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00:07Lord, imagine if you would just be tuning in and that's the first thing you heard me say.
00:11Don't worry, no one's just tuning in because it's a podcast, not a radio show.
00:15Yeah.
00:18Oh, we can cut that, right?
00:20Patients will just, it's fine, right?
00:22Because it's going so well, right?
00:24I mean, just a guest makes all the difference.
00:27So much good stuff.
00:28We're going to go over the hour, I think.
00:31How long have we been talking?
00:33Um, 12 minutes.
00:35Okay.
00:37Yeah, so you know what?
00:38Maybe we don't cut it, right?
00:39Because fun blooper, right?
00:42It's really fun and it's a podcast.
00:43They're supposed to be sloppy and unprofessional.
00:46That's the charm.
00:49Do you want to open it?
00:52Today on Cherish the Time, my guest is the delightful Tommy Tomlin,
00:57part-time hairdresser on I'm It and will be doing me full-time on my new show, How's That?
01:03That's right, folks.
01:05She's dragging me out of retirement at 85.
01:08Well, why not?
01:09Age has nothing to do with quality, all right?
01:11Had a 30-year-old woman do my hair on Mrs. Hat and she just was not good.
01:16Had to do it myself.
01:18She should be whipped.
01:19I'm serious.
01:20If you have one job, do it well.
01:21Well, good thing I wore a hat.
01:23Still.
01:24Fuck her.
01:27Okay, Jane's here.
01:28Sorry, I'm late.
01:29I got stuck at Trader Joe's.
01:31Just as suspected.
01:32Podcast gold over here.
01:34Says whatever's on his mind.
01:36Well, why do I care?
01:36I'm 85.
01:37The avocado shipment came late and the day crew had to stay and stack them.
01:41Well, never happened again.
01:43As of tomorrow, I switch to nights.
01:45And I have Tuesdays off for show taping, so...
01:48Oh, well, there you go.
01:49She works at Trader Joe's?
01:51Yeah.
01:51You told me she won an Academy Award.
01:54She did.
01:55If I had an Oscar, I don't think I'd be working at Trader Joe's.
01:57Okay, Nikki, don't.
01:59Tommy.
01:59Tommy.
02:01I want you to know I love you.
02:05That's sanity.
02:06Okay, go ahead.
02:07I don't know how much time we have...
02:09Casting.
02:10It's what makes or breaks a show.
02:12I love you.
02:13Vulnerable actors putting themselves on the line.
02:16I don't know how much time...
02:17Oh, no, not this one.
02:18I want the good one.
02:19I'm home.
02:21Well, well, well.
02:23Told him you were back.
02:25Hi, Jane.
02:26Hi.
02:27Widen out to include Mark.
02:29You hear that?
02:29Yeah.
02:30I wish we had a Jane on the show I'm doing saying stuff like,
02:33widen out to include Mark.
02:35That'd be cool.
02:35Uh-uh.
02:36Did Val tell you I'm doing something called finance dudes?
02:40Yeah, she did.
02:40And what the fuck, Mark?
02:42Well, why should I be the only person not on a reality show?
02:45That's right.
02:46Got our own Mauricio right here.
02:48I don't know how much time we have here.
02:50Yeah.
02:50Marky, Mark, can you help me with this?
02:52I can't get this casting site to move forward.
02:54All I get is this guy, and I don't want to see that.
02:56So, Mark, you quit your actual finance job to do this.
03:02Why?
03:03I love you.
03:05Yeah.
03:06Because starting a new chapter.
03:08It was time.
03:10Yeah, I don't know how this works.
03:12Okay.
03:12I'll figure it out.
03:15You got ink on the chair.
03:16I did?
03:17Yeah.
03:17The suede chairs you had to have.
03:19Yeah.
03:19Now I see it.
03:20No, don't rub it.
03:21You need oxycleaning.
03:23Okay.
03:23We can fix that.
03:25We can fix it later.
03:27Pardon me.
03:28You can do it later.
03:31Why didn't Mark just get upset?
03:34Doesn't work, you know?
03:35This site doesn't work.
