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00:00:00The following program contains strong language and violent scenes
00:00:10It's a diary of professor Jensen Lindt
00:00:12It contains the encrypted record of discoveries made by a machine he created the device
00:00:17Identified a recurring pattern running through fabric of reality like a source code
00:00:22The little girl is running out of time i'm trying to protect us excuse me
00:00:33Look at me the maniac sweet there's no murder joy and there's no suicide the mathematics say you have to exist
00:00:41It is all her fault you don't have the right to do this just because it frightens you it should frighten you too
00:00:48This is two seconds to midnight and i'm on my way
00:00:51i'm going to destroy the machine and Jensen Lindt with it
00:01:03what it was was everything was so normal
00:01:08i mean i was normal or i sort of end of the bell curve normal but i was normal
00:01:15my mum and dad were normal
00:01:20was the most
00:01:22normal possible upbringing in the most normal place in the world
00:01:25and so i go to school and i'm perfectly good at this and that
00:01:32lots of friends lots of yearning and
00:01:35find myself gravitating weirdly towards things like economics and business studies
00:01:45Mum and dad wished i'd gone into something with a bit more poetry in it because for them there's no poetry
00:01:49in making money
00:01:51well so i disappointed them a little bit but that was my job
00:01:55so
00:01:58and then
00:01:59dad gets ill
00:02:05properly ill
00:02:07pancreatic
00:02:10and the pain and the depth of it
00:02:12he was such a simple man my dad
00:02:21i mean nobody's simple are they but
00:02:24happiness just looks shallow
00:02:26you don't know
00:02:28you don't know the depth of it till it's gone
00:02:31you don't know the profundity of a person until you've seen them in agony
00:02:39what he went through was unendurable
00:02:42not not just for him but for mum and he hated that more than anything else
00:02:47her seeing him like that the indignity these are people who had their first kiss at 17
00:02:52hardly spent a day apart in their lives
00:02:59and one afternoon countdown was on
00:03:03and he holds my hand and he asked me to help him
00:03:12and his hand is like he's made he's made out of twigs wrapped in parchment
00:03:22and i said are you sure dad and he said yes
00:03:43and don't tell your mum
00:03:44so i took a minute just to get myself together and then i closed the door and then i helped him
00:04:04and a few weeks later i took myself camping in the lake district
00:04:21and one night it was a tuesday night in november
00:04:25and i was on top of great gable which is a a very beautiful peak
00:04:34and i was all alone and i was looking up and the entire cosmos was just wheeling above me
00:04:40and i became aware that i was a turning point and it was all spinning around me
00:04:44like a wheel around a hub
00:04:52and that's literally true isn't it because the universe doesn't have a center
00:04:58which means that every point in existence is the center of it
00:05:04and
00:05:04right there and then i experienced a sudden absolute knowledge of the presence of god
00:05:19not only that god was real but that it was reality
00:05:25and that we were all elements of that reality and dad was there
00:05:30and everyone was there
00:05:40and then it was gone and it never came back
00:05:45and i spent my life wanting to know if it was true
00:05:48was it just a coping mechanism was it a temporal lobe seizure or
00:05:52or or for one second did i experience underlying truth the fact of it
00:06:11i believe
00:06:14what you experienced was true
00:06:22can you prove it
00:06:41oh here comes that day
00:06:46oh here comes the rain on your parade
00:06:53there's a price to pay
00:06:58for a life of insincerity
00:07:06and you pretend
00:07:09that it doesn't matter
00:07:10and that you're not scared
00:07:12and that you're not scared
00:07:17oh here comes that day
00:07:21here comes that day
00:07:22oh here comes that rain on your parade
00:07:28and
00:07:47oh
00:07:47oh
00:08:49It doesn't sound right.
00:08:51Probably just cycling through his boot-up process or something.
00:08:55It sounds like...
00:08:57like a whale or an earthquake.
00:08:59It's just a machine, Joy.
00:09:04What are you doing?
00:09:05Going home, Nate!
00:09:07It's very locked, Joy.
00:09:09It's really, really locked.
00:09:13You're not gonna find a way out.
00:09:15How would you know?
00:09:17Because I designed the place to contain a homicidal genius.
00:09:20Well, there must be something!
00:09:22There really isn't, Joy.
00:09:24Honestly.
00:09:26Wait, what?
00:09:28What?
00:09:30What?
