- 11 hours ago
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00:00The following program contains strong language and violent scenes.
00:10I need to know who these people are.
00:11You've told my wife about us, is that it?
00:13Sergio Kraus, Vice-Commissario Battista.
00:15We're looking for him.
00:17It looks like the dead was a policeman.
00:19I was?
00:20I!
00:23Exactly who and where is Iris Nixon?
00:26I can do everything.
00:29Whatever that woman wants to use against her.
00:56Between 1953 and 1973, the United States government funded 116 studies into LSD.
01:15Powerful psychedelics were given to alcoholics, obsessive compulsives, depressives, schizophrenics, convicts.
01:21And those suffering from terminal cancer.
01:26These experiments showed that a single dose of LSD could reduce or even eliminate the fear of death in the terminal ear.
01:39My wife was given three months and the anxiety she experienced was unendurable.
01:52She couldn't bear the idea of being erased, of all she'd ever felt or thought just being gone forever.
02:02As if she had never been.
02:08So I administered her enough LSD to bring about loss of subjective identity.
02:14At first, she saw terrible things.
02:18Things of which we should not speak.
02:21But I stayed with her.
02:22And after passing through this shadow, she let go of her terror and congregated with the dead.
02:34Her father.
02:36Her mother.
02:40Our child.
02:44Upon her return, she told me dying was easy.
02:46The dead are all around us.
02:50Nothing ends.
02:51Nothing ends.
02:53Nothing ends.
02:55And...
02:57I was holding her arm when she died and...
03:01It was the happiest moment of her life.
03:07Wow.
03:08Oh.
03:15Oh, sorry.
03:17Blimey, you okay?
03:19Yeah, I was, um...
03:21It's a million miles away.
03:34Look at that.
03:35They're literally putting his thinking cap on.
03:40Peace.
03:44You ready for the off?
03:46Always.
04:05Oh, here comes that day.
04:16Oh, here comes that day.
04:18Oh, here comes the rain on your parade.
04:24There's a price to pay.
04:29Oh, here comes the rain.
04:30Oh, here comes that day.
04:35Oh, here comes that day.
04:49Oh, here comes that rain on your income.
04:52Here comes that rain on your brain
05:22Come back here
05:47No
05:48Stop the car!
06:18Get him there!
06:19No!
06:20No!
06:23Get out of the fucking car!
06:25Get off!
06:26Get out of the car!
06:37Where's your phone?
06:42You can't do that!
06:43Yeah. Why not?
06:45Why? You're the police!
06:48You're the police!
07:06Shit!
07:18I need your help, Teo.
07:20I need to get away as quickly as possible. I'm really in trouble here.
07:22There are police everywhere. And you are the only way that I can get off this road.
07:26I need your help, Teo. I need to get away as quickly as possible. I'm really in trouble here.
07:28Where are you?
07:38I'm at the police station. You've caused an ungodly mess.
07:40I need your help, Teo. I need to get away as quickly as possible. I'm really in trouble here.
07:46There are police everywhere. And you are the only way that I can get off this island.
07:52And what exactly do you expect me to do?
07:54Drive me off the island on a ferry in your police car.
07:58Fuck you. That's not gonna happen.
08:00Well, it's the only way you get me out of your life.
08:05Fine. Where are you?
08:07There's an old watch tower. On the beach, five miles from Calori.
08:12I know the place.
08:14Is that funny?
08:24Oh, Mr. Baxter. Yes.
08:39Yes, I know.
08:40Ah, Mr. Baxter. Yes.
08:43Yes, I know your daughter.
08:47When was this?
08:50Modern registration.
08:54Gia. Gia.
08:56And phone number.
09:10Okay.
09:26Okay.
09:40Hello?
09:52Hi, is this Alfie Bird?
09:54It is. Who's this?
09:57We've never actually spoken. My name's Iris Nixon.
10:01Very funny. Is this Claire?
10:03No, this is Iris.
10:05Do you have any idea how many Iris Nixons caught me?
