- 2 days ago
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00:00THE END
00:04Please, please take the mask. Thank you.
00:06Please, please.
00:07Thank you. Come to us again.
00:08It's nice. All the best. Thank you so much for your time.
00:10Please, please take the mask.
00:20Give me a hug.
00:23Give me a hug.
00:24Hey!
00:27Hey! Did you get out of here?
00:29I don't know.
00:31We are in the house.
00:33I know. I told them they don't do anything.
00:35They don't do anything.
00:37Let's go.
00:39Let's go there and send me someone to get out of here.
00:44Did I tell you?
00:45That's the whole hotel of the house of the house.
00:48They will send us out of the street.
00:50They will send us to the sanitar.
00:52You and your vegan.
00:54You and your old man.
00:56Hey!
00:57Call us quickly to help the house of the house.
01:01The house of the house will need some money.
01:04Why are they not paid for the hormones?
01:06Yes.
01:07But this vegan factor was a little organic.
01:11How much?
01:12What?
01:13What?
01:14What?
01:15What?
01:16I just wanted to help.
01:18I didn't have a bad idea.
01:19And we have an economic environment.
01:22He is not an HR manager anymore.
01:25He is now your boss.
01:27He is here to help you to get out of the house.
01:30Enjoy.
01:31What?
01:32Wrapping.
01:33The nose is the best to remember.
01:36Do you remember Rado?
01:39By the winter of the south of 1993.
01:40Under the north of 1993.
01:41порring.
01:42While ciel with 13Chric你, Hermann川 works for the night.
01:44See youč.
01:45A what?
01:46Do you remember all your calories?
01:47You are not submarines?
01:48Just come up?
01:49An what?
01:54I don't know what you mean.
01:56What is it, Dujović?
01:59You don't have Hanume, you'll be right back.
02:03I don't know why you're talking.
02:05I'm not a fool, I'd see you and Ana.
02:09No, no, no, we're friends.
02:13Let me give you a coffee.
02:15Here, here, let's go.
02:17Okay, let's go.
02:19She's going to be the next one.
02:21She's going to be the next one.
02:24I'm going to be the next one.
02:26I'm going to be the next one.
02:28I'm going to be the next one.
02:30I'm going to be the next one.
02:32Give me a coffee, please.
02:34Here, where are you?
02:36Wait, is that she's going to be the next one?
02:40No, no, no.
02:42I have other combinations.
02:46Okay, but you said that Ana is only a colleague.
02:49I'll ask you.
02:51Where are you now?
02:54A coffee?
02:55Dujović?
02:56We call such people,
02:59FutoFutni.
03:09I can't.
03:10I can't talk with anyone else.
03:12Just with you.
03:13I can't talk with you.
03:14And it's clear to you that we're going to be in a war.
03:16We're going to be in a direct criminalization.
03:17We're going to be in a direct criminalization.
03:18Yes.
03:19That's why we need to be united.
03:21This guy isn't just a false and unfulfilled director.
03:24He's stupid, unrighteous and aggressive.
03:27I didn't say that.
03:29I didn't say that.
03:30I didn't say that in Serbia, I didn't say that.
03:32I didn't say that.
03:33I didn't say that.
03:34I didn't say that.
03:35I know that you told him, brother.
03:37But...
03:38I know Inspector Momoa.
03:42I was in a restaurant in the past 20 years.
03:46He's not even looked at me through my fingers.
03:49He's a stupid man.
03:51Between the smoke from 2014...
03:53...and the smoke from the sanitary inspection...
03:55...I'm taking the smoke from the sanitary inspection.
03:57And I was listening to the murder of the morgue.
04:10Why are these from the malade Pramik?
04:11What is it?
04:12What's the mess?
04:13What can I come from the old now?
04:14Yes, Inspector.
04:15I'm going to tell her one day,
04:16to the more food is to go outside the other.
04:18Well good.
04:21You know the alarm to the� beef-hu fare room...?
04:24We are not here in the hospital. We are here in the fighting field.
04:29We are here every day.
04:31We will not eat food with the taste of detergent.
04:36Really.
04:37Six months and two weeks.
04:41From when the blood is not cleaned.
04:45Do you have a sanitary?
04:47Of course.
04:49What is that for me? I'm healthy.
04:52I'm healthy. Sanitary.
04:54That's right.
04:56Have you had a trap?
04:58A trap.
04:59A trap.
05:00A trap.
05:01A trap.
05:02A trap.
05:03A trap.
05:04A trap.
05:05A trap.
05:06Inspector.
05:08Let me give you something to you.
05:11We love the inspectors here.
05:13Is that right?
05:15That's right.
