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00:01John? John?
00:04Listen to me!
00:05Cover your ears!
00:06No, you have to tell him!
00:07You have to tell him that if he goes through with this, that theater, it closes forever!
00:13John!
00:14You don't want coffee?
00:14No, I am already, I am seeing noises.
00:17You have to talk to him.
00:19Right?
00:19Now, this morning.
00:21Okay, it might work better if we do it together.
00:23I have Boyle in half an hour, and then I have the Concerned Parents book burning summit,
00:27and besides, I might kill him, so you have to do it.
00:30Okay, okay, okay, but just for the sake of discussion.
00:32I mean, it is Our Town, right?
00:33There's no sets, there's no props.
00:35It's mime, right?
00:37It's the cheapest show in the world.
00:38It's the greatest Our Town.
00:41But that's what he said.
00:42This is going to be some crazy Richard Bean shit that's going to just bankrupt all of us.
00:46Well, we don't know that.
00:47Yes, we do, because I know him.
00:50We do not have the money for original productions of any kind.
00:54We don't have any money at all.
00:56Look, you have to talk to him.
00:57You have to just get him to go away.
01:00I made bagels.
01:01From scratch?
01:02Uh-huh.
01:02Take him for lunch.
01:04I'll talk to him.
01:05I'll talk to him.
01:06You know, he's probably forgotten about it already.
01:09You know, he gets swept up in the moment.
01:11I mean, has he ever followed through with anything?
01:22What, uh, what are you doing?
01:24Uh, I made a great deal on some new theories.
01:28Seats?
01:30221 upholstered flip-up seats from an old movie house in New Jersey.
01:35And, uh, he said if I bought the whole lot, I could get them for like, uh, $95 per unit.
01:41Per seat?
01:42And free delivery.
01:43Hold on.
01:44Wait, hold on.
01:45That's...
01:46That's more than $20,000.
01:47You can't...
01:47Jesus Christ.
01:49Richard.
01:50We gotta talk.
01:51Listen.
01:51I made a vow over our mother's cold, dead body.
01:55Okay, stop saying that.
01:56That I would restore this theater to its former glory.
02:00Yes, okay.
02:00But this is a working theater.
02:01We have another week of nonsense.
02:03Don't remind me.
02:03You can't just come in here and tear it all apart.
02:05I'm not tearing anything apart.
02:06Help me move these tables.
02:07Help me move these tables.
02:08I'm just making a plan.
02:08I'm helping you.
02:09I'm keeping you company.
02:10You're not helping me at all.
02:11Yeah, I feel weak.
02:12Oh, you feel...
02:13I know what this is.
02:15This is your low blood sugar thing, right?
02:17Yes.
02:17Low blood sugar.
02:19Okay, I'm gonna make you a sandwich.
02:21Yeah.
02:22I love you, brother.
02:33The matinee special.
02:35That's fantastic.
02:37Might take on a Reuben with a spicy pickle put in there.
02:40No, but there's something in the bread.
02:42Juniper berries.
02:43I fold them in and set up caraway seeds.
02:47You made the bread?
02:48Yes, I made the bread.
02:49You could have gone to Subway.
02:50On Main Street, there's...
02:51You're not gonna do that.
02:52No.
02:53No.
02:53You're not.
02:54And why?
02:55Because this sandwich is a sandwich of a certain standard.
02:59This is the Thornton Wilder sandwiches.
03:03People who abide into this sandwich are never gonna be satisfied with Subway.
03:08Again, you see where I'm going with this?
03:09Maybe.
03:10I see in our town.
03:12It's completely new.
03:15It'll have a real soda fountain.
03:18It'll have a horse crossing the stage.
03:21It'll have rain falling through the sky like the sky is weeping.
03:25Sounds very expensive.
03:27It's my juniper berries.
03:29See?
03:30Okay?
03:32Dad can play the stage manager.
03:34He can't do it.
03:35Yes, he can. He did it for me this morning.
03:36Richard, you haven't been here.
