Passer au playerPasser au contenu principal
  • il y a 13 heures
Watch Museum of Innocence Season 1 Episode 6 (2026) full episode online in HD quality. Stream the latest episode of Museum of Innocence on Dailymotion now.
Transcription
00:44Oh, pleased to meet you.
00:49You're quite lucky, Mr. Faradun.
00:52And not only did you marry this wonderful girl,
00:55but she's the owner of this tricycle they brought.
01:04Oh, sorry, you're just standing there.
01:06We wanted to invite you to the wedding,
01:08but we'd heard about your father's illness.
01:11Please, come in.
01:14Fasun, don't hide behind your husband.
01:16Find a face for the beautiful roses, Mr. Kamal Rai.
01:19Come on.
01:32Let's get these roses and some water.
01:42Mr. Kamal, would you like to have her aqui?
01:45Oh, please, thank you.
01:47Have some of this.
01:48The cherries are delicious.
01:51They look delicious by there.
01:52The hair is so fresh.
02:04So, when is the baby coming?
02:11We're not planning on having one yet.
02:13Maybe when we get a place of our own.
02:23Kamal, of course, Faradun is quite young,
02:26but he's the most sought-after screenwriter
02:28in all of Istanbul.
02:30He wrote The Simit Cellar.
02:31And not just that one.
02:33I can't remember their names.
02:34In a desperate gasp of hope,
02:36I imagine that this marriage story was a joke.
02:38that they had disguised a chubby neighbor
02:40as Fasun's husband just to catch me off guard.
02:43Fava beans?
02:44You love fava beans.
02:45Thank you.
02:49And he's a distant relative of Fasun
02:51on her father's side.
02:59We used to ride bikes together
03:01when we were little kids.
03:04How nice.
03:12My only consolation was to sit across from her,
03:15gazing in silence,
03:17as one reverently admires a painting.
03:20Wow, it's really raining.
03:22My God, listen to that.
03:25It's easy picking up, doesn't it?
03:28What was that?
03:29The peril.
03:30What happened to you?
03:31What's that sound?
03:38If it hits something,
03:40I don't know.
03:40Let me see.
03:41That could be dangerous.
03:43Look, you see?
03:44Now, look at that.
03:45What a mess.
03:48I hope it doesn't hit anything.
03:51Who?
03:52Maybe we should bring up some...
03:53Look at that.
03:54What a mess.
03:56The wars don't get flooded.
03:57Well, if the water reaches that point,
04:00then...
04:00Wasn't it the same last year?
04:02It was exactly the same.
04:03Yes.
04:04Year after year.
04:05Which one?
04:06That one.
04:07The lights are off.
04:09Of course they are,
04:10but I told them,
04:11this isn't good.
04:16Please forgive me, can you?
04:24I'm very sorry I couldn't attend
04:25your father's funeral.
04:29I thought you'd be there.
04:35I thought so.
04:37But it was impossible to come.
04:40Well, isn't it true
04:41what they say, my dear?
04:42Yes.
04:43Nothing can stand
04:44in the way of water.
04:45Hey, did you see
04:46the grocer's illegal awning
04:48has blown off?
04:48Yes, unfortunate.
04:52Prasoon?
04:57Prasoon?
04:58Prasoon, what's wrong?
04:59I still feel so sorry
05:01that I didn't attend
05:02Uncle Vintas funeral.
05:03Oh, I'm just upset
05:04I loved it dearly.
05:05Right, these two used
05:06to play together
05:07as children as well.
05:08Come on now.
05:09Oh, my sweet girl.
05:10Again, my condolences.
05:11Don't cry, dear.
05:13She loved your late father,
05:15you know.
05:17Mr. Kamal.
05:20Another Aki, huh?
05:25Mr. Kamal, be careful.
05:28I'd like to wash my hands.
05:29Sure.
05:30Of course.
05:30Prasoon, honey.
05:31Show Mr. Kamal the way.
05:37Are you all right?
05:38Mm-hmm.
06:06I'll be right back.
06:08Une fois encore c'est clair que les deux de nous ont été faits pour l'un autre.
06:38Merci.
17:43Bien sûr, je vais vous prendre, la plupart de ces films sont dans les cinémas, mais je ne veux pas
17:47faire ces films encore, et grâce à vous, les films que nous faisons ne vont pas faire ces films.
17:53Et ce sont ces films ?
17:54Oh, vous savez, par exemple, une de ces films où une fille de la ville vient dans la ville et
17:59une femme de la france transforme à une femme en trois jours.
18:04Je voudrais qu'il y ait une femme de la femme en même temps.
18:06Oui, oui.
18:11Elle ne va pas être une des des relations de Cinderella.
18:19Je ne voudrais pas jouer une des relations de la femme en même temps.
