- 23 minutes ago
Category
📺
TVTranscript
00:00Runway.
00:05Okay, I know this sounds totally vain,
00:07but I think Project Runway is the Ivy show.
00:10I started my line, Ivy H, two years ago.
00:14I sleep here, and I work here.
00:16I try to organize a little bit.
00:17The fabrics that I use are extremely luxurious.
00:20My construction skills are absolutely amazing.
00:22I'm a force to be reckoned with.
00:31I'm Casanova.
00:32I'm from Fajardo, Puerto Rico,
00:34but I live right now in New York.
00:37So you're Carlos Casanova,
00:38but you want to be called Casanova?
00:40Please. Why?
00:42It's my real last name.
00:43It's a big name to live up to.
00:44We won't even go there.
00:46I've already done everything in Puerto Rico.
00:49Avant-garde stuff, beauty pageant,
00:51art, couture.
00:52So I think, what's next for you?
00:54And I think I belong to New York.
00:58I'm Sarah Tross.
00:59I grew up in Northern California.
01:00I was born in LA.
01:01Now I'm in New York.
01:02I definitely use unconventional combinations
01:06of materials and colors.
01:07So is this totally gross and ugly,
01:09or is this, like, the cutest thing I've ever seen?
01:12Hi, I'm Sarah.
01:13Hey, Jay.
01:14Nice to meet you.
01:14Where'd you come from?
01:15I came from St. Charles, Missouri.
01:17Holy .
01:17Kind of out of my element a little bit.
01:20I designed for the party girl,
01:23the punk rock girl.
01:24Definitely someone who will wear just about
01:26anything.
01:27I have no idea if I'm ready for what's coming my way.
01:30I could totally lie and say that, like,
01:32I'm ready to go and I'm gonna beat everybody,
01:34but we all know that anybody who gets on there
01:37and says that they're gonna win and kill everyone
01:38right now has no idea what they're talking about.
01:43My name is Peach Carr.
01:44I'm 50 years old, and I'm from Lake Forest, Illinois.
01:48I design mostly for, like, the ladies who lunch.
01:53Well-dressed, pretty crisp, clean lines.
01:57Am I gonna be the oldest?
01:59Hell to the S.
02:00Hello there.
02:01Hi, hon.
02:02How are you?
02:03Nicholas, it's nice to meet you.
02:04Nicholas, nice to meet you.
02:05We're the same height.
02:05We are.
02:06Excellent. Same color hair.
02:07Yes, we have something in common.
02:09Well, this is gonna be a great time.
02:10I'm really excited.
02:10I can't wait to beat you.
02:11Beat me?
02:12Yeah.
02:12Oh, I'm sorry.
02:13Get ready to be school, little boy.
02:17Hello.
02:18Hi.
02:18How are you?
02:19Mikkel.
02:19Hi, Mikkel.
02:20Nice to meet you.
02:21Kristen.
02:22Casanova.
02:22Casanova.
02:23Nice to meet you.
02:24Where are you from?
02:25I'm from Utah.
02:26No, I even don't.
02:29Don't turn down your menu now.
02:30You're like, I don't know.
02:32I am from Utah, and I do feel like I get that stereotype,
02:36but at the end of the day, what I do create,
02:38I think proves to people that I know what I'm doing.
02:41What kind of background do you guys have as far as your
02:44designing goes?
02:45My background is in graphic design.
02:47I'm really an accidental apparel designer.
02:51Really, what makes my designs unique is that I allow the
02:55mistakes that I make to be a part of the final piece.
02:59Some seamstresses, they said, oh, no, you can't do that.
03:02You can't have a crooked zipper like that.
03:04I said, yes, you can.
03:05You can have a crooked zipper.
03:07Embrace the crooked zipper.
03:10The fact that I was 14 years old and straight in high
03:12school design didn't hurt me that much because I had a
03:15pretty short temper, so if anybody said a word to me,
03:18I would straighten them out.
03:23I like to mesh men's wear, women's wear together,
03:26tough looks on women, not so tender on men.
03:29Hi.
03:31Hi.
03:32Hi.
03:32I'm Keith.
03:33Mondo, how you doing?
03:34Mondo, excellent.
03:35I almost wore the same thing.
03:36Really?
03:37Nicholas, nice to meet you.
