Crna Svadba (2025) - Sezona 2 Epizoda 9 - Domaća serija - video Dailymotion

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Crna Svadba (2025) - Sezona 2 Epizoda 9 - Domaća serija U novim nastavcima razrađuje se ideja Balkana kao centra sveta i poprišta večne borbe dobra i zla. Priča dobija epski zamah, ulozi su sve veći, a natprirodni elementi postaju sve ogoljeniji i važniji. Radnja prati dva vremenska toka — prvi je smešten u 2002. godinu, gde Petar istražuje seriju bizarnih i naizgled nemotivisanih samoubistava tinejdžera, povezanih sa misterioznim i zlokobnim kultom Crne ruže. Drugi vremenski tok se odvija u sadašnjosti, gde pratimo Natašu, sada monahinju koja se od zakona skriva pod okriljem Crkve, i Tomića, policajca koji se našao na poternici, takođe se krijući od bivših kolega dok pokušava da pronađe nestalog Petra i otkrije ko mu je namestio svirepo ubistvo. Nataša Janković, nekada vatreni ateista sada je kaluđerica koja zajedno sa sveštenikom Jovanom, bivšim inspektorom Banetom Tomićem i inspektorom Tajne službe Petrom Ćirićem, udružuje snage kako bi savladali demonsku legiju i sprečili ih da zauzmu svet uz pomoć moćne relikvije — crne ruke koja je pripadala Crnom Vojvodi. Tu ruku je nekada, u jednoj od prvih bitaka između snaga dobra i zla, presekao hrišćanski svetac i sakrio je kako sile tame nikad do nje ne bi došle. Tragovi koji vode do ruke Crnog Vojvode ostavljeni su u klasičnim delima srpskih umetnika koje svi poznaju. Njihove slike kriju u sebi tajne koje mogu uticati na sudbinu ljudske rase na planeti. Slike imaju skriveno magično dejstvo i predstavljaju delove slagalice koji vode do tačnog mesta gde se nalazi ruka Crnog Vojvode. Potraga se vodi sve do finalne, neizvesne borbe između dobra i zla.

Transcript

00:003

00:02New

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00:2815

00:30Stop!

00:31Stop!

01:00Sve kaj, baba!

01:09Menja sem tipelen na naš.

01:13S Žad je red da tog spavam.

01:15Beži!

01:16Beži sas, beži!

01:18Moresz da bežiš!

01:19Ja mirim i slovi meni!

01:21Bersi! Bersi! Bersi! Bersi!

01:23Bersi! Bersi!

01:24Moraš da bešiš!

01:25Jave mi ste z ovime!

01:33Goveć!

01:51Bersi!

02:21Bersi!

02:26Bersi!

02:27Bersi!

07:03It is exclusively nocturnal.

07:08Why? You are not a vampire?

07:11I am not.

07:13At night, it is a volume of human,

07:19psychological and spiritual defense.

07:28The defense is the highest.

07:30The defense is from what?

07:35From all the forces and their aggression.

07:40You see, the main reason of my visit

07:42is your internet activity under the nickname of Katabaz.

07:45The information and information that you sent via telegram

07:48from my colleague from the police.

07:51Even though I am a vampire,

08:01I can't afford to help my knowledge

08:09to help people who are defeated

08:12from the Black Vojvod

08:16and their legions.

08:19with your own people and their own legion.

08:32Hello?

08:33It was happening.

08:35You will see something in news.

08:37We have two new members.

08:40Tomic is dead.

08:49Everything is related to the massacre in the monastery in 1976,

08:53which led to Mića Djuric, the driver.

08:56Peter knows all about that.

08:581976, Djuric.

09:02I'm coming to you. I don't know where to go.

09:04I'll send my address.

09:05Okay.

09:14When I was talking about D6 and Djuric, you've reacted.

09:35I'm not sure what you're talking about.

09:36I was looking for some terrorist attacks.

09:37The couple of times on the other side is almost like the one he is.

09:41There is no doubt about how you would have noticed.

09:44I am not sure why you are not sure.

09:46I don't know if I am sure how you are.

09:49I am sure we are in the same way.

09:51I feel like you are in the same way.

09:53You are not sure how you are out of your house.

09:56I don't know what are you doing.

09:57I don't know that.

09:58You are on the other side.