18:23C'est une des relations de la femme en même temps.
18:34Donc, vous regardez des films turkis aujourd'hui ?
18:40Non, vraiment.
18:42Mais c'est comme ça aussi, vous savez.
18:44Mais maintenant, elle aime les films de turquoise.
18:50Est-ce que tu peux me l'aidera aussi, M. Ferradin ?
18:57Bien sûr.
19:23Sous-titrage Société Radio-Canada
26:32Nous savons que Fasun deserves beaucoup de plus que lui donnera.
26:36Mais ces deux sont maintenant.
26:39Il veut faire sa femme une star de film.
26:42Il va introduire à des gens de film.
26:46Si vous aimez ma fille,
26:49s'il vous plaît, s'il vous plaît, M. Kamal.
26:53Bien sûr, Anasebe.
26:55Alors, Faridin est un jeune jeune sourdé,
26:58mais le garçon n'est pas.
27:03Il n'est pas pas.
27:04Il n'est pas pas.
27:04Fasun, il n'est plus tard.
27:06Il n'est plus tard.
27:09Bien sûr.
27:10Bien sûr, si vous restez près de lui,
27:11vous donnez confiance,
27:12vous...
27:12Non, ma seule envie maintenant
27:13c'est de réparer les dommages que j'ai causé à Anasebe.
27:15Oui, c'est moi aussi.
27:19Et venez d'aller à chaque nuit que vous voulez.
27:23Venez d'aller à chaque nuit que vous voulez.
27:24Venez d'aller à chaque nuit que vous voulez.
27:24Bien sûr.
27:25Bien sûr.
27:26Pour 7 ans et 10 mois,
27:29je suis allé à Jokorjima pour voir Fasun pour dinner.
27:32C'est-à-dire 2,864 jours et 1,593 dinners.
27:39J'ai cherché chaque d'un de ces dinners avec Fasun.
27:43Même le plus tôt, le plus despairant,
27:45et le plus pride-breaking,
27:47avec immense joie.
27:52Nous avons appelé notre company après le canary.
27:54Lemon,
27:55c'était Fasun's idée.
27:561,200 liras
27:57va être transfert
27:58de mon account
27:59de Lemon Films
28:00chaque mois.
28:01Half de ça sera votre salaire.
28:02Les restes seront utilisés
28:04pour payer la rente et couper la production expenses.
28:08Nous devons submitter le script
28:09à la censure board
28:10et obtenir la censure.
28:11Mais nous devons attendre.
28:13Nous devons attendre.
28:13Nous utilisons le wait
28:14pour obtenir tout prêt.
28:15Mais si Blu Rain
28:17est censure ?
28:18Nous devons aller à Demir,
28:20le typewriter.
28:21Qui est le typewriter ?
28:22Le typewriter
28:23Le typewriter magique
28:23qui utilise son typewriter
28:25le typewriter
28:25pour améliorer les écrits
28:26les écrits.
28:27Le contraste entre rich
28:29et pauvre
28:29et mauvais
28:30et mauvais
28:30et le créateur,
28:32l'écran et la censure.
28:33Nous devons attendre
28:34à la fin du film.
28:38Sous-tit.
28:39Aujourd'hui,
28:40nous allons sortir
28:40avec des acteurs.
28:45Et donc,
28:46nous avons commencé
28:47à la notérice
28:48Pellore Bar,
28:50le déjeuner
28:51le déjeuner
28:51de nouveau riche,
28:52les écrans,
28:53les écrans,
28:54les écrans,
28:54les écrans,
29:10les écrans,
29:11les écrans.
29:12Mais les films
29:12sont les films
29:12qui vont commencer
29:15à la fin de l'année.
29:16Ma équipe et moi
29:17nous mettons vous
29:18pour la rôle de la main.
29:20Peut-être que vous
29:20pourrez-vous
29:21la première turquoise
29:22qui va faire
29:22la recognition
29:23international.
29:27Les écrans
29:28les écrans
29:29les écrans
29:30les écrans
29:30les écrans
29:30les écrans
29:31les écrans
29:31les écrans
29:32les écrans
29:32les écrans
29:32les écrans
29:33les écrans
29:33les écrans
29:36les écrans
29:41nouskins
29:43vous devez
29:44d'avoir regardé
29:45vous devez
29:46vous?lamour
29:49les divisions
29:50et le
29:52seau du soleil
29:53vous n'êtes
29:54pas même si vous n
29:55'абonnera
29:56à lui. Chaqueortal
30:00g절 les
30:01femmes nach
30:03Hoping to become stars
30:05Or the one who got feted
30:07And laughing at his jokes
30:08He bet his buddies
30:13A bottle of black market
30:14French champagne
30:15That he'd seduce for soon
30:17By the end of the month
30:20Have I made myself clear enough
30:21Mr. Kamal
30:25Why don't you take my bottle
30:26Anytime
30:28Take care
30:33Darling
30:35Let me take you away from here
30:36We can leave this place right now
30:57We'll drink to your commission
30:58Good evening
30:59Oh
30:59Good evening
31:02Who is that?