03:38Nicholas, Mondo, hi.
03:39From New York, where are you from?
03:41Denver, Colorado.
03:42People's first impressions of me probably are that he's a
03:46little strange.
03:48But I think if you're misunderstood, then you have something
03:51really good going on.
03:52What do you do?
03:53Me?
03:53Well, before I did this, I was an architect.
03:55I then went into working designing accessories.
03:58The transition from architecture to fashion, it actually
04:01was a bit easier than I thought it was going to be.
04:04I like to play with seaming, I like to play with men's wear
04:07materials, and I just feel like it's very architectural when
04:10you look at it.
04:12Hi.
04:12Hi.
04:13What's your name?
04:14I'm Christopher.
04:14Oh, I'm April.
04:15Nice to meet you.
04:16It's so nice to meet you.
04:16One of the greatest experiences that ever happened to me was
04:18walking down the street seeing a woman randomly wearing my
04:21clothes.
04:21When's the last time you were in New York?
04:22I just came up to do some fabric shopping because actually I'm
04:26pretty young.
04:27I just graduated college, so.
04:28Oh, congratulations.
04:30People might think I'm too young to be taking on a challenge
04:33like this, but I'm confident in who I am as a designer.
04:36I'm not the girl to come to to design your tea party dress.
04:41I guess it's going to be a little bit gnarly.
04:44I love to destroy to create.
04:48Hi, Michael.
04:49Hi, Sarah.
04:49Hi, Sarah.
04:50I'm 17 years old.
04:52Opened up my first store.
04:54I've done great fashion events.
04:56I've been in editorial.
04:57I've gotten great celebs to wear my dresses.
05:00I've been here to win.
05:01I'm going to shut this now because I have what it takes.
05:11Oh, my God.
05:15Hi, everybody.
05:16Hi.
05:17Hi.
05:18Welcome to Lincoln Center.
05:20The new home of New York Fashion Week.
05:23Three of you will be showing your final collections here in the fall.
05:27But you have a lot to prove to us before any of you find yourself right back here.
05:33You all know this distinguished man standing right next to me, Tim Gunn.
05:37Yay.
05:38Chief Creative Officer, Phyllis Claimborn.
05:41Thank you, Heidi.
05:42Mwah.
05:42Good morning, designers.
05:44I'm thrilled to see all of you here, all 17 of you.
05:47I have to tell you, you're all so talented that we just couldn't narrow the group of you down to
05:52the usual 16.
05:53Accordingly, your first challenge, it's actually the last phase of the audition process.
05:58Oh, my God.
05:59That was so evil.
06:02So none of you are officially on Project Runway Season 8 yet.
06:06In fact, one or more of you will be eliminated today.
06:10Oh, my God.
06:11That sucks.
06:12That's right.
06:13Today is your first challenge, the first runway show, and the first elimination.
06:18I mean, I knew that they were going to spring something crazy on us, but I didn't expect it to
06:21be like,
06:22okay, you're trying out still.
06:28Coming up on Project Runway, since this is the first challenge, there's a twist.
06:33Oh, .
06:34This is sanity.
06:36I've never really been criticized on my clothes.
06:38It's attacking me.
06:39Oh, somebody's going to get hit.
06:54Now I see that all of you have your suitcases with you.
06:57Yeah?
06:58Oh, damn.
06:59Please open them up and pull out one item that you would like to incorporate into your garment.
07:04Okay.
07:05Okay.
07:07I don't even know what I'm going to use.
07:14I got into fashion primarily in knitwear.
07:17Knitwear is sort of a different beast.
07:19It's not exactly draping because you're fully creating one unit.
07:23There's nothing cut.
07:24I'm working in knitwear all the time and I'm stepping into something.
07:28It's like playing the harpsichord your entire life and then all of a sudden going to the electric guitar.
07:32So this item must be worked into your final garment.
07:37But since this is the first challenge and we want to see what you're made of, there's a twist.
07:42Please pass your item to the person to your right.
07:45Hi, man.
07:47This will be the garment you use in your design.
07:49Oh, somebody's going to get it.
07:53Oh.
07:54I took, like, one of my favorite pants.
07:57It's $1,070.
08:00When I realized that they're going to, like, cut and do, like, the idiom in the United States .