10:00I don't know where you are, but this is a terrorist.

10:03You are on the other side.

10:04I don't know what you are doing.

10:05Do you think you're good?

10:14I'm good, I'm good.

10:18What happened?

10:20It was really scary.

10:22It was really scary.

10:24First of all, a stupid baby came out of trouble.

10:29She went to the security.

10:31The people threw up.

10:35It was over ten.

10:37There was nothing wrong with her.

10:39She killed them.

10:41She went on to me.

10:43She went on to the steps.

10:45There was a person who was dangerous.

10:48He threw up in the air for me to save me.

10:52Then they said to me that some police were taken from the police.

10:56Tomić?

10:57Yes.

10:58It was the one who killed her in the village last week.

11:02The most important thing is to read you.

11:07And if nothing else, we won't eat more in the village.

11:12What do you think?

11:13Yes, ma'am.

11:14We can clearly see the situation.

11:16Listen to me.

11:18You immediately throw up to the church of Natasha Janković.

11:23Five minutes later,

11:25the one who hit you from the monastery.

11:29Ivo Seremotku.

11:31And then they send you a message in the form of a baby.

11:34Who?

11:35Who send you?

11:36It's logical to talk about the same group that was liquidated by Mitrovich

11:39because she wanted to fight.

11:41And she wants you.

11:42Because she thinks that she already discovered something.

11:44What is the group?

11:47Natasha Janković has been working for the parishioners.

11:51It's clear.

11:52What was their plan in terms of bringing up the parishioners to the church?

11:57We can only do that.

11:59They think that they can bring up the parishioners to the parishioners.

12:06I'm not sure about the parishioners to the parishioners.

12:09I'm not sure about the parishioners to the parishioners.

12:12What do you think?

12:15I've never seen this this.

12:18The same situation was with Mitrovich Stović.

12:21I remember you.

12:23Natasha Janković has done an evolution of his psychological state.

12:30It's crystal clear what you have to do.

12:34Is it?

12:37Yes.

12:38To immediately take a more aggressive media campaign

12:42to Janković and her participants have discovered something before.

12:45And catch up.

12:51The car that you drive.

12:54Where are you from?

12:58It's not my fault. I have to know.

13:01How do you find him?

13:02How did you find me?

13:03The strange ways, Mr. Gospodin.

13:05The truth was playing a little bit,

13:07and we moved my fingers.

13:08We found it.

13:10How did you know where Olivera Sardarević was?

13:13He was in a safe location.

13:15You know, maybe it will be hard to trust you,

13:18but since I became a victim,

13:24I started to feel something different.

13:27I just look at the traces of my new instinct.

13:36It's like a kind of six-year-old man in which I was arrested.

13:43Who was the man who killed Olivera?

13:47Milutin.

13:49Milutin was called him.

13:50He was wounded.

13:52He was lying in the monastery.

13:55But you know, maybe a strange place called the library.

14:09Sorry.

14:13Excuse me.

14:16Have you ever been in contact with your wife,

14:22after that you came out of the basement?

14:25No.

14:28I didn't have a courage for that.

14:32Although...

14:35I would like to know how she is.

14:37I would like to see her.

14:39I would like to ask her if she was able to continue to continue.

14:43If she was still alive.

14:46I would like to believe that she is.

14:51I'm afraid to do not change the spirit of the past.

14:55Maybe it is the best to stay asleep.

15:00I would like to know how she is.

15:02How is she?

15:03How is she?

15:04I would like to go to school.

15:05I would not like to...

15:06I would like to...

15:07Here.

15:08...to her life's peace with her...

15:11...and her...

15:12...and her...

15:13...and her...

15:14...and her...

15:15...and her...

15:16...and her...

15:17...and her...

15:18...and her...

15:39...and her...

15:42...even more...

15:43But you, friends, you have all been punished.

15:53You are number one in that sport.

16:02No one is a dog who has never been hurt.

16:08I can only tell you.

16:13A l'Albera.

16:17A l'Albera.

16:43A l'Albera.

16:53Is that the key that opens all the doors, including the library?

17:01We will go.

17:03I'm ready.

17:05I thought I would go there myself and try something.

17:08But no.

17:10We have to do well think about this and they are more dangerous.

17:16We have received the sender from Srdarević.

17:19She is now on our side.

