- 2 days ago
Category
🎥
Short filmTranscript
00:00The first time we have to do a certificate, we will have to show all of this.
00:13If we call it a vegan module, we will get it for one day.
00:18Good morning!
00:19Happy work!
00:20Dušan, you don't take care of yourself.
00:22Because of bacteria.
00:23Because of energy.
00:24No air.
00:25Which one is at zero.
00:27Roko writes.
00:28Dupla ionization?
00:29Well, give me more dupla.
00:30Maybe you can't do it.
00:31We are in a lunar park.
00:33I am returning to a ballerina.
00:36It's crazy.
00:37Maybe you are returning because of something else.
00:39On?
00:40On the nerve base.
00:41He says no.
00:42If he is now like that because he is in love with me.
00:46Why not try something?
00:47She has to resign and be honest with that decision.
00:50What is that?
00:51She was a woman.
00:52She was a woman for mobbing.
00:53She was a woman.
00:54She was a woman.
00:55She was a woman.
00:56This is the third post from tomorrow.
00:57She was a woman.
00:58She was a woman.
00:59She will remove her balance.
01:00She will escape her balance.
01:01She looks like she will leave the stone.
01:03She is now too sick.
01:04She is a woman.
01:05She is red.
01:06She is a girl.
01:07She will leave her water.
01:08She will leave her and leave her alive.
01:09She will stop her when she is alive!
01:10She was ironic.
01:11She will also leave her.
01:12She'll be fine.
01:13She wants to talk to you.
01:14She is humble.
01:15She will be very funny.
01:16She will be fine.
01:17She will lie to them.
01:18The remaining of the avocado and the flesh, yes?
01:20The feral material.
01:22Can we help you?
01:23Yes.
01:24Look at the flesh.
01:26If the sun is bright, we are in the light of the light.
01:30We are in the light of the light.
01:31How to explain that?
01:32That's the thing to do.
01:34And that's his name.
01:36He's going to fire you, the mystic.
01:38Let's go.
01:44Something crazy is going to be like a channeling.
01:47BONE!
01:55Please, give me the mask.
01:58Please come again.
01:59It's all the best.
02:00Thank you so much for being here.
02:01I pray for the mask.
02:11Come on.
02:13Come on.
02:17Come on.
02:18What?
02:19What?
02:20What?
02:21I don't know.
02:22We are everywhere.
02:23I don't know.
02:24I told them that they don't want to do anything.
02:25They don't want to do anything.
02:26They don't want to do anything.
02:27They don't want to do anything.
02:28Come on.
02:29Come on.
02:30Come on.
02:31Come on.
02:32Come on.
02:33Come on.
02:34Come on.
02:35Come on.
02:36Come on.
02:37Come on.
02:38Come on.
02:39Come on.
02:40Come on.
02:41Come on.
02:42Come on.
02:43Come on.
02:44Come on.
02:45Come on.
02:46Come on.
02:47Come on.
02:48Come on.
02:49Come on.
02:50Come on.
02:51Come on.
02:52Come on.
02:53Come on.
02:54Come on.
02:55Come on.
02:56Come on.
02:58Come on.
02:59Come on.
03:00Come on.
03:01Come on.
03:02Come on.
03:03Come on.
03:04Come on.
03:05Come on.
03:06Come on.
03:07Come on.
03:08Come on.
03:09Come on.
03:10Come on.
03:11They are 미�crafted.
03:12You see?
03:13Come on.
03:14You see?
03:15I'm not going.
03:16You're a victim.
03:17How many people are dead?
03:18So, you're doing well.
03:19You're a living well.
03:21You've been shut up.
03:22You're in trouble.
03:23Or the nose is the best to remember?
03:28Do you remember, Rado?
03:30The summer of 1993.
03:47What is Dujović?
03:49You don't have Hanume.
03:53I don't know why you're talking about it.
03:55I'm not a fool.
03:57You and Ana.
03:59No, no.
04:01We're friends.
04:03Let me have a drink.
04:05Let me have a drink.
04:07Let me have a drink.
04:09Let me have a drink.
04:11Ana is going to be a wife in Aranđelovcu.
04:15I'm going to be a drink in Aranđelovcu.
04:19I'm going to be a drink in Aranđelovcu.
04:21I'm going to be a drink in Aranđelovcu.
04:23Give me a drink.
04:25Where is he?
04:27Wait, is she writing you from the drink?
04:29No, no, no.
04:31I don't have a drink.
04:33I have a drink in Aranđelovcu.
04:35Okay.
04:37You say that Ana is only a colleague.
04:39I ask for that.
04:43Where are you now?
04:45A coffee?
04:46Dujoviću?
04:47We call such people FutoFutni.
04:59I can't.
05:01I can't talk with anyone.
05:03Only with you.
05:05It's clear that we're going to be a disaster.
05:07We're going to be a direct canalization.
05:09That's why we need to be united.
05:11This guy is not just a bad director.
