- 13 hours ago
Category
📺
TVTranscript
00:00I need to know who these people are.
00:06Will you tell my wife about us, is that it?
00:08Sergio Kraus, Vice Commissario Battista.
00:10We were looking for him.
00:11It seems that the dead was a police officer.
00:13It was?
00:14I!
00:17Exactly who and where is Iris Nixon.
00:26This is Charlie's creator, Jensen.
00:29All we need to get the machine up and running again is to enter an activation sequence.
00:34I need you to wait Charlie up for me, Iris, or they're gonna kill me.
00:37Say it. I'm a cop killer.
00:41There's literally no one else I can trust.
00:43I need to hide something that's a book, sort of a diary.
00:46Under no circumstances can you let anyone see you or get their hands on that briefcase.
00:59Between 1953 and 1973, the United States government funded 116 studies into LSD.
01:12Powerful psychedelics were given to alcoholics, obsessive compulsives, depressives, schizophrenics,
01:20and those suffering from terminal cancer.
01:21These experiments showed that a single dose of LSD could reduce or even eliminate the fear
01:32of death in the terminal ear.
01:37My wife, um, was given three months and, um, the anxiety she experienced was unendurable.
01:47She couldn't bear the idea of being erased, of all she'd ever felt or thought.
01:56Just being gone forever, as if she had never been.
02:03So I administered her enough LSD to bring about loss of subjective identity.
02:09At first, she saw terrible things, things of which we should not speak.
02:16But I stayed with her.
02:17And after passing through this shadow, she let go of her terror and congregated with the dead.
02:29Her father.
02:31Her mother.
02:35Our child.
02:39Upon her return, she told me dying was easy.
02:42The dead are all around us.
02:44Nothing ends.
02:47Nothing ends.
02:49Nothing ends.
02:51And...
02:53I was holding her arm when she died and...
02:56It was the happiest moment of her life.
03:03Wow.
03:09Oh, sorry.
03:11Blimey, you okay?
03:12Yeah, I was, um...
03:15Some million miles away.
03:16Look at that.
03:17They're literally putting his thinking cap on.
03:19Jesus.
03:21You're ready for the off?
03:24Always.
03:38No, he's a good one.
03:41No, he's a good one.
03:42Oh, here comes that day
04:11Oh, here comes the rain on your parade
04:18There's a price to pay
04:23For a lack of insincerity
04:29And you pretend that it doesn't matter
04:37And that you're not scared
04:41Oh, here comes that day
04:46Oh, here comes that rain on your parade
04:54Oh, here comes that rain on your parade
04:59Oh, here comes that rain on your parade
05:05Oh, here comes that rain on your parade
05:10Oh, here comes that rain on your parade
05:20Come back here
05:32Oh, here comes that rain on your parade
05:48You're over!
05:51You got the gun!
06:13Get me there!
06:14No!
06:15No!
06:18Get out of the fucking gun!
06:20John!
06:21Get out of the gun!
06:32Where's your phone?
06:37You can't do that!
06:39Yeah, why not?
06:41Why?
06:42You're the police!
06:43Yeah.
06:48Just outside of the car on the car on the beach,
06:50you're the police!
06:51Oh my God!
07:00My father.
07:01Shit.
07:32Where are you?
07:33I'm at the police station. You've caused an ungodly mess.
07:36I need your help, Theo.
07:38I need to get away as quickly as possible. I'm really in trouble here.
07:42There are police everywhere.
07:44And you are the only way that I can get off this island.
07:47And what exactly do you expect me to do?
07:49Drive me off the island on a ferry in your police car.
07:53Fuck you. That's not gonna happen.
07:55Well, it's the only way you get me out of your life.
08:01Fine. Where are you?
08:03There's an old watch tower.
08:05On the beach, five miles from Calori.
08:07I know the place.
08:31Oh, Mr. Baxter.
08:37Yes.
08:38Yes, I know your daughter.
08:42When was this?
08:46Modern registration.
08:49Gia.
08:50Gia.
08:51The phone number.
08:53Gia.
08:54Gia.
09:21Okay.
09:24Hello.
09:25Hi.
09:26Is this Avi Bird?
09:27It is.
