- 2 days ago
Hotel *** (2025) - Epizoda 9 - Domaća serija
"Hotel***" je humoristička serija koja prati avanture zaposlenih u jednom šarmantnom beogradskom hotelu čija sudbina visi o koncu.
Kada nova vlasnica iz Nemačke najavi da planira da ga proda, eklektična grupa zaposlenih mora da udruži snage i podigne kvalitet usluge kako bi se izborila za članstvo u Evropskoj Familiji Hotela (EFH), verujući da je to jedini način da spasu svoj posao i dom.
"Hotel***" je humoristička serija koja prati avanture zaposlenih u jednom šarmantnom beogradskom hotelu čija sudbina visi o koncu.
Kada nova vlasnica iz Nemačke najavi da planira da ga proda, eklektična grupa zaposlenih mora da udruži snage i podigne kvalitet usluge kako bi se izborila za članstvo u Evropskoj Familiji Hotela (EFH), verujući da je to jedini način da spasu svoj posao i dom.
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Short filmTranscript
00:00If I was able to take it, I would definitely not be able to get the members of the European Family Hotel.
00:15Do you have a certificate of veterinary inspection?
00:17And even more, I would like that I didn't have the police in a long time.
00:22This is now contaminated, it's not bad.
00:24Someone is turned into the sauna.
00:26Alo?
00:27We are the Bosans and the Crnogors.
00:31You are looking for a friend that you are looking for.
00:35What is the way you don't look at me all night on the phone?
00:38Some of our guests have taken pictures, equipment, everything they found.
00:42What does it really interest you?
00:44The general situation of hotel and internal politics.
00:48What happened here?
00:50The city of Proslava was and then...
00:52The hotel hotel would not be able to have an organization at the wedding.
00:55It was a lesbian.
00:57A lesbian?
00:58A lesbian?
00:59It was a team building.
01:01It was our girls.
01:03Good morning.
01:04They had a lesbian wedding.
01:10It's our king.
01:12I don't know who it is.
01:14I would like to stay here, but I couldn't.
01:17It's the same.
01:18It's the same.
01:19It's the same.
01:20It's the same.
01:21But I didn't see anything that I've had.
01:22I know that it's not ideal.
01:23It's completely different.
01:24It's like it's in development.
01:25It's vulgar and aggressive.
01:26It's not bad!
01:27It's not bad!
01:28It's not bad!
01:29It's the same.
01:30It's not bad!
01:31It's not bad!
01:32I can't wait.
01:33That's it.
01:34That's it.
01:35It's no bad!
01:36Right now.
01:37Every time.
01:38I'm going to be able to eat.
01:39So in Europe.
01:47We returned our phones. We gave the police a crucial evidence.
01:51You think we opened the Find My Phone app?
01:54That's right! But it's also a help. Now everyone has their own phones.
01:59I don't care if he's writing. I'll send him to him a great taste.
02:03Hey, friends, everything is okay?
02:06Yes, there's a lunch again.
02:10Dekki?
02:11No, I'll call you.
02:13I got an email.
02:15What time? Wait, you can see what they did.
02:18Listen, Dekki, in my life,
02:21there's a moment when the employee wants to see a point of finance.
02:28What are our finances?
02:30I don't know. I'm HR.
02:33You're not, Bane. You're the money. I'll go back to the factory.
02:38You can see what they did.
02:40You can see what they did.
02:42I don't care.
02:43No, I'm sorry.
02:44I just don't care.
02:45I'm sorry.
02:46I just don't care.
02:47You can see what they do.
02:48I'm sorry.
02:49I don't care.
02:50I'm sorry.
02:51You're the only one.
02:52I'm sorry.
02:53I'm sorry.
02:54Sometimes a person, or the director of the hotel, which is much more than a person, needs to bring their own mistakes.
03:09Good morning, my name is Angela. Here is Dejan Stojković, Tristar Hotel.
03:15Hotel PUN KO OKO.
03:19And let's send an email.
03:22Only we need...
03:24There is no need for email. Don't worry.
03:27We will send an email to me and Darko.
03:31Who is Darko?
03:33My financial advisor. Let's see, we'll see.
03:37We'll see.
03:40Bane, we need to write a paper.
03:43We need to write books, understand?
03:47We need to write everything in our use, understand?
03:49We need to write books, understand?
03:51We need to write everything in our use, understand?
03:56Look, I'm a expert for Bele, and I'm a little bit of a paper.
04:01It's heavy.
04:02But it's not bad to have a daily payment.
04:05And money?
04:07And money, and people.
