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Watch Museum of Innocence Season 1 Episode 6 (2026) full episode online in HD quality. Stream the latest episode of Museum of Innocence on Dailymotion now.
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00:44Oh, pleased to meet you.
00:49You're quite lucky, Mr. Faradun.
00:52And not only did you marry this wonderful girl,
00:55but she's the owner of this tricycle they brought.
01:04Oh, sorry, you're just standing there.
01:06We wanted to invite you to the wedding,
01:08but we'd heard about your father's illness.
01:11Please, come in.
01:14Fasun, don't hide behind your husband.
01:16Find a face for the beautiful roses, Mr. Kamal Rai.
01:19Come on.
01:32Let's get these roses and some water.
01:42Mr. Kamal, would you like to have her aqui?
01:45Oh, please, thank you.
01:47Have some of this.
01:48The cherries are delicious.
01:51They look delicious by there.
01:52The hair is so fresh.
02:04So, when is the baby coming?
02:11We're not planning on having one yet.
02:13Maybe when we get a place of our own.
02:23Kamal, of course, Faradun is quite young,
02:26but he's the most sought-after screenwriter
02:28in all of Istanbul.
02:30He wrote The Simit Cellar.
02:31And not just that one.
02:33I can't remember their names.
02:34In a desperate gasp of hope,
02:36I imagine that this marriage story was a joke.
02:38that they had disguised a chubby neighbor
02:40as Fasun's husband just to catch me off guard.
02:43Fava beans?
02:44You love fava beans.
02:45Thank you.
02:49And he's a distant relative of Fasun
02:51on her father's side.
02:59We used to ride bikes together
03:01when we were little kids.
03:04How nice.
03:12My only consolation was to sit across from her,
03:15gazing in silence,
03:17as one reverently admires a painting.
03:20Wow, it's really raining.
03:22My God, listen to that.
03:25It's easy picking up, doesn't it?
03:28What was that?
03:29The peril.
03:30What happened to you?
03:31What's that sound?
03:38If it hits something,
03:40I don't know.
03:40Let me see.
03:41That could be dangerous.
03:43Look, you see?
03:44Now, look at that.
03:45What a mess.
03:48I hope it doesn't hit anything.
03:51Who?
03:52Maybe we should bring up some...
03:53Look at that.
03:54What a mess.
03:56The wars don't get flooded.
03:57Well, if the water reaches that point,
04:00then...
04:00Wasn't it the same last year?
04:02It was exactly the same.
04:03Yes.
04:04Year after year.
04:05Which one?
04:06That one.
04:07The lights are off.
04:09Of course they are,
04:10but I told them,
04:11this isn't good.
04:16Please forgive me, can you?
04:24I'm very sorry I couldn't attend
04:25your father's funeral.
04:29I thought you'd be there.
04:35I thought so.
04:37But it was impossible to come.
04:40Well, isn't it true
04:41what they say, my dear?
04:42Yes.
04:43Nothing can stand
04:44in the way of water.
04:45Hey, did you see
04:46the grocer's illegal awning
04:48has blown off?
04:48Yes, unfortunate.
04:52Prasoon?
04:57Prasoon?
04:58Prasoon, what's wrong?
04:59I still feel so sorry
05:01that I didn't attend
05:02Uncle Vintas funeral.
05:03Oh, I'm just upset
05:04I loved it dearly.
05:05Right, these two used
05:06to play together
05:07as children as well.
05:08Come on now.
05:09Oh, my sweet girl.
05:10Again, my condolences.
05:11Don't cry, dear.
05:13She loved your late father,
05:15you know.
05:17Mr. Kamal.
05:20Another Aki, huh?
05:25Mr. Kamal, be careful.
05:28I'd like to wash my hands.
05:29Sure.
05:30Of course.
05:30Prasoon, honey.
05:31Show Mr. Kamal the way.
05:37Are you all right?
05:38Mm-hmm.
06:06I'll be right back.
06:08Une fois encore c'est clair que les deux de nous ont été faits pour l'un autre.
