38CHOIR SINGS
01:09:08CHOIR SINGS
01:09:37CHOIR SINGS
01:10:07CHOIR SINGS
01:10:19CHOIR SINGS
01:10:21CHOIR SINGS
01:10:27CHOIR SINGS
01:10:28CHOIR SINGS
01:10:29CHOIR SINGS
01:10:31CHOIR SINGS
01:10:36CHOIR SINGS
01:10:37CHOIR SINGS
01:10:49CHOIR SINGS
01:10:50CHOIR SINGS
01:10:50CHOIR SINGS
01:11:02CHOIR SINGS
01:11:03CHOIR SINGS
01:11:03CHOIR SINGS
01:11:04CHOIR SINGS
01:11:04CHOIR SINGS
01:11:19CHOIR SINGS
01:11:46PIANO PLAYS
01:12:06PIANO PLAYS
01:12:32PIANO PLAYS
01:13:05PIANO PLAYS
01:13:16PIANO PLAYS
01:13:25PIANO CONTINUES
01:13:26PIANO CONTINUES
01:13:26PIANO CONTINUES
01:13:29PIANO CONTINUES
01:13:29PIANO CONTINUES
01:13:31PIANO CONTINUES
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