08:08Designers, you have your new garment and you will have five hours to complete your design before it walks the
08:15runway.
08:16It was shocking to hear that we weren't completely on the show.
08:19And then to only have five hours was also, like, ah!
08:22We must be able to see the garment that you're holding right now in your final design in some way.
08:29All right, designers.
08:30Let's head off to Parsons and get to work.
08:32Very, very exciting to have you.
08:35It's time for you.
08:36Exactly.
08:36My design aesthetic is one part contemporary minimalist art and one part 1970s bohemian.
08:45I am a sustainable clothing designer based out of Portland, Oregon.
08:50I'm a pretty rural girl from humble backgrounds.
08:53Everything I make is hand-dyed by me.
08:55I live a pseudo-hippie lifestyle, but fashion first is always how I feel.
09:01I always want to be fashion first.
09:02I want you purchasing me because I'm an amazing brand, and it just happens to be great.
09:16Hi!
09:16I feel like I'm a camp.
09:19When I was a kid, you know, we didn't have a lot of money.
09:21We had to buy a lot of stuff that I wasn't really crazy about,
09:23so usually I would try to find cool ways to make them look good.
09:26I believe that design should serve a purpose beyond aesthetics.
09:33Hello, designers.
09:35Hi.
09:35Hi, Tens.
09:36Welcome to the work room, and I'm pleased to see that you've each found your work station.
09:40Excellent.
09:41Next door is the Brother sewing room, called such because it's fully outfitted with Brother sewing machines.
09:47Technology is playing a greater role in the creative process.
09:51We have HP Touch Mart notebooks for each of you.
09:55This technology from HP and Intel is here to help you further enhance your creative process.
10:01And I have more good news for you.
10:03For this challenge, mood has come to us.
10:06Yay!
10:08Also, there is a model card and your model's measurements.
10:12They've been randomly selected for you.
10:14You have 15 minutes to sketch, and then we're going to the mood annex.
10:18Work hard, everybody.
10:20Thanks, Tammy.
10:21Bye.
10:23I know that my aesthetic is different.
10:26That's because I'm in Hawaii.
10:28I draw from a really genuine place.
10:31I began my career designing pageant gowns, and I realized pretty early that it wasn't my passion.
10:38So now it's my time to design for me.
10:42All right, designers, your sketching time is up, and we are going to the mood annex.
10:47Follow me.
10:50It's all yours.
10:55This is from a jacket that April ended up having to give me that she loves.
11:00I'm going to make it work, because that's what we're supposed to do.
11:10Oh, I just tore the wrong seam.
11:12I'm sorry.
11:13Should we, like, say a prayer over?
11:15I got Casanova's Dolce & Gabbana pants.
11:19He hadn't even worn them yet.
11:20I bring to her my nice pants, Dolce & Gabbana.
11:26She was, like, cutting.
11:28How much were they?
11:30I don't know.
11:31They were, like, $1,007.
11:34Don't talk anymore about the pants.
11:36Stop that.
11:38It's kind of insanity.
11:40Coming up on Project Runway.
11:43Is it sexy or is it vulgar?
11:46The clock is ticking.
11:47I think he doesn't like it at all.
12:05Designers, I just want to check in with each of you and see how you're doing.
12:08Hi, Mikkel.
12:09Hello.
12:10How are you doing?
12:11Well, at this point, I'm feeling a little frazzled.
12:14Can I be honest with you?
12:15I think this is adorable.
12:16Oh, that's good.
12:17That makes me happy.
12:19I started out with just a plain blue man shirt with these...
12:24What?
12:24Yeah.
12:25Just think about whether this makes it a little too heavy-handed.
12:27Okay, well, that's...
12:28And here, I just feel like it's trying too hard.
12:30Yeah, okay.
12:31Just play with it.
12:32Okay.
12:35Casanova.
12:36Yes?
12:36How are you?
12:37Good.
12:38There's a lot of skin that we'll be showing, yes?
12:41Is it sexy or is it vulgar?
12:43No, I think it's sexy.
12:46Really?
12:47Mm-hmm.
12:48Looks awfully low on the back.
12:51So you started with a blouse.
12:52Exactly.
12:53You wouldn't know that now.
12:54I think he doesn't like it at all.
12:57Nothing.
12:57Nothing at all.