09:28Who's this?
09:29We've never actually spoken. My name is Iris Nixon.
09:31They're very funny.
09:32Who's this?
09:33How you just talking?
09:34No.
09:35No.
09:36No.
09:37No, no.
09:38No.
09:40Okay.
09:42No.
09:44No.
09:45No.
09:46No.
09:48No
09:49No.
09:50No.
09:51Hello?
09:52Hi.
09:53Is this Avi Bird?
09:54It is.
09:55Who's this?
09:56Nixon. Very funny. This is Claire. No, this is Iris. Do you have any idea how many Iris
10:03Nixons caught me? I actually don't. Well, it's a lot. They all think they're hilarious and they
10:08all think they're the first ones to have the idea. Half of them are blokes. Well, don't you
10:11recognize my voice? I've seen pictures. I've never heard her speak. I've never really thought about
10:16that. So where are you, Iris? Well, it doesn't matter. I'm leaving. They'll take a selfie. Send
10:22it. And have you plastered me all over the internet? I wouldn't do that. Not if you were
10:27real. I don't believe you. Okay. Thanks for calling. I think I'm going to hang up now. All right. Let's
10:34reverse the polarity of the neutron flow. So what you want to do is monetize me, right? I'm not sure
10:39I'll put it exactly like that. Oh, no. I don't take it personally. To you, I am content. And that's
10:43fine. It's just the way of the world. But you want better content. You want a bigger story. You want
10:48traffic. You want to go viral. You want a billion views. That's right. Yeah, I want that. Of course
10:54I want that. Well, I can give you that, you lucky dog. I can give you the full story. What happened to
10:58whom and why. Why? Yes, and why. No, no. I mean, why would you do that? Oh, I see. Because I told
11:06someone that if he came looking for me, I'd punish him. I'd bring his entire world down around him.
11:12But he didn't listen. So now I need you to help me do that. Is this actually you? Yes,
11:19obviously. Who else would it be? I don't believe you. No, but you want to, right? So here's
11:26what I'm going to do. I'm going to send you a taster of that proof I have. Now, fair warning,
11:31if any of this ends up on the internet, you are going to find me standing at the end of your bed
11:36one night with a razor in my hand. And I will slice off your oysters and shove them down your
11:41throat. Then I will rip open your belly and drape your guts around the room like fucking Christmas
11:45decorations. You get me? Yes. Good. Because this is not cosplay and this is not LARPing. This is real.
12:11Iris? Yes. This is real. Right? This is real. I'm not sure I ever really thought that...
12:41not in my half-heart. It was all just, you know... So actually, what the hell is that thing?
12:50That's what I'm trying to find out. Meet me in Rome and I will tell you everything.
12:58What? In Italy? When? Be there tomorrow. I'll call you.
13:04It's okay. I feel nervous, by the way. I'm not nervous. Oh, come on. You're only human.
13:22I often wonder about that. Perhaps I was grown in of that and poured out like pancake fatty.
13:26See, that's interesting to me. What is? You consistently deny feeling things that you're
13:35obviously feeling. Why do you do that? Well, I'm not sure. Why do you consistently insist that I'm
13:39feeling something that I'm quite possibly not? No. No. Are you trying to neck me? No,
13:43I'm not necking anyone. Least of all you. I'm just good at reading people. Really?
13:47Yeah, I did a course. Of course you did. But what it's worth, I'm nervous too.
13:57I know. I want him back, Iris. I love him and I miss him and I want him back.
14:03Charlie. Jensen. Well, yeah, I suppose you need him. Christ, is that what you think of me?
14:13That I don't actually care about him? Because you wouldn't be able to think that if you'd
14:17ever actually met him. He was kind and thoughtful and funny and he made brilliant people feel stupid
14:24and the rest of us feel like geniuses. And I had to watch it all be stripped away from him
14:31bit by bit until all we had left was this Jensen-shaped fucking vacuum flask. And yes,
14:39I want you to wake up the bloody machine because I don't want people to hurt me. But no, I am not
14:43a fucking automaton. And yes, I do actually care about him. So please don't talk about him like
14:48he's nothing. He's not nothing. Cameron, I didn't mean to. I can't help it. I didn't try.
