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00:01Bulgarians are the most happy people in the world.
00:04As they remember, they all are waiting for joy.
00:08The change. The new beginning.
00:11And the democracy.
00:13One of them promised them.
00:14Hello.
00:15Hello.
00:16In the 90's, it was a terrible thing.
00:20Our businessmen were middle-class.
00:22They were the ones in Bulgaria.
00:24And all of them were close to them.
00:26It was 6 January 2004.
00:30The marriage is limited between Alexander Arnaudov and Stella Pamukliyeva.
00:35Pamukliyeva?
00:37You know?
00:40It was my friend.
00:42We were friends.
00:44The marriage was two days later.
00:46It was evident.
00:48And how the marriage was the two days?
00:51It was the case.
00:53The case was an advocate.
00:55With the father, Victor Arnaudov.
00:59The women were the very best.
01:01They loved their heart and their body to be part of this.
01:05My father saw it.
01:06They were loved and intimidated.
01:08They were the ladies and the others.
01:10They were the Jews of Moabereeva.
01:12They were almost all the days as they were Tutorials.
01:15They were the wolves.
01:15My brother, I have no clue.
01:21They have not found me.
01:22They did not have a clue.
01:27I have to see her with her.
01:29You didn't say anything?
01:31We didn't say anything, just...
01:33I'm going to call her with my wife.
01:36I'm going to call her with my wife?
01:38I'm going to call her with my wife?
01:40I'm going to call her with my wife.
01:43I'm going to call her with my millions.
01:46What do you mean by your wife?
01:47I'm going to call her with my wife.
01:51I'm going to call her with my wife.
02:06.
02:14I don't know!
02:16Is it more beautiful?
02:18.
02:25.
02:40Drdeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldeldel
02:45Do you want to go a little bit?
02:51Father, are you going to get out soon?
02:54I don't know. You have to go.
03:02Do you see what I'm going to do?
03:03I'm going to go.
03:12The name of Stella and Sashos are.
03:13Yes, the name of Sashos.
03:18Why did nobody tell me?
03:22Because the marriage was exactly 72 hours.
03:26After I was in prison.
03:28Do you love him?
03:31I'm going to ask you.
03:32I'm going to ask you.
03:34I'm going to ask you.
03:35I'm going to ask you.
03:38I'm going to explain.
03:39Do you have heard of my father's father's father's father?
03:45Sashos didn't make a divorce.
03:48It was a disaster.
03:50And how did you convince him to get out of Stella?
03:53He was sure he was going to die.
03:56Of course.
03:57He was going to die.
03:58He was going to die.
04:00But the mother was not going to die.
04:03He was going to die.
04:04I'm sure I'm sure that after that,
04:05they were trying to get out of the way.
04:07But then...
04:18He was still alive.
04:19At the moment.
04:25And then, someone else was in the family.
04:44I'm going to go to the house.
04:46You're going to go to the house.
04:46I just want to go to the house.
04:48I know what's critical.
04:55You're going to go to the house.
04:56I'm going to go to the house.
05:00Okay, you're right.
05:10Hey, Stella.
05:11Lora is.
05:12Who?
05:14Lora.
05:16Do you remember me?
05:18Oh, Lori, how are you?
05:20I'm not an idiot.
05:21I'm going to go to the house.
05:24I'm going to go to the house.
05:25How did you take time to do it?
05:27I'm fine, I'm everything I can do.
05:30I'm sure I'm busy and I'll see you.
05:32No, I'm not looking for you.
05:37I'm not going to go to the house.
05:37Is it early?
05:39Oh, after tomorrow?
05:40Yeah, I'm sure.
05:42I'm going to go from Kipar.
05:45They have business partners.
05:46They are testing all the time.
05:47Is it your house in the house?
05:49Showroom.
05:50Jennifer, let me see.
05:51We'll see you at home.
05:52Okay.
05:55I'll go back again.
05:56I'll go back to the whole business business.
06:08It's scary.
06:18Hello. Did I get a lot?
06:20We work, but we know how to do it.
06:23I'm sorry, but when I get a candidate,
06:26you can't say that you're already waiting for the night.
06:28You get a new candidate?
06:30I'm not going to get you to the same time.