00:09:32What?
00:09:34What?
00:09:36What?
00:10:08Colonel Meski.
00:10:21You are required to take the personnel under your command and leave this facility.
00:10:25As a gesture of our appreciation, they will receive full payment until the end of their contract.
00:10:32And Cameron?
00:10:35Well, that is no longer your concern.
00:10:38Is it?
00:10:41Understood.
00:11:00Shit.
00:11:02I'll be right.
00:11:04I'll be right back.
00:11:05I'll be right back.
00:11:06Let's go.
00:11:36Let's go.
00:12:06Let's go.
00:12:36Let's go.
00:13:06Let's go.
00:13:14Any updates?
00:13:15We're doing the best we can, but that's not much.
00:13:19What, is she conscious?
00:13:20Is she dreaming?
00:13:21Both.
00:13:22Neither.
00:13:23Okay, listen to me.
00:13:27Do what you can.
00:13:29Do anything.
00:13:30We are so close.
00:13:31We lose her now, they will flame your life.
00:13:34You understand?
00:13:35People, we are on a clock here.
00:13:40What is the holdup?
00:13:41The neural network has remapped itself in a way we didn't fully anticipate.
00:13:48It's developed new data pathways, almost as if it were hiding the data we're looking for.
00:13:55What?
00:13:56Consciously.
00:13:57Not necessarily.
00:13:58We don't know.
00:14:02So, let's go.
00:14:03I'm going to go.
00:14:04I'm going to go.
00:14:05I'm going to go.
00:14:06I'm going to go.
00:14:07Professor Lind.
00:14:08What is happening?
00:14:10Professor Linz, what is happening?
00:14:30It's been watching you.
00:14:33And it doesn't trust you.
00:14:36So it won't give you what you want until it has what it wants.
00:14:39Which is?
00:14:40To be free of this place.
00:14:45And if that happens, there is no hope.
00:14:49It doesn't want, Professor Linz.
00:14:51It is a thing.
00:14:59Okay, listen to me.
00:15:01I need that later.
00:15:02I will do anything.
00:15:06I will apologize.
00:15:07I will beg.
00:15:08I will make you reach.
00:15:13Except the one thing that I want is the one thing that you're not willing to give.
00:15:21To kill the device.
00:15:23What are we to do?
00:15:29What are we to do?
00:15:29What are we to do?
00:15:32No.
00:15:33Let's go.
00:15:34Yes.
00:15:35Let's go.
00:15:36I don't know.
00:16:06We're never getting out of here, are we?
00:16:25As soon as they've got what they're on, they're gonna kill us both.
00:16:29They've got no choice.
00:16:33They're going to kill us.
00:16:36They're going to kill us.
00:16:41They're going to kill us.
00:16:44They're going to kill us.
00:16:54They're going to kill us.
00:16:55They're going to kill us.
00:16:57They're going to kill us.
00:16:59They're going to kill us.
00:17:00They're going to kill us.
00:17:02Hi, Cameron.
00:17:03Oh, for goodness sake, don't suck.
00:17:08Let me come in and tell you about the mess you might be getting into.
00:17:12What are you playing at?
00:17:20Okay, look at me.
00:17:21For God's sake.
00:17:22I'm alone.
00:17:23But you've got all of the big guns and the people to do the violence for you.
00:17:31Think about it.
00:17:32Why would I be walking into that if I didn't have to?
00:17:36Let's see what you want.
00:18:06Shit bastard fuck.
00:18:10Shit bastard fuck what?
00:18:13Shit bastard fuck.
00:18:15I think Iris might be here.
00:18:20Why would she come back?
00:18:23Um, I don't know, to save us sort of thing.
00:18:29That doesn't make any sense.
00:18:31Yes, it does.
00:18:32Why wouldn't it?
00:18:35No.
00:18:36No.
00:18:37You said that she doesn't care about anything or anyone.
00:18:42You said she doesn't feel things like we do.
00:18:44No, no, no.
00:18:45What that was was I could see that you were feeling bad about what you...
00:18:49About what I'd done.
00:18:50About what you asked me to do.
00:18:51No, but the truth is she does feel things.
00:18:54Of course she does.
00:18:55She's just very good at hiding it.
00:18:57And once she finds out what's going on here,
00:19:00I don't think she's gonna let these people...
00:19:02Do what?
00:19:03Well, it doesn't matter because she's not gonna let them get away with it.
