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00:00A well-made song will take you places that you would never expect to go and keep you
00:26company down a lot of roads. This song has come a long way with me. I'm Sheryl Crow, and these are my words and my music.
01:05Oh, I'm banging on my TV set, and I check the hours, and I, and I place my bed, pour a drink, and I pull the blinds, and I wonder what I'll find.
01:28I'm leaving lost for you.
01:32I'm leaving for good.
01:36I'm leaving for good.
01:38I'm leaving for good.
01:48I'm leaving for good.
01:52I'm leaving for good.
01:56I'm leaving for good.
02:00I'm leaving for good.
02:08Used to be I could drive up to Barstow for the night.
02:12Find some cross-ride trucker that demonstrates mine.
02:18These days it seems like nowhere is far another way.
02:24I'm leaving for good.
02:26I'm leaving for good.
02:28I'm leaving for good.
02:30I'm leaving for good.
02:32I'm leaving for good.
02:34I'm leaving for good.
02:36I'm leaving for good.
02:37I'm leaving for good.
02:39I'm leaving for good.
02:41That must be us
02:45I'm leaving for good
02:48I'm leaving for good
02:52Oh, oh, for good
02:55Standing in the middle of the desert
03:00Waiting for a ship to come in
03:04Right now, no joker
03:09No joker, no king
03:12You take this losing end
03:15And make it a win
03:18Oh, oh, oh
03:22Oh, it may win
03:24Leaving lost for us
03:32I'm leaving for good
03:36I quit my job as a dancer
03:56In Lido Day Girls
03:59They had me dealing blackjack
04:02Until one or two
04:03Such a muddy line
04:07Between the things you want
04:10And the things you have to do
04:14I'm leaving lost for us
04:19The light is so bright
04:24I put on a sweat
04:26And a blackjack on a Saturday night
04:28I'm leaving lost for us
04:32I'm leaving for good
04:35I'm leaving for good
04:38Oh, I'm leaving lost for us
04:41My eyes are so bright
04:49On a Saturday night
04:51I'm leaving lost for us
04:55I'm leaving lost for us
05:04I'm leaving lost for us
05:06And I won't be back
05:12No, no, no, no
05:15Won't be back
05:16Not this time
05:46Well, that would be where you guys first met me
05:55That song actually was on my first record
05:57Which came out in 1994
06:00Which was the last century
06:04Literally by the time that record came out
06:08I had lived nine lives
06:10I had gone to college
06:12I had gotten my degree in classical piano
06:14I'd gotten my secondary as a music school teacher
06:17I played in cover bands
06:19I played at weddings, bar mitzvahs, graduation parties
06:23I got a job in St. Louis as an elementary school teacher
06:26I taught kindergarten through six in the public school system
06:30And I have to say I did love it
06:31All the while teaching and still playing in cover bands
06:35And one night I'm playing and a producer comes in
06:38And asks me if I will sing a demo for a commercial
06:41It probably will ring a bell
06:42It's a good time for the great taste of McDonald's
06:45So I felt like I'd really made it
06:48But the crazy thing about it was
06:51That commercial took me 45 minutes to sing
06:54And it paid me more than the two years I taught school
06:58So what does that say?
07:00Anyway, I took that demo
07:02And it was filled with other jingles by this time
07:05And I moved to Los Angeles
07:06Thinking well I should be able to get work
07:08As a jingle singer
07:09And maybe people will hear my originals
07:13And give me a record deal
07:14Well, I did actually eventually start getting jingle work
07:18But not before I got a job waiting tables
07:20Which is what you do when you're a new artist
07:23So for anybody who's a waiter in here
07:26Who needs a record deal
07:27I know exactly how to do it
07:28Anyway, I eventually got more work
07:31I started singing jingles
07:32I started singing on people's records
07:34And I overheard some singers talking about
07:36The Michael Jackson tour
07:38And I thought, you know what?
07:40I'm going to go to the audition
07:41Even though I'm not recommended
07:42What's the worst thing that can happen?
07:44And so I went
07:45And I stood in front of their video camera
07:47And said
07:48Hi, Mike
07:49My name
07:50Can I call you Mike?