06:38Merci.
17:43Bien sûr, je vais vous prendre, la plupart de ces films sont dans les cinémas, mais je ne veux pas
17:47faire ces films encore, et grâce à vous, les films que nous faisons ne vont pas faire ces films.
17:53Et ce sont ces films ?
17:54Oh, vous savez, par exemple, une de ces films où une fille de la ville vient dans la ville et
17:59une femme de la france transforme à une femme en trois jours.
18:04Je voudrais qu'il y ait une femme de la femme en même temps.
18:06Oui, oui.
18:11Elle ne va pas être une des des relations de Cinderella.
18:19Je ne voudrais pas jouer une des relations de la femme en même temps.
18:22Je ne vois pas les films de la ville, aujourd'hui ?
18:40Non, pas vraiment.
18:42Fasuna est là aussi, vous savez.
18:44Mais maintenant, elle aime les films turkis.
18:54Tu peux me apprendre à m'amuser aussi, M. Ferradin ?
18:57Bien sûr.
26:33Fasun deserves so much more than he'll ever give her.
26:36But those two are wet now.
26:39He wants to make his wife a movie star.
26:42He'll introduce her to some film people.
26:46If you love my daughter,
26:49please watch over her.
26:51Protect her, Mr. Kamal.
26:53Of course, Anasabe.
26:56Now, Faridin is a sweet-tempered young man.
26:58But the boy is worthless.
27:04Fasun will leave him soon enough.
27:06Don't worry now.
27:09Of course, if you stay close to her,
27:11give her confidence, then you...
27:12No, my only wish now is to repair the damage
27:14I've caused Anasabe.
27:15Yes, dear, that's mine as well.
27:19And come by any night you want.
27:23Come by any night you want.
27:25Jack!
27:26For seven years and ten months,
27:29I went to Jakorjima to see Fasun for dinner.
27:31That meant 2,864 days
27:35and 1,593 dinners.
27:39I cherished each one of those dinners with Fasun.
27:42Even the toughest,
27:44the most despairing,
27:45and the most pride-breaking,
27:47with immense joy.
27:52We named our company after the canary,
27:54Lemon,
27:55which was Fasun's idea.
27:561,200 liras will be transferred
27:58from my personal account
27:59to Lemon Films every month.
28:01Half of it will be your salary, Faridin.
28:02The rest will be used to pay the rent
28:04and cover production expenses.
28:08We need to submit the script
28:09to the censorship board
28:10and get it approved as soon as possible.
28:12But will we have to wait?
28:13We'll use the wait
28:14to get everything ready.
28:15But what if Blue Rain gets censored then?
28:18Could that happen?
28:19We'll go to Demir, the typewriter.
28:21Who's the typewriter?
28:22A magical writer
28:24who uses his famous typewriter
28:25to smooth the script's raw edges,
28:27softening the contrast
28:28between rich and poor,
28:29good and evil,
28:30and crafting a hero
28:31the audience and the censored board
28:33will fall in love with
28:34by the end of the film.
28:38Get ready.
28:39Tonight we're going out
28:40with some actors.
28:45And so,
28:46we started going
28:47to the notorious Pelor Bar,
28:50the regular haunt
28:51of the nouveau riche,
28:52up-and-coming directors,
28:54and aspiring producers
28:55all hoping to bingo
28:56with film stars.
29:00Right away.
29:01How about over there?
29:03What a coincidence.
29:04I've been looking for
29:06a raven-haired girl
29:07with an innocent face
29:08from my photo novel,
29:09Mrs. Sussan.
29:10Thank you.
29:11What film is my focus for you?
29:13I have a film
29:14that will start shooting
29:15very soon.
29:16My team and I
29:17are considering you
29:18for the lead role.
29:20Maybe you'll be
29:21the first Turkish film star
29:22to gain recognition internationally.
29:27I need to see you.
29:28The awards will win.
29:30We'll go from festival to festival.
29:32You'll do it all.
29:43You three need to watch
29:45ourselves from now on,
29:46Mr. Kamal.