17:22Tomić will give us life for this.

17:26He has shown his loyalty.

17:31I do.

17:34Nothing.

17:35What else?

17:36We will walk alone.

17:50We will go there.

17:55Let's go.

18:25It's not easy for people to hear what I have to tell them.

18:33It's never been to them.

18:36I'll say it sincerely.

18:39It's not easy for me to tell my truth.

18:47It's not easy for me to tell how many briefings you need to learn and learn.

19:03How many times have you had to repeat all this?

19:09I don't know what you want to tell me.

19:11I've only had a chef on the radio in Belgrade.

19:17Storović has killed me.

19:20And you have to sell him for my mother.

19:24I'll kill you!

19:26I'll kill you!

19:28I'll kill you!

19:29Do you know who killed you?

19:32Miča Džurić killed you!

19:35Miča Džurić!

19:37I'm Miča Džurić!

19:41I'm Miča Džurić!

19:47I'm Miča Džurić!

20:17Miča Džurić!

20:18Miča Džurić!

20:19I'm Miča Džurić!

20:20Miča Džurić!

20:22Miče Džurić!

20:23And now it's clear who is Majstorović and with whom we have a job.

20:32Here are these two people completely different biographies and dreams that do not exist.

20:38They are now his creatures.

20:41Do you understand how his mental brain works?

20:46The first one is to deceive the second one, and the second one is to do the third one who does not have any problems.

20:53In Majstorović, there is nothing to do.

20:56There is this one who makes food.

20:58I am not Džubre.

21:01I am Mića Džurić.

21:05This is here Džubre.

21:07I believe that.

21:16What are you doing?

21:26This is the right Mića Džurić.

21:31Who is this?

21:33Vinida.

21:35Ustva.

21:38The agent.

21:40Mijat Vasović.

21:42And Kajsa?

21:43Vrata.

21:45We do not.

21:47We have to do this.

21:49And now we are going to go with our Udbaš.

21:55We should be able to talk to you with your sectar.

21:57I don't think it's figuratively.

22:04My wife...

22:07...is Djavo's personal.

22:11I don't think it's figuratively.

22:16She's hired me...

22:19...and she's hired...

22:22...and she's hired...

22:25...and she's hired me...

22:29...to do what I did in 1976.

22:37I've never stopped...

22:41...to do for my wife.

22:45And that's why...

22:48...to do for me as...

22:51...the captain...

22:54...of Black Bojvod.

22:58Do you have a picture of your former wife?

23:01I have.

23:03I have.

23:05I've always had to wear it.

23:15And she?

23:17The woman on the white horse...

23:19...who was hired.

23:21This is the story.

23:31She is...

23:32...who had a son...

23:33...and she married to her...

23:35...and a child...

23:36...and she was married to Djavola.

23:38We know who is our friend.

23:44Now we have to know how to go to the library.

23:53We can do it right now.

23:56We can do it right now.

23:59She is there,

24:02in Sančića.

24:09Talk.

24:11What?

24:12All you know about Majstorović and his current plans.

24:16I don't know who it is.

24:18I don't understand why you are talking.

24:21I am Misa Žiorić.

24:28The library...

24:30...is on the physical and on the metaphysical lines.

24:43You have been in metaphysical lines.

24:48And the physical line is on Kosančićovom pencu.

24:57Now, the thing is.

25:00The one who lives in metaphysical...

25:08...is on Kosančićovom pencu.

25:13...is on Kosančićovom pencu.

25:22I don't even understand you.

25:29Yes.

25:30I think it is the best to trust yourself.

25:39I think that now you need to go.

25:42Because it will become blood and blood.

25:45Even if it is BununMis left...

25:47...the library is open.

25:48I know that it is not too小se.

25:49A natural library is outside of Kijia.

25:50You can see it.

25:51Many people are out there.

25:52I don't know.

25:53I'm not sure how many people could see it.

25:54But certainly...

25:55...muchas will be found.

25:56Oh my God.

25:57You know that I'm not sure.

25:58Here is your library.

25:59And you can see it,

26:00These are just ruins.

26:03If it's so easy, everyone could see it.

26:15The library is here.

26:21The ordinary people can't see it.

26:30But I think that you are not the same people.

26:46Or you could be punished.

26:51Let's go, Mom.

26:53Let's go.