14:55I've just never had anyone who was as significant to me as Jensen is to you. I'm not always equipped
15:04at the nuance of it. Emotionally, it's not something that I'm, um, necessarily very good at.
15:17That's true, isn't it? You're not lying. Why would I? You took a course.
15:26No friends? Um, no, not really. Ever?
15:34No. Well, what about the rest of it? No one special?
15:40No. Uh, not to speak of, no. I don't believe you. But you can believe what you like, but
15:47I don't understand why it makes any difference. Because if we mean nothing to each other, then
15:53nothing means anything, does it? Oh, I completely agree.
16:02It's a pretty desolate way of looking at things. It's really not.
16:06So that's it? You never look at the night sky and see transcendence and profundity, beauty, unity,
16:17oneness? All I see is reality. But you're not just your brain, Iris. There's more than that.
16:30Where? Everywhere. Here.
16:36Now.
16:54Morning, everyone. We up and running?
16:57We are up and running.
16:58Outstanding. Go, team.
17:00Hey, Jensen. You might remember Iris. You met very briefly. She's with us because she's
17:08very, very good at solving puzzles.
17:15Well, I don't know about that.
17:16So, thing is, Jensen, at the moment, your diary is a puzzle. And Charlie's password is in here.
17:39And that's why DA here put this together for me, to help me solve it. It uses neuroimaging to detect
17:47emotional changes in the brain. Anger, sadness, whatever. Basically, a much more effective lie detector.
17:54Because emotions can't lie.
18:02So, first problem. What code did you use?
18:07So, at the top level, it's a nihilist cipher. See, all these squiggles. But at core, it's a basic substitution cipher. Probably a book code.
18:22Because book codes are almost impossible to break, unless you know the book that was used to create it.
18:35And then, something occurred to me.
18:42Why'd you use a diary?
18:43I think you are very, very cunning.
18:50And very cautious.
18:51I think you change the code every week.
18:55Cryptographers call it key rotation.
18:58I mean, that's got to be hard, right?
18:59All those codes.
19:03So, every Monday,
19:05you left yourself a little clue.
19:08You know, for a long time, I thought it was a drawing of a brain.
19:18You are far too cunning for that.
19:21It's not a brain.
19:22So, what can it be?
19:27And I wonder...
19:28if it's this.
19:33The DNA sequence of Deinococcus radiodurans.
19:40The world's toughest bacterium.
19:44Which probably appealed to your sense of humor.
19:48I mean, using a DNA sequence as a source of a book code.
19:53Because...
19:54DNA is the book of life, right?
19:56Right?
19:56Right.
19:57Right.
20:03It's working, Jensen.
20:07It's working, Jensen.
20:37Do you know the story of the girl?
20:37Do we have traces?
20:39We're setting up the woods.
20:40But it's going for long.
20:42Santoni has almost put his feet in a trap for cows.
20:45What is it?
20:46A cutting.
20:48There are hundreds.
20:51What do we do here with what?
20:54Yes?
20:55The parents arrived.
21:01Thank you for coming.
21:03I'm inspector Castelman.
21:05Where's Joy?
21:06It's difficult to be sure.
21:07But we are concerned that Joy may be in some danger.
21:10Can you think of anything that might help us find her?
21:14Anywhere she might try to hide?
21:17A friend, for instance?
21:18Hardly.
21:19Boyfriend?
21:20Family.
21:22Her jacket.
21:24I'm sorry?
21:25She knows we can trace her phone.
21:27And she has a habit of pulling this kind of stunt up.
21:31And?
21:31And I have a tracker.
21:35Sewn into the lining of her jacket.
21:37I see.
21:37Hold on, Joy.
21:38That was very spittent.
21:38I see.
21:39Hold on, Joy.
21:39That was very spittent.
21:40I see.
21:41I see.
21:42Hold on, Joy.
21:43That was very spittent.
21:44I see.
21:45I see.
21:45I see.
21:46Hold on, Joy.
21:46That was very spittent.
21:47Where?
21:58Where?
22:00I see.
22:00I saw something too.
22:06Let's go.
22:09Let's go.
22:10Here?
22:11Yes.
22:13Not as close to her.