29:48Sorry?
29:49That producer
29:50with the expensive suit
29:51and respectable mustache,
29:53you shouldn't even let
29:55Fussun speak to him.
29:59Everyone knows too well
30:01what happens to the girls
30:02who go to his office
30:03hoping to become stars.
30:05Or the one who got fetid
30:07and laughing at his jokes,
30:08Musa,
30:08over there.
30:12He bet his buddies
30:13a bottle of black market
30:14French champagne
30:15that he'd seduce
30:17for soon by the end
30:17of the month.
30:20Have I made myself
30:21clear enough,
30:21Mr. Kamal?
30:25Why don't you take my
30:26phone call anytime?
30:27No.
30:27Pardon my insurance.
30:28Take care.
30:29Eh.
30:33Darling,
30:35let me take you away
30:36from here.
30:36We can leave this place
30:37right now.
30:57We'll drink to your commission.
30:58Good evening.
30:59Oh,
30:59it's a hot.
31:00Good evening.
31:02Who is that?
31:05That's Greenrider's wife.
31:08They're saying
31:09they're going to make
31:09an art film.
31:11They're searching
31:11for the male lead
31:13to play opposite the girl.
31:15Are you producing it?
31:16Unfortunately,
31:17I'm not to hear, Tom.
31:18Oh, man.
31:19Look,
31:20that guy's the producer.
31:21Another dumb,
31:22well-meaning millionaire.
31:29Oh,
31:30I think
31:31that's Kamal Basmaki.
31:36We have two famous
31:38male actors
31:38interested in starring
31:39in our film,
31:40Mr. Kamal.
31:42But I don't trust
31:43those smooth-talking
31:43Lotharios.
31:44We must protect
31:45Fassoon from this
31:46dangerous film crowd.
31:47We can't let her
31:48get involved
31:48with those guys.
31:50If we go to Pelor,
31:51we should go alone.
31:52The meeting will be
31:53here at Lemon Films.
32:00You know
32:00Fassoon won't
32:01go for that.
32:05Just tell her
32:06it's improper
32:07for her to be
32:07going out at night
32:08with two men.
32:11Otherwise,
32:11she'll damage
32:12your family's
32:12reputation
32:13and our business.
32:18Welcome,
32:19Mr. Kamal.
32:20Thank you,
32:20Aunt Nesabay.
32:21You've gone
32:22to too much
32:22trouble again.
32:23Not at all.
32:24Don't mention it.
32:25I was craving
32:26pears,
32:26but didn't get it.
32:27I'll cut one up.
32:28Fassoon,
32:29how are you?
32:32I'm not eating
32:32tonight, Mom.
32:33I'm going to bed.
32:37Evidently,
32:38Fedor didn't
32:38have discussed
32:39the matter
32:39with his wife.
32:50What's funny?
32:51Nothing.
32:52You're laughing.
32:53I'm not.
32:55Yeah, sure.
32:56Want to hear
32:57something that'll
32:57make you laugh
32:58even more?
33:00Mehmet and
33:00Nerjihan,
33:01every day
33:01they go out
33:02together.
33:02They go out
33:03and listen to
33:04Fasil and other
33:05garbage music.
33:05Nerjihan?
33:06Mehmet and Nerjihan,
33:07seven days a week.
33:09No, thank you.
33:10I had no idea
33:11Nerjihan was into
33:12that sort of thing.
33:12They're virgins.
33:14I suppose it
33:15makes sense.
33:16And how do you know?
33:17Nerjihan told me.
33:18She said the secret
33:19to having a marriage
33:20that lasts
33:21is not having
33:22sex before you
33:23get married.
33:23Yeah.
33:28Gotta tell you
33:29something else.
33:30Guess who I saw you?
33:31Zayim regaled me
33:32with tales of his
33:33exploits,
33:34sweetening the stories
33:35to lure me back
33:35into the fold.
33:36Again?
33:37I thought just then,
33:38what if she's
33:39mistaking me for someone
33:40but the only thing
33:41I wanted to do
33:41was be in Fasun's
33:43apartment
33:43at my beloved side.
