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00:00Previously on Talamasca.
00:17You're going to use a 752 to bring down the Talamasca?
00:19Once and for all.
00:20Are you even sure you know what you're looking for?
00:22I need two exit packs.
00:24I'm getting out of here and I'm taking someone with me.
00:26Who?
00:26Doris, you don't know her.
00:27You'll need a passport photo and an alias.
00:29Your mother's been in hiding 16 years now.
00:32What's it going to take for her to come out into the light?
00:34You're looking for something like it.
00:36Something more than just a book.
00:37I need you to find someone for me.
00:40My sister is all I have.
00:42I'll do anything to find her.
00:43Do you understand?
00:55Oh, come on.
00:57You're taking a business.
00:59You and I both know that's not who they really are.
01:02These are con artists.
01:04Grifters.
01:05How can you say that?
01:06They're helping people.
01:07Where are we going?
01:08Helping groupies into the back of their disease-ridden limos is who they're helping.
01:13I mean, we are the world?
01:15More like you're a bunch of coked-up pop stars who can't even sing on...
01:18What are we doing down here?
01:20Why won't the deputy minister see me in his office?
01:22Deputy minister?
01:25Oh, you're way past him, mate.
01:27Away past him.
01:29Well, here we are.
01:34Good luck.
01:35Who are you?
01:56My name is Haussmann.
02:02Do you know why you're here?
02:07Well, it has come to our attention that you murdered two vampires in Marseille last week.
02:14Your wife and her lover.
02:18They had it coming.
02:20Oh, I'm sure they did.
02:22Codney act.
02:23Jealousy.
02:24Rage.
02:26Et cetera, et cetera.
02:27And I'm sure the surviving members of the coven will be forgiving about the entire business.
02:34I can hardly wait to discuss it with them.
02:38There's no reason to do that.
02:40Oh, on the contrary.
02:42There is every reason.
02:45It's the Talamasker's bread and butter.
02:48It's what we do.
02:50You brought me all the way here just to tell me that.
02:54Oh, no, no, no.
02:55Now, I brought you here to demonstrate our vast benevolence, to offer you a way out.
03:25What the hell is this?
03:29I think you see what it is.
03:32You want me to kill her?
03:35Kill her?
03:37Please.
03:39I'm not a monster.
03:41Why me?
03:42Because you are just good enough, and no better.
03:52This is against everything my kind believes.
04:01It isn't who we are.
04:03Who you are is a murderer in a tight spot.
04:13Something for something, my friend.
04:18Quid pro quo.
04:20You don't know me.
04:21So I don't know.
04:22You are the one more.
04:29Holy.
04:30Oh, your hair.
04:31You are the one.
04:33Let .
04:41Oh, my God.
04:42What happened?
04:47Transcription by CastingWords
05:17CastingWords
05:47CastingWords
06:17CastingWords
06:47Where is it?
07:11Come on. It's not here.
07:17All right, just this thing.
07:29Cheers. What are you doing?
07:32Leaving. Just like that?
07:35Yes.
07:38I don't want you to get hurt.
07:40We can't just run off together.
07:43Why not? Guy.
07:46It has occurred on a houseboat here at the Maida Vale Canal.
07:49As you can see, multiple metropolitan police units are on the scene
07:53and have walked off the surrounding area.
07:55Horace?
08:02Woo!
08:05You've got to be kidding me.
08:18Ridge, for Christ's sake. Did they call you on this?
08:23I heard it from dispatch.
08:24Yeah, that's what I thought.
08:26Half was spouting off around the station last night.
08:30You went around and won that DNA from Epworth Lane.
08:33You ain't happy.
08:34Is he ever happy?
08:35He's your boss, ain't he?
08:37Do yourself a favor, stick to your knitting for a couple of days.
08:40Come on, Marty. I just want to look around.
08:43You might regret that.
08:45Looks like some dogs or something got in there.
08:48It's a real mess.
08:50Let the leads at first crack before you go shoving your nose in.
08:56Give them an hour or two, yeah?
08:58If he's been alive, you mean that that's good.
09:00He's inside.
09:01I like the area.
09:02We're going to move it.