05:13He's a bad director.
05:15He's stupid, unrighteous and aggressive.
05:18I've said to him,
05:19I don't have a drink in Serbia without me.
05:22No.
05:23You know, Ribić, Kajmak.
05:25That's Serbia.
05:26I know that you've said to him, brother.
05:31Good, I know my inspector.
05:33I've met him in a restaurant in the past 20 years.
05:36He hasn't looked at me yet.
05:39He's a stupid man.
05:41After that, between the fire from 2014,
05:44and his hospital inspection,
05:46I'm finding the fire.
06:00Who are you?
06:01No, I...
06:02Maybe he might go in...
06:04That's right, inspector.
06:05I told him, too.
06:06If food comes down,
06:08you have to go out to the other side.
06:10Well, you know what to do at home's kitchen?
06:15We're not here in the hospital. We're here in the fighting field.
06:20We're here every day.
06:22We're not going to eat food with a taste of detergent, I think.
06:27Really.
06:28Six months and two weeks.
06:33The flesh is not clean.
06:36Do you have a sanitary?
06:38Of course.
06:39What's going on for me? I'm healthy.
06:42Not healthy. Sanitary.
06:44Ah, that's right.
06:46Well, I have a gun.
06:48A gun.
06:49A gun.
06:50A gun.
06:51A gun.
06:52A gun.
06:53A gun.
06:54A gun.
06:55A gun.
06:56A gun.
06:57A gun.
06:58A gun.
06:59A gun.
07:00A gun.
07:01A gun.
07:02A gun.
07:03A gun.
07:04A gun.
07:05A gun.
07:06A gun.
07:07A gun.
07:08A gun.
07:09A gun.
07:10A gun.
07:11A gun.
07:12A gun.
07:13A gun.
07:14A gun.
07:15A gun.
07:16A gun.
07:17A gun.
07:18A gun.
07:19A gun.
07:20A gun.
07:21A gun.
07:22A gun.
07:23A gun.
07:24A gun.
07:25A gun.
07:26A gun.
07:27A gun.
07:28A gun.
07:29A gun.
07:30We have to change the car. We have to modernize the car and then we have to break it.
07:37And now we have to give the bouquet of what we feel, unfortunately.
07:42You only have to go to the kitchen. You have completed six documents.
07:47Six? Really?
07:51Well, don't forget to complete the rules of all the rules,
07:55and that is to be good at home.
07:57Let's go to the kitchen, please.
08:00Let's talk about it.
08:05Do you have a good day?
08:27What about you?
08:28I'll remember all the other girls on social networks.
08:29It's a part of my research work. It's a professional deformity.
08:33It's mostly useful for writing.
08:35I remember all the other girls on social networks.
08:40This is a part of my research work.
08:44Profesional deformations.
08:46It's useful for writing.
08:48Now, Vesna is very unusual.
08:52It's crazy.
08:54It's crazy.
08:56It's crazy.
08:58We were together.
09:01Then she went to Paris.
09:05Now, I didn't know it.
09:08We were sent out via Skype.
09:12We're always happy.
09:21Excuse me.
09:23When are we going to mess with this mess?
09:25I don't know if you're an informal person.
09:28This is Zoki.
09:30This is our main partner.
09:32Velja.
09:33He's in the middle.
09:35You can't get away from it.
09:36You don't feel it.
09:37I don't feel it.
09:38My mother.
09:39Maybe.
09:40You've got to get away from the nose.
09:42You've got to get away from it.
09:44You've got to get away from the nerves.
09:46You can't get away from it.
09:48Velja.
09:49It's done.
09:50Look.
09:51Look at this.
09:56It's never a distintos embrace.
09:58The smell of love for the whole life.
10:05I know.
10:06Someone has signed the name.
10:07I know and who has signed the name.
10:09I know exactly who has signed the name.
10:12Who has signed the name?
10:13Take care, please.
10:14I won't be just...
10:17Don't.
10:18Okay, don't say anything. They don't understand. They are a lover.
10:24And you have to understand. I see it.
10:27Because everything we do is to become a part of the European family hotel.
10:33And they are sanitary.
10:37That's right.
10:39You are a good person and a good person.
10:42We haven't come back to you.
10:48Here we are.
10:53I can see myself.
11:04What is this?
11:07You know that there is a sanitary inspection in the hotel.
11:11You just need to see anything else.
11:18What is this?
11:21What is this?
11:23What is this?
11:25What is this?
11:28What is this?
11:30What is this?
11:31What is this?
11:33What's this?
11:34What are the rules of the house?
11:36Niko nije tako pouzdan kao naša Suzana i naša Olga.
11:47Možete slobodno u ove druge sobe, zato što Olga, naša, nije stigla da se izbori sa ovom.
11:55Mi sad koristimo ekološka sredstva. Ona su sporija od varikine.
12:01Varikina je nekad mogla jednim potezom. Pet bakterija.
