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00:05I don't know what to do.
00:30Let's go.
01:00Let's go.
01:35Let's go.
02:16Let's go.
02:40Let's go.
03:10Let's go.
03:14So now we are going to see the famous relic of St. Tuta. Let's go.
03:20Her femur is here.
03:23Follow me.
03:24There's the altarpiece, too.
03:26And because I don't want this visit to only be about looking at tile, right?
03:29No.
03:29I've organized with the museum, I've organized with the museum our own private workshop that
03:33not everyone is lucky enough to do.
03:34I had them prepare a room for us so we can decorate our own tiles.
03:38I mean, you obviously won't be able to tile your bathroom with them, but it'll be a great
03:42souvenir to take home.
03:43Let's go, little group.
03:44So tiles, that's like poor people's stuff, right?
03:46You need to see this.
03:50It's called Panoramic View of Lisbon.
03:54And it's attributed to the Spanish painter Gabriel Del Barco.
03:58These 75 feet of tile represent 8.5 miles of coastline.
04:03It's the best existing representation of the city before the 1755 earthquake.
04:08So somewhere in this city, there's a lost treasure someone wants to keep hidden.
04:12It's like we're in an Indiana Jones movie.
04:14But not the fourth one, the monkey one.
04:16Any of the first three.
04:17Those are the good ones.
04:39Oh, shit.
04:40Mama!
04:41Another one!
04:42Kike!
04:43Kote!
04:43I can't, I'm creating.
04:52Why a cross?
04:54This is the Portuguese cross.
04:56Many noblemen used to wear it around their necks, like the Marquis of Pombal.
05:01Do you mind holding it?
05:03I need to get a copy for my notebook, and I can't seem to get the light just right.
05:07But why does this interest you?
05:09Because of Fernando Paredes.
05:11It seems he might have been...
05:13I'm so sorry.
05:14I really shouldn't share details about the investigation with you.
05:17Are you still investigating?
05:19So is that why they arrested Alicia?
05:21No, she got caught stealing.
05:23That's what my mom said.
05:25No, she was just following your clue.
05:26Yeah, right.
05:27In a carriage museum.
05:39Fabio, where are you going?
05:42Okay, maybe Nicolau isn't our killer after all.
05:45But he knew something about Fernando, therefore about the treasure.
05:48But you don't even know where he lives.
05:49Well, let's just say I'm resourceful.
05:52No.
05:54No, you can't go.
05:55Hang on.
05:56Since when are you in charge?
05:57Ever since I realized you'd take off the second you find the next clue.
06:02Okay, I get it.
06:03We spent four days together, and you think you know me?
06:06On the contrary.
06:08I don't know you.
06:10So I don't trust you.
06:13Well, I don't know you either, Alicia.
06:15Now that you mention it, I don't know Sherlock Holmes or Miss Marple either.
06:19Very well.
06:20Arsene Lupin.
06:22What do you want to know?
06:27Well, why did you really come to Lisbon?
06:28And why have you been following me since we got here?
06:34I find you attractive.
06:36Like all women do.
06:50Listen, little group.
06:51In one hour, we'll be heading off to the Agua's Libris Aqueduct.
06:54Oh, great.
06:54So today, in addition to eating bad food, we'll be eating bad food in a rush.
06:58This is truly unbelievable.
06:59If anyone's claustrophobic, tell me now, okay?
07:01Because there are underground galleries, of course.
07:03Okay, see you in an hour.
07:04One hour?
07:04Yes.
07:05Okay.
07:07Goodbye.
07:13The kid's easy to keep an eye on, because he's always with his parents.
07:16But the other three slip away more often.
07:18I never know who to follow.
07:21You don't have to follow anyone.
07:24Just keep me informed.
07:25That's all.
07:25Oh, well, it would have been easier if I could have kicked them out.
07:27But I guess it's a good excuse, at least, for us to talk in person.
07:35Bruno, we seem to have a problem.
07:36If you're having stomach cramps, I promise there's no way on earth it could have been the mushrooms.