03:37Why can't I just have paper with a list of names and headshots on it?
03:42Why don't I have that anywhere?
03:44Oh, I do.
03:45Here it is.
03:46Oh.
03:47Oh, lifesaver.
03:49Okay.
03:50No notes.
03:52Straight to rehearsal.
03:55Can you believe it, Jane?
03:57No notes.
03:57No notes from Nunet.
04:00No, no, Nanette.
04:02That's a show.
04:04Yeah.
04:04I never saw it, but I know the title.
04:07Hey.
04:07Nice hat.
04:10Mrs. Hat fan.
04:12Oh, look at this.
04:14Stage 24.
04:16Our new home away from home for the next six years, huh?
04:21Fingers and toes crossed.
04:24Oh, look at all the movies that shot here.
04:28Oh, wow.
04:29Oh, look at Private Benjamin.
04:33Do you believe it?
04:35Oh, Jane.
04:36Now Voyager, 1942, Betty Davis.
04:40That was Mickey's favorite movie.
04:42And it was shot right here on this stage.
04:44You know, Mickey would always say, you know, whenever there was something disappointing,
04:49you know, like a dressing room or lunch order, um, he'd say, let's not ask for the moon
04:56when we have the stars.
04:59Cute, huh?
05:00Say that?
05:01Oh, look at all these legendary movies, you know, and now how's that?
05:06Can be the big TV hit for Stage 24, huh?
05:12Let's go in.
05:12Huh, we should go in, though.
05:15That was good, right, Jane?
05:17Oh, look at that porch.
05:20Oh, beautiful.
05:21Don't you just want to have tea?
05:23There, excuse me.
05:27Jimmy.
05:27Hi, Val.
05:28Yeah, I know, I know.
05:30And the script still needs work.
05:32I will.
05:32Is the studio afraid to say that to the Matrix?
05:35Jimmy.
05:36When is R2-D2 going to roll in here and collect our souls?
05:39Not really supposed to talk about that.
05:41Don't worry, Val.
05:42I know what the drill is.
05:44I'm here to see how this works and bust some balls.
05:47I'm going for a smoke break.
05:48Um, Bev, call up and find out when the writers are coming to the stage.
05:52Uh, excuse me.
05:52Uh, they're not.
05:53They're not coming today.
05:54But, uh, they said that if you guys have any notes, that I can send them up for you.
05:58And, uh, who are you, darling?
06:01Uh, Marco, the writer's assistant.
06:03Um, I think what we need is a new sweet scene.
06:13Something with some heart.
06:14That's what I was thinking, too, probably between, um, Beth and her nephew, right?
06:18Because they're the only family they have left now.
06:20Right.
06:21Maybe slip it in at the end of the pottery scene to cut the slapstick.
06:25So good.
06:25Yeah, good.
06:27Send.
06:29Already?
06:30Yeah.
06:31What?
06:31Looks almost human.
06:34Okay, kids, we're going to start in 15 minutes with the cold open where she finds her brother dead.
06:40And it's a comedy.
06:42Brother dead.
06:43Sorry, my stomach's bloating and I had to go home and change into a looser pair of pants again.
06:48There was mold at the table read and I think there's actually mold here, too.
06:53Oh, yeah?
06:53Okay.
06:54Good to know.
06:57Well, you were all so great at that table read and I knew you would be, too.
07:03Oh, um, and this is my doc crew, so just act naturally.
07:07Yeah?
07:07Okay, uh, yeah, I gotta go.
07:09Camera's up.
07:10Okay.
07:11Well, you are so handsome and talented.
07:16And you, you're a real bitch.
07:19You're a real bitch.
07:20I meant, I just meant in the show.
07:23I didn't mean.
07:25I thought we were doing improv.
07:26Oh, okay.
07:28That's fun.
07:29That's fun.
07:30Okay.
07:31I know.
07:32And hello, my longtime unrequited love interest.
07:36Hi, Valerie.
07:38Hi.
07:38Franklin.
07:39Hi.
07:40We met before on the set of Tom Peterman's show, Nicky, Nicky, Knack, Knack.
07:44I was Gary the Worm.