10:08I actually don't.
10:09Well, it's a lot.
10:10They all think they're hilarious,
10:12and they all think they're the first ones to have the idea.
10:14Half of them are blokes.
10:15Well, don't you recognize my voice?
10:17I've seen pictures.
10:18I've never heard her speak.
10:19I never really thought about that.
10:21So where are you, Iris?
10:23Well, it doesn't matter.
10:24I'm leaving.
10:25So take a selfie, send it.
10:27And have you plastered me all over the internet?
10:29I wouldn't do that.
10:31Not if you were real.
10:32I don't believe you.
10:34Okay.
10:35Thanks for calling.
10:36I think I'm gonna hang up now.
10:38All right.
10:39Let's reverse the polarity of the neutron flow.
10:41So what you wanna do is monetize me, right?
10:43I'm not sure I'll put it exactly like that.
10:45Oh, no.
10:46I don't take it personally.
10:47To you, I am content.
10:48And that's fine.
10:49It's just the way of the world.
10:50But you want better content.
10:51You want a bigger story.
10:52You want traffic.
10:53You want to go viral.
10:54You want a billion views.
10:55That's right.
10:56Yeah, I want that.
10:57Of course I want that.
10:58Well, I can give you that, you lucky dog.
11:00I can give you the full story.
11:02What happened, to whom, and why.
11:03Why?
11:04Yes, and why.
11:05No, no.
11:06I mean, why would you do that?
11:09Oh, I see.
11:10Because I told someone that if he came looking for me, I'd punish him.
11:13I'd bring his entire world down around him.
11:16But he didn't listen.
11:17So now I need you to help me do that.
11:21Is this actually you?
11:23Yes, obviously.
11:24Who else would it be?
11:25I don't believe you.
11:26No.
11:27But you want to, right?
11:29So here's what I'm gonna do.
11:31I'm gonna send you a taster of that proof I have.
11:34Now, fair warning.
11:35If any of this ends up on the internet,
11:38you are gonna find me standing at the end of your bed one night
11:41with a razor in my hand.
11:42And I will slice off your oysters and shove them down your throat.
11:45Then I will rip open your belly and drape your guts around the room
11:48like fucking Christmas decorations.
11:50You get me?
11:52Yes.
11:53Good.
11:54Because this is not cosplay and this is not LARPing.
11:56This is real.
12:01Okay, keep your eyes open.
12:02You ekki!
12:03I don't know.
12:33Iris.
12:38Yes?
12:39This is real.
12:41Right?
12:42This is real.
12:43I'm not sure I ever really thought that.
12:46Not in my heart of hearts.
12:47It was all just, you know.
12:51So, actually, what the hell is that thing?
12:55That's what I'm trying to find out.
12:59Meet me in Rome and I will tell you everything.
13:02What?
13:04Literally.
13:05When?
13:06Be there tomorrow.
13:08I'll call you.
13:22It's okay.
13:23I feel nervous, by the way.
13:24I'm not nervous.
13:25Oh, come on.
13:26You're only human.
13:26I often wonder about that.
13:28Perhaps I was grown in of that and poured out like pancake fatty.
13:34See, that's interesting to me.
13:36What is?
13:38You consistently deny feeling things that you're obviously feeling.
13:41Why do you do that?
13:41Well, I'm not sure.
13:42Why do you consistently insist that I'm feeling something that I'm quite possibly not?
13:46No.
13:46No.
13:46Are you trying to neck me?
13:48No, I'm not necking anyone.
13:49Least of all you.
13:50I'm just good at reading people.
13:51Really?
13:52Yeah, I did a course.
13:53Of course you did.
13:54But what it's worth, I'm nervous too.
14:00I know.
14:05I want him back, Aris.
14:06I love him and I miss him and I want him back.
14:10Charlie.
14:12Jensen.
14:13Well, yeah, I suppose you need him.
14:15Christ, is that what you think of me?
14:18That I don't actually care about him?
