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00:09Mr. Hopes
00:18Mother, stand back from the door
00:22Shut up, you're in trouble, Daddy
00:29Oh, what a good idea
00:31Sit down
00:35The man with the bird's claw
00:36Did you say those words to anyone else?
00:39No
00:39You didn't tell anyone apart from me and Mycroft
00:42I tried to tell you, he's coming back for me
00:46Who's he?
00:47They're listening
00:50The whirring, always the whirring
00:54I couldn't understand why you wouldn't believe me
01:07Can you hear it now?
01:19I do
01:21I hear it
01:28Shut up
01:32What in God's name?
01:36Oh, what fun?
01:50What is it?
01:54Some sort of listening device
02:00You were right, Mother
02:03Someone has been recording you
02:08Open the door
02:09Time to leave
02:12Open up
02:17It's the house
02:18Wait
02:19Wait
02:26Shiloh
02:39Shall we take the floor?
02:47No
02:48I never was very good at this
02:49You did try to teach me
02:52You always had two left feet
02:54Still do
02:55One, two, three
02:56One, two, three
02:58One, two, three
02:59One, two, three
03:00Look at me, Mother
03:01Just us
03:03You, me, and the music
03:05There come in
03:06Oh, my God
03:07Oh!
03:09Oh!
03:10Oh!
03:13Oh!
03:14Oh!
03:20Whoa!
03:27Oh!
03:29Oh!
03:31Oh!
03:31Oh!
03:32Oh!
03:33Oh!
03:35Oh!
03:41See how you like it.
03:44I think he likes it.
03:54Are we making an escape?
03:58Yes.
04:06You've got an appointment, Princess.
04:28Two butchers.
04:30What?
04:31Your wife, just a parchment.
04:33To the drop.
04:35Because if the rope's too short, then your neck won't snap and then you'll be left slowly choking.
04:40It's a rather undignified way to shuffle off this mortal coil, wouldn't you agree?
04:44Eight stone, I guess. Seven foot, ten inch drop.
04:48Did you know that the first account of execution by hangings in Homer's Odyssey?
04:52No, I did not know that, sir. Fascinating.
04:55Is this supposed to intimidate me?
04:57No, it's supposed to kill you.
04:58I know about British justice.
04:59You're not allowed to play both judge and executioner.
05:03No.
05:09In five.
05:12In four.
05:13Are you counting down?
05:14Are you killing my scientists?
05:17In three.
05:19Handler!
05:20I work for a handler.
05:23And he works for?
05:24Not my place to ask.
05:26Only my place to light defuse and walk away.
05:28In two.
05:30I receive instructions.
05:32I'm a hired gun.
05:33That is all.
05:34Then you're of no further use to me.
05:36In one.
05:36What the hell are you doing?
05:38I think you'll find I don't answer to you, Mycroft.
05:41We don't torture prisoners, sir.
05:43There are rules.
05:45Protocol.
05:45This woman is trying to destroy me and I will have my satisfaction.
05:50And you have every right, sir.
05:52Every right.
05:53But consider this if you would.
05:55You're out of favour with the Foreign Secretary, are you not?
05:58Do you really wish to alienate him further by not consulting with him on such a delicate matter as this?
06:03May I remind you, she is our only link to whoever is killing your scientists, sir.
06:12I was merely endeavouring to loosen her lips.
06:14But we are Englishmen.
06:16It has to mean something.
06:17And in a changing world, how much do you think you're going to achieve with your Queensbury rules?
06:21Your absurd sense of fair play.
06:28Loosen the ropes.
06:42To be continued...
06:44To be continued...
07:04Alas, poor Yorick.
07:07I knew him, Horatio.
07:09To be continued...
07:36I'm afraid there's going to have to be some changes around here.
07:41I'm needed abroad, on an expedition in Mycroft.
07:46I've arranged a government clerkship for you in London.
07:49Thank you, Father.
07:52Sherlock.
07:54I know you're not going to want to hear this, but your mother and I think it's best if you
07:59went to boarding school.
08:06I don't want to leave!
08:10Be strong, my boy.
08:23Mother?
08:25We're here.
