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00:00You
00:10Previously on Talamasker
00:13What the hell is that something very important has gone missing. It's called 752. It doesn't exist
00:19This is what Soledad ditched the night she died encryption next-level shit ancient vampire blood more valuable than anything
00:28Have you seen these trainers?
00:30Someone cares about you. You know, I don't know what you're talking about. Do not worry my dude between the two of us
00:36I'm sure we can figure it out
00:58I
01:16Don't think I like being here without her don't worry love you're not staying in this place much longer
01:23You get to go on a train ride soon
01:28I
01:51Sorry no fruit nut just plain old dairy milk
01:58So
02:02What color loafers was the man in 9c wearing?
02:05Blue suede left one had a scuffed toe
02:08Where are we going?
02:10Oh somewhere special
02:12Do they have fruity nuts there?
02:14They have anything you want
02:16What about coca-cola?
02:18What about coca-cola?
02:20Bathtubs full of it
02:22Pineapple?
02:23Pineapple?
02:24You got a pineapple coming out of your ears
02:28When will they bring my sister?
02:30When will they bring my sister?
02:32Emma, do you know what I was wondering?
02:40I was wondering how many steps it was from our taxi to the train platform
02:44Depends
02:46Depends
02:48466 for me
02:50But you'd hit longer strides so you were 327
02:52I'm sure you're right
02:54What do I do when I get to the new place?
02:56Not more tests
02:58No, no, we're done with tests
03:00No, you'll be doing something
03:02Much more important
03:04No, no, we're done with tests
03:06No, no, we're done with tests
03:08No, you'll be doing something
03:10Much more important
03:34So
03:46lijk
03:50но
04:04Come on.
04:32Come on.
04:34Come on.
04:44Just tell me who she is.
04:52Why do you care so much about some freaking girl?
04:55I don't.
04:56I care about my book.
04:58And I care when someone gets between it and me.
05:02You know what? I'm done. You want your stupid book? Go get it yourself.
05:06You're just using me.
05:08You know you're right.
05:14Sometimes I do use people.
05:16We all do though, don't we?
05:18Just a matter of degree.
05:20There are things I want.
05:24A life outside the shadows.
05:26Some fucking respect.
05:28Dignity.
05:30And I tend to see talented people around me as tools to get those things.
05:35I obsess.
05:37I strategize.
05:38But there is one thing that I do not do.
05:41I do not lie.
05:43And I cannot stand it when someone lies to me.
06:11And I cannot stand it when somebody is or not.
06:12But I can't stand it if I am.
06:13You should have to wake them up in a world.
06:14I do not know who you are.
06:15Make me move.
06:16I do not know who you are.
06:17who the hell do you think you are let me go you child huh you think it could come into my world
06:44and cost me in the ditch i don't know what you think happened with her you don't want things
06:49the way i want things you can't you haven't been alive long enough you've bought me i walked from
06:55bolivia to texas i had nothing i had no one i've told you how determined i am i've shown you what
07:02i'm building down here you know what i want to destroy but you don't take me of my word
07:06instead you try to get in my head and move around yeah
07:14i thought you're trying to read my mind since we left the hotel you think you're smooth
07:20think you got moves you have no moves i have all the moves
07:26say it say what you know what see unlike you i'm really good at this and i've been bopping
07:42around your porridge bowl all night and you got stuff locked up tight like does the girl
07:47have my fucking book but it's the primal shit that you just cannot hide so go ahead say
07:55what you're thinking
07:57say it
08:01say it
08:05i don't want to die
08:08what
08:10i don't want to die
08:17well you're not gonna die
08:24i'm gonna give you purpose
08:36no please no man you know for a moment i actually thought you were different
08:56but you're exactly what the telemasker ropes in
09:01the same kind of venal turncoat who got my family killed start digging
09:05fuck you
09:09so if i feed you to them i'm gonna do it a little at a time
09:20keep you in a hole as their snack
09:22forever and trust me it's painful and smelly and it'll drive you to a madness that you cannot
09:29possibly fathom far worse than what that poor soul in the hotel was going through
09:34and way worse than becoming one of them i mean sure it's no picnic but listen to those crazy
09:39fuckers they're pumped they have enthusiasm they got purpose
09:44you really want to know who the girl is
09:49okay
09:52i'll tell you
09:53i don't
09:55know
09:55i've been trying to figure it out just like you
10:00and that's the goddamn truth
10:02doesn't matter
10:03dig
10:04go to hell
10:06oh we're already there baby
10:08hey
10:16hey
10:18yeah
10:22hey
10:30hey
10:31hey
10:32hey
10:37Let's go.
