- 3 hours ago
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00:00The following program contains strong language and violent scenes.
00:30Desolation.
00:31Kali Yuga.
00:32You haven't finished decoding it yet.
00:34I'd like to see you try.
00:35You change the key every week.
00:37So, that's a no then.
00:39Hello?
00:40Hi, we've never actually spoken.
00:41My name's Iris Nixon.
00:42This is real.
00:43Right?
00:44Meet me in Rome and I will tell you everything.
00:46Grovate Iris Nixon.
00:49Theo, they found me.
00:51You need to get off this island or I'm dead.
00:53I told you they're here for money.
00:55I still got the diary.
01:00You kill me.
01:01You don't get it.
01:02You hurt Joy?
01:03You don't get it.
01:04Kenny!
01:26G1 out there.
01:27It's all right, we'll see you.
01:33Come on, come on.
01:34One more guy.
01:35Okay.
01:36Copy this.
01:55What have you done to me, Jensen?
02:08Please help me understand.
02:12You know what you've done.
02:14Do you even remember?
02:19And can you explain it?
02:21It was my...
02:23...obligation.
02:26To what?
02:28These were nice people.
02:29These were brilliant, kind, clever people.
02:33They didn't mean you any harm.
02:34They didn't mean to hurt anyone.
02:37No.
02:40So, can you tell me why?
02:46Help me?
02:49There was a man called Eugene Shifflin.
02:52No, no, stop.
02:53He decided to introduce to the United States of America all the birds.
02:58I'm trying really hard to understand that I am angry and I am scared and I just...
03:09I need you to give me something so that I can forgive you.
03:13He decided to introduce to the United States of America all the birds mentioned in the plays of Shakespeare.
03:20I know.
03:22In 1890 released 80 starlings.
03:24Into Central Park.
03:27And that's where all the starlings in America come from.
03:30All 200 million of them, a man who loved Shakespeare and only wanted to make the world more beautiful.
03:37I just need the activation sequence.
03:40In 1960, a plane crashed into Boston because 10,000 starlings had flown into it.
03:5862 people died by starlings, there's some microbes, starlings drive out native species, starlings, they spread diseases.
04:0968 people died out of mothersee you, starlings, you才 Jennie.
04:1631 I know.
04:18すいません.
04:19You believe that the truth will be beautiful.
04:30You think it will be poetry.
04:31Summertime.
04:32You believe it will set us free.
04:34But the truth is savage.
04:41And sorrow, we must not speak.
04:52You know, I just need you to help me.
04:56I know.
05:00And I'm trying.
05:04Oh, here comes that day.
05:18Here comes that day.
05:20Oh, here comes the rain on your parade.
05:26There's a price to pay.
05:30For a lack of insincerity.
05:35And you pretend that it doesn't matter.
05:43And that you're not scared.
05:49Oh, here comes that day.
05:54Here comes that day.
05:56Oh, here comes that rain on your parade.
06:01Fuck, fuck, fuck, fuck.
06:11That's disgusting.
06:18Yeah.
06:20so who are you no one really what do you mean everyone's someone yeah obviously just no one
06:34in particular no i don't understand who are you to iris she's my tutor in maths science philosophy
06:43so what were you doing the airstrip she asked me you had a bomb you brought a bomb
06:49i mean yeah but it's not like she told me that i just i just thought what i don't know not that it
06:55was a literal bomb
06:57so you're not her accomplice or anything like that her confederate no daughter no girlfriend what jesus
07:10sorry i'm just trying to get this straight are you nothing to her because i've just
07:16oh christ what have i done
07:21meshki when we're clear find a quiet place to set us down
07:29okay
07:35so
07:43I got a Joy Baxter.
08:13Iris Nixon.
08:43Acqua, un posto per nascondersi.
08:47Barba, sticcerie, crotte, benzinai.
08:50Nessuno passa senza essere fermato.
08:53Ha ucciso dei poliziotti, dei nostri compagni.
08:56Lei non se ne va da quest'isola.
08:58È chiaro?
09:00Chiamate l'unità droni.
09:13Noi, noi, noi.
09:27Look, I'm sorry about this bringing you with me.
09:31I wasn't thinking.
09:34I thought you and she, I thought you meant something to her,
09:38which was pretty stupid because nobody does, not really.
09:43She'll come for me.
09:46Yeah, what makes you think that?
09:48She promised.
09:50Well, she lies.
09:51Not to me.
