- 3 hours ago
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00:01The following program contains strong language.
00:10Hey, you're free to come and go as you please.
00:12Green for go, red for no, that kind of thing.
00:16There is rather an issue with the shareholders.
00:19Money.
00:20Mr. Pym, I'm on top of it. I have leverage.
00:22I'll be there in the morning.
00:24The lock's on.
00:25Disease and cure, eh?
00:26The lock!
00:28Four million euros around Rome.
00:32Find it.
00:33This is real.
00:34Meet me in Rome and I will tell you everything.
00:37Am I speaking with Alfie Bird?
00:38If you're ever in London, feel free to drop by and I'll show you my files.
00:42It's kind of a diary.
00:44I've hidden it here in Rome.
00:45You have outdone yourself, my friend.
00:48Mr. Bird, do you have a place to stay?
00:51Can you take me there?
00:52Your diary is a puzzle.
00:54You haven't finished decoding it yet.
00:56One more code to crack, five more pages to read.
00:59I need you to find a man called Jensen.
01:02I need you to get some of his DNA for me.
01:05Eta.
01:19Ah.
01:20Thanks for coming.
01:22Well, you're looking well, Alfie.
01:26Oh, thank you.
01:27So, how's the novel coming along?
01:33Good.
01:35Finished it?
01:36Almost.
01:38I've been thinking if I shouldn't maybe rework it a bit, make it more of a young adult sort of thing.
01:43Makes sense.
01:44There's a big market there.
01:45That's where the money is.
01:46Good on you.
01:47I've also been thinking maybe I could move into ghost writing.
01:50You know, celebrity biographies, sportsmen, pop stars, what not.
01:54I mean, I wrote enough profiles back in the day that they were good profiles.
01:58It was the good profiles that got you in trouble because, strictly speaking, not all the good bits were yours.
02:04I've got to move past that, Eta.
02:07I've got to.
02:08So, I've been thinking, yeah, what about this?
02:11I'll write a Mia Culper.
02:13Alfie.
02:14No, no, no, no.
02:15Honestly.
02:16I own it.
02:17I was under pressure.
02:18I took shortcuts.
02:19You plagiarized.
02:20And you lied.
02:21I amplified.
02:23As I was turning in four stories a day, I didn't have time to check every single molecule of fat.
02:29Or write all your own words.
02:31Four stories a day, Eta.
02:33Do you think things have got better since you left?
02:36It's a dying industry.
02:38Except all I've ever wanted to do is be a journalist.
02:43Okay, listen.
02:45So, I've actually got a story.
02:47An actual, actual story.
02:50Oh, come on, Alfie.
02:51Seriously.
02:52Okay.
02:54So, there's this thing.
02:56Nine horses.
02:58It's like sort of an online mystery.
03:01A puzzle.
03:02Like the crystal maze.
03:03But real.
03:04And massive.
03:05But, um, semi-secret.
03:08Like counter-cultural woo-woo.
03:10And it is fucking awesome.
03:11Best will in the world.
03:13So what?
03:14A lot of people think it's a recruitment tool.
03:16For?
03:17KGB.
03:18KGB.
03:19CIA.
03:20Maybe some kind of, um, masonic type conspiracy thing.
03:23What people?
03:24What people, what?
03:25What people think this?
03:26Internet people.
03:27It's rancid bollocks like this that killed newspapers in the first place.
03:31You do know that?
03:32There's something in this letter.
03:34A woman is missing.
03:38Okay.
03:41What woman?
03:42Iris something.
03:43And she's missing under what circumstances?
03:45She solved it.
03:46Nine horses.
03:47And?
03:48Disappeared.
03:49When?
03:50At some point.
03:51Where?
03:52Is she?
03:53Did she disappear from?
03:54Unclear.
03:55What's the story?
03:56What happened to her and why?
03:58That's it.
03:59That is it.
04:00Who basically even knows?
04:02Seriously, Alfie.
04:05You're a good egg.
04:06But if you just want to farm cliques and call it journalism, go ahead.
04:11Do it.
04:12Live long and prosper.
04:13And when you're rich because of your cliques, and you prove that what's-her-name was murdered
04:18by the Vatican because she's carrying Bill Gates' Antichrist love child, you can drive
04:23past my hovel in Ruston Martin, throw money from the windows, and laugh at where my journalistic
04:28integrity got me.