07:47Couldn't recognize you because I only saw this much of your face in that hole in the worm costume, right?
07:54He was in a wormhole?
07:56That's funny.
07:59That's hilarious.
08:00Walter, I'm so thrilled that you're doing this show.
08:02Oh.
08:02I really am because I've seen you in everything.
08:07Yeah.
08:08Valerie, hi.
08:09Hi.
08:09Peter Deva Prince.
08:10Everyone calls me PDP.
08:12Easier.
08:13Okay, PDP.
08:15So hilarious as those crazy triplets, you know?
08:19Leaving, coming right back as another one.
08:22So fun.
08:23I feel like I already know you.
08:25You worked with my twin brother, Ivan.
08:27Ivan Prince?
08:29Is he an actor, too?
08:31No, no.
08:31He was at USC.
08:32You hired him to work crew on something you were making, like, ten years ago.
08:36My proof of concept pilot for Andy Cohen.
08:38Such a small world.
08:40Because it turns out that I worked with PRPs.
08:44PDPs.
08:44Twin.
08:46Ivan.
08:47Yeah.
08:47No, I know Ivan.
08:48Yeah.
08:49Yeah.
08:49No, how is Ivan?
08:51He's dead.
08:53Died.
08:53Eight years ago.
08:56Yeah.
08:56Drug overdose, yeah.
08:58Oh.
08:58It was accidental.
09:00He Heath Ledger'd out.
09:02You know, I think that's why, um...
09:08I think it's why I got the triplet part.
09:11I had that really strong twin connection with my brother.
09:17And I know if he were here, you know, he would...
09:21He'd be so happy that I'm finally a series regular.
09:24Yeah.
09:27Sorry.
09:28I'm sorry.
09:29I shouldn't have brought it up.
09:30I didn't know.
09:30I didn't expect...
09:31No.
09:32No.
09:32I swear I'm still funny.
09:34No.
09:35I'm still funny.
09:36No, you are.
09:37Just, it's feelings, right?
09:39Nothing more than feelings.
09:41And I understand, R.I.P., because...
09:44PDP.
09:45Just let me get this thought out.
09:47Um, best brother Boone dies in this.
09:49Right?
09:50So much synchronicity here, right?
09:54You know?
09:56Death hurts.
09:58Right?
09:59Yeah.
09:59So you've got nothing but love and support here.
10:03I can't believe I missed the table read.
10:05The front gate didn't have my parking spot.
10:07Okay.
10:08They told me to go to the parking structure.
10:10Uh, no.
10:11Yeah.
10:12Hi.
10:13Uh, did I miss your welcome speech to the actors, too?
10:16No, I didn't do a speech.
10:18Um, one of the actors told us, um, that his brother died.
10:22And we all really connected, you know?
10:27So welcome speech wasn't really necessary.
10:30Yeah.
10:32Introduce me.
10:34Okay.
10:35Uh, so this is, uh, Billy Stanton.
10:38He's an executive producer.
10:39Hi, everyone.
10:40Hey.
10:40I'm really sorry I missed your table read.
10:42Uh, totally not my brand.
10:45But they didn't have a parking space for me.
10:47I know.
10:48Who cares?
10:48But then they tried to shove me in the structure.
10:50And once you say yes to the structure, you never get out.
10:54I'm in the structure.
10:56Yeah, so am I.
10:57Are you in the structure?
10:59No, I'm, uh, right outside here.
11:01And I'm next to you.
11:02I'm sorry.
11:03What's wrong with the structure?
11:04How can we get out of the structure?
11:07I was never supposed to be in the structure.
11:10Anyway, I just want you to know that I have an office here on the lot.
11:12And so if you need anything, anything at all, I'm here for you.
11:16Okay?
11:17See you at the Emmys.
11:18Woo!
11:19Woo-hoo!
11:19Thanks, Billy.
11:20Sorry, Mr. Sherry.
11:21Yeah.
11:22I got this.
11:23Oh, what is this?
11:24Oh, the new scene that Mr. Burroughs asked for.
11:26Already?
11:28Okay.
11:29Action!
