- 7 hours ago
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🎥
Short filmTranscript
00:00Transcription by CastingWords
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03:59Ah, when can I pass?
04:06Rapidly.
04:13Hello, sir.
04:16I'm sorry.
04:20So, where is Aaron?
04:22He's in a villa.
04:24He'll be there in about 20 minutes.
04:26Maybe at least, he'll take the motorcycle.
04:28So, he'll be there.
04:33You're not waiting for it.
04:35Why?
04:37How's it going with Celeste?
04:38With the inspection and the bazaar, it's okay?
04:41Well, if everything was so good as that,
04:44I wouldn't be there.
04:47Why wouldn't I wait for it?
04:50You don't know what happened.
04:52Don't turn around the pot.
04:55She wrote a letter.
04:58Celeste?
04:59When, that?
05:01She arrived before, I believe.
05:03I'm sure he had to go with joy.
05:05No?
05:06He hasn't read it.
05:08He hasn't read it.
05:09He hasn't read it.
05:10He hasn't read it.
05:11He hasn't read it.
05:14Is this as bad as that?
05:15You can't imagine what the letter says.
05:17It's written down.
05:18It's written down.
05:19It's cruelly.
05:20It's a cold.
05:21It's written down.
05:22But what's written down?
05:24You want to read it?
05:25No, no, no, no, no.
05:28It's not necessary.
05:29I think so.
05:30I'll find it.
05:31It's written down.
05:32It's written down.
05:33I'll find it.
05:34It's written down.
05:35It's written down.
05:36It's written down.
05:37It's written down.
05:39It's written down.
05:40Oh.
05:47Oh.
05:51Dépêchez-vous, parce qu'il va arriver.
05:56Cher Aaron...
05:58Cher, qu'elle lui dit.
06:00Quelle connasse.
06:01Cher Aaron...
06:03What do you think of what is written?
06:07It seems normal?
06:09But this girl doesn't go well.
06:10How can you put these things on the dos of a boy who didn't do anything?
06:13Who didn't do anything with love and admiration?
06:16And the worst happens later, when she tells you that if she writes again a letter, she'll be in prison.
06:21And this time, it's not a process of abandonment,
06:24because this kind of method douce doesn't work.
06:27It's not...
06:28It's...
06:29It's...
06:30Directly in prison for you.
06:32But what a bitch!
06:33We'd have to help you the last time you were here.
06:35Yes, but now I'm afraid that it's too late for that.
06:37And for the cancer, you have seen it?
06:39Yes, yes, yes.
06:39I'd prefer you to have a cancer, so we'd have all of them had peace.
06:45You remember when I told you last time
06:48that it was going to send this girl to her country?
06:52I forgot what I said.
06:54I think rather that it was going to make it in prison.
06:58But is it possible?
07:00I don't know.
07:01Well, it would have to look at the affairs of Aaron.
07:04No.
07:06No, no, no, no.
07:06My son will be able to do it.
07:08I just want to put an eye on what happened last year, it's all.
07:11He didn't let us touch it.
07:13But it's just for a few minutes.
07:14It would be better not touch it.
07:15But you think really that we should do nothing to do with that?
07:18Well, it's bad.
07:20She wrote a letter, she didn't read it, she didn't read it.
07:21She didn't read it.
07:22She didn't read it.
07:22You have heard recently that Celeste was going to live in Spain?
07:27It's more simple to have a restrictive ordinance with someone who spends his life to travel around the world
07:33than with someone who comes to live in the same city as you.
07:36Do you know what's happening at 500 meters from Elviso,
07:39the apartment where the little friend of Celeste?
07:42The Bernabeu, the National Auditorium.
07:46I hope that your father doesn't like it because if he is there, he will never see a match here.
07:52Or a classical music concert.
07:55But the worst thing is not that.
07:57The worst thing is that with the time we have discussed now,
08:00I would have been looking for the affairs of Aaron
08:02so that this woman could finally be in prison.
08:05Come on.
08:15Come on.
08:16Come on.
08:25Please don't do the bazaar.
08:26Yes, don't do it.
08:28And do it quickly.
08:29Look what you need and it's all.
08:35Avril…
08:50Mai…
08:53Vous l'avez ?
08:58Si y a rien, c'est qu'il l'a pas.
09:01But he didn't know what it is.
09:13What is it?
09:17I think it's the center.
09:19The center?
09:20Where she was admitted.
09:21What?
09:22What?
09:23For people who have money.
09:25The intoxication?
09:26They don't call it like that.
09:28Yes, yes, yes.
09:29I know it's thanks to Aaron.
09:31He insisted on the place but he didn't have the money.
09:33Go to the salon, please.
09:34But how? Your fils also had problems with addiction?
09:36No.
09:37But he said it was his only chance to be close to her.
09:39He even bought a car, but even with that money, it wasn't enough.
09:43He wanted to hypothese the apartment, but I refused.
09:46You know the name?
09:48Los Naranjos.
09:51Center of rehabilitation Los Naranjos.
09:53Yes, you can write it if you want, but go ahead.
09:56I'm with you.
09:57You told me, only a point of eye.
09:59Yes, no, no, no.