12:58And then I would say you're doing well for what you have to work with.
13:02Exactly.
13:03Okay.
13:04Have her work it on that runway.
13:06Okay.
13:06Thank you, Casanova.
13:07You're welcome.
13:08Gretchen.
13:09Hi.
13:10What did you start out with?
13:11I started out with a little tape-like jacket with lots of applique.
13:15I didn't want to just approach this as like I'm using all the fabric or all the applique,
13:21but like what's the essence of this piece and what type of girl would be wearing it.
13:26I'm completely with her.
13:27Very simple.
13:28Yeah.
13:29Okay, great.
13:29Okay, thank you.
13:30Thank you very much, Gretchen.
13:33Coming up on Project Runway.
13:35She's pretty busty for a model.
13:37It's a big distraction.
13:39My heart is pumping.
13:41I'm a nervous wreck.
13:42I have absolutely no point what to do.
13:44I think I'm going to pass out.
13:46She's done?
13:47Yeah.
13:59Designers, I'm sending in your models.
14:01You will have 10 minutes to fit them, all right?
14:06Then they are going to the Garnier Hair Salon and the L'Oreal Paris Makeup Room.
14:10That will take an hour.
14:11When they return, you'll be styling them for the runway.
14:15Use the Piper Lime accessory wall very thoughtfully.
14:20All right, I'm sending in your models.
14:30Hello.
14:31Nice to meet you.
14:32Nice to meet you as well.
14:34Oh my God.
14:36It's the only way I'm going to be able to get anywhere.
14:41You like it?
14:42Yeah.
14:43Okay, good.
14:52She's really, she's pretty busty for a model, but it's a big distraction.
14:58I'm not going to lie.
14:59She has no bra and she's like mine, you know?
15:01I'm like, oh my God.
15:02And I don't want to cross the boundaries like a doctor would, but I mean, come on.
15:15So I want like a mohawk, but it's, I want it curled.
15:19I want to like big hair.
15:21Uh-huh.
15:21Like big curls.
15:23Or makeup.
15:24Okay.
15:24Makeup.
15:29Perfect.
15:37Designers and models, in 15 minutes we are walking down to the runway.
15:42Fully prepared for the runway show.
15:47Where is my, I kind of better go check on my model.
15:51Of course it's madness.
15:53I just take my model down the hair and I kind of forgot about her.
15:57Tell me quick.
15:58This is quick, just um, bright, bold, red lip.
16:03Bright, bold, red lip.
16:06It's easy enough.
16:08Easy enough.
16:09Designers and models, this is it.
16:12Okay.
16:13Is everyone listening?
16:14Yes.
16:15We're headed down to the runway right now.
16:17Follow me.
16:18Come on, everyone.
16:19When Team Gun says that it's time to go, my model, um, was undressed.
16:26Oh, she's not in her dress?
16:28No.
16:29It's not right now.
16:30Just keep going, Casanova.
16:31Okay, okay.
16:32You have to put her, put her in it.
16:33And I realized that I was working behind schedule.
16:37She's dressed, she's done.
16:38You just dressed her?
16:39Yeah, yeah, yeah.
16:40I did.
16:41She's done.
16:42What I have to do?
16:42She's done?
16:43Yeah.
16:44She just have to, like, put this in here.
16:48That's it?
16:49Well, then do that.
16:50Right now.
16:52Alright, that's it.
16:57Coming up on Project Runway.
17:01I'm sorry, I think it is butt ugly.
17:04She's a pole dancer in Dubai.
17:07It's almost fascinatingly bad.
17:11I know.
17:24Welcome to the runway.
17:26As you know, in fashion one day you're in and the next day, you're out.
17:32There are 17 of you here and after tonight there will be less than 17.
17:43The first challenge was the final stage in your audition process.
17:47The 17 of you had to use an item from another designer's suitcase to create your look.
17:52We gave you a measly five hours to put a look together.
17:57We know you've got the talent, but can you deliver under pressure?
18:03The winner of Project Runway will receive $100,000 from L'Oreal Paris to start their
18:08own line, a fashion spread in Marie Claire magazine, a $50,000 technology suite from HP
18:14and Intel to create your vision and run your business, and the opportunity to design and
18:19sell your exclusive line on piperlime.com.