31:05That's Greenrider's wife
31:08They're saying they're going to make an art film
31:10They're searching for the male lead
31:13To play opposite the girl
31:14Are you producing it?
31:16Unfortunately I'm not to hear Tom
31:18Oh man
31:19Look
31:19That guy's the producer
31:21Another dumb well-meaning millionaire
31:29Oh
31:30I think that's Kamal Basmaki
31:36We have two famous male actors
31:38Interested in starring in our film
31:40Mr. Kamal
31:42But I don't trust those smooth-talking Lotharios
31:44We must protect Fusun
31:46From this dangerous film crowd
31:47We can't let her get involved with those guys
31:50If we go to Pelor
31:51We should go alone
31:51The meeting will be here at Lemon Films
32:00You know Fusun won't go for that
32:05Just tell her it's improper for her
32:07To be going out at night with two men
32:11Otherwise she'll damage
32:12Your family's reputation
32:13And our business
32:18Welcome Mr. Kamal
32:20Thank you Aunt Nesabay
32:21You've gone to too much trouble again
32:23Not at all
32:24Don't mention it
32:24I was craving pears
32:26But didn't get it
32:27I'll cut one up
32:28Fusun
32:29How are you?
32:32I'm not eating tonight mom
32:33I'm going to bed
32:37Evidently
32:37Fedor didn't have discussed the matter with his wife
32:50What's funny?
32:51Nothing
32:52You're laughing
32:53I'm not?
32:55Yeah sure
32:56Want to hear something that'll make you laugh even more?
33:00Mehmet and Nerjihan
33:01Every day they go out together
33:02They go out and listen to Fasile
33:04And other garbage music
33:05Nerjihan?
33:06Mehmet and Nerjihan
33:07Seven days a week
33:09No thank you
33:10I had no idea Nerjihan was into that sort of thing
33:12They're virgins
33:14Supposed to make sense
33:15And how do you know?
33:17Nerjihan told me
33:18She said the secret to having a marriage that lasts
33:21Is not having sex before you get married
33:23Yeah
33:28I've got to tell you something else
33:30Guess who I saw you
33:31Zayim regaled me with tales of his exploits
33:33Sweetening the stories to lure me back into the fold
33:36Again?
33:37I thought just then
33:38What if she's mistaking me for someone else?
33:40But the only thing I wanted to do
33:41Was be in Fusun's apartment
33:43At my beloved side
33:50The young actress in the movie I'm about to start shooting
33:53Is in the hospital after her jealous boyfriend beat her half to death
34:00When I heard the news
34:02I thought that perhaps
34:04Fusun could take the role
34:09I think it would be a fantastic opportunity
34:11For a lovely
34:12Cultured girl like Fusun
34:14Huh?
34:14What do you think?
34:17What do you think?
34:26What do you think?
34:47It's a seagull, right?
34:49Yes
34:51But I haven't been able to draw much lately, Kamal
34:57What's wrong?
35:00Ferdin didn't like to mirror the typewriter's revisions
35:02He wants to do it
35:04I spoke to him, but you should too, okay?
35:06Enough stalling, let's make my movie already
35:09I will
35:10You drew the gold beautifully
35:18Kamal, I know how it is
35:19It'll take a while to make Ferdin's art film
35:22The censors won't give us permission that easily
35:24They're suspicious of us
35:32Mr. Muzaffar
35:33He offered me a role the other day
35:35A role in his new movie
35:36Did Ferdin tell you?
35:41You went to Pelor?
35:42Yes
35:45Watch out for soon
35:47All those men are wolves
35:49Don't you worry, Kamal
35:50We're very cautious
36:04What's the story about?
36:06Who cares what?
36:09Muzaffar does those melodramatic love stories, right?
36:13I'm thinking I'm gonna do the movie
36:16Just think about it
36:22What?
36:23They're not trustworthy
36:26Ferdin should handle it
36:38I could easily see a producer like Muzaffar
36:41Making Fasoon famous all over Turkey
36:43With just one film
36:45The cramped theaters
36:46Packed with longing housewives
36:48Sex-starved single men
36:50They would all be mesmerized
36:52By her beauty
36:54If she became a famous movie star
36:57I would lose her forever
37:00Darling
37:03What if we took your parents out
37:05To a restaurant on the river?