09:03We're going to move it.
09:04I'm way to get it there.
09:05We're going to move it, please.
09:06Move it.
09:07Move it.
09:08Move it.
09:09Move it.
09:10Move it.
09:12Move it.
09:20Move it.
09:21Move it.
09:23Move it.
09:24Move it.
09:26Move it.
09:27Move it.
09:28It should have been me.
09:32What the hell are you talking about?
09:34This is what happens when people get close to me.
09:37First Kevis.
09:39Now the witches.
09:41Hey!
09:46I need you both to come with me.
09:50Now.
09:58Hey! Leave it!
10:14Hey! Leave it!
10:28This is fucking bullshit.
10:38On what basis are you taking us in?
10:40Save your breath.
10:41No, seriously.
10:42We'll take it down word for word at the station.
10:45Really?
10:46In you go.
10:51This way.
10:58Thisķøely had been a wrap.
11:06It was called a bomb.
11:08The first thing about kids in school is not a bomb.
11:12Had to do it have to do it.
11:14It's a bomb here, my friend!
11:16I'm done.
11:21I've been doing this since 12 ģģ been released
11:23that a big time now.
11:25may i help you i'm here to see dr jameson oh oh i'm sorry there's no one here by that name
11:37oh cute dr melville then my white whale i'm here from amsterdam i didn't receive any call
11:45from amsterdam of course you didn't this is that call we can get on the horn and rouse an elder at
11:51headquarters if you prefer but i guarantee by the end of that conversation you'll be on your way to
11:55cleaning bedpans at the field clinic in winnipeg let her in patricia
12:01and then there's one of you following the man who wound up dead
12:21next to kevis papadoris
12:23and kevis well our best friend that's you lives on a houseboat and made a veil
12:30same houseboat which happens to be the scene of a mass murder
12:36same houseboat i found the two of you looking down at this morning just hours after the crime
12:42never seen those trainers before in your life hey
12:46it's been a long time some tea please patricia can we get you anything no thank you why don't you
12:58have a seat and we can talk what a good idea it's all circumstantial everything you're saying i don't
13:04know anything about any of these murders and neither does doris and all i'm hearing is coincidences
13:10and guesses but not a shred of forensic evidence that ties either of us to a crime forensic evidence
13:15perhaps not but photographic evidence
13:19well who's this
13:23no idea
13:25no idea
13:27i'm sorry
13:29it doesn't ring a bell
13:31ding ding ding
13:47tell me what happened to my sister
13:49i don't know
13:51i haven't known for years
13:53they kicked me out of the program once my utility had been exhausted
13:59just like the telemasqueray use you for what they need and then toss you aside
14:06what was the program for what did you want with emma
14:11i suppose you have a right to know
14:14you can have five more photos like this or five thousand it wouldn't matter
14:23clever clogs what's that mean it means that we don't have to explain these pictures
14:29or who we're friends with or how we like our eggs because the law presumes that we didn't do a damn
14:35thing but hey if you think that you've got enough evidence here to convince a jury to convict us of
14:40murder based on some blurry pictures of me kind of sort of maybe in the same vicinity as this lady
14:46i mean best of luck
14:52the program was created to identify children of outsized talent
14:56your sister proved to be the most talented of all
14:59because of her memory yes it was extraordinary unnatural
15:06you could ask her how many bricks there were in a building she'd walked past two days before
15:10or the precise weather for any day of her life she was always right she could remember passages from
15:17any text and then entire books verbatim after reading them only once that's when we took her to
15:25amsterdam where her training really began she was exactly what we'd been looking for
15:31last night i received a dna report on hair blood and skin gathered at kevis bobadoris's flat but
15:40belonging to neither victim belonging instead to a third person for the first 10 years she flourished
15:49it was a miracle watching what she took in flourished emma grew up alone in amsterdam without
15:54her family why would you do that to her she's not like the rest of us not anymore and she hasn't
16:01been called emma since she left london okay my dna would be on kevis should be okay we were