18:22And the model paired with the winner of Project Runway will receive a fashion spread in Marie
18:27Claire magazine and $25,000 from L'Oreal Paris Studio Secrets Professional.
18:32Okay, let's meet the judges.
18:34First we have CFDA Lifetime Achievement Award winner, Michael Kors.
18:39Welcome, guys.
18:41Fashion director for Marie Claire magazine, Nina Garcia.
18:44Welcome, everyone.
18:45And actress named to the International Best Dress List, Selma Blair.
18:54You're welcome.
18:55We will score your designs as they come down the runway.
18:58One of you will be named the winner, and one or more of you will be out.
19:02Let's start the show.
19:06I feel really good about my dress.
19:08We didn't have a lot to work with.
19:10I think my model's walking great.
19:12The styling is spot on.
19:14I mean, I made that thing in less than five hours.
19:17I'm just concerned about what the judges have to think.
19:26I'm excited to see Ify come down the runway in my garment.
19:29I think it looks great.
19:31I think she's walking the daylights out of it.
19:33I'm excited.
19:34I'm really at peace.
19:49My dress is definitely moving.
19:52I wish I would have maybe taken a little of the fullness out of the dress
19:56just because the dress is looking fuller than how I want it to look.
20:03That was a great hat.
20:04I'm wearing that dress.
20:06It was perfect.
20:15Watching my look come down the runway, I feel really good.
20:19I'm seeing a complete look come down.
20:21A complete look that looks like I've spent days on it.
20:24And I know that I had only five hours to do this.
20:27I think that's pretty amazing.
20:36I definitely feel good about the finished product of my look.
20:39The main thing that I was worried about is that there was going to be some sort of crotch problem.
20:43But I definitely think it was good.
20:53I made Julia look beautiful.
20:55I really like clean, sophisticated garments.
20:58My only concern is I know the judges are looking for innovative, over-the-top stuff.
21:03And sometimes that's kind of not what I do.
21:16I see my dress and I love it.
21:18I really do.
21:19But I'm worried about the hem because it was a little wonky.
21:23But overall, the styling and the way she's styling it is working really well.
21:33I think she looks gorgeous.
21:35I think the look works great.
21:36It's very impressive seeing what it looks like on the model.
21:39So I'm feeling pretty good right now.
21:52I was so excited when I saw my dress coming down the runway.
21:55I was like, oh, it looks so good.
21:58Wow.
21:59I love the whole flow of it.
22:00This is a classy, elegant, sophisticated look.
22:17I really like the whole look.
22:20I think the judges were pleased with the look and what I did with it and how I incorporated
22:25Mondo's kilt and made it a collar.
22:38The look I made is definitely me.
22:40It's a five-hour taste of what I am, but I feel like I got my message through.
22:44And I was proud of it.
22:57When I see my garment walk out, I think it's cool, it's modern, it's edgy, it's forward.
23:03But I was just unhappy that I couldn't have everything completely done and tailored.
23:08But I just didn't have time.
23:19My model comes around the corner and I nailed it.
23:23She looks stunning.
23:24I feel like she embodied what I needed.
23:28I could tell she really liked it.
23:31And I think those things are all key in making your challenge turn into a win.
23:41Everything about my garment, I absolutely love.
23:44I'm really happy with the hair and makeup.
23:46The model's fabulous and it looks wonderful.
23:48I was really, really proud.
24:03My look coming down the runway is not holding up.
24:06It's coming apart at the seams.
24:10It's coming apart at the seams.
24:11I know I'm in for it.
24:19When I first see the silhouette, I'm terrified because I can't tell how together it is.
24:27Once it finally really hits the runway, I actually think that it looks pretty good.
24:32However, I do think that I might have to defend myself in terms of aesthetic as I feel like
24:37I have the garment that stands out the most.
24:46When I saw my model, I felt more comfortable because on stage looks prettier than my working table.
24:56It's sexy, but it's not vulgar.
25:16Those of you who survived tonight will be moving into Project Runway's original New York home at the Atlas.
25:25If I call your name, please step forward.
25:28AJ.
25:30Andy, please step forward.
25:34Valerie.
25:36Sarah.
25:39Peach.
25:40Please step forward.
25:42Kristen.
25:43Please step forward.
25:46Michael Castello.