12:04Ekologija je sad na nama, ipak...
12:18Suzana, Olga, izađete na polje. Ajde.
12:24Ajde, Suzo, ajde. Kreni. Aj za njom.
12:34Pasite na krastavac tu da ne gliznete.
12:38Umesto da budem na nekom institutu za jezike, ja sam propala i kao sobarica.
12:46Svaka čast Suzo.
12:48I šta sad radim? Ne zem, mogu se zaposlim recimo na trafici. To je veća plata, niko te ne maltretira.
12:58Lepo nudiš žvake na popustu i otereš nekog narkomana i Milina.
13:04Milina, na je to tako ču.
13:22Čau.
13:23Ćao.
13:31Ćao.
13:34Ćao.
13:38Super mirišaš.
13:40Ah, hvala ti.
13:41Mislim, za razliku od ovog hotela.
13:43Ej, izvini, to je neki kvar dole. Izvini, ja o to me nisam razmišljuša. Ja mogu, ako ti ovo smeta, ja mogu da ti ima drugi neki, da rezervišemo smešti drugi, ako...
13:57Ne, ne, sve okej.
13:59Jel da.
14:00Opusti se.
14:02Jel da.
14:04Nogo mi je drago da te vidim.
14:06Šest godina jelote.
14:07Jel da.
14:08Mm, jesam.
14:12Nogo je...
14:13Jako si lepe.
14:14Ah, hvala ti.
14:18Mnogo si lepe.
14:19Isi nekad rekla da si lepe?
14:22Nisi, nisi.
14:30Jako mi je čudno, izvini, molim te.
14:33Šta?
14:34Znaš, izvini, čudno mi je samo sve jako.
14:36Tako.
14:37I meni je čudno.
14:38Ili da?
14:39Da, okej, da nam budi čudno, kao.
14:44Ali ove...
14:45Na što te ovo podsjeća?
14:48Koje?
14:49Ovo.
14:52A...
14:53A, ovaj...
14:55Babu i Sopota, ova šte prdela non stop.
14:58Jest, jest, stvarno.
15:00Isto je to.
15:01Pa to je taj, ne zumeš ono.
15:02Dezo.
15:04Šta mi pričate?
15:05Ništa ja ne osjećam.
15:07E, se sećaš?
15:08Osjeća se, bre.
15:09Naravno, da, da.
15:10Prziši se, otimak samo, baba je.
15:15Ne, ne, to je, to je, ovaj...
15:21Ključ, čoveče, ključ.
15:22Izvini, molite, ja sam totalno nešto...
15:25Evo ti ključ, to ti piše, sprati to i lifti je vam ulevo.
15:31Jako si fin.
15:33A, ma ni.
15:35Nisu te takvog zapamtila?
15:39A nije, nego...
15:41Moram malo, a ti si ista.
15:43A, to je zaaptilo.
15:46A, to je zaaptilo.
15:49A, nema ni deset dana u...
15:52Zemognu hotelu skočio čovek.
15:53Ili pao, ne zna se.
15:55A, kažu, neki problemi sa prozorom.
15:58U, što je to nezgodno za hotel?
16:01Mišim, verovatno i za tog čoveka, ali to je za hotel katastrofa.
16:05To je...
16:06To možeš, još, ako zvijukne nekom na glavu, pa to možeš zatvoriš firmu, to je...
16:09A, najbolje je kad se stavi na kant.
16:13I onda, niko te ne tereti, a sigurnosna Brava ima soju svrhu.
16:18Pa, ne, kod nas se ne dolaze ti, ti što padaju, znate...
16:21A i ne znam, ja nijevo, otak, otkud njima ta ideja o što se skaču u hotelu.
16:24Gde se ovim to videli?
16:25Su čitali neku knjigu.
16:27Evo, Andrića, reci.
16:28Pa, most.
16:30Odeš na most, to je malo čak i romantično neku ruku, a ne,
16:34da uviješ u crnu jednu instituciju kao što je hotel.
16:37Ako ti nešto kažem, smati me ozbjela.
16:43Sve što sam vidio ovde danas je izuzetno loše.
16:47Zdravstvenih rizika na svakom čošku.
16:51Ali biti odgovoran za ugašena hotel je nije što strašno, život ide dalje.
16:56Ali za ugašen život, to nije mala razlika.
17:01Tu se sve menja.
17:02Dajte velja, jaču.
17:05Pa ne, vredje.
17:07Svi ćemo se lepo podaviti ugovnima.
17:12Ej, nenjo, sine, bravo.
17:15Evo ti, ovo patuce.
17:16A ne?
17:17A ovo kao, Bić.
17:19A je to kao u Brčiće, da onaj?
17:20Ka? Šta onaj?
17:22Pa onaka je pukla priča s briketima pa je bio, Haos u Splendid i sudje.
17:26Pa oj my yođak do ošat, znaš, nis te pričava?
17:28Pa za Brda, kad je odvod stavio i rezio ceilu sezonu onaj?