09:53I wish I could agree, I really do.
09:57I could run.
09:58And Mesky will shoot you.
10:04They'll find my body.
10:08Trace it to you.
10:10Not if we load you into a helicopter and drop you into the sea.
10:13Well, you don't want to do it.
10:16No, I really don't.
10:20So don't?
10:22Yeah, the thing is, I think I probably have to.
10:26Because I might tell people.
10:27Yeah, pretty much.
10:28So pay me.
10:34Yeah, okay.
10:36The thing is, people who can be bought can generally be bought again by different parties.
10:40So offer me a lot.
10:42No, I'm not talking about them paying you with money.
10:43I'm talking about bad stuff.
10:46I'm talking about fear and pain and all the rest of it.
10:50Yeah.
10:55What you've got?
10:58Actually, I think you've got some bone in your hand.
11:00Oh, please, get it out.
11:02Where?
11:03There.
11:04Who was that, do you think?
11:22In my hair.
11:25I don't know.
11:25How do you know, Miss Brooke?
11:32Well, I was sort of her boss.
11:35Disgusting.
11:39What happened?
11:41Well, she stole something.
11:45And the thing is, if I don't get it back, now things are going to get really, really bad for me.
11:49Really bad.
11:50There are people out there.
11:59Joy.
12:01There are people out there, Joy.
12:03And you wouldn't believe the things that they will do.
12:07I didn't believe it myself until it was too late.
12:12You just take one step, one fork in the road.
12:16And things get really dark.
12:23Yeah.
12:26I can see that.
12:33Well, for what it's worth, you do seem like the sort of person she would like.
12:37In a narcissistic sort of way.
12:43Which means you can't do it.
12:45Can't do what?
12:46Body me.
12:47Oh, right.
12:49Of course.
12:51Sorry, why?
12:53Because you need your thingamabob back from Miss Brooke.
12:55Iris.
12:56And the only way that's going to happen is if she actually does care about me a bit.
13:02Which you yourself said she actually might.
13:04So even if you wanted to kill me, which you basically don't,
13:10you could have.
13:11Well, yeah.
13:12You need me alive.
13:16Plus, you need to be wrong about her.
13:20Which I actually think you are.
13:23All right, then, clever clogs.
13:36All right, then, clever clogs.
13:36Yeah.
13:37Here we go.
13:45Yeah.
13:45You are.
13:47I don't know.
14:17I don't know.
14:47I don't know.
15:18Elicottero?
15:18Il percorso di volo è sotto i radar ATC, ma non abbiamo il numero di identificazione.
15:22Abbiamo allertato guardia costiera, carabinieri, guardia di finanza, niente.
15:25Cazzo.
15:26C'è un motoscafo rubato sulla rivera del Corallo.
15:29I tempi coincidono.
15:30Bene.
15:30Farò controllare.
15:31Sì.
15:31Quanto devo aspettare ancora?
15:33Quanto devo aspettare ancora?
16:01I need to know why Jensen did what he did.
16:16Cazzo.
16:17Cazzo.
16:18Cazzo.
16:19Cazzo.
16:20Cazzo.
16:21Cazzo.
16:22Cazzo.
16:23Cazzo.
16:24Cazzo.
16:25Cazzo.
16:26Cazzo.
16:27Cazzo.
16:28Cazzo.
16:29Cazzo.
16:31Cazzo.
16:32Cazzo.
16:33Cazzo.
16:35Cazzo.
16:37Ngu pod.
16:39Cazzo.
16:40Carboni.
16:57Cazzo.
16:58Ha!
16:58Cazzo.
17:00Comandante.
17:10Buonasera.
17:19Ha sfondato la testa a Bernardo.
17:21Oggetto contundente, impatto elevato.
17:23L'ha portato sulla scogliera, ha dato fuoco alla macchina
17:26e l'ha spinto oltre il ciglio.
17:27Porca zoccola.
17:29Krause e Baptista.
17:30Ordigno esplosivo nascosto in una varigetta.
17:32Cristo santo.
17:34Solte facile, come no.
17:36Morirà per questo, vero?
17:51Parlo con Casterman.
17:52Sì, sono io, comandi.
17:54Tre uomini dalla mia squadra sono morti.
17:56Erano dei bravi poliziotti e delle bravissime persone.
17:59Lei quando mi saprà dire che gli ha voluto il successo all'agio?
18:03Ci stiamo ancora lavorando.