25:47Please step forward.
25:49Mondo.
25:50Please step forward.
25:52Michael Drummond.
25:54Christopher.
25:56Please step forward.
25:57If I've called your name, congratulations.
26:02Your scores have qualified you to move on to the next challenge.
26:05You can leave the runway and you can unpack.
26:17One of you is the clear winner.
26:22Gretchen, you are the winner of this challenge.
26:25Congratulations.
26:29Thank you so much.
26:30You had one of the worst materials to work with.
26:33Tell me about it.
26:34And you turned it into something chic and fashionable.
26:38The dress is wearable but interesting.
26:41It's beautifully cut.
26:42I can see it on a million different girls.
26:45Bravo.
26:46I thought she looked very sophisticated.
26:49I also loved your styling.
26:51It was just perfectly done.
26:54Congratulations.
26:55I agree.
26:56I thought it was simply elegant when you came out.
26:58I was like, ah.
27:00It really was really a special simple dress.
27:03Thank you all very much.
27:05Congratulations Gretchen.
27:06And you and your model can leave the runway.
27:13You can win!
27:15You won!
27:16Yay!
27:21I won!
27:22And it feels really good.
27:25I also feel a little weird because I have a sinking suspicion that there are a lot of
27:33of people going home tonight.
27:37Since this is the final stage of the audition process,
27:41today we do not have a top three and a bottom three.
27:44All of you are in the bottom.
27:47None of you should feel safe.
28:00The rest of you represent the bottom six.
28:03Since this is the last phase of your audition process,
28:07we're going to talk to and hear from all of you.
28:12Ivy, tell us about your look.
28:14The garment that I started with was Peach's pant.
28:17I guess my design aesthetic is a little more minimalistic
28:20where it's more attention to detail.
28:22Like, on the side of the pant here,
28:23I have the pleating detail and the embellishment on the blouse.
28:28Well, no offense to Peach,
28:30but I don't know why she packed those.
28:32But you didn't transform.
28:34Well, the challenge wasn't to transform.
28:36It was to implicate it into our design.
28:38Well, you just showed her pants and ruched them up the side.
28:41And I look at the blouse,
28:43which to me kind of looks like it went through a paper shredder.
28:47Sorry to interrupt or interject, but I don't know.
28:49I guess I just have to disagree
28:51because I just feel like there's a lot of detail to it.
28:53Forget what you did to the pant or not.
28:56Okay.
28:56The blouse looks mumsy.
28:58It's an odd length.
29:01Then, to top that off, the styling is a disaster.
29:05I, too, had the same thought when it came out.
29:07I was like, wow, she made pants out of pants.
29:09And how interesting it's not.
29:12Jason, tell us about your look.
29:15So I got this kimono, beautiful kimono from Andy.
29:17When my model came in, the size wasn't really fitting her.
29:21So, you know, I kind of adjusted the fit.
29:23And every time she came out, it just kept sinking and sinking.
29:27And there's really nothing you guys can say that I won't agree with.
29:30This, to me, looks exactly like my hairdressing cape
29:33I was wearing when I had my haircut.
29:36And then when I look at what you had to work with,
29:39not much has changed.
29:40It's a little sad.
29:42It's a little backwards bathrobe.
29:44April.
29:45I received a men's blazer,
29:49and I cut out the front panels and turned it inside out.
29:54And then I took fabric from Mood
29:57and did the dress underneath and then the back panels.
29:59I wanted it to be kind of raw and kind of unfinished.
30:03That always worries me too, you know,
30:05when people do this threaded look.
30:07Because then you never know,
30:09is it because you don't know how to do it?
30:12That's true.
30:13My cow.
30:15Okay, so I got AJ's short-sleeved button-down shirt,
30:19and it had some metal bits on the shoulder.
30:23And I got rid of the metal bits up here
30:26and brought some metallic into her skirt.
30:28And then I just wanted to make it fun and flirty
30:31and a good time.
30:33I like the fact that you mix these fabrics,
30:37that precious fabric with that common just button-down shirt.
30:41But the styling again, guys, you have to be very mindful of that,
30:46because it's all about the presentation.
30:48That bag, it's the flower with the hair.
30:51The styling, I agree with Nina.
30:53It's a train wreck.