03:37He can do it.
03:38You know, two weeks ago, we found Dad walking down Third Street in his slippers in one of Mom's hats.
03:44He had no idea where he was.
03:45Doesn't matter.
03:46The play is locked in there.
03:48Trust me.
03:49It will be.
03:49It will be all of us, as a family, telling great stories.
03:54Yeah, that's what we do.
03:58And the people who are lucky enough to be sitting in our new seats, they're gonna remember it for a
04:04long time.
04:10I'm so, so sorry I'm late.
04:12I'm dealing with this small family thing, and it's not really small.
04:16It's suffocatingly large.
04:18Actually, it's enormous.
04:20But, you know, I'm getting a rash.
04:21You wanted to talk about your payment?
04:25Yes.
04:26I know we're already behind, but we had to cancel several shows because of the funeral, and there's this famous
04:34actor in the family, and he has to make everything about a show.
04:36So you're defaulting on the loan?
04:38No.
04:38Oh.
04:39No, no, no.
04:40No, no, no, no, no, no, no.
04:42It's just about this month.
04:49I won't be pulling your leg.
04:52I know you're good for it.
04:54Yeah, forget about this month.
04:55We'll call it a payment holiday.
04:57Oh, God.
05:01I promise we'll make it up next month.
05:05Can we keep this between us?
05:07Yeah.
05:08Yeah, Ron.
05:09Oh, and in return...
05:10Connor?
05:11I cannot give you a quid pro quo.
05:13I've told you that.
05:14I've made it quite clear.
05:15No, no.
05:15You're assigned.
05:16It's not about permits.
05:17It's about dinner.
05:23What?
05:25Yeah, would you mind inviting Nadia and me over for dinner?
05:30Oh, that's it?
05:31She's obsessed with the actor fella.
05:33I mean, she said she used to watch him back in Russia.
05:36You know, I don't know.
05:37She said she wants to ask him some questions.
05:39And, you know, her heart's all a flutter with his theater shite.
05:41So, a dinner with him would make her happy.
05:43I mean, if that's not a problem...
05:45No, no.
05:47Getting Richard Bean to talk about himself is not a problem.
05:50Just don't count on an early night.
05:52What is your obsession with fog?
05:55Fog?
05:55What do you mean?
05:56You wanted it at the funeral, too?
05:58No, no.
05:58This is going to be a heavy fog that will drift off of the stage into the audience,
06:02nestle at their feet, and kind of invite them to be part of the action.
06:06Okay, but it's a small space.
06:08Yeah, be careful, right?
06:09You worried about the CO2, are you?
06:11Well, yes.
06:11It is lethal, but that's only if the audience gets down on their hands and knees and tries
06:16to huff it.
06:17Well, hi, boys.
06:18Hello.
06:19How's it going?
06:20Three quarters full.
06:21Miranda's doing drinks.
06:23Hello, Richard.
06:24How are you?
06:26Well, I'm fine.
06:29Well, what have you beans been up to?
06:32Well, Richard has been walking me through production design.
06:35It's ambitious, but it's very cool, and I was about to tell him what you'd said.
06:40What did you say?
06:42Well, I was going to say that I know whatever you come up with will be ambitious.
06:50But very cool.
06:51Really?
06:52Yeah.
06:53High praise coming from you.
06:54I'll take it.
06:55So, how ambitious?
06:57Just out of curiosity.
06:59You want to know the cost?
07:00Well, I based my budget on a typical Broadway budget.
07:06Why would you start there?
07:07I mean, this is Millersburg.
07:10No, I know that.
07:10I know that.
07:11Polly's going to oversee the whole design for free, and she told me that if we don't use
07:16the Union crew for the load-in, that's $400,000 right there.
07:20I beg your pardon?
07:21The $400,000 that we save.
07:23Okay.
07:24They're all ship-faced.
07:25We can start.
07:26Good.
07:28What's that?
07:29Oh, this is, uh, my, our tone.
07:33Just drawings and sketches, just thoughts, you know.