14:21Because you wouldn't be able to think that if you'd ever actually met him.
14:23He was kind and thoughtful and funny and he made brilliant people feel stupid and the rest of us feel like geniuses.
14:33And I had to watch it all be stripped away from him bit by bit until all we had left was this Jensen-shaped fucking vacuum flask.
14:43And yes, I want you to wake up the bloody machine because I don't want people to hurt me.
14:47But no, I am not a fucking automaton.
14:50And yes, I do actually care about him.
14:51So please don't talk about him like he's nothing.
14:54He's not nothing.
14:56Cameron, I didn't mean to.
14:57I can't help it.
14:59I didn't try.
15:01I've just never had anyone who was as significant to me as Jensen is to you.
15:08I'm not always equipped.
15:11The nuance of it.
15:15Emotionally, it's not something that I'm...
15:18necessarily very good at.
15:23That's true, isn't it?
15:24You're not lying.
15:25Why would I?
15:28You took a course.
15:31No friends?
15:32Em...
15:33Well, no, not really.
15:36Ever?
15:39No.
15:41Well, what about the rest of it?
15:44No one special?
15:46Uh, not to speak of, no.
15:48I don't believe you.
15:49But you can...
15:51believe what you like,
15:52but I don't understand why it makes any difference.
15:55Because if we mean nothing to each other,
15:57then nothing means anything, does it?
16:00Oh, I completely agree.
16:06It's a pretty desolate way of looking at things.
16:10It's really not.
16:13So that's it?
16:15You never look at the night sky and see
16:18transcendence and profundity,
16:20beauty, unity, oneness?
16:22All I see...
16:25is reality.
16:28But you're not just your brain, Iris.
16:32There's more than that.
16:35Where?
16:37Everywhere.
16:39Here.
16:40Now.
16:41Now.
16:52Morning, everyone.
17:00We up and running?
17:02We are up and running.
17:03Outstanding.
17:04Go, team.
17:06Hey, Jensen.
17:07You might remember Iris.
17:09You met very briefly.
17:10She's with us
17:11because she's very, very good
17:15at solving
17:17puzzles.
17:18Well, I don't know about that.
17:34So,
17:35thing is, Jensen,
17:37at the moment,
17:39your diary
17:39is a puzzle.
17:41And Charlie's password
17:43is in here.
17:44And that's why
17:45DA here
17:46put this together for me
17:47to help me solve it.
17:49It uses neuroimaging
17:51to detect emotional changes
17:53in the brain.
17:54Anger, sadness,
17:55whatever.
17:56Basically,
17:57a much more effective
17:58lie detector
17:59because
18:00emotions can't lie.
18:03So,
18:09first problem,
18:10what code did you use?
18:14So,
18:15at the top level,
18:16it's a nihilist cipher.
18:18See,
18:18all these
18:19squiggles.
18:21But at core,
18:22it's a basic
18:23substitution cipher,
18:24probably
18:25a book code.
18:30Because
18:31book codes
18:32are almost impossible
18:33to break
18:34unless you know
18:35the book
18:36that was used
18:36to create it.
18:40And then
18:40something occurred
18:43to me.
18:47Why'd you use a diary?
18:51I think you are
18:52very,
18:53very cunning
18:53and very cautious.
18:56I think you change
18:57the code every week.
19:00Cryptographers call it
19:01key rotation.
19:03I mean,
19:03that's got to be hard,
19:04right?
19:04All those codes.
19:08So,
19:09every Monday,
19:10you left yourself
19:12a little clue.
19:18You know,
19:19for a long time,
19:20I thought it was
19:20a drawing of a brain.
19:23You are far too cunning
19:24for that.
19:26It's not a brain.
19:26so what can it be?
19:31And I wonder
19:33if it's this.
19:40The DNA sequence
19:42of Deinococcus
19:43radio durens,
19:45the world's
19:46toughest bacterium,
19:49which probably
19:50appealed
19:51to your sense
19:51of humor.