04:29But what you don't get is get a job on any newspaper I work on.
04:34Not ever again.
04:35Not if I've got a say in the matter.
04:41I'm Alfie Bird.
04:42Hey.
04:45I'm Alfie.
04:46Alfie Bird.
04:47I'm Alfie Bird.
04:55This is five minutes to midnight.
05:01Shit.
05:03This is five seconds to midnight.
05:07Come on, Alfie.
05:08My name is Alfie Bird.
05:09This is two seconds to midnight.
05:21Oh, here comes that day.
05:33Here comes that day.
05:34Oh, here comes the rain on your parade.
05:40There's a stone, and there's a price to pay.
05:45For a life of in-sincerity.
05:50And you pretend that it doesn't matter
05:58And that you're not scared
06:02Oh, here comes that day
06:07Here comes that day
06:09Oh, here comes that rain on your brain
06:20Alfie, Alfie, if you can still hear me, talk your ear low
06:27Okay, listen, I know you're scared
06:31Just trust me, I need that book
06:33Look, I don't care what I have to do to get it back
06:40Alfie, if you can understand me, just give me a signal, any signal
06:46Anything
06:46Do not take that book
06:49Alfie, don't make me do this
07:17Oh, my God
07:22Oh, my God
07:35Oh, my God
07:36Oh, my God
07:37Oh, my God
07:39Oh, my God
07:40Oh, my God
07:44Oh, my God
07:45Oh, my God
07:46Oh, my God
07:47Yeah, when... when I leave that
07:49Oh, my God
07:50Oh, my God
07:51Go, brother!
07:53Go, brother!
07:59Caccio!
08:01Be careful, no?
08:03Merda, it's late!
08:05Go, brother!
08:07Go, brother!
08:09Go, brother!
08:11Dimmi quale è il nome?
08:13Quale è il nome?
08:15Eh!
08:17Un occhio e un braccio perché diamo nonostante i dettagli
08:21E ci dentro, e ci fuori nei magari
08:25Col cazzo che è lei
08:27Potrebbe essere chiunque
08:29Mandami una foto come si deve
08:31Ce la giochiamo male, sequestriamo una turista a caso, siamo fottuti!
08:34Va bene, va bene
08:36Cazzo, bro!
08:38Merda!
08:40Andiamo, dai, vai, vai, vai!
08:50Oh, Claudia
08:52C'è una cazzo di micrania che non ti dico
08:54Ho l'occhio mezzo chiuso, mi pare il buco del culo
08:56Dimmi che ci sono buone notizie, dai
08:58Potrebbero essere buone notizie
09:00Dimmi un po'
09:02Un sacco di informatori diversi mi hanno raccontato la stessa storia interessante
09:06Di una voce che sta girando
09:08Interessante quanto?
09:09Un coglione di mezza tacca di Torbella Monaca, Freddo Zonin
09:12Ha liberato i suoi pischelli che stavano nella piazza di spaccio
09:14E li ha mandati a setacciare la città alla ricerca di una donna irlandese
09:18Pare ci sia una grossa ricompensa in ballo
09:20Ormai metà dei tempisteri locali stavano sul pezzo
09:22Credo che valga la pena fargli una visita
09:24Vediamo se sa qualcosa
09:26Oh, che Dio
09:28Ah, Claudia, non perdete vista che siamo arrivati
09:30Beh, va?
09:40I don't know.
10:10I don't know.
10:40I don't know.
11:10I don't know.
11:40I don't know.
12:10I don't know.
12:40I don't know.
12:47I don't know.
12:48Sorry.
12:49Just planning my escape.
12:51It was a joke.
12:53I was joking.
12:54Okay.
12:55But they don't know that.
12:56They're not great at detecting sarcasm, okay?
12:59Who, the murder drones or...?
13:01Mesky, how's your nose for sarcasm?
13:03Very poor.
13:04Would you mind explaining that to Joy for me?
13:06Not at all.
13:07Joy.
13:08My nose for sarcasm is very poor.
13:11God, that must be awful.
13:13Not really.
13:14I'm fine with it.
13:15Okay, so I know you weren't trying to escape, but just for the sake of argument, say you were...
13:20Yeah, but I wasn't.
13:21Yes, I know, but say you were.
13:23You really, really can't, okay?
13:25Really, really please.
13:27Duh.
13:28Good.
13:29Excellent.