07:36Oh, I'm so excited.
07:37You know, I'm casting it with local actors, and, uh, I think I have something very nice
07:43for you.
07:44You don't mean...
07:46I do.
07:47Seriously?
07:49Yeah.
07:52Okay.
07:53Okay.
07:53Okay.
07:54Back to serving.
07:54I love you.
07:55Is this good to go?
07:56Yes.
07:57Here we go.
07:57Bye.
07:59Don't you think she'll make a wonderful Emily?
08:01I mean, she could be as good as, she could be better than you.
08:04Cut to the chase.
08:06How much?
08:07All in.
08:08If we pay the actors equity minimum, uh, ballpark figure, uh, it'd be $250,000 a week.
08:16For our town?
08:17That's our operating budget for the entire year.
08:20I've got some wiggle room.
08:22I can give up my waterfall.
08:24I can just get rid of the cornfield.
08:27It's our town.
08:28There is no waterfall or cornfield.
08:31Okay.
08:32Up front, it's more like $200,000.
08:35And once we cover the nut, then the production pays for itself.
08:39Oh, speaking of which, I bought 212 theater seats.
08:45And I thought, uh, since they're a permanent addition to the theater, that maybe you could
08:49expense it for me and get the tax credit.
08:51You didn't buy the seats?
08:53Yes.
08:53The guy told me I'd be an idiot not to buy them.
08:56Those were his exact words.
08:57No, but you didn't buy them.
08:59Yes, I did.
08:59I told you I did.
09:00No, you didn't tell me that.
09:01You told me you found them online.
09:02I told you not to buy them.
09:03I told you to slow down.
09:04Oh, my God.
09:05Oh, my God.
09:05No, no.
09:06See this?
09:06No.
09:07I didn't know he bought them.
09:10He told me he found them online.
09:11What do you think?
09:11Your seats are free?
09:12Take the tables up.
09:13I didn't know.
09:14I had a great deal.
09:15I don't know what you're talking about.
09:16Just do me a favor.
09:16Go give those nuns their 15-minute call, please.
09:20Okay.
09:20New seats.
09:21You lie.
09:21Okay.
09:21You have to sit somewhere.
09:23So.
09:24What a worrier.
09:27Yeah.
09:27Why don't you keep this?
09:28Just in case there's a problem, and you might have to return them.
09:33Well, no, no.
09:33This was a kind of final sale sort of deal.
09:36Just in case.
09:37You don't actually think I expect you to pay for the whole thing yourself, do you?
09:42What?
09:42I mean, my vision of our town, my rain and horses.
09:48Rain?
09:49Horse?
09:50Because, you know, I do have access to angels, super angels, friends.
09:53That is, in fact, very good to hear.
09:57Now, I need you to do something for me.
10:04Come to the house Thursday night.
10:07I am having a dinner for a developer who is literally the only person in the world who
10:13is putting money back into this town, and for his wife, or girlfriend, or God only knows
10:20what she is.
10:21But she is a big fan.
10:24Oh.
10:25Oh, a fan.
10:26Yeah.
10:28So, you'll come?
10:29No.
10:30I'm kidding.
10:31Of course I'll come.
10:34And you'll act normal.
10:37I'll give it a shot for you.
10:40For the town.
10:44Anything to help?
10:47I'm gonna make a phone call or two.
10:49Yeah.
10:51It's Richard Bean calling with a proposal I'd like to make to James Davis.
10:56I'd say it's business and pleasure.
10:59Yeah.
11:00It's about a show.
11:03Bean.
11:03B-E-A-N.
11:05Like the legume.
11:07Oh, she's not there.
11:09Okay.
11:13If you let me speak to him, I think I can plead my case a little more directly.
11:18You know what I'm saying?
11:19He just went to lunch.
11:20It's externing.
11:21What time is it where you are?
11:22Tell her it's the Beano.
11:24That was her nickname for me, you see?
11:26Yeah.
11:27Oh, she did.
11:28I see.
11:30Yeah.