11:30Oh, sure.
11:31I'm fine having your new wife making herself at home here, Beau.
11:35In fact, B&B can now stand for bed and bimbo!
11:41What's happened to my life, Guy?
11:44Last month, I was perfectly happy, being unhappy and alone.
11:48Now my life's hijacked by my sweet nephew and his human Dutch Buster!
11:57Oh, hey, Aunt Beth.
11:58Oh, hey.
12:00Well, here's something I know you've been waiting for.
12:02Is that my new spring bold catalog?
12:04That'd be nice to have some good news.
12:06Uh, no, actually, it's the autopsy report.
12:12That's not a joke.
12:13That's a setup.
12:15Could be worse.
12:16Not really.
12:17That's just something people say to stop from putting their eyes out.
12:23That's the joke.
12:25Yeah, so it says that Dad died of a heart incident.
12:30Apparently, his heart just gave out.
12:33Because it was so big.
12:35Your dad had the biggest heart, Beau.
12:38Probably just got tired carrying so much love.
12:43He loved you so much.
12:45Well, he loved you, too, Aunt Beth.
12:47He did.
12:49He did.
12:52And scene.
12:54Great, Val.
12:55Just trying to play a little more out front.
12:56Yeah.
12:57It'll get better when I get all the physical bits down.
12:59Oh, look who's here.
13:01The writer.
13:01Thought you weren't coming down today.
13:03Well, it's a new scene.
13:04Yeah.
13:05Thank you so much for that, because it works.
13:07Right, Jimmy?
13:08Oh, it's a nice ad.
13:09It's an aww-ick.
13:12What's an aww-ick?
13:13It's a scene where the audience goes, aww, and the writers go, ick.
13:18It's so gross and sentimental.
13:19Oh, all right.
13:20Well, do you want to tweak it, make it less ick?
13:23It's not mine.
13:24I would never write anything like that.
13:25It's Al.
13:27Who is Al?
13:29Yeah, that's the AI writing program.
13:34It's called Al Assist.
13:35They call it Al.
13:36Josh, what are you doing here?
13:38You told me you were going to take Miss Lady for a walk, and then I see her not walking.
13:43I just came down to see the new scene.
13:45Why?
13:45Let them work.
13:46He's a genius, and she's an executive producer.
13:49Well, in name only.
13:50You're the showrunners.
13:52Mary, it's aww-ick.
13:53Josh, it's fine.
13:55Did you even read it?
13:56We'll see you tomorrow at the run-through.
13:58The scene is awful, and they like it.
14:00Are you seriously competing with Al?
14:03Don't, Mary.
14:03I care.
14:04I'm the voice of the women of a certain age.
14:06Oh, my God.
14:07Our names are on the script!
14:11Well, that's upsetting.
14:13Married couple.
14:14Working together.
14:15Oh, not them.
14:16That machine wrote a pretty good scene in ten minutes.
14:19Actually, it was like 50 seconds, Mr. Burroughs, but I held it back so I wouldn't look too fast.
14:26That's lunch, everybody.
14:28That's lunch, everybody!
14:30All right, yeah.
14:31Jimmy seems concerned about AI.
14:33Yeah.
14:34How do you feel about it?
14:36Well, we needed a new scene.
14:37Got a new scene.
14:39Okay.
14:41Wardrobe.
14:42Discovering who Beth is.
14:44What does she wear?
14:46Creating all those interesting layers.
14:49And costume designers have so many great ideas.
14:52Ideas you've never even thought of.
14:57Uh-oh.
14:58Okay.
14:59Is this, um, is this good for camera?
15:01Oh, yeah, you're good.
15:02We got it.
15:03Okay.
15:04Okay, Valerie.
15:05You just want to come right here.
15:08Okay.
15:09Okay, so this is the cross-section of the world I've been living in.
15:13Okay.
15:14Um, so Catherine Hepburn, if we want to do kind of like New England's Spiky Spinster, right?
15:20Um, Mrs. Roper, uh, if we want to go fun, eccentric.
15:23And then...
15:24And then there's Maude.
15:26That was a song from the show.
15:29Maude.