05:16I know how to fix the inspectors.
05:19They are people.
05:20They are people.
05:21They want to value professionals when they stand in front of them.
05:24You understand?
05:25The other thing.
05:26We are full of FH.
05:27You understand?
05:28It is very nice.
05:29It is a very nice change.
05:30I don't know if it will break.
05:32What would it break?
05:36It is a trap.
05:37It is just a trap.
05:38You know what you feel.
05:39It is the burning.
05:40It is a trap.
05:41We are trying to adjust the doors.
05:42We will be able to adjust the doors.
05:43We will be able to adjust the doors to the door.
05:44We will be able to modernize it.
05:45It became a trap.
05:46And now...
05:47...this bucket is the right thing.
05:49It is a trap.
05:50It is a trap.
05:51Unfortunately.
05:52However, you are going to the kitchen.
05:53You have to be able to fix six orders.
05:55Six orders?
05:56Six?
05:57Really?
05:59Really?
06:01Well, don't forget the main rule of all the rules.
06:04That's to be a good home.
06:06Let's drink, I pray.
06:09Let's talk.
06:14Good day, good day.
06:29Keep going, keep going.
06:32She is a rebel and a rebel.
06:35She is dead.
06:42She is a rebel, she is called a rebel.
06:45She is hostile to your regular family.
06:47I read the current girls on social networks.
06:51It's a part of my research work.
06:54Profesional deformation.
06:57Now, Vesna is very unusual.
07:02He is not surprising.
07:05That's right.
07:07We were together.
07:10Then she went to Paris.
07:14I didn't know that distance.
07:18We were sent to Skype.
07:21But we were born together.
07:27Please.
07:32When are we going to mess with this mess?
07:35I don't want to ask any information.
07:38This is Zoki.
07:40He is the headman and the headman.
07:42Velja.
07:43He is in trouble.
07:45You can't go away.
07:46You don't feel it anymore.
07:48My mother, maybe.
07:50He has fallen into the nose.
07:52He has fallen into the nerve.
07:55You can't go away.
07:57You don't need it.
07:58Velja is in trouble.
08:00Look at him.
08:04He has never been knocked out of the cage.
08:07He has been smelling of love for the whole life.
08:10I know that someone has been sponsored.
08:16I also know who was even sponsored with us.
08:19I absolutely know that.
08:20Who has been sponsored with us?
08:23He can't tell us either.
08:25I won't tell you.
08:26Do not.
08:27No.
08:28Okay, you don't have to say anything.
08:30They don't have to understand, they are love.
08:33And you have to understand, I see it.
08:36Because we do everything we do,
08:39to become part of the European family hotel.
08:42You understand?
08:44And they are sanitary.
08:47Is that right?
08:49But you understand, I see.
08:51And you are a good person.
08:53We haven't come back to you.
08:58Here we go.
09:02Here we go.
09:04Yes.
09:06I can see myself.
09:14What is this?
09:16What?
09:18Do you know there is a sanitary inspection in the hotel?
09:21You just need to do anything else.
09:28What is this?
09:30What is this?
09:32What is this?
09:34What?
09:37What is this?
09:38What is this?
09:39What is this?
09:40What is this?
09:42What is this?
09:44What is this, what is this?
09:46What is this loan?
09:47What is this loan?
09:48What is this loan, where we open it?
09:50No one is less than our Suzanne and our...
09:53Our...
09:54...Olga.
09:55Olga.
09:57You can be free to sit in this other room,
09:59because Olga is not able to decide with this.
10:04We now use ecological resources.
10:08They are more than Varikina.
10:10Varikina was once able to get one dose.
10:13Five bacteria.
10:14The ecology is now on us.
10:25Susana, Olga.
10:30Go to the beach.
10:32Let's go.
10:34Let's go.
10:35Let's go.
10:36Let's go.
10:37Let's go.
10:38Let's go.
10:44Watch out there.
10:47I'm not going to be in a language institute.
10:53I'm also a person.
10:56Every part of the work is a person.
10:59And what do I do now?
11:01I don't know.
11:02I can go on traffic.
11:05It's more expensive.
11:06Nobody will be raped.
11:08You're in trouble.
11:10You're in trouble.
11:12You get a narcotic.
11:14I'll be fine.
11:16Let's go.
11:17See you.
11:45See you.
11:46You smell great.
11:51I mean, it's different from this hotel.
11:54Sorry, that's a little bit.
11:58Sorry, I didn't think about it.
12:01I can, if this is a mess, I can reserve it for you.
12:06No, no, everything is okay.
12:09Let's go.
12:11I'm very happy to see you.
12:16You're six years old.