07:39No, there's a leak in the bathroom and water's everywhere.
07:41Isn't he laughing?
07:42Okay, understood.
07:43The plumbing in this hotel belongs in a museum.
07:45Julio Iglesias wanted to buy the ones in his room last year.
07:48His offer was dizzying, but I said no.
07:50Oh, I'll do it myself.
07:51Thank you, but you should really hurry.
07:53Danny.
07:54Danny, come here.
07:56Come on, hurry.
08:00Be the lookout, okay?
08:01I need to get something important.
08:02What is it?
08:02Just guard the door.
08:05Oh, no.
08:06The adventure of the Glorious Scott.
08:08The adventure of the Musgrave Ritual.
08:09The study in Scarlet.
08:10The adventure of the speckled band.
08:11The man with the twisted lips.
08:12The adventure of the old batch of the...
08:13What are you listening every time I can...
08:14The adventure of the Second Stain.
08:15The scandal in Bohemia.
08:16What are you listening?
08:16The orange pencil in case of identity.
08:18The adventure of the blue carbuncle.
08:19The adventure of the Bruce Partington plan.
08:33Don't you want to sit down to eat?
08:34No, I'm being a lookout.
08:35A lookout?
08:37A lookout for what?
08:40Hmm.
08:44Hello.
08:50Is something wrong?
08:52My father had something in his eye.
09:16Do you like flamingos?
09:18Why do you ask?
09:23Oh, yeah.
09:24I don't even realize I'm doing it.
09:25They're really fascinating animals.
09:27Flamingo feces help increase the amount of soluble phosphorus in wetlands.
09:30It's incredible what we could achieve if we only recycled...
09:34I'm sorry.
09:39That has to be the worst pick-up line I've ever heard anyone use on a woman in my life.
09:45I was just trying to entertain her with light conversation.
09:48By talking about her feces?
09:50No, not hers.
09:52It was flamingo feces.
09:53Ah, well that makes all the difference.
10:08Mr. Torres?
10:09Hmm?
10:10There's some things we need to discuss.
10:11Oh, okay.
10:12What about?
10:13Not here.
10:14Okay.
10:15Where?
10:16At the station.
10:17Come on.
10:18Okay.
10:37Has he been arrested?
10:39Well, I don't believe so.
10:41It's just protocol.
10:43Either way, Fabio has been lying to us ever since we got to Lisbon.
10:46I think it might be time for him to explain himself.
10:48It's funny how you police officers are the same.
10:50You never trust anyone.
10:51I'm sorry, what?
10:52Honestly, you'd have to be blind not to notice it.
10:54You're very organized.
10:56You know about protocol.
10:57You're so serious.
11:01What I don't understand is why you didn't tell us.
11:05Unless, of course, you're here incognito investigating something else.
11:12Is that why you're here?
11:14So then you are undercover.
11:16You know you can trust me.
11:18I'll take your secret to my grave.
11:21Yes, I'm with the police.
11:25Are you here to investigate a case?
11:28Is it about Fernando?
11:29Shh.
11:31It's about Fabio.
11:32And if he finds out about me, I'm going to know it was you.
11:40So what do we do about the message?
11:42Nothing.
11:42We do absolutely nothing.
11:44What do you mean we do nothing?
11:46We need to talk to Nicolas.
11:48Nicolaou?
11:49You're right, Nicolaou.
11:50And find out what he knows.
11:52Fabio sent you the address so we could go there.
11:54Yeah, but Fabio's not the boss of this group.
11:56And Nicolaou's secondary right now.
11:58But God, Fernando.
11:59If Nicolaou knows something, we have to talk to him.
12:02And if you don't want to, well, then I'll talk to him.
12:04Pura.
12:05You know I'll do it no matter what.
12:07What will she do?
12:08Nothing, Daniel.
12:09Could you leave us, please?
12:10Please, thank you.
12:11You're going to leave me out of it again, aren't you?
12:14You never take me into account.
