00:00When you race your car and need for speed, there's the public, you know, by the left and by the right, they yell at me, I yell at them, but in the end, we work together super well. They like me, I like them. I would not feel special if they were not there.
00:31When thinking about Paris, I think about all the layers you get. There's the metro, there's even deeper than the metro, the flat ground for our mortal soul, and there's the rooftop, you know.
00:45You can always like sail around some super different horizon.
01:00I think I'm shooting the same way I'm living, you know. There's nothing planned. It's just about capturing what I see.
01:21I guess all the photos I take are some checkpoints, you know. From the moment that I leave to the moment I come home, I'm like, okay, here I am, here I am, here I am, here I am, you know.
01:36So I can remember everything, you know. Always on my way to something. That's how I would describe the process. On my way to something.
01:49A good photo is the one I didn't even remember, either by some weird effect on the roll, or either because I really just don't remember when I took it, you know.
02:08That's the best feeling to have, like, to discover something you didn't even knew you were planning to do, you know.
02:14Ah, yes. That's what I wanted.
02:19I really don't know nothing about, like, exposure and stuff that would take him from the wrong distance with the wrong light.
02:27And it's better that way. It's better that I don't know, so I have those good surprises. Sometimes bad surprises, like burnt film or what, but...
02:39It's always full of surprises, you know. Just like Paris, maybe. If I can say that.
02:45I don't know what's the best.
02:49But don't do it all together, just like that.
02:51No?
02:52I don't know, like that's about it.
02:54That's about it, you know.
02:55That's about it for me or after?
02:56Yeah, you know, it'll start.
02:57It's about it.
02:58Bravo, I'm excited.
03:00Sometimes people, they don't get that they're photogenic or stylish in a way or another.
03:15For example, if some friends of mine are putting in graffiti, there's a ton of way I can have
03:19them in the scenery, you know, and I try to have them looking at everything else than
03:27the camera and so I can have like a pure regard of the situation, a pure drawing of the moment.
03:36I would say the Parisian graffiti is a good mess, like all those drips, the cheapest paint.
03:45If you zoom in on some detail, maybe you will not find it good, but if you have a look at
03:53the whole thing, I think you will understand that it's just a good mess, a good chaos, and
04:00that's all it's all about.
04:12We didn't talk about this, but there's always fucking dust everywhere bro.
04:15On my photos, but you know why?
04:17Because I never do the fucking dust in my place, so there's always fucking dust on my
04:21photos as well.
04:47You really have to appropriate Paris to yourself, you know, either way you're going to get
04:55crushed by the price of everything or by nothing.
05:02You have to take it for yourself and find what's good.
05:17When I see, for example, the price of the rent or whatever in Paris, I realize that I will
05:35never have any balcony, for example, you know.
05:39And so I appropriate the rooftop for myself so I can have my own balcony everywhere, you
05:44know.
05:45That's the mindset you should have in Paris, I guess.
05:48There's some liberty that has to be taken, you know.
05:54Maybe you can just see me as a cat, hanging around, no faults, but sharp eyes, and enjoying
06:03what has to be enjoyed, you know.
06:07I'm just going to play, I guess, I'm just going to play, I guess.
06:14I'm just going to play.
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