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00:05and pan yeah good yeah you see that i'm gonna be in chicago on broadway
00:15so fun if you happen to be in new york city july 4th 2023 come check out my opening night
00:22i think there might still be tickets we don't have to say 2023 because i'm dropping this tomorrow
00:29that's right yeah although for prosperity right i don't know should i do it again what do you think
00:34jane i don't know i don't do social media right yeah that's right okay here let me just have a
00:40look
00:40valerie huh we need to get you in hair and makeup oh yeah doing social media as per right got
00:47to get
00:47the snm done i'm coming all right jane patience yeah are you sick i can't get sick okay allergies
00:56been rehearsing for two weeks haven't met my cast yet so excited for them for me to meet them
01:03you hit the door yeah that's okay careful walking backwards you'll get it you're new okay did sorry
01:10jane everything okay did she block you no no you got us both no yeah i mean yeah i did
01:18okay you don't
01:19seem happy i'm sorry did i was i in your way i know jane feels like you don't want to
01:27be here
01:27well i feel like i have to be okay
01:33is it um is it because of the money because i gave that to you as a friend
01:40this is uncomfortable no it isn't no i don't even think about that 25 000 i don't when i give
01:46something i give it with my heart okay i just i feel like i'm indentured no you're not no no
01:56you're
01:56you're paying me back by the work you're doing yeah that's what indentured means no no no jane we've
02:03got we've got work to finish right i don't know oh what don't you know jane what don't you know
02:10i
02:10got to get into hair it's just it this feels like the doc we were doing 10 years ago it's
02:14not new
02:15okay uh well i'll tell you what's new uh i've never been on stage before yeah got to la and
02:23went
02:23straight into guest stardom on sitcoms she's covering all that well if she can cover all that
02:29why do i have three cameras in there i don't know well i do because we want it to be
02:34good we both do
02:35valerie yeah we are waiting for you no you're not i'm on my way perfect okay that's good yeah
02:40all right you're on board let's do our doc valerie on broadway
02:45and describe it he came toward me with a pistol from my bureau did you fight him like a tiger
02:54he had strength and she had not and yet we both reach for the god oh yes oh yes oh
02:59yes we both oh
03:00yes we both oh yes we both reach for the gun the gun the gun oh yes we both reach
03:04for the gun for
03:04the gun oh yes oh yes oh yes oh yes they both oh yes they both oh yes they both
03:08reach for the gun
03:09oh okay stop stop we have to stop again really oh yes okay oh yes oh yes oh yes you're
03:18not
03:18Hitting the downbeat with your head, your head bops need to be much sharper.
03:23Uh-huh.
03:23Okay, got it.
03:24Yeah.
03:25And your lips aren't matching.
03:27You're happy behind David.
03:28Okay.
03:29Who's David?
03:31I am.
03:32Okay.
03:32All right.
03:34Sorry.
03:34Sorry, everyone.
03:35Okay.
03:36I thought I'd have a chance to meet all of you and just say, hello, I'm Valerie Cherish.
03:40You know, so we could bond.
03:42Right?
03:42Yeah.
03:43But I get it.
03:43You've got a show tonight, so no time to be polite.
03:46I get it.
03:47Yeah.
03:47Okay.
03:48Yeah.
03:48So you need to speed up.
03:49Speed up.
03:50Well, now, the nice man I was rehearsing with for two weeks had them slow it down a bit so
03:56that I could get it, you know?
03:57He did us no favors.
03:59Okay.
03:59I'll get there.
04:00When?
04:01You have to get there now, Valerie.
04:03This is your only rehearsal with the cast.
04:05Yeah.
04:06It's just, you know what?
04:07It's just, it's all so different.
04:08That's all.
04:09You know, the music's really coming at me.
04:11You know, it's just so completely different from just the piano, right?
04:15And the drums.
04:16Wow.
04:17Are they too loud?
04:18Because it's...
04:19No.
04:20...too much.
04:20That's the beat.