07:51My name is Cheryl Crow
07:52And I just moved here from St. Louis
07:55And I was a school teacher
07:56And I would love to go on the tour with you
07:58And I sang
07:59And then I got it
08:00I'm a big believer in manifesting
08:04So, anyway
08:06We went all over the world
08:08Touring with this huge artist
08:10Probably the biggest artist
08:11Maybe of all time
08:12But definitely during that time
08:14I learned how to sing
08:15Just like him
08:16She says I am the one
08:18So that I could double him
08:19I mean, I was so in it
08:22And loved it
08:22And it was a crash course
08:24In music industry
08:25And in touring
08:26And in becoming an artist
08:28Was so high on life
08:29And then I came home
08:30And I went back to waiting tables
08:31I sang more jingles
08:33And I got a publishing deal
08:35And I wrote songs
08:36And I had a song covered by Celine Dion
08:39And I had a song covered by Winona Judd
08:41And I had one covered by Tina Turner
08:43But actually
08:44There was a night
08:46When I got called to sing
08:47On a Don Henley record
08:48That sort of my life changed
08:50Because
08:50Not only did I sing on his record
08:53He became a bit of a mentor to me
08:55And he's the one that said
08:56You need to keep your songs for yourself
08:57So he was very instrumental
08:59In me getting a record deal
09:01And sort of getting on the path
09:02I did make an album
09:05For A&M Records
09:06And
09:07I didn't love the records
09:10So I went in and said
09:11Will you please not put it out
09:12And they looked at me cross-eyed
09:13And were like
09:14Okay
09:15They did not put it out
09:16But I did sort of sit around
09:18For a year
09:18Thinking they're gonna drop me
09:19They're gonna drop me
09:20I'm sure of it
09:21And I met this producer
09:23Bill Betrell
09:24And went in
09:25And we made a record
09:26Called The Tuesday Night Music Club
09:27Which was a joy to make
09:30And from that record
09:32I toured clubs
09:32And I toured bars
09:33And I opened for bigger acts
09:36And then at 33
09:38I had a hit called
09:40All I Wanna Do
09:41And that is when
09:43I became an overnight sensation
09:45After about 15 years
09:48Of really hard work
09:49And waiting tables
09:50In 1995
09:52I was nominated for five Grammys
09:54And I won three
09:56And one of them was actually
09:57For Best New Artist
09:58Obviously it takes a long time
10:01To become a Best New Artist
10:02But one of my favorite memories
10:04From that time actually
10:05Is a fax that Don sent me
10:07Do you guys remember faxes?
10:10He used to call me Pookie
10:12And it started off
10:13Dear Pookie
10:13Congratulations on winning
10:15Best New Artist
10:16Please see below
10:17All those who have won before you
10:19And then it was signed
10:20Good luck Don
10:21And there was a long list
10:23Of people that we pretty much
10:24Never heard from again
10:25So anyway
10:26I played countless shows
10:28I loaded in my gear
10:29I loaded out my gear
10:30We went from a
10:31Like a moving van
10:33To an RV
10:34Which was a big day
10:35This time it was different
10:37We was at radio stations
10:38And we did interviews
10:40And we became huge
10:43In Colorado
10:44And France
10:45And so for about a year
10:48We toured Colorado
10:49And France
10:50Weed and wine
10:53Just weed and wine
10:55But I think actually
10:57Later in 1994
11:00Is when I felt my career
11:01Started to shift
11:02And it was largely because
11:04I was invited to do
11:05A three day festival
11:06That was Woodstock
11:08The 25th anniversary
11:10And I have to say
11:12I'm a huge fan
11:13Of all the artists
11:14That were on the original
11:15Woodstock
11:15So for me to get to play it
11:16I was one of only two women
11:18It was not only a thrill
11:19But an honor
11:20And also it changed things for me
11:22Because people started
11:22To recognize me
11:23And radio stations added me
11:25And TV shows started calling
11:26I got to do Letterman
11:27I got to do Saturday Night Live
11:29And things really started to change
11:31And it really was that moment
11:34Where I felt like
11:35Maybe this music thing
11:36Is going to pan out after all
11:38I used to ride
11:57With a vending machine repairman
12:00You step it down
12:02Let's roll more than twice
12:05He was high
12:07On intellectualism
12:09I've never been there
12:12But the brochure looks nice
12:14Jump in
12:16Let's go
12:17Lay back
12:21Enjoy the show
12:23Everybody gets high
12:26Everybody gets low
12:29These are the days
12:31When anything goes