04:08If Angela sees a hotel hotel, we can write numbers, we'll be able to write a paper for someone else.
04:13I think we'll get a paper for someone else.
04:14And the other person is going to write a paper for someone else.
04:15Maybe that's the answer.
04:16Maybe it's the answer?
04:17Maybe it's the answer.
04:18Maybe it's the other person.
04:19Maybe it will have other jobs as an old machine?
04:20Maybe it's the same person.
04:22Maybe it'll hold the book for someone else.
04:23I'm going to read the books, and you're going to read the book.
04:27Can I?
04:28Can I?
04:39Okay, give me a pause.
04:45If I just get to one question, see, it's important to know what the public knows,
04:50and it's important that if the protagonist has a goal...
04:54How much do we have a reservation for Dujović?
04:57That's it.
04:58That's it.
05:02Three.
05:04No, no, no, no, no.
05:06One.
05:07One.
05:08One.
05:09This is from Chajetina.
05:11One.
05:15I'm going to put me away with my life.
05:17I'll have to have to try this living for you.
05:18I can't even put you back a lot more than the other is.
05:20I think there.
05:21Absolute.
05:22I'm going to put in quarantine, it'll be a lot of years.
05:23Oh!
05:24No, no.
05:25Not yet, Chajeta.
05:26Where are your work days off the plane that they had to drink?
05:29Ah, they cut them in the house.
05:30For dinner?
05:32Ah, why are you waiting for the weekend?
05:33Why are you at the home?
05:34Because I'm on their own home, and on the day it's human, as you can see.
05:39Who pays what you're doing?
05:41The home of charity.
05:43And if you take me, take me 160 dollars.
05:46That's why we were killed as a nation.
05:50That culture of charity.
05:52Lule, where are you, your TikToker?
06:07Why are we here for you?
06:09Since the TikToker's parades, Mr. Chef,
06:13the algorithm is running out of engagement.
06:16I lose friends from day to day.
06:18Why don't you take me into your dog?
06:20This is really too much.
06:22This is a verbal voice of the director.
06:24And where are we from?
06:26Why aren't we ready?
06:28We don't have guests.
06:30But I'm talking!
06:32Why don't you take a nice potato from broccoli?
06:34Well, you're crazy.
06:37Here you go.
06:39Here's your phone number.
06:40Call all of them from Borče, Ovče and Krnjače.
06:43And tell them they received a gift for Beograd.
06:46And then when they appear, tell them that the gift is 10% off.
06:50Ah, let's learn how to get them.
06:53And then we'll take them for cash.
06:55That's right.
06:56I mean, in this hotel, it's a happy moment.
06:58But what do you say?
06:59We have to fight.
07:00You know what?
07:01And give me an absolute massage.
07:02Yes.
07:03Brother...
07:04We have to fight.
07:05We have to fight.
07:06We have to fight.
07:07We have to fight.
07:08We have to fight.
07:09We have to fight.
07:10We have to fight.
07:12He was a bit unt depicted in my house.
07:14He looked in a hot breathing room and he wasn't William Penfield.
07:18By the way, are youني?
07:19Mr. Milano?
07:20Mr. Milano, where are you?
07:21Where are you today?
07:23Mr. Milano gands a bit.
07:25It's not right, but because we do want to our other side.
07:27Mr. Milano is a girl here.
07:28Mr. Milano?
07:29He is one with you in there now.
07:31I are going to she's here, mother.
07:32Sorry, mother.
07:33Good mother.
07:34I said she wasMLS in the house,
07:36I don't know what to say to my mother.
07:38They were born three.
07:40The women, these two, are mine.
07:42They are aristocratic geniuses.
07:44The fifth generation of Belgrade.
07:46The fifth generation of iPhones.
07:48And this third generation,
07:50this garbage, this garbage,
07:52this garbage, this garbage.
07:54I said, I'll give him a name for him.
07:56But he's not.
07:58He'll take him to the community,
08:00and he'll be there.
08:02And he'll tell me,
08:04I'm going to the next generation of Belgrade.
08:06But I'm not sure.
08:08Just let me take care of you.
08:10I can do it.
08:12I'm going to take care of you.
08:14I'm going to take care of you.
08:16I'm not going to take care of you.
08:18I'm going to take care of you.
08:20I have no money.
08:22I don't want to say that.
08:24I'm not sure what the hell was going on.
08:26I didn't remember that.
08:30The hell is going on.
08:32The hell is going on.
08:34I'm not sure what the hell is going on.
08:36I'm not sure what the hell is going on.
08:38I believe that the tourists leave their own stuff.