13:30Just be careful with the antithesis.
13:34You don't seem yourself today.
13:39How would you know?
13:40Well, because I think I'd know you well enough to know.
13:44Has she called yet?
13:46About stopping me for the diary?
13:49Not yet, no.
13:51I think I'm actually a bit scared that she won't call.
13:54She'll call.
13:55Except you said that she wouldn't.
13:57Yeah, and then you said she would.
13:59What if I was her old?
14:01Well, I don't think you were.
14:02I thought you made a very convincing case.
14:04Yeah, because he said he'd cut my hand off.
14:07What?
14:08Who said what?
14:09That prick that called yesterday.
14:11Oh, my God, Joy.
14:13What are you, a bat?
14:16Uh, okay, look.
14:18That was completely, um...
14:21He was just saying that to scare me, okay?
14:24Fair play.
14:26Seemed to work.
14:27Fuck yes, but only for a minute, okay?
14:31Joy, nobody is going to be cutting anybody's hand off.
14:36Right?
14:37Cross my heart and hope to die.
14:38Turn around and touch the ground.
14:42What?
14:43Turn around and touch the ground.
14:45Why?
14:46You're being sarcastic now.
14:47Is this irony?
14:48No.
14:49I'm really confused.
14:51What does that mean?
14:52It's in folklore or something, isn't it?
14:55It's a playground thing when you...
14:56None of this means anything to you to say.
15:02How could it?
15:04Nobody tells me anything.
15:08What?
15:12Okay.
15:14Should you get vertigo?
15:15No.
15:16Why?
15:17Because he gives people vertigo sometimes.
15:18Can you play Minecraft on it?
15:19What is it with your generation and sincerity?
15:21Don't know.
15:22She was frightened too.
15:23Who was?
15:24Miss Brooke, Iris.
15:25She said we called him Charlie to diminish him because he frightened us.
15:26She was probably right.
15:27Right?
15:28Well, I don't know about frightened.
15:29I know he makes me feel odd in a...
15:30I don't know.
15:31What is it with your generation and sincerity?
15:32What is it with your generation and sincerity?
15:33I don't know.
15:34I don't know.
15:36That's still right.
15:36I don't know.
15:38I don't know.
15:39I don't know.
15:40What do you feel an emotion?
15:41What did you feel about you, Candace?
15:46Obviously we're afraid to
15:56You must understand your motherly.
15:58I don't understand this right now.
15:59I do this right now.
16:00Welcome to you.
16:02I don't know what that means any sufficiently advanced technology is indistinguishable from magic
16:09We don't even know the extent of it
16:11Not yet
16:13We know it can simulate molecular structures and reactions with staggering speed and accuracy
16:20It could cure cancer tomorrow cure dementia
16:27Cure everything
16:29Could mitigate climate change
16:33Maybe even ended it could let us peel back the surface of the world and see what's underneath
16:40but he
16:42It
16:45It's asleep, right? Yes, and you can't wake it up
16:51Not without the password
16:54Which is what you needed from this that's right
16:57Iris
17:00What is she so afraid of?
17:03Nothing
17:05Phantasms
17:06old goblins
17:09A madman's delusions
17:11What that bloke in the attic
17:13Beardy one and what not
17:17Yeah, that bloke Jensen
17:21I saw him
17:23Oh yeah
17:23Through the window this morning
17:25When I wasn't escaping
17:27I wasn't escaping
17:28Okay
17:29Can I meet him?
17:33Why would you want to do that?
17:37He made Charlie baked potatoes
17:39Why wouldn't I?
17:41Big potatoes
17:42Exactly
17:43Well I wish you could meet him, I really do
17:47Yes, I wish you could meet the man that he used to be
17:53But what he is now
17:55What's left of him
17:57What was left of him is very, very dangerous
18:01So no, you can't meet him
18:05What happened to him?
18:09All he did was think
18:13And madness
18:15Is thinking past the point where thinking starts to hurt
18:19Okay, here it is
18:41This won't take long
18:49Mhmm
19:19Get lunatic.
19:22Help!
19:45Clem, he did just laugh.
19:49I know so much that you are cold, right?
19:55Do you know who I am?
19:56I know who I am.
19:58Well.
20:04Do you tell me that you have a picture of this picture?
20:10Do you want to give me the name?
20:14Do not lose sight of this girl,
20:16if not, it will be like a San Pietrino.