12:33Every day is a winding road
12:37I get a little bit closer
12:42Every day is a faded sign
12:47I get a little bit closer
12:52Feeling fine
12:54Feeling fine
12:55He's got a daughter
13:05He calls Easter
13:06She was born on a Tuesday night
13:12I'm just wondering why
13:14I feel so all alone
13:16I'm a stranger
13:18I'm a stranger in my own life
13:21Jump in
13:24Let's go
13:25Lay back
13:29Enjoy the show
13:31Everybody gets high
13:34Everybody gets low
13:36These are the days
13:38When anything goes
13:40Every day is a winding road
13:44I get a little bit closer
13:49Every day is a fading sign
13:54I get a little bit closer
13:59Every day is a winding road
14:04I get a little bit closer
14:09Every day is a fading sign
14:14I get a little bit closer
14:19Feeling fine
14:21Feeling fine
14:23One, two, three, four
14:30I've been living in a sea of anarchy
14:54I've been living in a sea of anarchy
14:56I've been living on coffee
14:58And a ten
14:59I've been winding up
15:02And all the things I've seen
15:04Were ever real
15:06Ever really happening
15:09Ever really happening
15:11Every day is a winding road
15:15I get a little bit closer
15:20Every day is a fading sign
15:26I get a little bit closer
15:30Every day is a winding road
15:35I get a little bit closer
15:40Every day is a fading sign
15:45I get a little bit closer
15:50Feeling fine
15:55Feeling fine
16:00Every day is a winding road
16:05Every day is a winding road
16:10Every day is a winding road
16:15Every day is a winding road
16:17Well, it is a fantastic and yet very interesting predicament to have to compete with a very successful first record. My first record, the Tuesday Ant Music Club record, sold eight million copies. And that's a lot of records. And so when I went in to make the second record, anything short of eight million copies.
16:36Anything short of eight million would have been deemed like the sophomore slump. So definitely felt a lot of pressure because there's just, there's no handbook for how to become famous. And there's nothing that tells you to not take things personally. You know, having critics write that your show sucked or your voice wasn't great.
16:53Or that your hair looked like a soccer mom, you know, when you get your hair cut. Just, you know, little stupid things that you take personally, you take, take to heart. There's just definitely nothing to prepare you for that. And definitely nothing to prepare you for the little betrayals from people that you thought you were doing.
17:12You know, I tell people this all the time. If there was a category in your high school book that said least likely to become a rock star, that it would have been my picture. I was in the choir. I was like a music nerd. I was the drum majorette. I was a really good girl. I made really good grades.
17:29You could tell I was a good girl. You can look at my hairdos, like I had the Dorothy Hamill wedge, right? I had the Tennille thing turn in. I think I even had the Olivia Newton John let's get physical haircut that might've been college, but you know, um, and definitely rocked the Stevie Nicks shag. But my parents always said,
17:52Might have been college, but you know.
17:54And definitely rocked the Stevie Nicks shag.
17:58But my parents always said, if you're a good person and you treat other people well and you do your best, good things will happen.
18:04But I was definitely not prepared for some of the things that were written about me in those early days.
18:09Things that doubted my talent and my authenticity.
18:12And even whether I had written my own album.
18:15So it's interesting to look back at the artwork.
18:17Because artwork, I think, a lot of times will document who you were at any given moment.
18:22So for me, the first record, the artwork looked like I could have been in Better Homes and Garden.
18:27I'm like, yeah, y'all come over and have some cappuccino.
18:29Or play Mahjong.
18:31And then the second record looks like, do not fuck with me.
18:36I'm about to go in and rob a 7-Eleven.
18:39So don't get in my way.
18:40I will jack you up.
18:42Anyway, suffice it to say, by the time I got to make my second record, I had a lot to say.
18:48And the liberation, really, of being in New Orleans, which was totally away from the music industry,
18:54and also getting to produce myself, and getting to bring in my two buddies, Jeff Trott and Brian McLeod,
19:00and also working with a badass female engineer named Trina Shoemaker.
19:06The whole experience was so liberating.