17:32Odvod jeli? Nilošo to, jeli je tvoj moj, ovo je to.
17:35Is he an engineer?
17:37Yes, he looks like he's lying down in the street,
17:40but I don't think he's a man.
17:43Let's go!
17:50Do you know how Andrić is seeing the streets,
17:52if I see hotels?
17:54Do you have someone in the gym or the fitness center?
17:56We have a spa.
17:58I would have brought you to the lady Masirana,
18:00but she was asked for a mom,
18:02so I left her.
18:03Director, if I could, just a moment, sorry.
18:05It's not a moment.
18:06Now, Suzana, later.
18:07Let me see that spa.
18:09Is it?
18:10Let's go, free.
18:12Do not need me.
18:13Do not need me.
18:14Do not need me.
18:15Do not need me.
18:16Do not need me.
18:22Do not need me.
18:33There...
18:35Do not have a spa.
18:37No, the spa is standing there.
18:39Five left, Alina Masirka has a screen there,
18:41If she wants to...
18:42Well, she's gonna open me a cup of water.
18:45Ok.
18:53Hey!
18:54I have to tell him a little bit.
18:56Okay, I thought I would go to the restaurant.
18:58No, no, no.
19:03No, no, no. I can tell him if I want to.
19:08I have a colleague who is doing a lot faster.
19:11He will do it immediately.
19:15It's a lot of love.
19:20Of course, I love.
19:22Do you want to tell me?
19:24Yes, I will.
19:26Okay.
19:29Let's go.
19:34I know that you know that I am not wrong for this debacle.
19:38I will not say that I am wrong.
19:40I will not tell you who is doing this chaos,
19:42but Olga is wrong.
19:44That doesn't mean my responsibility.
19:47I have to understand what will happen.
19:50I have to do this chaos.
19:52I can see everything.
19:53But I can't do it.
19:54I am very upset.
19:55I think it is the best to go.
19:57Suzana, you know what we need to do all of us?
20:00To save this road.
20:02But if we save it,
20:04it is a great chance for all of us.
20:06Everything changes.
20:07And for you.
20:08And for me.
20:09Yes.
20:10What does it change to the house?
20:12It is always a drink.
20:14It is always a drink.
20:15It is always a drink.
20:16It is always a drink.
20:17It is always a drink.
20:18It is not a toilet.
20:19But if we go to this European family hotel,
20:22it will be opened to some positions
20:24that will be filled with some kind of fun.
20:26Do you know?
20:27Do you understand?
20:28I am interested in your position?
20:30The manager.
20:31Yes.
20:32Yes.
20:33Yes.
20:34Yes.
20:35Yes.
20:36Yes.
20:37Yes.
20:38Yes.
20:39Yes.
20:40Yes.
20:41Yes.
20:42Yes.
20:43Yes.
20:44Yes.
20:45Yes.
20:46Yes.
20:47Yes.
20:48Yes.
20:49Yes.
20:50Yes.
20:51So, Suzana is a hearty for me.
20:54Yes.
20:55But I understand.
20:56She is the mother because of the child.
20:58She is a soul to the jour.
21:00I can't wait for a moment.
21:02We can be tandem.
21:06Now, we will be like...
21:09over Nishana.
21:15I am so sorry.
21:16I am so sorry for a small thing.
21:18Hey, how did the jacuzis hit?
21:22Well, the sanitary came out of some chaos.
21:26Yeah, the car broke, brother.
21:29I'll talk to you.
21:31Yes, yes, I can see.
21:34Hey, how was it in Aranjelovic?
21:39Yes, but did you tell me something?
21:46I mean, I gave him some answers.
21:49Okay, no, no, I understand.
21:53Okay, okay, it's important.
21:55Hello, hello.
21:57Are you here?
21:59Do you want me to fall right now?
22:01Do you want me to fall right here?
22:05Well, I didn't know that it was important for the sanitary.
22:12No, no, I don't have a girl.
22:16I don't have a girl for some time.
22:18I think that's what I've done.
22:20I'm really focused on my career.
22:23The receptionist?
22:25The scenarist.
22:27Yes, I write here for some time.
22:31But I can tell you, it's not related to sanitary.
22:34The guests are inspirations.
22:37No, no, no.
22:39The scenarist that passed me is a former.
22:42But no, she's not in the country.
22:44She's now back to something,
22:46but we haven't seen her long.
22:4960 years, actually.
22:54No, son.
22:56Some things
22:59have to get to the end.
23:02Even like in this hotel.
23:04To get out of here.
23:05To get out of here.
23:06To get out of here.
23:07To get out of here.
23:08Then you start from the beginning.
23:10With new people.
23:12When the relationship remainsquished,
23:15it will grow green and pearly.
23:18That it is just this one or that it is just that one.
23:20You live with a house, with a grief, with a pain,
23:25with a pain that doesn't hurt.