08:40Or some businessmen when they have a transfer of electricity.
08:42That's the solution.
08:44Mane!
08:46Mane!
08:48Listen.
08:49We're going to take a day.
08:50What?
08:51That's 50% of the money for sober.
08:53And that's what you're saying on the media.
08:55That's what we're saying.
08:57That's what we're going on.
08:59Let's go!
09:0050% of the day.
09:01If it doesn't help us, we can't help.
09:03It's not a job.
09:04The day.
09:06The day.
09:07The day.
09:08The day.
09:09The day.
09:10The day.
09:11The day.
09:12Take the table and write the daily fight.
09:16All in large words.
09:18In large words, I don't hear my own thoughts.
09:22Dujović, when you call them, we say that we offer the daily return.
09:27Do you understand?
09:28Good, we came to our sunlit hotel.
09:30We offer the daily relaxation action.
09:33Do you understand?
09:34Let's go.
09:35And let's start the action.
09:42How did you say?
09:52You hold your hand here and you don't say it.
09:55You don't say it, you don't say it.
09:57Yes.
09:58Hello!
09:59Listen to me.
10:00Let's go.
10:01It's not gone, but you've lost the palace.
10:03Listen to me.
10:05Listen to me.
10:07Listen to me.
10:08You hold your concentration.
10:10Listen to me.
10:11You hold your hand.
10:12Let's go.
10:13Let's go.
10:14Maybe we are too ambitious.
10:16Maybe you can block yourself.
10:18That you don't have more than...
10:20I can't do this.
10:21No.
10:22I'll hold that.
10:23Let's go.
10:24Let's go.
10:25Let's talk.
10:26Hello.
10:28Olga here.
10:29Listen to me.
10:30That you haven't ever gone on the back.
10:32That you have to give me heart, smile, fruits, cakes, and so on.
10:37And that you don't treat my hotel as a fucker.
10:41And that you just made me strong.
10:45No, no, no. This was good.
10:49Yeah, that's a good question.
10:51What would anyone want to do?
10:53Hey, Senija, you are still on the list of waiting for a village.
10:57And better, ours are closed due to the epidemic of a little goddess.
11:00How are you together with the three?
11:02How? How do you have to?
11:04Can you please give me a little drink?
11:08There are three and four.
11:13What is this?
11:15What is this?
11:16Today, all the citizens decided to make me a drink.
11:19When I was a baby.
11:21What are you writing?
11:23Dremi Boravak, what did you say?
11:25Dremi Boravak.
11:27You're a friend, you said Dremi Boravak.
11:29I said, go to me.
11:31Wait.
11:33Stop.
11:34Stop.
11:35Maybe it's not a bad idea that we have one and the other.
11:38I mean, a strong promise and a strong fortune.
11:41Yeah.
11:42Go, go and do it.
11:43And a fight.
11:44And a fight.
11:45And you catch them.
11:46Here you go.
11:47Here you go.
11:50Who catch children?
11:52Director.
11:53Director.
11:54Yes.
11:55Where are you?
11:56Where are you?
11:57Where are you?
11:58I'm from school.
12:01Hey, Suza.
12:02I need your help.
12:04What help?
12:05I have a child.
12:07It's a very small year old.
12:09They are a lot of sweet.
12:11And I thought you were a half a day.
12:14We are now and Kuplera and Vrtić.
12:19No, you know, you are my mother.
12:23You are wonderful and communicative.
12:25You are because you know it with children.
12:27I have done this part of my life.
12:30So, no.
12:32I pray, Susana, I pray.
12:34I don't want to.
12:35I'll do it.
12:36Bravo.
12:39What's wrong?
12:40I'm working for a person who deserves to be a reward.
12:44One day, that's a god.
12:47Or someone else.
12:49Yes, yes.
12:52I'm going to say that I'm not mistaken.
12:55A religious minister looks at me,
12:58but she's got a good ass.
13:00She's not good enough for her face.
13:03She looks at me,
13:05as if she understands what I'm saying.
13:07Nothing is more than a wisdom in action.
13:13What's wrong?
13:14Yes.
13:15Yes.
13:16Yes.
13:17Yes.
13:18I love you.
13:21Of course, I understand.
13:23Germany is normal,
13:25but complicated.
13:27I'm going to tell you one story.
13:28Babo i sedam jarića.
13:32I'm knowing her,
13:33but she might be in town.
13:35I have to tell you one story.
13:37Yes, I'm going to tell you the story.
13:42A thing.
13:43They're telling you one story now.
13:44Babo i sedam jarića.
13:47It's just a joke.
13:49There was a princess.