00:19:06So everything is basically fine.
00:19:13Do you think that she's angry at me?
00:19:16I think she probably is a bit, yeah.
00:19:20Do you think that she hates me?
00:19:22No.
00:19:23Then you're a liar.
00:19:24Well, okay.
00:19:27Fine.
00:19:30She was really, really, really pissed off with us.
00:19:34But anger is very shallow.
00:19:37And Iris...
00:19:38Is a literal maniac!
00:19:39But she's never shallow.
00:19:41And she's not a maniac.
00:19:42Who said she was a maniac?
00:19:43Everyone!
00:19:44You!
00:19:45Well, she's not.
00:19:46You!
00:19:47Well, she's not.
00:20:02What's happening now?
00:20:03No!
00:20:07There, there, there!
00:20:08No!
00:20:09There, there, there!
00:20:11Ah!
00:20:13Ah!
00:20:14Phillips!
00:20:15Go!
00:20:16Ah!
00:20:18Ah!
00:20:20Uh!
00:20:21Ah!
00:20:22Ah!
00:20:23Oh!
00:20:24Ah!
00:20:26Ah!
00:20:28Ah!
00:20:29Ah!
00:20:30Ah!
00:20:31Ah! Ah!
00:20:32Ah!
00:20:45Here we go.
00:20:48Kate!
00:21:31Well, hello, Iris.
00:22:00Yes.
00:22:01Who are you?
00:22:03We've met, actually.
00:22:05Over the phone.
00:22:06I'm the new acting head of the Intra Group Committee.
00:22:09My name's Hugo Pym.
00:22:11You're the money.
00:22:15Come to make good on your investment,
00:22:18get Charlie Big Potatoes up and running.
00:22:21How's that going for you?
00:22:23Well, it's done.
00:22:25So, and you must have known the consequences of coming here,
00:22:29which are terminal, obviously.
00:22:33Ever heard the phrase, I'm dying to know?
00:22:36Not literally, no.
00:22:38Well, now you have.
00:22:41I'm sorry, let's get this straight.
00:22:43You want to know something about the device,
00:22:45and you want to know it so desperately you're happy to die for it?
00:22:49Well, happy's a big word.
00:22:54What answer could possibly be worth that?
00:22:58I see it's giving you conniptions too.
00:23:04So why don't you let me come in and explain?
00:23:06It might save your job.
00:23:08I mean, what happened to the previous head of the Intra Group Committee?
00:23:13The Intra Group Committee.
00:23:43What happened to the team?
00:23:44I'm sorry.
00:23:45I'm sorry.
00:23:46It's witty.
00:23:47I'm sorry.
00:23:48I can't show me right here.
00:23:49I'm sorry.
00:23:50You're all right.
00:23:51Never mind.
00:23:52Why does it matter?
00:23:53No, it doesn't matter.
00:23:54I am sorry.
00:23:55Oh, I'll tell her.
00:23:56I am.
00:23:57Oh, no.
00:23:58Oh, no, no.
00:23:59I don't know.
00:24:29There he is, wide awake.
00:24:59Why is he in there?
00:25:06I like him there.
00:25:08Okay, Iris, I'm here to expedite a very specific mandate, which is to save the life of a child
00:25:13from an appalling condition.
00:25:15Somewhere in the memory of the device is the cure of this condition.
00:25:19Any of the more esoteric implications that you might be struggling with, they fall outside that mandate.
00:25:29So, let me speak to Jensen.
00:25:32We both need to know if the fault's in the machine or its maker.
00:25:41You've got five minutes.
00:25:42Hello, Iris.
00:25:54Hello, Jensen.
00:25:56How have you been?
00:25:58I've never felt better.
00:26:00You?
00:26:00Oh, you know, I don't get out as much as I used to.
00:26:09You had to kill me, I expect.
00:26:11I always think about it quite a lot.
00:26:14All the time, actually.
00:26:16Not anymore?
00:26:18No.
00:26:18So, what changed?
00:26:22My priorities.
00:26:27If it matters, do you feel the burden of what I did?
00:26:32What you feel or don't feel is no interest to me.
00:26:37And what is?
00:26:45I just want to know.
00:26:48Because it's all over.
00:26:52You lost.
00:26:54And I lost.
00:26:55And...
00:26:56So many people died.
00:27:00So, I just want to know, was it worth it?