12:19Yes.
12:22You're so beautiful.
12:28You're so beautiful.
12:30Have you told me you're beautiful?
12:32No, you're not.
12:39It's very strange. Sorry, I'm sorry.
12:42What?
12:43You know, sorry, sorry.
12:45Sorry, it's sad for me.
12:46It's sad for me.
12:47It's sad for me.
12:48It's sad for me.
12:49Yes.
12:50Okay, it's sad for us.
12:54But...
12:55You know what?
12:57I'm sorry.
12:58What?
12:59What?
13:00What?
13:01What?
13:02Ah, this... Babu and Sopota!
13:06Yes!
13:08Yes, really.
13:10That's it.
13:12What are you talking about?
13:15I don't feel anything.
13:17Do you remember yourself?
13:18Yes, of course.
13:20Yes, of course.
13:22No, no.
13:24That's...
13:26That's...
13:30A key, the key.
13:32Sorry, please.
13:34I'm totally...
13:36This is the key, you can see it.
13:38And the lift is on the left.
13:40You're very nice.
13:42No.
13:44You don't remember that.
13:46It's not.
13:50I have to.
13:52You're the same.
13:56Ah, that's what happened.
13:58I don't know.
14:00Only 10 days in the hotel,
14:02or a half, I don't know.
14:04Some problems with the door.
14:08What's wrong with the hotel?
14:10I don't think it's for the hotel,
14:12but it's for the hotel.
14:14It's for the hotel.
14:16You can see, if someone hits the head
14:18and you can open the door.
14:20It's...
14:21The best is when you put it on the door.
14:23And then...
14:24No one will be scared.
14:26The brave one has their own purpose.
14:28No, no, you don't come from us.
14:30You know, you don't know.
14:31I don't know.
14:32I don't know.
14:33Where are they going to the hotel?
14:34Where are they going to the hotel?
14:35Where are they going to the hotel?
14:36They read a book.
14:37There's a book.
14:38Andrić, he's saying.
14:39The bridge.
14:40You go to the bridge.
14:41It's a romantic hand.
14:43You can put a black institution
14:45like a hotel.
14:47What?
14:48If I tell you something,
14:50you can understand me.
14:53Everything I've seen here today
14:55is extremely bad.
14:57Health risks on each other.
15:00Yes.
15:01But being responsible for the hotel
15:03is not scary.
15:04The life goes on.
15:06But for the life,
15:08there's no difference.
15:10Everything changes here.
15:12What?
15:13Give me a little bit.
15:14No, no.
15:15It's okay.
15:16We'll all be able to put it in the house.
15:19Hey, son.
15:22Good.
15:23Here you go.
15:25Here you go.
15:26This is the house.
15:27Do you think it's like a bridge?
15:29What?
15:30What?
15:31Well, when he broke the story
15:32with briquettes,
15:33it was a chaos.
15:34It was a great deal.
15:35My family came to the house.
15:36You know what?
15:37You don't have a story.
15:38Well, in the river,
15:39when he took the entrance
15:40and finished the entire season.
15:41The entrance.
15:42Yes.
15:43Yes.
15:44Is that your family
15:45an engineer?
15:46Yes.
15:47Yes.
15:48I don't think he's lying down
15:49in the middle.
15:50I don't think he's lying down
15:51in the middle.
15:52I don't think he's lying.
15:53Come on.
15:54Come on.
15:55Come on.
15:56Come on.
15:57Come on.
15:58Come on.
15:59Come on.
16:00Do you know how Andrić
16:01I can see the rest of the hotel?
16:03Do you have a wheelchair
16:04or a fitness center?
16:05Yes.
16:06We have a spa.
16:07Wow.
16:08I mean, I would have brought
16:09a nightmare on the girl
16:10of Masira,
16:11but I would have asked her
16:12to get her.
16:13Director, if I can,
16:14I'm sorry.
16:15No.
16:16No.
16:17No.
16:18I'll see the spa.
16:19Come on.
16:20Come on.
16:21Come on.
16:22Don't need me.
16:23No, no, no.
16:24No, I'm going to be sitting there at the reception.
16:25No need me.
16:32Give some out of the whole
16:33daughter.
16:46Oh, where is the spa?
16:49Lina Maserka is there now, if you want.
16:52Let me open it up.
17:02Hi.
17:03Hi.
17:04Can I just show you something?
17:06Okay, I thought I would go to the restaurant.
17:08No, the restaurant.
17:13No, no, no.
17:14Can I ask you something?
17:16I have a colleague who will do it quickly.
17:21He will do it right now.
17:25It's a lot of love.
17:30Of course, I'm loving it.