18:04Avete, comandante, la situazione è decisamente molto insolita.
18:07Non è che potrebbe spiegarmi meglio cosa ci facessero i suoi uomini da queste parti.
18:11Sono sicuro che le hanno dato tutte le informazioni che potevano.
18:16Sì, mi hanno detto che stavano effettuando un mandato di arresto internazionale
18:21nei confronti di una cittadina britannica di nome Iris Nixon.
18:24Diciamo che lo hanno detto solo una volta che l'agente De Santi si era morto.
18:28E l'hanno trovata?
18:30Hanno trovato qualcosa.
18:32Ciò che è strano è che invece non vedo da nessuna parte un mandato di arresto
18:35nei confronti di Iris Nixon.
18:37Ci sono diverse ricompense, ma nessuna che cada sotto la nostra giurisdizione.
18:44I miei parametri operativi non le riguardano, ispettore?
18:47Certamente.
18:49Capisco che siano questioni operativi molto delicate.
18:52Ecco, con tutto il rispetto ho l'impressione che stiamo brancolando nel buio.
18:56Quindi se potesse dirmi qualcosa di più, darmi una mano, ecco, gliene sarei molto grata.
19:01Ah, vuole che lei dica qualcosa?
19:03Allora lasci che le dica questo.
19:05I miei uomini sono morti e da ora in poi la sua unica ragione di vita
19:09è quella di parlare e agire per conto loro.
19:11Mi porti la testa di quella donna su un palo quanto è vero,
19:13Dio mi magno lei e tutta la sua squadra dei pecorari.
19:16Se siamo capiti, vero?
19:22Trovatela.
19:24Trovatela.
19:52Ho, ho, ho!
20:01Ho, ho!
20:10Ho, ho!
20:11Ho, ho!
20:43Greetings and salutations.
21:12This is Two Seconds to Midnight and I'm Alfie Byrd with an important update on the Iris Nixon affair.
21:18Okay, we have got a missing girl, an island-wide lockdown, a mysterious helicopter, an alleged terrorist bomb and complete silence from local police.
21:29Why is Iris Nixon in Sardinia? And what is being kept hidden?
21:35This is Two Seconds to Midnight and I'm Alfie Byrd.
21:42I'm Alfie Byrd.
22:12multiple mainstream outlets are confirming that iris has been spotted in sardinia
22:34hello hello hello am i speaking with alfie bird
22:48uh you are yes sorry who's that this is inspector casterman of the sardinian police
22:55okay gosh i see how can i help am i in trouble no not at all um i think i'm i'm correct in saying
23:08you are the closest thing there is to an expert on the subject of iris nixon well it's not for
23:13me to say really but yeah i think it's fair i mean you might say so but i couldn't possibly comment
23:20so yeah what's what's going on how can i help we have reason to believe that iris nixon is
23:28currently in sardinia so it's definitely true then you know what they're saying on the news i'm afraid
23:34that i'm not at liberty to say no no of course i'm actually calling to ask if you might be in
23:40possession of any information that could be useful to our investigation what sort of information well
23:46i'm thinking of the kind of material you wouldn't be comfortable sharing in a public forum such as
23:54i don't know mr bird i'm asking you ah yeah yeah of course um
24:01well yeah not that i can think of let me not off the top of my head sorry
24:07i see but you know if you're ever in london maybe i could interview you for the channel
24:12oh i don't think that will be necessary but thank you i appreciate this thank you for your help
24:27not off the top of my head sorry
24:33not off the top of my head sorry
24:42but you're free to come and go as you please
24:53don't worry it's pretty easy green for go red for no that kind of thing
25:23it seems very basic yeah
25:28is that basic in the pejorative sense or
25:33home again home again jiggedy jig
25:39you've got access to the grounds if you want but trying to leave would be a bad idea
25:44yeah afraid so yeah even if you got bitten by a radioactive spider but somehow managed to make
25:48you past the perimeter we're in the middle of nowhere and you'll die of exposure miss brooke managed
25:53her iris uh and she did yes but a she's the devil and b that's why we upgraded so just don't try and
26:02leave okay i'd hate for you to get shot before you got fried before you were exploded by a mine
26:09before you went hungry and froze to death and got eaten by mammals
26:17whatever
26:19not the internet no i expect we can organize some sort of monitored read-only thing but
26:25obviously no social media obviously just spotify oh yeah okay
26:29okay what sort of stuff are you into i mean are we talking billy eilish or quite like