11:07Come on.
11:08Come on.
11:18Run.
11:37Come on.
11:38Come on.
11:39Come on.
11:40Come on.
11:41Come on.
11:42Come on.
11:47The door!
11:49Oh, no.
11:50Don't do it!
11:52Whoa!
12:05Hold on!
12:20Holy shit, what the fuck was that?
12:41Who are you?
12:45Uh, I'm the girl who just saved your life twice.
12:48So, you're welcome.
12:51Hey, why do you keep following me?
12:54Don't flatter yourself.
12:58Look, even though you have your doubts, I'm pretty sure he's the one who had Kevis killed.
13:05Jasper?
13:06Yeah.
13:10You think he's dead?
13:11No, I doubt it.
13:14We need to ditch this van and then get lost, really lost.
13:17We.
13:18We, yes, we.
13:23So what?
13:25Like the countryside?
13:27No.
13:28Jasper has all the resources of London Motherhouse.
13:30It's only a matter of time before he finds us.
13:33We can't go anywhere in England.
13:35So what does that mean?
13:41Reconstructive plastic surgery.
13:42Sandpaper, our fingerprints off.
13:52Are you okay?
13:53I mean, yeah.
14:00Okay, well, we've got to leave the country.
14:03Yeah.
14:03You think they made a veil coven will help us?
14:08No, no, no, no, no.
14:09I don't want them.
14:11They're way too wrapped up in all this.
14:15Have you got anyone that you can really trust?
14:21Yeah, maybe.
14:21There's a rule against that in the employee handbook.
14:32Where in?
14:33You've actually checked, haven't you?
14:36It was so important, I couldn't wait until morning.
14:39It looks the same as before.
14:41It is.
14:42I'm running a brute force script.
14:44Could take days, months, centuries, I don't know.
14:48Whatever it is, it's important enough that it got Soledad Marcel killed.
14:53But that's not why I called.
14:56Mm-hmm.
14:57Ta-da.
15:00Tell a lot about a man by his shoes.
15:07I'll remember the yellow trainers.
15:08Mm-hmm.
15:10Tweaked some facial recognition code to search raw camera feeds for his kicks.
15:15Et voilà .
15:16You're brilliant.
15:16Well, it seems almost unfair for a man.
15:20I'm so handsome.
15:22At least you've got healthy gums.
15:25It's the lab.
15:27DNA match for a third person at the scene.
15:31What, at Hepworth Lane?
15:32Our murder sue-y?
15:34It's safe to call it a double murder now.
15:37We're keyed directly into the city's CCTV network.
15:40I have an entire team scraping and searching the footage in real time.
15:44We're inside the service at Passport Control and have agents at Heathrow and Gatwick and all major rail stations.
15:52Owen, is something bothering you?
15:54No.
15:56No.
15:57No?
15:59Are you sure?
16:02Then why won't you look at me?
16:03I'd hate to think I was offending your delicate British sensibilities.
16:13We'll find them.
16:14I promise you.
16:16May take a little time, that's all.
16:18They set me on fire, Owen, so I'd kind of prefer to find them right the fuck now.
16:23Of course.
16:24But even with all of our capabilities, tracking two people in a city of nine million,
16:30it's like trying to hear a whisper in a hurricane.