06:33I'm not going to get you to the same time.
06:33Where is my wife?
06:35I'm not going to read it.
06:37I'm already gave it.
06:39I'm not going to read it.
06:40I'm not going to read it.
06:42I'm not going to read it.
06:44You're not going to read it.
06:47I'm not going to read it.
06:48I'm not going to read it.
06:50I'm not going to read it.
06:52I'm not going to read it.
06:54There are people who are on their job
06:56and others who are waiting for them to happen.
06:58You should do it.
07:00but you're not going to read it.
07:01The journalists are confused.
07:03They are asking me,
07:06where are you?
07:09Will you get it if you're going?
07:10No, not me.
07:17I want you. Now.
07:20Is it Rana?
07:22No.
07:23Tell me that Nicola is falling off.
07:24Eh, I'll eat it.
07:26If I eat it, if I eat it, I'll eat it.
07:30Nicola, enough. Let's go.
07:32I'm not going to eat it.
07:34Let's go, Nicola.
07:35Let's go.
07:39Mom, don't sleep.
07:41I'll ask Mike to play on the cards.
07:43Do you want to sleep with me?
07:44I'll drink the chocolate.
07:45But it's sweet.
07:47No, I'm not going to eat it.
07:49Super!
07:53That's why he took a high street around the village
07:55and broke the table.
07:57The terrorists are punished.
08:00He was a very loved one.
08:05He's got to sleep and he's still asleep.
08:08Eh, eh, that's so spontaneous.
08:12We're not going to get rid of this gripe.
08:14I feel like it's getting the temperature.
08:17Right.
08:25Is it a chocolate?
08:38Good morning.
08:41Good morning.
08:42Good morning.
08:43I'm called 12 times.
08:45Sorry.
08:45I'm already here.
08:47I'm here.
08:49I'll help you.
08:51I'm here.
08:52But I'm a good job.
08:54I've got a good job.
09:03Mm-hmm.
09:07You've stayed and changed.
09:10I was at the end of Olari.
09:12After that I died, I had to die.
09:17The money fell off because of the friends I had to kill them.
09:22I took a million dollars.
09:24A man is alive when he is alive.
09:27Now I understand from the finance and more from the minister.
09:32I have to bring it to my husband.
09:36Here is a living room.
09:39There were a crab and ove.
09:41I turned it into the modern showroom on the Balkans.
09:46You're fine.
09:48You know what I want you to do with me?
09:51I have a new house in Selo Konare.
09:53You'll recommend it.
09:55You'll get some politicians, and you'll always show them.
09:58Okay.
10:00We'll have to discuss it.
10:01We'll do it.
10:02We'll do it.
10:10Sorry.
10:12Sorry.
10:13I'm just talking about myself.
10:14How was it, Tony?
10:16At the time you were very beautiful.
10:18Good.
10:19You...
10:21I've never seen it.
10:22You've never seen it.
10:22Like the other boys in the family.
10:25You'll be full of the jacuzzi.
10:31Why are you with Sashu?
10:48I've never seen it.
10:49I'm not sure.
10:55No.
11:00I don't know.
11:00But we're not sure.
11:00It's a dream.
11:02I'm not sure.
11:03I don't know what to do with her.
11:04Yes, she has a three-year-old girl, right?
11:09Yes, four.
11:10She's a girl.
11:11Yes, she's a girl.
11:14She's a girl.
11:15She's a girl.
11:16She's a girl.
11:17She's a girl.
11:18She's a girl.
11:19She's a girl.
11:21She's a girl.
11:21She's a girl.
11:23She's a girl.
11:24She's a girl, a boy, a girl, a young girl,
11:27she's a girl.
11:29No, it's not a girl.
11:30I'm telling you, that she's a girl.
11:32Yes, I'm a girl.
11:35No...
11:40She's a girl.
11:44I'm a girl.
11:46When I'm giving her a baby,
11:48she's a girl.
11:49I didn't think so.
11:50You loved it.
11:52Yes.
11:53It was the beginning.
11:55But the wedding was very fun.
12:30After that he didn't get the phone, I was going to call him.
12:34But did you see it again?
12:35Yes.
12:36In a party after two years.
12:39We went together.
12:50Two ludes, which ended up at the end of the day.