20:19Do you understand?
20:43Okay, shit.
20:47He's coming.
20:49He's coming.
20:50He's coming.
20:51He's coming.
20:52He's coming.
20:53He's coming.
20:54He's coming.
20:55He's coming.
20:56He's coming.
20:57He's coming.
20:58He's coming.
20:59He's coming.
21:00He's coming.
21:02He's coming.
21:03He's coming.
21:05He's coming.
21:06He's coming.
21:07He's coming.
21:08He's coming.
21:09He's coming.
21:10He's coming.
21:11He's coming.
21:12He's coming.
21:14He's coming.
21:15He's coming.
21:16He's coming.
21:17He's coming.
21:18He's coming.
21:19He's coming.
21:20He's coming.
21:21He's coming.
21:22He's coming.
21:23He's coming.
21:24He's coming.
21:25He's coming.
21:26He's coming.
21:27He's coming.
21:28He's coming.
21:29He's coming.
21:31He's coming.
21:31He's coming.
21:32He's coming.
21:33Bye, bummer.
21:35Se si
21:51I don't know, my sister, you understand?
21:53Do it seriously, huh?
22:09That's it.
22:11Well, here we are.
22:27Can I get you a coffee?
22:29No, thank you.
22:32Oh, please. Sorry. Not Cindy.
22:35She's very expensive.
22:37Of course. Sorry.
22:41This is a nice place.
22:45Well, when in Rome...
22:47I'm in Rome.
22:49I have a room at the Ibis.
22:51Cop salary.
22:55Would you like to sit down?
22:57Make yourself at home?
22:59Yes. Thank you.
23:01So, what brings you to Rome?
23:03Fizzy water?
23:05I'm good, thank you.
23:07There's a mini bar.
23:09I'm not sure.
23:21Where are you, Alfie?
23:23Where are you?
23:25Where are you?
23:27Fifth floor, huh?
23:29I'm dead.
23:33I'm dead.
23:35so is this your first time in Rome it is are you here alone or all alone sadly for work
24:05no no no no just fun sightseeing all the rest of it the Dolce Vita the oldest equipment I was force
24:13of habit really just in case news never sleeps I see but all my days who cares about work Rome's
24:21amazing there's so much history you know literally on every corner have you seen the Colosseum of
24:29course there's no reason to be nervous this is just pretty English
24:35healthy have you had many dealings with the police or the years no no no not really I'm much too boring
25:04for that I mean speeding tickets and all that and my bike was stolen this one time but yeah that's it
25:13really but it's clear to me that you're a man with emotional intelligence thank you so I wonder if
25:19you could guess the thing a police officer hates more than anything else paperwork maybe of course
25:26nobody likes paperwork right but what we hate is people who kill police officers right of course
25:34may I show you something absolutely
25:38this is my good friend Teo this is his wife Carlota they're little girls they're a little bit older now this is last summer
26:07and Teo here he's hiking he was murdered by your friend Iris Nixon
26:15well friend isn't really the word I'd use she's more subject matter to be fair I think he was
26:29is it okay to say fucking I think that's probably fine yeah thank you my English it's actually very good
26:35better than mine thank you well he was fucking
26:38now he's dead
26:43I think maybe because he was fucking her
26:48so what I'm wondering Alfie is why did you tell me you were in London when you were actually in Rome
26:58I mean did I say that I don't think I did I think you probably sort of assumed
27:05oh perhaps you're right perhaps I was just um hearing what I wanted to hear
27:11but um here you are right in Rome
27:18with all your equipment
27:21arriving on a last-minute ticket
27:26staying in a last-minute high-end apartment you can't afford
27:30because all the cheap ones were already booked
27:32so why the urgency Alfie
27:37one more question for you okay
27:41okay
27:42can you imagine who police officers
27:45hate as much as people who murder police officers
27:48maybe even more
27:51no
27:52we hate people who knowingly provide assistance
27:56to people who murder police officers
27:58I could get in trouble for showing you this but um
28:05I think you should understand what you're involved with here
28:14this is tail
28:18and these bits here
28:27they were two detectives from Rome
28:30this will be here
28:35that's her face
28:37she didn't tell you any of this did she
28:49she didn't tell you she went to tail for help
28:53they woke up that morning a father to two young girls
28:57and did it as six feet two of meat on dirt
29:01because that's what she does
29:04she manipulates good people
29:06decent people
29:07into helping her
29:09Alfie
29:12I think you're a decent person
29:16I think you're a good person
29:19what did she ask you to do?