11:30I wouldn't really call it a rampage.
11:32I think that's a bit severe.
11:34Yeah.
11:34No.
11:35My name is Bean.
11:36Yeah.
11:37As in has been.
11:41As a thought experiment, what would it take for me to finance this whole endeavor myself?
11:49A miracle.
11:51Why?
11:52Could you explain?
11:53Well, there's a lack of incoming funds, but you've still got your expenses, your mortgage,
11:57your maintenance fees.
11:58The alimony.
11:59Yeah.
12:00I get all that.
12:01What can I put my hands on right now?
12:02What's liquid?
12:03I mean, I could mortgage the apartment.
12:05Could I?
12:06Are you familiar with the term upside down?
12:09Upside down?
12:10Of course I am.
12:11Yeah.
12:11But I suspect you're using it in some arcane financial context.
12:19I can't do it.
12:20I can't make, I can't make the show happen.
12:22No.
12:23I've let everyone down.
12:26Yeah.
12:29You saw their faces at the funeral, they were all aglow, their eyes filled with tears.
12:36You know, some of those tears were for mom.
12:39Well, yeah.
12:40Even the standing ovation, partially for mom, I'm sure.
12:44What?
12:45Are you going to say something?
12:47It was a good idea.
12:48Maybe this is just not the right time.
12:50You know, maybe we plan this for some time in the future.
12:54The distant future, when you're back at work.
12:56Or there must be some place I can crawl to.
12:59Hey.
13:00What are you doing tonight?
13:01Well, I'll probably be here drinking myself into a stupor.
13:04No.
13:05We're going to a show.
13:07Oh, please, John.
13:08Not tonight.
13:09I'm not in the mood for nonsense.
13:11No, it's Monday night.
13:13No nonsense.
13:14You're going to love this.
13:16Trust me.
13:17Just can I have one more of these?
13:19Just to get me through the afternoon.
13:22As long as it's with you
13:28You can take the light away
13:33You can turn the sky to grey
13:38Give us time to look and find
13:42A place where we can feel alive
14:07Even in the cold
14:13There's a miracle
14:26That was one of the new ones.
14:30I'd just like to say a quick word about my favorite uncle, Richard Bean.
14:37He made a crazy promise, which some of you might have heard about.
14:40And it inspired all of us.
14:42And, well, it's not a big surprise because he's been inspiring me for most of my life.
14:49He's here, sitting there in the back.
14:53I swear this wasn't planned, but maybe we could get him to sing something.
14:57Oh, he's going all shy.
15:00No, I couldn't.
15:00I couldn't now.
15:01I haven't prepared any.
15:02I'm not in voice.
15:03He's actually sung on Broadway.
15:05Come on!
15:06You're never here!
15:07Uncle!
15:08Uncle!
15:09Uncle!
15:11Uncle!
15:13Uncle!
15:15Uncle!
15:15Uncle!
15:15Uncle!
15:16Uncle!
15:16Uncle!
15:17Uncle!
15:19Very well.
15:23I haven't warmed up.
15:24I wasn't expecting this, brother.
15:25You know, I think you're going to be fine.
15:32I am Aidan Chiyote, the lord of La Mancha.
15:37My destiny calls and I go onward to glory.
15:45Oh, come on.
15:46No, I can't.
15:48Stop!
15:48You sound brave!
15:49You're very kind.
15:51You're not being kind.
15:52Come on, please.
15:53Keep going.
15:53No.
15:53You sound great.
15:55To dream the impossible dream,
16:01to fight the unbeatable foe,
16:07to bear with unbearable sorrow,
16:13to run where the brave dare not go,
16:18to right the unrightable wrong,
16:23to love your own chase from afar,
16:28to try when your arms are too weary,
16:33to reach the unreachable star.
16:37Sing it, brother!
16:38This is my quest.
16:40This is my quest.
16:42This is my quest.
16:42To follow that star.
16:43To follow that star.
16:45To follow that star.
16:45No matter how hopeless.
