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Today in Iran dance is forbidden. Despite travel restrictions, two young Iranian dancers arrive in Rotterdam to meet a surviving member of Iran's former national ballet. In pre-revolutionary Iran the ballet company toured the world, performing both Persian-themed and classical dances. The story of two generations of dancers, and the deep gap of understanding between them, is also the story of two very different countries, Iran yesterday and today.
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00:12This video is made possible by the
00:14The
00:30We are all over the place.
00:40The language has been a great way.
00:42The language of the language of Iran is a great thing.
00:44It is both there and it is not.
00:46The discussion does not need to be judged in the private sector.
00:49And the language of the language of the language is not the one.
00:53The ones who are little different,
00:56they are still in the way.
01:00I'm not a film, I'm not a film.
01:03But the problems of the young people are not very difficult
01:07from what I'm doing to do in Iran.
01:39I remember that I was seven, eight years old and I was very excited.
01:43In the homes where I was using my own house,
01:47I had to develop a lot of things and I had to start acting.
01:51I was always in my own shoes and I kept on my own shoes.
01:55I kept on my own clothes and I kept on my own clothes.
02:03I'm not a person who is in the hospital.
02:05They make me happy.
02:09They make me happy.
02:11I also thought I was a man to go back.
02:15Now, when I'm talking about the medical side...
02:19I can't tell that people don't know what medical medical side is.
02:23It's like I'm a kid, I don't have to worry about it.
02:30I think that the way I chose...
02:37...it's a very nice thing to think about it.
03:04Iran's own children with their own
03:07and their own experiences.
03:11The first place in Iran is the most important
03:12children with the
03:13human rights,
03:13and they are not about their own
03:15and their own experiences.
03:16They are so important
03:17that they can find their feelings
03:21They can't change their bodies and they can't change their lives.
03:46I'm going to go to the next year.
03:56I started the modern style of the year 90's and 94's.
04:07I'm a fan.
04:10I have a strong style for a fan and a strong style.
04:14But for a fan...
04:18I'll leave behind.
04:20I have a hard time for a fan.
04:24I'm a fan.
04:27I'm a fan.
04:28I'm not a fan.
04:31I can't do anything.
05:03I'm a fan.
05:04I can't do anything.
05:05Oh, I'll leave.
05:17I need some panic disorder.
05:18I'm making a bad situation and a bad situation.
05:32I will not be able to show my friends and my friends.
05:36I will be able to take care of my friends.
05:38I will be praying for my friends.
05:39I will be praying for my friends.
05:52I don't know.
06:47I don't know.
07:02I don't know.
07:08I don't know.
07:09I don't know.
07:18I don't know.
07:20I don't know.
07:49I don't know.
08:29I don't know.
09:01I don't know.
09:02I don't know.
09:14I don't know.
09:18I don't know.
09:25I don't know.
09:30I don't know.
09:32I don't know.
09:42I don't know.
09:57I don't know.
10:29I don't know.
10:41I don't know.
10:43I don't know.
10:44I don't know.
11:27I don't know.
11:30I don't know.
11:59I don't know.
12:01I don't know.
12:08I don't know.
12:37I don't know.
12:39I don't know.
12:59I don't know.
13:00I don't know.
13:01I don't know.
13:11I don't know.
13:21I don't know.
13:26I don't know.
13:29I don't know.
13:31It's been a long time.
14:04and in the city of the city of the city of the city.
14:07The archive has been very much in the city
14:10and I will not be able to show anything
14:14to the city of the city of the city of the city
14:17or the city of the city.
14:35I was born in June 1930 of mixed parents in Tehran, Iran.
14:54I was a thin, feeble-looking child, having contracted malaria when I was about five years old.
15:02My mother thought that exercise and dancing lessons would improve my health.
15:11She could not foresee that it would be the start of my future career as a dancer.
15:25I am the Prime Minister of Highest Land, Iran, international community and international nation.
15:39I am the President of Nijad Ahmadzadeh.
15:43I like the Prime Minister of Highest Land, Iran.
15:45I am a medical specialist, in theuminati, and the national majority of the world's national women.
15:52I was born until 45 years old.
16:01We came here and we came back to the village.
16:05We came back to the village and we came back to the village.
16:07We didn't have a private job.
16:10We went back to the village for two years.
16:12But we didn't have to go back to the village.
16:14We didn't have to go back to the village.
16:16I was 93 years old.
16:18I was 87 years old.
16:20We lost our lives.
16:25Do you think the people who are now in Iran are in the village?
16:31We don't.
16:31We don't.
16:32We don't.
16:33We don't.
16:34We don't.
16:35We don't.
16:36We don't.
16:37We don't.
16:41We don't.
16:44Where does it go?
16:51Let me show you.
16:53It always went to the village center.
17:01The village center gave me the village center in France.
17:03. . . .
17:33Do you think we should be able to get rid of this country?
17:36Do you think we should get rid of this country?
18:15It's a very good place. I have a lot of energy.
18:20I would like to see how it was.