08:28Oh.
08:35Oh, you brought me home.
08:44You're safe now.
08:57Yes, let's get you sat down and I'll light the fire.
09:00Oh, who's that?
09:00Mother, mother.
09:01This is James, James Moriarty.
09:03He's a friend of mine.
09:04Hello.
09:05Oh, I'm so glad.
09:07Darling, Sherlock never had any friends.
09:10Oh, really?
09:13Well, it's a pleasure to meet you, Mrs. Holmes.
09:17Darling, can you hear that music?
09:20Oh, that sound.
09:24That's you!
09:35Bea?
09:38Oh, Beatrice!
09:40Oh, my darling!
09:52That's beautiful.
09:54That's nice, sweetheart.
09:59Why are you running away from me?
10:03Bea?
10:04Where are you running off to?
10:07I want to crown you.
10:10I want to crown you.
10:12Come!
10:16Goodbye with me, mummy.
10:18Beatrice!
10:20Bea?
10:21Beatrice?
10:24Perhaps...
10:25Perhaps we should sit down for a moment, mother.
10:29All right.
10:30Let's, uh, let's take a seat.
10:42She is absolutely exhausted.
10:44Will you like to fire?
10:45She needs warmth, rest, and food.
10:47Yes, Sherlock, where is your father in all of this?
10:50This shouldn't all be on your shoulders.
10:52He's in Vienna.
10:53He's a busy man.
10:54It's all right.
10:55I'm here, and I'm dealing with this.
10:58What?
10:59By breaking her over to the asylum.
11:02They were recording her in there, James.
11:04They were listening to every single word she said.
11:06I had no choice, and Shuan knew about it.
11:08There's a man with a bird's claw.
11:10He's coming back for me.
11:12How did she know?
11:16Sherlock.
11:20Mother!
11:27Mother!
11:43Mother!
11:51Darling, I have to find her.
11:54She's not him.
11:56She's not him.
11:56She's not him.
11:56She's not him.
11:58She's not him.
11:58She's not him.
11:59She's not him.
11:59I think she's not him.
12:00I think she's not him.
12:01She's not him.
12:01She's not him.
12:02She's not him.
12:09She's not him.
12:11Well done.
12:13Let's get you warm and dry.
12:19Stop right there.
12:20You are not taking a bastard Holmes.
12:23Crowell.
12:25I do apologize.
12:26I heard the commotion.
12:28Yes.
12:29Mrs. Holmes.
12:30Mr. Crowell, it's so delightful to see you.
12:33Well, you too, Mrs. Holmes.
12:34We weren't expecting you, or we would have had the house ready.
12:37Tell me, does Dr. Maltby still live in the village?
12:40He does, yes.
12:41Would you fetch him, please?
12:42How is Mrs. Crowell?
12:43Oh, she's well, thank you.
12:44Right away, please, Crowell.
12:45I rather need his help.
12:46Yeah, of course.
12:53Well, you're ahead.
13:00What?
13:01What trouble is she's worth?
13:03Electric shock has clearly fried your faculties, Philpott.
13:06No Cordelia Holmes, no money.
13:10I rather like money.
13:14Do you follow?
13:19Find her.
13:22And quickly.
13:23As you wish, sir.
13:34Razor talons.
13:36Sharp as knives.
13:38It's so vivid.
13:43Sweetheart, there is nothing you can do.
13:45He is coming back for me, the man with the bird's claw.
13:48Who is it you're talking about, Mrs. Holmes?
13:52Right, stand by, please.
13:53Let's not grab a patient.
13:57Ah, hello, Cordelia.
14:00I can't tell you how pleased I am to see you again, even in such circumstances.
14:04But don't you worry, we're going to get you bright as rain.
14:07Do you know what she was prescribed earlier, Simon?
14:11Alkaloids, I believe.
14:12Ah, right, yes.
14:13Well, she's obviously suffering from withdrawals.
14:15Perhaps I could give you something else, something to clear the fog a little.
14:18It's all right, Mother.
14:19He's not like the others.
14:20He's here to help you.
14:21Right, Cordelia.
14:23I want you to take two of these with some water, please.