16:48No matter how hopeless.
16:48No matter how far.
16:51And I know, if I'll only be true,
16:55to this glorious quest,
17:00that my heart will lie peaceful and calm,
17:07when I'm laid to my rest.
17:12And the world will be better for this.
17:18That one man,
17:21scorned and covered with scars,
17:25still strove with his last ounce of courage,
17:33to reach the unreachable star.
17:52You have got to stay!
17:55Ah, of course I'll stay.
17:56Of course I'll stay.
18:01I wasn't sure about this Our Town thing,
18:04but last night,
18:06Miranda was so happy.
18:09I've seen those kids.
18:10They were excited.
18:12I haven't seen so much happiness in years.
18:15Yes, the fat faces all aglow.
18:17None of these kids were fat.
18:18What is this fat thing with you?
18:20I don't know.
18:21It's just how I picture them.
18:22The beauty is that by investing in the show,
18:25we increase the value of the property.
18:27So, you see, Jeff, the loan pays for itself.
18:32It's just not possible.
18:33The MFT sits on two and a half acres
18:35of the most beautiful land in Millersburg.
18:37It has to be worth a fortune.
18:39It's not about the value of the property.
18:40I know what it's about.
18:41It's about the value that we bring to it.
18:43It's about what the theater can provide to the town.
18:46You simply have to embrace the power of the art form itself.
18:52Show him.
18:53Show him.
18:55All right.
18:56I'll give you an excerpt.
18:59I have of late, but wherefore, I know not, lost all my mirth,
19:09forgotten all custom of exercises.
19:14Indeed, it goes so heavily with my disposition that this goodly frame, the earth,
19:20seems to me a sterile promontory.
19:24This most excellent canopy.
19:27The air.
19:28Look you.
19:30This brave o'erhanging firmament.
19:32This majestical roof, fretted with golden fire.
19:38Why, it appears nothing to me but a foul and pestilent congregation of vapors.
19:48What a piece of work as a man.
19:53How noble in reason.
19:56How infinite in faculties.
19:59In form and moving.
20:01How express and admirable.
20:04In action, how like an angel.
20:07In apprehension, how like a god.
20:09The beauty of the world.
20:12The paragon.
20:14Of animals.
20:17And yet, to me, what is this quintessence of dust?
20:32Man delights not me.
20:38Anyway, that's the gist of it.
20:47That's the sort of thing the theatre can provide.
20:49What do you think?
20:51I want to help.
20:52I do.
20:53But we don't control the mortgage on the theatre anymore.
20:56Kristen refinanced a few years ago.
20:57You must know this, John.
20:59You do the books.
20:59Well, I write the checks every month.
21:02But, you know, sometimes the names on the checks don't always match the payee.
21:06No.
21:07I don't know that.
21:08Well, but you know what I'm talking about.
21:10Sometimes it's a numbered corporation.
21:12Or, uh, Bernie who sells us our meat.
21:14He likes the checks made out to cash.
21:16Wow.
21:17That is just terrible accounting.
21:18Not knowing who you're paying is just...
21:19So tell me, who owns the mortgage now?
21:22I don't know.
21:23Yeah.
21:24Well, uh, we're artists.
21:26We know nothing.
21:28We're idiots.
21:29It must be Chase.
21:30It must be Chase.
21:31No, I do remember.
21:33Kristen, she was looking for a better rate.
21:35And she's very smart about that stuff.
21:37I'm sorry.
21:38Fine.
21:38It's just the way it is.
21:39You can't compete with the megabanks.
21:41No.
21:41No.
21:42We understand.
21:43Thank you for your time.
21:45Thank you for the show.
21:46I don't really know Shakespeare.
21:48That was Shakespeare, right?
21:49It was.
21:51It was very moving.
21:53Aww.
21:54Well, thank you.
21:55Yes.
21:55I'm so, I'm so glad.
21:56Yeah, good luck.
21:58You just need a theater.
22:00Uh, listen, I'm gonna ask Kristen.