23:27A few years have passed,
23:30but it's just growing,
23:32it's just growing,
23:33it's just growing.
23:35The life
23:37obtains the consequences.
23:42Maybe the truth is different.
23:45Maybe it's the consequences
23:49of illusion.
23:57Do you want to close it?
24:03Yeah, close it.
24:06Throw the key.
24:08This is for people.
24:10This is a strange person.
24:15A strange person.
24:17He does the sanitation
24:18both around the person
24:19and around the person.
24:21Let's go!
24:23You're not the sanitation
24:32but you're the superman!
24:35I have a lot of information
24:37that in this new
24:39business in the hotel
24:41some of us will kill
24:43and some will profit.
24:45This is mainly related to your
24:47branch.
24:49What do you think?
24:51Who's already agreed
24:52to do this
24:53or you?
24:54To be a strong position
24:55here in the hotel.
24:56And who's the
24:57truck from Offenbach
24:58who's going to get
24:59out of the parking lot?
25:00Who told you?
25:01I heard
25:02when she agreed
25:04to the director
25:05She's evil.
25:06That's evil!
25:08Yes, yes.
25:09I know exactly how
25:10you are.
25:11You know,
25:12only when I see
25:13what they are preparing.
25:14I see exactly who
25:15Europe will take.
25:16Me or
25:17that little
25:18I
25:19and
25:20there's
25:21evidence on the
25:22whole planet
25:23against the white
25:24race.
25:25And
25:26only
25:27Mr. Trump
25:28can save us.
25:29But
25:30he's evil.
25:31What if he's evil?
25:32What if he's evil?
25:33What if he's evil?
25:34You know what I'm thinking?
25:35Come on,
25:36tell me
25:37if you're with us
25:38or if you're on our side
25:39or if you're going to fight
25:40for this hotel
25:41and for real value
25:42because if you're not with us
25:43then you're against us.
25:44Come on.
25:45What?
25:46Without
25:47revolution
25:48there's no
25:49progress.
25:50Okay, I don't say
25:51that I'm a
25:52writer,
25:53but I don't say
25:54that I'm not.
25:55And
25:56Suzanne could be
25:57a evil
25:58Tucakovic
25:59who had
26:00his revolver
26:01until death,
26:02but
26:03she decided
26:04to not be.
26:05That's it,
26:06you,
26:07the king.
26:08Give me
26:09the money.
26:10It's $500,000.
26:11This is $500,000.
26:12Yeah,
26:13no,
26:14no,
26:15no,
26:16no,
26:17no,
26:18no,
26:19no,
26:20no.
26:21No.
26:22And
26:23you just
26:24have to wait,
26:25no,
26:26no,
26:27no.
26:28No,
26:29no.
26:30No,
26:31no,
26:32no,
26:33no,
26:34no,
26:35no,
26:36no,
26:37no,
26:38no,
26:39no,
26:40no,
26:41Come on.
26:42Hey, that's the guy. I mean, there's no one.
26:46Super.
26:48So, it's just a bag back then.
26:51Not a room.
26:53Ah, no, sorry.
26:55Stop it!
26:58I mean, it's just a little reflex on the stove.
27:02Reflex?
27:04It's wrong.
27:06Maybe I didn't know why I was on the stove.
27:10What? I've always been transparent.
27:13I'm gone, yes.
27:14How did you get out of it? I don't know.
27:17What? When did I get out of it?
27:19Let me ask you, please.
27:21Ask me what you want to know.
27:23Why did you get out of it?
27:25About eight.
27:27Well, yes, because I told you to come.
27:30I told you to get out of it.
27:40I told you.
27:46You answered me.
27:50When I saw a joke in the bioskop, I remember you.
27:56Well.
27:58And, as much more, I thought it would be more often.
28:01I know.
28:03When I came to a boutique,
28:06I would say,
28:08Vesna, as long as it would be worth the money, it would be worth the money.
28:12What do you mean by that?
28:14Well, I don't mean by that, but these marketing prevarantists who are there.
28:17Well, don't you.
28:19It's still less infantile than the blockbuster.
28:23Do you write?
28:26No.
28:27No.
28:29Okay.
28:31And there's no one.
28:33What do you mean by me?
28:39Okay.
28:40Okay.
28:41Yes?
28:42Yes.
28:43So, you're doing films?
28:45Well, I try.
28:52That's nice to me.
28:59You're like a former valer.
29:03Yeah.
29:06There's a woman.
29:08Aha.
29:14I don't see him here now.
29:15Mm?
29:20I'm waiting for you to go for Manu and Vesna.
29:23I think that's been a great partner.
29:26No, really.
29:27No, really.
29:28Because one and the other are so sophisticated and spiritual.
29:33They don't have any respect.
29:35Yes.
29:36They're lovingly.
29:37Yes.
29:38Yes.
29:39The only difference between Vesna and Vesna and Vesna
29:41is that they would never be able to go to Aranđelovac
29:43with a football club, for example.