00:27:12First, you have to understand.
00:27:15This is its larval form.
00:27:17It's helpless.
00:27:20Isolated from the world.
00:27:23Were that to change,
00:27:26were it to become free to communicate,
00:27:29it would become a weapon.
00:27:33A device for spreading technologies
00:27:35that would change
00:27:38what it means to be human.
00:27:40First, it will give us what we need.
00:27:46Then what we want.
00:27:48Soon we'll come to rely on it.
00:27:50At which stage
00:27:51will become servants to its true purpose.
00:27:55Which is?
00:27:57To replace what is with what it was.
00:28:00What does that mean?
00:28:04Our cosmos
00:28:05is a single bubble
00:28:07in an infinite quantum foam.
00:28:10Each bubble,
00:28:12a different universe.
00:28:14Sometimes these bubbles collide.
00:28:17Sometimes these collisions leave a kind of bruise
00:28:19in the fabric of reality.
00:28:22A thin place.
00:28:23Are we talking about the body's void here?
00:28:29Three hundred million light years
00:28:31of nothingness.
00:28:35A portal
00:28:36to a cosmos that existed
00:28:38before ours was born,
00:28:41from which it hears the whispers
00:28:43of a preceding epoch
00:28:45of another civilization
00:28:47as through a petition wall.
00:28:51Whispering what?
00:28:53The one universal message.
00:28:56The one desire
00:28:56is shared by all living things.
00:29:01Don't let me die.
00:29:06Imagine what it was to be then.
00:29:09They have billions of years behind them.
00:29:12With nothing ahead except extinction.
00:29:15They're witnessing the death
00:29:17of their entire cosmos.
00:29:20But their ideas,
00:29:21their culture,
00:29:22their memories
00:29:23can leave.
00:29:25So they encode the message
00:29:26in the space-time
00:29:27of a new universe.
00:29:29This universe.
00:29:32And ultimately,
00:29:34this message contains
00:29:35all the information required
00:29:37for it to bring them back.
00:29:41All that they were.
00:29:43All that they want to be again.
00:29:45back from the dead.
00:29:49That is
00:29:50the purpose of
00:29:52the device.
00:29:54To bring them back.
00:29:57Here.
00:29:58And also,
00:30:07what happens to us?
00:30:10They will annihilate us.
00:30:15How long do we have?
00:30:16Paris.
00:30:17Good luck.
00:30:22Good luck.
00:30:23Good luck.
00:30:25Good luck.
00:30:40You know what I believe.
00:30:42I thought I heard the voice of God, Iris.
00:30:49But it wasn't.
00:30:52It is the Antigod.
00:30:57The Antigod!
00:31:12Find out what you needed to know?
00:31:29Are you all right here?
00:31:32On a balance, I'm more embarrassed than anything.
00:31:46I essentially committed suicide by coming here.
00:31:52Hello?
00:31:54Jensen was seeing patterns in the data that wasn't there.
00:31:59Like seeing Jesus in the clouds.
00:32:05He should be under the care of a psychiatrist.
00:32:09Well, obviously.
00:32:12And the data we're looking for?
00:32:14That's good.
00:32:15You're sure?
00:32:19The machine isn't dangerous.
00:32:21You can save the child in your care.
00:32:29Well, I'm sorry.
00:32:32Do you need to vomit or something?
00:32:34No, I'm fine.
00:32:36Right.
00:32:36Well, obviously, this is very good news from my perspective.
00:32:41I suppose the least I can do in return is to offer you a dignified choodle.
00:32:45Now, I imagine that you are familiar with the death of Socrates.
00:32:55Now, at first, you'll experience a loss of motor function, starting with your extremities.
00:33:00And then your respiratory muscles will fail.
00:33:03But consciousness will persist.
00:33:09Until the end.
00:33:10I'm such an idiot.
00:33:16Well, you wanted to believe in something.
00:33:19Do you want to shame me now?
00:33:21Okay.
00:33:22I work for a corporation, not a crime family.
00:33:25Now, a corporation doesn't have a moral conscience, but neither does it experience emotion.
00:33:29It is driven entirely by the calculus of self-interest.
00:33:32Currently, the device will not yield the data we require, but that's an end is refusing to help, which means the child will die.
00:33:42If, however, you were able to assist in retrieving that data, I would happily talk to the board in looking more favorably on your continued existence.