14:29Here we go.
14:30Down the hatch.
14:36Your mother's in trouble, Sherlock.
14:38She'll get better?
14:39Yes, I believe that she will, but that's not what I'm referring to.
14:42Shewan knows about those recordings.
14:44Now, we don't know whether she's responsible for them,
14:46but either way, this does connect your mother to the murders in Oxford.
14:50So how can we say that she's safe here?
14:53We can't.
14:54The man with the bird's claw.
14:55You have no idea what she means.
15:01My mind is blank.
15:03Well, then maybe it's not a person.
15:05Bird's claw, it's a phrase or a place or a thing.
15:16Perhaps it's some sort of crest, the bird's claw.
15:19Good, good.
15:21So whose crest?
15:22Someone at the asylum?
15:24Or someone at Oxford.
15:30Sherlock.
15:32I've got nothing.
15:35Perhaps I was wrong.
15:37Or I never thought I'd hear you say.
15:38No, perhaps I was wrong about the crest.
15:40Perhaps it's some other sort of symbol.
15:43The answers to many of life's problems lie at the bottom of the glass.
15:50The best thing in nature, for drown your sorrows.
15:59Or arisen your joy.
16:30I've seen it somewhere.
16:32I've seen it somewhere.
16:44It's Professor Malik.
16:46Well, go on.
16:47Professor Malik has a cane.
16:49Yes.
16:50And his cane...
16:51Yes.
16:51...has a bird's claw.
16:54All right.
16:56Bravo.
16:57So if I am correct, if it is Malik, what's his business with my mother?
17:01What's his why?
17:02What's his incentive?
17:03Well, Chuan knows about those recordings.
17:06So perhaps she can answer that.
17:08So perhaps you need to ask her.
17:11I took the liberty of rustling a little something up, Master Holmes.
17:16I thought you'd be hungry after the night you've had.
17:18Yes, thank you, Mrs. Crow.
17:20That's very, very thoughtful.
17:21But we need to pop into town for a few hours, so I'll need you to look after my mother.
17:24She'll want for nothing, Master Holmes.
17:28There's ammunition in my father's study.
17:30Don't let anyone into this house.
17:33Understood.
17:35And if you need to send word, you can reach us at Oxford Police Station.
17:39Jane?
17:41A man can't think on an empty stomach.
17:44Thank you, Mrs. Crow.
17:45You're welcome.
17:46Thank you, Mrs. Crow.
17:48Stolen.
17:50More road.
17:52It's lovely.
17:54From the asylum.
17:55I'm starting to appreciate your thieving ways, Sherlock.
17:58Get on!
17:59It's a flower toy from a pocket watch.
18:06Oh!
18:08Would you stop creeping up on me?
18:12Well, what is it?
18:16You did what?
18:18She is at home, and she is safe.
18:20Mrs. Crow is looking after her.
18:21They were recording her, Mycroft.
18:22I don't know what you expected me to do.
18:24How about not breaking her out of the asylum, for starters?
18:27How about going one single day without breaking the law?
18:31Sounds a very disappointing life.
18:32I can't imagine what my father's going to say.
18:33I would imagine he'd be pleased.
18:35That one of us showing some initiative.
18:37We should wire him.
18:38He could sort this out.
18:39Are you quite well?
18:40Have you fallen down and bumped your head on something hard?
18:42Professor Malick was at the asylum.
18:44He must have been the one recording her.
18:46Mother gave me a description.
18:47Of him?
18:48Of his cane.
18:49The man with the bird's claw.
18:50You were there, Mycroft.
18:51Sherlock, she rambles.
18:52There's always an outside chance she's going to accidentally say something half plausible.
18:56Apis melephora.
18:57No, no, no, no.
18:57The honeybees.
18:58Yes, I know about the honeybees.
18:59The honeybees.
19:00Yes, I know about the honeybees.
19:00I don't.
19:08When we were little, we had a hive, Apis melephora.
19:12I watched the bees, and I told Mycroft that I'd seen them dancing.
19:15And you called me foolish.
19:16Witless was the word I used.
19:18I then went and checked with father.
19:19And he said that honeybees do a little circling dance to communicate with each other.