17:34I'll try it quickly.
17:36Okay.
17:39Let's go.
17:41Let's go.
17:44I know that you know that I'm not wrong for this debacle.
17:48I'm not going to tell you what is going to do this chaos, but Olga is wrong.
17:54I mean, that doesn't change my responsibility.
17:57I have to understand what will happen.
17:59All the signs are going to be there.
18:00I can see everything.
18:02But I can't.
18:03I think that's the best way to go.
18:06Susana, you know what we need to do?
18:10To save this hotel.
18:12But if we save this, it's a great chance for all of us.
18:15Everything changes.
18:16And for you.
18:18For me it changes.
18:19Yes.
18:20What does it change for the house?
18:23The coffee shop is always a coffee shop.
18:25And always drink the coffee shop.
18:27And not in the toilet.
18:29But if we go to this European family hotel,
18:32it will open up some positions that have to be filled with someone's sleep.
18:37Do you understand?
18:38What does it take to you, for example, the position...
18:41...desk manager.
18:43That's it.
18:45I see you.
18:47I would know you.
18:48You know what?
18:49Yes.
18:50That's it.
18:51That's your position.
18:52If you want to go.
18:53You understand?
18:54No one can't.
18:55I can't do this between us.
18:56Yes.
18:57I can't do this.
18:58Let's go.
19:00That's right, Susana.
19:02My heart is a little.
19:04I understand.
19:05She's mother because of the child.
19:07She has to sell the soul to the house.
19:10She's a waste.
19:12We could be a tandem.
19:15And now we'll see...
19:19...
19:20...
19:22...
19:23...
19:24...
19:25...
19:26...
19:27...
19:28...
19:29...
19:30Oh...
19:31...
19:44...
19:45...
19:45Hey, what's up in Aranđelovic?
19:50Aha.
19:52Did you say something?
19:55I mean, did you give him some answers?
19:59Ah, okay, no, no, no, I understand.
20:02Okay, okay, it's important.
20:03Hello, hello.
20:06I'm sorry, I'm sorry.
20:07Do you want me to fall right now?
20:11Do you want me to fall right now?
20:15No, I didn't know that it was important for sanitation.
20:21No, no, no, I don't have a girl.
20:25I don't have a girl for some time.
20:27I mean, that's what I've done.
20:29I'm really focused on my career.
20:32The receptionist?
20:34The scenarists.
20:36Yes, I'm writing here for some time.
20:40But I can tell you, it's not related to sanitation.
20:43But the guests are inspiration.
20:47No, no, this, this, this, this, this, this, this past, this is my former.
20:51But no, it's not more in the country.
20:53She's now back to something.
20:55But we haven't seen it long.
20:5960 years, actually.
21:01What's up?
21:02No, my brother.
21:03No, I don't know.
21:04Oh, boy.
21:06Some things must be the end.
21:11Like as the hotel.
21:13To get up, to finish.
21:16Then start from the beginning.
21:18from the beginning, with new people.
21:22When the relationship becomes unrecognito,
21:26then you grow red, and you grow.
21:28You grow this or that.
21:30You live with a rain, with a fear,
21:34with a pain that does not allow you.
21:38A few decades, you grow,
21:40and you grow.
21:42You grow.
21:44Life,
21:46and you grow,
21:48and you grow.
21:52Maybe truth is different.
21:54Maybe you grow.
21:56Maybe you grow.
21:58Illusion.
22:11Do you want to finish this?
22:13Well, finish it,
22:15and throw it out.
22:17This is not for people.
22:19This is for people.
22:23He's a strange man.
22:25He's doing the sanitation
22:27both around the man and in the man.
22:31Come on!
22:35Good!
22:37You're not your health care.
22:41You're a great man.
22:43I have known information that
22:47in this new business,
22:49some of us will be
22:51and some will profit.
22:53This is mainly related to your branch.
22:55I mean,
22:57to the suburbs.
22:59What do you think?
23:00Who's already agreed
23:01to do this,
23:02or you,
23:03for a strong position
23:04here in the hotel?
23:05And who's going to
23:06this truck from Offenbach
23:07and keep going?
23:08Who told you?
23:09I've heard
23:11when she agreed
23:13to the director.
23:14It's evil.
23:15It's evil!
23:17Yes, yes.
23:18I know exactly how
23:19you are.
23:20You know,
23:21only when I see
23:22what I do.
23:23I can see who
23:24Europe will take.
23:25Me,
23:26or that
23:27man.
23:28Olga,
23:29there are
23:30proofs on the level
23:31of the whole planet
23:32against the white race.
23:33And
23:34the only
23:35Mr. Trump
23:36can save us.