12:55I always wanted to stay with this life.
13:00What do you think?
13:03My father understood it.
13:05And he was a mess.
13:07Did you pay attention?
13:09No, no, no.
13:10Boris has a different approach.
13:15Give me a boutique.
13:18And I told you more about it.
13:20Not you, not you, Sashu.
13:23And never met you?
13:24No, I didn't.
13:26I knew it was a joke.
13:27And I knew it was a joke.
13:29Who was he?
13:30Yes.
13:31And he was the first friend.
13:33And Sashu never met him.
13:35This was the same thing.
13:37He had all his dreams.
13:38He had all his dreams.
13:47He had all his dreams.
14:01He had all his dreams.
14:02He had all his dreams.
14:03He had all his dreams.
14:04He was the same.
14:05He had all his dreams.
14:06He would make me proud.
14:06He, he, he, he had all the dreams.
14:16No, no, no, no.
14:16I can't believe.
14:19He's been in love with him.
14:21No, no, no.
14:22He's probably upset.
14:25He told us on Boris,
14:27but he didn't stop there.
14:29After the incident,
14:30he continued to get hurt.
14:38He didn't hold anything here.
14:41Why didn't take his neck,
14:42in which he was close?
14:46Boris, do you know he's here?
14:48It's not him.
14:51If you're angry,
14:53he's dead, take him!
14:56You're out of nowhere!
14:58You're out of nowhere!
14:58You're out of nowhere!
14:59I'm out of nowhere!
15:04I'm out of nowhere!
15:20You're out of nowhere!
15:22You're out of nowhere!
15:24You're out of nowhere!
15:26You're out of nowhere!
15:27I don't know.
15:28But I'm sure he's still working for you.
15:32You're out of nowhere!
15:45You're dead.
15:48Huh?
15:49Why would you kill me.
15:50You're out of nowhere!
15:51I'm coming back to my brother.
15:52I remember it.
15:54I wasn't out of nowhere!
15:55I got some blues picking through his brother.
15:56You're out of nowhere.
15:57I'm going back to your father!
15:58I don't know how to do it, but I don't know how to do it.
16:01I'm sure you can live in the profession, only in the job.
16:07What happened to him? He was a star?
16:12You're right. I don't know where he lives, neither with whom.
16:17You're right. You're right. You didn't know how to do it.
16:19And then you don't know where he lives.
16:21He worked for us for years. I'm sure he'll check it.
16:23You'll check it.
16:33I don't know how to do it.
16:35The reason why the charges are still are still open.
16:38But in the coupons, the first is the most possible remover.
16:42I need to do it. My father has no idea what to do.
16:46The majority of the people are among 17 and 19 years.
16:51I'm not sure how to get a phone.
16:53The police has tried to determine if the officer is getting completed.
17:00We are trying to find the secret of the MBR.
17:03I have to give you a question.
17:07Mr. Rnodov, OTFE is not found.
17:10Why did I talk about the TV?
17:13No, no one knows where it is.
17:16The press center is like a Ribi.
17:19I'm trying to find out where it is.
17:37The TV is everywhere, and the TV is so tiny.
17:39The TV is so tiny.
17:40We are about to make a video.
17:40What are you saying?
17:54I don't know where to make any tips or tricks.
17:58The boss has to come. It's hard to say that you have to come.
18:02Get up!
18:08Come on!
18:13There's a house. There's a house. There's a house.
18:15Everyone is looking for it. The journalists aren't the ones.
18:17What are you doing?
18:24Tell him to go to the hospital.
18:27Okay.
18:28Take the phone. Look at the snippets.
18:31Right now!
18:35The phone.
18:36No.
18:37The phone!
18:38No.
18:40Is this clear?
18:43Hey! I'm talking to you!
18:45Who are you?
18:47Where are you?
18:48All right, attention.
18:51If someone is telling you,
18:56I'm going to destroy the stone.
18:58Is it clear?
19:20What are you doing?
19:25What are you doing?
19:32What are you doing?
19:34How do you do?
19:34I'm going to tell you what I'm doing.
19:40I'm going to tell you what I'm doing.
19:42What do you do?
19:44Do you see the phone.
19:45I'm going to close it.