12:16And I'm the only one who can lead this investigation.
12:18We won't be leaving you out because we won't be doing anything.
12:21And that's it.
12:23We're going to have lunch.
12:24Then we'll do the excursion.
12:26And just wait.
12:36My assistant found many people named Fabio Torres Lozano in Spain.
12:41Unfortunately, no one fits your description.
12:44I guess that makes me hard to describe.
12:47Christina says you're the only one in a group that hasn't provided her with a copy of their photo ID.
12:53Are you saying I'm here only because of a missing photo ID?
12:56I'm not trying to take out a mortgage in a bank, you know.
13:00Do you have your ID with you?
13:03No, I left home in a hurry and I stupidly forgot it in my other wallet.
13:10Good thing you gave your ID number to Christina.
13:13Can you give it to me?
13:18That's a difficult question.
13:19It's like a game of trivial pursuit.
13:26It's 54009203Y is in Yugoslavia.
13:30My turn to choose a category.
13:32How about science?
13:41I knew you would never let me go all alone.
13:45We're inseparable.
13:46Like Cagney and Lacey.
13:48Do you know who they are?
13:48I really love that old TV show.
13:52I've been into crime stuff for all my life.
13:54Did you know that?
13:54It's because of my grandpa.
13:55The poor guy had cataracts and couldn't see.
13:57So when I was little, I would read him the crime section of the newspaper.
14:01Why'd you become a police officer?
14:02What happened?
14:03Was it because of a friend, maybe?
14:06So why'd you join the force?
14:07Was your father in the police?
14:09Huh?
14:09Was your father in the police?
14:10It's around here.
14:14There he is.
14:19So now what do we do?
14:20We wait and then we follow.
14:34Hey, isn't this super fun, Grandma?
14:36So your mom finally asked you to suck up to me.
14:38What?
14:39Took long enough.
14:40Hey, Grandma.
14:41Grandpa and you could have gotten married in Spain, right?
14:44So why get married here?
14:45We came here on vacation.
14:47You decided to propose, and of course I said yes.
14:50So we found a church.
14:52You don't have a photo of that day.
14:53At least I haven't seen one, right?
14:55You two went on vacation without a camera?
14:57Your father didn't like it when we took photos.
14:59Either that or he wasn't excited about getting married.
15:04Okay, let's try, but be careful.
15:05Grab the back of the chair.
15:06Ready, Mama?
15:08Okay, lean back.
15:09Let's do this.
15:10Okay, pull it back towards you, Mama.
15:19Now we do what they do in the movies, right?
15:21We have to follow him from a safe distance.
15:24Then call the police for backup.
15:26What are you doing?
15:26He's gonna see us.
15:43What are you doing?
15:44It's a weird time of day to be taking out the trash.
15:52It's the clue from the carriage.
15:53So then, Nicolau knocked you out yesterday.
15:57Therefore, he's the killer.
15:59He's not secondary anymore, is he?
16:03What does the riddle say then?
16:05I can't read it.
16:06He scratched it out.
16:08Is there anything else?
16:09What is this?
16:10What is it?
16:12The Count of...
16:13Marcelo.
16:14This is from the riddle.
16:15Mom, we need a photo.
16:19Look, there's more here, too.
16:21And this?
16:22The Count.
16:25The Count.
16:26Let me see.
16:27Wait, hang on.
16:30Animals, birds, crew.
16:33What are you doing?
16:34Daniel.
16:36His phone's off.
16:44Hey, tell me you went after Nicolau.
16:46Only if you tell me you're with Daniel.
16:47What?
16:48Okay, yeah, just hang on a sec.
16:53Marcelo,
16:54if the death of Fernando Paredes was of natural,
16:55can you explain why you're investigating them?
16:57The judge doesn't know what's of natural.
16:59They think they're an assassin.
17:00And you?
17:01What do you think?
17:01I think that yes.
17:02I think that the assassin can be one of them.
17:10Oh, Marcelo.
17:11Parece-se um caso importante.