22:15I'm sorry she got you mixed up in all this, and now I'm afraid I don't know what the hell to do with you.
22:39I take it you came alone?
22:42In one hour a passenger ferry leaves Calgary for civita vecchia. I need to be on it.
22:50You take me in this, you drop me a station in Maritana, give me a couple of euros, and that's it. We're done. I'm gone.
23:00Special Crime Authority are looking for you.
23:03We'll be fine.
23:05You're done.
23:07You're done.
23:09I'm sorry.
23:11I'm sorry.
23:13I'm sorry.
23:15I'm sorry.
23:17I'm sorry.
23:19can i trust you trust me
23:38you're blackmailing me
23:42what more do you want me to do do you want me to enjoy it
23:45just get it
23:48yeah
23:55yeah
24:02yeah
24:09yeah
24:12yeah
24:15yeah
24:17I don't know.
24:47I don't know.
25:17Yeah.
25:18Yeah.
25:19Yeah.
25:22Yeah.
25:25Yeah, yeah.
25:27Go.
25:28I think it's your time.
25:30I've got a roll first.
25:31No, you don't.
25:32I win, I always win.
25:41Okay, Judy calls.
25:47Well, I think I got it.
25:48The password?
25:49Yes.
25:50Again?
25:51Yeah, it looks like coordinates.
25:53Amazing.
25:55It'll wait.
25:56Do it tomorrow.
25:57For one, stay with your friends.
25:59How many times is that now?
26:00One hundred and twenty-seven time luckies.
26:02No, no, no, no.
26:04Okay, roll.
26:05See them coming back.
26:07No, sir.
26:30Boat is void.
26:37Whatever floats your boat.
26:47Boat is void.
27:04Whatever floats your boat.
27:17Okay.
27:37Okay.
27:47There's some water.
27:57My house!
27:59No!
28:00No!
28:01No!
28:02No!
28:05No!
28:06No!
28:07No!
28:09No!
28:11No!
28:12No!
28:13No!
28:14No!
28:15No!
28:16Iris, Iris, what have you done?
28:46Iris!
28:49Attention, emergency.
28:51Fuck this.
28:52This facility will drop down in two minutes.
28:55If you can't reach your designated safe area, shelter is safe.
29:16Oh my god, oh my god, oh my god.
29:43I don't know what to do.
29:46I don't know what to do.
29:51Ready to go!
29:54Let's go!
29:56Let's go!
29:58Fuck, fuck.
30:03Help!
30:05Fuck.
30:08Let's go!
30:21Attention, emergency.
30:23This facility will work in 60 seconds.
30:27Fuck it.
30:42Fuck it.
30:44Fuck it.
30:45Fuck it.
30:47Fuck it.
30:48Fuck it.
30:49Fuck it.
30:50Fuck it.
30:56Attention, emergency.
30:59This facility will work hard in 30 seconds.
31:02Hold it.
31:03Oh, yes!
31:10Access denied.
31:1420 seconds to fall off down.
31:20Access denied.
31:2310 seconds to fall off down.
31:27Oh, yes!
31:31Oh, yes!
31:34Three.
31:38Two.
31:41One.
31:45This facility is in full lockdown.
31:49Why did you do it?
31:50Charlie!
31:51No!
31:53They were decent people!
31:55We can't wait!
31:56We can't wait!
31:57We can't wait!
31:58It must not get free!
32:01Destroy the book! Burn it!
32:07No!
32:08No!
32:09No!
32:19Iris?
32:20Iris?
32:21You're safe now.
32:24The place is in lockdown.
32:25We can't open the airlock from up here, but you are safe.
32:29I'm so, so sorry, but you are safe.
32:36Don't do that.
32:37What's wrong with the machine, Cameron?
32:38What are you telling me?
32:39Nothing.
32:40Nothing wrong with the machine.
32:41I don't believe you!
32:42I don't believe you!
32:43I can't let you leave, Iris.
32:44And I need that diary.
32:45Come on.
32:46Please.
32:47What's wrong with the machine?
32:48Nothing.
32:49Nothing wrong with the machine.
32:50I don't believe you!
32:51I can't let you leave.
32:52I can't let you leave, Iris.