23:38But
23:39it's evil.
23:40What if it's evil?
23:41What if it's evil?
23:42What if it's evil?
23:43You know what I thought.
23:44Come on,
23:45tell me.
23:46Are you with us?
23:47Are you on our side?
23:48Are you going to fight
23:49for this hotel
23:50and the real value?
23:51Because if you're not with us,
23:52then you're against us.
23:53Let's go.
23:56Without revolution,
23:57there's no progress.
23:58Okay,
23:59I don't say for myself
24:00that I'm a piece,
24:01but I don't say
24:02that I'm not.
24:04And
24:05Susan was able
24:06to be a
24:07Tucaković
24:07who found
24:08a revolver
24:09until death,
24:10but
24:11she decided
24:12to not be.
24:14That's it,
24:15you,
24:16you,
24:17you.
24:18Give me
24:19the money,
24:20you.
24:21Let's go to the table,
24:23we'll 20
24:24and we'll go to the table.
24:25No we're in there,
24:26we'll go to the table,
24:27wait,
24:28wait,
24:29wait,
24:30wait,
24:31wait,
24:32wait,
24:33wait,
24:34wait,
24:35wait,
24:36wait,
24:37wait.
24:38I don't like
24:39wait,
24:40wait,
24:41wait.
24:42.
24:47Hey.
24:48Hey.
24:49Hi.
24:50Come on.
24:51Come on.
24:52Hey, you were sitting in the middle of the room.
24:54I don't have any trouble.
24:55Super.
24:57So, again, a carrot.
25:00Not a place.
25:02No, sorry.
25:04Sorry.
25:05I'm sorry.
25:07It's just a reflex with the rest.
25:11Reflex.
25:13Hmm.
25:14It's a bad reflex.
25:16Well, maybe I didn't know why I was on the stove.
25:19What?
25:20I've always been transparent.
25:22Yes, yes.
25:23How are you without a picture?
25:25I don't believe it.
25:27What?
25:28I don't know.
25:29Please ask me.
25:30Please ask me.
25:31What do you want to know?
25:32What did you get?
25:34About 8.
25:36Yes, because I told you to come.
25:39What?
25:40I told you to come.
25:42What?
25:43What?
25:44What?
25:45What?
25:46What?
25:56When I saw some shit in the bioskop, I would remember you.
26:04That's true.
26:07And what more shit I would have thought about you later.
26:11That's right.
26:13When I go to a boutique, when I see it on the spot, I would say,
26:18Vesna, how much money would be worth it.
26:21I don't understand.
26:23I don't understand.
26:25I don't understand.
26:27I don't understand.
26:29It's more infantile than a blockbuster.
26:33Do you write?
26:35No.
26:37No.
26:39Okay.
26:41I don't understand.
26:45What?
26:47What do you think of me?
26:49Okay.
26:50Okay.
26:51Yes?
26:52Yes.
26:53So, do you play movies?
26:55I try.
27:02That's good.
27:04Bigs.
27:05You play movies, man.
27:06You play movies, man.
27:08Yes.
27:09You play movies, man.
27:10Yes.
27:11He's an old friend.
27:12No.
27:16He's a kid.
27:17I have a mom.
27:18Yes.
27:19No.
27:24I haven't seen him here.
27:25I don't care.
27:26I can't wait to visit Manu and Vestu. I think they would have been a great partner.
27:36One and the other are so sophisticated and spiritual. They don't have any regret.
27:45They are very loved.
27:48Yes, but Vestu would have never been to Aranđelovac with a footballer Tubson, for example.
27:55Yes, she still keeps herself a little bit.
28:05A wonderful choice.
28:07My God.
28:09The nature is the most normal.
28:11The dead.
28:13The dead.
28:16The dead.
28:18The dead.
28:19The dead.
28:20The dead.
28:21The dead.
28:22The dead.
28:23The dead?
28:25They are going to the Shanks.
28:28You have a lot of jobs.
28:29No, no, no.
28:31We have our little Zološi village.
28:36We have Caradjorda, Teslu, Serdana Djokovic.
28:45We have a lot of jobs.
28:46We have to go.
28:47Anywhere we have a lot of jobs.
28:48We have to go.
28:49Yes, sir.
28:50We can see this here?
28:51Yes, sir.
28:52Show us all our mouths.
28:55Do you know how sweet they are.
28:56They fly like they are in the kitchen and are in the kitchen.
28:58They all are in the kitchen.
29:00All they can see.
29:01Fred Jušank, thank you very much.
29:03It's all good. It's closed and closed.
29:05It's not sanitized.
29:07It's right there.