10:00I'll give you a moment, I'll give you a moment.
10:01I'll give you a moment, I'll give you a moment, later, later, okay?
10:03You're doing what, there?
10:04No, no, no.
10:05No, no, no.
10:06No, no, no, no, no.
10:07No, no, no.
10:08You're not too far.
10:09Wait, don't you get it, this shit.
10:10Wait, don't get it like that.
10:11Your car seat is just down, maman.
10:12How do you do it?
10:13Because I just came to put the brakes on your car.
10:15Aaron, I'm only coming to you...
10:17I told you that I had problems for foot to be at the pieds.
10:19Well, if I didn't do something quickly,
10:22Rapidement, c'est toi qui aurais des problèmes.
10:25Des problèmes pour quoi ?
10:27Comment ça, maman ?
10:29Il ne me croira pas.
10:32Qu'est-ce qu'il y a ?
10:33Rien.
10:35À propos de la lettre.
10:36Quelle lettre ?
10:38De Céleste.
10:43Céleste m'a écrit une lettre ?
10:44Oui.
10:47Je voulais pas que tu sois triste.
10:49Elle est où, maman ?
10:50Elle est pas bonne pour toi.
10:51J'ai dit, où est-ce qu'elle est, maman ?
10:52Il a raison.
10:55Il doit l'avoir.
11:00Maman.
11:01Maman.
11:02Maman.
11:03Maman.
11:04Maman.
11:05Maman.
11:06Maman.
11:07Maman.
11:12Maman.
11:12Maman.
11:13Maman.
11:14Maman.
11:17Maman.
11:17Don't worry about it, you know.
11:34The truth is that this girl doesn't go well.
11:38Don't worry about it.
11:43Where are you from?
11:47I believe. Grand-père l'a prise.
11:50Of the letters?
11:51Yes, that's right.
11:52But I'll make sure she doesn't speak like that.
12:07Where are you going?
12:10Aaron!
12:13What do you do?
12:20Nothing at all.
12:22You can't stay here.
12:24This will not be long.
12:28Why do you close?
12:30Because I want to see the other letter.
12:32What?
12:33Why?
12:34Quelle other letter?
12:35The letter she sent me when I was sick.
12:39I want to see the letter.
12:41Open the door, Aaron.
12:44Open the door immediately.
12:45Come on with the letter.
12:47I feel different.
12:50It's not different.
12:51It's not long.
12:52I'll look for it.
12:54But you can't do that.
12:56It's...
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20:27It's what Sergio said, that everything was done.
20:37I want you to know that I have nothing against you.
20:40I don't know, you don't have to worry about it.
20:42In fact, I want to thank you.
20:46Why?
20:47For everything.
20:50You're no longer inspectors, right?
20:53It's partly for that.
20:54I know what you think of me, but I don't care about my money.
21:01No one doesn't care about money.
21:03The way I come, I don't learn how to grow what we're doing.
21:06This phrase is of you or of Sergio?
21:10You know where San Simon is?
21:13It's the place where you were born, it seems, right?
21:15When I was little, I was at the school Eduardo Vasconcelos.
21:19And I had a class friend who had beautiful hair.
21:22She was beautiful.
21:23She played guitar, she sang well, she had everything.
21:27I wanted to be like her, but I never had any instruments.
21:32At the house, we didn't have money for us to buy a guitar.
21:34So for buying a guitar, you imagine?
21:38Until the day when a piano was arrived in the décheterie where my dad worked,
21:41someone told me that he had been used to transport drugs,
21:46and that once he had recovered the merchandise in the décheterie,
21:48he had let it.
21:51So, my three brothers and me, we came to help you to recover this piano.
21:57We didn't know anything in music,
21:59we didn't realize that to transport a piano vide to San Simon was completely useless.
22:03When we came to the house, he didn't work out.
22:10And I cried all the night.
22:14I never could have a girl with this beautiful hair hair.
22:19But I learned to play the piano,
22:21I was imagining the sound that he would make.
22:26I could have a lot of money,
22:29but I would never be rich.
22:30You have seen this young girl?
22:38She was coming to me at a show in Mexico,
22:40a few years ago.
22:41She had three children.
22:43She was not as beautiful.
22:45And her hair was not as beautiful.
22:47And you know what she told me?
22:50She would like to be like Celeste.
22:53Excuse me, it's time to go.
22:57Thank you for coming.
22:58It's the last concert of my tour.
23:02It's very important for me.
23:04Tomorrow, I'll start a new step.
23:06I too.
23:08Profitez-en bien.
23:09One last thing.
23:11The girl with beautiful hair hair,
23:14with the guitar,
23:16it was Sandy Lucero, right?
23:20How do you know?
23:22I know a lot about you, Karen.
23:24I know a lot about you, Karen.
23:29Is it okay?
23:32Yes.
23:35It's okay.
23:35It's okay.
23:44It's okay.
23:44It's okay.
23:45Mm-hmm.
23:46But I also want to be like Celeste.
23:53We are on route in one minute.
24:18We are on route in one minute.
24:24Perfect.
24:2530 seconds.
24:27We are at number 2 point.
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