17:14Podia ser este?
17:15Parece-se um caso importante.
17:17Mas ainda é cedo.
17:20Passa algum tempo com a tua mulher, com as tuas filhas?
17:23Tu não tinhas uma peça de teatro hoje da tua filha.
17:26É aà onde deves estar.
17:28E não a fazer perguntas sobre crimes que nunca aconteceram.
17:37É aà onde deves estar.
17:49I got on that tram.
18:00Well, what do you know?
18:01There's another one.
18:03Should we take that one?
18:04Let's go.
18:09Have you seen Daniel?
18:10No.
18:15Carolina,
18:17have you seen Daniel by any chance?
18:19Are you guys still playing games?
18:21You're gonna get everyone in trouble.
18:22You know that.
18:23Yeah, thanks for telling me.
18:24Where's Daniel?
18:25I saw him go that way over there with his parents.
18:27That way there with Red Sinus.
18:29Thanks.
18:29Oh, one more thing.
18:31Why didn't you tell Patricia you two didn't sleep together?
18:34I did tell her.
18:35But much later.
18:36She went crazy all day because you lied to her.
18:39What do you mean lied?
18:40You know.
18:40I know you're the one who spent the whole trip trying to get her into my bed.
18:43And there are two reasons for that.
18:45Either you feel extremely guilty for screwing her fiancé.
18:48Or you want to keep screwing her fiancé.
18:50Sorry, what?
18:51He's a physical therapist or osteopath, right?
18:53And you have a back problem he's helping you with.
18:55But maybe he's just that good.
18:57But don't you worry, okay?
18:58We liars need to stick together, right?
19:15Danny, come here.
19:23You don't have service?
19:24No.
19:25Do you?
19:25Nothing.
19:26Not in here.
19:27Hang on.
19:29Here, I got bars.
19:31Yes.
19:32I got the photos.
19:46Fabio.
19:48Hey, what's up?
19:48Tell me you're with Nicola.
19:49We're following him.
19:50He's on the tram right in front of ours.
19:52We're on a tram line.
19:53It's number 18E.
19:55And were you able to look at the words?
19:56Yes, yes.
19:56Count and king appeared before him.
19:58Once again, the king has to be Joseph I.
20:00As for the count...
20:01The count didn't count in the first riddle, so maybe he doesn't count here either.
20:05No, he cannot not count.
20:06It has to mean something.
20:08Otherwise, they wouldn't have included it in the riddle.
20:10Sure, of course, yeah.
20:11Okay, let's focus on the new words then.
20:14Madera, Miedo, and Barcelos.
20:15Barcelos?
20:16That's the rooster thing that I painted on my tile.
20:18Okay.
20:19It's also the mascot of Portugal, you know?
20:21And it's also a city that's close to, uh, Tabraga.
20:24But that's 400 kilometers away.
20:26The end of the line of this tramway is Ajuda.
20:29Madera means wood or wooden.
20:31Wooden?
20:32After the earthquake, Joseph I had his new palace built on the hill of Ajuda.
20:35But it was a cabin to start with.
20:37A wooden one?
20:38Yes.
20:38Because after the earthquake, he was terrified of close quarters.
20:41So he swore to himself he'd never stay in a construction made of stone.
20:44That's the word Miedo meaning fear.
20:46What about Barcelos?
20:47What does that mean?
20:48Should we look for a rooster when we get there?
20:50No, don't worry about that.
20:51I'll go there myself.
20:52See you later.
20:52Bye.
20:55Good.
20:56You stay here, okay?
20:56Hang on.
20:57Wait.
20:58I'm going with you.
20:59No, you can't.
21:00I'm sure your parents are looking for you.
21:01Good job, kid.
21:08Daniel.
21:09Daniel, come down here.
21:21Come down here.
21:38Excuse me.
21:39Excuse me please.
21:40Excuse me.
21:56Sweetheart, where did you go?
21:58Please try not to get sidetracked again, okay?
22:00Come on.