30:55I have to say, too, and I'm sorry,
30:56I think it is butt-ugly.
30:58It is just so not flattering.
31:02Nicolas!
31:03The item that I had to work with was Christopher's bomber jacket.
31:07This was actually the bottom of the jacket, the ribbing.
31:10And I had this idea of trying to take this sportswear
31:13and trying to mix it with an evening look.
31:16The whole thing really just doesn't mesh together.
31:19Nicolas, I think the idea of doing sportswear and evening
31:26sounds fantastic, but this is too quiet,
31:29so it's almost like it's a snooze.
31:33Casanova.
31:35The garment that I had to work with was that kind of blouse
31:40with a lot of movement, a lot of tails.
31:44So I was trying to find another fabric
31:48and still match with the original one.
31:52It's odd.
31:54I mean, it's the only word for it.
31:56I mean, it's this strange mix of things.
31:58She's like a mother of the bride who's a belly dancer.
32:01I mean, she's sexaholic, but she's conservative.
32:04I don't know who she is.
32:06She's a pole dancer in Dubai.
32:09OK, we're going to have a little chat,
32:11and we'll bring you back out.
32:13You can leave the runway.
32:23All right, why don't we start with Ivy?
32:28Who made pans out of pans.
32:30What a stretch.
32:32What a stretch, and she didn't quite understand that.
32:34She actually tried to convince us, to no avail,
32:39that this was good taste and this was good.
32:42Casanova.
32:44He definitely thought outside of the box.
32:46I mean, that's a blouse turned into a belly dancing dress.
32:51I mean, it's an odd one, and the taste level is certainly scary.
32:55Question.
32:55You wouldn't dream of ever hitting broad daylight in this dress.
33:00It's just, I mean, it's a costume.
33:02I don't think anybody would dream of coming up with this outfit
33:05from that top.
33:05Out of a blouse.
33:07Let's talk about Jason.
33:09His story was so bizarre.
33:12Yeah.
33:13He's the only one who actually had a lot of fabric.
33:17He had all of it, and all I did was flip it.
33:19Why is he not using the sewing machine?
33:21But I do actually like the way it kind of was put together.
33:27I like the boot with it.
33:28I like the spiky hair.
33:30I like the spiky Kelly hair.
33:32I mean, at least it was a look.
33:33That's true.
33:35What do we think about April?
33:38I think she obviously was frazzled by the time involved.
33:41I think today it was a mess when you really looked at the outfit.
33:45But at least the taste is modern.
33:47It's now.
33:47It doesn't look like a pastiche from another time.
33:50I agree.
33:51Who knows if she knows how to actually make clothes?
33:53Right.
33:54But this challenge was like the shortest one you guys have ever done,
33:57isn't it?
33:57In history.
33:58So for the unfinished seams and everything,
34:00it's like you feel like you really have to say, OK, I get it.
34:02I mean, they have five hours for this on their first day.
34:07What about Mikkel?
34:10She definitely lives in a different world.
34:13She's in an alternate universe.
34:14The only thing to me that had any merit there
34:18was the idea that she thought, OK,
34:21I'm going to take this very casual shirt,
34:23and I'm going to go glam with it and mix it up.
34:26And I'm going to chop the sleeves off.
34:27Just didn't work.
34:29Yeah, and she made the model look unflattering.
34:31That was very unflattering on her body.
34:33So I don't know.
34:34Is there something cool in her that we didn't see today?
34:37I don't know.
34:39What about Nicolas?
34:41He's got a girl who's gorgeous.
34:44And I think she could wear a bag.
34:47But even her beauty didn't sell you the gown,
34:51which was just a boring dress.
34:52He, on the other hand, I'm bored,
34:55but I know he knows how to make clothes.
34:57I mean, it was a finished evening gown for us.
35:00And he was very concerned to deliver something that looked
35:04well-made and finished that was very respectful.
35:08But he sent out a boring dress.
35:10Do you reward the person who's safe?
35:13Or do you, you know, reward someone who didn't work,
35:16but they at least tried?
35:18I don't know.
35:20Is there anyone that we want to give a second chance to?
35:24I think so.
35:26All right, let's bring them back out.
35:32The six of you were in the bottom of this challenge.
35:37This was our first impression of you.
35:40And none of you could feel safe.