15:31Yeah, if we want to do, um, overbearing in Keeper.
15:34Yeah, if.
15:35Well, okay.
15:36You know, I think that the, um, New England look's probably the closest to what I was thinking.
15:42So, yeah, except can't do the hat.
15:46Oh, I love the hat.
15:47Well, I wore a hat in my last show.
15:50It was called Mrs. Hat.
15:51I wore a great big sun hat, so.
15:54The hat is everything.
15:55Well, no, it's not everything, because you still have the, um, turtleneck and the shapeless white shirt.
16:03Wow.
16:04Um, okay.
16:05You know, it's a multi-cam.
16:07It's all overhead lighting, so it casts shadows.
16:10Right?
16:11Not gonna work.
16:15So what are, um, what are we gonna do with your hair?
16:17Do you think it would just be, like, up and gray?
16:21Why?
16:22Well, the script said woman of a certain age, so that's just reality.
16:26It's not my reality.
16:27It's not my reality.
16:27I'm a woman of a certain age, you know, and I still color my hair.
16:31Don't even know if I have any gray.
16:34Yeah.
16:35No, that's okay.
16:36I'm gonna meet with my hair guy later, so.
16:38Why don't we just talk about your department?
16:40So stay in my lane.
16:43Well, that's a way to put it.
16:44Yeah, so smart.
16:46Good, Carter.
16:47Yeah.
16:48Um, well, uh, Mrs. Roper is hilarious.
16:52That's true.
16:53Yeah, she is funny.
16:54Um, it's, but it's, it's a joke, you know?
16:57I mean, yeah.
16:58That's a, that's a real person, you know, in the real world.
17:02Mm-hmm.
17:02I don't know, what if she wore something, you know, like, well, not exactly this, but,
17:07you know, more like this.
17:08Very flattering.
17:10That's not funny.
17:11That's okay, because, you know, I'm funny.
17:13The writing's funny, and if it's not funny, I'll make it funny, you know?
17:16So not this.
17:18Right.
17:19Um, it's okay.
17:20I have, um, I have other choices.
17:21Oh, great.
17:22Okay, yeah.
17:23First, back up.
17:25Excuse me.
17:26So.
17:27Well, you really love a caftan.
17:29It's funny.
17:30Although you seem to have an aversion to funny.
17:34I don't have an aversion to funny, darling.
17:37Okay, I've done that, you know, wore the bad tracksuit and, you know, the big joke, and
17:45I'm more than willing to do that, if that's what the character is, okay?
17:48But this character is moving story along.
17:51And having feelings, right?
17:53You know, it's not one joke and out.
17:55Um, Lori has the short miniskirt and the My NSU t-shirt, right?
18:00That's a joke.
18:00Oh, I'm not doing that.
18:02How's that?
18:04I don't see her that way.
18:06Well, okay.
18:07The writers see her that way.
18:09Clearly written by a straight man, Valerie.
18:11So.
18:12Well, you think?
18:15No, um, for her, I-I don't know.
18:17Um, I see her as sexy, right?
18:21Yeah.
18:21Like, kind of like a big, like, slouchy jacket, right?
18:24And kind of like slouchy pants, very, like, fashion.
18:27You know, like, that's how I see her.
18:29Oh.
18:30Right.
18:30Except, you know what?
18:31I think the writers are going to want to see that My NSU joke.
18:34One of them told me specifically, you know, it's his favorite joke.
18:37So I'm just trying to help you, darling.
18:39I'm trying to help you.
18:41No, I, um, I think I get it.
18:43Yeah.
18:44It's just, uh, she can be the joke, but you can't.
18:48The older actress is threatened by the younger one.
18:51Ha-threatened?
18:52I'm telling you to make her sexier.
18:54You know?
18:55Put her in the miniskirt.
18:56Oh, my God, no.
18:57I'm not getting into this where an actor tells me what another actor can and can't wear.
19:00I'm not getting into that situation.
19:02Okay, but that's all right, because that's not what this situation is, okay?
19:06This isn't an actor talking about another actor.
19:08This is an executive producer talking to a costumer about what the needs of the show are.