22:03Bathroom.
22:04What did you say?
22:05What?
22:06I have to go to the bathroom.
22:07I need to pee.
22:08Okay.
22:09Or maybe something else that'll take more time than that.
22:12Okay, fine.
22:13Go ahead.
22:13We'll wait here for you.
22:14Go on.
22:15Go.
22:15Hurry up.
22:26Okay.
22:27Fabio!
22:27Wait.
22:28No, what are you doing here?
22:29Go back to your parents.
22:30No.
22:30What do you mean no?
22:31Now's not a good time.
22:32We'll call you later.
22:33You're not going to leave me out again.
22:35What?
22:36Hang on a second.
22:37What can we do?
22:37Um, fine, you're in.
22:40Get in.
22:41Let's go.
22:45What's wrong, huh?
22:52Continue on.
23:02Are we supposed to find a rooster here?
23:06This will take us forever.
23:33Do you think maybe we should call the police now?
23:35They should look for the rooster.
23:47The rooster isn't here.
23:49Torredo galo.
23:50Galo means rooster.
23:52Let's go.
24:16No, the seat covers are too rough.
24:18No, the seat covers are too rough.
24:20The seat covers are too smooth.
24:21The chauffeur's too young.
24:22The chauffeur's too old.
24:24We're in the middle of a chase to catch a killer to find a treasure.
24:27Technically, we haven't started the chase yet.
24:36Are trams okay?
24:37No, there are too many germs.
24:38How about a bus?
24:39You were on one recently.
24:40But it was the agencies.
24:42The local buses are cleaned way less efficiently and way less frequently than the tramways are.
24:46No, I was a bus driver in 2011 and they cleaned them every day.
24:49So if none of these are good, what do you suggest?
24:56You've got to be kidding me.
25:15That's for yesterday.
25:17What on earth are you doing?
25:18Have you gone crazy?
25:24Got it.
25:25Let's go.
25:25Come on.
25:26He won't stay unconscious for long.
25:27Bate, bate, bate coração, vou com o louco de emoção.
25:35A imagem assim não será o meu amor triste.
25:42Vai dar tempo pra viver.
25:45Vai dar jeito pra viver.
25:49O teu primeiro amor.
25:54Tchau.
25:57Gonzalo.
25:58Queres?
25:58Hello.
25:59How are you?
26:00This is Puro.
26:01Puro?
26:02I'm the tourist from Spain.
26:03With the murder.
26:04How did you get this cell number?
26:08I'm sorry.
26:09I'm sorry.
26:09Please, excuse me.
26:10Sorry.
26:11Excuse me.
26:12I'm sorry.
26:13Sorry.
26:14Daniel.
26:16Daniel.
26:22David.
26:24David.
26:25What are you doing?
26:26Getting him a pillow?
26:27He doesn't need one.
26:29He's already awake.
26:30Hurry up.
26:33Quick.
26:33Come on.
26:34Here, put this on.
26:35Wait, what?
26:36How do you?
26:36Once you're on, you have to lean forward to accelerate.
26:38And you lean back to slow down or stop.
26:40You use your elbows when you turn.
26:41It's easy.
26:42You'll see.
26:42What are you doing?
26:42Hurry.
26:43Put your helmet on, Puro.
26:43Put it on.
26:44We have to go now.
26:45Are you sure?
26:45Come on.
26:46Get on.
26:46Yes.
26:46Trust me.
26:47Okay?
26:47Quick.
26:47He's coming.
26:48Come on.
26:49We have to move now.
26:51Ah!
27:07What's that?
27:09I need to go.
27:10I need to go.
27:17Please let me hide.
27:18How are you, Jim?
27:19Javio?
27:19Yeah?
27:20We have the next clue.
27:21A Nicolau.
27:23Well, he's hot on our trail.
27:25Why are you yelling?
27:25Where are you?
27:26Trying to escape on a segue.
27:28This is going to be the most ridiculous chase in history.
27:30You're not alone.
27:35Put us right.