26:58Let's go.

26:59Let's go.

27:29Let's go.

27:39This is his game.

27:42Let's go.

27:46He wanted to be punished by Olivera Serdarević.

27:51That's the purpose of the future.

27:54He killed a husband.

27:59He was punished until he didn't sell the women and the government.

28:01What do you think?

28:05Wait.

28:07Here he is.

28:10That is Serdarević.

28:12That is one of the things.

28:14There is still a lot of money.

28:17And who will be to the police?

28:20Wait, maybe he is.

28:23And who is the other one?

28:25He has created a career by destroying them.

28:29And what is all that?

28:30That is also the women's life.

28:31And he has freed us all.

28:35Mr. Torović.

28:39You can't be surprised by that person.

28:43He practically kills the woman who killed him

28:46just to protect himself.

28:47And he is the man who killed him.

28:49And he's like,

28:52you're going to see a lot of us,

28:54He's like,

28:56he's a little bit of understanding.

28:58And you can make me help

29:00if he will take him to his wife,

29:10he will take to Petra.

29:12He's the one who is blind,

29:14and he will do that.

29:15I had to wait for you, but I had to be closed, and then I had to run away.

29:30I found some street in the ground.

29:35I came to you with me.

29:39I don't understand, Gaš.

29:43You have to do it a little more.

29:45You have to do it a little more.

29:47You have to do it a little more.

29:49You have to do it a little more.

29:51You have to do it a little more.

29:54I can't remember anything else.

29:59But I feel something.

30:06What do you feel, Kaš?

30:09Fear.

30:10I feel that something will happen in the evening.

30:17And some words.

30:19What words?

30:23The beginning of the month.

30:25The ritual.

30:29I'm afraid of Sandra.

30:31Are you afraid of Sandra?

30:32What are you afraid of Sandra?

30:34She threw everything out of it.

30:36She threw everything out of it.

30:37Sandra will go to Golgotha.

30:40What?

30:41How do you feel, Kaš?

30:42How do you feel?

30:43I'm sure you're in the house.

30:44I know something on R.

30:46Radomir, Radomana, how?

30:47Okay.

30:49Keep it.

30:50Keep it.

30:51Keep it.

30:52Keep it.

30:53Keep it.

30:54Just keep it.

30:55Just keep it.

30:56Kaš.

30:59Look at this.

31:00Hello, girls.

31:10Well, she was...

31:15What?

31:17She was with Boris on the floor.

31:20What?

31:21And they were all...

31:25They had sex before everyone?

31:27Yes.

31:28Are you sure that it's just she?

31:32Yes.

31:36That girl had sex with Boris on the floor, now she's dead.

31:43She slept with Ruzica Radović.

31:46Now she's dead.

31:47Wait, where is that?

31:48I read Ruzica's diary.

31:50She wanted to do something before.

31:52Why didn't you tell me?

31:58Why didn't you tell me?

32:00Why didn't you tell me?

32:01Why didn't you tell me?

32:03Why didn't you tell me?

32:04Why didn't you tell me?

32:07I knew that there was something between them.

32:09Why didn't you tell me that?

32:10I didn't know anymore.

32:11She was the man who took care of her.

32:12She knew that she was the one who was

32:14so we did not know that she was as mad as her.

32:15Because she knew that she would sleep with Ruzica

32:17as she was having to sleep with Ruzica.

32:18But what she didn't know is that when she was an old man,

32:22she would have no need of care.

32:25That's why they were two dead.

32:27I'm sorry.

32:35Kaša.

32:41Is it Nevin?

32:50Yes.

32:57Why did you leave here?

33:18Ratimir.

33:21Ratimir.

33:25Ratimir!

33:27What?

33:28Ratimir is called the captain.

33:37Why did you...

33:39I thought you were forgetting me.

33:47How could this happen?

33:49Our agreement was that...

33:53I can't even have any other reasons.

33:57What?

33:59Dobro.

34:01Dobro credo.

34:03Let's ask.

34:04What?

34:05What?

34:06What?

34:07What?

34:12What?

34:13What?

34:14What?

34:15What?

34:19What?

34:20What?

34:21What?

34:23What...

34:24I really don't understand how you can't find it, man!

34:31He has a lot of times, and now we have a photo of a robot and a name.