04:21That's the guide track for your head balancing.
04:24Okay.
04:24Elsie, do you want to show Valerie?
04:25Oh.
04:26Yes.
04:26Oh, thank you.
04:27Great.
04:28Okay.
04:28I'm going to grab a water.
04:29Well, patience.
04:30Can I have a water?
04:32All right.
04:32Take it from the bridge.
04:34Five, six, seven, eight.
04:49Yeah.
04:51Yeah.
04:51That was...
04:52Yeah.
04:53Wow.
04:54She's a dancer.
04:54I'm not really going to be able to hit it that hard.
04:57I'm going to snap something.
04:59You know.
05:00Yeah.
05:01And question.
05:02Is this the Real Housewives version?
05:04Yes.
05:05This is the dumbed-down version.
05:07Okay.
05:07So this is the dumbed-down.
05:09Uh-huh.
05:09Okay.
05:10I'll tell you, there's no audience, so it's just so hard to feel whether or not it's working.
05:16It's not working.
05:19Yeah.
05:21Right.
05:22Yeah.
05:23Okay.
05:24Yeah.
05:24Back on his lap.
05:26Okay.
05:26Another question.
05:27Am I doing anything right?
05:30You're so funny on the lines.
05:32Ah, thank you, darling.
05:33Sorry.
05:34Wish I had time to learn your name.
05:36Steven.
05:37Well, what?
05:38My name, Steven.
05:39Ah, okay.
05:40Good.
05:40Yeah.
05:41And we're bouncing on the drum beat.
05:43Same place.
05:45Five, six, seven, eight.
05:48Oh, yes.
05:49Oh, yes.
05:49Oh, yes.
05:50We both.
05:50Oh, yes.
05:50We both.
05:51Oh, yes.
05:51We both.
05:51Each wall.
05:52I got the gun.
05:52The gun.
05:52What are you doing with your hands?
05:55I'm trying to get the rhythm down so I can practice later in my hotel.
06:02Yeah.
06:02Just trying to save my neck.
06:06Yeah.
06:07Where's the nice one?
06:08Yeah.
06:10All right.
06:11Jane.
06:11Jane.
06:12Oh, there you are, Jane.
06:13Yeah.
06:13I think all this is just NG.
06:15All of it?
06:16Why don't we take a five?
06:17That's great.
06:17A five?
06:18Yeah.
06:18Let's do that.
06:19Mark, this is hell.
06:21Okay?
06:22This is hell.
06:23Can you hear me, Mark?
06:24I can't.
06:24And, Mark, it's nothing like the movie.
06:26Now, I'm wondering, maybe I should have seen the show before I said yes.
06:30The music never stops.
06:32Song after song, it's relentless.
06:33You'd go nuts.
06:34Well, musicals aren't a thing.
06:36No.
06:37Maybe I shouldn't come.
06:38No, don't come.
06:39Yeah.
06:40I thought it would be fun.
06:41It's not fun.
06:42It's hard.
06:43And, boy, they have an issue with every single thing I do.
06:47Val, why don't you just quit?
06:48You didn't even want to do this in the first place.
06:50There's nothing else to do.
06:51Mark, the writers are on strike.
06:53I get to be in a Broadway show, you know?
06:57Can't quit.
06:59I have a contract.
07:00I really can't quit, you know?
07:03How am I quitting?
07:04I mean, it's really hard.
07:05No, no.
07:05And all those fans coming to see me for July 4th holiday.
07:09Oh, wait, did you hear this?
07:10Yeah.
07:11So, Greg and I are in the break room, and we're remembering, you know, stupid jokes that you're not allowed
07:16to tell anymore.
07:17So, I told the one about, what's the...
07:20Val?
07:20So, it's not allergies.
07:22Sorry.
07:23Are you listening?
07:23That's all right.
07:24No, sorry.
07:25We've got to go.
07:26We've got COVID here.
07:28What do you care?
07:28You had it a month ago.
07:29You're immune.