19:52I mean,
19:53using a DNA sequence
19:55as a source
19:56of a book code.
19:58Because
19:58DNA is the book
20:01of life,
20:01right?
20:09It's working,
20:11Jensen.
20:12The DNA sequence
20:26Are you able to understand
20:26something?
20:28No.
20:31You?
20:32The place
20:32is put on another
20:33name,
20:34false.
20:35But the imprints
20:36correspond to those
20:37found in the
20:38apartment of Cagliari
20:39and it's certainly from Nixon.
20:41And instead of the girl, do we have traces?
20:44We're setting the woods, but it goes for long.
20:47Santoni has almost put his feet in a trap for cinghials.
20:50And what?
20:51A cut.
20:53There are hundreds.
20:56What do we have to do here?
20:59Yes?
21:00The parents are here.
21:06Thank you for coming.
21:08I'm Inspector Kasterman.
21:10Where's Joy?
21:11It's difficult to be sure,
21:12but we are concerned that Joy may be in some danger.
21:15Can you think of anything that might help us find her?
21:18Anywhere she might try to hide?
21:21Her friends, for instance?
21:23Hardly.
21:24Boyfriend?
21:25Family.
21:27Her jacket.
21:29I'm sorry?
21:30She knows we can trace her phone,
21:32and she has a habit of pulling this kind of stunt up.
21:35And?
21:37And I had a tracker sewn into the lining of her jacket.
21:42I see.
21:43What's wrong, Joy?
21:44I'm sorry.
21:45I'm sorry.
21:46I'm sorry.
21:47I'm sorry.
21:48I'm sorry.
21:49I'm sorry.
21:50I'm sorry.
21:51I was waiting for her to resume.
21:52I see.
21:53I'm sorry.
21:54I was at school.
21:55I am sorry these.
21:56I'm sorry.
21:57I was at school.
21:58I'm sorry.
21:59I'm sorry.
22:00I'm sorry she got you mixed up in all this and now I am afraid I don't know what the
22:29I take it you came alone in one hour a passenger ferry leaves Calgary for Civita Vecchia I need to be on it you take me in this you drop me a
22:58station in America give me a couple of euros and that's it we're done I'm gone special crime
23:07authority are looking for you we'll be fine
23:28can I trust you trust me you're blackmailing me what more do you want me to do do you want me to enjoy
23:50it just get it
24:20so
24:28so
24:36what are we doing here
25:04meeting someone who barba papa what does that mean nothing see tight we'll be there soon
25:17roll the dice
25:34I think it's your time
25:37okay duty calls
25:48well I think I got it the first word yes again yeah it looks like coordinates
25:58amazing it'll wait do it tomorrow for one stay with your friends yeah how many times is that now
26:06127 time okay well
26:11see I'm coming back
26:18yeah
26:23yeah
26:25yeah
26:27yeah
26:31yeah
26:32yeah
26:34yeah
26:36yeah
26:38yeah
26:57yeah
27:03yeah
27:04yeah
27:06yeah
27:07Whatever floats your boat.
27:37Okay.
27:42Okay.
28:07Iris.
28:28Iris wanted him down.
28:35Iris!
28:55Attention. Emergency.
28:57Fuck this.
28:58Facility will drop down in two minutes. If you cannot reach your designated safe area, shelter in place.
29:05Attention. Emergency.
29:12This facility will lock down in 90 seconds.
29:17If you cannot reach your designated safe area, shelter in place.
29:27Attention. Emergency.
29:29This facility will lock down in 90 seconds.
29:32If you cannot reach your designated safe area, shelter in place.
29:36If you cannot reach your designated safe area, shelter in place.
29:47Oh, my God.
29:48Oh, my God.
29:49Oh, my God.
29:50Oh, my God.
30:06Fuck.
30:09Oh, my God.
30:12Fuck.
30:14Attention, air to see. This facility will occur in 60 seconds.
30:44Fuck it.
31:15Access denied.