27:36We need to get him to go to the police station.
27:38Yeah, but what are we going to tell them?
27:39That we think he's a killer because he fixed a light the same way in two places?
27:42We don't have any proof that he did it.
27:44Hey, so where should we go?
27:45Go to the hotel, okay?
27:49I've been playing so far.
27:51Where are we going?
27:52To the hotel.
27:54Yeah, we're on our way.
27:55But, um, it's going to take us a while to get there.
28:06No, it looks like he's moving fast.
28:08He must be...
28:09I don't know.
28:10Is he running?
28:11Oh, Christina, I think he's running away from someone.
28:14Hey, why would he be running away?
28:15And where would he be going anyway?
28:17He keeps running at a steady pace.
28:18No, it doesn't look like he's running slow for a car.
28:19Look how fast he's going.
28:20I mean, can't you see he's running away from someone?
28:22It's obvious.
28:23Let me tell you, these apps don't always reflect reality.
28:25Yeah, but he's running.
28:26Christina, look at him.
28:27No.
28:27Just look at him.
28:28Look.
28:28I don't think so.
28:29Can't you see it?
28:30Great.
28:30Now it's frozen.
28:31Okay, that's enough of that.
28:32He's running again.
28:33Oh, no.
28:33He's running again.
28:34He's moving.
28:39Alicia!
28:40How do I stop everything?
28:41Lean backwards!
28:46I'm okay!
28:48Quick, inside!
28:50Hello?
28:51Bruno?
28:53Anyone here?
28:58Where is everyone?
29:00No, come on.
29:01Come on, this way.
29:03This way?
29:03Oh!
29:05Oh!
29:11Oh!
29:20Oh!
29:22Oh!
29:23Oh!
29:24Oh!
29:24Oh!
29:25Oh!
29:25Oh!
29:26Oh!
29:33Oh!
29:34Be quiet!
29:34Oh, dear Ventress.
29:35We'll take out your phone.
29:38Shouldn't I use my flashlight?
30:00Oh, dear Ventress.
30:02Oh, dear Ventress.
30:11Oh, dear Ventress.
30:15Oh, dear Ventress.
30:17Oh, dear Ventress.
30:18Oh, dear Ventress.
30:18Oh, dear Ventress.
30:24Oh, dear Ventress.
30:51Alicia!
30:55Give me the stone!
30:56What?
30:57What did you do with the stone?
30:58I don't have it!
30:58Give me the stone!
30:59What stone?
31:00Do you mean this one?
31:06Pura! Pura!
31:12Shit.
31:22I don't know what to do with the stone!
31:40I don't know what to do with the stone!
31:43I don't know what to do with the stone!
32:11I don't know what to do with the stone!
32:11I don't know what to do with the stone!
32:38I don't know what to do with the stone!
32:40I don't know what to do with the stone!
32:41I don't know what to do with the stone!
32:51I don't know what to do with the stone!
33:11I don't know what to do with the stone!
33:50I don't know what to do with the stone!
33:51I don't know what to do with the stone!
33:56I don't know what to do with the stone!
34:06I don't know.
34:37I don't know.
35:09I don't know.
35:09Someone has a stone.
35:10Alicia.
35:11Alicia, we have to call the police now.
35:19What's wrong?
35:20Water.
35:25There's Nicola.
35:29No, no, no.
35:31Take it easy.
35:32I'm sure the electricity will turn back on soon.
35:34They sometimes turn ours off by mistake.
35:36Wait a second, Bruno.
35:37Where were you?
35:37I was at the doctor's because of my stomach.
35:39It has nothing to do with the mushrooms.
35:41Let me through.
35:42Let me see.
35:44What a nightmare.
35:51Thank you for coming.
35:53This way.
35:53Go in.
35:55Go in.
35:55Let's improve it.
35:56I have to take it easy for you.
35:58Open.
35:58Open.
36:00Open.
36:00Open.
36:01Open.
36:02Open.
36:03Open.
36:05Open.
36:06You
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