16:34Well, I might know a little butterfly who can cut through all the noise.
16:38I'll be right back.
17:06Make it quick.
17:08You are not going to believe this.
17:38You are not going to believe this.
17:40You are not going to believe this.
17:41You are not going to believe this.
17:45You are not going to believe this.
17:46You are not going to believe this.
17:47You are not going to believe this.
17:48You are not going to believe this.
17:49You are not going to believe this.
17:50You are not going to believe this.
17:51You are not going to believe this.
17:52You are not going to believe this.
17:53You are not going to believe this.
17:54You are not going to believe this.
17:55You are not going to believe this.
17:56You are not going to believe this.
17:57Straight on down, third door on the right.
18:27Put a coin in the slot.
18:47Can we go and talk?
18:48We're talking here.
18:49This isn't how we do things.
18:52I need to know what's happening.
18:53This is exactly how you do things.
18:55You put people in the dark and you keep them there.
18:58We contact you.
18:59That is the protocol.
19:00You didn't respond.
19:01We're a long way from protocol, Helen.
19:03I need an exfiltration pack, ASAP, cash, passport, airline tickets.
19:07I'm out of the country by the end of the day.
19:09This is ridiculous.
19:10I'm not doing this.
19:11Sit down.
19:14Sit down.
19:25I need you.
19:30I need your help and you're going to give it to me.
19:34I did everything that you asked.
19:36I went to the mother house.
19:38I got close to Jasper, so close I almost got killed.
19:41And now I'm in a lot of danger.
19:42And I need to leave England and you're the only person that can help me do that.
19:47What about our mission?
19:52What mission?
19:55There is no mission.
19:58There are bigger forces at play that you could possibly understand, Guy.
20:02I'm burned, Helen.
20:04It isn't about you.
20:05But it is about me.
20:08Right now, it is.
20:12And you know it.
20:15And I know there's an empty space inside of you.
20:20I know there's a wound that has never really healed.
20:23I can feel it.
20:24Trust me.
20:26And I don't know exactly what that is, but I do know that you care about me.
20:30And then it's hard for you to show that because if you do, it might compromise what we're doing.
20:35It might get me hurt and you don't want that, do you?
20:43No.
20:44Then don't rip open a new wound right alongside your old one.
20:49If you don't help me, Helen.
20:50If you won't help me, I'm dead.
21:00I can't do it.
21:15The mission's off the books, isn't it?
21:22Yes.
21:23yes and i'm off the books aren't i yes and you're looking for something aren't you
21:33something more than just the book yes something very personal
21:44and the telemaster elders they wouldn't be too happy if they found out about that now would they
21:54if you help me get out of here i promise i'll do whatever it takes to help you find what it is
21:58you're looking for i promise you you need me and we both know that
22:10no more freelancing no more bucking protocol i get you out if you do exactly as i say
22:16i promise i'll need a date to pull materials together you must stay quiet until then use
22:22the safe house you'll be out of harm's way why is my mom a fugitive what did she do to
22:28piss off the telemaster now is not the moment to irritate me guy
22:36okay one more thing i need two exit packs i'm getting out of here and i'm taking someone with
22:42me who doris you don't know her oh for god's sake yeah well she helped me helen
22:51she helped me and now i'm gonna help her very well have it your way
22:58i have a plan come on take only what's necessary leave everything else behind let us help you
23:09tell me where you're going doris
23:11it's for your own good
23:19you'll each need a passport photo and an alias
23:32leave the photos for my associate in lansdowne road there's a sunday reporter box tuck the photos in
23:38at knee level
23:44go directly to the safe house there's everything you need there's food and a change of clothes
23:50once you are there do not set foot outside until nightfall the day after tomorrow
23:55we'll meet at waterloo station platform nine at eight o'clock sure about this