19:46I'm going to close it.
19:47I'm going to close it.
19:49What time?
19:50What time do you do?
19:53I'm going to try it out.
19:54What time do you do?
20:33Hello, Lori?
20:37Lori, what is it?
20:39Hi, Lori.
20:40Hello.
20:42Who is the phone?
20:45Donka, do you know me?
20:48Donka, do you know me?
21:05I checked the adセ to the store in the shop.
21:08Great.
21:09But it's not easy.
21:11It's not easy.
21:11It's not easy to get a beer.
21:14But it's not easy to get a beer.
21:15But it's a busy day.
21:16It's not easy.
21:17It's easy-to-day.
21:18It's easy to get out of here.
21:18It's easy.
21:18I don't know what he did after the new one.
21:22Ah, from the channel 4, I agree with the interview with Boris.
21:28What is it?
21:29It's for the incident at the bar. Thank you, Andrei.
21:33Ah, Chalachev, what do you say?
21:36You're here to live?
21:38I'm sorry.
21:40I'm here to live in the morning, I'm here to live in the morning.
21:43I'm just keeping my work at all the time.
21:46Yeah, you're here to live in the Quartal.
21:48You're here to live in Quartal.
21:51But is it important to write the biography?
21:54It's important to tell you.
21:56No.
22:28Hello.
22:30Hello.
22:32Hello.
22:33I want to ask you to live in the morning.
22:34You're here to live in the morning.
22:38You're here to live in the morning.
22:39Look at the books.
22:40It's all I can see.
22:48Yes, Fotev was a drug addict.
22:51He said that he will go to his shelter.
22:56These were the exact words.
23:32Hey, how are you?
23:35How is it later?
23:37I wrote the statement on Totko.
23:39He should do it tomorrow.
23:42Give me the keys.
23:49How are we?
23:50Where are you?
23:51On the food.
23:53Don't you believe?
23:54He will confirm.
23:56I said that you get in the car with me.
24:21I said that you get in the car with me.
24:40What?
24:44How did you get in the car?
24:46You put the car in the car.
24:48I'm not sure.
24:49Believe me.
24:51Believe me.
24:52Believe me.
24:52Believe me.
24:52You want to be like me.
24:53Красивa and slaba.
24:55How good is it to be,
24:56as soon as you are.
24:57No, no, no.
24:58Love me.
24:58Believe me.
24:59Believe me!
25:00Please please.
25:17It's stress for yourself.
25:19Alright.
25:19I don't know the idiot how to react.
25:21Okay.
25:22But can you go a little faster,
25:24and you have to go to another place?
25:26What is another place?
25:28My friend, right?
25:30Okay.
25:54I'm waiting, waiting,
25:56and I'm waiting for the signal.
26:00Good evening.
26:02Good evening.
26:04I'll meet you in a cafe now.
26:07Hey, there's a spirit, a story.
26:12I'm looking for the assistant,
26:14Andrei Chalachev.
26:17For Christopher Robin?
26:18Where did he go?
26:20It was something that was observed by Sasha.
26:23But then, he started to explain his wife.
26:27He might be pregnant.
26:29A wife?
26:30Yes.
26:31He married a lot.
26:34What's your wife?
26:37What's your wife?
26:39So, that's the motive for Boris.
26:44He's a jerk.
26:45He's a jerk.
26:46He's a jerk.
26:47But now we think he's not, Boris.
26:49He's a jerk.
26:51He's a jerk.
26:52He's a jerk.
26:52We think, we're thinking, we're thinking, we're thinking.
26:54We're thinking.
26:55We're thinking about the job until the end.
26:56He's a jerk.
26:58He's a jerk.
27:00He's a jerk.
27:01He's a jerk.
27:02Come on.
27:08Why are we here?
27:14There we are.
27:17Come on.
27:19Come on.
27:20Come on.
27:22Have you been there?
27:23No, not yet.
27:25I want to go.
27:26Come on.
27:29Come on.
27:31Let's go to the house.
27:32No, I don't want to go now.
27:34Come on.
27:47Is there another?
28:23Come on.
28:25Come on.
28:26Come on.
28:26I thought I was talking about Stella.
28:28After so much time...
28:32...to stay alive.