32:53And I need that diary.
32:54Come on.
32:55Please.
32:56What's wrong with the machine?
32:57Nothing.
32:58Do not take that book.
32:59Iris, there is nowhere to go.
33:00I will hunt you down.
33:01Don't make me do that.
33:02Don't leave, Iris.
33:03Iris, come back!
33:04Come back!
33:05Come back!
33:06Come back here!
33:07Take it, and you are killing me!
33:08No!
33:09No!
33:10No!
33:11No!
33:12No!
33:13No!
33:14No!
33:15No!
33:16No!
33:17No!
33:18No!
33:19No!
33:20No!
33:21No!
33:22No!
33:23No!
33:24No!
33:25No!
33:26No!
33:27No!
33:28No!
33:29No!
33:30No!
33:31No!
33:32No!
33:33No!
33:34No!
33:35No!
33:36No!
33:37No ¡ systems ship!
34:00How did you end up here?
34:29Saw me hiding the briefcase?
34:31Back off!
34:32Dug it up!
34:34And?
34:35And I tried to get it back.
34:37Why?
34:38So I could hide it somewhere else?
34:49What are you doing?
34:51I told you they're here for money.
34:54And right now, they're working for this prick.
34:58Hiya!
35:03Lovely day.
35:05Nice to meet you, chaps.
35:07Excellent work.
35:09Credit to your profession.
35:11How'd you find me?
35:13Well, they're police officers.
35:15They find people.
35:16I mean, specifically.
35:18Your telescope.
35:19It took a while, but there you were.
35:23Well, now I feel silly.
35:25Oh, honestly, don't feel bad.
35:26You're only human.
35:27Allegedly.
35:28That is actually mine.
35:30Thank you very much.
35:31It's actually no, it's fucking not, thank you very much.
35:33How did you and I end up here surrounded by a cast of thousands?
35:38What was the actual plan?
35:40Have Joy hide the diary while Theo smuggle me off the island.
35:43So you could come back and dig it up when we'd all scuttled off?
35:46Like wood lies under a brick, yes.
35:48It's not really that much of a plan, is it?
35:50Well, in all fairness, I was improvising.
35:52Well, that's jazz, right?
35:58Actually, you look like someone put you through a blender.
36:02Which makes you the intern, does it?
36:05She just killed someone, did she mention that?
36:08Obi-Wan there.
36:11Mrs. Miyagi.
36:14Dragged his body halfway across the island, set fire to him,
36:18and then pushed him off a cliff.
36:20Oh, well, Iris, you had a half-assed plan which went wrong.
36:23Take it on the chin, let's all move on.
36:26Now, two three-digit combinations.
36:30Child's play, except it won't be, will it?
36:33Because it's you, which means it's booby-trapped.
36:36If I enter the wrong combination, it's gonna destroy the diary?
36:40I don't know. Open it and see.
36:43What is it? Acid? Some kind of alkali release?
36:46Well, it's not gonna be an alkaline now, is it, moron?
36:48Acid, then.
36:50Hydrochloric?
36:51Muriatic.
36:52Which, no, that is hydrochloric.
36:55Well done, very good.
36:56Naughty.
36:57No, so, if I enter the wrong combination, shh, no more diary,
37:02which means what I'm going to need is the right combination,
37:05if you don't mind.
37:06Oh, I mind terribly.
37:08Was it a love thing, you and her?
37:11For goodness sake.
37:12Oh, of course not, because that particular emotion's not available to you, is it?
37:16Not in excess, no.
37:17So you say.
37:19The thing is, Iris, I actually think you're much more decent than you'd have everyone believe.
37:26Well, then you'd be wrong.
37:28Not for the first time.
37:30Let's see.
37:31Um, what's the combination?
37:33Your birthday.
37:37Okay.
37:39Well, can't say I didn't try.
37:43What would it take to arrange a little bit of, um...
37:46Money.
37:47Yes, but how much?
37:49A hundred thousand.
37:50Seriously?
37:53I have partners.
37:54And these are couple.
37:58Okay, fair enough.
38:03Still no?
38:07Still no.
38:09Still no.
38:16Hey!
38:17Listen.
38:18Teo, was it?