29:09And in Beograd, what do you think?
29:11Everyone has a little bird.
29:15You need to insist on it.
29:19No, I don't want to.
29:21I don't want to do anything now.
29:31Who has a problem with dogs?
29:33No, no problem.
29:35No problem.
29:37It's an inspection.
29:39Sanitary.
29:41Who is being a boss?
29:43How did we solve all the problems?
29:47Everyone is leaving.
29:49What do they need?
29:51What do they need?
29:53The birds have to get out.
29:55I pray.
29:57Or they don't have to.
29:59What do they need?
30:01How would it be if I could take you a little bit?
30:03Please, please.
30:05Civilization.
30:07The birds are social beings.
30:11They remember their faces.
30:13They see all the worlds of the world
30:15that people can't see.
30:17And just as they see maps and routes,
30:21this civilization would have lost.
30:24The birds would not help us.
30:27What a email!
30:29What is it?
30:31Just to go and replace them, right?
30:33And then how to replace them?
30:35What do they know?
30:37When they are who them?
30:39It's just them.
30:41No, nothing, right?
30:43I don't want to be afraid of wolves.
30:51You can see all of them.
30:54They will remain.
30:56The wolves are better people than all of you.
31:00And if someone else had just one thing for me,
31:04then I'll give you my son.
31:08Oh...
31:12How do I do this death sentence?
31:16There's no more than anything else.
31:19Is there something wrong to tell you?
31:22Let's do it.
31:24Let's do it.
31:28Listen.
31:33The best thing is to open the hotel.
31:38I'm just an inspector.
31:43But after so many years of witnesses,
31:47various attacks,
31:49malversations,
31:51it's important to recognize
31:55what terrible wars are.
31:58Inspector, we're so close.
32:03We're so close to the European family hotel.
32:06We're waiting.
32:07We'll see.
32:08We'll hear the voice
32:10that we're saved.
32:12A little time.
32:13A little time for a life.
32:14A hotel.
32:15A idea.
32:16It's not to be lost.
32:17It's not to be lost.
32:18We're going to lose the time.
32:19We're losing the fight.
32:20We're losing the fight.
32:21We're losing the fight.
32:22Not to be lost.
32:23Veseraj.
32:34Unfortunately, I won't be able to sign up with you.
32:38It's not completely true.
32:40You haven't looked at Veseraj.
32:42It's been a long time, a long time.
32:47That's it?
32:48That's it.
32:50Let's see Veseraj.
32:52Yes, you can see Veseraj.
32:53Veseraj.
33:23Yes, you can see Veseraj.
33:25Veseraj.
33:26Zem, I can see Veseraj.
33:28That's it.
33:29I'm going to go to Veseraj.
33:31Let's see Veseraj.
33:33I'm going to go to Veseraj.
33:35We have an ecological problem, and nothing is going to die.
33:40Can I ask you to go back to your office?
33:44It's done, Bane. They open us.
33:48I don't understand.
33:51How are you?
33:54It's not a heavy man. I'm praying. I'm crying.
33:58I'm not ready. I'm going to die tomorrow.
34:01We're ready.
34:03You've tried to provide him some money.
34:06Where did I have money?
34:09I gave my money.
34:11This is the hotel for the kubare, for the change, for the vegans and fascists.
34:17I'm the only one who gave me.
34:20Let's go.
34:22Don't talk to me.
34:25I'm your friend.
34:28I'm not going to kill you.
34:31Let's go.
34:32You don't need to take care of me.
34:34I used to be using the vegan.
34:37Do you know what's going on?
34:38You're watching you upstairs.
34:40You're a dickhead.
34:42You're a little fat guy.
34:44You want to get the chill out of here.
34:46Can you give me some money?
34:48Let's watch it!
34:50Let's watch it now.
34:51Let's watch it, they're not.
34:52Don't watch it!
34:54I'm...
34:56I'm...
34:58I'm...
35:00I'm...
35:02I know what we'll do.
35:04What, Bane?
35:06Keep it up for yourself.
35:08Everything is for yourself, Bane.
35:14You, friend, you're playing every second.
35:16You're staying on the same page and...
35:18Sorry, brother, but...
35:20We've never seen a long time.
35:22Who? Who you've never seen?
35:24Eh?
35:25Eh?
35:26Eh, you're here.
35:28Eh, yes.
35:29We've started some allergic,
35:30and we've been doing some antihistaminics.
35:32Never go for a while.
35:34I don't know why we call you a Jači Polo.
35:36Well, someone needs to wear a hat.
35:42But it's crazy that you didn't have to be able to do it.
35:44Hey, hi.
35:48When you finish?