22:05Uh, there's more where that came from, folks.
22:08Just come to the theater.
22:09The Millersburg Festival Theater.
22:11Eight times a week.
22:11I hope we'll be there.
22:12Oh, for a muse of fire.
22:16I know, I know.
22:17I'm late.
22:19As long as you have time to work your magic.
22:21Alakazam.
22:23Hey, so, uh, I saw Jeff today.
22:26Jeff?
22:27Yeah.
22:27Jeff at the bank.
22:28Bank Jeff.
22:29Oh, Jeff.
22:30Yeah.
22:31Yeah, I haven't seen him in forever.
22:33You know, that's what he said.
22:35He said they're not servicing the mortgage anymore?
22:38You know, they're here in an hour and I have to shower, so can we just talk about this later?
22:42Well, I was talking to Richard and Jeff and, uh...
22:44Why were you at the bank with Richard?
22:47You know, you're right.
22:48Let's talk after dinner.
22:50I gotta get...
22:51I love you.
22:52Yeah, I love you too.
22:59Oh.
23:02Cucumber and crab bichyssoise with roasted chili oil and radish.
23:06That's just the start.
23:08Tell them what's coming.
23:08Oh, it's just my take on Flounder Meuniere.
23:12I dusted an almond flour and I finished it off with a brown butter thyme reduction and boiled
23:16new potatoes with parsley and chive butter and then some asparagus with a lemon parmesan sauce.
23:21And a simple little hondade and tomato salad.
23:24Bon appétit.
23:27Oh, my God.
23:29That is what they must eat in heaven.
23:34What's it like kissing a man?
23:36Hmm.
23:38I'm sorry.
23:39What's it like kissing a man in a play when you are not gay?
23:43Because I see you in the normal heart and I know you are not a gay man because I read
23:48everything.
23:48I read everything.
23:50But then I see him kissing Richard Thomas.
23:52I think, he is being gay so well.
23:55How is he doing that?
23:57How do you do that?
23:59It's not that hard really.
24:00You know, kissing a man, it's like kissing a woman.
24:03Only, she's a man.
24:06Isn't to our honoured chef, enough of you slaving away in the bowels of that jerk joint.
24:12A man of your gifts deserves his own restaurant and a chance at his Michelin star.
24:18Sláinte.
24:19Cheers.
24:20Excuse me.
24:22A jerk joint?
24:24The MFT.
24:25Look, your brother is a wonderful cook.
24:27Look, he is.
24:28And the food at the theatre is wonderful.
24:30We can't afford to do this every night, obviously.
24:34Do you do your own wigs?
24:37Uh, no, no.
24:38Someone else does my wigs.
24:40They have a mould of my head.
24:42So, Mr. Boyle.
24:44Connor.
24:45Connor.
24:45Kristen tells me that you're the saviour of the town.
24:49No saviour, Richard.
24:51Just a businessman.
24:52But honestly, there's an opportunity here for redevelopment.
24:56I can make a wee bit of money as we go along.
24:58And, uh, you know, the town gets jobs in return.
25:00You know, capitalism.
25:02Have you heard of capitalism?
25:03Rings a bell.
25:04Of course, Richard.
25:05Be knows capitalism.
25:07Did you once, not on Broadway, do Willy Lama?
25:10I did?
25:10Yes, you see.
25:12I am doing the homework.
25:14In Russia, we love this Willy play because we see the truth of this country.
25:19Great America.
25:21To throw out.
25:22Worker.
25:22Like, also.
25:23You know?
25:25My Nadia.
25:26Uh, she has a heart like an artist.
25:28She's a dreamer.
25:29You must be a dreamer, too.
25:31I mean, you must have a plan, a vision for this whole town.
25:34Let's just all enjoy this wonderful soup, hmm?
25:37Shall we?
25:37Here is one thing.
25:39To build a casino.
25:41A casino?
25:42I wasn't ready to talk about it.
25:43Yes, but you are these days.
25:45You are talking of nothing else.