19:09And that was really what announced who I really was as an artist and as a person.
19:14So this was really my introduction to Sheryl Crow.
19:18I've been long, long away from here.
19:42Sheryl Crow.
19:43The whole mission of Os다 가족.
19:57There's a castle.
19:59through thrift store jungles found geronimo's rifle
20:08maryland shampoo benny goodman's corset and band
20:15well okay i made this up i promised you i'd never give up
20:23if it makes you happy
20:33if it makes you happy
20:37then why the hell are you so sad
20:49you get down
20:51the real low down
20:57you listen to coltrain dear you're on train
21:03who hasn't been there before
21:07i come around
21:09around the hard way
21:15bring you comics in bed scrape a mold off the bread and serve you french toast again
21:27okay i still get stoned
21:33i'm not the kind of girl you take home
21:37that makes you happy
21:43it can't be that bad
21:47that makes you happy
21:49then why the hell are you so sad
21:55that makes you happy
21:59it can't be that bad
22:05that makes you happy
22:11why the hell are you so sad
22:21they've been far
22:33far away from here
22:35they've been far
22:45far away from here
22:47we put on a poncho
22:49we put on a poncho
22:51plate for mosquitoes
22:53we put on a poncho
22:55plate for mosquitoes
22:57everywhere in between
22:59we're playing
23:01we're okay
23:03we're okay
23:05we get along
23:07so what if right now
23:09everything's wrong
23:11that makes you happy
23:13it can't be that bad
23:15it can't be that bad
23:17it can't be that bad
23:19it can't be that bad
23:21it can't be that bad
23:23it can't be that bad
23:25it can't be that bad
23:27it can't be that bad
23:29it can't be that bad
23:31it can't be that bad
23:33it can't be that bad
23:35it can't be that bad
23:37it can't be that bad
23:39it can't be that bad
23:41If I'm so happy, then why the hell are you so sad?
24:11If I'm so happy, then why the hell are you so sad?
24:37Well, I don't think I'm typically known for writing lyrics like Bob Dylan.
24:41Although I will say I've never gone into the studio to work on a record that I did not carry in a Bob Dylan lyric book.
24:48But in this particular instance, when I returned from playing for the troops in Bosnia,
24:53the verses to this song poured out of me as if Bob was in my ear going,
24:57Hey, that sounds pretty good.
25:00The song literally was just one stanza after another, and it was called Redemption Day.
25:06And it asked the same question that I ask myself every day still, which is about our involvement as a nation,
25:13our investments in other countries' conflicts.
25:16And Redemption Day was definitely not a hit song, but I think the greatest acknowledgement for me was Johnny Cash.
25:24He wanted to record it.
25:25And the story is that in May in 2003, Johnny called me and said that June had passed,
25:32June Carter Cash, which is his wife, and he asked me if I would sing at her funeral,
25:35which for me was a very high honor.
25:37And I'd never sung at a funeral.
25:39So I called my mom, who in our hometown, she sang at everybody's funeral because she has the best voice.
25:46So I called her, I said, Mom, I don't know, how am I even going to get through this?
25:50And she said, well, well, actually it's more like this.
25:53Well, what you do is first, you don't look at Johnny.
25:58And you try to look over everyone's heads and think about anything other than what you're doing.
26:04Okay, I think I can do that.
26:06So I'm standing there with Emmylou Harris and we're getting ready to sing Every Grain of Sand by Bob Dylan.
26:12First thing I do when Johnny walks out is I look straight at him.
26:16Got through it, got through it.
26:18But about three weeks after June's funeral, Johnny got me on the phone and he said he had heard Redemption Day.
26:26His son-in-law had played it for him and he wanted to record it and make it the cornerstone of his record.
26:32Now, his wife had just passed away and literally he said, I feel like I'm not done yet.
26:36I have more to say.
26:37And he explained to me that this song needed to be heard in that moment in relationship to what was going on in the country at that time.
26:43And that was during the Iraq-Afghanistan War.
26:47And he asked me one question after another about what was this line for?
26:51Why did you write this?
26:52What's the intent of the song?
26:53And this was a man who stood for things that were not popular.
26:58He fought for the rights of Native Americans.
27:01He stood up against the Vietnam War when that was not popular at the risk of angering his fan base.