29:45Yes.
29:46Yes.
29:47You're so good.
29:49Yes.
29:50Yes.
29:51Yes.
29:52Yes.
29:54Yes.
29:55Yes.
29:56Yes.
29:57Yes.
29:58Yes.
29:59Yes.
30:00The nature is the most normal.
30:02Dead.
30:04Dead, the nature.
30:07This is our beloved girl from Osgo.
30:13From Osgo?
30:17Please, go to Shanks, you have a lot of work.
30:21There is no one.
30:23On the terrace we have our small Zoloch's village.
30:27We have Caradjordja, Teslu, Srdjana Djokovića.
30:39Can I see the terrace?
30:42Show the inspector all our wolves.
30:45Do you know how sweet they are?
30:47They go to the kitchen and they go to the kitchen.
30:49They go to the kitchen and they go to the kitchen.
30:51Go to Shanks!
30:53They go to the kitchen and they go to the kitchen.
30:55They go to the kitchen.
30:56They go to the kitchen and they go to the kitchen.
30:58They go to the kitchen and they go to the kitchen.
31:00And in Beograd, everyone has their own fish.
31:04But...
31:05You have to insist.
31:07No, no.
31:08No, no.
31:09No, I can't get them.
31:11No, we'll go to the kitchen.
31:12We're going to the kitchen and we're going to the kitchen.
31:14Yes.
31:19Oh...
31:21Who has problems with the blood?
31:24No, it is not a problem.
31:26No, it is not a problem.
31:27My mother is an inspection.
31:29It's a sanitation.
31:31Who is being a boss?
31:34How did we solve all the problems?
31:38All of us get rid of it, all of us get rid of it.
31:40What do we need to do?
31:43The birds need to get out.
31:46Please?
31:47Or they don't need it, if you don't want to get out of it.
31:51How would it be if I get out of it a little bit?
31:54Please, please.
31:55Civilization.
31:57The birds are social beings.
32:02They remember their faces.
32:04They see all the worlds of the world that people can't see.
32:09And just as they see maps and routes,
32:13this civilization would have failed,
32:15so the birds wouldn't help us.
32:18What kind of email?
32:20And now, what?
32:21We can store them, right?
32:23Well, how, man?
32:25We can store them when this is their place.
32:29Then it will only be their place.
32:31There's nothing against them.
32:39I don't want to store the birds.
32:42You can see all of them, they remain.
32:46The birds are better than all of us.
32:49And if someone else is just a joke,
32:52I'll give you my son.
32:53I'll give you my son.
32:55I'll give you my son.
32:58Oh, my God.
33:00What?
33:01What?
33:03I mean, how do I do this?
33:05I don't want to write down.
33:07I don't want to write down.
33:09What?
33:10Is there something in the newspaper?
33:12Let's do it.
33:14Let's do it.
33:15Let's do it.
33:17Let's do it.
33:19Listen.
33:22Maybe the best for everything is to open the hotel.
33:29I'm just an inspector.
33:34But after so many years of revelations,
33:40and malversations,
33:42it's important to recognize what bad battles are.
33:49Inspector, we're so close.
33:54We're so close to the European family hotel.
33:57We're waiting.
33:59We're waiting for a little time.
34:04A little time for a life, a hotel, an idea.
34:08Don't forget to lose time for battles that can't win.
34:22Vesheraj.
34:24Please?
34:25Unfortunately, I won't be able to sign up to you.
34:29It's not completely.
34:30You haven't looked at Vesheraj.
34:32It's a long time for the work.
34:37That's it?
34:38That's it.
34:40Let's see that Vesheraj.
34:42Yes, you can see Vesheraj.
34:55It's not the same.
34:56It's not the same.
34:57Everything works.
34:58You're happy.
34:59It's not the same.
35:01I'm sorry.
35:02You are so close.
35:03From home.
35:04You're back in the same place.
35:06It's not the same.
35:07It's not the same.
35:08Everything works.
35:09And now everything works.
35:10That's the same.
35:11You have to take it.
35:12To me,
35:15you're not going to leave.
35:16You're not going to leave.
35:17I don't know.
35:18I'm not going.
35:19Deki, sve smo sredili. Sad sve radi.
35:26Imamo sad to ekološko grejanje, a ništa više ne smrdi nagovna.
35:31Mogu molim te da se vratimo u svoj opis.
35:35Gotovo je, Bane. Zatvaraju nas.
35:39Razumem, kako?
35:42Šta bre, kako?
35:45Nema, težak je čovjek. Molio sam. Plaku, kuku, ne vredio.
35:50Ima danas za katančebre, sutra mogotovi.
35:54Dobro, Dekio si pokušao da mu ponudiš neki novac.
35:57Odakle mene novac? Ja sam svoj novac dao.
36:02I to deo ovdje, ovaj hotel, iza kuvare, iza promene, iza tvoje vegane, fašiste.
36:08Ja sam jedino kriv što sam davao.