16:11we were together the night before she was killed well that's a wrinkle to add to my elbow but
16:18dna all wasn't yours belongs to your friend helen's her name right now does it ring about
16:31it's her dna that's all over the flat we let your sister pick a new name she called herself doris doris
16:48you're not gonna charge us with a crime i can tell that means that you can't hold us
17:07come on doris we're going with all that fancy latin falling out your pockets i'm sure you passed the
17:12american bar with flying colors but on my side of the pond i can arrest you and hold you for 24 hours
17:18on suspicion of perverting the course of justice so do me a favor sit tight
17:32okay this is agent wakefield from mif5 i'll be taking over from here
17:49there was unrest in the talabasca if leadership hadn't done what they did the organization would
18:06have been torn apart long ago from within by those who wished to use all our knowledge for evil once we
18:14had a safe backup we had to destroy all the original texts and information in order to protect the
18:20greater good the 752 worked the program was a success stop
18:43if nothing else i'm the one who brought these two in i'm the one who's been working this case
18:48who put the damn pieces together you can't just enough you're the one that pitched all over the
18:53command chain that's what you've done i have my broad controller's order and the signed approval of
18:59the world direct supervisor one question if i called mif5 right now and asked them to verify an agent
19:06wakefield what would they say because they're professionals they'll say they've never heard of an agent
19:09wingfield but if you give them this badge number along with my verification password zephyr you'll be
19:16connected to my section chief phone number's on the back
19:20ringfield if i were you i wouldn't get near that phone right come on you two
19:36where's helen we were supposed to meet her where
20:03waterloo she has our passports guy listen i think it's a trap we can't trust helen anymore i'm sorry
20:13i'm sorry she's betrayed us all
20:26it's right there she has it she has the fucking body
20:30and mr
20:33is
20:53to
20:56Wait, wait, no!
21:09Hey!
21:11We need to go.
21:23Shut the booth!
21:30What are you doing?
21:31Daylight!
21:37Jesus.
21:53Helen?
22:08Jay, I need your help.
22:10Can you talk?
22:11Are you on your own?
22:12Helen, Helen, stop.
22:14It'll poll as a red notice out for you for a double murder.
22:17Yeah, you matched your DNA.
22:19How did they get my DNA?
22:21And they want you in for questioning about a mass killing in Maida Vale.
22:25What the hell is going on?
22:27Olive.
22:29Olive.
22:30Olive.
22:36Olive.
22:37Ah!
22:38Oh!
22:41Ah!
22:43Oh!
22:44Ah!
22:45Ah!
22:46Oh!
22:47Oh!
22:48Ah!
22:50Ah!
22:51Ah!
22:52Ah!
22:53Ah!
22:54Oh!
23:25Guy, what are you doing?
23:34You can let me out now.
23:43Can you hear me?
23:45Guy!
23:46What the fuck?
23:47Guy!
23:55It's just a scrapbook.
23:57That's exactly what I told you.
24:00You didn't tell me what you are?
24:05Does it change anything?
24:08Yes.
24:11I don't understand.
24:12If you're a vampire, how do you hide your...
24:14When we first met, you called me a liar.
24:32I'm not sure what that makes you.
24:34Well, now you see.
24:37Now you understand why I have...
24:38Just stop, okay?
24:39We're getting out of the country and we're going our separate ways.
24:41You understand?
24:45Guy.
24:46Would you just tell me the truth?
25:01Doris.
25:02I wouldn't know where to start.
25:07If you can't tell me, show me.
25:12Let me in.
25:14Guy.
25:17Let me in.
25:20Okay.
25:41I was taken from home when I was very young.
25:45My parents were both dead.
25:47My sister and I were separated.
25:49I was taken to Amsterdam.
25:52I spent most of my time inside a library.
25:55The books, the knowledge, it was everything I wanted.
26:01And then they took it all away.
26:03They said it was inside me.
26:06That they didn't need the books.
26:08Because I was at the library now.
26:11The 752 isn't a book guy.
26:15Guy.
26:19It's you.
26:23After the fire, everything changed.
26:28Talamasca minders would come to extract information.
26:31They told me that I was a vital part of some mission to keep the peace between the mortal and the immortal worlds.
26:38And then, when I was old enough, they made me into what I am today.
26:45So that they could keep me forever.
26:47And use me forever.