24:01oh but it's what we got
24:17hey jerry hey are you alone yeah something's popped up on my radar and i wasn't sure if i should
24:24you know it's sensitive and it could be nothing please don't tell me this is about helen
24:31olive we've got a serious problem with her i i just can't make sense of what i'm looking at
24:37i think i need some help here are you there olive
24:41who is that jay jay
24:55it was a background check on that sector agent in parma he checks out there's nothing out of the ordinary
25:01guy's in trouble we need to get him out of the country where is he he's been laying low and made
25:11a veil with the witches on the houseboat yes come on let's go
25:31what is this place
25:55it's a telemasker safe house
26:01why exactly do you believe this woman i mean maybe she will help you it's a big maybe but why
26:12on earth would she go out of her way to help me because she promised me that she would what kind of
26:17promises do you think she made to someone like soledad marcel i don't know i have no idea what exactly
26:22happened to soledad marcel and neither do you what if she was fed to jasper by your helen what if
26:31your helen is a mole i mean that's the thing with the telemasker you'll never know where you stand with
26:35them or how they're using you i don't trust the telemasker no but you trust her someone who's always hiding
26:45you're not exactly an open book yourself oh i never said you should trust me
26:56why did you join the telemask in the first place
27:07okay so i'm in the third grade uh miss rosewood's class uh times tables and i was having a hard
27:18time remembering six times eight and she kept saying six times eight is 48 and ain't that great
27:25and then she'd do this big exaggerated wink at me like uh and it was really dumb and it didn't help
27:31me at all but i had this massive crush on her and so she keeps doing that six times eight it's 48
27:38and i'm standing there and i'm watching her and then the principal walks in
27:44and there was like this charge in the room and he whispered something to her
27:49and i just remember she turned and she looked right at me
28:02and it was a look i hadn't seen before not on anybody
28:08it was as if all the color in my world was about to leave and
28:12she was the first person to know about it
28:18and i just knew before only one had told me that my mom was dead
28:30i didn't have anyone else so i was sent to live with foster parents and i was um
28:35hot it's cold
28:51and all these years later
28:54i meet helen and she tells me that
28:58my mother had actually been a telemasker agent and that story that she had died it was a lie made
29:07up by the telemasker she didn't die she just
29:13she just did something to piss him off
29:17what i don't know all i know is that she's still alive and that she's been in hiding from them ever
29:23since that day when i was nine
29:27so that's why you joined
29:30yeah
29:34to find her
29:39so the whole mortals versus immortals
29:42good versus bad um future of the world i was meant to be starting a job in contract law
29:54you know i resented her
29:58all my life
30:01since i was a kid i've been told that she was a junkie that she was
30:07irresponsible and selfish and that she hadn't given a about me
30:14that's one thing to find out that that isn't true but for her
30:17she's been out there all these years knowing that her son felt abandoned
30:23can you imagine what that's like for a mother to feel that
30:29no
30:30so if there's a chance i mean even a small chance that i can get her out of trouble
30:39i'd go to the end of the earth to do it
30:43what was her name
30:45anna
30:46anna
30:50amna
30:52amna
30:58amna
31:04with cities and good nations
31:07and my liking
31:08and everyone was happy
31:13as could be
31:15I ringed up the town
31:19and I called it jubilee
31:22no one called a plan
31:25not one man
31:27who sees a great
31:30in jubilee
31:33we found them
31:44we'll move in after sundown
31:48well plenty of clothes
31:53I don't know what we're supposed to do
31:56in two days
31:57I don't know what we're supposed to do
32:09I don't know what we're supposed to do
32:11jackpot
32:26jackpot
32:30hmm
32:47yeah