19:15That's all, all right?
19:17So I'm just going to give you a minute to think about how you're going to make all this work.
19:22You're not even going to try anything on?
19:23No, I'm not.
19:24It's a waste of time.
19:29I liked seeing you like that.
19:30You made me so angry, Jane.
19:32Not listening to me.
19:34Like a boss lady, my way or the highway.
19:37Okay, well, no, not sure that I was doing that.
19:41Yes, you were, and I liked it.
19:44Well.
19:48You know what?
19:49Everyone deserves a second chance.
19:52Probably should have eaten something, you know?
19:54Maybe I'm hangry.
19:57Carter, second thought.
19:59I'm going to try some stuff on, all right?
20:01Okay.
20:01Yeah, yeah.
20:02Well, here I am, back in the saddle again, and if anybody asks, I'm 70.
20:08Okay.
20:09Yeah.
20:10Mm.
20:10Start filming.
20:12Okay.
20:12Got you a salad.
20:13You go left, you go right.
20:14So we can eat a dish about what just happened between me and the costume designer.
20:19Uh, I don't eat in public, but thanks.
20:21Okay.
20:23Yeah, well.
20:24Now, these are very shake and go.
20:27I haven't done my magic yet.
20:28Those aren't my wigs.
20:29Where are my wigs?
20:31The color's all wrong, and it's not going to fit my head.
20:33I have my own wigs.
20:35Okay.
20:36Yeah.
20:36Good information.
20:36Well, you know, didn't know to bring them in, you know, because you didn't remind me.
20:43Sorry, but Mickey would have either picked them up or told me to bring them in.
20:47Now, you can't.
20:48I didn't know you had wigs, so I couldn't tell you to bring them in or pick them up, because
20:52I'm not Mickey.
20:54I'll never be Mickey.
20:56Mickey isn't here.
20:57Right.
20:58Okay.
21:00Yeah.
21:01All right.
21:02You know what?
21:02I should probably look over this new scene.
21:10Valerie?
21:11Go, go.
21:12Privacy, please.
21:15Valerie, can we have a moment?
21:18Please, I can't do stairs.
21:19Oh, sure.
21:20Yeah.
21:22Sure.
21:24I'm sorry.
21:25I didn't know you had your own wigs.
21:28Well, how could you know?
21:29Yeah, I'm sorry, too.
21:30You shouldn't even have to think about this.
21:33You've got enough on your plate.
21:34Yeah.
21:35I'll have TaskRabbit pick them up and bring them to me.
21:37No, they're in my storage space, so I'll bring them in.
21:40Yeah.
21:40Thanks.
21:41That would be a big help to me.
21:42Okay, sure.
21:43Now, maybe, can I be a big help to you?
21:46Sure.
21:49This isn't really about wigs.
21:52It's about Mickey.
21:55I think you've got some unfinished business there.
22:01Well, you're wrong, but thank you.
22:04Okay, and I'll bring those wigs in.
22:11Bad boy.
22:25I thought, what's happening?
22:27Mickey's here, right?
22:29Isn't he?
22:30Are you dreaming?
22:32Oh, just, we brought him from Brentwood, right?
22:34Didn't we?
22:35Oh, yeah, yeah, yeah.
22:36I haven't seen him.
22:38I haven't seen him.
22:39I don't know.
22:40Could it be in storage?
22:41Could it be in one of those boxes?
22:44When was the last time you remember seeing it?
22:46Um, well, with all the moving craziness, I'm not sure.
22:52I know in Brentwood, I had it safe on a shelf right next to my People's Choice Award.
22:57But, yeah, you know, just until I could figure out where he'd want me to spread his ashes,
23:02you know?
23:02And that's now, because back on a sitcom, right?
23:07You know, from the second I stepped on that soundstage, Jane, I just thought, yeah, Mickey.
23:14Here he is.
23:16His favorite movie was shot on that stage.
23:18Oh, that's, there it is.
23:19That's the organizer calling me back an hour later.
23:25Hi, Cynthia.
23:27Hi, doll.
23:28Hilary, hi.
23:29Hi.