28:37I've got something to say.
28:42Tell me,
28:43...that you said about the past.
28:49About the past.
28:51The wedding.
28:55We had a great wedding with you.
29:01I'm sorry.
29:03From time to time.
29:12I'm sorry.
29:15I'm sorry.
29:16I'm sorry.
29:18I'm sorry.
29:20I'm sorry.
29:22Don't get upset already.
29:28Don't blame yourself for you, as I promised.
29:42You're right, случайно.
29:44It's connected with Sarnozov, right?
29:46Yes.
29:49But I don't know where to start.
29:51Maybe with the 90's winter,
29:54when the whole country was like this.
30:00Do you remember?
30:02You were living in the dark,
30:04with about 15 degrees and snow.
30:09This is the cause of everyone, Boris Sarnozov.
30:14If someone in those days didn't know what kind of fear is,
30:18he would have experienced it.
30:21They were all in the desert.
30:23They were all in the desert.
30:25They were all in the desert.
30:27They had to leave the desert.
30:31They left the people to be able to go.
30:38to a part of a company in foreign affairs.
30:46I asked me what was the relationship with the company.
30:49With a man from the state of security,
30:53I started for two years.
30:55I put the ultimate to the director.
30:58Or he worked with us,
31:00or...
31:02The company wanted to buy the Russian army,
31:05but they didn't have a loan.
31:06He took them from the company of Boris
31:09for the price of the international markets,
31:11and another company of Boris
31:13bought the product,
31:15but it was only for a lower price.
31:18The home of Arnodov was on the entrance and the entrance,
31:22and the government poured the money into the company,
31:25so that it didn't fail.
31:30You can see how happy I am here.
31:34You can see how happy I am here.
31:35But now...
31:36What do you think?
31:41I was a little bit nervous.
31:42No.
31:53It's not a man.
31:56It's not a way.
31:56What's it if you want to do a normal job?
32:00It's a bit like a bear.
32:01I don't want to do a job.
32:02I'm trying to make it.
32:02It's not a place to let you know.
32:15Don't get me back.
32:39Here we are.
32:43We are going to be placed on the table.
32:45I don't want to talk about the light.
32:47The light is now.
32:48The evening of the interview will be ideal.
32:51I said that the light is light.
32:54Okay.
33:02Let's go.
33:03Let's go.
33:08Why did you get hurt?
33:11Mama, no!
33:12Mama!
33:17What is it?
33:20Why did you get hurt?
33:22Did he hit you?
33:24No.
33:24No.
33:24No.
33:28Who did you get hurt?
33:40According to me, this is wonderful.
33:43You're welcome.
33:45You're welcome.
33:47You're welcome.
33:48You're welcome.
33:48You're welcome.
33:49You're welcome.
33:51You're welcome.
33:52You're welcome.
33:54after the interview morning,
33:55the most important thing is to say
33:57is to transmit the privy eyes to the cow.
33:58But not only that.
34:00You're welcome to tell us
34:01that we are the most important people
34:04to the family.
34:07You're welcome.
34:09You're welcome.
34:10I don't want to feel the family of the lost family.
34:23Except for the evening, they'll shoot.
34:25No, no, you should be with us. I'll give you some of the power.
34:30Father, look at me.
34:33Nicole, take your hand.
34:34What happened?
34:36That's my wife.
34:37That's my wife.
34:37I'm not sure if I'm going to die.
34:40I'm not sure if I'm going to die.
34:43You're not sure?
34:44I'm not sure if I'm going to die.
34:46She's going to die.
34:48She's going to kill me.
34:49Diana,
34:51I'll repeat that more.
34:54You're saying only that?
34:55I'll repeat that more.
34:58I'm not sure if I'm going to die.
35:01The people who are dying,
35:02the peace of mind,
35:03the kids are like dogs.
35:04No one is the two out.
35:06They're not mad.
35:07So, prepare yourself.
35:09And try to be together with their daughter.
35:17Do it.
35:18You're not sure if I'm not sure as I can be sold.
35:19You're not sure if I'm going to die.
35:19Make yourself.
35:22You're not sure how it's going to die.
35:36I don't know how to lose a close friend.
35:48My son died before 9 years.
35:54But how can I help them?