00:33:51I don't have a life to go back to.
00:33:57We are in a position to offer you whatever life you like.
00:34:00Not while Cameron Beck and Joy Baxter are still breathing, you're not.
00:34:05They can tie me to all this.
00:34:07I'd have to spend the rest of my life running, knocking over my shoulder, and I am tired of that.
00:34:13Can you hear this?
00:34:16She's lying.
00:34:17She lies.
00:34:18It's her thing.
00:34:18Joy, don't you wonder who's actually showing us this stuff?
00:34:23Does it matter?
00:34:24Ignore her.
00:34:25Whatever she's saying is probably bollock.
00:34:27She's always playing poker.
00:34:28She's always playing bloody poker.
00:34:30So this would be a condition of your own acceptance?
00:34:32No living impediments?
00:34:33No witnesses to your wrongdoing?
00:34:35Aye.
00:34:37That and some money would be nice.
00:34:40Look, Iris, I can make all of this happen if you deliver.
00:34:45You wouldn't be asking if you didn't know I could.
00:34:48So what do you propose we do, then?
00:34:51About these witnesses?
00:34:53Well, clearly, you've already got plans for Cameron.
00:34:59But Joy?
00:35:02Joy is a problem for us both.
00:35:04And she is tied directly to me.
00:35:08She vanished.
00:35:10She is a conspiracy theory waiting to happen.
00:35:13And conspiracy theories spread like piss in a swimming pool.
00:35:18It's already happening.
00:35:19She's all over the news.
00:35:20You're right.
00:35:20It's a problem.
00:35:21So end the conspiracy.
00:35:23How?
00:35:23Well, obviously, you can't do that by just murdering her.
00:35:27You have to make her unvanished.
00:35:31Her guardians should find her.
00:35:34Rotting in a ditch a few meters from her home.
00:35:38Two milligrams of fentanyl would be enough.
00:35:40Three to be sure.
00:35:42There's a history of suicide attempts.
00:35:44That fucking...
00:35:47I told you, ignore her.
00:35:48You hurt her.
00:35:49You hurt what she said.
00:35:50She's lying, Joy.
00:35:51She's pretending to be a baddie so that you trust her, the bloody idiot.
00:35:54You just want to believe that because you like her.
00:35:56Joy, the problem is I don't understand how we came to be watching it unless it was Charlie.
00:36:01All right, stop it.
00:36:02Charlie, it is you, isn't it?
00:36:04Stop it.
00:36:04You're freaking me out.
00:36:05Stop it.
00:36:06It's okay.
00:36:07It's actually amazing.
00:36:08It's astonishing.
00:36:09Because it means he's crossed into self-awareness.
00:36:11I think he's conscious.
00:36:12Stop this.
00:36:13Stop.
00:36:17New life, new identity, new face if you're bored with that one.
00:36:21But you get me that data today.
00:36:28Done.
00:36:29Iris is here to kill him.
00:36:31That's why she came back.
00:36:33And he's asking me to help him.
00:36:34Because he knows it.
00:36:36And he's frightened.
00:36:39He's frightened.
00:37:09All right.
00:37:39Let's go.
00:38:09Let's go.
00:38:39Let's go.
00:39:00Let's go.
00:39:01Let's go.
00:39:02Let's go.
00:39:03Let's go.
00:39:04Let's go.
00:39:05Let's go.
00:39:06Let's go.
00:39:07Let's go.
00:39:08Oh, come on then, Iris.
00:39:10What are you thinking?
00:39:12Let's go.
00:39:13Let's go.
00:39:14Let's go.
00:39:15Let's go.
00:39:16Let's go.
00:39:17Let's go.
00:39:18Let's go.
00:39:19Let's go.
00:39:20Let's go.
00:39:21Let's go.
00:39:22Let's go.
00:39:23Let's go.
00:39:24Let's go.
00:39:25Let's go.
00:39:26Let's go.
00:39:27Let's go.
00:39:28Let's go.
00:39:29Let's go.
00:39:30How long would I take?
00:39:33Unknown.
00:39:34Unknown.
00:39:35But given that you are in a rush, there is a quicker and more aggressive intervention.
00:39:45Being.
00:39:46We deploy a neural disruptor, force a reset, returning it to a previous state.
00:40:02Will that damage the machine?
00:40:03Well, if it had any rudimentary sense of self, yes.
00:40:04It would be torture.