26:49They moved me from Amsterdam.
26:51They hid me.
26:51I had no one.
26:54I was miserable.
26:55I was a tool.
26:56I didn't even know what for.
26:58But you're powerful.
26:59Couldn't you just...
26:59No.
26:59They'd made me into a vampire, but a weak one.
27:03I was immortal, yes.
27:04But I couldn't freeze time or read other people's minds.
27:09I felt trapped.
27:10I had to get out.
27:12And you escaped.
27:13Yeah.
27:14And then I met Kevis.
27:17She had just lost her mum, and she was just a kid.
27:21So I took care of her.
27:24Watched her grow up.
27:26She gave my life meaning.
27:30When she found out that people were getting close to me, like Archie, she couldn't help but get involved.
27:35You killed Archie.
27:55But I was too late to save Kevis.
27:57And then you showed up.
28:27Kevis got hurt because she got close to me.
28:40The witches were massacred because they took me in.
28:43And now I have hurt my sister.
28:46Because the police think that she is the one who killed Archie.
28:50Your sister?
28:55Ellen.
28:55Fiona, to me.
28:58I was Emma back then.
29:01They tried to change everything about us.
29:03They tried to wipe away everything about who we were.
29:08But they couldn't.
29:10Because we're identical twins.
29:13And twins share an awful lot.
29:17Including our blood.
29:19The detective had the right DNA.
29:22But the wrong twin.
29:23Does she know?
29:29That you're, um...
29:30What you are?
29:36I know everything in every single book I've ever read.
29:40But I have no idea what my sister knows about me.
29:44Well, we're about to find out.
29:58Yes?
30:00Director Housman.
30:03Intercepted an all-ports warning, sir.
30:05Well, there you are.
30:20They're going to try and flee the country of what agents found out across the city.
30:25And what about the other thing?
30:28Yes.
30:31These...
30:32Served its purpose.
30:34Hmm?
30:36Led us...
30:37Straight to her.
30:39The team is standing by.
30:45Clean it up.
30:57All right.
31:00Are you okay?
31:03It's just...
31:04I thought that if I found the book,
31:08The 752,
31:09that maybe I would get closer to finding my mom.
31:12Excuse me.
31:12Yeah, we're getting out.
31:19Where are you?
31:20The girl's a damn vampire.
31:23She killed Highsmith.
31:26They're on their way to Waterloo.
31:28Now.
31:29And they have the 752.
31:32I'm coming back to you.
31:40Oh.
31:42We got him.
31:44I've had enough of this.
31:47You've gone too far.
31:48The fuck are you yapping about?
31:50I know what you did in Maida Vale,
31:51and I won't put up with any more of it.
31:53You won't put up with any more of it.
32:12No, I will not.
32:14And what exactly are you going to do?
32:18File a grievance form?
32:23Bury me in org charts?
32:26What power?
32:30Exactly.
32:31Do you think you possess?
32:34It's not mine to possess.
32:36That's how powerful it is.
32:40You have no idea what you're toying with, Jasper.
32:42You are a flea bouncing off the hard dick
32:53of our immortal history.
32:56And you landed under a fucking tidal wave.
33:00And yet I stand.
33:03And yet I stand.
33:03Get your fuck off.
33:31Go now.
33:33Restraints, go.
33:36Roll and lift.
33:39Come here!
34:09Come here!
34:17Boss.
34:19Don't be a sit down.
34:39Oh, shit.
34:45Come on.
34:48In here.
34:52Okay?
35:09Come here.
35:23Hey.
35:25Yeah?
35:27Isn't that the one from New York?
35:29Your attention, please.
35:31The coordinate line is still being closed.
35:34The line is officially closed.
35:35The line is closed.
35:36The line is closed.
35:37The line is closed.
35:38The line is closed.
35:48Can you see her?
35:57Excuse me.
35:59Excuse me.
36:00I'm so sorry to bother you.
36:02I need the police.
36:03Sorry?
36:04I want it.
36:05Why?
36:06For a devil matter.
36:08Very funny, ma'am.
36:09Be on the other line, please.
36:12Is this funny?
36:34Wait.
36:35Wait.