26:35it's all serenade oh yeah pale midnight all right i guess okay and um delulu sisters sometimes
26:42right you're making these up yeah
26:46okay
26:53hello mr beck i hope this isn't an inconvenient time to call my name's hugo pym
27:00i'm the acting head of the intergroup committee uh well i wasn't actually expecting a call but
27:06uh i normally deal with yes no well you won't be dealing with them anymore
27:10uh this issue has been well kicked upstairs how far upstairs are we talking
27:15top floor i'm afraid what does that mean exactly well i'm sorry to be the bearer of bad tidings
27:22and i mean obviously this is terribly embarrassing for both of us but i have a duty to inform you that
27:28there is rather an issue with the shareholders as it were money i mean their investment as you know
27:36it does amount to several billions of dollars and they will recoup their investment a thousand
27:41times over yes when you have regained access to the device the apparatus obviously yes yes well
27:49there's a rub you see when do you think that's likely to be because without a definitive timeline
27:55this situation feels less like a deferred return on investment and more like well thought mr pym
28:02it works be that as it may i have a duty to inform you that given the continued absence of any
28:07compelling evidence as to your good faith sanctions will be entered into would you care to articulate
28:12the nature of those sanctions i'm afraid i'm not at liberty to do so well just to be abundant
28:18nuclear we are talking about killing me here obviously i can neither confirm nor deny that
28:25but between you more and the gay person i would advise you to ensure your affairs were in order mr pym i'm on
28:31top of it i have leverage well that's good news what kind of leverage well i have something that iris
28:38wants very much and that she cares about very deeply joy say hello
28:49hello
28:52and how does this leverage work in practice
28:54well iris gives me what i need or by which we mean the stolen diary yes
29:02and if she doesn't you you kill this young woman yes
29:13mr beck that won't do at all will it no of course not it doesn't kill the goose that laid the golden egg
29:24one keeps the goose alive as long as one can while one sections and cooks it sorry i don't follow
29:30i'm saying we start perhaps with an amputation a foot or a hand that is often enough to do the trick
29:36and if not well we have a number of highly skilled surgeons on the payroll and they'd be more than
29:41willing to keep this young woman alive and conscious past the point where continued existence becomes
29:47well a moral obscenity frankly once the limbs have been removed we move on to the lower mandible
29:56the tongue nose eyes they feel quite fascinating mr pym
30:02i employ professionals not psychopaths oh then it's lucky we spoke
30:14i'll be there in the morning
30:15i'll be there in the morning
30:28okay
30:28okay
30:39you
30:41Hey, don't walk out the lot, bitch.
31:11Hey, don't walk out the lot, bitch.
31:39Hey, don't walk out the lot, bitch.
32:05How's it going?
32:07It's coming.
32:09I'm almost done.
32:14Let's go.
32:35Today we're breaking down the five key spots to target when size isn't on your side.
32:42First, the head.
32:44And it's not about landing that knockout punch.
32:47Targeting the head can affect the balance and orientation.
32:51Second, you step into the space of your opponent and control the shoulder, use the hip as leverage, and take him down.
32:59Third, attack, attack, and attack.
33:02Being relentless is the key to your success.
33:32What the hell are you doing?
33:39Wait, wait, wait, wait.
33:41It's cold.
33:43What the hell are you doing?
33:45What the hell are you doing?
33:47Shut up, shut up.
33:49What the hell are you doing?
33:51Shh, shh, shh.
33:53Shh, shh, shh.
33:54Stop. I'm not gonna hurt you anymore.
33:56I'm just gonna rob you.
33:58And it's not like you're gonna go to the police, is it?
34:00Shh, shh, shh.
34:03Shut up, shut up, shut up, shut up, shut up, shut up.
34:05Shh, shh.
34:06Whoa.
34:07Whoa.
34:08Whoa.
34:09Whoa.
34:10Whoa.
34:11Whoa.
34:12Whoa.
34:13Whoa.
34:14Whoa.
34:15Whoa.
34:16Whoa.
34:17Whoa.
34:18Whoa.
34:19Whoa.
34:20What else have you got?
34:21Cocaine, MDMA, Adderall.
34:23Facil,
34:25Pencil,
34:27Naloxone.
34:29Disease and cure, hey.
34:31Nice.
34:32Whoa!
34:33Huh!
34:34Huh!
34:36Huh!
34:37Huh!
34:38Huh!
34:39Huh!