13:51One princess.
13:53One princess.
13:54One princess princess.
13:56One princess princess.
13:57The prince is a princess.
13:59And the prince...
14:01Little, come back!
14:03The prince is a great prince.
14:08But he is not on earth.
14:11Little, come back!
14:14The prince is flying.
14:16The prince is flying.
14:18The prince is a great prince.
14:22And the prince is a great prince.
14:24And then Prince is a great prince.
14:27And the prince is a great prince.
14:29And the prince is a great prince.
14:31And the prince is a great prince.
14:33Good morning.
14:35Welcome.
14:36Dejan Stojković, director hotel, general manager.
14:39My name is Darko Dimitrijević.
14:41Dimitrijević and the children.
14:42A pači!
14:43I'm sorry, director.
14:45Do not go.
14:47I'm going to go.
14:49Oh, Bože.
14:54Hvala za kakve!
14:56In the process.
14:57Hvala za kakve.
14:58Hvala za kakve.
14:59Stop the kakve.
15:01Hvala za kakve.
15:03Hvala za kakve.
15:05Za ovu akciju je potrebna jedna plava boja za uskašnje jaja,
15:10turpije za nokte,
15:11pinceta, parče, gaze, fen
15:13i tableta za spavanje.
15:45There was a panic attack.
15:55You said it will be Kinder Fry.
16:00Yes, it is Kinder Fry. We have a radio station here, because of the hotel European family.
16:06We have to complete it, but we passed the first round.
16:09That's a good news, and now we have to go.
16:12But you haven't gone yet.
16:14We haven't gone yet, but we will go.
16:17And when we go, there will not be children.
16:19They will not be able to go where they are, but just a nice lady.
16:23And? Have you played a game with me?
16:26Yes, yes, yes.
16:28Come on, let's go.
16:30Do you want to play a game?
16:35Can we look at the news?
16:38Yes, you can.
16:40I'm ready.
16:42I'm going to bring him.
16:44We are ready for the room.
16:45Let's go for the reception.
16:47For you, president?
16:50Yes, so?
16:51Which room do you like?
16:52Just that you don't have a fish.
16:54No, there's nothing more, dear.
16:56There's nothing.
16:58And there's nothing.
16:59Good.
17:00Hey, go ahead.
17:01Hold it on.
17:03A see?
17:05I'm going to just hold it.
17:07Hopefully, I've just heard my kids take the right one more.
17:10I'll show you.
17:11Hey, you're up.
17:12You've got to hold your hands for the right among us.
17:13Let's take the rest of us.
17:16Little girl!
17:23Come on, come on, come on, come on, come on, come on, come on, come on.
17:26Come on, I understand that you're in panic, but I really give everything out of yourself.
17:30Come on, come on, come on.
17:32Come on until you finish it, can you?
17:38Here you go.
17:40Up.
17:42Nežne, mekane, do you play the piano?
17:45No, no, I write a lot, I write a lot, it's the same.
17:50People told me that I'm an absolute servant.
17:53Why?
17:54In general, for people.
17:57That's why I write a film scenario.
17:59I would have done it one day, if I would finish that scenario.
18:03Films? I like it in planes.
18:06Eto, sam svakog reditelj.
18:08Baš bih voljela puno da slušam o tome.
18:11Zato što mogu da ti pomognem.
18:13Stvarno?
18:14Znam narod iz Hollywooda.
18:17Izvješta je gotov, štampa se.
18:20A da, a vi dok čekate, da li ste možda raspoloženi da probate masažicu kod vaše omeljene maserke?
18:27Ko je to?
18:28Ana, evo je.
18:29Ja.
18:33Ona veše nije loša.
18:34Rekli ste mi da imam nežne ruke.
18:38Isto.
18:40Može.
18:42A mi posle pravimo filmove.
18:48Savetniče!
18:50Zašto da čekamo?
18:51Da ste vi možda da odemo na jedno piće do bara malo da upremo i mi vremo.
18:55Ne pijem. Već 13 meseci.
18:57Suv kobarut.
18:58Bravo, čestitam.
18:59Hvala.
19:00A imamo mi bezalkoholne koktele, ste probali to?
19:02Stvarno.
19:03O, to pravi besi.
19:04Naš barmen, muslimanski je vero ispojesti.
19:07Mislim, to je ovde diversifikovano kao i naravno.
19:10Jasno, jasno.
19:11Bite, kjemme se.
19:12Dobar dan, devojke.
19:20Bite, rein.
19:24Erihne se se se se na ostfront.
19:32An.
19:33Hey, hello, Srećo.