32:48I'd say you look like a james
32:50you look nothing like a julia
32:55what was the first name that came to mind
32:58okay so
32:58see you get stopped by a border agent
33:01what's julia's backstory
33:04well she's a dodgy one actually
33:07she
33:08followed a childhood passion for herpetology
33:12herpetology
33:13come on
33:15it's the study of reptiles
33:16anyway she falls madly in love
33:21with her hard driving thesis advisor
33:23who was this brazilian hunk
33:26who would seduce her
33:28with his long-winded monologues
33:30about the amazonian boa constrictor
33:33until she found out that he was as cold-blooded
33:38as the animals he claimed to love
33:40and so
33:41she is off to
33:43yorkshire
33:44to start up a lizard sanctuary
33:46very good
33:48what about our man james
33:50james
33:51well
33:53you've heard about his um
33:57father the famous anchovy fisherman
34:00fitzgerald macarthur
34:01oh of course
34:02i'm an adult
34:03of course
34:03and his um
34:04one-legged second wife cora
34:06the salty dog
34:08cheated on him with that intercontinental balloonist
34:10oh
34:11chester oklahoma
34:13chester oklahoma
34:14right
34:14and how uh
34:16fitzgerald was so despondent
34:17that he threw himself into the uh
34:19the blowhole of a passing sperm whale
34:21leaving his young son james
34:23to
34:24ply his father's trade
34:25trolling
34:27the lonely seas
34:28to farm the one friend he ever had
34:30the humble anchovy
34:32oh
34:33now here he is
34:35roaming the countryside
34:37in search of this
34:39woman
34:40who started up a
34:42uh
34:43lizard sanctuary
34:45i win
34:59so
35:02what now
35:04well
35:05if we go to new york
35:06um
35:07we could try out there
35:09but
35:09they might be looking for us
35:10so
35:11might be easier for us to get lost upstate
35:14uh
35:14or we can go
35:15west coast
35:16california maybe
35:18have you heard of big sir
35:20guy
35:20it's supposed to be beautiful there
35:21i meant for the rest of today
35:23i can't do another board game
35:26i
35:27we should probably get some rest
35:33we should probably get some rest
35:33what
35:53nothing
35:54free face tattoo
36:13free face tattoo
36:15Oh, God.
36:45Nothing yet, huh?
37:00Should go home, get some sleep.
37:06Keeps me out of trouble.
37:09At least take a break.
37:12Maybe they may buy you some food and a pint.
37:18Look how I've starved.
37:21Well, I wouldn't turn my nose up at a little nibble, I guess.
37:42Let's go.
37:54Let's go.
37:58Let's go.
38:10Let's go.
38:14Let's go.
38:30Hey, Mom.
38:55You're hiding something from me.
39:04Let's go.
39:13Let's go.
39:17Let's go.
39:18Let's go.
39:19Let's go.
39:20Let's go.
39:22Let's go.
39:24Let's go.
39:29Let's go.
39:32Let's go.
40:34This is what happens when people get close to me.
40:36Did you just tell me the truth?
40:38We can't trust Helen anymore.
40:40They're gonna try and flee.
40:43Who are you?
40:49I think I know where your mother is.
40:50Just tell me who she is.
41:00Why do you care so much about some freaking girl?
41:02I don't.
41:03I care about my book.
41:05And I care when someone gets between it and me.
41:09Why do you care so much about some of the things that I can't do with you?
41:13Why do you care so much about some of the things that I can't do with you?
41:15In episode five, what we very quickly come to find out is that Jasper has some plans for Guy.
41:21You think you're smooth?
41:24Think you got moves?
41:25You have no moves.
41:26I have all the moves.
41:30Now Guy has really crossed the line with Jasper.
41:33And Jasper lets him know it.
41:35I'm scared of Jasper.
41:36I'm scared of Bill Fickner.
41:39Let's be real.
41:43It was important for us to set this scene in the basement.
41:46It's a place that we've only seen in which these horrible animals are either made or kept.
41:52Now we're in Revenant's world.
41:54We really are in Revenant's world at the start of episode five.
41:57Yeah, we're down on this freezing floor in a basement.
42:00I'm like, couldn't we do this on a soundstage with a heater?
42:03Can I get a latte?
42:05Start digging.
42:06Yeah, the cages really do work.
42:12I have a big lever, which Nick keeps teasing me.
42:15He goes, you really like playing with that thing?