07:32Yeah.
07:38What are you doing on a costume?
07:40Oh, I told you she'd quit.
07:41I win.
07:42No, I'm not quitting.
07:43I've got a positive COVID test here.
07:47Yeah.
07:48Oh, shit.
07:49I'm getting married.
07:50I'm getting married next week.
07:51Well, but you're okay, because this is from someone on my team.
07:54She faked a COVID test?
07:56We get it, Valerie.
07:57You can't do it.
07:58Okay, who said I could?
08:00Can't dance.
08:01I can't sing.
08:02I'm not a Broadway caliber performer.
08:04Why'd you ask me?
08:06Guess they were up to the Vs.
08:07Okay.
08:08Well, you're mean.
08:09You're mean, theater folk.
08:10And I called Equity.
08:11My union rep said that you can't use my likeness for whatever it is that you're filming.
08:15You want to talk unions?
08:16Do you know what's going on out there right now?
08:18In the hall?
08:20No, on the street.
08:21Here and in Los Angeles, the Riders Union is on strike.
08:25And SAG-AFTRA is next.
08:27And I'm here working with you.
08:29I'm bobbing my head, having a good time.
08:32Doesn't feel right.
08:35Doesn't feel right to me.
08:36And I don't know how you're all allowed to be here doing summer stock while your brethren are out there
08:42on strike.
08:43Brethren?
08:44Okay, Jane, let's just break down all the cameras and go.
08:52Jane left.
08:53She told the crew that she was immunocompromised, and so she had to go.
08:57Can you cover your mouth, please?
08:59Yeah.
09:01So, okay, where'd she go?
09:02Back to the hotel?
09:03She went to L.A.
09:05Okay, well, good idea.
09:08All right, we need to go, too.
09:09Yeah.
09:10Let's go.
09:10To join your breath, friend?
09:14Yes.
09:15By TV.
09:16Okay, Elsie, you'll be doing Roxy again?
09:20Yes.
09:22Here's a rock.
09:24You know what?
09:26Broadway doesn't care, no matter how many hats and t-shirts say it does.
09:31Let's go.
09:32You get, you get, you get, you get, you get, you get.
09:36I just want to thank everybody for their enthusiasm and for their commitment by showing up today
09:42to this strike.
09:44You get, you get, you get, you get, you get over there.
09:49It's very important that we stay strong and that we stay focused, and not just on what
09:55is happening for us now, but what we will need in the near future, because AI is coming
10:02after all of us.
10:06We must wake up and smell the coffee.
10:11You get, you get, you get, you get, you get, you get, you get, you get, you get, you get.
10:17Those are all too far away, you know, and then that, you only see half of her in most
10:22of these, and then the close-up ones, no, I'm blocked by that WGA sign.
10:27Okay, well, oh, she's still here.
10:29I'm going to get it.
10:30Okay.
10:31Hi, Fran.
10:33Hi, Valerie Cherish.
10:35Oh, yes, yes, Anne.
10:35Hi, hi, thank you for being here today.
10:37Well, union, important, you know.
10:40True that.
10:41Yeah, no, can we get a quick pic?
10:42Of course.
10:43Yeah, as long as it's quick, because there's so much going on.
10:46I know.
10:47I feel like I just saw you somewhere.
10:49Where was that?
10:51Over there.
10:52Oh.
10:53Oh, there's that signature wit.
10:55Yeah.
10:56No, where was it?
10:57Somewhere.
10:57Well, I just got the Women Entertainment Power 100 Award at the Gala.
11:03Were you there?
11:04No, I wasn't, no.
11:05Oh, oh.
11:05No, I'm doing Chicago on Broadway.
11:07Oh.
11:08Yeah.
11:08We should stop going a little bit, though.
11:10Could you go a little higher, please?
11:12Yeah, well, you know what?
11:13Just didn't feel right being on stage during the writer's strike, right?
11:16Exactly.
11:16So I had to quit, you know, in solidarity.