34:36What do you need? Interventally, we need to find their own documents.

34:40The whole 90th century, we've got three times.

34:43You know what I mean?

34:44I don't know what I mean.

34:47What did you say?

34:49You didn't say that someone gave the documents.

34:51What did you say?

34:52What did you say from the phone call?

34:54They have a voice from Ratimiro's voice that was released in the church.

34:58Jebi ga! Jebi ga, Petra!

35:00People don't sleep, non-stop listeners.

35:02They don't do anything, they don't do anything.

35:06No.

35:08No.

35:09No.

35:10If they have something, they know.

35:12I'll go to Maluk.

35:21He's listening to someone else.

35:22You were in a way to Dorčeál.

35:23He's in a way to Beremačeál.

35:24I don't know nothing.

35:25I can't see anymore.

35:26I don't know nothing.

35:28I don't know anything.

35:29If I don't know anything else.

35:30You're in a way to get out of gerbu, he's in a way to get out of the store.

35:34He's in a way to get out of fun.

35:35Let's go.

35:36You're in a way to get out of the store.

35:37No.

35:38He's in a way to get out of the store.

35:39Yes.

35:41Yes.

35:42Yes, I'm in a way to get out of one.

35:44A car parking space.

35:45We never met anyone on the store.

35:46If we've been checked,

35:47we do anything and get out of one.

35:48I don't know where to go.

35:50You?

35:52Do you have any coffee?

35:56I can take me out of the head

35:58of Sandru

36:00and this gulgot.

36:02What?

36:04If you want to help Sandri,

36:06do you have to do something else?

36:08I know!

36:10I know!

36:12Petra,

36:14you need me for a moment.

36:18All right, let me write down.

36:20Wait for the chef to get out.

36:24Good job.

36:28It's a shame.

36:30I've never seen him.

36:32He'll do it.

36:34Get out of me, Chirichu.

36:36You still have the future.

36:46What happened?

36:48What happened?

36:50What happened?

36:52What happened?

36:54I made a mistake.

36:56What happened?

36:58What?

36:59It's a mistake.

37:00What?

37:01Because I'm doing my job.

37:03And it doesn't go here.

37:05Let's go.

37:06I'm drinking.

37:07I'm drinking.

37:09I'm enough.

37:11I think it's better to get out of your way.

37:16I think it's better to get out of your action.

37:18This is a humanitarian action.

37:20I'm not so serious.

37:22Let's go.

37:23Let's go.

37:25My name is Ratimer.

37:29Is that your name?

37:31Yes, it is.

37:33Well, I'm proud of you.

37:35Let me let you kill Scotta.

37:45Mother?

37:47You're not your victim.

37:49You're going to kill me.

37:51Okay.

37:55Tell me you did.

37:57I'm sending you to me, Dadilho.

38:02You should be looking to him.

38:04What's with him?

38:06Well, he's looking to me.

38:08He's looking to me.

38:09He's looking to the office.

38:10He's looking to you and your assistant.

38:14He's got to be the assistant.

38:15Believe him.

38:17No one doesn't happen.

38:19He won't have anyone to tell you.

38:21What?

38:22What's going on?

38:23I'll be back.

38:24I'll be back.

38:25I'll be back.

38:26I'll be back.

38:27I'll be back.

38:28I'll be back.

38:51I'll be back.

38:52I'll be back.

38:53I'll be back.

38:54I'll be back.

38:55I'll be back.

39:00Keep.

39:03That was Keep, right?

39:06Yeah.

39:07That's like in...

39:09...the old Gritsk or the Rime.

39:11A man's sculpture.

39:14I'm sure...

39:16...I'm not sure whether it was a man or a wife.

39:18But he had a great view.

39:20Where will you see him?

39:22It was in a building...

39:26...on Stepenica.

39:28It was like a man.

39:32He was a man, but...

39:34...but he was on the way.

39:38It was like a guerrero.

39:40I remember...

39:42...that he had...

39:44...but he had a wonderful hand.

39:46Like this...

39:48...in front of his head.

39:50It was like a threat to someone.

39:56How do you get the aroma?

40:00It's strange.

40:02What is this?

40:04Ambergris. Do you know how it is?

40:06No.

40:08Tell me.

40:10When he was eating...

40:12...and he was eating and eating...

40:14...and his body was tired.