42:16And I'm like, listen to the sound on it.
42:19I said, listen, take that piece off the set and give it to me as a wrap gift so I can put it in my garage at home.
42:25And I'll just lift it up and things will happen.
42:29When Guy gets in deep trouble with Jasper over what's happened at the hotel and the fact that he's been keeping stuff from Jasper,
42:36Doris jumps in to save him.
42:41When I read it, I was like, yeah, go on, Doris.
42:43I shot the fire myself, but not at Bill.
42:46They had Bill here, a green screen here.
42:48So he shot his reaction to me throwing the flame.
42:52Then they removed the green screen and shot me shooting the flame out of the aerosol.
42:56And then they combined the two images together so it will look like I am shooting the flame at Bill.
43:02But in fact, I'm not.
43:04We're watching Jasper set on fire done by the stuntman Ben, who is...
43:08That looks so real.
43:09This part here is amazing.
43:11I mean, it is real.
43:12Action, Alex!
43:13He's got protection and stuff, but he is really on fire.
43:17I've gone through my storyboards, and what I want to do here is that as he goes up into flames,
43:21he carries on pushing away Doris until he pushes her down the stairs.
43:26She's going to fall down, and then he's going to get hit.
43:29He's going to go down.
43:32So it's a super dynamic, exciting shot.
43:34And at the end, the revenants are going to go from those cages,
43:37charging around this corner to follow.
43:40So, yeah, it's super dynamic.
43:42It's all shot in little bits, but in the edit, it all comes together
43:44in a gorgeous conflagration of delight.
43:47On the next day, we had me and Guy running to the car,
43:51all the revenants climbing onto the car.
43:54It is a big action sequence, and I think it's a lot of fun and violent.
43:58Both the capture and escape of Guy and Doris from Jasper and the revenants
44:04is a real crescendo to this great series.
44:07The action really comes out in full effect.
44:11Put a coin in the slot.
44:14I really loved that scene at Cupid's Era
44:19where we were playing in the peep show between Helen and Guy.
44:22If you don't help me, Helen, if you won't help me, I'm dead.
44:27I think at that point, Helen's ambivalence about the telemasker
44:32has so chipped away at her inner resolve
44:35that she is particularly vulnerable to turning.
44:39And I love the way the scene is written
44:42because Guy has reached a point of maturation
44:46where he's now calling the shots.
44:49He knows that she's looking for her sister,
44:51and he knows that the 752 may be the answer for her,
44:55and so he's got an upper hand here.
44:57Sure about this?
44:59No, but it's what we got.
45:01Doris is immediately skeptical of going into the safe house from the start.
45:06I think she thinks this is potentially perilous.
45:08But the two find themselves in this place overnight there,
45:11and all they have is each other.
45:13Guy and Doris have bonded together and attached to the hip a little bit,
45:18even though they're still wary of one another.
45:20It kind of feels like an oasis,
45:22a slower pace than the rest of the show.
45:24It was nice because the characters felt very vulnerable
45:27and like two kids.
45:33I win.
45:34We think that the revenants are coming for Guy and Doris,
45:42hopefully up until the last second,
45:43in which we find out that that's not where they're headed.
45:48We had four or five kills on the boat,
45:51but timed out so that as the revenant landed on the roof,
45:53it goes with her, flying through the air,
45:55lands the roof, comes down into the first window,
45:58and we see someone getting their neck eaten,
46:00and then we see someone get slashed across the throat.
46:02So we had, in the four windows,
46:04we had a kill in each window.
46:07I knew that Olive was a mole pretty early on.
46:10I was like, fantastic, of course she is.
46:12It makes total sense.
46:13She is here for the bigger picture.
46:14What is going to get me to the 752?
46:17And that's Jasper.
46:18And Jasper is alive,
46:20but he's been burned by them,
46:22and now he's got a renewed sense of vengeance
46:24to come after them in episode six.
46:43And he's got a man.
47:00He's got a man.
47:01He's got a man.
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