33:50The young actress
33:51in the movie
33:52I'm about to start
33:53shooting
33:53is in the hospital
33:54after her jealous
33:55boyfriend beat
33:56her half to death.
34:00When I heard the news,
34:01I thought that perhaps
34:03Fasun could take
34:04the role.
34:09I think it would be
34:10a fantastic opportunity
34:11for a lovely,
34:13cultured girl
34:13like Fasun.
34:14Huh?
34:14What do you think?
34:47It's a seagull, right?
34:49Yes.
34:51But I haven't been able
34:52to draw much lately,
34:53Kamal.
34:57What's wrong?
34:59Ferdin didn't like
35:01to mirror the typewriter's
35:02revisions.
35:02He wants to do it.
35:04I spoke to him,
35:05but you should too, okay?
35:06Enough stalling,
35:07let's make my movie already.
35:09I will.
35:10You drew the gold beautifully.
35:17Kamal, I know how it is.
35:19It'll take a while
35:20to make Ferdin's art film.
35:22The censors won't give us
35:23permission that easily.
35:24They're suspicious of us.
35:32Mr. Moussafer,
35:33he offered me a role
35:34the other day,
35:35a role in his new movie.
35:36Did Ferdin tell you?
35:41You went to Pelor?
35:42Yes.
35:45Watch out for soon.
35:47All those men are wolves.
35:48Don't you worry, Kamal.
35:50We're very cautious.
36:04What's the story about?
36:06Who cares what?
36:09Moussafer does those
36:10melodramatic love stories,
36:11right?
36:13I'm thinking I'm gonna
36:14do the movie.
36:16just think about it.
36:22What?
36:23They're not trustworthy.
36:26Ferdin should handle it.
36:38I could easily see
36:39a producer like Moussafer
36:41making Fasun famous
36:42all over Turkey
36:43with just one film.
36:45The cramped theaters
36:46packed with longing
36:47housewives,
36:49sex-starved single men.
36:51They would all be
36:51mesmerized by her beauty.
36:54If she became
36:55a famous movie star,
36:56I would lose her forever.
37:00Darling,
37:03what if we took
37:04your parents out
37:05to a restaurant
37:05on the river?
37:06That has nothing
37:07to do with this,
37:08Kamal.
37:11well,
37:12we could listen
37:13to the old
37:13Fasil songs
37:14and enjoy a pleasant meal.
37:16We'll pick up
37:17Ferdin at Pelor,
37:18of course.
37:19Well?
37:25Ferdin,
37:26we're going to
37:27the Huser restaurant
37:27in Tarabia.
37:28Mr. Tariq and I
37:29will sit in the front.
37:30You can sit in the back
37:31with Fasuna.
37:31Sounds good.
37:32Mr. Kamal.
37:34Mr. Kamal.
37:35I'd love to go to
37:36Tarabia with all of you.
37:40I'm afraid
37:41there's no more room.
37:47in Tarabia with all of you.
38:17It was a great idea
38:19to eat here,
38:20Mr. Kamal.
38:20So wonderful.
38:21And we can come again.
38:23I'll take you.
38:25We'll come here
38:25from now on
38:26if you want.
38:27Hopefully.
38:28To your health.
38:29To your health.
38:31Cheers.
38:33Fasuna,
38:34would you like
38:34some more walnuts?
38:36Excuse me, sir.
38:38Waiter?
38:39This is delicious.
38:42so wonderful.
38:46Your friend got in a car
38:47and followed us
38:48to the restaurant.
38:51That man is not my friend.
38:53But he's the one
38:54who wanted to come with us
38:54when we left Palora, right?
38:55Yes, but he's not my friend.
38:57He does photo novels
38:58and some action movies here.
39:00I don't like him.
39:01So why did he follow us?
39:03Really?
39:04Oh, my dear.
39:05We were silent.
39:07Fasuna heard the conversation
39:08and got intense.
39:13What are you afraid of?
39:15To hear?
39:15Wait a minute.