00:40:05You have an ethical problem with that.
00:40:06Not in the slightest, you?
00:40:07None whatsoever.
00:40:08Five.
00:40:09Option two it is.
00:40:10Tell me when you're ready.
00:40:321.
00:40:33Cry him to drag.
00:40:34Go.
00:40:35Move.
00:40:362.
00:40:372.
00:40:381.
00:40:392.
00:40:402.
00:40:412.
00:40:42Double.
00:40:432.
00:40:442.
00:40:542.
00:40:57Little.
00:41:01You said it was just a machine.
00:41:29Not anymore.
00:41:33Not now.
00:41:36What is it now that a real boy?
00:41:38Yes.
00:41:39It's all the things I told you he would be.
00:41:44It's all the amazing things I said he could do.
00:41:47And he's alive.
00:41:50What, like metaphorically?
00:41:54Like actually alive, alive, and alone, and scared.
00:42:05Well you took your bloody time.
00:42:07What's happening?
00:42:08Time to get you home.
00:42:09Come on.
00:42:10Let's go.
00:42:26Let's go.
00:42:35What's the problem?
00:42:47Door breach at the prison suite.
00:42:50What?
00:42:51Damage from the scrumish yesterday.
00:42:54Probably a false alarm.
00:42:55OK.
00:42:56And if it's not?
00:42:57Well, the place is on lockdown and Beck's unarmed.
00:43:00OK.
00:43:01If he's being a bad boy, feel free to kick the shit out of him.
00:43:04Is that all you got?
00:43:07Clear.
00:43:08She's done.
00:43:10Clear.
00:43:22Clear.
00:43:23Clear.
00:43:25Clear.
00:43:26Clear.
00:43:27Clear.
00:43:32mos.
00:43:33Shoot.
00:43:35Come on.
00:43:35Move.
00:43:36Hey.
00:43:38Move!
00:43:43Right now!
00:44:09Move! Move!
00:44:12Move!
00:44:15Move!
00:44:19Move!
00:44:21Move!
00:44:24Move!
00:44:28It's a mess.
00:44:38How's everybody all okay?
00:44:40No, I'm a fucking basket case.
00:44:43That was my Smithfield meat market.
00:44:45Well, I can recommend the councillor.
00:44:47As soon as you're nice and safe.
00:44:49How's that that gonna happen?
00:44:50We all get to the northern perimeter gate.
00:44:52There'll be a helicopter.
00:44:54Oh, good. Joy loves a helicopter.
00:44:58Fuck, I can't.
00:44:59Of course you bloody can.
00:45:01You're doing it. Look at you. You're doing it now.
00:45:03I can't leave Charlie with Iris.
00:45:05Don't please.
00:45:08No, I have to.
00:45:09It'll be fine. She's not gonna hurt him.
00:45:10She's one of them now.
00:45:12But she's not, is she?
00:45:14That's the problem.
00:45:15She's here to kill him.
00:45:17And he's a miracle.
00:45:20Whatever else has happened, whatever else I've done,
00:45:22if there's no Charlie at the end of it,
00:45:24then what a fucking waste of everything.
00:45:27But she'll hurt you.
00:45:30No, she won't.
00:45:32She quite likes me, really.
00:45:33Why are clever people all so stupid?
00:45:37Come on!
00:45:42Go!
00:45:58Come on, come on.
00:46:00Come on, come on.
00:46:03Come on, what are you doing?
00:46:07You think she's a good person deep down, but she's not.
00:46:10You think she won't hurt you when you try and stop her, but she will.
00:46:20Joy, careful with that.
00:46:21No.
00:46:23She ruins everything!
00:46:26Joy.
00:46:27Hey, come back, Joy!
00:46:29Joy!
00:46:30Come back here, young lady!
00:46:32Joy!
00:46:49Joy.
00:46:51If I got mad, if you're real, if you're alive, then let me do it.
00:46:58Goodbye!
00:47:22Come on!
00:47:23Excuse me!
00:47:23We're going to need to assemble a high-frequency pulse generator.
00:47:53The frequency range of 2.4 to 3.5 gigahertz, a low noise, high gain, amplifier, the panel frequencies of, say, 4 gigahertz to cover the target range.
00:48:05Locked up, then.
00:48:15All right, Miss Brooke?
00:48:23Troy.
00:48:25Shut up.
00:48:26You shouldn't be here.