11:19Yeah.
11:19Yeah.
11:20That's very commendable.
11:21How's it going there?
11:22Great.
11:23Okay.
11:25Oh.
11:25Oh, that's great, yeah.
11:27Oh, no, no.
11:27No.
11:28No way in hell.
11:29Okay.
11:29Okay.
11:30Thought it'd be to be quick.
11:31Yeah, I know, but if you'd stop talking, it would be...
11:33Yeah.
11:34Where was it, though, that I saw you?
11:36Could you give us a one, two, three, please?
11:39One, two, three.
11:43Oh, that's great.
11:44Okay, well, I'll see you.
11:45Well, that's not my good smile.
11:46Oh, what?
11:47That's not my good smile.
11:48Yeah, we could do another.
11:49Okay.
11:50All right.
11:50A little higher.
11:52One, two, three.
11:54There.
11:54All right.
11:55Okay, now listen.
11:56Oh, that's great.
11:57Okay.
11:58Nice seeing you, Val.
11:59My eyes closed.
11:59Honey, we're on strike.
12:01Let's just prioritize here.
12:03Okay.
12:03All right.
12:04Bye-bye.
12:04Well, thanks a lot.
12:05Bye, Val.
12:06Nice seeing you.
12:07Yeah, thank you.
12:08I know where it was.
12:09Hollywood Bowl.
12:10I saw her.
12:11She didn't see me.
12:12And that's why she didn't know.
12:14So, what else, podcast listeners?
12:16What have I been doing?
12:18Oh, saw a wonderful old movie the other night on TV.
12:23Yeah.
12:24Goodbye, Girl.
12:25Such a great old movie.
12:27Yeah.
12:27Have you seen that one, Patience?
12:28Mm-mm.
12:29Yeah.
12:30Looking it up?
12:31Okay.
12:32Goodbye, Girl.
12:33American movie, 1977.
12:36I wasn't born until 2003.
12:37Oh, and it's 2026, so that would make you...
12:4523.
12:46Okay.
12:46Yeah.
12:47Oh, that's why.
12:48Yeah.
12:48I should have told you I was watching it.
12:50You know?
12:50Then you could have watched it.
12:52We could have talked about it here.
12:54You know?
12:54Then you'd be on the pod.
12:58Yeah, next time.
13:00Okay.
13:01Well, what else do you have on my topics list?
13:04Okay, next is peach lipstick.
13:06But we're at 41 minutes, so you can stop.
13:10Okay.
13:13You have to sign off.
13:15That's right.
13:18Thanks for listening to Cherish the Time.
13:20I hope you did.
13:21I did.
13:23Okay.
13:24Yeah.
13:25Well, really need to have guests on.
13:29Mark.
13:31Mark.
13:32Honey, on your way up from Pickleball,
13:34did you happen to see a package from Amazon
13:36in the lobby for me?
13:38I didn't log.
13:39Okay.
13:39Isn't that the front desk supposed to notify us?
13:41Isn't that the reason I have a front desk?
13:43Well, things fall through the cracks, so...
13:45I do need those sneakers for my shoot tomorrow.
13:48You know?
13:49Luckily, they couldn't see my beat-up tree torns
13:51in my self-tape.
13:52Why are you buying your own costume, Bob?
13:54Don't they have a wardrobe department?
13:56It's a movie.
13:57Well, it's an indie.
13:58Okay?
13:58They don't have the money to do things right.
14:00You know?
14:01And she's a fitness trainer from the 80s.
14:03Period piece.
14:04I don't understand why you had to even audition
14:06for some little movie.
14:07You have a freaking Emmy.
14:09Well, business isn't the same as it used to be.
14:11What's up, Billy?
14:14Hello, hello, hello.
14:15Hi.
14:16Oh, I saw this on the front desk.
14:18Oh, great.
14:19Yeah, these are the sneakers for my indie shoot tomorrow.
14:22You know, the one you said is with that up-and-coming
14:24new director.