19:37Nemanje, sirotvoji u Trojki.
19:39Znam da ne znam da ih razgojaju, da imaju separacijnu krizu.
19:43Ale nisam lud, Sandra.
19:45Ujde me lažaš. Pratim vas na aplikaciji, vidim da nisu nista mjesto.
19:49Kako nisu nista mjesto?
19:51Pogledajte, ovo bolje, našta gledaš.
19:53Kako nisu nista mjesto?
19:55Pogledajte, ovo bolje, našta gledaš.
19:57Kako nisu nista mjesto?
19:59Pogledajte, ovo bolje, našta gledaš.
20:01Kako nisu nista mjesto? Pogledajte, ovo bolje, našta gledaš.
20:03Kakva aplikacija, čovječa.
20:05Kraljica ime stavila rtegove, kao na nogice.
20:08A neka njima, no i meni.
20:10A neka bi rade se to vas da može maći.
20:13I dat kolegi, recimo, iz dostave, dobro najpeše skrugova po gradu.
20:17Dok ja sastavim tiket.
20:19Jako dobro ću da uzmem malog scenografa sa recepcije.
20:28Tako sam vidjela da je proradila ta kundalinija energija između nas.
20:33Može masaža lica?
20:36Imam neku novu tehniku.
20:39Malo će da boli, ali bolje od botoksa.
20:43Vita.
20:44Dobro je za cirkulaciju i za bore, a vi ste ipak u godinama.
20:52Pa...
20:53Wow!
20:54Da još.
21:02Opa.
21:03Of, of, of.
21:05Dobar je ovaj bezalkoholni.
21:09Jel?
21:10Kao da je pravi.
21:11Nema, kažem ja Beske, naš genijem za koktor.
21:14Sipaj čovjeku kono.
21:15Ozmijeno naš kućni musliman.
21:17Kavija.
21:18Ja stavim sirup, sok i kisele malo.
21:21Sjajn.
21:22Sjajn.
21:23Nema, pravi ga.
21:24Vre.
21:25Hvala.
21:26Aha, slobodno, slobodno.
21:31Bravo, bravo.
21:34Uff, neverovatno.
21:35Šta kao baš udarak?
21:36A to je možda onaj efekat kad ono kad popioš lek, a nije taj lek, a tebi radi kao da je taj lek.
21:42Da.
21:43Kako se kaže onaj...
21:44Placebo.
21:45Placebo.
21:46Efekat.
21:47Efekat.
21:48Daj još jedan placebo kad je ovako dobro.
21:49Samo što kisela nije kisela, nego domaća šljiva.
21:52Ja ju uvek držim ustakljenoj flaši od kisele.
21:55Zanedaj Bož.
21:57Srećno u Dzehenemu.
21:59Bravo.
22:00Slakako se.
22:01Nema, to je naš beske. Genije, genije za koktele. Stvarno je.
22:08Bravo, bravo.
22:10Kako slatko pijete, sad meni se otvorila ova dizna.
22:13Uff, sjajno.
22:21Ti da dođeš u moja soba, da pravimo tvoje filmove.
22:26A ja radim sad. Ja radim.
22:30Ja te plaćam.
22:32Pa ćeš da radiš šta ja kažem.
22:37God.
22:43Daj kešene.
22:46Šta si joj radila ti?
22:48Joj je facet tva broja veća sad.
22:51Malo sam joj razdrmala doše.
22:53Vidim.
22:54Postoji jedan veoma jednostava način da se dođe to mnogo novca.
22:59Mnogo novca.
23:00Nažalost jako malo ljudi to praktikuje.
23:03A u stvari je veoma jednostav.
23:05Čemu se radim?
23:06Čemu?
23:07Izveštaj.
23:08Gotov.
23:09Izveštaj?
23:10Da, mnogo.
23:11Ja smenem da go kradem na sekundi?
23:13Izvijeni moment, izvijeni moment, upamti gde si stao.
23:16I ovaj je gotov.
23:17Turčin je napio lečnog alkoholičara jer ne razliko je kiselo od brlje.
23:23Napio su čovek.
23:26Neka pustiga nek pije.
23:27Pa ti da pije čovek je lečni alkoholičar, ne smaj da pije.
23:30Manje će se baviti našim izveštajom onda.
23:33Slušaj me.
23:34Ja će dostanem s njim.
23:35Ti do moju kancelariu.
23:36Na mom stolu.
23:37Nalaze se dve fastcikle.
23:38Rezedo i tirkizna.
23:40U rezedo fastcikli nalazi se pravi izveštaj.