18:25It was a very good shape.
18:31I don't know.
18:32I'm not sure.
18:33I'm very happy.
18:35And I'm happy.
18:37And I'm happy to be here.
18:38I understand.
18:42I can't do this.
18:43I'm happy to be here.
18:46I'm happy to be here.
18:48I'm happy to be here.
19:01I have a voice for you now.
19:04I've got a voice for you.
19:06I've got a response.
19:09I'm the first person who's got the voice for you.
19:10From names...
19:10From films...
19:12Internet.
19:13It wasn't even the first one.
19:18I don't know what it was.
19:21I don't know what it was.
19:22Even before.
19:25How are you?
19:28Good morning.
19:30Good morning.
19:33Good morning.
19:34Did you get married?
19:35No.
19:39No.
19:40No.
19:40No.
19:40No.
19:40But then, let us stop the waters.
19:42We'll stop the waters.
19:45We'll get back to you all that we will come to.
19:47Yes.
19:49How long have you left?
19:5150.
19:5250?
19:53What is the time...
19:55100.
19:56Do you want to adjure?
20:00Real?
20:01Real in the day.
20:03Real in the day.
20:09Okay, let me give you a moment.
20:14Okay, let me give you a moment.
20:16Okay, let me think that you have a moment.
20:19A moment.
20:20Okay, let me go to the moment.
20:25Okay.
20:26Do you like it?
20:29Okay.
20:34Okay, let me give you a moment.
20:57I will give you a moment.
20:58I would like to give you a moment.
21:00My name is Bahara.
21:01Oh.
21:03I like to be moved here.
21:07When you have to go to the exchange,
21:10you have the right place.
21:12If you have the right place,
21:13you have the right place.
21:24I know we are in Washington area.
21:31I have been studying in Washington, and I have been studying in Washington.
21:35I'm sorry I don't have to worry about that right now,
21:41with this time frame that you gave me to me.
21:44I have been studying here, and it's a lot of difficulty
21:48that I have been able to do this.
21:51But I can give an example.
21:55Mr. Ali Pulfarrokh, who is an artistic director,
22:00was the Iranian National Ballet Company.
22:05They were with a lot of companies,
22:08when they were young, they were doing their job,
22:11and they were with Alvin Ali.
22:14I hope they have a chance,
22:17they have a chance, they have a love,
22:19and I hope they can help you.
22:25Mr. Pulfarrokh, can I ask why Iran doesn't exist?
22:28Mr. Pulfarrokh, can I agree...
22:36Mr. Ali Pulfarroats have a chance?
22:43Mr. Ali Pulfarroats have a
22:58I have no idea how to work with vocabulary.
23:13When we are in the middle of the world,
23:17we are in the middle of the world,
23:19no one knows what we are doing.
23:25For me, because of the art of art in this country, I would like to show myself a strong person.
23:34I don't care, I don't care about it.
23:40I would like to make sure that all the people of the community will be right with this art.
23:49I don't know why it's going to happen to me.
23:50What do you mean?
23:53I don't know why it's going to happen.
23:55Fahad said that it doesn't happen.
23:58But he loved me so much.
24:02He said that you are in Iran.
24:05And the kids know themselves.
24:08They're not.
24:14I don't know why it's going to happen.
24:19But it's not.
24:20The world is not in Iran.
24:23It's not in the past.
24:24It's not in the past.
24:25It's not in the past.
24:27It's not in the past.
24:29It's not in the past.
24:32It's not in the past.
24:38The world has no idea.
24:44It's not in the past.
24:45But the world has been in the past.
24:49The world has been in the past.
24:51I know that it's a lot.
24:55You have to do something.
24:57You have to do something.
24:59You don't have to do it?
25:00No, it's not.
25:02If a person is angry,
25:05he will find a way to do it.
25:07It's just a way that
25:09it's not a country.
25:12It's a way that
25:13it's a way that
25:14you can see
25:17what we're doing.
25:18But we have to do it.
25:20It's a way to do it.
25:21It's a way to do it.
25:23It's a way to do it.
25:26It's a way to do it.
25:28If we were to do it,
25:30we would know that we are.
25:33It's possible to do it.
25:35But it's not a way to do it.
25:38We don't know that we are.
25:40There is a person in the room
25:43who has to do it
25:45every day
25:45or to do it
25:48that he has to do it
25:50and he has to do it.
25:52He has to do it
25:54for a person
25:55and he has to do it.
25:57I am so happy
25:58to become a person
25:58on our own
25:58I told myself that this was very hot and the way it was very hot.
26:05I found a
26:05a
26:05a
26:06a
26:06a
26:06a
26:06a
26:06a
26:06a
26:06a
26:06a
26:07a
26:07a
26:08a
26:10a
26:20a
26:20a
26:20a
26:20a
26:20a
26:21a
26:21a
26:21a
26:22a
26:23a
26:23a
26:23a
26:24a
26:25a
26:26I came back to the day of the day of the day.