19:23It's called the tarantella.
19:25And you called me a half-wit.
19:27Witless was the word he used.
19:29Well, I wasn't witless, because I was right.
19:31Glad to see you're not holding on to a grudge there, Sherlock.
19:33This is the honeybees all over again, Mycroft.
19:36Just because something appears to be random, it doesn't mean that it is.
19:39Mother said that they were listening to her.
19:41They were.
19:42She's mentioned the man with the bird's claw.
19:45Professor Malick has a cane with a bird's claw.
19:47Yes, but it's not exactly case closed, is it?
19:50Tell me, where is Professor Malick now?
19:57Well, we are not exactly sure.
19:59He seems to have vanished after last night's events.
20:03Why would he vanish?
20:04If Shuan is in a cell, if the threat is gone,
20:10then why would he vanish?
20:16Yeah.
20:20Ten minutes with Shuan.
20:24No.
20:26Nine minutes.
20:32Sherlock!
20:33Mr. Patton!
20:34What are you in for this time?
20:36I'm just visiting today.
20:38Remember, prison is in here.
20:40He's very...
20:42I don't know, Mycroft.
20:43What's the word?
20:45Bothersome.
20:47Vexatious.
20:50Unbarrow.
20:51I could empty the dictionary.
20:53Oh, no, no, no.
20:53I was thinking he's very...
20:56intense.
20:57Hmm.
20:59What was he like?
21:00He was a small boy.
21:02Well,
21:04growing up in the same house.
21:08Yes, I can only imagine.
21:14No, actually, I can't.
21:17Tell me.
21:19Put it this way.
21:20I took a job in the foreign office in pursuit of an easier life.
21:25Wars.
21:25Famine.
21:27That sort of thing.
21:31I wondered when you and I would be seeing each other again.
21:33I must admit,
21:35life has become somewhat tepid without you.
21:39Do you mind if I sit?
21:40Please.
21:40Take the royal throne.
21:44Thank you,
21:46princess.
21:51What game are we playing today?
21:53What game would you like to play?
21:54I'll let you decide.
21:55How very kind.
21:56Why don't we start by you telling me how my mother is involved?
21:59Ah.
22:00English boys and their mothers.
22:03Very touching.
22:04How did you know what she said to me in the asylum?
22:06First principles.
22:07The likeliest explanation is always the simplest.
22:09The likeliest explanation would be that you heard her say it.
22:15The recordings.
22:17You had access to them.
22:19Oh, lightning fast.
22:22Professor Malik.
22:24Is there a question there?
22:25Why did he visit my mother?
22:27How do you know it was him?
22:28The man with the bird's claw?
22:30Clearly a reference to his walking cane.
22:33That was Malik.
22:37There's a place where I met my handler.
22:39A safe house.
22:41And isn't it, Billy?
22:42I worry all the time.
22:44There's a man with a bird's claw.
22:47And he's coming back.
22:48This safe house.
22:50Do you think it's possible Malik is still there?
22:53Imagine if we combined our talents.
22:56You want Malik?
22:58I want him to.
22:59For very different reasons.
23:02I want to find out why he was recording my mother.
23:05You, on the other hand,
23:09want to kill him.
23:11Then let's help each other.
23:13The final act we can debate later.
23:19Where is this safe house?
23:23You are going to have to give up something.
23:26I very much doubt Hodge is going to let you out of here until you do.
23:31But that is preposterous.
23:33Slanderous.
23:34Professor Malik works for me.
23:35Why on earth would he be at this...
23:36Safe house, sir.
23:37Safe house.
23:38There was nothing in Malik's file to suggest any nefarious activity.
23:42All I know is what I saw.
23:44Should have hanged you this morning.
23:45Get her out of here.
23:45Hold on.
23:48I didn't see him at the gala.
23:50Who?
23:51Professor Malik.
23:52When I came through the wall at the gala,
23:55I didn't see him.
23:55All of the other professors were there at the table except him.
23:58Yes, but...
24:02He left.
24:09For Her Majesty's Empire.
24:11Don't take the Empire for granted.
24:14We may live to regret it.