35:53The six of you were in the bottom of this challenge.
35:59The six of you were in the bottom of this challenge.
35:59This was our first impression of you.
36:05April, we want to see more from you.
36:08You're in.
36:08You can leave the runway.
36:15Make room for me on that couch.
36:18Yay!
36:21Yay!
36:22Yay!
36:23Nicolas, we want to see if you can push yourself,
36:26given more time.
36:28You're in.
36:29You can leave the runway.
36:30Thank you so much.
36:33I lost myself so hard.
36:36Thank you so much.
36:40Jason, we are intrigued.
36:44You're in.
36:45You can leave the runway.
36:51Mikael, we were perplexed.
36:54Not only by your design, but also by your poor styling choices.
37:02Casanova, no one can say that you didn't think outside of the box.
37:07Your look was fascinatingly bizarre.
37:11And we question your taste.
37:17Ivy, you didn't stretch yourself in this challenge.
37:20You made pants out of pants.
37:24And not very well at that.
37:29Mikael.
37:32I'm sorry.
37:34You're out.
37:37I'm sorry.
37:39You're out.
37:39I'm sorry.
37:39I'm sorry.
37:41You're out.
37:41I'm sorry.
37:41I'm sorry.
37:43I'm sorry.
37:50I'm sorry.
37:51I'm sorry.
37:52No, I'm sorry.
37:53I'm sorry.
37:53I liked it.
37:54You did this?
37:55No.
37:56No.
37:57No.
37:57Yeah.
37:58Oh.
37:59Are you messing with us?
38:01No, I'm not messing with you.
38:03Oh.
38:03No, I'm not messing with you.
38:04No, you are.
38:05You don't.
38:05I lost.
38:05That was beautiful.
38:07I lost.
38:11Ivy.
38:14I lost.
38:15I lost.
38:15I lost.
38:18You're both getting another shot.
38:24There's something about each of you that interests us.
38:28You're both in. You can leave the runway.
38:30Thank you so much.
38:31Thank you. Gracias.
38:40Uh-oh. What happened?
38:43We are in.
38:52How is everybody?
38:55I always feel sick about the first designer who's off the show.
39:01Mikkel, I have to tell you something.
39:03I stand by my earlier statement.
39:06The dress is adorable, didn't fit your model very well,
39:09and there was the dubious styling.
39:10But it's a lesson to all of you.
39:12It's every little subtlety and nuance.
39:14We're going to miss you.
39:15Oh.
39:17All right.
39:19So I have to send you the work room to clean up your space, okay?
39:22Bye, Mikkel.
39:25I'm feeling a little bummed, but, you know, I guess someone has to be the first, and that's me.
39:31It's hard to follow your dreams.
39:33Sometimes you get knocked down, but if everyone quit after the first time they got knocked down, no one would
39:38amount to anything.
39:39So hopefully I'll pick myself up and do something really great with this experience.
39:52Moving into Atlas is so surreal.
39:55I made it.
39:55I'm in the cut.
39:56Like, here we go, Project Runway.
39:57Oh, wow.
39:58We made it here.
40:00This is nice.
40:01And the apartment is very cool.
40:03We opened up the curtains and there was larger-than-life New York City.
40:06Welcome to Swinners.
40:08Thanks, Tim.
40:09They need to start providing alcohol.
40:13This is so pretty.
40:14This is way better than camp.
40:16I don't sleep.
40:16I'm a vampire.
40:17What?
40:18I never, ever, ever wanted to be on the bottom again.
40:22That feeling really, really sucked.
40:24Mm-hmm.
40:25I wonder what we're going to do tomorrow, though.
40:27I'm scared about tomorrow's chat.
40:29How do you feel?
40:30Because you was, like, in the same boat.
40:32I'm happy it got today over with.
40:34Hopefully, when I wake up tomorrow, I feel like...
40:37Yeah, you just need a good night's sleep.
40:39But really, they want to see more work from you.
40:41So, I think that's successful.
40:44Good night, bitches.
40:46Good night.
40:46Good night.
40:46Well, let's go to bed.
40:48Yes.
40:48I'm tired.
40:49Night, Sarah.
40:50Night, Gretchen.
40:51Night, John, boy.
40:53Okay, so now I'm finally on the show.
40:55Like, what's next?
Comments