39:17Hey!
39:23Good evening.
39:25Forgive me, Mr. Kamal.
39:27I don't want to disturb you.
39:29What is it?
39:29I would like to speak
39:30with Fasuna's parents.
39:33Good evening, sir.
39:35I'd like to discuss something.
39:36Tariq, he's talking to you.
39:37I'm talking to you, too, ma'am.
39:39You're Fasuna's mother,
39:40is that true?
39:41And you, sir,
39:41are Fasuna's father?
39:42Yes, I am.
39:43The thing is, sir,
39:44two of the industry's
39:46greatest producers,
39:46Mr. Muzifer and Hael Hayati,
39:48have offered your daughter
39:50a leading role.
39:51However, the offer was rejected
39:52because the film
39:53contained kissing scenes.
39:54That is not true.
39:56Oh, really?
40:04Mr. Tahir,
40:05we are having
40:05a family dinner tonight.
40:07We have no desire
40:07to discuss the movie business.
40:09You see, but I do.
40:11Mrs. Fasuna,
40:12what are you so afraid of?
40:13Why don't you tell them
40:14you want to act in our film?
40:15Stop right there.
40:17Tahir, come off, come on.
40:19Tahir, calm down.
40:20Get easy.
40:20Let it go.
40:21Everyone's been drinking,
40:22these things happen.
40:23Nothing to see here.
40:24Bring some fried mussels
40:25and mackerel
40:26to Mr. Kamal's table.
40:28Thank you, sir.
40:43Fasuna smoked her cigarette
40:45as if nothing had happened.
40:46In that moment,
40:48she made me feel like
40:50what she wanted out of life
40:51was far more dangerous
40:53than a drunk actor.
40:56This will be the headline.
40:58Cinema and high society.
41:00A humble piece of advice.
41:02In Turkey,
41:03which boasts
41:04the world's
41:04third largest film industry,
41:06a new trend is emerging.
41:09Istanbul's wealthy art lovers
41:10aren't coming to Yishikhan
41:12to have affairs with actresses
41:14like they used to,
41:15but to make actresses
41:17out of girls
41:17they are already in love with.
41:19The latest example
41:20is the son
41:21of a very wealthy family.
41:23One of the most eligible
41:24bachelors in high society,
41:26Mr. K.
41:29He is so in love
41:31with the young married woman
41:32he refers to
41:33as his distant relative
41:35that out of jealousy
41:36he wouldn't even allow
41:37the art film
41:38he had commissioned
41:39to be made.
41:41He reportedly said
41:42he couldn't bear
41:43to see her kissing
41:44someone else
41:45and shadows the young woman
41:47and her director husband
41:48wherever they go.
41:52a few years ago
41:53this wealthy man
41:55got engaged
41:55to the lovely daughter
41:56of a retired diplomat
41:58in a ceremony
41:59at the Hilton
42:00attended by all
42:01of high society.
42:02But not long after
42:03he broke off
42:04the engagement
42:04for the sake
42:05of his beautiful relative
42:06promising to make her a star.
42:14After casting a blight
42:16on the future
42:16of the refined diplomat's
42:18daughter who had been
42:19uneducated at the Sabon
42:20we cannot sit idly by
42:22as this careless man
42:23does the same
42:24to the bright starlet
42:25Miss F.
42:28We offer to Mr. K.
42:29this humble advice.
42:35Abandon your foolish passion.
42:49every encounter
42:50between a person
42:51and an object
42:52contains a story.
42:57The time I bought
42:58this white purse
42:59the time I lost
43:01this earring
43:01the time I saw
43:03this newspaper
43:03there was a story
43:05when I saw this crow
43:06out the window
43:07when I washed my hands
43:08in the sink
43:09tears streaming down
43:10my face
43:10when I picked up
43:11the cigarette butt
43:12and kept it
43:14I was in love with her
43:15and then another
43:16cigarette butt
43:17and then another
43:22every encounter
43:24between a person
43:25and an object
43:25contains a story.
43:36is this cocky
43:56who was supposed
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