27:07He was a man of total integrity.
27:10He was a strong man and yet he shared the fragility of his own journey with addiction and his faith in God.
27:16But before he would sing this song, he wanted to be sure he could align himself with what he was singing.
27:21And I think that's one of the reasons that we loved and trusted Johnny Cash.
27:25Because when he sang to us, we knew that what he was singing was what he stood behind.
27:29He recorded his version of the song and then he sent it to me and called me and asked me what I thought.
27:34And what am I going to say?
27:35I mean, I was just like boo-hooing.
27:37As you do when you're talking to Johnny Cash about a song you've written and he's recorded.
27:41Unfortunately, he passed away about three months later.
27:46And his version of the song didn't come out for many years.
27:51But it's still a beautiful, beautiful testimony.
27:57I've wept for those who suffer long.
28:16But I wait for those who've gone.
28:21In the rooms of grief and question wrong.
28:25But keep on killing.
28:31It's in the soul to feel such things.
28:37But weak to watch without speaking.
28:42Oh, when mercy sadness brings.
28:46If God be willing.
28:51There is a train.
28:54That's headed straight.
28:56To heaven's gate.
28:59To heaven's gate.
29:01And on the way.
29:04Child and man.
29:07And woman wait.
29:09Watch and wait.
29:12For redemption day.
29:19Fire rages in the street.
29:25And swallows everything it meets.
29:31It's just an image often seen on television.
29:37Come leaders come you men of great.
29:47Let us hear you pontificate.
29:52Your many virtues lead to wisdom beyond listening.
29:58There is a train.
29:59There is a train.
30:03That's headed straight.
30:05To heaven's gate.
30:08To heaven's gate.
30:09To heaven's gate.
30:11And on the way.
30:13Child and man.
30:15And woman wait.
30:17Watch and wait.
30:19Watch and wait.
30:20For redemption day.
30:21Watch and wait.
30:22For redemption day.
30:23Watch and wait.
30:24For redemption day.
30:26What do you have for us today?
30:28Throw us a bone.
30:29But save the plate.
30:30Oh, were you waiting till so late?
30:32Was there no oil to excavate?
30:33No riches in trade for the fate.
30:34Of every person who died in hate.
30:35There was a bone you men of great.
30:40Oh, why you waited till so late Was there no oil to excavate?
30:48No riches in trade for the fate Of every person who died in hate
30:53There was a bone you men of great
30:59There is a train that's headed straight To heaven's gate
31:07Heaven's gate and on the way Child and man and woman wait
31:17Watch and wait for redemption day
31:34It's buried in the countryside
31:39It's hidden in the shells of night
31:44It's everywhere a baby cries
31:49Freedom
31:54Freedom
31:59Freedom
32:04Freedom
32:05Freedom
32:06Freedom
32:07Freedom
32:09Freedom
32:24I'm really going to date myself here But I was a kid who grew up playing record albums
32:28record albums, those big black things with the hole in the middle, the needle, anyway.
32:34And I would pour over the liner notes, and all the pictures, and the list of musicians
32:40on every record, and I knew everybody on every record.
32:44And we had like a big Magnavox console that had like a record player on one side, and
32:49a reel-to-reel player on the other side, and then on top of like this big thing were these
32:54big speakers, and I would lay on the brownshad carpeting in front of those speakers, and
33:00I would listen to like Tapestry, and Mudside Slim, and The Blue Horizon, and Inner Visions,
33:04and Highway 61, and Rumors, and Blue, and Alfie, Burt Bacharach.
33:10I mean, talk about the soundtrack to your life.
33:12Those albums were my imaginary one-way ticket out of my hometown of three stoplights and
33:19a Dairy Queen.
33:20It's impossible for me to process my life and the good fortune that I've had to play
33:27with so many of the heroes whose albums I poured over.
33:31It's hard for me to imagine that a teenager sitting in a tiny town at Blakemore Drugs on
33:36the square in Kennet, Missouri, drinking Coca-Cola out of a bottle, and studying the pictures
33:41of like Fleetwood Mac, and the Rolling Stones, and Led Zeppelin in music magazines, that I would
33:45go on to sing Honky Tonk Woman with Mick Jagger, or that I would share the stage with Stevie
33:50Nicks, or play According with Bob Dylan, or jam with Johnny, and Willie, and Eric, let alone
33:56becoming friends with so many of my musical heroes.