24:16During your speech, sir.
24:18I thought it odd at the time.
24:20Why would anyone leave my speech?
24:22I assume the poor fellow had bladder issues.
24:24Were you given an exact time to carry out the explosion?
24:27Eight o'clock.
24:28My instructions were quite explicit on that point.
24:31Unless Malik had a conveniently life-saving desire to urinate,
24:35I think it fair to say he knew the bomb would go off a date.
24:37If he is in this safe house, sir, and if he is indeed working against your interests,
24:43wouldn't you rather know?
24:45Let's go, Constable.
24:47Front and back doors are sealed with plate metal.
24:50Baths on the windows half an inch thick.
24:52Basement has a coded lock.
24:53I want an officer by her side at all times.
24:55I'll take Sherlock.
24:57You think she gets to choose who babysits her?
24:59No, sir.
25:00No, sir.
25:01Sherlock or no one.
25:04Or send me back to my cell.
25:05Oh, and you can find Malik yourself.
25:23Why are you doing this?
25:25Because there's a chance it keeps me alive.
25:27No, why are you after Malik?
25:30Why are you killing professors?
25:32It's what I'm paid to do.
25:34I don't believe that.
25:36Do you trust me?
25:37Of course I don't trust you.
25:39You know I don't trust you.
25:41And nor I you.
25:46The code is Hydras.
25:49Seventeen stars in the southern sky.
25:52Okay.
26:28All yours.
26:33You'll force my hand.
26:37Right.
26:38Come on.
26:42No, thank you.
26:45Malik.
26:48Come on.
27:02Come on.
27:04Come on.
27:05Come on.
27:05Come on.
27:08Don't call me.
27:09your show. Your Highness, may I present to you the real Princess Shua. Your Highness Serbucephalus
27:20Hodge, I only wish that our first meeting had been under more salubrious circumstances. Trust me
27:25when I tell you that I have spent no expense in my search for you. O'Shea, send a wire immediately
27:30to the Foreign Secretary. O'Shea, be sure to tell him I found her. Yes, sir. This is where I saw
27:38Professor Malik listening. Sherlock, your mother, all of her recordings.
28:01I had a little pony. His name was Dapplecrane. I lent him to a lady to ride a mile away.
28:08She whipped him, and she slashed him, and she slashed him.
28:26I'm so sorry.
28:29Why would anybody want to do this?
28:31While you were detained by these nefarious individuals, did you by any chance happen
28:37to see you?
28:40This man?
28:42No.
28:44You see, I knew he would never have been embroiled in this unsavory business, Mycroft.
28:48You see, unlike you, Professor Malik understands the meaning of loyalty.
28:52You recognize his name?
28:54You recognize his name?
28:54Yes, they mentioned him.
28:55Perhaps you misheard.
28:56I did not.
28:56Only yesterday they talked of visiting him.
28:59Your Highness, did they say where?
29:02At Abdon.
29:03Behind the locks.
29:06That's all I heard.
29:11Sherlock, all of these are transcripts of the recordings.
29:16Her entire life is laid out in here.
29:19This is a record of her visitors.
29:22Myself, my brother, my father.
29:26There's a Lawson Jaggers, a lawyer.
29:29Is that someone you know?
29:30No.
29:31When did Jaggers' last visit?
29:34Friday, August 11th, 10 o'clock.
29:36Sherlock, that page has been torn out in the transcriptions.
29:40August 11th, 10 o'clock?
29:43Yes.
29:50Mr. Jaggers here to see you.
29:54This is her.
29:56Good job to see you again.
29:58I'll leave you two to talk.
30:03What rooms I see.
30:05Very nice.
30:07Now, perhaps you might continue with our previous matter.
30:20It's been scratched, the cylinder.
30:23It's sabotaged.
30:23Someone must have been rather keen to make sure we don't find out what's on them.
30:27Ah!
30:28Sherlock!
30:28What's all this?
30:36They're recordings.
30:38Of our mother.
30:40All of them.
30:45Well, why would someone do this to us, Sherlock?
30:48We are working on that.
30:49We have a lead on the potential whereabouts of Professor Malick.