23:43U tirkiznoj fastcikli nalazi se lažni izveštaj.
23:46Ti uzimaš tirkiznu fastciklu i nosiš gangel.
23:50Znači ja nosim tirkiznu kodangel.
23:52Dači.
23:55Da.
23:56Šta je?
23:57Dve reč.
23:58Dve.
23:59Off.
24:00Short.
24:01Zipers.
24:02Zipers.
24:03Zipers.
24:04Zipers.
24:06Nema ni kurca od ovog.
24:08Bukvalno.
24:09Pa gde ćeš?
24:10Ovdje ima para za dva sata, može se digne.
24:13Javi mi ako se digne.
24:29Zipers.
24:30Zipers.
24:32Zipers.
24:34Zipers.
24:35Zipers.
24:37Hey, Olga, I'm going to take a break.
24:49What is that?
24:51Wait, wait, wait, wait a second.
24:53I'm going to talk about the rest.
24:55I'm going to talk about the rest.
24:56I'm going to talk about the rest.
24:57I'm going to talk about the rest.
24:59No, hello.
25:01Mali.
25:03Nekar.
25:05What are you doing here?
25:07I don't look.
25:09I'm going to give you this.
25:11What's that?
25:13You're looking for me.
25:15You're looking for the rest.
25:17You're looking for the rest.
25:19You're looking for the rest.
25:21You're looking for the rest.
25:27Director, tell me something.
25:29She's looking for the rest.
25:31It's always going to be paper.
25:33It's very important to me.
25:34I'll give you a bill.
25:35You're looking for the rest.
25:36I'll give you a bill.
25:37Resources.
25:38I'll sit down.
25:39Ya.
25:40I'm sorry.
25:42I'm sorry.
25:44It's okay.
25:46I'm not sure if I had never known.
25:48I had to say ranger.
25:50He left me a Ав timeframe for the rest
25:52because he was crying for the end of the rest.
25:54I'm trying to save the rest.
25:56I'm stealing my money from the rest.
25:58I'm stealing my money from the rest.
25:59I need the mother.
26:08Come on, girls. Take a break.
26:10Just now the colleagues will come back.
26:13Eh, the trash.
26:15Go to the conference.
26:17Top are they.
26:21Everything is okay, friend. I can.
26:24You can.
26:26You need your hand, friend.
26:29Is that me?
26:31Sobarica, everything is okay.
26:33For you can also be sobarica.
26:35Sobarica.
26:36Excuse me, excuse me.
26:38Do you want to be with us?
26:41No.
26:43No.
26:45No.
26:46No.
26:47No.
26:48No.
26:49No.
26:50No.
26:52No.
26:53No.
26:55No.
26:57No.
26:58I need something to ask you, I need to ask you, I need to ask you, I need to ask you.
27:01Deki, do you know that I would have done everything for you?
27:03A man, a hotel guest who wants to see a girl who is busy at the restaurant.
27:07Why do you want to see a girl who is busy at the restaurant?
27:09Why do you want to see a girl who is busy at the restaurant?
27:10Why do I know her?
27:11Why do I know her?
27:12I can read her, I ask you.
27:13I have some important information, come to me.
27:21Come on, I'm here a big plod.
27:26Come on, Deki.
27:27I can't tell you, I can't tell you, but I'm not going to tell you.
27:30When you see a girl, I'm going to see you.
27:31What's the best?
27:32Tell me.
27:34Where is the second cycle?
27:36The angel's meeting.
27:37What do you do?
27:38Who is the cycle of angel's meeting?
27:40The church as a meeting.
27:42This is the church?
27:44No, this is the church.
27:46This is the church, Deki.
27:49This is the church, Deki.
27:50And this is the church.
27:51This is the right message.
27:54What?
27:55This is a false message.
27:57What does it mean?
27:58It's a true message.
27:59It's a true message.
28:01What is the good news?
28:03No, Deki.
28:04No, Deki.
28:05It won't be.
28:06It's a false message.
28:07You can't do it.
28:08Just use the phasicle.
28:09No, Deku.
28:10No, Deku.
28:11You can't do it.
28:12No, sorry.
28:13No, Deku.
28:14No, Deku.
28:15No, Deku.
28:16No, Deku.
28:17No, Deku.
28:18No, Deku.
28:19Dujević, you have to go to Angelo's house and how do you know that you can replace the fascicle.
28:25That you can go down from the bottom and that you can go up.
28:28Because this is a rezedo.
28:30This is a turkis, this is a rezedo.
28:32Okay, this is a turkis, this is a rezedo.
28:35In any case, what are you going to do?