38:19I honestly don't want this to happen, but it's going to,
38:22unless Iris helps me open this briefcase without damaging the content,
38:26so do me a favor and ask her for me.
38:30Monica.
38:32Please, no, as he says.
38:37That's not my name.
38:40I'm sorry, Teo, I really am, but...
38:43He cannot be allowed to have what he wants.
38:45Seriously, is that what he gets?
38:47Come on, Iris, don't do this, sir.
38:49Miss Brooke, please don't let them...
38:50That's not my name, and shush, no.
38:52Is this actually what it's like, being you?
38:54Or is this just another lie?
38:58Try me and see.
38:59Fine.
39:00Let me know when you want it to stop.
39:02Fine.
39:03I want it to stop.
39:05Because you were putting yourself through this for absolutely nothing.
39:09You're not cut out for violence.
39:12And you are?
39:14Evidently.
39:15No.
39:16No.
39:17No.
39:18No.
39:19No.
39:20No.
39:21No.
39:22Please stop!
39:45Leave my light!
39:46She's alright, stop!
39:47Leave my light!
39:48Please!
39:49Please!
39:52How can you not care?
39:56I don't know, I just...
39:59Don't...
40:00That is not true!
40:13Oh, for God's sake, Cameron!
40:16Don't be preposterous!
40:17Just calm down, it's gonna be fine!
40:19Everything's real fine!
40:20Come on, Iris!
40:21Pull the trigger or don't, nothing changes!
40:23Miss Frank!
40:24Infinity minus one, Joy.
40:25Don't be afraid.
40:26Oh, that is such bullshit, Joy.
40:27That's just a position she takes, even if she doesn't believe it.
40:30I can assure you, she very much does.
40:31Right.
40:32You're right.
40:33Hmm.
40:35Miss Wilbur, please don't kill me.
40:36Please don't kill me.
40:37Please don't kill me.
40:43I think she's right, I commit.
40:47You do it.
40:48No!
40:49Okay, wait!
40:50Stop!
40:51Just stop!
40:52Alright!
40:53Shut up for a second and just leave her alone.
41:01If anything happens to the contents of the briefcase, anything at all, I want you to shoot this young woman in the head.
41:07Yes.
41:08Money.
41:09Yes.
41:10Money.
41:11Yes.
41:12Money.
41:13Yes.
41:14Is that clear?
41:15Yes, sir.
41:16Very clear.
41:17Zero.
41:18Zero.
41:19Zero.
41:20Zero.
41:33Right side.
41:34Zero.
41:35Zero.
41:36Zero.
41:37Zero.
41:38Ah, you're kidding.
41:47Zero.
41:48Zero.
41:49Zero.
41:50Zero.
41:51Zero.
41:52Wait.
41:56Iris.
41:57Oh, for God's sake, Cameron, just take the win.
42:07Okay.
42:10Show me.
42:17Stop running.
42:18Stop running.
42:19Stop running.
42:21Stop running.
42:22Stop running.
42:44We're meant for this man, Jack.
42:46Is that meant for me?
42:49I didn't want anyone to open it.
42:57Oh, God.
42:59I still got the diary.
43:00You kill me, you don't get it.
43:03You hurt, Joy, you don't get it.
43:05All right, Joy.
43:16Sorry and all that, but she just made you collateral.
43:19No!
43:20Your friend!
43:21Joy, you're going to have to go with him!
43:23Get in!
43:23Just for a little while!
43:25Get in!
43:27I'll come and get you, I promise!
43:35I'll come and get you.
44:05I'll come and get him up on this.
44:09Fucking keys, Iris!
44:11Come on!
44:35I'll come and get you, I'll come and get you.
44:41I'll come and get you, I'll come and get you, I'll come and get you.
44:46I'll come and get you, I'll come and get you, I'll come and get you.
44:51I'll come and get you, I'll come and get you.
44:57I'll come and get you, I'll come and get you.
45:02I'll come and get you, I'll come and get you.
45:07I'll come and get you, I'll come and get you.
45:13I'll come and get you, I'll come and get you.
45:17I'll come and get you, I'll come and get you.
45:18Transcription by CastingWords
45:48CastingWords
Be the first to comment