14:25Okay.
14:25Yeah.
14:25Great.
14:26Yeah.
14:27Here, brought a housewarming gift.
14:29Aw, isn't that nice?
14:31Okay.
14:32Beautiful.
14:34There she is, Miss Emmy, place of honor.
14:37Oh, yeah.
14:38People like to see it.
14:40Housewarming gift.
14:41It's been six months.
14:42Well, my first visit.
14:44And hi, Mark.
14:48Well, what do you think?
14:50Think about what?
14:51About what?
14:52About these views.
14:53Oh.
14:54Right?
14:54So sexy, huh?
14:56Yeah, we love it.
14:58Oh, really needed a change.
14:59You know, Mark and Valerie's new chapter.
15:02I couldn't be happier.
15:03Also, so close to the business now in Beverly Hills, West Hollywood, right?
15:07No more driving in from Brentwood.
15:09No more Brentwood.
15:10Yeah, well.
15:11Well, Sierra Towers.
15:13Very fancy, Val.
15:14Very fancy.
15:15Isn't it?
15:16You know, Elton John used to live on this floor.
15:18Actually, floor below.
15:21Yeah, well, the truth is important.
15:23So, I was hoping the girl who does your socials would be here, too.
15:25Are you going to take this?
15:26Yes, sure.
15:27Yeah.
15:28Patience.
15:28Yeah, she is here.
15:29Uh-huh.
15:29She's just, she's lying down in Mark's office.
15:32Poor thing.
15:32It's a migraine.
15:33Well, I have exciting Valerie news.
15:35And I thought that you might want her.
15:36To film it.
15:37Okay.
15:37So, that's why you're really here.
15:39Okay.
15:39Yeah.
15:40I'll get her.
15:40Yeah.
15:41She's been down in about an hour or so.
15:43It's always something with her, huh?
15:44Well.
15:44See, Val, I didn't say it.
15:46Okay.
15:47Fragile?
15:48Yeah.
15:48But worth it.
15:49Right?
15:50Because my socials are way up.
15:52Did you see that cute Nivea post?
15:54Oh, yeah.
15:54Was that a collab?
15:55No.
15:56It's to show that I'm open to collapse.
15:58Right?
15:58Yeah.
15:59I'll get her so you can tell me my big news.
16:02Okay.
16:03Valerie Cherish?
16:04That's me.
16:05Are you ready to work again?
16:07Well, been working.
16:09Working tomorrow.
16:10No.
16:10I know.
16:11I meant...
16:11Where have I been?
16:12Right?
16:13Did two seasons of Mrs. Hat.
16:15Was Mrs. Hat.
16:16Nobody saw that.
16:18Well, because it was on Epix.
16:20Okay.
16:20How many apps can a person have?
16:22You know?
16:23Also, I've got my podcast.
16:24Right?
16:25Cherish the time.
16:26Right.
16:27Well, today, I got a call from your old broadcast home, The Net.
16:31Oh, didn't they go belly up, though, when they tried to switch to streaming?
16:34They did.
16:35But ComSpot Communications bought them and their entire library.
16:37So now they are The New Net.
16:39Rebranding.
16:40Real smart.
16:41Yeah.
16:41And they are offering Valerie Cherish...
16:44Uh-huh.
16:44Please note that I said offer, not audition.
16:48Noted.
16:48Yeah.
16:49A starring role in their new multi-camera comedy.
16:53Wow.
16:54Right?
16:55Thrilling.
16:56I could cry.
16:57In a multi-cam.
16:58So sitcoms are making a comeback.
17:01Yeah.
17:01Knew they would.
17:02You know, people need a laugh.
17:04Now more than ever.
17:06Yeah.
17:07Oh.
17:08Okay.
17:09What's it about?
17:10I don't know.
17:11Okay.
17:12Well, what's the part?
17:13I don't know.
17:15Well, what do you know?
17:17Well, I know that you're not going to have to deal with any asshole writers.
17:21It's being written by AI.