28:37It's not important, you need to replace it.
28:40Now, I don't want to change the lines.
28:43You don't see the problem. What are you going to do with these morons lines?
28:47Nothing is the same.
28:48Excuse me, but it's a great deal.
28:50Yes, it's a rezedo.
28:51You are crazy.
28:52You know what?
28:53You just go inside and if you know what you want, you can do it.
28:57All right, you can do it.
28:59I can't do it.
29:00Really, I can't do it.
29:01Why?
29:02Why?
29:03I don't know what the problem is.
29:05I don't understand what the problem is.
29:08The worst is that the women who hit the woman and they say, what?
29:13You know, they went to the street and went to...
29:16Pičku?
29:19Yes.
29:20That one, perhaps.
29:22Our daughter!
29:23And then they're going to protect themselves.
29:24Who is the girl?
29:25Who is the woman?
29:26Who is the girl here?
29:27Who is the girl here?
29:28Who is the girl here?
29:29Who is the first one?
29:30Let's have dinner for each girl.
29:31We wouldn't have to be able to protect themselves.
29:34No, first of all, you won't be able to protect themselves.
29:37Let's just say it again.
29:38And then, you won't be able to protect themselves.
29:40It's not true.
29:41You won't be able to protect themselves.
29:42Let's go.
29:43Here's your voucher for an unrighteous hand.
29:46Oh, I'm very happy.
29:48Now it's possible.
29:49Great.
29:50Do you want a weekend?
29:51A weekend, free.
29:53I won't be able to.
29:54I won't be able to.
29:55You won't be able to.
30:00Two free weekends.
30:02Two free weekends, but no one.
30:04Let's go.
30:05But I can't see the victims I bring for this hotel.
30:08From day to day.
30:11But I believe that everything will be a good place.
30:14Because, listen, she has changed Hollywood, finance,
30:20although she is really the only one who is interested in this scenario.
30:24So, we need to be able to create and connections and connections.
30:28So, what did we learn today?
30:31When we see an agreement for a good paid job in Dubai,
30:35what do we do?
30:36First, we test health.
30:39And if we have a pension?
30:41Nothing without a pension.
30:43What is the most important thing?
30:44Do you understand me?
30:50Soon.
30:51I'm sorry.
30:52Come on.
30:53I'm sorry.
30:54Come on.
30:55Yeah.
30:59Come on.
31:05Come on.
31:06Come on.
31:07Come on.
31:08Come on.
31:09Come on.
31:10Come on.
31:11Come on.
31:12Come on.
31:13Oh.
31:14Come on.
31:15Come on.
31:16Come on.
31:17I'm sorry.
31:18I'm sorry.
31:19Now I will.
31:20You can tell me that.
31:23Well, what is actually the first Serbian superhero?
31:29It's the Serbian super hero.
31:31It's the Serbian Zupaman.
31:32It's the Zupaman?
31:33Yes.
31:34It can be.
31:35Let's go.
31:37Let's go.
31:39Cupavan, let's go, yes.
31:41The big fish?
31:43Yes.
31:45Yes.
31:49Is it on the weapon?
31:51Yes.
31:53What?
31:55Hrabušću
31:57and bustovan.
31:59Yes!
32:01It's like that Thor.
32:03Is it Thor?
32:05No, Thor.
32:07It's like that.
32:09Thor is the same.
32:11It's the same.
32:13It's the same.
32:15Who is the game?
32:17It's the game.
32:19It's Thor.
32:21This big fish.
32:23It's the thing.
32:25It's the budget.
32:29Budget!
32:33It will be big as I like to be big.
32:39Because your hand is changed.
32:45You know how the roles in Hollywood are finished?
32:49It's the hotel room.
32:51It's the start and it's the end.
32:53It's the start.
32:55It's over.
32:57Yes, yes.
32:59Telephone.
33:01Yes.
33:03Shreise.
33:05Papa, on a video call.
33:07No.
33:09You have to call me.
33:11Hello.
33:13Papa.
33:15Hello, my friend.
33:17How are you?
33:19I'm calling you.
33:21I worked like a horse, Papa.
33:25Let's go.
33:27You were good today?
33:29Amazing.
33:31What did you learn to do, Nadja?
33:33The safety is the most important thing.
33:45Let me know you.
33:47This is Ferdinand.
33:49With the children, you have to go with them.
33:53How much are you safe?
33:55How much are you safe?
33:57How much are you safe?
33:59They were working like a setter.
34:01I'm not sure.
34:03Did you say something special, something special?
34:07I don't tell you anything about the hotel.