31:1920 seconds to fall off down.
31:25Access denied.
31:2810 seconds to fall off down.
31:32Progress!
31:37Progress!
31:40Just go!
31:442...
31:471...
31:51This facility is in full lockdown.
31:55Why did you do it?
31:56I must not...
31:59You were decent people!
32:01It can't wake! It can't wake! It can't wake!
32:06It must not get free!
32:11Destroy the book! Burn it!
32:14Go!
32:24Iris?
32:26Iris?
32:27You're safe now.
32:29The place is in lockdown.
32:32We can't open the airlock from up here, but you are safe.
32:34I'm so, so sorry, but you are safe.
32:42Don't do that.
32:45Oh, fuck.
32:46What's wrong with the machine, Cameron?
32:47What are you telling me?
32:48Nothing.
32:49Nothing wrong with the machine.
32:50I don't believe you!
32:51I can't let you leave, Iris, and I need that diary.
32:52Come on.
32:53Please.
32:54What's wrong with the machine?
32:55Nothing.
32:56Nothing.
32:57Nothing wrong with the machine.
32:58I don't believe you!
32:59I can't let you leave, Iris, and I need that diary.
33:04Come on.
33:05Please.
33:06Please.
33:07What's wrong with the machine?
33:08Nothing.
33:09Do not take that book.
33:13Iris, there is nowhere to go.
33:18I will hunt you down.
33:20Don't make me do that.
33:22Don't leave, Iris.
33:27Iris, come back!
33:28Come back!
33:29Come back here!
33:30Take it, and you are killing me!
33:52Let's go.
33:53No, no, no, no.
33:54I'll let you know.
33:55Go back here.
33:56Be quiet here.
33:57I'll let you know.
33:58I can come back.
33:59There's a load of machine.
34:00I know.
34:01I can see you there.
34:02I'll let you know.
34:03You'll be walking.
34:04You'll be walking.
34:05I can see you, Sam.
34:06Take it, I'll let you through the machine.
34:08What's wrong with the machine?
34:09I can see you there.
34:10I can see you.
34:12You know.
34:13I can see you.
34:14I can see you.
34:16how did you end up here saw me hiding the briefcase back off dug it up and and I tried to get it
34:42back why so I could hide it somewhere else what are you doing I told you they're here for money
34:59and right now they're working for this prick
35:03hiya lovely day nice to meet you chaps excellent work credit to your profession
35:15how'd you find me well they're police officers they find people I mean specifically
35:23your telescope it took a while but there you were well now I feel silly oh honestly don't feel bad
35:31you're only human allegedly no that is actually mine thank you very much oh it's actually no
35:37it's fucking not thank you very much how did you and I end up here surrounded by cast of thousands
35:43what was the actual plan have joy hide the diary while they'll smuggle me off the island so you
35:49could come back and dig it up when we'd all scuttled off like wood lies under a brick yes
35:53it's not really that much of a plan is it well in all fairness I was improvising well that's jazz right
35:59actually you look like someone put you through a blender
36:05which makes you the intern does it she just killed someone did she mention that
36:13Obi-Wan there Mrs. Miyagi
36:17dragged his body halfway across the island set fire to him then pushed him off a cliff
36:25oh well iris you had a half-assed plan which went wrong take it on the chin let's all move on
36:31now two three digit combinations child's play except it won't be will it because it's you
36:39which means it's booby trapped if I enter the wrong combination it's going to destroy the diary
36:45I don't know open it and see what is it acid some kind of alkali release
36:51well it's not going to be an alkaline now is it moron acid then hydrochloric myriatic
36:57which no that that is hydrochloric well done very good naughty no so if I enter the wrong combination
37:05shh no more diary which means what I'm going to need is the right combination if you don't mind