17:25Uh-huh.
17:25Now, is that allowed?
17:28Well, it must be because they're doing it.
17:30Okay.
17:31Yeah.
17:31Can I see a script?
17:32Well, there's no script yet.
17:34They want to build it around the star.
17:36Oh.
17:37Wow.
17:38What?
17:38Yeah.
17:39What's the problem, Val?
17:40You said yes to Mrs. Hat without seeing anything.
17:42Well, no, but because I knew what shows Mandy had written on, and I liked them.
17:46So, yeah.
17:50Okay.
17:51I mean, I don't know what to say, Valerie.
17:54I think I have been a good manager.
17:57Well, Billy, you've been a great manager.
17:59You were a great publicist.
18:01You're great at everything.
18:02Well, it doesn't seem like that right now.
18:03It's not you, Billy, okay?
18:05It's without a script.
18:07I could be signing up for a show about a stripper.
18:11Okay.
18:11A sex worker.
18:12That's what they like to be called now.
18:13You think they're going to make a multicam about a 16-year-old sex worker?
18:16Is there any other show being written by AI already?
18:19I don't know.
18:20Yeah, you don't know.
18:21Okay.
18:21Alexa, are there any AI-written shows yet?
18:24I don't know if I can help you with that.
18:27Okay.
18:27See, Billy, it's not ready.
18:33Billy keeps texting me.
18:37I've been thinking, Mark.
18:38I can't take that new net meeting.
18:40You know?
18:41I can't.
18:42No.
18:42I need writers to like me.
18:44You know?
18:44And AI is what that whole strike was about.
18:47No, it was about more than AI.
18:50The streamer business model is transitioning from...
18:52No, no.
18:52AI was the villain.
18:54Okay?
18:54I was there.
18:55In the heat.
18:56Marching with those writers.
18:57Connecting with them.
18:58That whole day.
19:00Uh-uh.
19:01They'll think I'm a hypocrite.
19:02Well, what do you care?
19:04The writers never cared about you.
19:06Well, okay, but they still have power in TV.
19:09Not if AI works.
19:11Well.
19:11And you're willing to throw away an AI-written series because of this principled stand?
19:15Okay, you know what?
19:16Then I'll do an AI series next year.
19:18All right?
19:18When everyone else is.
19:21I've got a movie tomorrow, so I've got to study my lines.
19:27One work got away from a good mood.
19:29Don't wait until you've reached your goal.
19:30See, now that's a tough transition.
19:34You know, Billy talks like, I'm only on finance, dudes, because you pushed for me.
19:39What?
19:40No, no.
19:40Okay.
19:41That's not true.
19:42All right?
19:42It's a reality show, and they needed a financial expert.
19:45All right?
19:46And you were in finance and smart and real.
19:50So.
19:51Yeah, well.
19:52Yeah, perfect.
19:54I have to say.
19:55Yeah?
19:57I'm not exactly loving it.
19:58Oh, yeah.
19:59What else would I do?
20:02You can only pickle so much.
20:04Yeah, well, that's true.
20:06Oh, well.
20:11Oh, okay.
20:13Mark, I've got to study my lines.
20:15You only have six lines.
20:17Well.
20:19How about a hand job?
20:20Oh, okay.
20:22Night, Mark.
20:29Don't wait until you reach your goal.
20:34Come on.
20:36Okay.
20:37I'll get the Nivea.
20:43Sure, it's not broken.
20:44Yeah, they said I just stepped on it wrong.
20:48That one's here to meet me.
20:51Indie films.
20:52You know, small footprint.
20:54Better for the environment.
20:56Okay.
20:57You look official.
20:59Oh.
21:00So, uh, maybe you can help me.
21:02I'm Valerie Cherish.
21:04Okay.
21:07Playing Lana.
21:08Uh, I don't see a Lana.
21:12She's the fitness trainer.
21:14Oh, I have fitness trainer.
21:15No, Lana.
21:16Yeah.