35:57My heart is not-sensitive.
36:02But there are other tragedies,
36:04to which we should not be able to stay.
36:06How many tragedies?
36:07Do you see what happens every day in Bulgaria?
36:10There are new and new soldiers from Syria.
36:13People in need, but the authorities are absolutely not adequate.
36:16They were not adequate in the end,
36:19in which they died.
36:20Do you have a plan for the general secretary?
36:24BAS Holding is ready to be able to do it.
36:27The people in the villages are really missing.
36:31And what do you do for them?
36:34What should all of a businessmen do?
36:37The possibility is to take many people.
36:40The desire is to live.
36:41Today we are going to ask questions,
36:43and we want to provide them for life.
36:47Absolutely!
36:48Absolutely!
36:50Yes, ma'am.
36:51We have received official letters for all the community,
36:54for the appropriate places.
36:57In silence.
37:01Thank you very much, Mr. Arnoldov.
37:03Thank you for all of you.
37:06Thank you, Mr. Arnoldov.
37:07I'm trying to find a wish to stop your livelihood.
37:13You're a stranger.
37:14You're an excellent picture, Mr. Arnoldov.
37:17Yes, I can read it.
37:22You can read it and type it.
37:23I want the faster way to explain the Awaita from the Holocaust.
37:25What do you think ?
37:26And now I'm going to get you to find it.
37:28Yes...
37:38I think it's time for you to tell me what you're doing with my wife.
37:41Let me know.
37:43Do you know what you're doing?
37:45I'm sure you're talking about it and you've probably understood something.
37:48What, for example?
37:50You know, I'm loyal to this family.
37:55And I respect you.
37:55I don't know what you're doing.
37:57How do you say that?
38:00I'm telling you myself.
38:02I'm standing in the closet and I'm listening to you.
38:05Misha, my friend.
38:07That's not me.
38:16Miki! No, no, no!
38:18Miki, no, no, no!
38:19No, no, no, no!
38:20Mom, don't tell me what you're saying!
38:22Mom!
38:23How do you say that?
38:24You're not surprised. I can't do that.
38:27Mom!
38:28Mom!
38:30Mrs. George, I understand that you're free of all the chauffeurs.
38:34Why?
38:35It's late.
38:37I don't have to take care of you.
38:38I'm sorry, I'm not sure.
38:40I'll call someone to come back.
38:41No problem.
38:42I don't know.
38:43No, thanks.
38:43I'm not sure if you're in the closet.
38:45I'm in the closet.
38:47So you'll pay the rent.
38:48Andrei, please, don't let me tell you.
38:51I'll tell you now.
38:51I'll tell you now.
39:05You're going to die, Fada.
39:09Why?
39:11Why?
39:12Why?
39:12Because you're the slave of the devil.
39:14That's why.
39:51When I 브로 Brennan story time.
39:58I can't hear it.
40:03But I'm not sure if he's McDonald's.
40:04I'm notried.
40:04Milk for a Zahl.
40:07But I've told you now, no word is ahead now.
40:08If I don't know that one person is wrong with your service.
40:09I was recognized.
40:09That's why I wasCola- Gym man.
40:13Let's go.
40:40Let's go.
41:18Let's go.
41:19Let's go.
41:21Let's go.
41:34Let's go.
41:37Let's go.
41:39Let's go.
41:44Let's go.
41:46Let's go.
41:47Let's go.
41:47Let's go.
42:17Let's go.
42:23Let's go.
42:26Let's go.
42:27Let's go.
42:35Let's go.
42:38Let's go.
42:52Let's go.
42:59Let's go.
43:07Let's go.
43:12Let's go.
43:15Let's go.
43:16Let's go.
43:28Let's go.
43:32Let's go.
43:34Let's go.
43:43Let's go.
43:45Let's go.
43:48Let's go.
43:48Let's go.
43:49Let's go.
43:52Let's go.
44:07Let's go.
44:08Let's go.
44:10Let's go.
44:19Let's go.
44:24Let's go.
44:35Let's go.
44:47Let's go.
44:48Let's go.
44:49Let's go.
44:50Let's go.
44:56Let's go.
44:57Oh, no.
44:59Stay.
45:00Oh, no.
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