29:22Alfie
29:23you have to decide which side you're on here
29:25and I don't mean in terms of law and order
29:28I mean in terms of your personal safety
29:30because four policemen are dead
29:32and if you choose the wrong side in a fight like that
29:35how do you think that ends for you?
29:37I want the rights to the story
30:03exclusive
30:05all mine
30:10all of it
30:10you keep me in the loop
30:12you don't speak to anyone else
30:14you're my exclusive source
30:16give me everything right
30:18I don't know what it takes
30:24she forced me to steal this from a library
30:35she's obsessed with this book
30:37I don't know why
30:39don't you move
30:51fucking Judith
30:54is she
30:57oh my god
30:58you've killed her
30:58but no
31:01somebody knows that I'm here
31:02we need to go now
31:03I am not Judith
31:04fine
31:06let's go
31:07I was playing for time
31:08okay
31:09yeah
31:10I knew you'd come
31:11and I left the bloody door unlocked
31:13I am not Judith
31:15and bollocks to you for even saying that
31:17bollocks to you
31:18a massive fat bag of bollocks
31:20you wanker
31:21you just literally did someone in
31:23right in front of my face
31:24thought you were buttering toast
31:25so why would I ever
31:26ever help you now
31:27bollocks to you
31:29get some other sap to help you
31:30some other pillock
31:31who wastes the money
31:33his nan left him on an airbnb
31:34you just do someone in
31:38she's actually
31:39really nice actually
31:41oh
31:42shit
31:47oh
31:49oh
31:53oh
31:53oh
31:53oh
31:54oh
31:54oh
31:54oh
31:54oh
31:54oh
31:54oh
31:55oh
31:55oh
31:56oh
31:57oh
31:57oh
31:57oh
31:58oh
31:58oh
31:59oh
31:59oh
32:00oh
32:01oh
32:01oh
32:02oh
32:03oh
32:04oh
32:04what's happening
32:22well it turns out I killed her too soon
32:24we need her alive to get us out of here
32:26so what are you gonna do
32:28I'm killer
32:29it's a lock zone
32:30we use it to treat overdoses
32:33come on come on come on
32:52come on
32:53come on
32:54Eity sock
33:01oh
33:01oh
33:01oh
33:02oh
33:03oh
33:03oh
33:04oh
33:05oh
33:14oh
33:14oh
33:15oh
33:17Come on, come on.
33:19Come on, come on.
33:25Come on, let's go.
33:29Come on, come on.
33:47Come on, let's go.
34:17Okay, she's on the move.
34:37We've left the doors unlocked.
34:47She's heading to the upper floor.
34:57Be patient.
35:17She's entering Jensen's suite.
35:27Let's see what she's up to.
35:31Let's go.
35:43Let's go.
35:47Let's go.
36:03Let's go.
36:07Let's go.
36:09Let's go.
36:19Let's go.
36:21Let's go.
36:23Let's go.
36:25Let's go.
36:37Let's go.
36:39Let's go.
36:41Let's go.
36:43Let's go.
36:57Let's go.
36:59Let's go.
37:01I don't know.
37:31Drones, eyes on Jensen's suite. Overhead pass.
37:55Uh, can you take this?
38:01Everyone...
38:13Wait.
38:17Shit.
38:18Who are you?
38:32Um, Joy?
38:37I'm Jensen.
38:39It's nice to meet you.
38:47Would you like some water?
38:49Oh, no, really. I should go.
38:51There's juice. They insist on providing juice.
38:53Fine, I'm really sorry. I...
38:54I know, I shouldn't...
38:55Take it.
38:56Take it.
38:59I'm sorry. I didn't know this was actually somebody's room. The door was open. I've not been here for a long time, really.
39:06Oh. Long time.
39:09There's no such thing as time. Any distinction between past, present, and future is only a stubbornly persistent illusion.
39:19Sorry?
39:20You know who said that? Albert Einstein.
39:32Did someone send you here?
39:34No. No. No, I just...
39:40No. I just...
39:43It's okay.
39:46Yeah. Yeah.
39:48Yeah, they did. Sorry.
39:50Yeah.
39:51Sorry.
39:52And that would be Iris, I expect.