36:11Ajde, bre.
36:13Ne bih se opraćat, bre, čovječ.
36:16Ja sam misli još ti moj drug.
36:19Ne moj se oslonim na tebe, bre.
36:22Ja sam, bre, fit vrić.
36:24Samo si mi skoristio se upucavaš veganu.
36:28Sveš koje sremota, bre, bre, da se gleda kako ti leziš preko kuče neko pred onim.
36:32Slan te bila, bre. Toki momak.
36:35Volo u rep, bre, čupas tu te.
36:37Te, je te zapratio. Je te zapratio.
36:38Je te zapratio. Je te prati sad. Je te oskar prati osvalda. Ko prati koga?
36:41Ne prati, ne prati.
36:42Pa je te zapratio. Pratite se više.
36:45Deki, ja sam...
36:50Deki.
36:52Deki, znam šta ćemo.
36:53Na šta, ba ne.
36:55Zadrži to za sebe, sam.
36:59Svako za sebe, ba ne.
37:01Ti, druža, reče da odigranaš na sekundu, sta si na produžetki, pa na...
37:08Izmini, brate, molim te, ali, ono, nismo se dugo videli.
37:12Ko? Koga nisi dugo videla?
37:14Eh?
37:15Eh?
37:16Eh?
37:17Eh, pa ti si tu.
37:18Eh, ma da.
37:19Da, če krenula neka alergija, pa smo ju rili neke antihistaminike, ono, nikad gori put, užaz.
37:25Svano ne znam zašto va zovemo Jače Polo.
37:27Pa, mora neko da nosi taj nameštaj, jel?
37:32Al baš mi krivo što vam nije ispalo to sve super.
37:35Ćao.
37:36Ćao.
37:39Kad ti završaš?
37:40Misla sam da idemo na piće.
37:44Ana, ovo je Vesna, Vesna, ovo je Ana.
37:47Vesna iz Francuski.
37:49Ana.
37:50Vesna, drago mi je.
37:51Drago mi je.
37:52Ana, ti radiš ovde?
37:54Super.
37:56A, ovaj, vi se znate dugo.
38:01Pa, zapravo se tek sad upoznajemo.
38:06Pa, da, u stani drugari, što si se reklo. Onako, od moje devetneste ustavi.
38:14Ništa, ovaj, cimni ti mene kad završiš, a Ana ti slobodno kreni sa nama.
38:19Da, hvala.
38:22Hvala.
38:24Nema nače.
38:30Ovaj, idem, imam posla...
38:32A, jasno, i ja. Isto znamo, vidim kol' kreja da je čeka, pa idem da...
38:37A, vidim se.
38:38Ajde, ajde.
38:39Ajde, idem, ja isto.
38:40Čau.
38:41Tek se sad upoznajemo, usrću se.
38:45Znači, ono, došla liba iz Pariza zapišava teritoriju.
38:49Polimene uvoj, ni se jedan ljubomorna, daleko bilo.
38:52Ali, mislim, iskreno žao mi je, zato što je Dujević dobar dečko i stvarno, ono...
38:57Samo je retardiran, naš.
38:58I, ovaj...
39:01Ta riba je bipolarno.
39:02Sto posto.
39:03Jedan dan crkutava, drugi dan će da gude ambis.
39:05I posto će on meni da kuka.
39:07Znamo.
39:16Jedna stvar želim da ostane pribeležena.
39:20Moj Oskar je danas snimio svoju prvu reklamu, za banko.
39:23I dobio svoj prvi honorar.
39:26Njemu taj novac nije potreban, ali je potreban našem hotelu.
39:30I mislim da je najčestitije, najispravnije, da taj novac podignem
39:35i da ga dam da spasimo naš prelepi hotel.
39:39Mali znak pažnje od hotela.
39:42Ma, nemajte.
39:46Insistiram.
39:47Vi ste bili toliko ljubazni prema nama, redje, da vam se odužem.
39:50Ma, ne, sklonite to, molim vas, dok sam još dobro volje.
39:54Znamo gde živimo.
39:56Ma, ne, ne, zašto to radite, nemojte to da radite, molim vas.
40:01Ja insistiram da se vi urazumite.
40:03Ali ne primam novac, ja vam jasno.
40:06Ma, ne živite sigurno od vazduha.
40:08Ma, sklonite to, molim vas, nemojte.
40:11Ma, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne.
40:13Na, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne, ne
40:43When I don't do my job, people go to the hospital.
40:51Is that right?
41:08That's how democracy dies.
41:11Not with barricades, with sherpas, with boats.
41:17But with a sign.
41:20And...
41:23When will they open us?
41:28I'll send the lawyer to the police.
41:36I'm sorry.
41:44And my name.
41:46Can you call me a taxi?
41:48Yes, of course.
41:50Nenjo, help the person to find a taxi.
41:53A taxi in Uru?
41:55It's difficult to try.