21:16Well, Lana's the character name I gave her.
21:19Okay.
21:20Well, uh, day player's got a holding in the dining room.
21:22Well, here for the day.
21:23Doing all my stuff in one day.
21:25Not a day player.
21:28Okay.
21:29Don't help you hurt me.
21:31Valerie.
21:32Hi.
21:32I'm the director, Raha Agarwal.
21:35Oh, hi, you.
21:37I loved your self-tape.
21:39You brought what you wore?
21:40Oh, sure did.
21:41Yeah.
21:42Oh, amazing.
21:43You know, when I saw you in that crazy 80s getup, I thought, wow, she knows how to make
21:46something out of nothing.
21:47So fun that the fitness trainer is still stuck in the 80s.
21:51Well, yeah, but the script says, uh, in the 80s.
21:56Yeah.
21:57Everyone, everyone's in the 80s.
21:58So, yeah.
21:59No, everyone's in their 80s.
22:02Are you sure?
22:03Yeah, I wrote it.
22:05Well, it looks like in the 80s.
22:07Oh, there's a crease.
22:08Oh, I see it.
22:10Okay, yeah.
22:11So this isn't a period piece?
22:13No, it takes place today in a rest home.
22:16It's about me and my grandmother.
22:17Ah, that's sweet.
22:19Yeah.
22:19So, okay.
22:20So then, uh, so she's a fitness trainer for the elderly.
22:23Right.
22:24Okay.
22:24Uh, Johnny will take care of you.
22:26I've got to go set up a shot.
22:27Um, oh, and can you do your hair bigger to match that funny rainbow sweatband?
22:31Uh, yeah, can do.
22:33Uh, okay.
22:34So, uh, darling, you're going to have to point me to hair and makeup.
22:38Well, day players come as is.
22:40Uh-huh.
22:41Yeah.
22:43Definitely didn't hear me.
22:45Oh, my Lord and Taylor.
22:48Valerie Cherish?
22:49Aw, it's a fan.
22:51Well, hello, you.
22:52Well, hello, you.
22:54Nice to meet you.
22:55What's your name?
22:55What's your name?
22:56What's your name?
22:57Who's your daddy?
22:58Is he rich like me?
22:59Valerie, it's Tommy.
23:01Oh, hi, Tommy.
23:02Tommy Tomlin.
23:03I did guest cast hair on I'm It.
23:07I covered you when Mickey was on vacation.
23:09Vacation, that's right.
23:10Yeah.
23:10Of course, Tommy.
23:12Aw.
23:12Yeah.
23:13Sorry, I didn't recognize you.
23:15I don't join the club.
23:16I don't recognize myself.
23:18News at 11, I'm bold.
23:19Oh.
23:19I used to have that head of crazy red hair.
23:22We were the two reds.
23:24We were the two reds.
23:25That's right.
23:26Aw.
23:26Aw, so great to see you.
23:28Oh.
23:29So, are you doing the hair then?
23:31No, I'm not doing the hair then.
23:32I live here.
23:33You live here?
23:35No.
23:36Oh, thank you for acting shocked.
23:38I'm 85.
23:39Can you believe it?
23:41No, I can't.
23:42No.
23:42You look amazing.
23:43Yeah.
23:44Don't just stand there confused here.
23:47Go around here.
23:48You can do it.
23:50Where are the PAs to herd the cattle?
23:54Oh, God.
23:55This is a real rat fuck.
23:57Oh, yeah.
23:58Forget my French.
23:59Who is this gender young thing?
24:01Uh, this is Patience.
24:02She's my social media.
24:03Hi.
24:04How is it that you are starring in this piece of judo?
24:09Oh, well, just helping out for the day.
24:12You know, no good deed and no wardrobe and no hair.
24:16Well, excuse me.
24:17I'm standing right here.
24:18Could you?
24:19Can you?
24:20Well, sure I can.
24:22My hands still work.
24:23At least the right one does.
24:25There's nothing else you can do here.