34:40Huh!
34:41Huhク!
34:42Huh!
34:43Huh!
34:44Huh!
34:46Huh!
34:47Huh!
34:48Huh!
34:49Huh!
34:50Huh!
34:52Huh!
34:53Anyone who's ever had a heart
34:58Wouldn't turn around and believe
35:02And anyone who's ever played a part
35:09Wouldn't turn around and hate it
35:15Sweetie G
35:23Sweet June
35:25Sweet, sweet June
35:31Waiting for June down in the alley
35:37Waiting there for him to come back home
35:43Waiting down in the corner
35:49Waiting there for him to come back home
35:55Hey.
35:59Hey.
36:00How are you?
36:02Exhausted. You?
36:04Exhausted.
36:06Joy?
36:08Not too bad, considering
36:10Good
36:12Seems pretty Brazilian, but then kids are, aren't they?
36:16They adapt to circumstances
36:19Yeah, let's hope so
36:22I should never have taken her, Iris. I'm sorry
36:27I know
36:29I wasn't thinking it was all the adrenaline
36:33I know
36:35But the situation I'm in now, even if I didn't want to hurt her, which I don't, there are people who do
36:41So don't let them do
36:43So don't let them do it
36:45Just bring me the diary
36:47Don't try and contact her
36:48Don't try and do anything clever
36:49Give up trying to win
36:51Because right now the best that any of us can hope for is to just
36:55Get out of this alive
37:09So please just bring me the diary
37:14I'm trying, it's nearby
37:17Well then just tell me where it is
37:20Not on your Nelly
37:23We do swapsies
37:25I bring you the diary and
37:28You give me joy
37:31I'll call you tomorrow
37:34Proof of life
37:36I need to know she's okay
37:38Okay, swapsies it is
37:50Now I realise something really weird today
37:55Yeah, what's that?
37:57According to some metrics you're probably my best friend
38:01According to others you're drunk
38:05I need to get a message to her but there's no messages in her right
38:34Then again it's not the super max it as it can when it's not Gitmo
38:38Cause you want her to like you
38:41You can't help yourself
38:43So what do you do to make her like you?
38:47You give her something
38:49Because you think that's the way to make her like you
38:51I mean it's not but you think it is
38:52So what does someone like you give someone like her in her position?
38:55Just someone
38:56Someone
38:58gentleman
38:59Give someone like her in her position
39:00Just someone
39:32What?
40:02What?
40:04An incomplete list of songs I love that you probably hate.
40:10When will I see you again?
40:12Don't speak, don't make a sound.
40:14I'm coming for you.
40:16I will never let you down.
40:18There is something I need up on the roof. Listen up. This is for you. Miss Brooke.
40:28Listen, I know you're scared and alone.
40:36But I know exactly where you are and everything's gonna be okay.
40:40I'm gonna get the diary that Cameron wants, and I'm gonna get you out of there.
40:45But I'm gonna need you to do something for me.
40:48I need you to find a man called Jensen.
40:52I need you to get some of his DNA for me.
40:56Just one strand of hair would be enough for me to find out why all this is happening.
41:00I need you to find out why all this is happening.
41:10I need you to find out.
41:12I need you to find out.
41:14I need you to find out.
41:16I need you to find out.
41:18I need you to find out.
41:20I need you to find out why all the people don't have another one.
41:24I can't find out.
41:25What type of hair is missing.
41:26I can't find out how to find out.
41:28I can find out.
41:30That's why you find out.
41:32I have a good idea.
41:33This is why you find out about you.
41:36You can't find out for me so many people.
41:39You see?
41:40direct to roma
41:41ma guarda safia de na mignot
41:46chiama tutti i contatti
41:50che chai
41:50batti cassa
41:52usa ogni leva
41:53chiunque gli mette l'occhio addosso
41:56dovrebbe essi prima a saperlo
42:10just keep looking straight ahead
42:13please
42:14thank you for coming
42:16you're welcome
42:18no no problemo
42:20okay i'll tell you everything
42:23jensen blind
42:24charlie big potatoes
42:25do with it whatever you want
42:27take them all down
42:29get rich
42:30get famous
42:31so how do we do that
42:34first i need to get my hand
42:40hands on a book
42:40it's kind of a diary
42:42and i've hidden it here in Rome
42:45problem is is i can't get it myself
42:48too many people looking for me
42:51so where is it
42:54come on happy maid
42:57where's the best place to hide a book
42:59actually now we're here
43:03i don't know if i can actually do this
43:05or she can
43:07easy be easy
43:09i feel like everyone's looking at me
43:14it's like a seven sense thing
43:17nobody is looking at you
43:20what's going on
43:24what's going on
43:25i don't know
43:26I swear to you, I swear to you, I swear to you.