23:29Got your message.
23:30Sorry for the delay, but I have your inventory file right here with me.
23:33Oh, great.
23:34Good.
23:34Yeah.
23:35So I'm looking for, uh, Mickey's ashes.
23:37Okay, like in an hour?
23:38No, no, not an hour.
23:40No, it's in a black lacquer box, small, um, with inlaid turquoise.
23:46I designed it myself.
23:48Okay.
23:49Yeah.
23:50Uh, you said in your second text you've gone through all your personal boxes, right?
23:54Yeah.
23:54Could it be in your professional boxes?
23:58No, no, Mickey wouldn't be in professional, no.
24:02Personal.
24:02Are you sure I have it because I have a record of everything and I, I do not have human
24:09remains?
24:10Okay, well, it wouldn't say human remains, okay, because it's, you know, it's Mickey, so.
24:16You keep saying Mickey and I, I have nothing that says Mickey.
24:19Are you sure it's not in professional?
24:23Again, Mickey wouldn't be in professional.
24:27Mickey's personal.
24:28Okay, well, I come to you, but you're in Culver City and I'm in Mount Olympus.
24:32Right, okay, it's far, yeah.
24:33Yeah.
24:34Yeah.
24:34So I'll send you the PDF.
24:36Okay, thanks, doll.
24:38All right.
24:38Okay.
24:39Thanks.
24:39All right, yeah, bye.
24:40Bye.
24:41Goodbye.
24:41Bye, and thanks for nothing.
24:43$15,000 to move someone and sending a PDF.
24:47Okay, thank you.
24:49Um, you know what?
24:52I guess, yeah, just have to start over.
24:55You know, can't have lost Mickey, right?
24:59Bad enough, I couldn't be with him at the hospital.
25:04Remember, COVID, wouldn't let us visit, couldn't visit, couldn't, wouldn't let me in.
25:11I didn't want to, you know, just be there alone, sick.
25:19God.
25:23All right, you know what?
25:24Let's, um...
25:26We'll find him.
25:27No, I can't.
25:28I don't think I can spend another minute here.
25:31We'll do it another day.
25:32That's okay.
25:34Why don't we just take the wigs and go?
25:37Yeah, it's too much, you know?
25:39I mean, it's just...
25:42Ugh, freezing in here, right?
25:44For the crew's probably freezing.
25:45Let's go.
25:45Yeah, it's for their sake.
25:47Grab.
25:48Oh, you have all of them?
25:49Oh, thanks, Jane.
25:50All right.
25:51Yeah, you want to go?
25:53First dress rehearsal.
25:55Can't say I'm not a team player.
26:00Itchy.
26:02Uh, Val, I can't see your eyes, so lose a hat.
26:05Done.
26:06Okay, everybody, we're ready to go.
26:08And here we go.
26:08Let's take it from the end of the phone call before the nephew's entrance.
26:13And action.
26:16Impress!
26:17Oh!
26:18Oh!
26:19Look at you!
26:20Oh, actually, could you look at me in a second?
26:22I have had to pee since that big gulp in Mianus, Connecticut.
26:25Oh, my.
26:26That's a real place?
26:27Oh, yeah.
26:28Lori even got a t-shirt at the truck stop.
26:30Lori?
26:31Who's Lori?
26:33I'm Lori.
26:34It's L-O-R-I, no A-U-E.
26:38Lori.
26:38It's not a spelling bee, dear.
26:40Wrong.
26:41No.
26:41Excuse me.
26:42Josh?
26:42What is this?
26:43Fucking multicamers.
26:44Okay, let's cut it.
26:46Uh, where's the Mianus U t-shirt?
26:48That was my best joke.
26:49Everybody, let's cut.
26:49Where is it?
26:50I'm sorry, I...
26:52Oh, no, it's Gabrielle.
26:54Gabrielle.
26:55It's not her.
26:55The costume designer mixed it, you know, wanted her to just wear it, like, sexy, slouchy.
27:01Okay, well, I wrote Mianus U t-shirt and a short skirt.
27:05Yeah, well...
27:06Why don't we get off the stage?