34:09She talked about the Ayurveda, the Došama
34:11and the nonsense.
34:13She was a lot.
34:15Do you have to go?
34:17Do you have to go?
34:19Do you have to go?
34:21Do you have to go?
34:22Do you have to go?
34:23I don't have to go.
34:24Because it's very important if you remember something that's important.
34:28I have to go.
34:29Do you have to go?
34:31Do you have to go?
34:33No, no.
34:35No, I'm sorry.
34:36No.
34:37No.
34:38No.
34:39No.
34:40No.
34:41No.
34:42That's why I came to go to the phone.
34:43That's why I came to go to the phone.
34:44That's why I came to go.
34:45Yes.
34:46Did you hear what they said?
34:47Did you say something?
34:48I don't know.
34:49I don't speak German.
34:50You don't speak German.
34:51You know two or three of them.
34:53You look at a partisan film.
34:55Awww...
34:56Awww...
34:57Uden.
34:58Awww...
34:59Deki.
35:00A, ide, bre...
35:01Gde ovaj savetnik?
35:02Rešavam tog savetnika.
35:05Deki.
35:08Nije.
35:09Vol'imom...
35:10Nisam.
35:11I da jesi.
35:12Nisam!
35:13Nije.
35:18Evo nas Ljubavi.
35:19Svi smo na broju vidi.
35:21Na svježajem vazduhu.
35:23Is that a bitch?
35:25Do you know how many dogs you bring to us?
35:28You're not right, ma'am.
35:30You're not right.
35:32You're from that bitch.
35:34Let's go.
35:36Let's go.
35:38Let's go.
35:40It's not easy for you, son.
35:42It's easy for you, brother.
35:44Let's go.
35:46Quick, quick!
35:48My nephew called for the evidence.
35:50Let's go.
35:52Let's go.
35:56Schnell.
35:57Schnell.
35:58That means quickly.
36:00We've watched German action films.
36:04So...
36:07So...
36:11Considering the amount of inflation and tourism
36:14in the Balkan region,
36:17even 17% in the past year.
36:22I have to admit that this...
36:25looks pretty solid,
36:27but...
36:28It's not enough to end without a doubt
36:30in the day's event, you know?
36:32I'm happy.
36:33I have him on my phone.
36:34There's a phone on my phone.
36:38Can I ask you something?
36:40You can.
36:41What's your name?
36:42What the hell?
36:43I'm happy.
36:44He is here.
36:45That's how he is.
36:46That's how, how, how.
36:47That's how, how...
36:48too...
36:49But that's how, how, how, how, how, how...
36:50Ah...
36:51Ah...
36:52Se, sorry, I'm sorry.
36:54But I found something.
36:55That's what the goal is to get.
36:57Everything is great.
37:02The books are clean,
37:07good, better evidence.
37:09I have not seen every time.
37:12It's pure poetry.
37:15But it's good.
37:18It's good that you didn't get into the minus.
37:20My father will hear it good.
37:22What a minus.
37:24We are all in the plus.
37:27We are all in the plus.
37:29And if you can see these from the Commission,
37:31please ask them.
37:32We are really excited.
37:34Especially from his son.
37:37We will see it when the final announcement comes.
37:40Of course.
37:41Scenographer,
37:42until then you finish the scene.
37:44Oh, he is constantly worried about it.
37:47Of course, when he doesn't work.
37:49I can help him.
37:51We change ideas.
37:53A lot.
37:55Yes, you are.
37:57Good girl.
37:59There will be someone for books, for the company.
38:02The hotel will be clean from the girls and children,
38:06and the business of business and business people.
38:09Of course.
38:10Good morning.
38:11Good morning.
38:12Good morning.
38:13Good morning.
38:14Good morning.
38:15Good morning.
38:16Good morning.
38:1715 rooms.
38:18Are they free?
38:1915?
38:2015.
38:2115?
38:2215?
38:2315.
38:24There is, of course.
38:25There is.
38:26There is.
38:27As you can see, we are already working on this.
38:29Angela, your wish for us is a story.
38:30Auf Wiedersehen.
38:31Auf Wiedersehen.
38:32Auf Wiedersehen.
38:33Good morning.
38:34Where are these people?
38:35I don't know, but the timing is perfect.
38:37What?
38:39Yeah.
38:40What?
38:41I don't know.
38:42I'm not willing to pay aacji on the room.
38:46I'm not willing to pay attention here.
38:47I'm not willing to pay attention to my attention.
38:50I'm not willing to pay attention to my attention.
38:52I'm not willing to pay attention.
38:53I don't know, but the timing is definitely possible.
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