40:16When he did not eat them...

40:18...the mosquito's disease...

40:20...he had those enzymes...

40:22...that were burned...

40:24...and then he threw it out of the body.

40:30The mosquito's smell doesn't have a nice smell.

40:34But when you're eating, your body becomes a good one.

40:42You're being attracted to the amber of your body.

40:46And your body's body's body's body's body's body's body's body's body's body.

40:54The death of the soul is saved from the side of God.

41:04The death of the soul is saved from the body.

41:09The death of the soul is saved from the death of the soul.

41:15The death of the soul is saved from the death of the soul.

41:18Just like...

41:20...Ambra...

41:22...Krisea...

41:24...is Sutra Vekita.

41:34A privatizovani prostori što proveravam da stanemo s tim?

41:37Ne, ne, ne. Samo nastavite. Dokla ste stigli?

41:40Ostali su vračari Kalvariju.

41:42Kalvariju?

41:43Da, nasilje uzemo.

41:47Kalvarija, Kalvarija.

41:54Golgota.

41:55Šta?

41:56Golgota se na latinskom kaže Kalvarija.

42:00Radite, samo Kalvarija.

42:02To mora da je to.

42:13...

42:21Halo?

42:23Pronašli smo jedan od onih objekada.

42:26Kalvarija.

42:27Kalvarija.

42:29Reko se da ti javimo.

42:30Jesam, jesam, da.

42:32E, ima još nešto.

42:34Mislim, vjerovatno je ništa.

42:35Reci.

42:36Reci!

42:37Imamo jedan prestretnot telefonski razgovar.

42:39Nije savršeno.

42:40Oko 50% poklapanja sa glasom musulničnog.

42:43Zakazao je sastanak s nekim, imamo vreme i mesto.

42:47Pošalje mi odmah sve.

42:49Odmah.

42:51Šta se dešava?

43:00Ima manje od pola sata.

43:04Pa ne mogu da budem na dva mesta u isto vreme.

43:07Ja sam tu, mogu da pomognem.

43:10Neverovatno je opet neka slepa ulica.

43:12Manje su šanse od 50% da je to njegov glas.

43:14Ima da postoji jedan posto šanse da saznam šta mi se desila sa detetom

43:18ili da pomognem još nekom trčal bih.

43:22Ajde, onda moraš odmah krenč.

43:25Daj sastanak i za pola sata.

43:29Iteviš, Iteviš, Iteviš, ej opel.

43:33Iteviš, Iteviš, ej opel.

43:37Iteviš, Iteviš, ej opel.

43:39Iteviš, Iteviš, ej opel.

43:41Iteviš, Iteviš, ej opel.

43:46Iteviš, Iteviš, ej opel.

43:51Intervice, intervice, intervice may open.

44:21Intervice, intervice, intervice may open.

44:41Intervice, intervice may open.

45:00Intervice, intervice may open.

45:06Let's go.

45:36Let's go.

46:06Let's go.

46:36Let's go.

47:06Let's go.

47:36Let's go.

48:06Let's go.

48:08Let's go.

48:12Let's go.

48:14Let's go.

48:22Let's go.

48:24Let's go.

48:34Let's go.

48:44Let's go.

48:54Let's go.

49:04Let's go.

49:14Let's go.

49:16Let's go.

49:26Let's go.

49:28Let's go.

49:38Let's go.

49:40Let's go.

49:42Let's go.

49:52Let's go.

49:54Let's go.

49:56Let's go.

49:58Let's go.

50:08Let's go.

50:10Let's go.

50:12Let's go.

50:22Let's go.

50:24Let's go.

50:26Let's go.

50:28Let's go.

50:38Let's go.

50:40Let's go.

50:42Let's go.

50:44Let's go.

50:54Let's go.

50:56Let's go.

51:06Let's go.

51:08Let's go.

51:10Let's go.

51:14Let's go.

51:16Let's go.

51:18Let's go.

51:20Let's go.

51:22Let's go.

51:24Let's go.

51:26Let's go.

51:28Let's go.

51:30Let's go.

51:32Let's go.

51:34Let's go.

51:36Let's go.

51:38Let's go.

51:40To be continued...

52:10To be continued...

52:40To be continued...

Crna Svadba (2025) - Sezona 2 Epizoda 9 - Domaća serija

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