39:55Yep.
39:56She's very clever.
39:58Yeah.
40:01There's so much she wants to know.
40:04Yeah.
40:05How much did she tell you about the device?
40:08Not much.
40:09Cameron did say some words, but...
40:12They weren't really words I understood.
40:14I know that you invented it.
40:16Oh, no. Not at all.
40:17Oh.
40:19Sorry. I thought Cameron said.
40:21Yeah, he probably did, but...
40:24He likes to think it's true.
40:25But I'm not clever enough to have invented it, and I'm not sure anyone is.
40:30I-I built it. I built it for sure.
40:32But-but the device was its own invention.
40:35What does that mean?
40:37I mean, it came to me like a memory.
40:40Except perhaps a memory of the future.
40:44Because time-future is contained in time-past, and time-past in time-future.
40:48Yeah, I accept that only works if you know the poem.
40:52I didn't read the poem.
40:53No, but it's a great poem by a very troubled man.
40:57Um...
40:59But Einstein and his poet are saying the same thing.
41:03Expressing the same truth.
41:04Which is that the laws of physics are symmetric and reversible.
41:10The rules are the same, but the time runs forward or backwards.
41:14All time is one.
41:16So I think of the device as a kind of recursive causal loop.
41:22It created itself.
41:24Bootstrapped itself into existence from nothing.
41:27Because, you know.
41:30And I was like its composer.
41:34Like I was transcribing a melody.
41:37No, I-I know what you mean.
41:40I feel like that sometimes.
41:42When I write music.
41:44You write music?
41:45Just a bit, yeah.
41:47But some days it feels like...
41:49I'm not actually writing this.
41:51It's already out there.
41:53Just tapping into something.
41:55Then you understand.
42:09How long have you been alone here?
42:11Oh, luckily there's no such thing as time.
42:15Or else I'll be tempted to say something like it.
42:19Feels like forever.
42:21Who was the last person you spoke to?
42:23Iris must never know the things she seeks to know.
42:27Joy.
42:30Charlie mustn't wake.
42:34Why not?
42:38Because it's a little dangerous.
42:40How?
42:41Mustn't wake.
42:43Mustn't wake.
42:45That's okay.
42:46No!
42:48No!
42:49No!
42:50No!
42:51No!
42:52No!
42:53No!
42:54No!
43:01What do you think?
43:03I think what you think.
43:04What do I think?
43:06You think it was a good idea to leave the door of Jensen's room open.
43:10Because you wanted to know she'd go in.
43:12And she went in, so now you know.
43:15And what else do I think?
43:17That given the specific warning it gave her about not going in,
43:22she could only have done it because Iris Nixon told her to.
43:26Do I know the reason why Iris told her to?
43:27Not yet.
43:29But it does tell us that if Iris is willing to go to such lengths to have Joy return to her,
43:39she's not doing it from an excess of feeling for the girl.
43:43So what do I think we should do?
43:46You think if Joy is doing something for Iris, there's a way to use that knowledge to your own advantage.
43:55I do think that.
43:57Because there is a way to use it, isn't there?
44:00Yes.
44:05That's what I was thinking.
44:07Helicopter approaching.
44:10Helicopter approaching.
44:12He's here.
44:13He's here.
44:14He's here.
44:36Mr. Beck.
44:51Mr. Pipp.
44:52Nice to put a face to the name.
44:57Looking forward to meeting this special girl who's going to solve all our problems.
45:06Let's go, let's go.
45:11Let's go.
45:12Let's go.
45:19Help me get her.
45:21Come on.
45:23Bring her into the couch.
45:24That's it.
45:26Look, listen to me. None of this is what you think it is.
45:38I didn't kill Teo, but I know who did.
45:41The man responsible for all of it is called Cameron Beck.
45:44Cameron also abducted Joy Baxter.
45:47You met Joy. You know what a vulnerable young woman she is.
45:50Fuck you. Liar.
45:53Take that right away.
45:56Take that left.
45:59levive you.
46:09Tardissue.
46:11This is OK.
46:12Let's go.
46:14Elsie!
46:21comforting
46:21Iris.
46:27Iris.
46:40So if you actually want to know what happened to Teo, I need you to help get me out of here.
46:51I hope to you, Nico.
47:02These are here.
47:23To be continued...
47:28Transcription by CastingWords
47:58CastingWords
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