33:59Like I said, I'm a big believer in manifesting, but I've been damn lucky.
34:03And I will say it's very interesting to be a working, traveling musician on the road,
34:09tour buses, planes, the whole thing.
34:11And when you're on the road, you're always on the road, and sometimes your life intersects
34:16with other famous traveling musicians.
34:20And when I say intersects, I'm going to leave it there.
34:25I've been pretty private about who I've intersected with, but I would say that good or bad, there's
34:35been a blessing in every relationship that I've had.
34:38I always tell my audiences, I've loved some really amazing people, and I've loved some
34:43other people too.
34:45So let's leave it at that, and you guys can try and figure out the rest.
34:49applause
35:22I woke up and called this morning. The tone of your voice was a warning. That you don't care for me anymore.
35:38I'm made of the bed we sleep in. I look to the clock when you're creeping. It's 6am and I'm alone.
35:56Did you know when you go is the perfect ending to the bad day? I was just beginning.
36:09When you go, all I know is your my favorite mistake.
36:14Your friends are sorry for me. They want you to pretend to hurt me.
36:38Oh, but I'm no fool to escape.
36:47And here comes your favorite lover. She'll be young like any other.
36:57Until your guilt goes up in flames.
37:07Did you know when you go is the perfect ending to the bad day?
37:14I've gotten used to spending.
37:16Where you go, all I know is your my favorite mistake.
37:21You're my favorite mistake.
37:26Maybe nothing lasts forever. Even when you stay together. I'll need forever after.
37:45It's your laughter. You won't let me go. So I'm holding on this way.
37:57You won't let me go. You won't let me go. You won't let me go.
38:12Did you know? Could you tell? You were the only one that I ever loved.
38:20Everything stole? Did you see me walking by? Did it ever make you cry?
38:41You're my favorite mistake. You're my favorite mistake.
39:02Well, I've been around long enough now that I'm considered a legacy artist, which means
39:22I'm as old as Moses.
39:25And of course, I always say that I think the Grammys should give out best old artist as
39:29well as best new artist.
39:32Really, at the end of the day, all of us have the same emotions.
39:36It's just the experience looks different.
39:38We love and we hate.
39:40We pass through joy and fear and disappointment and contentment.
39:46And songs, I think, they allow us to experience those memories and emotions over and over again.
39:52And they give us comfort and companionship and fun and solace.
39:56I mean, how many times do you hear a song and go, oh my gosh, that's exactly how I feel.
40:01It makes us feel like we're not alone, right?
40:04There is a song for every mom and dad who watched a kid grow up, a son or daughter who taught
40:11you more than you could ever teach them, which is definitely my experience.
40:15I thank my kids every day for teaching me how to be a better person.
40:18I also take the keys and the phone when they are acting like little shits.
40:24But, you know, my older son actually is leaving for college soon.
40:29And I'm learning the true exercise that love is letting go.
40:34And I'm going to say right now, I don't like it.
40:36I don't like it.
40:38You might find yourself saying goodbye to your child while you're also letting go of a parent.
40:43And for me, this is where it gets tricky.
40:47My mom has no more memories.
40:49She has no recollection of bringing me into the world or of singing to me as a baby, of
40:55teaching me to play the piano.
40:58But when she sits next to me on the piano bench and I play her old favorite songs, she comes
41:03back for as long as that song lasts.
41:06She sings at the top of her lungs and she is my mom.
41:10And we're still connected through the first language that we shared.
41:15Music is where I find my mom.
41:17When you're young, you don't count moments.
41:20You just don't even notice.
41:22When you're older, you understand that every moment of being present is a moment that continues
41:27to make you who you are.
41:29And we hold those moments inside songs.
41:40One, two, one, three.
41:42Lay down your head, don't you worry tonight.
41:54Can't fix the world no matter how you try.