30:54Um...
30:54Obviously, Hodge wants to pursue it himself, but...
30:57No, you find Professor Malick.
30:58Right.
30:59You find out why he's been doing this, Mycroft.
31:01You have my word.
31:01And we will pay a visit to this Lawson Jaggers fellow and see what business he's had with our mother.
31:06Wait, who's there?
31:06Where is she?
31:08Chuan.
31:09Not the hell her real name is, weren't she?
31:15She...
31:15She was here just a moment ago.
31:17Tell me, Holmes.
31:18If she's escaped, you'll be held personally responsible.
31:20When I have men and all the doors, there's no way she could have got out.
31:23How could she have possibly slipped?
31:25Wait.
31:27Hodge, consider yourself my hunting hound.
31:29Don't bring her back.
31:46This is why she brought us here.
31:48You're an idiot, Holmes.
31:50She duped you.
31:51Get out of the way!
31:54Wait!
31:55Get out!
31:59Get out of the way!
32:00Out of the way!
32:11Stop right there!
32:40There is no Abdon on the map.
32:42She said behind the locks.
32:43Now, could it be somewhere on the canal?
32:46Could Abdon be the name of a boat?
32:48We keep a register of boats and vessels somewhere.
32:50But where is O'Shea?
32:51Well, he hasn't reported back yet, sir.
32:52This is becoming a bloody fiasco!
32:54Find Professor Malick!
32:56Damn it, man!
32:57Thinks he can betray me or rip his bloody head off.
32:59Might I ask exactly what the princess said to her?
33:01She said they were meeting Professor Malick at Abdon.
33:05Behind the locks.
33:07Abdon and Senen.
33:09They're ancient Catholic martyrs.
33:12If I may.
33:14There's a ruined medieval abbey not far from Oxford.
33:16It was once dedicated to them.
33:18Behind the locks?
33:18The locks.
33:19The locks of Marian.
33:21Oh.
33:22An old relic believed to have been kept at the abbey.
33:25According to legend, it was the hair of Mary, mother of Jesus.
33:29Well, that never lady.
33:30How did you know this?
33:31My father encouraged me to read, sir.
33:33Hm.
33:35Why don't you know this, Mycroft?
33:37A little scratchy on my esoteric Christian martyrs, sir.
33:42Hm.
33:43Where is this ruined abbey?
33:46There, sir.
33:47Shuan's making a good habit of beating you.
33:50Nonsense.
33:51As a matter of fact, I think you'll find I helped her to regain her liberty.
33:55Oh, I see.
33:55So you knew about the passenger.
33:57You knew she was going to escape.
33:58I simply decided the world was a more interesting place with her in it.
34:03Mm-hmm.
34:05What a load of shite.
34:12Ah.
34:13Last of the juggers, I swear.
34:23Ah.
34:24Smells interesting.
34:26Ah.
34:27Ah.
34:27Ah.
34:28Ah.
34:28Ah.
34:28Ah.
34:28Ah.
34:29Ah.
34:31Ah.
34:31Ah.
34:32Ah.
34:33Ah.
34:36Ah.
34:37Ah.
34:37Ah.
34:38Ah.
34:41Ah.
34:42Ah.
34:43Ah.
34:44Ah.
34:44Ah.
34:45Ah.
34:46Ah.
34:47Ah.
34:51Ah.
34:52Ah.
34:53Ah.
34:53Ah.
34:55Ah.
35:06Oh dear Lord, Mr. Larson Jaggles, Esquire, this is home, no time to see you again.
35:18Is that blood?
35:22Sign of a struggle, he got in the scrap.
35:30So someone erases his conversations with my mother.
35:33And then he finds himself unceremoniously erased.
35:36A rather convenient suicide, don't you think?
35:40Diaries.
35:41I tell you what business he had with your mother.
35:44I am going to report this.
35:46To the police?
35:47Yes.
35:47And do their jobs for them.
35:48Because I have been suspected of murder before and I would rather it didn't happen again.
35:53Syndica says the problem with this life is not that it's short.
35:57It's that we waste an awful lot of a dick in a boat.
36:30I'd like to report a death.