36:36They'll see you.
36:40Shit.
36:44I'm so sorry.
36:45Let's just pull the gun out of me.
36:46He says she's hurt for two people.
37:04There's no one.
37:05But when I saw her, you'll be over.
37:19There's no one.
37:20Too long.
37:21Could he get hurt?
37:22With all what he could see?
37:23See, see, see.
37:24But all he could see, see, see, see.
37:25To see what he could see, see, see, see, see.
37:26There's no one, too, too, too, too.
37:28You are very gifted, Kai.
37:44I do know that you care about me.
37:48If I want you to know something, you will.
37:56I'm so sorry.
37:58I'm so sorry.
38:00I'm so sorry.
38:01I'm so sorry.
38:02I'm so sorry.
38:04I'm so sorry.
38:05We can't blow a cover.
38:07I'm so sorry, Kai.
38:08Let's go.
38:10Let's go.
38:11Go.
38:13Go.
38:20Let's go.
38:22Come on.
38:24Go.
38:25I'm sorry.
38:46She seemed to really care about you.
38:50It's almost like your family.
38:55I'm so sorry.
39:01I want to be right back.
39:03What are you doing?
39:09I don't know.
39:19I'm sorry.
39:25I'm sorry.
39:40Oh, Rich.
39:42I thought you were sleeping in the doghouse.
39:44That's just tough.
39:46Butterfly flaps its wings and leeds.
39:48It goes from hugging you to kicking you.
39:50I'm doing the grunt work.
39:51You know how it is.
39:52I'll take her in.
39:55I'll take her in.
39:56I'll take her in.
39:57I'll take her in.
39:58I'll take her in.
39:59I'll take her in.
40:00I'll take her in.
40:01I'll take her in.
40:02Watch your heads.
40:03You don't look much like a homicidal maniac, do you?
40:20It's always a mistake to underestimate a woman of my age.
40:29I'm going to tell you a secret.
40:31I'm not supposed to be here.
40:33I've been suspended.
40:35And if my supervisor knew I was picking you up, I'd be busted down to death to you.
40:38You're in Croydon if I came out the good side of his ass.
40:41Why are you telling me all this?
40:42Because I've just laid eyes on some information no one else has seen yet.
40:46And since I won't get a chance with you in an interview room, I thought I should ask now.
40:51This is a photo of an MI5 agent named Wakefield.
40:59Turned up on an encrypted drive belonging to a dead woman named Soledad Marcel.
41:05But I made some calls.
41:07An MI5 had never heard of an agent, Wakefield.
41:10Sounds like she's quite the imposter.
41:12Well, you should know.
41:16You've been all over London with her.
41:19I'll tell you what, let's circle back to that.
41:22Because the thing that's a real head spinner is this.
41:28Just one hour after you apparently killed two souls in a London flat,
41:32you're all the way back at JFK, boarding a flight to Heathrow.
41:36Now, how is that possible?
41:42You might be very surprised by what's possible.
41:45What's your name?
41:48Ridge.
41:49Ridge.
41:52You strike me as someone who's been overlooked.
41:55But who has quite a bit of potential.
42:06I'm not sure what's up, but he's looking for one of those.
42:08You just have to wait to see him get the way back to me.
42:09I don't know.
42:10I don't know.
42:11Not at all.
42:12I don't know.
42:14I don't know.
42:15You're the only thing that's horn.
42:17I didn't see an Australian eyes on the right hand.
42:18But I didn't know this one.
42:20I didn't see him in the right hand.
42:21What?
42:22You didn't know.
42:23I didn't see him.
42:24I didn't know.
42:25I think he's coming around.
42:26No, he didn't know what his story was.
42:28He didn't know how he's been doing.
42:29He didn't know what I was doing here.
42:31He's doing.
42:32He was looking for a bit of the how I'm doing.
42:33I don't know.
43:03I don't know.
43:33They're ready for you downstairs, sir.
43:55Go ahead.
44:09Target is in sight.
44:11Very good.
44:13Shall I bring her in?
44:14No.
44:17Let's see who she leads us to.
44:44Let's see who she leads us to.
45:14Let's see who she leads us to.