24:27Oh, sorry.
24:28Dirty.
24:29Out of the way.
24:30Star coming through.
24:33Oh, stay or go, Irma.
24:35Stay or go.
24:37Valerie, take a right.
24:40You're going to have to bump it up, Tommy.
24:42You know, just found out I'm the comic relief.
24:45I have to find a way to make this funny.
24:47Being funny has never been a problem for you, Val.
24:50Everything you did on it, I meant it was hilarious.
24:53Should I keep shooting that?
24:54Yeah.
24:55Oh, yeah.
24:55That episode where Becky went to Jamaica for the office retreat, you had that cute accent.
25:01Don't expect me to touch your cola nuts.
25:04Yeah.
25:05That's right.
25:06Cola nuts.
25:08Oh, funny line.
25:10Yeah, that was a last minute pitch from the floor.
25:12Mickey and I, she asked about PR panels.
25:14Yeah.
25:15We nearly ruined the take.
25:17How is Mickey?
25:19Oh, well, we lost Mickey.
25:22Yeah, he passed away.
25:25COVID.
25:26COVID?
25:27Yeah, the first round.
25:29COVID OG, I call it.
25:31I've had it five times in here.
25:33Oh.
25:34I must be a take.
25:35Yeah.
25:36We're lucky, Miss Jarrett.
25:38Yeah.
25:38Lucky to be alive.
25:41Every day is a blessing.
25:43That's right.
25:44Yeah.
25:44I agree.
25:45You were even funny on that Mrs. Hatch.
25:48Oh.
25:48Funny on a detective show?
25:50That's hard.
25:51You had epics?
25:52No, no, no.
25:53Roku.
25:54Everybody in here likes to leave it to me for channel.
25:56Uh-huh.
25:59Music out and action.
26:02Okay, everybody.
26:03JT is blocking this cherry.
26:05You're busy.
26:06Lift those legs just like me.
26:09Keep them pumping.
26:10Move.
26:10You're only one workout away from a good move.
26:14Don't wait until you've reached your goal to feel proud of yourself.
26:17It's up to you to start making healthy choices today.
26:23Hey, is he okay or is this a bit?
26:25I only got the one page.
26:26Okay, he's having a cardiac event.
26:28Let's step away.
26:29Oh, it's not a bit.
26:30It's not a bit.
26:31Get over here.
26:31Get up, get up, get up.
26:33Oh, is he going to be okay?
26:35We have a very competent step.
26:36Move, move.
26:37Let him through.
26:39Valerie, stay in touch.
26:41I slipped my email into your purse.
26:43It's tc27atol.com.
26:46Oh, my God.
26:47So sorry about this.
26:48We'll clear it up and get back to you.
26:50Okay, clear.
26:51We're not going to get to you today.
26:52It is a whole mess.
26:53Happened yesterday, too.
26:55Oh, same guy?
26:55No.
26:56Clear.
26:57We'll get to you tomorrow.
26:58Oh, I can't come back here.
27:00Well, then you won't be in the movie.
27:01Oh, shoot.
27:03You sure you don't want to change?
27:05Oh, no, we got to go.
27:06No, because what if that poor man comes to and they want to...
27:09Oh, Billy's calling back.
27:11Yeah, hi, Billy.
27:12Yeah.
27:13Okay, listen.
27:14I'm being stupid, okay?
27:16So just set that new net meeting whenever you can.
27:19Yeah.
27:20I mean, I...
27:21Oh, okay.
27:22Oh, got to move.
27:23Yeah.
27:24Okay.
27:25So also, Billy, this was not a low-budget movie.
27:28It was a no-budget movie.
27:30Okay?
27:30There was...
27:31Yeah, we're moving.
27:32We are moving.
27:33Okay?
27:34She's got a boot on.
27:35Oh, it's not for us.
27:36Okay.
27:37Oh, it's not for us.
27:39Also, Billy, how is this an up-and-coming director?
27:42She's 12, and it's a little...
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