35:50I thought we'd go to the bathroom.
35:52Eh, Ana, ovo je Vesna.
35:55Vesna, ovo je Ana.
35:56Vesna je iz Francuski.
35:58Ah, Ana.
35:59Vesna, drago mi je.
36:00Drago mi je.
36:01Ana, ti radiš ovde?
36:02Ah, super.
36:04A, ovaj...
36:06Vi se znate dugo.
36:10Pa...
36:11Zapravo se tek sad upoznajemo.
36:13Pa...
36:16Pa, da.
36:17Ustani drugari.
36:18Šta si se reklo.
36:19Onako.
36:20Od moje devetneste vse.
36:22Ništa, ovo je cimnit je mene kad završiš,
36:25a Ana ti slobodno kreni sa nama.
36:28Thank you. Thank you.
36:32I don't have any time.
36:39I'm going to go and have a job.
36:42Yes, I am. I see how Kira is waiting.
36:46Let's see.
36:48Let's go.
36:50We only know each other.
36:53I'm happy.
36:55The fish came out of Paris and wrote the territory.
36:58I don't have any love.
37:01I'm sorry.
37:03I'm sorry because Duvić is a good kid.
37:05He's just a retarder.
37:08The fish is bipolar.
37:11100%.
37:13One day he will go to Dambis.
37:15And then he will go to me.
37:17I know.
37:194, 5, 6, 7...
37:25One thing I want to keep in mind.
37:29My Oscar has taken his first advertising for the bank.
37:33And got his first honor.
37:35His money is not needed.
37:37But he needs to be in our hotel.
37:39And I think it's the best and the best way to get that money.
37:44And I'll give him to save our beautiful hotel.
37:48A small sign of the hotel.
37:51No.
37:52No.
37:53No.
37:54No.
37:55I'm insisting.
37:56You've been so loving to us.
37:58I'll give you a chance.
38:00No.
38:01No.
38:02No.
38:03No.
38:04No.
38:05No.
38:06No.
38:07No.
38:08No.
38:09No.
38:10No.
38:11No.
38:12No.
38:13No.
38:14No.
38:15No.
38:16No.
38:17No.
38:18No.
38:19I don't care for your cKố.
38:20Believe me.
38:21No.
38:22No.
38:23I've told you nothing.
38:24You should be done oh yet.
38:25I have to remorse on you.
38:27I Syria.
38:28No.
38:29No.
38:30No.
38:31No.
38:32No.
38:33I can't do anything.
38:34I believe you so.
38:35I'm sorry, but you're not a man.
38:47I don't want you to lose your job, but I'm the only defender of the people.
38:53When I don't do my job, people go to the hospital.
39:00Is it clear?
39:05That's how democracy dies.
39:21Not on the barricades, not on the ships, not on the ships, but on the sign.
39:29And when will they open us?
39:36I'll call the driver. He'll be with the police.
39:41I'm sorry.
39:52And me.
39:55Can you call me a taxi?
39:57Yes, of course.
39:59Lenjo, help the person to find a taxi.
40:02A taxi in Uru?
40:04It's difficult, but I'll try it.
40:07I'll try it.
40:08He's the only one who's in trouble when I want to find a taxi.
40:12I'm sorry.
40:13I'll try it again.
40:14I can't wait.
40:15I can't wait.
40:16Whatever.
40:17I can't wait.
40:18I have to work.
40:19I've done that.
40:20I've taken the Oscars.
40:21I've sold the Oscars.
40:22Excuse me. I tried something.
40:27What did you try something?
40:31I got Oscar's money and tried to give them to the inspector.
40:37I think I'm a little mad.
40:41I just wanted to do the best for all of you.
40:45I don't want to do the best for all of you.
40:48Okay. Thank you.
40:52Sorry.
40:54Sorry, I was a bad guy.
40:57Yes.
41:00I didn't want to tell me that I didn't want to be.
41:02I didn't want to tell you.
41:04Sorry.
41:06I don't want anyone anymore.
41:08I don't want to.
41:09I don't want to.
41:11I don't want to.
41:13I think this is your European moment.
41:17If you could get to the hotel room,
41:22it would have been a pleasure.
41:25Where do you go?
41:26You are on the Frnoj Gore.
41:27Yes, from Belopalić.
41:28What are you talking about?
41:30Yes, yes.
41:31I look at themom.
41:32My friends are down there in Pogorica.
41:33I took him here seven years ago.
41:34That's from Brajovića, Djurovića, Jovanovića.
41:37What was the name?
41:38did you tell him?
41:39Yes, that from Brajovića.
41:40I have been told to enjoyed my Togo.