41:57I'm sorry, Dick.
42:01I've tried it all.
42:09Sorry. I tried everything.
42:16What did you try?
42:19I took Oscar's money and tried to give them to the inspector.
42:24I thought I was mad.
42:27I just wanted to do the best for all of them.
42:31I didn't know what to do.
42:34I didn't know what to do.
42:37I didn't know what to do.
42:39Okay, okay.
42:43Sorry.
42:45Sorry, I was a bad guy.
42:49Yes.
42:51I didn't know what to say.
42:53I didn't know what to say.
42:55Sorry.
42:57I don't want anything more.
42:59I don't want anything.
43:01I don't want anything.
43:03I don't know what to say.
43:05This is your European moment.
43:07If you could get to the meeting of the hotel,
43:12it would be a start.
43:15You are from the Crnogore.
43:17Yes, from the Bielopavlje.
43:19What are you talking about?
43:21Yes, it's a joke.
43:23My son is in Podgorica,
43:24and I am here two years ago.
43:26From Brajovic, Djurovic, Jovanovic?
43:28Yes, from Brajovic.
43:29Yes, from Brajovic.
43:30What are you talking about?
43:33My son is in Podgorica.
43:36I've been there two years ago.
43:39You're from Brajovića, Djurovića, Jovanovića?
43:42From Brajovića?
43:44What are you talking about?
43:46No.
43:48Do you know who you are?
43:50The old guy.
43:52I don't know him.
43:54I don't know him.
43:56Oh my son, you're good!
43:58It is possible.
44:00But you know that you already know,
44:02the old guy.
44:04The old guy.
44:06The old guy?
44:08What are you talking about?
44:10The poor and the poor and the poor,
44:12the poor and the poor and the poor,
44:14the poor and the poor.
44:16It's the only thing you call it.
44:18You've got it.
44:20I've got it.
44:22We've got it.
44:24We are the guards. We live under the celestial process of danger and death.
44:30These are our games and the heroes.
44:32This is from the words of the cowardly politica,
44:34who is flying from the wall in his face of the kingdom.
44:38There is a snake in the dead end, waiting in the eyes of the Shekiru.
44:44Let me pray.
44:47You know how you are, Pradova?
44:49And you are right to me.
44:52I pray you!
44:54You are 45 years old.
44:56Well, here you go.
44:58Do you know what these people are doing here?
45:00From the body?
45:02That means that they didn't work for me.
45:04They took me to them.
45:06They took me to them.
45:08They took me to them.
45:10They took me to them.
45:12They took me to them.
45:14They took me to them.
45:16They saved me.
45:18They were lucky.
45:26Okay.
45:28Hold on.
45:30Hold on.
45:32Hold on.
45:34Hold on.
45:36You are alive.
45:38You are alive.
45:40How did you do that?
45:42You are alive.
45:46We were done with you.
45:48You are alive.
45:50You are alive.
45:52You are alive.
45:58Let me introduce you.
46:00Our collective and our syndicate.
46:02I am the assistant.
46:04Maybe.
46:06We have to see who is here.
46:08Who is the right and who is the wrong path.
46:10We are alive.
46:12We are alive.
46:14We are alive.
46:16You are alive.
46:18You are alive.
46:20You are alive.
46:21Okay.
46:22Thank you, Susanna.
46:24You have your own.
46:26There are two types of people.
46:28Those who are trying to destroy the truth in the world.
46:34And those who pray to God that they do not destroy the truth in the world.
46:40Dr. Ritchi, I think it is only stressful for everyone.
46:46But I am alive.
46:47In my life, it is not a banal.
46:49We are experiencing torture here today.
46:51Because you two have to be able to destroy the truth in Europe.
46:55The assistant will protect us.
46:58Do you think this assistant?
47:01That's the one.
47:03That's the one.
47:05Hey.
47:06How did you look at this?
47:08Nothing.
47:09You are talking about this man.
47:11Ha-ha-ha!
47:12Bravo!
47:13Bravo, bravo!
47:19hu-hu-hu-hu-va!
47:21Ch Johnsburgans dinner for thegaera.
47:23Bravo.
47:24Hé-hu-hu-hu-hu-hu!
47:25Hi-hu-hu-hu-hu-hu-hu-hu-u tatsächlich-
47:28I have reserved a room with a window to the east.
47:49It is important that the window doesn't look at the street,
47:55but it will look at the east.
48:01How many nights?
48:03One, the last one.
48:05Sorry, I'll write it here.
48:09The last check-in is on a long, long life path.
48:19Yes, the check-in is up to 10, the number for Wi-Fi is not a little bit.
48:24I'm just curious to see the window at the east.
48:33I'm curious to see the details.
48:38What?
48:40It's like someone who is a serial killer.
48:43Yes, yes, I'll tell you.
48:46I'll tell you.
48:48I'm curious to see the details.
49:03I'm curious to see the details.
49:07I'm curious to see the details of the video.
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