42:01Give it some time, you will find everything is alright
42:08There's no such thing as forever
42:18But you and me, we've got to dig
42:25Every moment we're together, I know there is a heaven
42:34Cause you make me feel that way
42:39When I get down, you're the one that I call
42:52You pick me up every time that I call
42:59And when you laugh, nothing else matters to me at all
43:07There's no such thing as forever
43:17But you and me, we've got to dig
43:24Every moment we're together, I know there is a heaven
43:34Cause you make me feel that way
43:41Carbage out in space, burrage in the lake
43:55Baby, what a race
43:57Everybody's mad, everybody's sad
44:02See it in their face
44:04Gotta have the latest, gotta have the best, the most
44:09If you wanna be happy, light, imagine
44:11Let it all go up in the smoke
44:14There's no such thing as forever
44:21There's no such thing as forever
44:23But you and me, we've got to dig
44:29Every moment we're together
44:35I know there is a heaven
44:37I know there is a heaven
44:39Cause you make me feel that way
44:42I know there is a heaven
44:44Cause you make me feel that way
44:46No such thing as forever
44:49No such thing
44:51But you and me, we've got to dig
44:56Every moment we're together
45:03Every moment we are together
45:09Every moment we're together
45:10Every moment we're together
45:11I know that is a heaven
45:12Cause you make me feel that way
45:19Thank you
45:23I have to introduce my band tonight
45:25Tim Smith.
45:39I just have one last little thing to say,
45:42and that is, if I'm honest with myself,
45:45what art is, is a picture of who you are at any given moment.
45:50And looking back on my career and my body of work,
45:53I could safely say it is pretty honest.
45:58She was born in November, 1963,
46:04the day Aldous Huxley died.
46:10And her mama believed every man should be free.
46:16But her mama got high.
46:18And her daddy marched on Birmingham,
46:25singing mighty protest songs,
46:29and he pictured all the places he knew that she belonged.
46:34He failed and taught her young the only thing she'd need to know
46:40to carry on.
46:45He taught her how to run, baby, run, baby, run, baby, run.
46:59Run, baby, run, baby, run, baby, run.
47:07Run, baby, run, baby, run, baby, run, baby, run, baby, run.
47:12Pass the arms of the familiar and their talk of better days
47:18to the comfort of the strangers
47:22slipping out before they say,
47:25so long.
47:27Baby loves to run, baby loves to run, baby loves to run.
47:32Run, baby loves to run.
47:37She counts out all the money in the taxi on the way to meet her plane.
47:44She stares hopeful out the window
47:52The workers fighting through the pouring rain
47:59And she's searching through the stations
48:05For an unfamiliar song
48:09And she pictures all the places
48:12She knows that she belongs
48:15She smiles a secret smile
48:18So she knows exactly how to carry on
48:25Oh, yeah
48:27Run, baby, run
48:30Baby, run, baby, run
48:33Baby, run
48:35Run, baby, run
48:43Baby, run
48:44Baby, run
48:46Baby, run
48:48From their old familiar faces
48:55And their old familiar ways
48:59To the comfort of the strangers
49:01Slippin' out before they say
49:05So long
49:06Baby, run
49:07So long
49:08Baby, run
49:10Baby, run
49:12Baby, run
49:13Run
49:14Baby, run
49:23And she's searching through the stations
49:40For an unfamiliar song
49:43And she pictures all the places
49:46She knows she still belongs
49:49She smiles a secret smile
49:52So she knows exactly how
49:56To carry on
49:58To carry on
50:00Run, baby, run
50:04Baby, run
50:05Baby, run
50:06Baby, run
50:07Baby, run
50:08Baby, run
50:10Run
50:15Run, baby, run
50:16Baby, run
50:17Baby, run
50:18Baby, run
50:19Baby, run
50:20Baby, run
50:22Run, baby, run
50:23Run, baby, run
50:29Baby, run
50:30Baby, run
50:31Baby, run
50:32Baby, run
50:33Baby, run
50:34Run baby, run baby, run baby, run baby, run
50:47Past the arms of the familiar
50:54And the old familiar ways
50:58To the comfort of the strangers
51:00Slippin' out before they say so long
51:07Baby, it's too late
51:15Baby, it's too late
51:21Baby, it's too late
51:23Thank you, thank you.
51:53Baby, it's too late
51:58Baby, it's too late
52:00Hey, hey, hey, anyway
52:02Okay, wait
52:06Okay, I see
52:09Your Иgg
52:11é‚Š
52:14You
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