45:44Do you know why you're here?
45:48You've been training a little army of half-bred vampires
45:53in the London mother house.
45:57Now, that...
46:01That is a no-no.
46:09Whoever the hell you are, why don't you just kill me and get it over with?
46:13No.
46:14No.
46:15No.
46:16I prefer to show you my vast benevolence.
46:21Offer you an alternative.
46:24Quid pro quo.
46:26Quid pro quo.
46:27You help me, I help you.
46:31Something...
46:33For something.
46:35Who are you?
46:36My name is Hausmann.
46:45And I am the man who watches.
46:52Tell me...
46:53How many vampires would you say are in the world?
46:56Not enough.
46:57Not enough.
46:58How many vampires would you say are in the world?
46:59Not enough.
47:00How many vampires would you say are in the world?
47:06How many vampires?
47:07How many vampires would you say are in the world?
47:13How many vampires would you say are in the world?
47:18Not enough.
47:19How many vampires would you say are in the world?
47:24Not enough.
47:37Come.
47:54What is this?
48:06It's your destiny.
48:08Better get to work.
48:24You're going to be okay out there?
48:52out there on your own I've been there before the world's a big place
49:05so where are you gonna go
49:13okay it's okay you don't have to tell I think him
49:22I think I know where your mother is
49:52DNA wasn't yours belongs to your friend Ellen's her name right how does it ring a bell
50:15I don't want you to get hurt we can't just run off together the early going of episode six is all
50:30our chaos because you've got Doris who guy believes that she's got the 752 he thinks that
50:36Helen has killed campus all of this stuff is coming to a real head here he doesn't really
50:41know who to trust the center cut between Helen at Jameson's house what was the program for what
50:48did you want with Emma who's this and dying doors at the police station no idea what we come to find in
50:54these scenes is not only Helen realizing that the 752 is not a book it's not something it's
51:01object to be searched for that it is her sister Doris Doris how could that be they're different
51:09ages well she's a vampire
51:11three two one action
51:13it was a massive stun day and we were using a rubber knife
51:19I got stabbed twice I didn't die and lucky that knife was rubber but we had fun with it I'm grabbing
51:32at this right she's stabbing me here I'm telling her don't stab me too much it was a lot of fun
51:38hey
51:38hey
51:39hey
51:39hey
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52:55we got him when jasper who's gotten you know way out ahead of his skis goes too far for
53:05the talamasca they dispatched their cleanup crew i know what you did in made of veil and i won't put
53:11up with any more of it well i just think that jasper just takes one look at him like i'm sorry
53:17come again you have no idea what you're toying with jasper that was one of my favorite scenes
53:23in the whole season especially to do with him with johnny
53:26and then of course you know great storytelling all of a sudden
53:34boom i'm in a carpet and i've got a metal cage on my head
53:40and i'm like see the two stunt guys see this nose here don't break it
53:46come on we have to be out of this train station before five in the morning because you know
53:58it's a train station people need to go somewhere when we shot those scenes all through the night
54:04in the freezing cold station and before we started i was thinking how am i going to do this at my age
54:10but the commitment of this crew it just lifts you up and you just want to do anything in order to not
54:18let them down i feel like we're all pieces in this big sort of puzzle and it's kind of cool to see the
54:25whole collage come together can you see it you start wide and get tighter and tighter and tighter both
54:31emotionally and from a camera standpoint
54:33you'll see it's all done without dialogue all done through their thoughts
54:39for us it's the kind of freshness of seeing each other for the first time
54:48the guy has become the perfect spy that she hoped he could become
54:53oh he can do this sorry he can be a spy and he probably has the ability now to go after
55:00and find his mom she's saving them from the town of masca and she's saving them from herself
55:11the cliffhangers at the end i hope are provocative and have viewers asking what if type questions
55:18what is this it's your destiny i want this i want more vampires
55:25hey at this point they're probably trying to make the best of a bad situation i think i know
55:30where your mother is doris basically gets what she wants by revealing that she might know where
55:35his mother is i don't even know if it's an ending they're still on a big old journey
55:48so
55:55so
55:57so
56:09Transcription by CastingWords
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