37:07That has nothing to do with this, Kamal
37:11Well
37:12We could listen to the old Fasil songs
37:14And enjoy a pleasant meal
37:16We'll pick up Ferdin at Pelor, of course
37:19Well
37:25Ferdin
37:26We're going to the Huser restaurant in Tarabia
37:28Mr. Tariq and I will sit in the front
37:30You can sit in the back of Fasuna, Ramal
37:31Sounds good
37:32Mr. Kamal
37:34Mr. Kamal
37:35I'd love to go to Tarabia with all of you
37:40I'm afraid
37:41There's no more room
37:47I'm afraid
37:58I'm afraid
38:01.
38:01.
38:01.
38:02.
38:04.
38:05.
38:05.
38:06.
39:07Fasun, I'd heard the conversation and got intense
39:13What are you afraid of?
39:15Here, wait a minute
39:17Hey!
39:23Good evening
39:25Forgive me, Mr. Kamal
39:27I don't want to disturb you
39:28What is it?
39:29I would like to speak with Fasun's parents
39:33Good evening, sir
39:34I'd like to discuss something
39:36Tariq, he's talking to you
39:37I'm talking to you too, ma'am
39:39You're Fasun's mother, is that true?
39:41And you, sir, are Fasun's father?
39:42Yes, I am
39:43The thing is, sir
39:44Two of the industry's greatest producers
39:46Mr. Muzifer and Hael Hayati
39:48Have offered your daughter a leading role
39:50However, the offer was rejected
39:52Because the film contained kissing scenes
39:54That is not true
39:55Oh, really?
40:04Mr. Tahir
40:04We are having a family dinner tonight
40:06We have no desire to discuss the movie business
40:09You see, but I do
40:11Mrs. Fasun
40:12What are you so afraid of?
40:13Why don't you tell them you want to act on our film?
40:15You stop right there
40:17Tahir!
40:18Come off
40:18Come on
40:19Tahir!
40:19Calm down
40:20Let it go
40:21You're once been drinking
40:22These things happen
40:23Nothing to see here
40:24Bring some fried mussels and mackerel
40:26To Mr. Kmal's table
40:28Thank you, sir
40:43Fasun smoked her cigarette
40:45As if nothing had happened
40:46In that moment
40:47She made me feel like what she wanted out of life
40:51Was far more dangerous than a drunk actor
40:56This will be the headline
40:58Cinema and high society
41:00A humble piece of advice
41:02In Turkey, which boasts the world's third largest film industry
41:06A new trend is emerging
41:09Istanbul's wealthy art lovers
41:10Aren't coming to Yishikhan
41:12To have affairs with actresses like they used to
41:15But to make actresses out of girls they are already in love with
41:19The latest example is the son of a very wealthy family
41:23One of the most eligible bachelors in high society
41:26Mr. K
41:29He is so in love with the young married woman
41:32He refers to as his distant relative
41:35That out of jealousy
41:36He wouldn't even allow the art film he had commissioned to be made
41:41He reportedly said he couldn't bear to see her kissing someone else
41:45And shadows the young woman and her director husband wherever they go
41:52A few years ago
41:53This wealthy man got engaged to the lovely daughter of a retired diplomat
41:58In a ceremony at the Hilton attended by all of high society
42:02But not long after
42:03He broke off the engagement for the sake of his beautiful relative
42:06Promising to make her a star
42:14After casting a blight on the future of the refined diplomat's daughter
42:18Who had been educated at the Sabon
42:20We cannot sit idly by as this careless man does the same to the bright starlet
42:25Miss F
42:27We offer to Mr. K this humble advice
42:35Abandon your foolish passion
42:49Every encounter between a person and an object contains a story
42:57The time I bought this white purse
42:59The time I lost this earring
43:01The time I saw this newspaper
43:03There was a story
43:05When I saw this crow out the window
43:07When I washed my hands in the sink
43:09Tears streaming down my face
43:10When I picked up this cigarette butt and kept it
43:14I was in love with her
43:15And then another cigarette butt
43:17And then another
43:22Every encounter between a person and an object contains a story
43:27I'm going to open up this way
43:27I'm kind of on my own
43:30I'm kind of on my own
44:16...
44:46...
45:17...
45:18...
45:20...
45:21...
45:23...
45:24...
45:27...
45:31...
45:31...
45:33...
45:35...
45:37...
45:41...
45:44...
45:45...
45:47...
45:49...
45:51...
45:55...
45:58...
46:00...
46:02...
46:02...
46:04...
46:11...
46:13...
46:14...
46:16...
46:25...
46:26...
46:27...
46:28...
46:30...
46:31...
46:39...
46:40...
46:42...
46:43...
46:45...
46:56...
46:57...
47:00...
47:02...
47:04...
47:10...
47:15...
47:16...
47:18...
47:46...
47:47...
47:50...
47:50...
47:51...
47:52...
47:52...
48:22...

Recommandations