43:31You piece of shit.
43:32I swear to you.
43:38Where are my son?
43:39You piece of shit!
43:44I don't know, I told you.
43:46That one.
43:47That one?
43:48That one?
43:49I don't know.
43:50That one.
43:51Hey, Fred!
43:56Hey!
43:57Hey!
43:58Hey!
44:04Listen!
44:05Everyone!
44:06There's a reward for 4 million euros in Rome.
44:11In this moment.
44:13What's waiting for?
44:15Here you are!
44:18Have you looked well, yes?
44:20And then move yourself, that damn thing!
44:24And go and get out of sight!
44:30Okay.
44:31I'm inside.
44:32Oh!
44:33It's actually massive!
44:35That's him.
44:49That guard is definitely looking.
44:53No, he's not. He is definitely not looking at you.
44:57What are his eyes doing then when they're pointed at me?
45:01Just keep moving, Alfie.
45:05Hi.
45:07Hi.
45:09Hi.
45:11Hi.
45:13Hi.
45:15Hi.
45:17Hi.
45:19Hi.
45:21Hi.
45:23Hi.
45:25Hi.
45:27Hi.
45:28How are you?
45:29Hi.
45:31You can have the second book of Aristotle's poetry. Thank you very much.
45:35Okay, I'll wait for a minute.
45:45I'm going to run.
45:51The other one.
45:57That God's definitely looking iris.
46:00He is not looking at you, but he's going to start looking at you if you keep talking to yourself like you're neglecting your medication.
46:06Wow, rude.
46:10Just... just be invisible.
46:15Okay.
46:19How?
46:21By remembering that nobody cares that you exist.
46:23Okay, brilliant. Thanks.
46:27I swear down they won't look in.
46:31It's like that bit.
46:32Invasion of the body snatches.
46:34What bit?
46:35I don't know.
46:36All of it.
46:40So, pretend that you were a pod person and stand still.
46:42I've forgotten how to stand.
46:45And you put your hands.
46:48Christ, this isn't a minute.
46:49She said it should only be a minute.
46:51Just relax.
46:58What?
47:02Thank you. Can't wait to dip in.
47:04You're ready.
47:05I had no clue for this.
47:06To be around.
47:07Now she has no idea.
47:08You're ready to take it easy.
47:10I think.
47:11No.
47:12I think, you're the only thing.
47:14I can't do anything.
47:16I just need a chance.
47:18I'm gonna run out now.
47:20You're ready to be a gamer!
47:21You're ready to be a man.
47:22I've got to go.
47:24I've got to be a gamer.
47:25I'm ready to go.
47:26I'm ready to go.
47:27Open the book, Alfie.
47:43There it is.
47:45That's it.
47:53I'm actually a bit scared to touch it.
47:56Don't be nervous.
47:58Okay, careful now.
48:00Slowly.
48:06Now shove the bars of soap into the cavity.
48:15Oh, fuck.
48:18Alfie, Alfie.
48:20Alfie, seriously, pick up the diary.
48:22Alfie, would you just snap out of it and pick it up?
48:26Alfie, can you hear me?
48:27Alfie, pick it up.
48:28Alfie.
48:29Relax.
48:31I'll kill.
48:32Alfie, pick up the fucking diary.
48:33Alfie.
48:42Alfie.
48:43Alfie.
48:44Alfie.
48:44Have me now.
48:57That's it.
49:00That's it. Well done. Good boy.
49:02You're doing great.
49:14I thought it'd be funnier.
49:44That's it. Just get out of there, Alfie.
50:14You have outdone yourself, my friend.
50:37That was good work.
50:40I know, right?
50:41You're made for it.
50:43You know, I'm made for a glass of tequila. That's what I'm made for.
50:46I'm buying.
50:47Well, actually, you're buying.
50:49Mr. Bird.
50:51Nico Kasterman.
50:53We spoke yesterday.
50:54I wonder if you have time to answer a few questions for me.
51:00Yeah, of course.
51:02Good.
51:03Do you have a place to stay?
51:05Uh, yeah.
51:07Can you take me there?
51:08Good work.
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