27:07I'm good.
27:08I tried telling him.
27:09It's my best joke.
27:09I told him you'd want to see that.
27:11Yeah, I did.
27:12And what?
27:13He didn't care?
27:13Well, he didn't want to hear from actors, you know.
27:16No, fuck this.
27:18He's fired.
27:19Okay, Josh, calm down.
27:20Uh, where's costumes?
27:21Josh, we're not doing that on this show.
27:23This show doesn't work without Mianus U.
27:25Can someone point me to costumes?
27:27Josh, seriously, calm down.
27:30No, sorry, no!
27:32This is all hard enough.
27:34It's there.
27:35Where?
27:36It's over there.
27:37Okay.
27:38Behind the ocean.
27:39I don't see the sign!
27:41I'm sorry, I don't see the sign!
27:43You gotta be fucking kidding me.
27:45Where?
27:46Behind the thing!
27:47Yeah, that's great, that one.
27:49Okay, so for the then and outpost.
27:51That's a then.
27:51Can't you tell by the hair?
27:53Okay, in this photo?
27:54Is that a then or no?
27:55No, that's a then.
27:56I think.
27:56Kind of amazing.
27:57I haven't changed, right?
27:58Right.
27:59Yeah.
27:59Then.
28:00The music should I do?
28:01Whatever's trending.
28:02Got it.
28:03And what's this beautiful thing?
28:05What?
28:07Oh, my God.
28:08There he is.
28:10Jane.
28:11It's Mickey.
28:12Oh.
28:12Yeah, of course.
28:14I put him with the good wig.
28:16Oh.
28:16Wow.
28:18See the turquoise?
28:20Remember?
28:20Oh.
28:21That was his necklace.
28:22Uh-huh.
28:23And that's, um, remember his below tie clip?
28:26Yeah, sure.
28:27Yeah?
28:28Oh.
28:28Good for you.
28:30Yeah.
28:35Well, dear Mickey, I wish you were here.
28:43But why ask for the moon when we had the stars?
28:48Uh-huh.
28:50Uh-huh.
28:52Oh.
28:53Yeah.
28:54Okay.
28:57Oh, Mickey, Mickey, Mick, Mick, Mick.
29:00Oh, bye, buddy.
29:03Fly.
29:06Aw.
29:08Let's dance for love.
29:11Aw.
29:11Um, just so you know, the correct quote is, don't let's ask for the moon.
29:15We have the stars.
29:17Oh.
29:17Uh, my version.
29:19What are you doing up there?
29:21Oh, we're, um, just, we're done.
29:23We're coming down.
29:25Jane, did you get that?
29:26I did.
29:27It was great.
29:28Yeah.
29:29Right.
29:29Come down from there now, please.
29:31Yeah, we're coming.
29:32Now.
29:33Yep.
29:34Now, now.
29:34We're coming.
29:35You can put your blowhorn.
29:37Wait, what?
29:38Bowhorn.
29:38Blowhorn.
29:40Oh.
29:41Scaffold's from Orkman only.
29:42Wasn't it perfect?
29:44It was open.
29:45It just flew all over the lot.
29:46It's beautiful.
29:47Oh, did you see?
29:48It's like a mist.
29:49Oh, Jane?
29:50Yeah.
29:51Yeah.
29:51What happened?
29:52Sorry, I got an umbrella.
29:53The umbrella got caught up.
29:56Okay.
29:57You okay?
29:58I'm good, I'm good.
30:00Didn't you think that was perfect?
30:02I didn't know that it was better.
30:03It's humorous.
30:05Aw.
30:07Let's dance.
30:09Let's dance.
30:10Let's dance.
30:12Let's dance.
30:14Let's dance.
30:16Let's dance.
30:18Let's dance tonight.
30:26Let's dance.
30:27Let's dance.
30:31Let's dance.
30:31Let's dance.
30:33Let's dance.
30:34Let's dance.
30:37Let's dance.
30:38Let's dance.
30:39Let's dance.
30:40Let's dance.
30:40Let's dance.
30:40Let's dance.
30:40Let's dance.
30:40Let's dance.
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