36:32Lawson Jaggles.
36:34Solicitor for Alba Lane.
36:37And you are?
36:39Sherlock Holmes.
36:40Holmes.
36:42We have a wire for you.
36:45Sherlock?
36:51Sherlock?
36:55Sherlock!
37:00Sherlock!
37:03Sherlock!
37:04Sherlock!
37:05Sherlock!
37:06No!
37:06Sherlock!
37:08Sherlock!
37:08Now, it requires help. She needs to be somewhere she can be cared for.
37:11I'm so sorry, Sherlock. I was only gone for a moment.
37:13Don't you worry, Crowell. They won't be taking her anywhere.
37:15I believe you'll find I have jurisdiction over her.
37:19I believe you'll find I have jurisdiction over this.
37:28Is the double-barreled 12-bore hammer gone not persuasive enough for you?
37:34Let her go. Thank you.
37:36We're only acting in her best interests.
37:40You knew, didn't you?
37:42You knew about the recordings about Professor Malik.
37:47Why did he do it?
37:48You'll have to ask him. I was merely paid to look the other way.
37:53I am so sorry, Mother. I am so sorry.
37:59Can I respectfully suggest that you'll fuck off?
38:22You're quite sure this is the place?
38:23I'm quite sure, sir.
38:26I am so sorry, Mr. Stroud, I wanted on the record that I was the one who blew this case
38:35wide open.
38:36Yes, of course, sir.
38:39I think I saw movement by the church, sir.
38:49I wish to be the one to apprehend him.
38:51Very good, sir.
38:53I don't know how much you can go.
39:11Go ahead.
39:12I know how much you can go.
39:12Oh, my God.
39:13Oh, my God.
39:15Oh, my God.
39:17Oh, my God.
39:41What do you do, Persephalus?
39:43Kishore Malik.
39:46No, it's true.
39:47My very own personal Judas.
39:49There is nothing that can't be sacrificed in the pursuit of science.
39:54Knowledge is the wing wherewith we fly to heaven.
39:56Don't croak the bard at me, sir.
39:58Don't dress up your grubby greed in noble sentiment.
40:00You were going to sell my project to the highest bidder.
40:04What was it? I wasn't paying you enough?
40:06Greed.
40:07Very simple.
40:08As if you stand for anything else.
40:10I stand for queen and country, sir.
40:12To be an Englishman is to win the lottery of life,
40:14something I remind myself of each and every day.
40:16Can I help it if I stand to make the odd penny from my tireless dedication to the cause?
40:20I did not betray you, sir, for money.
40:22I betrayed you because what I discovered could change the world entirely.
40:27And I couldn't bear to see you take credit for my discoveries.
40:31For history to forget me.
40:33Nobody will, sir.
40:34No, I will go down as the man who built the empire.
40:36You, on the other hand, will be forgotten even by your own mother.
40:41Oh, just one request before I bid you adieu.
40:46I mean, if you'd be so accommodating.
40:47Who did you betray me for?
40:49The Prussians?
40:51The Ottomans?
40:53Take your hand out of your pocket, man.
41:03What do you want to know?
41:06Hodge.
41:07Hodge!
41:13Right, stand out!
41:14The bullet can't have gone far.
41:16What do you want to know?
41:17What do you want to know?
41:18How do you want to know?
41:19Has he been shot?
41:22There's no blood.
41:25There's no bullet hole, nothing.
41:27So have you suffered, Miss?
41:32He's not...
41:33He's not breathing.
41:38He's dead.
41:45Guns and hot toddies.
41:46Jesus, you're a woman after my own heart, Mrs. Crow.
41:50Mrs. Crow, thank you.
41:53You're welcome.
41:57Must have felt very good, that slap.
42:00Oh, James.
42:03It was such a tonic.
42:06So what now?
42:10I'm still no closer to figuring out why you were involved in any of that.
42:16The likeliest explanation is always dissonance.
42:20He's coming back.
42:21He's not free.
42:21It's a matter of business.
42:22I'd merely pay you to look the other way.
42:33Done.
42:39Sherlock, my boy, I heard you had a spot of bother.
42:46There's a man...
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