41:41Yes, he was a sí собal.
41:42He was a hero.
41:44My friends are down there,
41:45and I was here 2 years ago.
41:46I'm there before.
41:47You were so sorry.
41:48You were so sorry,
41:49Thanks.
41:50From Brajovića, Jovanovića.
41:51Yes, from Brajovića?
41:52From Brajovića.
41:54What are you talking about?
41:56No.
41:57Do you know Zeka?
41:59Zeka, from the old man.
42:01I don't know, I don't know him.
42:04I don't know him.
42:06I don't know him.
42:08It's possible.
42:10But you probably know him.
42:12He's a pig.
42:14He's a pig.
42:16He's a pig.
42:18What are you talking about?
42:20You've been to a boy,
42:22you're a pig.
42:24You're a pig.
42:26You're a pig.
42:28You're a pig.
42:30And then you know him.
42:32We're a pig.
42:34We live in chaos.
42:36We are all human beings.
42:38We kill ourselves.
42:40We kill ourselves.
42:42What are we talking about?
42:44He's a snake.
42:46He's not the slave.
42:48Osta svinja u gadnom mrlogu, čekajući u čelo sekiru.
42:53Dajte, molim vas.
42:57Znaš i kako si me opratilo?
42:59I vi mene pravo da vi reče.
43:03A i ti si se zamaka ovdje.
43:05Molim vas.
43:08Vi isto.
43:0945 godina.
43:12Dobro, eto.
43:14Živim.
43:16I znače li tebe ovi ljudi što volj?
43:18Iskotela?
43:19E?
43:20Znače, Bogom je, nije mi do robote, ne fali mi je li mi je do njih.
43:24Iz velike su me muke izvadili.
43:26Spasili.
43:28Jesu časti.
43:31E, hvala im.
43:33Hvala im za vas da.
43:35Eto.
43:36Dobro.
43:43Eko, trako.
43:44Evo, djela se.
43:45Drži.
43:47Drži, živ mi je bio.
43:48Draši, kako si me tako.
43:51Ajde.
43:51Živjeli mi.
43:56Mi iz Bielopavljeća smo ti učiljeni.
43:59To je vas da tako bilo i bit će.
44:03Epa, hvala vam što ste došli.
44:06Direktore, dozvoli da ti predstavim naš kolektiv i naš sindikat, čiji sam ja zastupnik.
44:13Neka!
44:14Neka!
44:14Moramo da vidimo ko ovde obstrujira.
44:17Ko nas vodi pravim, a ko krivim putem.
44:20Zoki, jer nije problem, molim te da ovo neki drugi put uradimo.
44:24Stvarno, Zoki, jel moramo danas da pravimo predstavu?
44:26Pa vidiš koliko smo umorni se.
44:28Stram te bilo.
44:29Šta je te?
44:30Stram da te bude.
44:31Dobre, dobre, Olga, dobre.
44:33Hvala vam, Suzana.
44:34Vi ste svoje za danas rekli.
44:36U ovoj zemlji postoje dve vrste ljudi.
44:39Oni koji se trude da u svet prodre istina o nama.
44:43I oni koji se Bogu mole da u svet ne prodre istina o nama.
44:51Druga Rići, samo, mislim, stresno je svima ova sanitarna i to,
44:56Alaino va...
44:56Ej, u mom veku nije banula sanitarna.
44:59Mi smo danas ovde preživjeli torturu,
45:01zato što se vas dvojica morali da se kurčite za Evropu.
45:05Taj zapisnik će da nas sahrani.
45:09Misliš, ovaj zapisnik?
45:12Završeno je to.
45:13Završeno je to, izvršeno je to.
45:18Nishto ono, pa prečaš čovjeka.
45:22Bravo, bravo, bravo!
45:27Završeno je to.
45:28Eči to nad Trnogorci sjebom.
45:32Završeno je to.
45:33Rezervisao sam sobu sa prozorom ka istoku.
45:58Važno je da prozor ne gleda na ulicu,
46:03ali da gleda ka istoku.
46:06Koliko noćenja?
46:12Jedno, poslednje.
46:14A, da, u stvari, pišem je ovde.
46:15E, poslednji check-in na veoma, veoma dugo životnom putu.
46:28Da, doručak je do deset.
46:30Šifra za Wi-Fi vam je marmo bez pirinča.
46:32Zanima me samo da prozor gleda ka istoku.
46:40Hvala.
46:45Te bi ovo je delo sumnjivo?
46:48Ma jo, što?
46:50Znako da je neki samoubica.
46:53A, to, da, da, ti pičam.
46:56Ti pičam.
47:02Hvala.