25:46You say, casino this.
25:47Well, that is pretty much the truth.
25:49Yes.
25:50Well, Connor, tell us about it.
25:52Well, it's more of an entertainment complex.
25:56You know, with a shopping center and a four-star hotel and three swimming pools.
26:02Oh, I hope it's going to have one of those spouting fountains where the lights and the music are all
26:08synchronized to the spurts.
26:10Why not?
26:11And a five-star restaurant for John to do his cooker.
26:14Really?
26:14Right here in Millersburg.
26:15You know, that came to me when I tasted this fucking soup.
26:18So, we're going to become a casino town.
26:19With a restaurant for me.
26:20It's the perfect location.
26:22It will have a theater.
26:23It will have a big theater for you.
26:25Also, celebrity acts, right?
26:28Big draws.
26:29You know, like, uh, Barry Manilow.
26:32You know, someone people will actually pay money to see.
26:35Did you know about this dream of Connors?
26:38I did not.
26:39But it's still, it's intriguing.
26:41Why not make Millersburg a destination for thousands of tourists to spend money and have a good time?
26:47I mean, everyone wins.
26:49Except most people.
26:50Most people lose.
26:51Miranda?
26:51What?
26:52She's right.
26:52I mean, that is how we make money.
26:54I'm not going to lie to you.
26:55I fucking love craps.
26:56Hey!
26:57Who wants more wine?
26:58Where are you thinking about building this?
27:00Where are you building it?
27:00Well, I've looked at several, you know, possible locations.
27:03Oh yeah, and I just bought that old hotel up in, uh, Berryhill?
27:08The Morrison.
27:09Yeah.
27:09That has a big enough footprint for the main building.
27:11The Morrison is a heritage building.
27:13It's a landmark.
27:14Mom?
27:16Do you have a name for this in mind?
27:18No.
27:19Not yet.
27:19Might I suggest the Golden Boyle?
27:22Woo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo
27:24-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo
27:24-hoo-hoo-hoo-hoo-hoo.
27:25That's very funny.
27:26You know, I could build it right in the heart of things.
27:30I mean, the MFT site might just be big enough.
27:32I got some surveying done when I took over the loan.
27:35Oh!
27:36Wait, what?
27:36What the fuck, Miranda?
27:38What?
27:39You controlled the loan?
27:41We refinanced around two years ago, and Mr. Boyle was kind enough to give us a...
27:46This theater is our family's legacy and you sold it to a developer.
27:50I did not sell it.
27:52I renegotiated for a very good rate.
27:56I mean, we have to make payments, but...
27:59Forget about the payments.
28:00Just forget about them.
28:01Let them go.
28:03Listen, why are you all killing yourselves, you know?
28:06I mean, why don't you let me build us a complex, a theater for you, and a restaurant for John?
28:12Let me make this as clear as I possibly can.
28:15We're not letting anything go.
28:17No.
28:17The theater is not for sale.
28:20It is not Kristen's theater to sell.
28:25It's our family's theater.
28:27We own it.
28:29Okay?
28:29Kristen is an employee.
28:31I am not an employee.
28:32Come on, Richard.
28:33You can't say that.
28:34How dare you?
28:34You didn't mean that, but why didn't you tell me this?
28:37What?
28:37Why did I...
28:40It was when we were putting it in the kitchen.
28:41Did you not think I could handle this?
28:43No.
28:43It was when we were putting in the kitchen.
28:46Our families did.
28:46Oh my God!
28:48What?
28:48I have been killing myself.
28:50I know you have.
28:50That's not what I'm saying.
28:52I'm really sorry.
28:53Listen to me.
28:53Can you talk to me for a second?
28:55No, I'm not going to talk to you.
28:56Listen.
28:56No, you cannot talk to me for a second.
28:58I'm very sorry.
28:59I don't want to talk.
29:00Serve the fucking flowers.
29:01Tell me, Richard, how are you remembering all those lines?
29:08Great question.
29:10Great question.
29:12Where's the flowers?
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