26:31A man in my clothes,
26:35Aydin,
26:37came back to me and told me
26:39that you will go outside
26:43and you will have a good deal for you.
26:45And you will not be afraid for me.
26:59We will go outside and go outside.
27:02The way we will go outside is the same.
27:05We will go outside,
27:07and we will go outside.
27:09We will go outside.
27:12We will go outside.
27:14This is a man.
27:16Okay?
27:17He will go outside only one person.
27:20One.
27:20One person is like a man.
27:22He is very emotional.
27:24Yeah, he is keeping me out with it.
27:25Four minutes to go outside.
27:28One time to go out here.
27:30Every time he will go,
27:31He will go out.
27:32He will go to you.
27:34For a few months.
27:35You will get the same to you.
27:39When you leave a month,
27:43you will reach the people who are not alive.
27:47You will go outside.
36:08No, no.
36:09Yes.
36:10He said, let me.
36:11No, no.
36:12I'm just happy to be in the dark and dark.
36:15I'm happy to be here.
36:16I want to be here.
36:19The concept of the house is a house.
36:21The house is a part of the house that you have to be able to achieve and achieve your own
36:28goals.
36:29You have to have the rules.
44:08We will go to a world of culture.
44:11This was very good.
44:13For those who came to us, it was very good.
44:18For those who came to us, it was very good.
44:18For those who came to us with their own experience,
44:21we were really good.
44:23The arts are not allowed to go to the border
44:26and the arts are not allowed to go to the country.
44:32Everyone who wants to go to the border,
44:35I will go to the border.
44:37For those who came to us,
44:43I wanted to go to the border.
44:48I wanted to go to the border.
44:49I wanted to go to the border.
44:50I wanted to talk to them.
44:50They said,
44:51why didn't we come to the border?
44:55But we couldn't go to the border.
44:58We couldn't go to the border.
44:59The same thing I had in my mind was the same.
45:02Two people had a visa.
45:04Can I go to the border?
45:06I was able to go to the border.
45:10Let me tell you.
45:12We could go to the border.
45:14But maybe you didn't go to the border with the border.
45:16The border between the border is more comfortable in the border.
45:30I don't know.
45:48You are welcome.
45:49You are welcome.
45:50You are welcome.
45:52Come on.
45:58I've been waiting for 20 years.
46:01I've been waiting for you.
46:03I'm not sure.
46:06I'm not sure.
46:07I'll give you a message.
46:08I'll ask you later.
46:12I'll wait for you to come.
46:16I'll see you later.
46:17How long did you come?
46:19I'll wait for 4 or 5.
46:21Okay.
46:22I'll wait for you to come.
46:23I'll wait for you to come.
46:25I'll wait for you to see where you're going.
46:29I'll wait for you to come.
46:31I'll wait for you to improvise.
46:55I'll wait for you to come.
46:59I'll wait for you to come.
47:02I've been waiting for you to come.
47:08a day in our country, we must remember each other very well.
47:15For me, this was only one step.
47:38Sina, nice to meet you.
47:39Hello, Sina, nice to meet you.
47:42Mustafa, nice to meet you.
47:44Hi, Gora, nice to meet you.
47:46You do your own makeup?
47:48Yes.
47:50Excited?
47:52Adrenaline?
47:55It's gonna come.
47:56Ready?
47:59Seen anything from Iranian choreographers?
48:02No, I don't think so.
48:05Is it a big thing in Iran, dancing?
48:08It's big in the way that it's forbidden.
48:13There you go.
48:14That's why we haven't experienced that.
48:18Neither being aware of it than dancing.
48:20Well, since the Islamic Republic happened 41 years ago,
48:26so it became an illegal art form.
48:28Really?
48:29Yeah.
48:30Are you watching tonight?
48:32Yes.
48:32Oh, nice.
48:33Enjoy the show.
48:34Enjoy.
48:34Yeah, for sure.
48:36There were 10 of us who were supposed to travel here to Holland together
48:40for these parts of the movie.
48:43But because of the recent situations in Iran,
48:46all of the visas were disapproved.
48:48They were canceled.
48:50The two of us, we already had visas for other projects,
48:53so we were kind of here representing everyone else who couldn't make it.
48:57Oh, wow.
48:57So that's why, actually, that I was telling Beruz the other day
49:00that since there is no structure, since there are no companies,
49:04a lot of people are involved with solo making.
49:07Oh, wow.
49:07Because, you know, you can do it in your room
49:10and then, you know, do your own research.
49:13Yeah, exactly.
49:14And it's easier to handle.
49:15And yesterday, we were in the big studio
49:17where you guys were rehearsing.
49:19So, yeah.
49:19You're sharing energy already, like...
49:22So, toy, toy, toy.
49:25Thanks.
49:26Yeah, see you.
49:27See you later.
49:27See you later.
49:28Bye-bye.
49:28Bye-bye.
50:06Bye-bye.
50:28Bye-bye.
51:04Bye-bye.
51:32Bye-bye.
51:59Bye-bye.
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