37:11well I mind terribly was it a love thing you and her for goodness sake of course not because that
37:19particular emotion is not available to you is it not in excess no so you say the thing is Iris
37:25I actually think you're much more decent than you'd have everyone believe
37:28well then you'd be wrong not for the first time let's see um what's the combination
37:38your birthday okay well can't say I didn't try what would it take to arrange a little bit of um
37:51money yes but how much a hundred thousand seriously I have partners and these a couple
38:01okay fair enough still no still no
38:15listen Tao was it I honestly don't want this to happen but it's going to unless Iris helps me open
38:29this briefcase without damaging the content so do me a favor and ask her for me Monica
38:35please no as he says
38:39that's not my name
38:44I'm sorry Tao I really am but he cannot be allowed to have what he wants
38:51seriously is that what he gets
38:52come on Iris don't do this to him
38:55please don't let that's not my name and shush now is this actually what it's like being you
38:59or is this just another lie
39:01try me and see fine let me know when you want it to stop
39:06fine I wanted to stop
39:09because you were putting yourself through this for absolutely nothing
39:13you're not correct for violence
39:15and you are evidently
39:22no
39:25no
39:26no
39:28no
39:30no
39:32no
39:34no
39:36no
39:40no
39:42no
39:43no
39:48please stop
39:49leave me alone
39:52she's alright stop
39:53leave me alone
39:54leave me alone
39:55leave me alone
39:56please
39:57please
39:58how can you not care
40:01I don't know
40:02I just
40:03don't
40:05That is not true!
40:18Oh, for God's sake, Cameron.
40:20Don't be preposterous.
40:22Just calm down, it's gonna be fine.
40:24Everything's so fine!
40:25Come on, Iris!
40:26Pull the trigger or don't, nothing changes.
40:28Miss Fred!
40:29Infinity minus one, Joy. Don't be afraid.
40:31Oh, that is such bullshit, Joy.
40:32That's just a position she takes, even if she doesn't believe it.
40:34I can assure you, she very much does.
40:36You're right.
40:39Ms. Burgle, please don't kill me.
40:41Please don't kill me.
40:47She's right, I can't.
40:51You do it.
40:52No.
40:53Okay, wait! Stop!
40:55Just stop!
40:56Alright!
40:57Can everyone just shut up for a second and just leave her alone?
41:05If anything happens to the contents of the briefcase, anything at all,
41:09I want you to shoot this young woman in the head.
41:11And yes, money, yes.
41:13Is that clear?
41:14Yes, sir. Very clear.
41:20Left side.
41:22Zero.
41:24Zero.
41:25Zero.
41:26Zero.
41:27Zero.
41:28Zero.
41:29Zero.
41:30Ah, you're kidding.
41:31Wait!
41:32Iris!
41:33Oh, for God's sake, shit!
41:37Right side.
41:38Zero.
41:40Zero.
41:41Zero.
41:42Zero.
41:43Ah, you're kidding.
41:44Oh, you're kidding.
41:56Wait!
42:00Iris...
42:01Oh, for God's sake, Cameron, just take the win.
42:11Okay.
42:14Show me.
42:44Okay.
42:50Was that meant for me?
42:53I didn't want anyone to open it.
42:57Oh, God. I still got the diary. You kill me, you don't get it. You hurt, Joy? You don't get it.
43:09All right, Joy. Sorry and all that, but she just made you collateral.
43:22No!
43:24My friend!
43:25Joy, you're gonna have to go with him!
43:27Get in!
43:28Just for a little rail!
43:29Get in!
43:31I'll come and get you, I promise!
43:33I promise!
43:34Oh!
43:35Oh!
43:36Oh!
43:37Get rid of it!
43:38Get rid of it!
43:39Get rid of it!
43:41Get rid of it!
43:42Get rid of it!
43:44Get rid of it!
43:45Get rid of it!
43:46Get rid of it!
43:51Get rid of it!
43:52Get rid of it!
43:58Get rid of it!
44:05Get rid of it!
44:13Fucking keys, Iris! Come on!
44:19Get rid of it!
44:49Transcription by CastingWords
45:19CastingWords
45:49CastingWords
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