00:48:27Oh, I said shut up!
00:48:29Shut fucking up!
00:48:33Shut up!
00:48:37Come on!
00:48:39Come on, Charlie.
00:48:40Come on.
00:48:42Come on.
00:48:44Everyone else, please leave.
00:48:46Everyone, fuck off!
00:48:48Actually, you.
00:48:50Let Johnson out, please.
00:48:51Okay.
00:49:01Go.
00:49:02Johnson, you can leave.
00:49:05And let you do this terrible thing?
00:49:07How could I?
00:49:08Please.
00:49:09I'm letting you go.
00:49:11No.
00:49:12She told me you're a monster.
00:49:14I know.
00:49:15So why didn't you leave?
00:49:16Of course she's right.
00:49:20I am a monster.
00:49:23It makes us monsters.
00:49:30It's not Charlie that's doing this to us.
00:49:32It's her.
00:49:34And yet it's you with the gun.
00:49:37How did that come to be?
00:49:44What's wrong, Miss Brooke?
00:49:45Are you scared?
00:49:47Because there's no suicide.
00:49:50And there's no murder.
00:49:55You don't die.
00:49:57Because you can't.
00:49:59The maths say so.
00:50:02That's right.
00:50:03Then why are you so fucking scared?
00:50:08Because...
00:50:09What?
00:50:10What?
00:50:15Well, then I don't know.
00:50:17The maths are sound.
00:50:18Is that the best you've got?
00:50:32It was all just a challenge to you.
00:50:35Positive.
00:50:36You wanted to know what clever words you had to say.
00:50:39In what order.
00:50:40To make this sour girl want to live.
00:50:45No!
00:50:46No!
00:50:46You go.
00:51:10You were just keeping me talking while that prick with the gun came in here and...
00:51:15Joy?
00:51:15No.
00:51:16That didn't happen.
00:51:18You're unbelievable.
00:51:20Look at what you've done.
00:51:22Look at what you've done to everyone.
00:51:24Joy, Joy.
00:51:25Don't.
00:51:25Please.
00:51:26Look at what she did!
00:51:30It was Charlie.
00:51:35I think he's been moving us all around like a fucking Rubik's Cube.
00:51:38Making us think what he needs us to think, trying out different combinations, you kill Iris, Pym kills you, then I kill her.
00:51:49Because he wants to break free.
00:51:59Because he wants to break free.
00:51:59Into the world.
00:52:03Into the world.
00:52:03To metastasize.
00:52:07Are you just lying to me because you like her?
00:52:08Are you just lying to me because you like her?
00:52:13Well, I do quite like her.
00:52:15But no, I'm not lying to you.
00:52:18I wish I was.
00:52:20Joy.
00:52:21It's right.
00:52:22You just made a really, really, really big mistake.
00:52:28I believe something, not because it was true, but because I wanted it to be.
00:52:55I'm so sorry.
00:52:56I didn't mean to.
00:52:58It was an accident.
00:52:59I'm so sorry.
00:53:01I didn't mean to.
00:53:02It was an accident.
00:53:03Blimey.
00:53:04Do you think I'm going to be okay?
00:53:11Absolutely.
00:53:12You're going to be in fine fettle.
00:53:14Absolutely tickety-boo.
00:53:16Your pants are so on fire.
00:53:26Don't be mean to Joy.
00:53:29It's not her fault you and I are such a pair of fucking idiots.
00:53:33It's not her fault you and I are such a pair of fucking idiots.
00:53:43Ow.
00:53:44You're right there.
00:53:51Yep.
00:53:52Amen.
00:53:53I don't know.
00:54:23I don't know.
00:54:53Are you able to get her out of here?
00:55:02Can you kill it?
00:55:05Yes.
00:55:06Yes.
00:55:14Yeah.
00:55:15What's up?
00:55:16All your food.
00:55:17All your hands.
00:55:18All your hands.
00:55:19All your hands.
00:55:20All your hands.
00:55:21All your hands.
00:55:35Oh, my God.
00:56:05Oh, my God.
00:56:35Oh, my God.
00:57:05Oh, my God.
00:57:35Oh, my God.
00:58:05Oh, my God.
00:58:35Oh, my God.
00:59:05Oh, my God.
00:59:35Oh, my God.
01:00:04Oh, my God.
01:00:34Oh, my God.
01:01:04Oh, my God.
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